{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=18","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=20","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=87"},"meta":{"pages":{"current_page":19,"next_page":20,"prev_page":18,"total_pages":87,"limit_value":10,"offset_value":180,"total_count":863,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_10013_c02","type":"Series","attributes":{"title":"Concert programs","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10013_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10013_c02","ref_ssm":["viw_repositories_2_resources_10013_c02"],"id":"viw_repositories_2_resources_10013_c02","ead_ssi":"viw_repositories_2_resources_10013","_root_":"viw_repositories_2_resources_10013","_nest_parent_":"viw_repositories_2_resources_10013","parent_ssi":"viw_repositories_2_resources_10013","parent_ssim":["viw_repositories_2_resources_10013"],"parent_ids_ssim":["viw_repositories_2_resources_10013"],"parent_unittitles_ssm":["Chamber Music Society of Williamsburg (CMSW) papers"],"parent_unittitles_tesim":["Chamber Music Society of Williamsburg (CMSW) papers"],"text":["Chamber Music Society of Williamsburg (CMSW) papers","Concert programs"],"title_filing_ssi":"Concert programs ","title_ssm":["Concert programs"],"title_tesim":["Concert programs"],"unitdate_inclusive_ssm":["1988-2024"],"normalized_date_ssm":["1988/2024"],"normalized_title_ssm":["Concert programs"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Chamber Music Society of Williamsburg (CMSW) papers"],"has_online_content_ssim":["false"],"child_component_count_isi":50,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":22,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"_nest_path_":"/components#1","timestamp":"2026-05-21T08:38:05.169Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_10013","ead_ssi":"viw_repositories_2_resources_10013","_root_":"viw_repositories_2_resources_10013","_nest_parent_":"viw_repositories_2_resources_10013","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_10013.xml","title_filing_ssi":"Chamber Music Society of Williamsburg (CMSW) papers","title_ssm":["Chamber Music Society of Williamsburg (CMSW) papers"],"title_tesim":["Chamber Music Society of Williamsburg (CMSW) papers"],"unitdate_ssm":["1987-2024"],"unitdate_inclusive_ssm":["1987-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00429","/repositories/2/resources/10013"],"text":["MS 00429","/repositories/2/resources/10013","Chamber Music Society of Williamsburg (CMSW) papers","Music","Music--Performance--United States","Music--Virginia--Williamsburg.","Music--Societies, etc","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Access to some materials in this series restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","The collection is arranged into five series.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\n\nWilliam \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Includes administrative files, publications, programs, meeting minutes, and other documents relating to the Chamber Music Society of Williamsburg (CMSW).","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00429","/repositories/2/resources/10013"],"normalized_title_ssm":["Chamber Music Society of Williamsburg (CMSW) papers"],"collection_title_tesim":["Chamber Music Society of Williamsburg (CMSW) papers"],"collection_ssim":["Chamber Music Society of Williamsburg (CMSW) papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by the Chamber Music Society of Williamsburg"],"access_subjects_ssim":["Music","Music--Performance--United States","Music--Virginia--Williamsburg.","Music--Societies, etc"],"access_subjects_ssm":["Music","Music--Performance--United States","Music--Virginia--Williamsburg.","Music--Societies, etc"],"has_online_content_ssim":["false"],"extent_ssm":["4.17 Linear Feet 10 Full Hollinger boxes"],"extent_tesim":["4.17 Linear Feet 10 Full Hollinger boxes"],"date_range_isim":[1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eAccess to some materials in this series restricted to specific Board of Directors members.\u003c/p\u003e","\u003cp\u003eAccess restricted to specific Board of Directors members.\u003c/p\u003e","\u003cp\u003eAccess restricted to specific Board of Directors members.\u003c/p\u003e","\u003cp\u003eAccess restricted to specific Board of Directors members.\u003c/p\u003e","\u003cp\u003eAccess restricted to specific Board of Directors members.\u003c/p\u003e","\u003cp\u003eAccess restricted to specific Board of Directors members.\u003c/p\u003e","\u003cp\u003eAccess restricted to specific Board of Directors members.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Access to some materials in this series restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members.","Access restricted to specific Board of Directors members."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into five series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into five series."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\n\nWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\n\nWilliam \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eSpecial Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eIncludes administrative files, publications, programs, meeting minutes, and other documents relating to the Chamber Music Society of Williamsburg (CMSW).\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Includes administrative files, publications, programs, meeting minutes, and other documents relating to the Chamber Music Society of Williamsburg (CMSW)."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":159,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T08:38:05.169Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10013_c02"}},{"id":"vihart_repositories_4_resources_488_c04","type":"Series","attributes":{"title":"Conference Records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04","ref_ssm":["vihart_repositories_4_resources_488_c04"],"id":"vihart_repositories_4_resources_488_c04","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","parent_ssi":"vihart_repositories_4_resources_488","parent_ssim":["vihart_repositories_4_resources_488"],"parent_ids_ssim":["vihart_repositories_4_resources_488"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records"],"text":["Furious Flower Poetry Center Records","Conference Records","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Alleyne, Lauren K.","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included."],"title_filing_ssi":"Conference Records","title_ssm":["Conference Records"],"title_tesim":["Conference Records"],"unitdate_inclusive_ssm":["1970-2024"],"normalized_date_ssm":["1970/2024"],"normalized_title_ssm":["Conference Records"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":486,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"names_ssim":["James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Alleyne, Lauren K.","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","James Madison University. Jazz Ensemble","Furious Flower Poetry Center (1999-2004)","Furious Flower Poetry Center (1999-2004)","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group"],"persname_ssim":["Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Gabbin, Joanne V. (Joanne Veal), 1946-","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Gabbin, Joanne V. (Joanne Veal), 1946-","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Alexander, Elizabeth, 1962-","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Gabbin, Joanne V. (Joanne Veal), 1946-","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Harper, Michael S. (Michael Steven), 1938-2016","Sanchez, Sonia, 1934-","Gabbin, Joanne V. (Joanne Veal), 1946-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Stover, Darrell \"SCIPOET\"","Renegade, D. J.","Evans, Mari, 1919-2017","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Gabbin, Joanne V. (Joanne Veal), 1946-","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Madhubuti, Haki R., 1942-","Kendrick, Dolores, 1927-2017","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gabbin, Joanne V. (Joanne Veal), 1946-","Gayles, Gloria Jean Wade (19380701)","Gabbin, Joanne V. (Joanne Veal), 1946-","Stover, Darrell \"SCIPOET\"","Collier, Eugenia W. (1928-04-06)","Evans, Mari, 1919-2017","Redmond, Eugene (Eugene B.) (1937-12-01)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","McDowell, Deborah E., 1951-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Moore, Opal (1953)","Lane, Pinkie Gordon (1923-2008-12-03)","Sanchez, Sonia, 1934-","Ward, Val Gray (1932-08-21-2024-03-07)","Brooks, Gwendolyn, 1917-2000","Gabbin, Alexander L. (1945)","Redmond, Eugene (Eugene B.) (1937-12-01)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Taylor, Clyde (1931-07-03-2024-01-24)","Gabbin, Joanne V. (Joanne Veal), 1946-","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Aubert, Alvin (1930-03-12-2014-12-06)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Salaam, Kalamu ya, 1947-","Stover, Darrell \"SCIPOET\"","Miller, Adam David (1922-10-08-2020-11-04)","Renegade, D. J.","Love, Monifa A.","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Redmond, Eugene (Eugene B.) (1937-12-01)","Brice-Finch, Jacqueline","Salaam, Kalamu ya, 1947-","Kein, Sybil (1939-09-29-2022-10-28)","Miller, Adam David (1922-10-08-2020-11-04)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Redmond, Eugene (Eugene B.) (1937-12-01)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Keene, John (John R.), 1965-","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Ellis, Thomas Sayers (1963)","Gex, Quo Vadis","Ward, Val Gray (1932-08-21-2024-03-07)","Gabbin, Joanne V. (Joanne Veal), 1946-","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Gabbin, Joanne V. (Joanne Veal), 1946-","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Alexander, Elizabeth, 1962-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Keene, John (John R.), 1965-","Stover, Darrell \"SCIPOET\"","Gabbin, Joanne V. (Joanne Veal), 1946-","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Gabbin, Joanne V. (Joanne Veal), 1946-","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Harper, Michael S. (Michael Steven), 1938-2016","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Stover, Darrell \"SCIPOET\"","Evans, Mari, 1919-2017","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Gabbin, Joanne V. (Joanne Veal), 1946-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Brooks, Gwendolyn, 1917-2000","Madhubuti, Haki R., 1942-","Gabbin, Joanne V. (Joanne Veal), 1946-","Kendrick, Dolores, 1927-2017","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Stover, Darrell \"SCIPOET\"","Gabbin, Joanne V. (Joanne Veal), 1946-","Collier, Eugenia W. (1928-04-06)","Evans, Mari, 1919-2017","Redmond, Eugene (Eugene B.) (1937-12-01)","McDowell, Deborah E., 1951-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Moore, Opal (1953)","Lane, Pinkie Gordon (1923-2008-12-03)","Sanchez, Sonia, 1934-","Ward, Val Gray (1932-08-21-2024-03-07)","Brooks, Gwendolyn, 1917-2000","Gabbin, Alexander L. (1945)","Gabbin, Joanne V. (Joanne Veal), 1946-","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Redmond, Eugene (Eugene B.) (1937-12-01)","Aubert, Alvin (1930-03-12-2014-12-06)","Braxton, Joanne M. (1950)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Asim, Jabari, 1962-","Taylor, Clyde (1931-07-03-2024-01-24)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Salaam, Kalamu ya, 1947-","Stover, Darrell \"SCIPOET\"","Miller, Adam David (1922-10-08-2020-11-04)","Redmond, Eugene (Eugene B.) (1937-12-01)","Brice-Finch, Jacqueline","Salaam, Kalamu ya, 1947-","Kein, Sybil (1939-09-29-2022-10-28)","Miller, Adam David (1922-10-08-2020-11-04)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Gex, Quo Vadis","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Bullock, Byron","Gabbin, Joanne V. (Joanne Veal), 1946-","Bullock, Byron","Morris, Mellasenah Young","Ward, Val Gray (1932-08-21-2024-03-07)","Reagon, Bernice Johnson, 1942-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Collier, Eugenia W. (1928-04-06)","Redmond, Eugene (Eugene B.) (1937-12-01)","Jackson, Major, 1968-","Kendrick, Dolores, 1927-2017","Asim, Jabari, 1962-","Beatty, Vera L.","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Giovanni, Nikki (1943-2024)","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Jackson, Major, 1968-","Kendrick, Dolores, 1927-2017","Lane, Pinkie Gordon (1923-2008-12-03)","Harper, Michael S. (Michael Steven), 1938-2016","Beatty, Vera L.","Nielsen, Aldon Lynn (1950-10-20)","Goven, Sandra","Evans, Mari, 1919-2017","Hoagland, Everett (1942-12-18)","Sanchez, Sonia, 1934-","Ward, Val Gray (1932-08-21-2024-03-07)","Salaam, Kalamu ya, 1947-","Thomas, Lorenzo, 1944-2005","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Aubert, Alvin (1930-03-12-2014-12-06)","Baraka, Amiri, 1934-2014","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Moore, Lenard D., 1958-","Touré, Askia M. (1938-10-13)","Williams, Sherley Anne, 1944-1999","McDowell, Deborah E., 1951-","Derricotte, Toi, 1941-","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Moore, Opal (1953)","Sanchez, Sonia, 1934-","Traylor, Eleanor W.","Hodges, John L.","Gabbin, Joanne V. (Joanne Veal), 1946-","Brown, Douglas T.","Harris, Trudier (1948-02)","Graham, Maryemma (1949-06-13)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Harris, Trudier (1948-02)","Baker, Houston A., Jr., 1943-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Gabbin, Joanne V. (Joanne Veal), 1946-","Facknitz, Susan","Asim, Jabari, 1962-","Jackson, Major, 1968-","Medina, Tony (1966-01-10)","Moore, Opal (1953)","Strange, Sharan (1959)","Komunyakaa, Yusef (1947-04-29)","Hughes, Langston (James Mercer Langston), 1902-1967","Nielsen, Aldon Lynn (1950-10-20)","Debo, Annette, 1964-","Goven, Sandra","Graham, Maryemma (1949-06-13)","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Bolden, Tony","Favorite, Malaika, 1949-","Gabbin, Joanne V. (Joanne Veal), 1946-","Salaam, Kalamu ya, 1947-","Osbey, Brenda Marie (1957-12-12)","Young, Kevin (Kevin Lowell), 1970-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Madhubuti, Haki R., 1942-","Clifton, Lucille, 1936-2010","Giovanni, Nikki (1943-2024)","Gabbin, Joanne V. (Joanne Veal), 1946-","Dance, Daryl Cumber (1938-01-17)","Pollard, Velma (1937-03-26)","Traylor, Eleanor W.","Sanders, Mark A., 1963-","Dibinga, Omékongo","Hughes, Langston (James Mercer Langston), 1902-1967","Redmond, Eugene (Eugene B.) (1937-12-01)","Kendrick, Dolores, 1927-2017","Touré, Askia M. (1938-10-13)","Dove, Rita (1952-08-28)","Baraka, Amiri, 1934-2014","Sanchez, Sonia, 1934-","Gabbin, Joanne V. (Joanne Veal), 1946-","Medina, Tony (1966-01-10)","Mullen, Harryette Romell (1953-07-01)","Aubert, Alvin (1930-03-12-2014-12-06)","Finney, Nikky (1957-08-26)","Hoagland, Everett (1942-12-18)","Moore, Jessica Care","Salaam, Kalamu ya, 1947-","Aubert, Alvin (1930-03-12-2014-12-06)","Baraka, Amiri, 1934-2014","Clifton, Lucille, 1936-2010","Giovanni, Nikki (1943-2024)","Madhubuti, Haki R., 1942-","Pollard, Velma (1937-03-26)","Redmond, Eugene (Eugene B.) (1937-12-01)","Sanchez, Sonia, 1934-","Touré, Askia M. (1938-10-13)","Renegade, D. J.","Holladay, Hilary (1961-07-03)","Dance, Daryl Cumber (1938-01-17)","Traylor, Eleanor W.","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Goven, Sandra","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Steptoe, Lamont B., 1949-","Rose, Linwood H. (Linwood Howard), 1951-","Moore, Opal (1953)","Gabbin, Joanne V. (Joanne Veal), 1946-","Gabbin, Alexander L. (1945)","Renegade, D. J.","Moore, Lenard D., 1958-","Steptoe, Lamont B., 1949-","Thornhill, Samantha","Gex, Quo Vadis","Saloy, Mona Lisa (19500701)","Shannon, Angela","Moore, Opal (1953)","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Derricotte, Toi, 1941-","Ellis, Kelly Norman, 1964-","Strange, Sharan (1959)","Gabbin, Joanne V. (Joanne Veal), 1946-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Steptoe, Lamont B., 1949-","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Dibinga, Omékongo","Alexander, Elizabeth, 1962-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Derricotte, Toi, 1941-","Steptoe, Lamont B., 1949-","Redmond, Eugene (Eugene B.) (1937-12-01)","Dance, Daryl Cumber (1938-01-17)","Gabbin, Joanne V. (Joanne Veal), 1946-","Sanchez, Sonia, 1934-","Baraka, Amiri, 1934-2014","Warner, Mark R. (Mark Robert) (1954-12-15)","Rose, Linwood H. (Linwood Howard), 1951-","Allen, George, 1952-","Gabbin, Joanne V. (Joanne Veal), 1946-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Moore, Jessica Care","Medina, Tony (1966-01-10)","Alexander, Elizabeth, 1962-","Dawes, Kwame Senu Neville, 1962-","Eady, Cornelius, 1954-","Finney, Nikky (1957-08-26)","Goodison, Lorna (1947-08-01)","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Mullen, Harryette Romell (1953-07-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Derricotte, Toi, 1941-","Alleyne, Lauren K.","Gabbin, Joanne V. (Joanne Veal), 1946-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Facknitz, Susan","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Alleyne, Lauren K.","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","Alexander, Elizabeth, 1962-","Dawes, Kwame Senu Neville, 1962-","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Shockley, Evie, 1965-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Alleyne, Lauren K.","Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. (Cecil S.), 1950-","Jones, Meta DuEwa","McMorris, Mark","Harris, Duriel E.","Scheyer, Lauri (1952-09-08)","Singleton, Giovanni","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Alleyne, Lauren K.","Dove, Rita (1952-08-28)","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Jess, Tyehimba","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Eady, Cornelius, 1954-","Walker, Frank X., 1961-","Finney, Nikky (1957-08-26)","Rampersad, Arnold (1941-11-13)","Obama, Barack","Hughes, Langston (James Mercer Langston), 1902-1967","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Komunyakaa, Yusef (1947-04-29)","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Dove, Rita (1952-08-28)","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Alleyne, Lauren K.","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Harris, Duriel E.","Micheaux, Dante","Adesina, Gbenga","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Reeves, Roger","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Betts, Tara","Spellman, A. B., 1935-","Goodison, Lorna (1947-08-01)","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Mullen, Harryette Romell (1953-07-01)","Clifton, Lucille, 1936-2010","Komunyakaa, Yusef (1947-04-29)","Hughes, Langston (James Mercer Langston), 1902-1967","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Gabbin, Joanne V. (Joanne Veal), 1946-","Miller, Kei (1978)","McCallum, Shara, 1972-","Seibles, Tim (1955)","Anastacia-Reneé","Pardlo, Gregory","Giovanni, Nikki (1943-2024)","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Melton, McKinley","Debo, Annette, 1964-","Rutter, Emily Ruth (1978-02-28)","Leonard, Keith D., 1969-","Alleyne, Lauren K.","Hayes, Terrance (1971)","Shockley, Evie, 1965-","Osundare, Niyi, 1947-","Lubrin, Canisia, 1984-","Smith, Patricia, 1955-","Dawes, Kwame Senu Neville, 1962-","Alleyne, Lauren K.","Brown, Jericho","Alleyne, Lauren K.","Dungy, Camille T. (Camille Thornton), 1972-","Gay, Ross (Ross Alexander), 1974-","Gumbs, Alexis Pauline, 1982-","Osundare, Niyi, 1947-","Marshall, Nate, (Poet)","Hunt, Erica, 1955-","Spellman, A. B., 1935-","Redmond, Glenis (1963-08-27)","Anderson, Keisha-Gaye","Booker, Malika (1970)","Smith, Danez","Walker, Frank X., 1961-","Leonard, Keith D., 1969-","Anastacia-Reneé","Lubrin, Canisia, 1984-","Bertram, Lillian-Yvonne, 1983-","Sullivan, Mecca Jamillah","Shockley, Evie, 1965-","Bingham-Risher, Remica (1981)","Hayes, Terrance (1971)","Jones, Meta DuEwa","Shenoda, Matthew (1977-07-14)","Azino, Efe Paul (20)","Wesley, Patricia Jabbeh (1955-08-07)","Adesina, Gbenga","Betts, Tara","young, avery r.","Smith, Danez","Melton, McKinley","Browne, Mahogany L.","Jess, Tyehimba","Harris, Francine J.","Moore, Jessica Care","Goodison, Lorna (1947-08-01)","Collins, Merle (1950-09-29)","Miller, Kei (1978)","Booker, Malika (1970)","Ramazani, Jahan, 1960-","Reeves, Roger","Brown, Jericho","Pardlo, Gregory","Crisler, Curtis L."],"language_ssim":["English"],"arrangement_html_tesm":["\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n  \u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\n  \u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\n  \u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\n\u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"scopecontent_html_tesm":["\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included."],"_nest_path_":"/components#3","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04"}},{"id":"viu_repositories_4_resources_1511_c04_c19_c05","type":"Item","attributes":{"title":"Constitutional Law","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1511_c04_c19_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_1511_c04_c19_c05","ref_ssm":["viu_repositories_4_resources_1511_c04_c19_c05"],"id":"viu_repositories_4_resources_1511_c04_c19_c05","ead_ssi":"viu_repositories_4_resources_1511","_root_":"viu_repositories_4_resources_1511","_nest_parent_":"viu_repositories_4_resources_1511_c04_c19","parent_ssi":"viu_repositories_4_resources_1511_c04_c19","parent_ssim":["viu_repositories_4_resources_1511","viu_repositories_4_resources_1511_c04","viu_repositories_4_resources_1511_c04_c19"],"parent_ids_ssim":["viu_repositories_4_resources_1511","viu_repositories_4_resources_1511_c04","viu_repositories_4_resources_1511_c04_c19"],"parent_unittitles_ssm":["Website collection - University of Virginia School of Law","Law School website","Program and Center pages"],"parent_unittitles_tesim":["Website collection - University of Virginia School of Law","Law School website","Program and Center pages"],"text":["Website collection - University of Virginia School of Law","Law School website","Program and Center pages","Constitutional Law"],"title_filing_ssi":"Constitutional Law","title_ssm":["Constitutional Law"],"title_tesim":["Constitutional Law"],"unitdate_other_ssim":["2024-12-05"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Constitutional Law"],"component_level_isim":[3],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Website collection - University of Virginia School of Law"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":114,"parent_access_restrict_tesm":["There are no restrictions on accessing the websites in this collection."],"parent_access_terms_tesm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"date_range_isim":[2024],"_nest_path_":"/components#3/components#18/components#4","timestamp":"2026-05-28T16:05:34.006Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1511","ead_ssi":"viu_repositories_4_resources_1511","_root_":"viu_repositories_4_resources_1511","_nest_parent_":"viu_repositories_4_resources_1511","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1511.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/189256","title_ssm":["Website collection - University of Virginia School of Law"],"title_tesim":["Website collection - University of Virginia School of Law"],"unitdate_ssm":["2004-2024"],"unitdate_inclusive_ssm":["2004-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.501","Archival Resource Key","/repositories/4/resources/1511"],"text":["RG.32.501","Archival Resource Key","/repositories/4/resources/1511","Website collection - University of Virginia School of Law","Law schools -- United States","University of Virginia. School of Law","There are no restrictions on accessing the websites in this collection.","The Arthur J. Morris Law Library expects to add crawls of the School of Law's website to this collection at least once per academic year.","The websites archived in this collection are not identical copies of the original sites. Instead, they are close representations shaped by the appraisal decisions of archivists.","Archivists strive to capture copies of the School of Law website that are identical to the originals. However, to overcome technological limitations and to allow for sustainable preservation, archivists make appraisal decisions that result in the creation of representative copies that might function and look different from the originals. For example, when the website is too large to crawl and preserve as a single resource, archivists divide it into facets and crawl each part separately.","Archivists divided the capture of the website into 40 crawls because they determined that it was too large to capture in one crawl. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.","The following resources published on the School of Law website in Spring 2023 were not included in this collection: staff and faculty directories, the Scholarship repository, the news archives, the media archive, library exhibits, and library databases. Archivists crawled much of this content, but deposited it in other collections to facilitate sustainable access and preservation.","Archivists divided the capture of the School of Law website into 49 crawls because they determined that it was too large to capture at once. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.","The following resources published on the School of Law website in Fall 2023 were not included in this collection: directories, the scholarship repository, alumni pages, reunion pages, podcasts, the news archives, the media archive, library exhibits, and library databases.","Archivists divided the capture of the School of Law website into many crawls because they determined that it was too large to capture at once. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.","The following resources published on the School of Law website in late 2024 were not included in this collection: directories, the scholarship repository, alumni pages, reunion pages, podcasts, the news archives, the media archive, library exhibits, and library databases.","Due to the large size of the files captures during these web crawls, the archivist split the resulting files into two separate digital object containers. The digital container \"2024_11_12_UVA_Law_Website_Crawls_b\" contains all of the center and program pages. The other container, \"2024_11_12_UVA_Law_Website_Crawls_1\" contains the rest of the files.","This collection contains copies of the University of Virginia School of Law's public website. On that site, the School shares content documenting its work and the experiences of its students, faculty, staff, and alumni. This includes statistics, descriptions of school services, policies, center and program descriptions, links to affiliated organizations, news articles, videos, directories, marketing materials, short histories, and published research. While the website potentially reaches a broad audience, much of it is designed especially for the Law School's students, faculty, staff, and alumni. Other content on the website markets the School to applicants, donors, and employers.","This version of the School of Law's website documents the public face of the School and the following elements of its work: admissions, academics, alums, giving, career services, library services, student life, and faculty research. Also, the website includes relevant directories and news articles.","The University of Virginia Law Library conducted 40 crawls of the School of Law website. The files resulting from each crawl contain content representing a significant facet of the website. These facets include admissions, academics, research, alum services, library services, student life, faculty profiles, giving and fundraising, academic centers, and class profiles. Together, these resources richly document the School of Law's work and its public face.","The home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, and they are available in other parts of this collection.","The home URL for these pages is: https://www.law.virginia.edu/","These pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, academic policies, award descriptions, student record information, and dual-degree program descriptions. Resources related to the Law School's clinics and the academic programs are linked to these pages, but archivists captured them in separate crawls and placed them in another part of this collection. ","The home URL for these pages is: https://www.law.virginia.edu/academics","These pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, Class of 2026 admittance resources, and an open letter to prospective students about law school rankings.","The home URL for the admissions pages is: https://www.law.virginia.edu/admissions","These pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, pages for the Graduate Studies program, and housing guides.","The home URL for these pages is: https://www.law.virginia.edu/students","These pages include the following content related to the University of Virginia School of Law: lists of faculty, information about faculty workshops, and faculty profiles in the Virginia Journal. ","Archivists captured the faculty biographies in another crawl, and they are included in this collection's faculty and staff directory. The scholarship repository and \"Faculty in the News\" were also captured in separate crawls and preserved in other collections.","The home URL for these pages is: https://www.law.virginia.edu/faculty/","These pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. Digital exhibitions, datasets, and digital humanities projects that the Library hosted were captured in separate crawls and archived in other collections.","The home URL for these pages is: https://www.law.virginia.edu/library","These pages include the following content related to the University of Virginia School of Law: resources for alumni, information about alumni reunions and events, the UVA Law Network, and information about the Law School Foundation. Issues of the publication, \"UVA Lawyer\" were captured in a separate crawl and archived in another collection.","The home URL for these pages is: https://www.law.virginia.edu/alumni","These pages include content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign.","The home URL for these pages is: https://www.law.virginia.edu/giving","These pages include the following content related to the University of Virginia School of Law: information about careers in public service, descriptions of clinics and courses related to public service, financial aid resources, and information about student organizations interested in public service. ","Archivists captured the pages for the Pro Bono program in a separate crawl, and archived those pages in another part of this collection. Employment resources from the School of Law's restricted Intranet were linked to the public service pages, but archivists did not capture them in a crawl. ","The home URL for these pages is: https://www.law.virginia.edu/public-service","These pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alumni, clerkship resources for students, and information for potential employers.","The home URL for these pages is: https://www.law.virginia.edu/careers","The Admissions Department in the University of Virginia School of Law maintained an online archive of class profiles. The profiles describe all the incoming classes of law students between the Class of 2005 and the Class of 2025. They contain statistical information about the incoming classes (e.g., geographic distribution, test scores) and short narratives highlighting selected students.","The home URL for these pages is: https://www.law.virginia.edu/admissions/class-2025-profile","These pages include the following content related to diversity, equity, and belonging (DEB) at the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB.","The home for these pages is: https://www.law.virginia.edu/diversity","These pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, student testimonials about their clinic experience, and news articles documenting the work of the clinics.","The home URL for these pages is: https://www.law.virginia.edu/clinics","These pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing.","The home URL for these pages is: https://www.law.virginia.edu/financialaid","These pages include the following content related to the John W. Glynn Jr. Law and Business Program: a list of recent research, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements. ","The home URL for these pages is: https://www.law.virginia.edu/academics/program/john-w-glynn-jr-law-business-program","These pages include the following content related to the Program in Law and Public Service: a list of affiliated faculty, a list of fellows, application information, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/program-law-and-public-service","These pages include the following content related to the Center for International and Comparative Law: a history of the center, a list of research publications, a list of affiliated faculty, application information, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, career resources, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-international-comparative-law","These pages include the following content related to the constitutional and legal history programs: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/constitutional-law-and-legal-history","These pages include the following content related to the Center for Criminal Justice: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-criminal-justice","These pages include the following content related to the Karsh Center for Law and Democracy: a list of affiliated faculty, recent news, and event announcements.","The home URL of the Karsh Center for Law and Democracy pages is: https://www.law.virginia.edu/karsh","These pages include the following content related to the Virginia Center for Tax Law: a list of research publications, a list of affiliated faculty, application information, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, alumni profiles, and event announcements.","The home URL of the Virginia Center for Tax Law pages is: https://www.law.virginia.edu/academics/program/virginia-center-tax-law","These pages include the following content related to PLACE: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/place-program-law-communities-and-environment","These pages include the following content related to the National Security Law Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, career resources, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/national-security-law-center","These pages include the following content related to the Center for the Study of Race and Law: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, news, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-study-race-and-law","These pages include the following content related to the LawTech Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated student organizations, fellow biographies, and event announcements.","The home URL for the LawTech Center pages is: https://www.law.virginia.edu/academics/program/lawtech-center","These pages include the following content related to the Health Law Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, news, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/health-law","These pages include the following content related to the Human Rights Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about student initiatives, career resources, news, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/human-rights-program","These pages include the following content related to the Center for the First Amendment: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-first-amendment","These pages include the following content related to the Family Law Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/family-law-center","These pages include the following content related to the Center for Law and Philosophy:  a list of research publications, a list of affiliated faculty, a list of legal theory workshops, descriptions of curricular opportunities and courses, information about dual-degree programs, and event announcements.","The home URL of these pages is: https://www.law.virginia.edu/academics/program/center-public-law-and-political-economy","These pages include the following content related to the Center for Public Law and Political Economy:  a list of research publications, a list of affiliated faculty, descriptions of courses, and information about opportunities outside of the classroom.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-public-law-and-political-economy","These pages include the following content related to the Institute for Law, Psychiatry, and Public Policy: a list of affiliated faculty, information about the institute's policy and practice initiatives, pages related to the affiliated forensic clinic, and information about training opportunities.","The home URL for these pages is: https://www.ilppp.org/","These pages include the following content related to the Immigration Law Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about community service and Pro Bono projects, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/immigration-law","These pages include the following content related to the Intellectual Property Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about patent clinics, and information about student organizations.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/intellectual-property","These pages include the following content related to the Center for Empirical Studies in Law: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-empirical-studies-law","These pages include the following content related to the Public Policy and Regulation Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and a list of notable public figures with connections to the School of Law.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/public-policy-and-regulation","These pages include the following content related to the John M. Olin Program in Law and Economics: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and information about workshops and conferences.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/john-m-olin-program-law-and-economics","These pages include the following content related to the Animal Law Program: information about the program and the Bob Barker Prize in Animal Law, Ethics, and Rights Student Writing Competition.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/animal-law","These pages include the following content related to the Externships Program: a descripton of the program, a copy of the externship manual, application information, and information about program placement.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/externships-program","These pages include the following content related to the Pro Bono Program: a description of the program mission, an outline of professional ethics and responsibilities, a description of the Pro Bono award, and information about pro bono opportunities for law students. Some materials linked to the program's pages were inaccessible to members of the general public and not captured in this crawl.  ","The home URL for these pages is: https://www.law.virginia.edu/pro-bono","This file consists of wacz and associated metadata files that the Law Library produced while crawling the University of Virginia School of Law website. The Library, following its web archiving schedules, only crawled parts of the website.","The home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, available in other parts of this collection. The home URL for this crawl is https://www.law.virginia.edu/.","This crawl contains the academic policies of the University of Virginia School of Law. The home URL for this crawl is https://www.law.virginia.edu/policies/academic-policies.","These pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, award descriptions, and dual-degree program descriptions. The home URL for this crawl is https://www.law.virginia.edu/academics.","This crawl contains descriptions of Law School courses for the 2023-2024 academic year. The home URL for this crawl is https://www.law.virginia.edu/courses.","The content in this crawl documents a program at the Law School that provides a U.S. legal education to lawyers who have obtained a law degree in another country. It includes information about application procedures, tuition, and frequently asked questions. The home URL for this crawl is https://www.law.virginia.edu/graduatestudies.","The School of Law's student records department maintained these public web pages to inform the University community about their services. There are no student records in this crawl. The home URL for the crawl is https://www.law.virginia.edu/academics/services/student-records","These pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, admittance resources, and an open letter to prospective students about law school rankings. The home URL for the admissions pages is: https://www.law.virginia.edu/admissions","This crawl contains the website's main faculty page and workshop schedule. The Law Library did not capture faculty biographies, directories, and scholarship. The home URL is https://www.law.virginia.edu/faculty.","These pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. The Library's digital exhibitions, datasets, and digital humanities projects were captured in separate crawls and archived in other collections. The home URL for these pages is https://www.law.virginia.edu/library.","The Student Life and Student Affairs pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, and housing guides. The home URL for these pages is: https://www.law.virginia.edu/students","These pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alums, clerkship resources for students, and information for potential employers. The home URL for these pages is https://www.law.virginia.edu/careers-service.","These pages include the following content related to diversity, equity, and belonging (DEB) at the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB. The home for these pages is https://www.law.virginia.edu/diversity.","This crawl contains content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign. The home URL for these pages is https://www.law.virginia.edu/give.","These pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, and student testimonials about their clinic experience. The home URL for these pages is https://www.law.virginia.edu/clinics.","These pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing. The home URL for these pages is https://www.law.virginia.edu/financialaid.","This crawl contains the official handbook for University of Virginia School of Law student organizations. The handbook's home URL is https://www.law.virginia.edu/protected/student-affairs/student-organization-handbookguidelines?check_logged_in=1.","These pages include the following content related to the University of Virginia School of Law: information about careers in public service, financial aid resources, and student organizations interested in public service. The home URL for these pages is https://www.law.virginia.edu/public-service.","The Law Library performed a crawl for each program and center website at the University of Virginia Law School. The websites generally contained program descriptions, lists of affiliated faculty, related curriculums, event announcements, and career opportunities. In the Fall of 2023, the School of Law hosted the following programs and centers: John W. Glynn Jr. Law and Business Program, Program in Law and Public Service, Center for International and Comparative Law, Constitutional Law, Center for Criminal Justice, Karsh Center for Law and Democracy, Virginia Center for Tax Law, PLACE: Program in Law, Communities, and the Environment, National Security Law Center, LawTech Center, Education Rights Institute, Legal History, Center for the Study of Race and Law, Health Law, Human Rights Program, Center for Public Law and Political Economy, First Amendment Center, Family Law Center, Center for Law and Philosophy, Center for Empirical Studies in Law, Immigration Law, Public Policy and Regulation, Intellectual Property, John M. Olin Program in Law and Economics, Institute of Law, Psychiatry, and Public Policy, Animal Law Program, Externship Program, and the Pro-Bono Program.","The University of Virginia School of Law produced this website to share information about its policies, regulations, and initiatives relating to the free exchange of ideas. The home URL for these pages is https://www.law.virginia.edu/free-exchange-ideas-uva-law.","This file consists of wacz and associated metadata files that the Law Library produced while crawling the University of Virginia School of Law website. The Library, following its web archiving schedules, only crawled parts of the website.","The home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, available in other parts of this collection. The home URL for this crawl is https://www.law.virginia.edu/.","This crawl contains the academic policies of the University of Virginia School of Law. The home URL for this crawl is https://www.law.virginia.edu/policies/academic-policies.","These pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, award descriptions, and dual-degree program descriptions. The home URL for this crawl is https://www.law.virginia.edu/academics.","This crawl contains descriptions of Law School courses for the 2024-2025 academic year.\nThe home URL for this crawl is https://www.law.virginia.edu/courses.","The content in this crawl documents a program at the Law School that provides a U.S. legal education to lawyers who have obtained a law degree in another country. It includes information about application procedures, tuition, and frequently asked questions. The home URL for this crawl is https://www.law.virginia.edu/graduatestudies.","The School of Law's student records department maintained these public web pages to inform the University community about their services. There are no student records in this crawl. The home URL for the crawl is https://www.law.virginia.edu/academics/services/student-records","These pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, admittance resources, and an open letter to prospective students about law school rankings. The home URL for the admissions pages is: https://www.law.virginia.edu/admissions","This crawl contains the website's main faculty page and workshop schedule. Archivists did not capture faculty biographies, directories, and scholarship. The home URL is https://www.law.virginia.edu/faculty.","These pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. The Library's digital exhibitions, datasets, and digital humanities projects were captured in separate crawls and archived in other collections. The home URL for these pages is https://www.law.virginia.edu/library.","The Student Life and Student Affairs pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, and housing guides. The home URL for these pages is: https://www.law.virginia.edu/students","These pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alums, clerkship resources for students, and information for potential employers. The home URL for these pages is https://www.law.virginia.edu/careers-service.","The Class of 2027 profile provides public data about the incoming Class of University of Virginia law students. The data includes, but is not limited to, the following: LSAT scores, GPA, age range, geographic origin, gender, and undergraduate education.","These pages include the following content related to community engagement and equity at the Law School: links to anti-discrimination policies, the Roadmap Scholars program, links to descriptions of student affinity groups, resources for community members, and links to the free expression of ideas. The home URL for these pages is https://www.law.virginia.edu/students/students/free-exchange-ideas-uva-law.","The Community Engagement and Equity pages replaced these legacy Diversity, Equity and Belonging (DEB) pages. The DEB pages include the following content related to the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB. The home URL for these pages is https://www.law.virginia.edu/diversity.","This crawl contains content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign. The home URL for these pages is https://www.law.virginia.edu/give.","These pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, and student testimonials about their clinic experience. The home URL for these pages is https://www.law.virginia.edu/clinics.","These pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing. The home URL for these pages is https://www.law.virginia.edu/financialaid.","These pages include the following content related to the University of Virginia School of Law: information about careers in public service, financial aid resources, and student organizations interested in public service. The home URL for these pages is https://www.law.virginia.edu/public-service.","The Law Library performed a crawl for each program and center website at the University of Virginia Law School. The websites generally contained program descriptions, lists of affiliated faculty, related curriculums, event announcements, and career opportunities.","The University of Virginia School of Law produced this website to share information about its policies, regulations, and initiatives relating to the free exchange of ideas. The home URL for these pages is https://www.law.virginia.edu/free-exchange-ideas-uva-law.","Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.","Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law","English"],"unitid_tesim":["RG.32.501","Archival Resource Key","/repositories/4/resources/1511"],"normalized_title_ssm":["Website collection - University of Virginia School of Law"],"collection_title_tesim":["Website collection - University of Virginia School of Law"],"collection_ssim":["Website collection - University of Virginia School of Law"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_ssm":["University of Virginia. School of Law"],"creator_ssim":["University of Virginia. School of Law"],"creator_corpname_ssim":["University of Virginia. School of Law"],"creators_ssim":["University of Virginia. School of Law"],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"acqinfo_ssim":["Archivists at the Arthur J. Morris Law Library capture and archive the website periodically."],"access_subjects_ssim":["Law schools -- United States","University of Virginia. School of Law"],"access_subjects_ssm":["Law schools -- United States","University of Virginia. School of Law"],"has_online_content_ssim":["true"],"extent_ssm":["686.626 Gigabytes"],"extent_tesim":["686.626 Gigabytes"],"date_range_isim":[2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing the websites in this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing the websites in this collection."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add crawls of the School of Law's website to this collection at least once per academic year.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add crawls of the School of Law's website to this collection at least once per academic year."],"appraisal_html_tesm":["\u003cp\u003eThe websites archived in this collection are not identical copies of the original sites. Instead, they are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e\n","\u003cp\u003eArchivists strive to capture copies of the School of Law website that are identical to the originals. However, to overcome technological limitations and to allow for sustainable preservation, archivists make appraisal decisions that result in the creation of representative copies that might function and look different from the originals. For example, when the website is too large to crawl and preserve as a single resource, archivists divide it into facets and crawl each part separately.\u003c/p\u003e","\u003cp\u003eArchivists divided the capture of the website into 40 crawls because they determined that it was too large to capture in one crawl. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.\u003c/p\u003e\n","\u003cp\u003eThe following resources published on the School of Law website in Spring 2023 were not included in this collection: staff and faculty directories, the Scholarship repository, the news archives, the media archive, library exhibits, and library databases. Archivists crawled much of this content, but deposited it in other collections to facilitate sustainable access and preservation.\u003c/p\u003e","\u003cp\u003eArchivists divided the capture of the School of Law website into 49 crawls because they determined that it was too large to capture at once. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.\u003c/p\u003e\n","\u003cp\u003eThe following resources published on the School of Law website in Fall 2023 were not included in this collection: directories, the scholarship repository, alumni pages, reunion pages, podcasts, the news archives, the media archive, library exhibits, and library databases.\u003c/p\u003e","\u003cp\u003eArchivists divided the capture of the School of Law website into many crawls because they determined that it was too large to capture at once. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.\u003c/p\u003e\n","\u003cp\u003eThe following resources published on the School of Law website in late 2024 were not included in this collection: directories, the scholarship repository, alumni pages, reunion pages, podcasts, the news archives, the media archive, library exhibits, and library databases.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal","Appraisal","Appraisal","Appraisal"],"appraisal_tesim":["The websites archived in this collection are not identical copies of the original sites. Instead, they are close representations shaped by the appraisal decisions of archivists.","Archivists strive to capture copies of the School of Law website that are identical to the originals. However, to overcome technological limitations and to allow for sustainable preservation, archivists make appraisal decisions that result in the creation of representative copies that might function and look different from the originals. For example, when the website is too large to crawl and preserve as a single resource, archivists divide it into facets and crawl each part separately.","Archivists divided the capture of the website into 40 crawls because they determined that it was too large to capture in one crawl. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.","The following resources published on the School of Law website in Spring 2023 were not included in this collection: staff and faculty directories, the Scholarship repository, the news archives, the media archive, library exhibits, and library databases. Archivists crawled much of this content, but deposited it in other collections to facilitate sustainable access and preservation.","Archivists divided the capture of the School of Law website into 49 crawls because they determined that it was too large to capture at once. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.","The following resources published on the School of Law website in Fall 2023 were not included in this collection: directories, the scholarship repository, alumni pages, reunion pages, podcasts, the news archives, the media archive, library exhibits, and library databases.","Archivists divided the capture of the School of Law website into many crawls because they determined that it was too large to capture at once. As much as possible, they tried to break the site into self-contained facets that reflected apparent divisions in the website. Ultimately, however, archivists were responsible for defining the facets and marking the boundaries between different kinds of content. Their appraisal decisions are recorded in text configuration files that are preserved with the web archive files.","The following resources published on the School of Law website in late 2024 were not included in this collection: directories, the scholarship repository, alumni pages, reunion pages, podcasts, the news archives, the media archive, library exhibits, and library databases."],"processinfo_html_tesm":["\u003cp\u003eDue to the large size of the files captures during these web crawls, the archivist split the resulting files into two separate digital object containers. The digital container \"2024_11_12_UVA_Law_Website_Crawls_b\" contains all of the center and program pages. The other container, \"2024_11_12_UVA_Law_Website_Crawls_1\" contains the rest of the files.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Due to the large size of the files captures during these web crawls, the archivist split the resulting files into two separate digital object containers. The digital container \"2024_11_12_UVA_Law_Website_Crawls_b\" contains all of the center and program pages. The other container, \"2024_11_12_UVA_Law_Website_Crawls_1\" contains the rest of the files."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains copies of the University of Virginia School of Law's public website. On that site, the School shares content documenting its work and the experiences of its students, faculty, staff, and alumni. This includes statistics, descriptions of school services, policies, center and program descriptions, links to affiliated organizations, news articles, videos, directories, marketing materials, short histories, and published research. While the website potentially reaches a broad audience, much of it is designed especially for the Law School's students, faculty, staff, and alumni. Other content on the website markets the School to applicants, donors, and employers.\u003c/p\u003e","\u003cp\u003eThis version of the School of Law's website documents the public face of the School and the following elements of its work: admissions, academics, alums, giving, career services, library services, student life, and faculty research. Also, the website includes relevant directories and news articles.\u003c/p\u003e","\u003cp\u003eThe University of Virginia Law Library conducted 40 crawls of the School of Law website. The files resulting from each crawl contain content representing a significant facet of the website. These facets include admissions, academics, research, alum services, library services, student life, faculty profiles, giving and fundraising, academic centers, and class profiles. Together, these resources richly document the School of Law's work and its public face.\u003c/p\u003e","\u003cp\u003eThe home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, and they are available in other parts of this collection.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, academic policies, award descriptions, student record information, and dual-degree program descriptions. Resources related to the Law School's clinics and the academic programs are linked to these pages, but archivists captured them in separate crawls and placed them in another part of this collection. \u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, Class of 2026 admittance resources, and an open letter to prospective students about law school rankings.\u003c/p\u003e\n","\u003cp\u003eThe home URL for the admissions pages is: https://www.law.virginia.edu/admissions\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, pages for the Graduate Studies program, and housing guides.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/students\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: lists of faculty, information about faculty workshops, and faculty profiles in the Virginia Journal. \u003c/p\u003e\n","\u003cp\u003eArchivists captured the faculty biographies in another crawl, and they are included in this collection's faculty and staff directory. The scholarship repository and \"Faculty in the News\" were also captured in separate crawls and preserved in other collections.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/faculty/\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. Digital exhibitions, datasets, and digital humanities projects that the Library hosted were captured in separate crawls and archived in other collections.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/library\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: resources for alumni, information about alumni reunions and events, the UVA Law Network, and information about the Law School Foundation. Issues of the publication, \"UVA Lawyer\" were captured in a separate crawl and archived in another collection.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/alumni\u003c/p\u003e","\u003cp\u003eThese pages include content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/giving\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: information about careers in public service, descriptions of clinics and courses related to public service, financial aid resources, and information about student organizations interested in public service. \u003c/p\u003e\n","\u003cp\u003eArchivists captured the pages for the Pro Bono program in a separate crawl, and archived those pages in another part of this collection. Employment resources from the School of Law's restricted Intranet were linked to the public service pages, but archivists did not capture them in a crawl. \u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/public-service\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alumni, clerkship resources for students, and information for potential employers.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/careers\u003c/p\u003e","\u003cp\u003eThe Admissions Department in the University of Virginia School of Law maintained an online archive of class profiles. The profiles describe all the incoming classes of law students between the Class of 2005 and the Class of 2025. They contain statistical information about the incoming classes (e.g., geographic distribution, test scores) and short narratives highlighting selected students.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/admissions/class-2025-profile\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to diversity, equity, and belonging (DEB) at the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB.\u003c/p\u003e\n","\u003cp\u003eThe home for these pages is: https://www.law.virginia.edu/diversity\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, student testimonials about their clinic experience, and news articles documenting the work of the clinics.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/clinics\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/financialaid\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the John W. Glynn Jr. Law and Business Program: a list of recent research, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements. \u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/john-w-glynn-jr-law-business-program\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Program in Law and Public Service: a list of affiliated faculty, a list of fellows, application information, and descriptions of curricular opportunities and courses.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/program-law-and-public-service\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Center for International and Comparative Law: a history of the center, a list of research publications, a list of affiliated faculty, application information, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, career resources, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/center-international-comparative-law\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the constitutional and legal history programs: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/constitutional-law-and-legal-history\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Center for Criminal Justice: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/center-criminal-justice\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Karsh Center for Law and Democracy: a list of affiliated faculty, recent news, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL of the Karsh Center for Law and Democracy pages is: https://www.law.virginia.edu/karsh\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Virginia Center for Tax Law: a list of research publications, a list of affiliated faculty, application information, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, alumni profiles, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL of the Virginia Center for Tax Law pages is: https://www.law.virginia.edu/academics/program/virginia-center-tax-law\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to PLACE: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/place-program-law-communities-and-environment\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the National Security Law Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, career resources, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/national-security-law-center\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Center for the Study of Race and Law: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, news, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/center-study-race-and-law\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the LawTech Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated student organizations, fellow biographies, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for the LawTech Center pages is: https://www.law.virginia.edu/academics/program/lawtech-center\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Health Law Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, news, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/health-law\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Human Rights Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about student initiatives, career resources, news, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/human-rights-program\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Center for the First Amendment: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/center-first-amendment\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Family Law Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/family-law-center\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Center for Law and Philosophy:  a list of research publications, a list of affiliated faculty, a list of legal theory workshops, descriptions of curricular opportunities and courses, information about dual-degree programs, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL of these pages is: https://www.law.virginia.edu/academics/program/center-public-law-and-political-economy\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Center for Public Law and Political Economy:  a list of research publications, a list of affiliated faculty, descriptions of courses, and information about opportunities outside of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/center-public-law-and-political-economy\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Institute for Law, Psychiatry, and Public Policy: a list of affiliated faculty, information about the institute's policy and practice initiatives, pages related to the affiliated forensic clinic, and information about training opportunities.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.ilppp.org/\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Immigration Law Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about community service and Pro Bono projects, and event announcements.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/immigration-law\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Intellectual Property Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about patent clinics, and information about student organizations.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/intellectual-property\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Center for Empirical Studies in Law: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/center-empirical-studies-law\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Public Policy and Regulation Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and a list of notable public figures with connections to the School of Law.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/public-policy-and-regulation\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the John M. Olin Program in Law and Economics: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and information about workshops and conferences.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/john-m-olin-program-law-and-economics\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Animal Law Program: information about the program and the Bob Barker Prize in Animal Law, Ethics, and Rights Student Writing Competition.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/animal-law\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Externships Program: a descripton of the program, a copy of the externship manual, application information, and information about program placement.\u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/academics/program/externships-program\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the Pro Bono Program: a description of the program mission, an outline of professional ethics and responsibilities, a description of the Pro Bono award, and information about pro bono opportunities for law students. Some materials linked to the program's pages were inaccessible to members of the general public and not captured in this crawl.  \u003c/p\u003e\n","\u003cp\u003eThe home URL for these pages is: https://www.law.virginia.edu/pro-bono\u003c/p\u003e","\u003cp\u003eThis file consists of wacz and associated metadata files that the Law Library produced while crawling the University of Virginia School of Law website. The Library, following its web archiving schedules, only crawled parts of the website.\u003c/p\u003e","\u003cp\u003eThe home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, available in other parts of this collection. The home URL for this crawl is https://www.law.virginia.edu/.\u003c/p\u003e","\u003cp\u003eThis crawl contains the academic policies of the University of Virginia School of Law. The home URL for this crawl is https://www.law.virginia.edu/policies/academic-policies.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, award descriptions, and dual-degree program descriptions. The home URL for this crawl is https://www.law.virginia.edu/academics.\u003c/p\u003e","\u003cp\u003eThis crawl contains descriptions of Law School courses for the 2023-2024 academic year. The home URL for this crawl is https://www.law.virginia.edu/courses.\u003c/p\u003e","\u003cp\u003eThe content in this crawl documents a program at the Law School that provides a U.S. legal education to lawyers who have obtained a law degree in another country. It includes information about application procedures, tuition, and frequently asked questions. The home URL for this crawl is https://www.law.virginia.edu/graduatestudies.\u003c/p\u003e","\u003cp\u003eThe School of Law's student records department maintained these public web pages to inform the University community about their services. There are no student records in this crawl. The home URL for the crawl is https://www.law.virginia.edu/academics/services/student-records\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, admittance resources, and an open letter to prospective students about law school rankings. The home URL for the admissions pages is: https://www.law.virginia.edu/admissions\u003c/p\u003e","\u003cp\u003eThis crawl contains the website's main faculty page and workshop schedule. The Law Library did not capture faculty biographies, directories, and scholarship. The home URL is https://www.law.virginia.edu/faculty.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. The Library's digital exhibitions, datasets, and digital humanities projects were captured in separate crawls and archived in other collections. The home URL for these pages is https://www.law.virginia.edu/library.\u003c/p\u003e","\u003cp\u003eThe Student Life and Student Affairs pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, and housing guides. The home URL for these pages is: https://www.law.virginia.edu/students\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alums, clerkship resources for students, and information for potential employers. The home URL for these pages is https://www.law.virginia.edu/careers-service.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to diversity, equity, and belonging (DEB) at the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB. The home for these pages is https://www.law.virginia.edu/diversity.\u003c/p\u003e","\u003cp\u003eThis crawl contains content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign. The home URL for these pages is https://www.law.virginia.edu/give.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, and student testimonials about their clinic experience. The home URL for these pages is https://www.law.virginia.edu/clinics.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing. The home URL for these pages is https://www.law.virginia.edu/financialaid.\u003c/p\u003e","\u003cp\u003eThis crawl contains the official handbook for University of Virginia School of Law student organizations. The handbook's home URL is https://www.law.virginia.edu/protected/student-affairs/student-organization-handbookguidelines?check_logged_in=1.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: information about careers in public service, financial aid resources, and student organizations interested in public service. The home URL for these pages is https://www.law.virginia.edu/public-service.\u003c/p\u003e","\u003cp\u003eThe Law Library performed a crawl for each program and center website at the University of Virginia Law School. The websites generally contained program descriptions, lists of affiliated faculty, related curriculums, event announcements, and career opportunities. In the Fall of 2023, the School of Law hosted the following programs and centers: John W. Glynn Jr. Law and Business Program, Program in Law and Public Service, Center for International and Comparative Law, Constitutional Law, Center for Criminal Justice, Karsh Center for Law and Democracy, Virginia Center for Tax Law, PLACE: Program in Law, Communities, and the Environment, National Security Law Center, LawTech Center, Education Rights Institute, Legal History, Center for the Study of Race and Law, Health Law, Human Rights Program, Center for Public Law and Political Economy, First Amendment Center, Family Law Center, Center for Law and Philosophy, Center for Empirical Studies in Law, Immigration Law, Public Policy and Regulation, Intellectual Property, John M. Olin Program in Law and Economics, Institute of Law, Psychiatry, and Public Policy, Animal Law Program, Externship Program, and the Pro-Bono Program.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law produced this website to share information about its policies, regulations, and initiatives relating to the free exchange of ideas. The home URL for these pages is https://www.law.virginia.edu/free-exchange-ideas-uva-law.\u003c/p\u003e","\u003cp\u003eThis file consists of wacz and associated metadata files that the Law Library produced while crawling the University of Virginia School of Law website. The Library, following its web archiving schedules, only crawled parts of the website.\u003c/p\u003e","\u003cp\u003eThe home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, available in other parts of this collection. The home URL for this crawl is https://www.law.virginia.edu/.\u003c/p\u003e","\u003cp\u003eThis crawl contains the academic policies of the University of Virginia School of Law. The home URL for this crawl is https://www.law.virginia.edu/policies/academic-policies.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, award descriptions, and dual-degree program descriptions. The home URL for this crawl is https://www.law.virginia.edu/academics.\u003c/p\u003e","\u003cp\u003eThis crawl contains descriptions of Law School courses for the 2024-2025 academic year.\nThe home URL for this crawl is https://www.law.virginia.edu/courses.\u003c/p\u003e","\u003cp\u003eThe content in this crawl documents a program at the Law School that provides a U.S. legal education to lawyers who have obtained a law degree in another country. It includes information about application procedures, tuition, and frequently asked questions. The home URL for this crawl is https://www.law.virginia.edu/graduatestudies.\u003c/p\u003e","\u003cp\u003eThe School of Law's student records department maintained these public web pages to inform the University community about their services. There are no student records in this crawl. The home URL for the crawl is https://www.law.virginia.edu/academics/services/student-records\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, admittance resources, and an open letter to prospective students about law school rankings. The home URL for the admissions pages is: https://www.law.virginia.edu/admissions\u003c/p\u003e","\u003cp\u003eThis crawl contains the website's main faculty page and workshop schedule. Archivists did not capture faculty biographies, directories, and scholarship. The home URL is https://www.law.virginia.edu/faculty.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. The Library's digital exhibitions, datasets, and digital humanities projects were captured in separate crawls and archived in other collections. The home URL for these pages is https://www.law.virginia.edu/library.\u003c/p\u003e","\u003cp\u003eThe Student Life and Student Affairs pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, and housing guides. The home URL for these pages is: https://www.law.virginia.edu/students\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alums, clerkship resources for students, and information for potential employers. The home URL for these pages is https://www.law.virginia.edu/careers-service.\u003c/p\u003e","\u003cp\u003eThe Class of 2027 profile provides public data about the incoming Class of University of Virginia law students. The data includes, but is not limited to, the following: LSAT scores, GPA, age range, geographic origin, gender, and undergraduate education.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to community engagement and equity at the Law School: links to anti-discrimination policies, the Roadmap Scholars program, links to descriptions of student affinity groups, resources for community members, and links to the free expression of ideas. The home URL for these pages is https://www.law.virginia.edu/students/students/free-exchange-ideas-uva-law.\u003c/p\u003e","\u003cp\u003eThe Community Engagement and Equity pages replaced these legacy Diversity, Equity and Belonging (DEB) pages. The DEB pages include the following content related to the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB. The home URL for these pages is https://www.law.virginia.edu/diversity.\u003c/p\u003e","\u003cp\u003eThis crawl contains content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign. The home URL for these pages is https://www.law.virginia.edu/give.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, and student testimonials about their clinic experience. The home URL for these pages is https://www.law.virginia.edu/clinics.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing. The home URL for these pages is https://www.law.virginia.edu/financialaid.\u003c/p\u003e","\u003cp\u003eThese pages include the following content related to the University of Virginia School of Law: information about careers in public service, financial aid resources, and student organizations interested in public service. The home URL for these pages is https://www.law.virginia.edu/public-service.\u003c/p\u003e","\u003cp\u003eThe Law Library performed a crawl for each program and center website at the University of Virginia Law School. The websites generally contained program descriptions, lists of affiliated faculty, related curriculums, event announcements, and career opportunities.\u003c/p\u003e","\u003cp\u003eThe University of Virginia School of Law produced this website to share information about its policies, regulations, and initiatives relating to the free exchange of ideas. The home URL for these pages is https://www.law.virginia.edu/free-exchange-ideas-uva-law.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains copies of the University of Virginia School of Law's public website. On that site, the School shares content documenting its work and the experiences of its students, faculty, staff, and alumni. This includes statistics, descriptions of school services, policies, center and program descriptions, links to affiliated organizations, news articles, videos, directories, marketing materials, short histories, and published research. While the website potentially reaches a broad audience, much of it is designed especially for the Law School's students, faculty, staff, and alumni. Other content on the website markets the School to applicants, donors, and employers.","This version of the School of Law's website documents the public face of the School and the following elements of its work: admissions, academics, alums, giving, career services, library services, student life, and faculty research. Also, the website includes relevant directories and news articles.","The University of Virginia Law Library conducted 40 crawls of the School of Law website. The files resulting from each crawl contain content representing a significant facet of the website. These facets include admissions, academics, research, alum services, library services, student life, faculty profiles, giving and fundraising, academic centers, and class profiles. Together, these resources richly document the School of Law's work and its public face.","The home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, and they are available in other parts of this collection.","The home URL for these pages is: https://www.law.virginia.edu/","These pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, academic policies, award descriptions, student record information, and dual-degree program descriptions. Resources related to the Law School's clinics and the academic programs are linked to these pages, but archivists captured them in separate crawls and placed them in another part of this collection. ","The home URL for these pages is: https://www.law.virginia.edu/academics","These pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, Class of 2026 admittance resources, and an open letter to prospective students about law school rankings.","The home URL for the admissions pages is: https://www.law.virginia.edu/admissions","These pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, pages for the Graduate Studies program, and housing guides.","The home URL for these pages is: https://www.law.virginia.edu/students","These pages include the following content related to the University of Virginia School of Law: lists of faculty, information about faculty workshops, and faculty profiles in the Virginia Journal. ","Archivists captured the faculty biographies in another crawl, and they are included in this collection's faculty and staff directory. The scholarship repository and \"Faculty in the News\" were also captured in separate crawls and preserved in other collections.","The home URL for these pages is: https://www.law.virginia.edu/faculty/","These pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. Digital exhibitions, datasets, and digital humanities projects that the Library hosted were captured in separate crawls and archived in other collections.","The home URL for these pages is: https://www.law.virginia.edu/library","These pages include the following content related to the University of Virginia School of Law: resources for alumni, information about alumni reunions and events, the UVA Law Network, and information about the Law School Foundation. Issues of the publication, \"UVA Lawyer\" were captured in a separate crawl and archived in another collection.","The home URL for these pages is: https://www.law.virginia.edu/alumni","These pages include content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign.","The home URL for these pages is: https://www.law.virginia.edu/giving","These pages include the following content related to the University of Virginia School of Law: information about careers in public service, descriptions of clinics and courses related to public service, financial aid resources, and information about student organizations interested in public service. ","Archivists captured the pages for the Pro Bono program in a separate crawl, and archived those pages in another part of this collection. Employment resources from the School of Law's restricted Intranet were linked to the public service pages, but archivists did not capture them in a crawl. ","The home URL for these pages is: https://www.law.virginia.edu/public-service","These pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alumni, clerkship resources for students, and information for potential employers.","The home URL for these pages is: https://www.law.virginia.edu/careers","The Admissions Department in the University of Virginia School of Law maintained an online archive of class profiles. The profiles describe all the incoming classes of law students between the Class of 2005 and the Class of 2025. They contain statistical information about the incoming classes (e.g., geographic distribution, test scores) and short narratives highlighting selected students.","The home URL for these pages is: https://www.law.virginia.edu/admissions/class-2025-profile","These pages include the following content related to diversity, equity, and belonging (DEB) at the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB.","The home for these pages is: https://www.law.virginia.edu/diversity","These pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, student testimonials about their clinic experience, and news articles documenting the work of the clinics.","The home URL for these pages is: https://www.law.virginia.edu/clinics","These pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing.","The home URL for these pages is: https://www.law.virginia.edu/financialaid","These pages include the following content related to the John W. Glynn Jr. Law and Business Program: a list of recent research, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements. ","The home URL for these pages is: https://www.law.virginia.edu/academics/program/john-w-glynn-jr-law-business-program","These pages include the following content related to the Program in Law and Public Service: a list of affiliated faculty, a list of fellows, application information, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/program-law-and-public-service","These pages include the following content related to the Center for International and Comparative Law: a history of the center, a list of research publications, a list of affiliated faculty, application information, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, career resources, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-international-comparative-law","These pages include the following content related to the constitutional and legal history programs: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/constitutional-law-and-legal-history","These pages include the following content related to the Center for Criminal Justice: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-criminal-justice","These pages include the following content related to the Karsh Center for Law and Democracy: a list of affiliated faculty, recent news, and event announcements.","The home URL of the Karsh Center for Law and Democracy pages is: https://www.law.virginia.edu/karsh","These pages include the following content related to the Virginia Center for Tax Law: a list of research publications, a list of affiliated faculty, application information, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, alumni profiles, and event announcements.","The home URL of the Virginia Center for Tax Law pages is: https://www.law.virginia.edu/academics/program/virginia-center-tax-law","These pages include the following content related to PLACE: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/place-program-law-communities-and-environment","These pages include the following content related to the National Security Law Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, career resources, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/national-security-law-center","These pages include the following content related to the Center for the Study of Race and Law: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, news, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-study-race-and-law","These pages include the following content related to the LawTech Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated student organizations, fellow biographies, and event announcements.","The home URL for the LawTech Center pages is: https://www.law.virginia.edu/academics/program/lawtech-center","These pages include the following content related to the Health Law Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, lists of affiliated organizations, news, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/health-law","These pages include the following content related to the Human Rights Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about student initiatives, career resources, news, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/human-rights-program","These pages include the following content related to the Center for the First Amendment: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-first-amendment","These pages include the following content related to the Family Law Center: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, summary of extracurricular opportunities, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/family-law-center","These pages include the following content related to the Center for Law and Philosophy:  a list of research publications, a list of affiliated faculty, a list of legal theory workshops, descriptions of curricular opportunities and courses, information about dual-degree programs, and event announcements.","The home URL of these pages is: https://www.law.virginia.edu/academics/program/center-public-law-and-political-economy","These pages include the following content related to the Center for Public Law and Political Economy:  a list of research publications, a list of affiliated faculty, descriptions of courses, and information about opportunities outside of the classroom.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-public-law-and-political-economy","These pages include the following content related to the Institute for Law, Psychiatry, and Public Policy: a list of affiliated faculty, information about the institute's policy and practice initiatives, pages related to the affiliated forensic clinic, and information about training opportunities.","The home URL for these pages is: https://www.ilppp.org/","These pages include the following content related to the Immigration Law Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about community service and Pro Bono projects, and event announcements.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/immigration-law","These pages include the following content related to the Intellectual Property Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, information about patent clinics, and information about student organizations.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/intellectual-property","These pages include the following content related to the Center for Empirical Studies in Law: a list of research publications, a list of affiliated faculty, and descriptions of curricular opportunities and courses.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/center-empirical-studies-law","These pages include the following content related to the Public Policy and Regulation Program: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and a list of notable public figures with connections to the School of Law.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/public-policy-and-regulation","These pages include the following content related to the John M. Olin Program in Law and Economics: a list of research publications, a list of affiliated faculty, descriptions of curricular opportunities and courses, and information about workshops and conferences.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/john-m-olin-program-law-and-economics","These pages include the following content related to the Animal Law Program: information about the program and the Bob Barker Prize in Animal Law, Ethics, and Rights Student Writing Competition.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/animal-law","These pages include the following content related to the Externships Program: a descripton of the program, a copy of the externship manual, application information, and information about program placement.","The home URL for these pages is: https://www.law.virginia.edu/academics/program/externships-program","These pages include the following content related to the Pro Bono Program: a description of the program mission, an outline of professional ethics and responsibilities, a description of the Pro Bono award, and information about pro bono opportunities for law students. Some materials linked to the program's pages were inaccessible to members of the general public and not captured in this crawl.  ","The home URL for these pages is: https://www.law.virginia.edu/pro-bono","This file consists of wacz and associated metadata files that the Law Library produced while crawling the University of Virginia School of Law website. The Library, following its web archiving schedules, only crawled parts of the website.","The home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, available in other parts of this collection. The home URL for this crawl is https://www.law.virginia.edu/.","This crawl contains the academic policies of the University of Virginia School of Law. The home URL for this crawl is https://www.law.virginia.edu/policies/academic-policies.","These pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, award descriptions, and dual-degree program descriptions. The home URL for this crawl is https://www.law.virginia.edu/academics.","This crawl contains descriptions of Law School courses for the 2023-2024 academic year. The home URL for this crawl is https://www.law.virginia.edu/courses.","The content in this crawl documents a program at the Law School that provides a U.S. legal education to lawyers who have obtained a law degree in another country. It includes information about application procedures, tuition, and frequently asked questions. The home URL for this crawl is https://www.law.virginia.edu/graduatestudies.","The School of Law's student records department maintained these public web pages to inform the University community about their services. There are no student records in this crawl. The home URL for the crawl is https://www.law.virginia.edu/academics/services/student-records","These pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, admittance resources, and an open letter to prospective students about law school rankings. The home URL for the admissions pages is: https://www.law.virginia.edu/admissions","This crawl contains the website's main faculty page and workshop schedule. The Law Library did not capture faculty biographies, directories, and scholarship. The home URL is https://www.law.virginia.edu/faculty.","These pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. The Library's digital exhibitions, datasets, and digital humanities projects were captured in separate crawls and archived in other collections. The home URL for these pages is https://www.law.virginia.edu/library.","The Student Life and Student Affairs pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, and housing guides. The home URL for these pages is: https://www.law.virginia.edu/students","These pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alums, clerkship resources for students, and information for potential employers. The home URL for these pages is https://www.law.virginia.edu/careers-service.","These pages include the following content related to diversity, equity, and belonging (DEB) at the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB. The home for these pages is https://www.law.virginia.edu/diversity.","This crawl contains content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign. The home URL for these pages is https://www.law.virginia.edu/give.","These pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, and student testimonials about their clinic experience. The home URL for these pages is https://www.law.virginia.edu/clinics.","These pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing. The home URL for these pages is https://www.law.virginia.edu/financialaid.","This crawl contains the official handbook for University of Virginia School of Law student organizations. The handbook's home URL is https://www.law.virginia.edu/protected/student-affairs/student-organization-handbookguidelines?check_logged_in=1.","These pages include the following content related to the University of Virginia School of Law: information about careers in public service, financial aid resources, and student organizations interested in public service. The home URL for these pages is https://www.law.virginia.edu/public-service.","The Law Library performed a crawl for each program and center website at the University of Virginia Law School. The websites generally contained program descriptions, lists of affiliated faculty, related curriculums, event announcements, and career opportunities. In the Fall of 2023, the School of Law hosted the following programs and centers: John W. Glynn Jr. Law and Business Program, Program in Law and Public Service, Center for International and Comparative Law, Constitutional Law, Center for Criminal Justice, Karsh Center for Law and Democracy, Virginia Center for Tax Law, PLACE: Program in Law, Communities, and the Environment, National Security Law Center, LawTech Center, Education Rights Institute, Legal History, Center for the Study of Race and Law, Health Law, Human Rights Program, Center for Public Law and Political Economy, First Amendment Center, Family Law Center, Center for Law and Philosophy, Center for Empirical Studies in Law, Immigration Law, Public Policy and Regulation, Intellectual Property, John M. Olin Program in Law and Economics, Institute of Law, Psychiatry, and Public Policy, Animal Law Program, Externship Program, and the Pro-Bono Program.","The University of Virginia School of Law produced this website to share information about its policies, regulations, and initiatives relating to the free exchange of ideas. The home URL for these pages is https://www.law.virginia.edu/free-exchange-ideas-uva-law.","This file consists of wacz and associated metadata files that the Law Library produced while crawling the University of Virginia School of Law website. The Library, following its web archiving schedules, only crawled parts of the website.","The home and about pages include the following content related to the University of Virginia Law School: facts and statistics, photographs, historical information, a video tour, descriptions of facilities, descriptions of life in Charlottesville, and highlighted news articles. Also, the home and about pages provide links to all of the major sections of the School's website. Archivists captured those sections in separate crawls, available in other parts of this collection. The home URL for this crawl is https://www.law.virginia.edu/.","This crawl contains the academic policies of the University of Virginia School of Law. The home URL for this crawl is https://www.law.virginia.edu/policies/academic-policies.","These pages include the following content related to the University of Virginia School of Law: a curriculum summary, the academic calendar, current course descriptions, academic concentrations, award descriptions, and dual-degree program descriptions. The home URL for this crawl is https://www.law.virginia.edu/academics.","This crawl contains descriptions of Law School courses for the 2024-2025 academic year.\nThe home URL for this crawl is https://www.law.virginia.edu/courses.","The content in this crawl documents a program at the Law School that provides a U.S. legal education to lawyers who have obtained a law degree in another country. It includes information about application procedures, tuition, and frequently asked questions. The home URL for this crawl is https://www.law.virginia.edu/graduatestudies.","The School of Law's student records department maintained these public web pages to inform the University community about their services. There are no student records in this crawl. The home URL for the crawl is https://www.law.virginia.edu/academics/services/student-records","These pages include the following content related to the University of Virginia School of Law: application materials, admissions publications, admittance resources, and an open letter to prospective students about law school rankings. The home URL for the admissions pages is: https://www.law.virginia.edu/admissions","This crawl contains the website's main faculty page and workshop schedule. Archivists did not capture faculty biographies, directories, and scholarship. The home URL is https://www.law.virginia.edu/faculty.","These pages include the following content related to the University of Virginia's Arthur J. Morris Law Library: research guides, information about library services, and links to library collections. The Library's digital exhibitions, datasets, and digital humanities projects were captured in separate crawls and archived in other collections. The home URL for these pages is https://www.law.virginia.edu/library.","The Student Life and Student Affairs pages include the following content related to the University of Virginia School of Law: descriptions of student organizations and academic journals, the academic calendar, student orientation information, resources for students, graduation information, and housing guides. The home URL for these pages is: https://www.law.virginia.edu/students","These pages include the following content related to the University of Virginia Law School: employment data, career development resources for students and alums, clerkship resources for students, and information for potential employers. The home URL for these pages is https://www.law.virginia.edu/careers-service.","The Class of 2027 profile provides public data about the incoming Class of University of Virginia law students. The data includes, but is not limited to, the following: LSAT scores, GPA, age range, geographic origin, gender, and undergraduate education.","These pages include the following content related to community engagement and equity at the Law School: links to anti-discrimination policies, the Roadmap Scholars program, links to descriptions of student affinity groups, resources for community members, and links to the free expression of ideas. The home URL for these pages is https://www.law.virginia.edu/students/students/free-exchange-ideas-uva-law.","The Community Engagement and Equity pages replaced these legacy Diversity, Equity and Belonging (DEB) pages. The DEB pages include the following content related to the University of Virginia School of Law: information about recent DEB initiatives, a history of diversity at the Law School, law student statements about DEB, descriptions of student affinity organizations, and news and videos related to DEB. The home URL for these pages is https://www.law.virginia.edu/diversity.","This crawl contains content related to the University of Virginia School of Law's \"Honor the Future\" giving campaign. The home URL for these pages is https://www.law.virginia.edu/give.","These pages include the following content related to clinics at the University of Virginia School of Law: descriptions of the clinics, student resources for choosing and enrolling in clinics, and student testimonials about their clinic experience. The home URL for these pages is https://www.law.virginia.edu/clinics.","These pages include the following content related to the University of Virginia School of Law: descriptions of scholarships, financial aid resources for students, and information about student costs and billing. The home URL for these pages is https://www.law.virginia.edu/financialaid.","These pages include the following content related to the University of Virginia School of Law: information about careers in public service, financial aid resources, and student organizations interested in public service. The home URL for these pages is https://www.law.virginia.edu/public-service.","The Law Library performed a crawl for each program and center website at the University of Virginia Law School. The websites generally contained program descriptions, lists of affiliated faculty, related curriculums, event announcements, and career opportunities.","The University of Virginia School of Law produced this website to share information about its policies, regulations, and initiatives relating to the free exchange of ideas. The home URL for these pages is https://www.law.virginia.edu/free-exchange-ideas-uva-law."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content. The University may grant permission to publish or reproduce intellectual property it owns in the name of The Rector and Visitors of the University of Virginia."],"names_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections","University of Virginia. School of Law"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":140,"online_item_count_is":44,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-28T16:05:34.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1511_c04_c19_c05"}},{"id":"vihart_repositories_4_resources_215_c12_c13","type":"File","attributes":{"title":"Constitutions","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_215_c12_c13","ref_ssm":["vihart_repositories_4_resources_215_c12_c13"],"id":"vihart_repositories_4_resources_215_c12_c13","ead_ssi":"vihart_repositories_4_resources_215","_root_":"vihart_repositories_4_resources_215","_nest_parent_":"vihart_repositories_4_resources_215_c12","parent_ssi":"vihart_repositories_4_resources_215_c12","parent_ssim":["vihart_repositories_4_resources_215","vihart_repositories_4_resources_215_c12"],"parent_ids_ssim":["vihart_repositories_4_resources_215","vihart_repositories_4_resources_215_c12"],"parent_unittitles_ssm":["Student Government Association records","2024-0507 accession"],"parent_unittitles_tesim":["Student Government Association records","2024-0507 accession"],"text":["Student Government Association records","2024-0507 accession","Constitutions","Digital-Materials UA0007-SET-001"],"title_filing_ssi":"Constitutions","title_ssm":["Constitutions"],"title_tesim":["Constitutions"],"unitdate_inclusive_ssm":["2011-2024"],"normalized_date_ssm":["2011/2024"],"normalized_title_ssm":["Constitutions"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Student Government Association records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":470,"parent_access_restrict_tesm":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["Digital-Materials UA0007-SET-001"],"_nest_path_":"/components#11/components#12","timestamp":"2026-05-21T00:24:36.195Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_215","ead_ssi":"vihart_repositories_4_resources_215","_root_":"vihart_repositories_4_resources_215","_nest_parent_":"vihart_repositories_4_resources_215","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_215.xml","title_ssm":["Student Government Association records"],"title_tesim":["Student Government Association records"],"unitdate_ssm":["1915-2024"],"unitdate_inclusive_ssm":["1915-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0007","/repositories/4/resources/215"],"text":["UA 0007","/repositories/4/resources/215","Student Government Association records","College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).","This series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.","Files within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","This collection may receive additions.","The collection is arranged into 12 series:","Administrative, 1915-2015 Committees, 1931-2015 Correspondence, 1951-2003 Policies and Regulations, 1931-1971 Meeting Minutes, 1929-2012 Legislative Files, 1989-2012 Financial Files, 1987-2014 Disciplinary Files, 1922-1973 Photographs, 2000-2014 Scrapbooks, 2001-2009 Ephemera, 1930-2015 2024-0507 Accession, 2011-2024","Raymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959).","James Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.","As the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. ","As of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment.","After reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure.","Some of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2","This collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.","This is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.","This series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.","This series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.","This series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.","This series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.","This series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.","This series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.","This series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.","This series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.","This series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.","This series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024.","James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History","Fonda, Jane, 1937-","English"],"unitid_tesim":["UA 0007","/repositories/4/resources/215"],"normalized_title_ssm":["Student Government Association records"],"collection_title_tesim":["Student Government Association records"],"collection_ssim":["Student Government Association records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creator_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creator_corpname_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creators_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The material in this collection was donated by members of James Madison University's Student Government Association in several different accessions between 1993 and 2024. The earlier accessions (1993-2001) were previously processed and assigned archival collection numbers SGA 93-0401, SGA 93-1019, and SGA 2001-1010. These materials were reprocessed along with the later accessions and combined into one larger collection, UA 0007. Additional accessions (2015-0830, 2015-0828, and 2015-0505) were added to the collection in November 2018. On May 1, 2019, an additional 2 storage boxes were donated by SGA Communications Director, Halle Forbes. Accession 2024-0507, comprising mostly digital files and transfered by acting SGA historian Mason Hoey, was incorporated into the collection in May 2024."],"access_subjects_ssim":["College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"access_subjects_ssm":["College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"has_online_content_ssim":["false"],"extent_ssm":["12.74 cubic feet 37 boxes","557 Megabytes 594 digital files"],"extent_tesim":["12.74 cubic feet 37 boxes","557 Megabytes 594 digital files"],"genreform_ssim":["Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.\u003c/p\u003e\n","\u003cp\u003eAccess to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e\n","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eFile is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eThis series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.\u003c/p\u003e","\u003cp\u003eFiles within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).","This series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.","Files within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased."],"accruals_html_tesm":["\u003cp\u003eThis collection may receive additions.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["This collection may receive additions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 12 series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative, 1915-2015\u003c/item\u003e\n      \u003citem\u003eCommittees, 1931-2015\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1951-2003\u003c/item\u003e\n      \u003citem\u003ePolicies and Regulations, 1931-1971\u003c/item\u003e\n      \u003citem\u003eMeeting Minutes, 1929-2012\u003c/item\u003e\n      \u003citem\u003eLegislative Files, 1989-2012\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1987-2014\u003c/item\u003e\n      \u003citem\u003eDisciplinary Files, 1922-1973\u003c/item\u003e\n      \u003citem\u003ePhotographs, 2000-2014\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 2001-2009\u003c/item\u003e\n      \u003citem\u003eEphemera, 1930-2015\u003c/item\u003e\n      \u003citem\u003e2024-0507 Accession, 2011-2024\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 12 series:","Administrative, 1915-2015 Committees, 1931-2015 Correspondence, 1951-2003 Policies and Regulations, 1931-1971 Meeting Minutes, 1929-2012 Legislative Files, 1989-2012 Financial Files, 1987-2014 Disciplinary Files, 1922-1973 Photographs, 2000-2014 Scrapbooks, 2001-2009 Ephemera, 1930-2015 2024-0507 Accession, 2011-2024"],"bibliography_html_tesm":["\u003cbibref\u003eRaymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Raymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959)."],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.\u003c/p\u003e\n","\u003cp\u003eAs the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. \u003c/p\u003e\n","\u003cp\u003eAs of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.","As the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. ","As of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Student Government Association Records, 1915-2024, UA 0007, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Student Government Association Records, 1915-2024, UA 0007, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAfter reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["After reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure."],"relatedmaterial_html_tesm":["\u003cp\u003eSome of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Some of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.\u003c/p\u003e","\u003cp\u003eThis is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.\u003c/p\u003e","\u003cp\u003eThis series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.\u003c/p\u003e","\u003cp\u003eThis series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.\u003c/p\u003e","\u003cp\u003eThis series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.\u003c/p\u003e","\u003cp\u003eThis series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.\u003c/p\u003e","\u003cp\u003eThis series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.\u003c/p\u003e","\u003cp\u003eThis series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.\u003c/p\u003e","\u003cp\u003eThis series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.\u003c/p\u003e","\u003cp\u003eThis series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.\u003c/p\u003e","\u003cp\u003eThis series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.\u003c/p\u003e","\u003cp\u003eThis series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.\u003c/p\u003e","\u003cp\u003eSeries 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.","This is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.","This series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.","This series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.","This series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.","This series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.","This series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.","This series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.","This series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.","This series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.","This series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.","This series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e\n","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0da7b229c8c3f306c4ddb8f74a4cfc1a\"\u003eThe Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024.\u003c/abstract\u003e"],"abstract_tesim":["The Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024."],"names_coll_ssim":["James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History","Fonda, Jane, 1937-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History"],"persname_ssim":["Fonda, Jane, 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12_c13"}},{"id":"vihart_repositories_4_resources_488_c04_c04_c01_c19_c06","type":"Item","attributes":{"title":"Continental Conversations","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c19_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c19_c06#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c04_c01_c19_c06","ref_ssm":["vihart_repositories_4_resources_488_c04_c04_c01_c19_c06"],"id":"vihart_repositories_4_resources_488_c04_c04_c01_c19_c06","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04_c04_c01_c19","parent_ssi":"vihart_repositories_4_resources_488_c04_c04_c01_c19","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c04","vihart_repositories_4_resources_488_c04_c04_c01","vihart_repositories_4_resources_488_c04_c04_c01_c19"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c04","vihart_repositories_4_resources_488_c04_c04_c01","vihart_repositories_4_resources_488_c04_c04_c01_c19"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings","Interviews with Poets"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings","Interviews with Poets"],"text":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings","Interviews with Poets","Continental Conversations","Berry Media Group","Shenoda, Matthew (1977-07-14)","Azino, Efe Paul (20)","Wesley, Patricia Jabbeh (1955-08-07)","Adesina, Gbenga","Poetry -- Black authors","Poets, Nigerian","American poetry -- African American authors","African Americans -- Poetry","Poets, Liberian","African poetry","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"title_filing_ssi":"Continental Conversations","title_ssm":["Continental Conversations"],"title_tesim":["Continental Conversations"],"unitdate_other_ssim":["2024 September 20"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Continental Conversations"],"component_level_isim":[5],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"extent_ssm":["21 Gigabytes 1 MXF file"],"extent_tesim":["21 Gigabytes 1 MXF file"],"dimensions_tesim":["running time: 00:56:00"],"creator_ssim":["Shenoda, Matthew (1977-07-14)","Azino, Efe Paul (20)","Wesley, Patricia Jabbeh (1955-08-07)","Adesina, Gbenga","Berry Media Group"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":868,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2024],"names_ssim":["Berry Media Group","Shenoda, Matthew (1977-07-14)","Azino, Efe Paul (20)","Wesley, Patricia Jabbeh (1955-08-07)","Adesina, Gbenga"],"corpname_ssim":["Berry Media Group"],"persname_ssim":["Shenoda, Matthew (1977-07-14)","Azino, Efe Paul (20)","Wesley, Patricia Jabbeh (1955-08-07)","Adesina, Gbenga"],"access_subjects_ssim":["Poetry -- Black authors","Poets, Nigerian","American poetry -- African American authors","African Americans -- Poetry","Poets, Liberian","African poetry"],"access_subjects_ssm":["Poetry -- Black authors","Poets, Nigerian","American poetry -- African American authors","African Americans -- Poetry","Poets, Liberian","African poetry"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"_nest_path_":"/components#3/components#3/components#0/components#18/components#5","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c19_c06"}},{"id":"viw_repositories_2_resources_9790_c14","type":"File","attributes":{"title":"Cooke, Edwin, III Oral History","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9790_c14#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eEdwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026amp; Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9790_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9790_c14","ref_ssm":["viw_repositories_2_resources_9790_c14"],"id":"viw_repositories_2_resources_9790_c14","ead_ssi":"viw_repositories_2_resources_9790","_root_":"viw_repositories_2_resources_9790","_nest_parent_":"viw_repositories_2_resources_9790","parent_ssi":"viw_repositories_2_resources_9790","parent_ssim":["viw_repositories_2_resources_9790"],"parent_ids_ssim":["viw_repositories_2_resources_9790"],"parent_unittitles_ssm":["Bray School Lab records"],"parent_unittitles_tesim":["Bray School Lab records"],"text":["Bray School Lab records","Cooke, Edwin, III Oral History","African Americans--Education--Virginia","Literacy","Colonial Williamsburg (Williamsburg, Va.)","Williamsburg Bray School Initiative","African Americans--History","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school."],"title_filing_ssi":"Cooke, Edwin, III Oral History","title_ssm":["Cooke, Edwin, III Oral History"],"title_tesim":["Cooke, Edwin, III Oral History"],"unitdate_other_ssim":["2024 August 17"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Cooke, Edwin, III Oral History"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Bray School Lab records"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2024],"access_subjects_ssim":["African Americans--Education--Virginia","Literacy","Colonial Williamsburg (Williamsburg, Va.)","Williamsburg Bray School Initiative","African Americans--History"],"access_subjects_ssm":["African Americans--Education--Virginia","Literacy","Colonial Williamsburg (Williamsburg, Va.)","Williamsburg Bray School Initiative","African Americans--History"],"scopecontent_html_tesm":["\u003cp\u003eEdwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026amp; Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school."],"_nest_path_":"/components#13","timestamp":"2026-05-24T23:20:42.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9790","ead_ssi":"viw_repositories_2_resources_9790","_root_":"viw_repositories_2_resources_9790","_nest_parent_":"viw_repositories_2_resources_9790","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9790.xml","title_filing_ssi":"Bray School Lab Records","title_ssm":["Bray School Lab records"],"title_tesim":["Bray School Lab records"],"unitdate_ssm":["2023-2025"],"unitdate_inclusive_ssm":["2023-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 410","/repositories/2/resources/9790"],"text":["UA 410","/repositories/2/resources/9790","Bray School Lab records","African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged alphabetically by interviewees' last name.","This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Terry L. Meyers, English Department","English"],"unitid_tesim":["UA 410","/repositories/2/resources/9790"],"normalized_title_ssm":["Bray School Lab records"],"collection_title_tesim":["Bray School Lab records"],"collection_ssim":["Bray School Lab records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"access_subjects_ssm":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"has_online_content_ssim":["false"],"extent_ssm":["92.4 Gigabytes"],"extent_tesim":["92.4 Gigabytes"],"date_range_isim":[2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by interviewees' last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by interviewees' last name."],"prefercite_html_tesm":["\u003cp\u003eBray School Lab Records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Bray School Lab Records, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026amp; Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.\u003c/p\u003e","\u003cp\u003eTeddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.\u003c/p\u003e","\u003cp\u003eDavid Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eOlivia Blackshire is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026amp; Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026amp; Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026amp; Mary Bray School Lab.\u003c/p\u003e","\u003cp\u003eAntonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.\u003c/p\u003e","\u003cp\u003eDa-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.\u003c/p\u003e","\u003cp\u003eNicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026amp; Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026amp; Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eLoretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026amp; Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.\u003c/p\u003e","\u003cp\u003eHarold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.\u003c/p\u003e","\u003cp\u003eDevin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.\u003c/p\u003e","\u003cp\u003eJanice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.\u003c/p\u003e","\u003cp\u003eJason Chen is a professor of educational psychology at William \u0026amp; Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026amp; Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.\u003c/p\u003e","\u003cp\u003ePat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eEdwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026amp; Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.\u003c/p\u003e","\u003cp\u003eCurtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMadeline Dort graduated from William \u0026amp; Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026amp; Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026amp; Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.\u003c/p\u003e","\u003cp\u003eElizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.\u003c/p\u003e","\u003cp\u003eCynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.\u003c/p\u003e","\u003cp\u003eMichael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.\u003c/p\u003e","\u003cp\u003eStephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.\u003c/p\u003e","\u003cp\u003eLatricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026amp; Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.\u003c/p\u003e","\u003cp\u003eDawn Edmiston is a professor of Marketing at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026amp; Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026amp; Mary's assets to benefit programs like the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026amp; Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.\u003c/p\u003e","\u003cp\u003eEliza Fernandez is a recent graduate of William \u0026amp; Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026amp; Mary Bray School Lab and how her experience at William \u0026amp; Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.\u003c/p\u003e","\u003cp\u003eCliff Fleet is the President \u0026amp; CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026amp; Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026amp; Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026amp; Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026amp; Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.\u003c/p\u003e","\u003cp\u003eJack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.\u003c/p\u003e","\u003cp\u003eJohnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026amp; Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.\u003c/p\u003e","\u003cp\u003eConnie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.\u003c/p\u003e","\u003cp\u003eCrystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.\u003c/p\u003e","\u003cp\u003eCathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eGrace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026amp; Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026amp; Mary's responsibility to tell the whole story.\u003c/p\u003e","\u003cp\u003eMark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026amp; Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026amp; Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.\u003c/p\u003e","\u003cp\u003eRachel Hogue is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026amp; Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026amp; Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRon Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026amp; Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eJames Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.\u003c/p\u003e","\u003cp\u003eBurnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.\u003c/p\u003e","\u003cp\u003eDani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026amp; Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eMartha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.\u003c/p\u003e","\u003cp\u003eElle Kim is a William \u0026amp; Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.\u003c/p\u003e","\u003cp\u003eCurtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.\u003c/p\u003e","\u003cp\u003eMary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMaureen Elgersman Lee is the director of the William \u0026amp; Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026amp; Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eAyinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eDr. Terry Meyers is chancellor professor of English emeritus, William \u0026amp; Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026amp; Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026amp; Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026amp; Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026amp; Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.\u003c/p\u003e","\u003cp\u003eCarol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eEthan Miller was a Student Thought Partner with the William \u0026amp; Mary Bray School Lab before graduating from William \u0026amp; Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026amp; Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.\u003c/p\u003e","\u003cp\u003eConor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026amp; Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eMargaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026amp; Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026amp; Mary Bray School Lab and her role working with the Brafferton School at William \u0026amp; Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.\u003c/p\u003e","\u003cp\u003eJanise Parker is an associate professor of school psychology at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026amp; Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026amp; Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.\u003c/p\u003e","\u003cp\u003eDaniel Pleasant is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Daniel describes his journey to William \u0026amp; Mary and what led him to the William \u0026amp; Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.\u003c/p\u003e","\u003cp\u003eStephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.\u003c/p\u003e","\u003cp\u003eAnn Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026amp; Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.\u003c/p\u003e","\u003cp\u003eLinwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eCecilia Weaver is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.\u003c/p\u003e","\u003cp\u003eMatthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026amp; Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.\u003c/p\u003e","\u003cp\u003eYe Xiao is a student at William \u0026amp; Mary and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026amp; Mary and her thoughts on the importance of the work of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eTina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Terry L. Meyers, English Department"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Terry L. Meyers, English Department"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:20:42.771Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9790_c14"}},{"id":"viw_repositories_2_resources_9040_c11_c01","type":"File","attributes":{"title":"Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c11_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9040_c11_c01","ref_ssm":["viw_repositories_2_resources_9040_c11_c01"],"id":"viw_repositories_2_resources_9040_c11_c01","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040_c11","parent_ssi":"viw_repositories_2_resources_9040_c11","parent_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c11"],"parent_unittitles_ssm":["Rene A. Henry papers","Series 11: Additions IX"],"parent_unittitles_tesim":["Rene A. Henry papers","Series 11: Additions IX"],"text":["Rene A. Henry papers","Series 11: Additions IX","Correspondence","box 10","Folder 20"],"title_filing_ssi":"Correspondence","title_ssm":["Correspondence"],"title_tesim":["Correspondence"],"unitdate_inclusive_ssm":["1976-2024"],"normalized_date_ssm":["1976/2024"],"normalized_title_ssm":["Correspondence"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Rene A. Henry papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":85,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["box 10","Folder 20"],"_nest_path_":"/components#10/components#0","timestamp":"2026-05-21T10:40:36.391Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9040","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9040.xml","title_filing_ssi":"Rene A. Henry papers","title_ssm":["Rene A. Henry papers"],"title_tesim":["Rene A. Henry papers"],"unitdate_ssm":["1953-2015"],"unitdate_inclusive_ssm":["1953-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.082","/repositories/2/resources/9040"],"text":["UA 5.082","/repositories/2/resources/9040","Rene A. Henry papers","Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition.","University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.","Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Henry, Rene A., 1933-","English"],"unitid_tesim":["UA 5.082","/repositories/2/resources/9040"],"normalized_title_ssm":["Rene A. Henry papers"],"collection_title_tesim":["Rene A. Henry papers"],"collection_ssim":["Rene A. Henry papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Henry, Rene A., 1933-"],"creator_ssim":["Henry, Rene A., 1933-"],"creator_persname_ssim":["Henry, Rene A., 1933-"],"creators_ssim":["Henry, Rene A., 1933-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2008.92 received from Rene Henry week of 8/2/2008, 8/6/2008, 8/13/2008, 8/20/2008, and 9/18/2008; Acc. 2008.123 received from Rene Henry on 11/4/2008; Acc. 2008.133 received from Rene Henry on 12/2/08; Acc. 2009.258 received from Rene Henry on 6/18/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member. Addition added in October, 2022."],"access_subjects_ssim":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"access_subjects_ssm":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"has_online_content_ssim":["false"],"extent_ssm":["8.04 Linear Feet"],"extent_tesim":["8.04 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid."],"bioghist_html_tesm":["\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e\n","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e\n","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e\n","\u003cp\u003e Henry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders."],"prefercite_html_tesm":["\u003cp\u003eRene Henry Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Rene Henry Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.\u003c/p\u003e","\u003cp\u003eAdded in October, 2022 by Veronica Parker. A single folder addition.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:","Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13).\u003c/p\u003e\n","\u003cp\u003e Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html.\u003c/p\u003e\n","\u003cp\u003e Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://findingaids.lib.wvu.edu/cgi/f/findaid/findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\" title=\"findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well: \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://bushlibrary.tamu.edu/research/research.php\" title=\"research.php\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School."],"separatedmaterial_html_tesm":["\u003cp\u003ePins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection.\u003c/p\u003e\n","\u003cp\u003e Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04).\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Henry, Rene A., 1933-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Henry, Rene A., 1933-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":108,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:40:36.391Z","scopecontent_html_tesm":["\u003cp\u003eThe collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.\u003c/p\u003e","\u003cp\u003e1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026amp;M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026amp;M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026amp; Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026amp;M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.\u003c/p\u003e","\u003cp\u003e1. RAH at Ford-Carter debate at W\u0026amp;M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026amp;M seal to British Consul General at meeting of W\u0026amp;M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026amp;M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026amp;M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026amp;M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026amp;M '54), Nate Carb (W\u0026amp;M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026amp;M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.\u003c/p\u003e","\u003cp\u003eThis sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"\u003c/p\u003e","\u003cp\u003eSeries 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.\u003c/p\u003e","\u003cp\u003eAcc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.\u003c/p\u003e","\u003cp\u003eThis accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026amp; Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026amp; Mary; and other material.\u003c/p\u003e","\u003cp\u003eThis accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.\u003c/p\u003e","\u003cp\u003eA set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.\u003c/p\u003e","\u003cp\u003eThis accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026amp; Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.\u003c/p\u003e","\u003cp\u003eThis accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.\u003c/p\u003e","\u003cp\u003eCase history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026amp;M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.\u003c/p\u003e","\u003cp\u003eContains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.\u003c/p\u003e","\u003cp\u003eContains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026amp; Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.\u003c/p\u003e","\u003cp\u003eContains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.\u003c/p\u003e","\u003cp\u003eContains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026amp; Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.\u003c/p\u003e","\u003cp\u003eContains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.\u003c/p\u003e","\u003cp\u003eContains scripts for \"The Iron Indians,\" about the 1953 William \u0026amp; Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eContains black and white photographs of Rene Henry presenting William \u0026amp; Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.\u003c/p\u003e","\u003cp\u003eThis accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026amp; Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026amp; Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.\u003c/p\u003e","\u003cp\u003e22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.\u003c/p\u003e","\u003cp\u003eThis addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.\u003c/p\u003e","\u003cp\u003eAddition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.\u003c/p\u003e","\u003cp\u003eDVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eThe papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.\u003c/p\u003e","\u003cp\u003eCorrespondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c11_c01"}},{"id":"viw_repositories_2_resources_9040_c12_c01","type":"File","attributes":{"title":"Correspondence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c12_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9040_c12_c01","ref_ssm":["viw_repositories_2_resources_9040_c12_c01"],"id":"viw_repositories_2_resources_9040_c12_c01","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040_c12","parent_ssi":"viw_repositories_2_resources_9040_c12","parent_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c12"],"parent_ids_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c12"],"parent_unittitles_ssm":["Rene A. Henry papers","Series 12: Additions X"],"parent_unittitles_tesim":["Rene A. Henry papers","Series 12: Additions X"],"text":["Rene A. Henry papers","Series 12: Additions X","Correspondence","box 10","Folder 31"],"title_filing_ssi":"Correspondence","title_ssm":["Correspondence"],"title_tesim":["Correspondence"],"unitdate_inclusive_ssm":["2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Correspondence"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Rene A. Henry papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":102,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2024],"containers_ssim":["box 10","Folder 31"],"_nest_path_":"/components#11/components#0","timestamp":"2026-05-21T10:40:36.391Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9040","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9040.xml","title_filing_ssi":"Rene A. Henry papers","title_ssm":["Rene A. Henry papers"],"title_tesim":["Rene A. Henry papers"],"unitdate_ssm":["1953-2015"],"unitdate_inclusive_ssm":["1953-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.082","/repositories/2/resources/9040"],"text":["UA 5.082","/repositories/2/resources/9040","Rene A. Henry papers","Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition.","University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.","Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Henry, Rene A., 1933-","English"],"unitid_tesim":["UA 5.082","/repositories/2/resources/9040"],"normalized_title_ssm":["Rene A. Henry papers"],"collection_title_tesim":["Rene A. Henry papers"],"collection_ssim":["Rene A. Henry papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Henry, Rene A., 1933-"],"creator_ssim":["Henry, Rene A., 1933-"],"creator_persname_ssim":["Henry, Rene A., 1933-"],"creators_ssim":["Henry, Rene A., 1933-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2008.92 received from Rene Henry week of 8/2/2008, 8/6/2008, 8/13/2008, 8/20/2008, and 9/18/2008; Acc. 2008.123 received from Rene Henry on 11/4/2008; Acc. 2008.133 received from Rene Henry on 12/2/08; Acc. 2009.258 received from Rene Henry on 6/18/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member. Addition added in October, 2022."],"access_subjects_ssim":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"access_subjects_ssm":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"has_online_content_ssim":["false"],"extent_ssm":["8.04 Linear Feet"],"extent_tesim":["8.04 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid."],"bioghist_html_tesm":["\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e\n","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e\n","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e\n","\u003cp\u003e Henry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders."],"prefercite_html_tesm":["\u003cp\u003eRene Henry Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Rene Henry Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.\u003c/p\u003e","\u003cp\u003eAdded in October, 2022 by Veronica Parker. A single folder addition.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:","Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13).\u003c/p\u003e\n","\u003cp\u003e Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html.\u003c/p\u003e\n","\u003cp\u003e Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://findingaids.lib.wvu.edu/cgi/f/findaid/findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\" title=\"findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well: \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://bushlibrary.tamu.edu/research/research.php\" title=\"research.php\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School."],"separatedmaterial_html_tesm":["\u003cp\u003ePins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection.\u003c/p\u003e\n","\u003cp\u003e Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04).\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Henry, Rene A., 1933-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Henry, Rene A., 1933-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":108,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:40:36.391Z","scopecontent_html_tesm":["\u003cp\u003eThe collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.\u003c/p\u003e","\u003cp\u003e1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026amp;M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026amp;M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026amp; Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026amp;M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.\u003c/p\u003e","\u003cp\u003e1. RAH at Ford-Carter debate at W\u0026amp;M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026amp;M seal to British Consul General at meeting of W\u0026amp;M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026amp;M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026amp;M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026amp;M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026amp;M '54), Nate Carb (W\u0026amp;M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026amp;M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.\u003c/p\u003e","\u003cp\u003eThis sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"\u003c/p\u003e","\u003cp\u003eSeries 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.\u003c/p\u003e","\u003cp\u003eAcc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.\u003c/p\u003e","\u003cp\u003eThis accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026amp; Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026amp; Mary; and other material.\u003c/p\u003e","\u003cp\u003eThis accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.\u003c/p\u003e","\u003cp\u003eA set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.\u003c/p\u003e","\u003cp\u003eThis accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026amp; Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.\u003c/p\u003e","\u003cp\u003eThis accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.\u003c/p\u003e","\u003cp\u003eCase history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026amp;M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.\u003c/p\u003e","\u003cp\u003eContains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.\u003c/p\u003e","\u003cp\u003eContains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026amp; Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.\u003c/p\u003e","\u003cp\u003eContains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.\u003c/p\u003e","\u003cp\u003eContains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026amp; Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.\u003c/p\u003e","\u003cp\u003eContains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.\u003c/p\u003e","\u003cp\u003eContains scripts for \"The Iron Indians,\" about the 1953 William \u0026amp; Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eContains black and white photographs of Rene Henry presenting William \u0026amp; Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.\u003c/p\u003e","\u003cp\u003eThis accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026amp; Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026amp; Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.\u003c/p\u003e","\u003cp\u003e22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.\u003c/p\u003e","\u003cp\u003eThis addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.\u003c/p\u003e","\u003cp\u003eAddition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.\u003c/p\u003e","\u003cp\u003eDVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eThe papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.\u003c/p\u003e","\u003cp\u003eCorrespondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c12_c01"}},{"id":"viw_repositories_2_resources_9040_c13_c01","type":"File","attributes":{"title":"Correspondence","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c13_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c13_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9040_c13_c01","ref_ssm":["viw_repositories_2_resources_9040_c13_c01"],"id":"viw_repositories_2_resources_9040_c13_c01","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040_c13","parent_ssi":"viw_repositories_2_resources_9040_c13","parent_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c13"],"parent_ids_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c13"],"parent_unittitles_ssm":["Rene A. Henry papers","Series 12: Additions XI"],"parent_unittitles_tesim":["Rene A. Henry papers","Series 12: Additions XI"],"text":["Rene A. Henry papers","Series 12: Additions XI","Correspondence","box 10","Folder 32","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore."],"title_filing_ssi":"Correspondence","title_ssm":["Correspondence"],"title_tesim":["Correspondence"],"unitdate_other_ssim":["Circa 2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Correspondence"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Rene A. Henry papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":104,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2024],"containers_ssim":["box 10","Folder 32"],"scopecontent_html_tesm":["\u003cp\u003eThe papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore."],"_nest_path_":"/components#12/components#0","timestamp":"2026-05-21T10:40:36.391Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9040","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9040.xml","title_filing_ssi":"Rene A. Henry papers","title_ssm":["Rene A. Henry papers"],"title_tesim":["Rene A. Henry papers"],"unitdate_ssm":["1953-2015"],"unitdate_inclusive_ssm":["1953-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.082","/repositories/2/resources/9040"],"text":["UA 5.082","/repositories/2/resources/9040","Rene A. Henry papers","Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition.","University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.","Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Henry, Rene A., 1933-","English"],"unitid_tesim":["UA 5.082","/repositories/2/resources/9040"],"normalized_title_ssm":["Rene A. Henry papers"],"collection_title_tesim":["Rene A. Henry papers"],"collection_ssim":["Rene A. Henry papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Henry, Rene A., 1933-"],"creator_ssim":["Henry, Rene A., 1933-"],"creator_persname_ssim":["Henry, Rene A., 1933-"],"creators_ssim":["Henry, Rene A., 1933-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2008.92 received from Rene Henry week of 8/2/2008, 8/6/2008, 8/13/2008, 8/20/2008, and 9/18/2008; Acc. 2008.123 received from Rene Henry on 11/4/2008; Acc. 2008.133 received from Rene Henry on 12/2/08; Acc. 2009.258 received from Rene Henry on 6/18/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member. Addition added in October, 2022."],"access_subjects_ssim":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"access_subjects_ssm":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"has_online_content_ssim":["false"],"extent_ssm":["8.04 Linear Feet"],"extent_tesim":["8.04 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid."],"bioghist_html_tesm":["\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e\n","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e\n","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e\n","\u003cp\u003e Henry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders."],"prefercite_html_tesm":["\u003cp\u003eRene Henry Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Rene Henry Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.\u003c/p\u003e","\u003cp\u003eAdded in October, 2022 by Veronica Parker. A single folder addition.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:","Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13).\u003c/p\u003e\n","\u003cp\u003e Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html.\u003c/p\u003e\n","\u003cp\u003e Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://findingaids.lib.wvu.edu/cgi/f/findaid/findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\" title=\"findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well: \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://bushlibrary.tamu.edu/research/research.php\" title=\"research.php\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School."],"separatedmaterial_html_tesm":["\u003cp\u003ePins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection.\u003c/p\u003e\n","\u003cp\u003e Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04).\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Henry, Rene A., 1933-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Henry, Rene A., 1933-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":108,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:40:36.391Z","scopecontent_html_tesm":["\u003cp\u003eThe collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.\u003c/p\u003e","\u003cp\u003e1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026amp;M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026amp;M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026amp; Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026amp;M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.\u003c/p\u003e","\u003cp\u003e1. RAH at Ford-Carter debate at W\u0026amp;M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026amp;M seal to British Consul General at meeting of W\u0026amp;M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026amp;M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026amp;M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026amp;M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026amp;M '54), Nate Carb (W\u0026amp;M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026amp;M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.\u003c/p\u003e","\u003cp\u003eThis sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"\u003c/p\u003e","\u003cp\u003eSeries 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.\u003c/p\u003e","\u003cp\u003eAcc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.\u003c/p\u003e","\u003cp\u003eThis accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026amp; Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026amp; Mary; and other material.\u003c/p\u003e","\u003cp\u003eThis accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.\u003c/p\u003e","\u003cp\u003eA set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.\u003c/p\u003e","\u003cp\u003eThis accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026amp; Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.\u003c/p\u003e","\u003cp\u003eThis accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.\u003c/p\u003e","\u003cp\u003eCase history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026amp;M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.\u003c/p\u003e","\u003cp\u003eContains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.\u003c/p\u003e","\u003cp\u003eContains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026amp; Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.\u003c/p\u003e","\u003cp\u003eContains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.\u003c/p\u003e","\u003cp\u003eContains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026amp; Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.\u003c/p\u003e","\u003cp\u003eContains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.\u003c/p\u003e","\u003cp\u003eContains scripts for \"The Iron Indians,\" about the 1953 William \u0026amp; Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eContains black and white photographs of Rene Henry presenting William \u0026amp; Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.\u003c/p\u003e","\u003cp\u003eThis accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026amp; Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026amp; Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.\u003c/p\u003e","\u003cp\u003e22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.\u003c/p\u003e","\u003cp\u003eThis addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.\u003c/p\u003e","\u003cp\u003eAddition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.\u003c/p\u003e","\u003cp\u003eDVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eThe papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.\u003c/p\u003e","\u003cp\u003eCorrespondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c13_c01"}},{"id":"viw_repositories_2_resources_9040_c15_c02","type":"File","attributes":{"title":"Correspondence, program, and flash-drive","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c15_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9040_c15_c02","ref_ssm":["viw_repositories_2_resources_9040_c15_c02"],"id":"viw_repositories_2_resources_9040_c15_c02","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040_c15","parent_ssi":"viw_repositories_2_resources_9040_c15","parent_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c15"],"parent_ids_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c15"],"parent_unittitles_ssm":["Rene A. Henry papers","Series 14: Additions XIII"],"parent_unittitles_tesim":["Rene A. Henry papers","Series 14: Additions XIII"],"text":["Rene A. Henry papers","Series 14: Additions XIII","Correspondence, program, and flash-drive","box 11","Folder 42"],"title_filing_ssi":"Correspondence, program, and flash-drive","title_ssm":["Correspondence, program, and flash-drive"],"title_tesim":["Correspondence, program, and flash-drive"],"unitdate_inclusive_ssm":["2006 - 2024"],"normalized_date_ssm":["2006/2024"],"normalized_title_ssm":["Correspondence, program, and flash-drive"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Rene A. Henry papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":108,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["box 11","Folder 42"],"_nest_path_":"/components#14/components#1","timestamp":"2026-05-21T10:40:36.391Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9040","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9040.xml","title_filing_ssi":"Rene A. Henry papers","title_ssm":["Rene A. Henry papers"],"title_tesim":["Rene A. Henry papers"],"unitdate_ssm":["1953-2015"],"unitdate_inclusive_ssm":["1953-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.082","/repositories/2/resources/9040"],"text":["UA 5.082","/repositories/2/resources/9040","Rene A. Henry papers","Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition.","University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.","Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Henry, Rene A., 1933-","English"],"unitid_tesim":["UA 5.082","/repositories/2/resources/9040"],"normalized_title_ssm":["Rene A. Henry papers"],"collection_title_tesim":["Rene A. Henry papers"],"collection_ssim":["Rene A. Henry papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Henry, Rene A., 1933-"],"creator_ssim":["Henry, Rene A., 1933-"],"creator_persname_ssim":["Henry, Rene A., 1933-"],"creators_ssim":["Henry, Rene A., 1933-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2008.92 received from Rene Henry week of 8/2/2008, 8/6/2008, 8/13/2008, 8/20/2008, and 9/18/2008; Acc. 2008.123 received from Rene Henry on 11/4/2008; Acc. 2008.133 received from Rene Henry on 12/2/08; Acc. 2009.258 received from Rene Henry on 6/18/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member. Addition added in October, 2022."],"access_subjects_ssim":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"access_subjects_ssm":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"has_online_content_ssim":["false"],"extent_ssm":["8.04 Linear Feet"],"extent_tesim":["8.04 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid."],"bioghist_html_tesm":["\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e\n","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e\n","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e\n","\u003cp\u003e Henry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders."],"prefercite_html_tesm":["\u003cp\u003eRene Henry Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Rene Henry Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.\u003c/p\u003e","\u003cp\u003eAdded in October, 2022 by Veronica Parker. A single folder addition.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:","Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13).\u003c/p\u003e\n","\u003cp\u003e Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html.\u003c/p\u003e\n","\u003cp\u003e Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://findingaids.lib.wvu.edu/cgi/f/findaid/findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\" title=\"findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well: \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://bushlibrary.tamu.edu/research/research.php\" title=\"research.php\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School."],"separatedmaterial_html_tesm":["\u003cp\u003ePins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection.\u003c/p\u003e\n","\u003cp\u003e Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04).\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Henry, Rene A., 1933-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Henry, Rene A., 1933-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":108,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:40:36.391Z","scopecontent_html_tesm":["\u003cp\u003eThe collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.\u003c/p\u003e","\u003cp\u003e1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026amp;M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026amp;M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026amp; Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026amp;M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.\u003c/p\u003e","\u003cp\u003e1. RAH at Ford-Carter debate at W\u0026amp;M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026amp;M seal to British Consul General at meeting of W\u0026amp;M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026amp;M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026amp;M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026amp;M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026amp;M '54), Nate Carb (W\u0026amp;M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026amp;M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.\u003c/p\u003e","\u003cp\u003eThis sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"\u003c/p\u003e","\u003cp\u003eSeries 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.\u003c/p\u003e","\u003cp\u003eAcc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.\u003c/p\u003e","\u003cp\u003eThis accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026amp; Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026amp; Mary; and other material.\u003c/p\u003e","\u003cp\u003eThis accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.\u003c/p\u003e","\u003cp\u003eA set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.\u003c/p\u003e","\u003cp\u003eThis accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026amp; Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.\u003c/p\u003e","\u003cp\u003eThis accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.\u003c/p\u003e","\u003cp\u003eCase history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026amp;M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.\u003c/p\u003e","\u003cp\u003eContains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.\u003c/p\u003e","\u003cp\u003eContains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026amp; Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.\u003c/p\u003e","\u003cp\u003eContains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.\u003c/p\u003e","\u003cp\u003eContains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026amp; Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.\u003c/p\u003e","\u003cp\u003eContains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.\u003c/p\u003e","\u003cp\u003eContains scripts for \"The Iron Indians,\" about the 1953 William \u0026amp; Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eContains black and white photographs of Rene Henry presenting William \u0026amp; Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.\u003c/p\u003e","\u003cp\u003eThis accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026amp; Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026amp; Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.\u003c/p\u003e","\u003cp\u003e22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.\u003c/p\u003e","\u003cp\u003eThis addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.\u003c/p\u003e","\u003cp\u003eAddition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.\u003c/p\u003e","\u003cp\u003eDVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eThe papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.\u003c/p\u003e","\u003cp\u003eCorrespondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c15_c02"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":320},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":33},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":61},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":58},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":76},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Mary Washington","value":"University of Mary Washington","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=University+of+Mary+Washington"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":108},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Fall in Line: The Story of the W\u0026L 1974 Lacrosse Team\" documentary","value":"\"Fall in Line: The Story of the W\u0026L 1974 Lacrosse Team\" documentary","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Fall+in+Line%3A+The+Story+of+the+W%26L+1974+Lacrosse+Team%22+documentary\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"1693 Minecraft Club records","value":"1693 Minecraft Club records","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1693+Minecraft+Club+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Acropolis Art and Art History Journal records","value":"Acropolis Art and Art History Journal records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Acropolis+Art+and+Art+History+Journal+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Aiden E. Curran collection","value":"Aiden E. Curran collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Aiden+E.+Curran+collection\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alma Mater Productions (AMP) records","value":"Alma Mater Productions (AMP) records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alma+Mater+Productions+%28AMP%29+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alpha Sigma Alpha Collection","value":"Alpha Sigma Alpha Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alpha+Sigma+Alpha+Collection\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","value":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","hits":10},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Association+of+University+Women+%28AAUW%29+Records%2C+Harrisonburg%2C+Virginia+Branch\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"American Society of Pediatric Nephrology records","value":"American Society of Pediatric Nephrology records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Society+of+Pediatric+Nephrology+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Ann Magnuson, Performance Artist, Papers","value":"Ann Magnuson, Performance Artist, Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Ann+Magnuson%2C+Performance+Artist%2C+Papers\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Appalachian Prison Book Project Records","value":"Appalachian Prison Book Project Records","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Appalachian+Prison+Book+Project+Records\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1721","value":"1721","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1721"}},{"attributes":{"label":"1722","value":"1722","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1722"}},{"attributes":{"label":"1723","value":"1723","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1723"}},{"attributes":{"label":"1724","value":"1724","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1724"}},{"attributes":{"label":"1725","value":"1725","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1725"}},{"attributes":{"label":"1726","value":"1726","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1726"}},{"attributes":{"label":"1727","value":"1727","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1727"}},{"attributes":{"label":"1728","value":"1728","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1728"}},{"attributes":{"label":"1729","value":"1729","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1729"}},{"attributes":{"label":"1730","value":"1730","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1730"}},{"attributes":{"label":"1731","value":"1731","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1731"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abate%2C+Kathy\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Adesina, Gbenga","value":"Adesina, Gbenga","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adesina%2C+Gbenga\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alexander, Elizabeth, 1962-","value":"Alexander, Elizabeth, 1962-","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Elizabeth%2C+1962-\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alexander, Michelle, (Poet)","value":"Alexander, Michelle, (Poet)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Michelle%2C+%28Poet%29\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Allen, Anna","value":"Allen, Anna","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allen%2C+Anna\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alleyne, Lauren K.","value":"Alleyne, Lauren K.","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alleyne%2C+Lauren+K.\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alli, Andrew","value":"Alli, Andrew","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alli%2C+Andrew\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Allison, Margaret Appleton","value":"Allison, Margaret Appleton","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allison%2C+Margaret+Appleton\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"American Association of University Women. Harrisonburg Branch","value":"American Association of University Women. Harrisonburg Branch","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Association+of+University+Women.+Harrisonburg+Branch\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Anastacia-Reneé","value":"Anastacia-Reneé","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anastacia-Rene%C3%A9\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Anderson, Keisha-Gaye","value":"Anderson, Keisha-Gaye","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anderson%2C+Keisha-Gaye\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abate%2C+Kathy"}},{"attributes":{"label":"Abbado, Claudio (1933-06-26-2014-01-20)","value":"Abbado, Claudio (1933-06-26-2014-01-20)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Claudio+%281933-06-26-2014-01-20%29"}},{"attributes":{"label":"Abbado, Roberto","value":"Abbado, Roberto","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Roberto"}},{"attributes":{"label":"Abdrazakov, Ilʹdar, 1976-","value":"Abdrazakov, Ilʹdar, 1976-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abdrazakov%2C+Il%CA%B9dar%2C+1976-"}},{"attributes":{"label":"Abel, Yves","value":"Abel, Yves","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abel%2C+Yves"}},{"attributes":{"label":"Adam, Adolphe","value":"Adam, Adolphe","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adam%2C+Adolphe"}},{"attributes":{"label":"Adams, John (John Coolidge), 1947-","value":"Adams, John (John Coolidge), 1947-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adams%2C+John+%28John+Coolidge%29%2C+1947-"}},{"attributes":{"label":"Adams, John Luther, 1953-","value":"Adams, John Luther, 1953-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adams%2C+John+Luther%2C+1953-"}},{"attributes":{"label":"Adams, Mason (1919-2005)","value":"Adams, Mason (1919-2005)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adams%2C+Mason+%281919-2005%29"}},{"attributes":{"label":"Adesina, Gbenga","value":"Adesina, Gbenga","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adesina%2C+Gbenga"}},{"attributes":{"label":"Adolphe, Julia (1988)","value":"Adolphe, Julia (1988)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adolphe%2C+Julia+%281988%29"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":" United States -- History -- Civil War, 1861-1865","value":" United States -- History -- Civil War, 1861-1865","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=+United+States+--+History+--+Civil+War%2C+1861-1865"}},{"attributes":{"label":"Appalachian Mountains","value":"Appalachian Mountains","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Appalachian+Mountains"}},{"attributes":{"label":"Appalachian Trail","value":"Appalachian Trail","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Appalachian+Trail"}},{"attributes":{"label":"Avis (W. Va.)","value":"Avis (W. Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Avis+%28W.+Va.%29"}},{"attributes":{"label":"Baseball--History","value":"Baseball--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Baseball--History"}},{"attributes":{"label":"Cape Henry Region (Va.)--History","value":"Cape Henry Region (Va.)--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Cape+Henry+Region+%28Va.%29--History"}},{"attributes":{"label":"Carter's Grove (Va.)","value":"Carter's Grove (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Carter%27s+Grove+%28Va.%29"}},{"attributes":{"label":"Charleston (W. Va.)","value":"Charleston (W. Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Charleston+%28W.+Va.%29"}},{"attributes":{"label":"Charlottesville (Va.) -- History -- 20th century","value":"Charlottesville (Va.) -- History -- 20th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Charlottesville+%28Va.%29+--+History+--+20th+century"}},{"attributes":{"label":"Clay County, West Virginia -- Genealogy","value":"Clay County, West Virginia -- Genealogy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Clay+County%2C+West+Virginia+--+Genealogy"}},{"attributes":{"label":"College of William and Mary--Alumni and alumnae","value":"College of William and Mary--Alumni and alumnae","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=College+of+William+and+Mary--Alumni+and+alumnae"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Activism","value":"Activism","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Activism\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Administrative records","value":"Administrative records","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Administrative+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American business enterprises","value":"African American business enterprises","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+business+enterprises\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American churches","value":"African American churches","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+churches\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American college students","value":"African American college students","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+college+students\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American music","value":"African American music","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+music\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American poets","value":"African American poets","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+poets\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American schools","value":"African American schools","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+schools\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American women poets","value":"African American women poets","hits":18},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+women+poets\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African Americans ","value":"African Americans ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African Americans -- Civil rights -- History","value":"African Americans -- Civil rights -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Civil+rights+--+History\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Box","value":"Box","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Box"}},{"attributes":{"label":"Collection","value":"Collection","hits":117},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"File","value":"File","hits":378},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Item","value":"Item","hits":241},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Record+Group"}},{"attributes":{"label":"Series","value":"Series","hits":98},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Subgroup","value":"Subgroup","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Subgroup"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":22},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Subseries"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=19\u0026sort=title_sort+desc"}}]}