{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=9","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=11","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=87"},"meta":{"pages":{"current_page":10,"next_page":11,"prev_page":9,"total_pages":87,"limit_value":10,"offset_value":90,"total_count":864,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_38","type":"collection","attributes":{"title":"Baseball records","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_38#creator","type":"document_value","attributes":{"value":"College of William and Mary. Department of Athletics.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_38#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026amp; Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_38#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_38","ead_ssi":"viw_repositories_2_resources_38","_root_":"viw_repositories_2_resources_38","_nest_parent_":"viw_repositories_2_resources_38","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_38.xml","title_filing_ssi":"Baseball records","title_ssm":["Baseball records"],"title_tesim":["Baseball records"],"unitdate_ssm":["1908-2024"],"unitdate_inclusive_ssm":["1908-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 181.5","/repositories/2/resources/38"],"text":["UA 181.5","/repositories/2/resources/38","Baseball records","Baseball--History","College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Intercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.","","Department of Athletics Records","The collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026 Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.","Promotional flyer for Circle K International \"Strike out ALS game\" that featured William \u0026 Mary vs. Elon as part of the 2022-2023 baseball season. The flyer was posted on the Swem bulletin board and collected May 2023.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports","English"],"unitid_tesim":["UA 181.5","/repositories/2/resources/38"],"normalized_title_ssm":["Baseball records"],"collection_title_tesim":["Baseball records"],"collection_ssim":["Baseball records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Baseball--History"],"geogname_ssim":["Baseball--History"],"creator_ssm":["College of William and Mary. Department of Athletics."],"creator_ssim":["College of William and Mary. Department of Athletics."],"creator_corpname_ssim":["College of William and Mary. Department of Athletics."],"creators_ssim":["College of William and Mary. Department of Athletics."],"places_ssim":["Baseball--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Transfer"],"access_subjects_ssim":["College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters"],"access_subjects_ssm":["College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 Hollinger box and 1 oversize folder"],"extent_tesim":["2 Linear Feet 1 Hollinger box and 1 oversize folder"],"genreform_ssim":["Posters"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eIntercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.\u003c/p\u003e\n","\u003cp\u003e  \u003cextref href=\"http://www.tribeathletics.com/sports/2015/10/9/BB_1009155254.aspx?path=baseball\" title=\"BB_1009155254.aspx?path=baseball\"\u003e\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History:"],"bioghist_tesim":["Intercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.",""],"prefercite_html_tesm":["\u003cp\u003eBaseball records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Baseball records, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eDepartment of Athletics Records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Department of Athletics Records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026amp; Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.\u003c/p\u003e","\u003cp\u003ePromotional flyer for Circle K International \"Strike out ALS game\" that featured William \u0026amp; Mary vs. Elon as part of the 2022-2023 baseball season. The flyer was posted on the Swem bulletin board and collected May 2023.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026 Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.","Promotional flyer for Circle K International \"Strike out ALS game\" that featured William \u0026 Mary vs. Elon as part of the 2022-2023 baseball season. The flyer was posted on the Swem bulletin board and collected May 2023."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports"],"names_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:10:44.245Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_38","ead_ssi":"viw_repositories_2_resources_38","_root_":"viw_repositories_2_resources_38","_nest_parent_":"viw_repositories_2_resources_38","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_38.xml","title_filing_ssi":"Baseball records","title_ssm":["Baseball records"],"title_tesim":["Baseball records"],"unitdate_ssm":["1908-2024"],"unitdate_inclusive_ssm":["1908-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 181.5","/repositories/2/resources/38"],"text":["UA 181.5","/repositories/2/resources/38","Baseball records","Baseball--History","College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters","This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Intercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.","","Department of Athletics Records","The collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026 Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.","Promotional flyer for Circle K International \"Strike out ALS game\" that featured William \u0026 Mary vs. Elon as part of the 2022-2023 baseball season. The flyer was posted on the Swem bulletin board and collected May 2023.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports","English"],"unitid_tesim":["UA 181.5","/repositories/2/resources/38"],"normalized_title_ssm":["Baseball records"],"collection_title_tesim":["Baseball records"],"collection_ssim":["Baseball records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Baseball--History"],"geogname_ssim":["Baseball--History"],"creator_ssm":["College of William and Mary. Department of Athletics."],"creator_ssim":["College of William and Mary. Department of Athletics."],"creator_corpname_ssim":["College of William and Mary. Department of Athletics."],"creators_ssim":["College of William and Mary. Department of Athletics."],"places_ssim":["Baseball--History"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Transfer"],"access_subjects_ssim":["College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters"],"access_subjects_ssm":["College sports","Athletics--Baseball","College sports--Virginia--Williamsburg","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 Hollinger box and 1 oversize folder"],"extent_tesim":["2 Linear Feet 1 Hollinger box and 1 oversize folder"],"genreform_ssim":["Posters"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["This collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eIntercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.\u003c/p\u003e\n","\u003cp\u003e  \u003cextref href=\"http://www.tribeathletics.com/sports/2015/10/9/BB_1009155254.aspx?path=baseball\" title=\"BB_1009155254.aspx?path=baseball\"\u003e\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History:"],"bioghist_tesim":["Intercollegiate baseball at the College of William and Mary has a history which began over a century ago with with organization of the first varsity baseball team in 1895. Since then the team has won seven conference championships, two of which with the Colonial Athletic Association, and has made four appearances in the NCAA Division 1 College Baseball Championship tournament. Since 1997, MLB teams have drafted twenty-six players out of the College. Seven players have been drafted within the first ten rounds, including Bill Bray with the 13th overall pick in 2004. A total of thirty-two players from William and Mary have been selected in the MLB Amateur Draft era. Eleven former Tribe standouts have gone on to play in the Majors. Numerous other players have been awarded and recognized by the NCAA, the College itself, and other organizations for their efforts on the diamond.",""],"prefercite_html_tesm":["\u003cp\u003eBaseball records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Baseball records, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eDepartment of Athletics Records\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Department of Athletics Records"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026amp; Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.\u003c/p\u003e","\u003cp\u003ePromotional flyer for Circle K International \"Strike out ALS game\" that featured William \u0026amp; Mary vs. Elon as part of the 2022-2023 baseball season. The flyer was posted on the Swem bulletin board and collected May 2023.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection consists of one box of schedules, rosters, programs, scorebooks, tickets posters and other materials related to the intercollegiate baseball program at William \u0026 Mary from the years 1908-2015. The material is primarily divided chronologically, although there is one separate folder containing two scorebooks from the 1920s and another containing tickets to baseball games from the years 1999-2010. A majority of the material was originally published or created by the William and Mary Athletics Department.","Promotional flyer for Circle K International \"Strike out ALS game\" that featured William \u0026 Mary vs. Elon as part of the 2022-2023 baseball season. The flyer was posted on the Swem bulletin board and collected May 2023."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports"],"names_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Department of Athletics.","College of William and Mary--Baseball--History--20th century","College of William and Mary--Baseball--History--21st century","College of William and Mary--Sports"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":12,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:10:44.245Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_38"}},{"id":"viasr_repositories_2_resources_1_c104","type":"File","attributes":{"title":"Baughan, Rilee. Alumna.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c104#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_1_c104","ref_ssm":["viasr_repositories_2_resources_1_c104"],"id":"viasr_repositories_2_resources_1_c104","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1","parent_ssi":"viasr_repositories_2_resources_1","parent_ssim":["viasr_repositories_2_resources_1"],"parent_ids_ssim":["viasr_repositories_2_resources_1"],"parent_unittitles_ssm":["RMC Faculty, Staff, and Alumni Files"],"parent_unittitles_tesim":["RMC Faculty, Staff, and Alumni Files"],"text":["RMC Faculty, Staff, and Alumni Files","Baughan, Rilee. Alumna.","R-MC Alumni"],"title_filing_ssi":"Baughan, Rilee. Alumna.","title_ssm":["Baughan, Rilee. Alumna."],"title_tesim":["Baughan, Rilee. Alumna."],"unitdate_other_ssim":["Class of 2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Baughan, Rilee. Alumna."],"component_level_isim":[1],"repository_ssim":["Randolph-Macon College"],"collection_ssim":["RMC Faculty, Staff, and Alumni Files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":259,"parent_access_restrict_tesm":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"date_range_isim":[2024],"access_subjects_ssim":["R-MC Alumni"],"access_subjects_ssm":["R-MC Alumni"],"_nest_path_":"/components#103","timestamp":"2026-05-24T23:33:02.115Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viasr_repositories_2_resources_1","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1","ead_source_url_ssi":"data/oai/RMC/repositories_2_resources_1.xml","title_filing_ssi":"RMC Faculty, Staff, and Alumni Files","title_ssm":["RMC Faculty, Staff, and Alumni Files"],"title_tesim":["RMC Faculty, Staff, and Alumni Files"],"unitdate_ssm":["1818-2024"],"unitdate_inclusive_ssm":["1818-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RMC.00013"],"text":["RMC.00013","RMC Faculty, Staff, and Alumni Files","Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections","From Spring 2013 Volume 85 Number 1","From Summer 2013 Volume 85 Number 2","From Volume 89 Number 2 - Inferred to be from Fall 2017 issue","Page 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date","From Summer 2013 Volume 85 Number 2","Article copied from bound version of the 2012-2013: A Year In Review, page 16","From Fall 2017 Volume 89 Number 2 page 27","Perhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12","From Spring 2015 Volume 87 Number 1","Unclear what the source is, but pages 604-606","From Summer/Fall 2015 Volume 87 Number 2","Original from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19","From the 2011-2012 Year in Review page 7","Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee","2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper","Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown.","Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n.    "],"unitid_tesim":["RMC.00013"],"normalized_title_ssm":["RMC Faculty, Staff, and Alumni Files"],"collection_title_tesim":["RMC Faculty, Staff, and Alumni Files"],"collection_ssim":["RMC Faculty, Staff, and Alumni Files"],"repository_ssm":["Randolph-Macon College"],"repository_ssim":["Randolph-Macon College"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet"],"extent_tesim":["15 Linear Feet"],"date_range_isim":[1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"bioghist_html_tesm":["\u003cp\u003eFrom Spring 2013 Volume 85 Number 1\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eFrom Volume 89 Number 2 - Inferred to be from Fall 2017 issue\u003c/p\u003e","\u003cp\u003ePage 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eArticle copied from bound version of the 2012-2013: A Year In Review, page 16\u003c/p\u003e","\u003cp\u003eFrom Fall 2017 Volume 89 Number 2 page 27\u003c/p\u003e","\u003cp\u003ePerhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12\u003c/p\u003e","\u003cp\u003eFrom Spring 2015 Volume 87 Number 1\u003c/p\u003e","\u003cp\u003eUnclear what the source is, but pages 604-606\u003c/p\u003e","\u003cp\u003eFrom Summer/Fall 2015 Volume 87 Number 2\u003c/p\u003e","\u003cp\u003eOriginal from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19\u003c/p\u003e","\u003cp\u003eFrom the 2011-2012 Year in Review page 7\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["From Spring 2013 Volume 85 Number 1","From Summer 2013 Volume 85 Number 2","From Volume 89 Number 2 - Inferred to be from Fall 2017 issue","Page 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date","From Summer 2013 Volume 85 Number 2","Article copied from bound version of the 2012-2013: A Year In Review, page 16","From Fall 2017 Volume 89 Number 2 page 27","Perhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12","From Spring 2015 Volume 87 Number 1","Unclear what the source is, but pages 604-606","From Summer/Fall 2015 Volume 87 Number 2","Original from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19","From the 2011-2012 Year in Review page 7"],"odd_html_tesm":["\u003cp\u003eSome images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e\n","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e","\u003cp\u003eFinancial Aid Counselor beginning August 1980\u003c/p\u003e","\u003cp\u003eFirst employed August of 1988 as a Visiting Assistant Professor\u003c/p\u003e","\u003cp\u003eWas a Board of Trustees member from 1988-1992\u003c/p\u003e","\u003cp\u003eAlbertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship\u003c/p\u003e","\u003cp\u003eExact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917\u003c/p\u003e","\u003cp\u003eSome confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862\u003c/p\u003e","\u003cp\u003eDiploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eOriginal March letter dated 1942, response dated 1943. Unclear which date is accurate\u003c/p\u003e","\u003cp\u003e20 photos total\u003c/p\u003e","\u003cp\u003eFirst woman Trustee\u003c/p\u003e"],"odd_heading_ssm":["Content Disclaimer","Contact Information","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"processinfo_html_tesm":["\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eincluded in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper"],"relatedmaterial_html_tesm":["\u003cp\u003eContextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown."],"scopecontent_html_tesm":["\u003cp\u003eLetters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university\u003c/p\u003e","\u003cp\u003eNewspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council\u003c/p\u003e","\u003cp\u003eEntire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.\u003c/p\u003e","\u003cp\u003eEmail correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)\u003c/p\u003e","\u003cp\u003eEmail notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson\u003c/p\u003e","\u003cp\u003eA letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee\u003c/p\u003e","\u003cp\u003e2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings\u003c/p\u003e","\u003cp\u003eA note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary\u003c/p\u003e","\u003cp\u003eone letter regarding Ball's illness, one related to his army status\u003c/p\u003e","\u003cp\u003eMemo references attachments that don't appear to have been included/attached in Bane's file.\u003c/p\u003e","\u003cp\u003eLetter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him\u003c/p\u003e","\u003cp\u003eHalf page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.\u003c/p\u003e","\u003cp\u003eWalter Hines Page, the grandson of Walter Hines Page the previous namesake of the library\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library"],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English \n.    "],"total_component_count_is":2092,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:33:02.115Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c104"}},{"id":"viw_repositories_2_resources_9823_c02","type":"File","attributes":{"title":"Beach, Patricia Oral History","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9823_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePatricia Beach is a former pupil of the Cape Charles Elementary School, a former Rosenwald school. Patricia Beach describes her life and experiences living in Cape Charles during segregation. Patricia Beach details a typical day attending a former Rosenwald School.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9823_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9823_c02","ref_ssm":["viw_repositories_2_resources_9823_c02"],"id":"viw_repositories_2_resources_9823_c02","ead_ssi":"viw_repositories_2_resources_9823","_root_":"viw_repositories_2_resources_9823","_nest_parent_":"viw_repositories_2_resources_9823","parent_ssi":"viw_repositories_2_resources_9823","parent_ssim":["viw_repositories_2_resources_9823"],"parent_ids_ssim":["viw_repositories_2_resources_9823"],"parent_unittitles_ssm":["Rosenwald School Oral History Project"],"parent_unittitles_tesim":["Rosenwald School Oral History Project"],"text":["Rosenwald School Oral History Project","Beach, Patricia Oral History","African Americans -- Segregation","African Americans--History--20th century","Historic sites--Conservation and restoration","African Americans--Education--Virginia","Patricia Beach is a former pupil of the Cape Charles Elementary School, a former Rosenwald school. Patricia Beach describes her life and experiences living in Cape Charles during segregation. Patricia Beach details a typical day attending a former Rosenwald School."],"title_filing_ssi":"Beach, Patricia Oral History","title_ssm":["Beach, Patricia Oral History"],"title_tesim":["Beach, Patricia Oral History"],"unitdate_other_ssim":["2024 January 3"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Beach, Patricia Oral History"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Rosenwald School Oral History Project"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2024],"access_subjects_ssim":["African Americans -- Segregation","African Americans--History--20th century","Historic sites--Conservation and restoration","African Americans--Education--Virginia"],"access_subjects_ssm":["African Americans -- Segregation","African Americans--History--20th century","Historic sites--Conservation and restoration","African Americans--Education--Virginia"],"scopecontent_html_tesm":["\u003cp\u003ePatricia Beach is a former pupil of the Cape Charles Elementary School, a former Rosenwald school. Patricia Beach describes her life and experiences living in Cape Charles during segregation. Patricia Beach details a typical day attending a former Rosenwald School.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Patricia Beach is a former pupil of the Cape Charles Elementary School, a former Rosenwald school. Patricia Beach describes her life and experiences living in Cape Charles during segregation. Patricia Beach details a typical day attending a former Rosenwald School."],"_nest_path_":"/components#1","timestamp":"2026-05-20T22:47:02.013Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9823","ead_ssi":"viw_repositories_2_resources_9823","_root_":"viw_repositories_2_resources_9823","_nest_parent_":"viw_repositories_2_resources_9823","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9823.xml","title_filing_ssi":"Rosenwald School Oral History Project","title_ssm":["Rosenwald School Oral History Project"],"title_tesim":["Rosenwald School Oral History Project"],"unitdate_ssm":["2023-2024"],"unitdate_inclusive_ssm":["2023-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00396","/repositories/2/resources/9823"],"text":["MS 00396","/repositories/2/resources/9823","Rosenwald School Oral History Project","African Americans--Education--Virginia","Segregation","African Americans--History","College of William and Mary--History","Jews, American","Rosenwald schools","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This oral history project accompanys and is used extensively for the \"A Better Life for Their Children: Julius Rosenwald, Booker T. Washington, and the 4,978 Schools that Changed America\" exhibit, which will be on display in the Virginia Museum of History \u0026 Culture from May 2024 until April 2025. The exhibit and the oral history project examine the legacy of Julius Rosenwald and Booker T. Washington co-creating schools in the American South to educate Black children otherwise exluded from the public school system due to segregation laws. The oral history project consists of interviews with former pupils of Rosenwald schools in Virginia.","Nadine Armstrong attended the Westview Rosenwald School which is no longer standing. Her interview was conducted in the Dunbar school now being restored. Nadine Armstrong discusses her family background, her experience as a former pupil of a Rosenwald school and the efforts to restore the schools. Nadine Armstrong details the typical day and experiences attending a Rosenwald school during segregation.","Patricia Beach is a former pupil of the Cape Charles Elementary School, a former Rosenwald school. Patricia Beach describes her life and experiences living in Cape Charles during segregation. Patricia Beach details a typical day attending a former Rosenwald School.","Dianne Davis is a former pupil of the Cape Charles Elementary School, a former Rosenwald Schools. Dianne Davis recounts her time as a pupil attending Cape Charles Elementary School, a segregated school funded by Julius Rosenwald and created by Booker T. Washington. Dianne discusses the typical day attending a Rosenwald school and her hopes for the restoration of the school.","Mary Anne Fletcher is a former pupil of the Bena Hayes Rosenwald school in Bena, VA. Mary Anne Fletcher describes her experiences attending a former Rosenwald school, a typical day in the classroom and her family background. Mary Anne Fletcher discusses her experiences as a Rosenwald student and her hopes for the restored Woodville school.","Deloris Hicks is a former pupil of Campbell County and Evington Elementary Schools. Deloris Hicks describes a typical day attending a former Rosenwald school, her family background and community efforts to restore the Rosenwald schools in Virginia. Deloris Hicks recounts her time as a student attending a Rosenwald school during segregation in Virginia.","Frank James is a former pupil of the Campbell County Elementary School. Frank James describes his experiences attending a Virginia Rosenwald School during segregation. He discusses his family background, the typical day at a school and the community response to the school and the efforts to restore it. Frank James describes his experience attending a Rosenwald School in Virginia.","Geraldine Pettigrew is a former pupil of the Campbell County Elementary School, a former Rosenwald school. Geraldine Pettigrew recounts her experiences attending the Campbell County Elementary School in Rustberg Virginia during segregation. The Rosenwald School were created by Booker T. Washington and funded by Julius Rosenwald. Together they built over 4900 schools across the south to provide an education for black children. Geraldine Pettigrew describes what a typical day was like attending the former Rosenwald School and the community response, and also her thoughts on the future hopes for the site.","Marion Randall is a former pupil of the Bena Hayes School, a Rosenwald school. Marion Randall recalls her experiences attending the Bena Hayes (Rosenwald) school in Bena Virginia. The Rosenwald schools were funded by Julius Rosenwald and designed by Booker T. Washington. Together they created over 4900 schools across the south to aid in the education of Black people during segregation. Marion Randall discusses a typical day attending a Rosenwald school, her family background and the community response. She attended the Bena Hayes school but the school is not longer standing.","Michael Scales is a former pupil of the Pine Grove School. Michael describes his experiences living in Cumberland County, attending a Rosenwald school and the efforts to restore the building. Michael describes the typical day attending school during segregation.","Charles Williams is a former pupil of the Cape Charles Elementary School. Charles Williams describes his experiences attending a Rosenwald School. He discusses his family life and his life after leaving school and his hopes for the restored building. Charles Williams details the typical day and experiences attending the Cape Charles Elementary School and the high school in Matchipongo, VA.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00396","/repositories/2/resources/9823"],"normalized_title_ssm":["Rosenwald School Oral History Project"],"collection_title_tesim":["Rosenwald School Oral History Project"],"collection_ssim":["Rosenwald School Oral History Project"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["African Americans--Education--Virginia","Segregation","African Americans--History","College of William and Mary--History","Jews, American","Rosenwald schools"],"access_subjects_ssm":["African Americans--Education--Virginia","Segregation","African Americans--History","College of William and Mary--History","Jews, American","Rosenwald schools"],"has_online_content_ssim":["false"],"extent_ssm":["3.55 Gigabytes"],"extent_tesim":["3.55 Gigabytes"],"date_range_isim":[2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"scopecontent_html_tesm":["\u003cp\u003eThis oral history project accompanys and is used extensively for the \"A Better Life for Their Children: Julius Rosenwald, Booker T. Washington, and the 4,978 Schools that Changed America\" exhibit, which will be on display in the Virginia Museum of History \u0026amp; Culture from May 2024 until April 2025. The exhibit and the oral history project examine the legacy of Julius Rosenwald and Booker T. Washington co-creating schools in the American South to educate Black children otherwise exluded from the public school system due to segregation laws. The oral history project consists of interviews with former pupils of Rosenwald schools in Virginia.\u003c/p\u003e","\u003cp\u003eNadine Armstrong attended the Westview Rosenwald School which is no longer standing. Her interview was conducted in the Dunbar school now being restored. Nadine Armstrong discusses her family background, her experience as a former pupil of a Rosenwald school and the efforts to restore the schools. Nadine Armstrong details the typical day and experiences attending a Rosenwald school during segregation.\u003c/p\u003e","\u003cp\u003ePatricia Beach is a former pupil of the Cape Charles Elementary School, a former Rosenwald school. Patricia Beach describes her life and experiences living in Cape Charles during segregation. Patricia Beach details a typical day attending a former Rosenwald School.\u003c/p\u003e","\u003cp\u003eDianne Davis is a former pupil of the Cape Charles Elementary School, a former Rosenwald Schools. Dianne Davis recounts her time as a pupil attending Cape Charles Elementary School, a segregated school funded by Julius Rosenwald and created by Booker T. Washington. Dianne discusses the typical day attending a Rosenwald school and her hopes for the restoration of the school.\u003c/p\u003e","\u003cp\u003eMary Anne Fletcher is a former pupil of the Bena Hayes Rosenwald school in Bena, VA. Mary Anne Fletcher describes her experiences attending a former Rosenwald school, a typical day in the classroom and her family background. Mary Anne Fletcher discusses her experiences as a Rosenwald student and her hopes for the restored Woodville school.\u003c/p\u003e","\u003cp\u003eDeloris Hicks is a former pupil of Campbell County and Evington Elementary Schools. Deloris Hicks describes a typical day attending a former Rosenwald school, her family background and community efforts to restore the Rosenwald schools in Virginia. Deloris Hicks recounts her time as a student attending a Rosenwald school during segregation in Virginia.\u003c/p\u003e","\u003cp\u003eFrank James is a former pupil of the Campbell County Elementary School. Frank James describes his experiences attending a Virginia Rosenwald School during segregation. He discusses his family background, the typical day at a school and the community response to the school and the efforts to restore it. Frank James describes his experience attending a Rosenwald School in Virginia.\u003c/p\u003e","\u003cp\u003eGeraldine Pettigrew is a former pupil of the Campbell County Elementary School, a former Rosenwald school. Geraldine Pettigrew recounts her experiences attending the Campbell County Elementary School in Rustberg Virginia during segregation. The Rosenwald School were created by Booker T. Washington and funded by Julius Rosenwald. Together they built over 4900 schools across the south to provide an education for black children. Geraldine Pettigrew describes what a typical day was like attending the former Rosenwald School and the community response, and also her thoughts on the future hopes for the site.\u003c/p\u003e","\u003cp\u003eMarion Randall is a former pupil of the Bena Hayes School, a Rosenwald school. Marion Randall recalls her experiences attending the Bena Hayes (Rosenwald) school in Bena Virginia. The Rosenwald schools were funded by Julius Rosenwald and designed by Booker T. Washington. Together they created over 4900 schools across the south to aid in the education of Black people during segregation. Marion Randall discusses a typical day attending a Rosenwald school, her family background and the community response. She attended the Bena Hayes school but the school is not longer standing.\u003c/p\u003e","\u003cp\u003eMichael Scales is a former pupil of the Pine Grove School. Michael describes his experiences living in Cumberland County, attending a Rosenwald school and the efforts to restore the building. Michael describes the typical day attending school during segregation.\u003c/p\u003e","\u003cp\u003eCharles Williams is a former pupil of the Cape Charles Elementary School. Charles Williams describes his experiences attending a Rosenwald School. He discusses his family life and his life after leaving school and his hopes for the restored building. Charles Williams details the typical day and experiences attending the Cape Charles Elementary School and the high school in Matchipongo, VA.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This oral history project accompanys and is used extensively for the \"A Better Life for Their Children: Julius Rosenwald, Booker T. Washington, and the 4,978 Schools that Changed America\" exhibit, which will be on display in the Virginia Museum of History \u0026 Culture from May 2024 until April 2025. The exhibit and the oral history project examine the legacy of Julius Rosenwald and Booker T. Washington co-creating schools in the American South to educate Black children otherwise exluded from the public school system due to segregation laws. The oral history project consists of interviews with former pupils of Rosenwald schools in Virginia.","Nadine Armstrong attended the Westview Rosenwald School which is no longer standing. Her interview was conducted in the Dunbar school now being restored. Nadine Armstrong discusses her family background, her experience as a former pupil of a Rosenwald school and the efforts to restore the schools. Nadine Armstrong details the typical day and experiences attending a Rosenwald school during segregation.","Patricia Beach is a former pupil of the Cape Charles Elementary School, a former Rosenwald school. Patricia Beach describes her life and experiences living in Cape Charles during segregation. Patricia Beach details a typical day attending a former Rosenwald School.","Dianne Davis is a former pupil of the Cape Charles Elementary School, a former Rosenwald Schools. Dianne Davis recounts her time as a pupil attending Cape Charles Elementary School, a segregated school funded by Julius Rosenwald and created by Booker T. Washington. Dianne discusses the typical day attending a Rosenwald school and her hopes for the restoration of the school.","Mary Anne Fletcher is a former pupil of the Bena Hayes Rosenwald school in Bena, VA. Mary Anne Fletcher describes her experiences attending a former Rosenwald school, a typical day in the classroom and her family background. Mary Anne Fletcher discusses her experiences as a Rosenwald student and her hopes for the restored Woodville school.","Deloris Hicks is a former pupil of Campbell County and Evington Elementary Schools. Deloris Hicks describes a typical day attending a former Rosenwald school, her family background and community efforts to restore the Rosenwald schools in Virginia. Deloris Hicks recounts her time as a student attending a Rosenwald school during segregation in Virginia.","Frank James is a former pupil of the Campbell County Elementary School. Frank James describes his experiences attending a Virginia Rosenwald School during segregation. He discusses his family background, the typical day at a school and the community response to the school and the efforts to restore it. Frank James describes his experience attending a Rosenwald School in Virginia.","Geraldine Pettigrew is a former pupil of the Campbell County Elementary School, a former Rosenwald school. Geraldine Pettigrew recounts her experiences attending the Campbell County Elementary School in Rustberg Virginia during segregation. The Rosenwald School were created by Booker T. Washington and funded by Julius Rosenwald. Together they built over 4900 schools across the south to provide an education for black children. Geraldine Pettigrew describes what a typical day was like attending the former Rosenwald School and the community response, and also her thoughts on the future hopes for the site.","Marion Randall is a former pupil of the Bena Hayes School, a Rosenwald school. Marion Randall recalls her experiences attending the Bena Hayes (Rosenwald) school in Bena Virginia. The Rosenwald schools were funded by Julius Rosenwald and designed by Booker T. Washington. Together they created over 4900 schools across the south to aid in the education of Black people during segregation. Marion Randall discusses a typical day attending a Rosenwald school, her family background and the community response. She attended the Bena Hayes school but the school is not longer standing.","Michael Scales is a former pupil of the Pine Grove School. Michael describes his experiences living in Cumberland County, attending a Rosenwald school and the efforts to restore the building. Michael describes the typical day attending school during segregation.","Charles Williams is a former pupil of the Cape Charles Elementary School. Charles Williams describes his experiences attending a Rosenwald School. He discusses his family life and his life after leaving school and his hopes for the restored building. Charles Williams details the typical day and experiences attending the Cape Charles Elementary School and the high school in Matchipongo, VA."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":30,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:47:02.013Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9823_c02"}},{"id":"viw_repositories_2_resources_9022_c11_c07","type":"File","attributes":{"title":"Beavin, Sam Oral History","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c11_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIn this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c11_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9022_c11_c07","ref_ssm":["viw_repositories_2_resources_9022_c11_c07"],"id":"viw_repositories_2_resources_9022_c11_c07","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022_c11","parent_ssi":"viw_repositories_2_resources_9022_c11","parent_ssim":["viw_repositories_2_resources_9022","viw_repositories_2_resources_9022_c11"],"parent_ids_ssim":["viw_repositories_2_resources_9022","viw_repositories_2_resources_9022_c11"],"parent_unittitles_ssm":["Williamsburg Documentary Project","Series 11: Spring 2024 Interviews and Class Materials"],"parent_unittitles_tesim":["Williamsburg Documentary Project","Series 11: Spring 2024 Interviews and Class Materials"],"text":["Williamsburg Documentary Project","Series 11: Spring 2024 Interviews and Class Materials","Beavin, Sam Oral History","Music","WCWM (radio station : Williamsburg, Va.)","Community organization","College of William and Mary--Students","In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project."],"title_filing_ssi":"Beavin, Sam Oral History","title_ssm":["Beavin, Sam Oral History"],"title_tesim":["Beavin, Sam Oral History"],"unitdate_other_ssim":["2024 April 7"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Beavin, Sam Oral History"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Williamsburg Documentary Project"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1057,"parent_access_restrict_tesm":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2024],"access_subjects_ssim":["Music","WCWM (radio station : Williamsburg, Va.)","Community organization","College of William and Mary--Students"],"access_subjects_ssm":["Music","WCWM (radio station : Williamsburg, Va.)","Community organization","College of William and Mary--Students"],"scopecontent_html_tesm":["\u003cp\u003eIn this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project."],"_nest_path_":"/components#10/components#6","timestamp":"2026-05-24T23:21:23.242Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9022","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9022.xml","title_filing_ssi":"Williamsburg Documentary Project ","title_ssm":["Williamsburg Documentary Project"],"title_tesim":["Williamsburg Documentary Project"],"unitdate_ssm":["Circa 1930-2015","2008-2015"],"unitdate_bulk_ssim":["2008-2015"],"unitdate_inclusive_ssm":["Circa 1930-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 351","/repositories/2/resources/9022"],"text":["UA 351","/repositories/2/resources/9022","Williamsburg Documentary Project","Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers","College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters","Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Box 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.","Swem library use only","Materials are accessible to researchers at Swem Library only.","Materials accessible to researchers at Swem Library only.","Material accessible to researchers in Swem Library only.","Swem library use only","Material access restricted to researchers at Swem Library only.","Swem library use only","Deed of Gift is missing.","Interview is restricted pending a removal of certain content from the transcript and digital file.","The American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century.","VERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.","Davis does not wanted monetary publications to use her interview.","An edited version of this oral history is being made available to researchers at the request of the interviewee.","Acc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015.","Digital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026 Mary Libraries Digital Collections  .","This collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.","The collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026 Mary Wren Building at the direction of College President Gene R. Nichol. ","This sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026 Mary students, William \u0026 Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026 Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.","File contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.","This sub- series contains oral history deeds, transcripts and notes from 1995-2012.","Final papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026 Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.","Please note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance. ","This series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.","Williamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026 White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004","Al Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.","Douglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.","Dr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Dr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Lauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.","Sarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.","Linda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","John Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.","Mrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.","Mr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.","Jane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.","Mayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.","Sister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.","Mrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.","Ms. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.","Judy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.","Jake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.","Professor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.","Kalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.","Mr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.","Hannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.","Lance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.","Mrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.","Mr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.","Mr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.","Rachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.","Mr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.","Mr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.","Willie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.","Lauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.","Lisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.","Jacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.","Mr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.","The four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.","Lynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.","Timothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.","Kris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.","Folder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.","WDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.","The folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.","Folder contains a research paper on Big Brothers Big Sisters of Williamsburg.","The folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.","The folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.","The folder contains a research paper about Walsingham Academy.","The folder contains a research paper about youth athletics in Williamsburg","The folder contains a research paper about William and Mary alumni retiring in Williamsburg.","Folder contains a research paper on the evolution of the Williamsburg-James City County School System.","The folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.","The folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.","Folder contains several maps and a reflective essay.","Folder contains maps and relfective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a map and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.","The folder contains maps and reflective essays.","Folder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.","The folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.","The folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.","Folder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.","Mr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.","Chris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.","Mrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.","Mr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.","Bruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.","Mr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.","Tyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.","Amanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.","Samuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.","Caroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.","Folder contains maps and written reports.","The folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.","The folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.","The folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.","The folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.","The folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.","The folder contains a research paper on the influence of bus drivers on their students.","The folder contains a research paper on food security in Grove, Virginia.","Mr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.","Ms. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.","Lamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.","Ms. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.","Terry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.","Dorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.","Fred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.","Grace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.","Reed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.","Robert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.","Sam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.","Brenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.","Rich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.","Mary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.","Mrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.","Corinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team. ","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team. ","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team. ","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team. ","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team. ","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team. ","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team. ","I sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team. ","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team. ","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team. ","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. ","The content of this note was taken from the headnote created by the interview team. ","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. ","The content of this note was taken from the headnote created by the interview team. ","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.","The content of this note was taken from the headnote created by the interview team. ","Samantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.","The content of this note is taken from the headnote created by the interview team. ","I, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future. ","The content of this note comes from the headnote created by the interview team. ","I interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026 Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.","The content of this note comes from the headnote created by the interview team. ","We interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.  ","The content of this note was taken from the headnote created by the interview team.","I interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.","The content of this note comes from the headnote created by the interview team. ","I interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.","Description was taken from the headnote created by the interview team. ","This interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women. ","Description was taken from the headnote created by the interview team. ","This interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026 Mary.","Description comes from the headnote created by the interview team. ","This interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health. ","Description taken from headnote created by the interview team.","This interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.","Description was taken from the headnote created by the interview team.","In this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.","Description was taken from the headnote created by the interview team. ","This interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.","Description was taken from the headnote created by the interview team. ","This interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.","Description was taken from the headnote created by the interview team. ","This interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.","This description was taken from the headnote created by the interview team. ","I interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.","This description was taken from the headnote created by the interview team. ","I interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.","The description is taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media. ","Description taken from headnote created by interview team.","This interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.","This description is taken from the headnote created by the interview team. ","I interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.","The description was taken from the headnote created by the interview team. ","This interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.","This description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.","This interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services. ","This description was taken from the headnote created by the interview team. ","In this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.","This description is taken from the headnote created by the interview team. ","In this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.","This description is taken from the headnote created by the interview team. ","This interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.","This description was taken from the headnote created by the interview team. ","In this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.","This description was taken from a headnote created by the interview team. ","This interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work. ","This description was taken from the headnote created by the interview team. ","In this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.","This description was taken from the headnote created by the interview team. ","In this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.","This description was taken from the headnote created by the interview team. ","In this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026 Mary, her passions for dance and history,\nand significant influences on her life.","This description was taken from the headnote created by the interview team.","This interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation. ","This description was taken from the headnote created by the interview team. ","In this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.","This description was taken from the headnote created by the interview team. ","This interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg. ","This description was taken from the headnote created by the interview team. ","In this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026 Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","\nThis description was taken from the headnote created by the interview team. ","Within this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form. ","This description was taken from the headnote created by the interview team. ","In this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.","This description was taken from the headnote created by the interview team.","In this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026 Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.","This description was taken from the headnote created by the interview team. ","In this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.","This interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.","In this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.","In the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026 Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.","This interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026 Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.","In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.","Maureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.","This interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026 Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026 Mary, walking arts, leadership, Ohio, and advocacy work.","In this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026 Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.","In this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026 Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".","In this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026 Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.","In this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.","This Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.","This oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.","In the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026 Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026 Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.","In this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.","This description is taken from the headnote for the oral history. ","In this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026 Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","American Studies Program","Economic Development","Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)","English"],"unitid_tesim":["UA 351","/repositories/2/resources/9022"],"normalized_title_ssm":["Williamsburg Documentary Project"],"collection_title_tesim":["Williamsburg Documentary Project"],"collection_ssim":["Williamsburg Documentary Project"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"geogname_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"creator_ssm":["American Studies Program"],"creator_ssim":["American Studies Program"],"creator_corpname_ssim":["American Studies Program"],"creators_ssim":["American Studies Program"],"places_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.030 received 2/16/2009 from the Williamsburg Documentary Project via Jenna Simpson. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"access_subjects_ssm":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["9.45 Linear Feet"],"extent_tesim":["9.45 Linear Feet"],"genreform_ssim":["Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e","\u003cp\u003eBox 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eMaterials are accessible to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eMaterials accessible to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eMaterial accessible to researchers in Swem Library only.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eMaterial access restricted to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eDeed of Gift is missing.\u003c/p\u003e","\u003cp\u003eInterview is restricted pending a removal of certain content from the transcript and digital file.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Box 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.","Swem library use only","Materials are accessible to researchers at Swem Library only.","Materials accessible to researchers at Swem Library only.","Material accessible to researchers in Swem Library only.","Swem library use only","Material access restricted to researchers at Swem Library only.","Swem library use only","Deed of Gift is missing.","Interview is restricted pending a removal of certain content from the transcript and digital file."],"bioghist_html_tesm":["\u003cp\u003eThe American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century."],"odd_html_tesm":["\u003cp\u003eVERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.\u003c/p\u003e","\u003cp\u003eDavis does not wanted monetary publications to use her interview.\u003c/p\u003e","\u003cp\u003eAn edited version of this oral history is being made available to researchers at the request of the interviewee.\u003c/p\u003e"],"odd_heading_ssm":["Scope and Contents","General","General"],"odd_tesim":["VERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.","Davis does not wanted monetary publications to use her interview.","An edited version of this oral history is being made available to researchers at the request of the interviewee."],"prefercite_html_tesm":["\u003cp\u003eWilliamsburg Documentary Project Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["Williamsburg Documentary Project Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eDigital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026amp; Mary Libraries Digital Collections \u003cextref href=\"https://digital.libraries.wm.edu/williamsburg-documentary-project\" title=\"453\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Digital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026 Mary Libraries Digital Collections  ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.\u003c/p\u003e\n","\u003cp\u003eThe collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026amp; Mary Wren Building at the direction of College President Gene R. Nichol. \u003c/p\u003e","\u003cp\u003eThis sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026amp; Mary students, William \u0026amp; Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026amp; Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.\u003c/p\u003e","\u003cp\u003eFile contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.\u003c/p\u003e","\u003cp\u003eThis sub- series contains oral history deeds, transcripts and notes from 1995-2012.\u003c/p\u003e","\u003cp\u003eFinal papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026amp; Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.\u003c/p\u003e\n","\u003cp\u003ePlease note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance. \u003c/p\u003e","\u003cp\u003eThis series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.\u003c/p\u003e","\u003cp\u003eWilliamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026amp; White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004\u003c/p\u003e","\u003cp\u003eAl Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eDouglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eDr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eDr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eLauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.\u003c/p\u003e","\u003cp\u003eSarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLinda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eJohn Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eJane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eMayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eSister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.\u003c/p\u003e","\u003cp\u003eMrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMs. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eJudy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.\u003c/p\u003e","\u003cp\u003eJake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eProfessor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eKalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.\u003c/p\u003e","\u003cp\u003eHannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eRachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.\u003c/p\u003e","\u003cp\u003eMr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eWillie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eLisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.\u003c/p\u003e","\u003cp\u003eJacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eThe four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.\u003c/p\u003e","\u003cp\u003eLynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eTimothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eKris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eFolder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.\u003c/p\u003e","\u003cp\u003eWDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on Big Brothers Big Sisters of Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.\u003c/p\u003e","\u003cp\u003eThe folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about Walsingham Academy.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about youth athletics in Williamsburg\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about William and Mary alumni retiring in Williamsburg.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on the evolution of the Williamsburg-James City County School System.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.\u003c/p\u003e","\u003cp\u003eFolder contains several maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and relfective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains a map and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.\u003c/p\u003e","\u003cp\u003eThe folder contains maps and reflective essays.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.\u003c/p\u003e","\u003cp\u003eFolder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.\u003c/p\u003e","\u003cp\u003eMr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eChris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.\u003c/p\u003e","\u003cp\u003eMr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eBruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.\u003c/p\u003e","\u003cp\u003eMr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eTyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eAmanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eSamuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eCaroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.\u003c/p\u003e","\u003cp\u003eFolder contains maps and written reports.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the influence of bus drivers on their students.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on food security in Grove, Virginia.\u003c/p\u003e","\u003cp\u003eMr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMs. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.\u003c/p\u003e","\u003cp\u003eMs. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eTerry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eDorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.\u003c/p\u003e","\u003cp\u003eFred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eGrace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.\u003c/p\u003e","\u003cp\u003eReed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.\u003c/p\u003e","\u003cp\u003eRobert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eSam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eBrenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.\u003c/p\u003e","\u003cp\u003eRich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.\u003c/p\u003e","\u003cp\u003eCorinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eWe interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWe interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e\n","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e\n","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e\n","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.\u003c/p\u003e\n","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.\u003c/p\u003e\n","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026amp; Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026amp; Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026amp; Mary's\nTrack \u0026amp; Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026amp; Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026amp; Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026amp; Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026amp; Mary's\nTrack \u0026amp; Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026amp; Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e\n","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e\n","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e\n","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eSamantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.\u003c/p\u003e\n","\u003cp\u003eThe content of this note is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future. \u003c/p\u003e\n","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026amp; Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.\u003c/p\u003e\n","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWe interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.  \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eI interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about. \u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.\u003c/p\u003e\n","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026amp; Mary specifically, among other things.\u003c/p\u003e\n","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women. \u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003eDescription comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health. \u003c/p\u003e\n","\u003cp\u003eDescription taken from headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eIn this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.\u003c/p\u003e\n","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.\u003c/p\u003e\n","\u003cp\u003eThe description is taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media. \u003c/p\u003e\n","\u003cp\u003eDescription taken from headnote created by interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.\u003c/p\u003e\n","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.\u003c/p\u003e\n","\u003cp\u003eThe description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services. \u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.\u003c/p\u003e\n","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.\u003c/p\u003e\n","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from a headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work. \u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026amp; Mary, her passions for dance and history,\nand significant influences on her life.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation. \u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026amp;M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg. \u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026amp; Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e\n","\u003cp\u003e\nThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWithin this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form. \u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eIn this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026amp; Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.\u003c/p\u003e\n","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.\u003c/p\u003e","\u003cp\u003eThis interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.\u003c/p\u003e","\u003cp\u003eIn this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.\u003c/p\u003e","\u003cp\u003eIn the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026amp; Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026amp; Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.\u003c/p\u003e","\u003cp\u003eIn this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.\u003c/p\u003e","\u003cp\u003eMaureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026amp; Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026amp; Mary, walking arts, leadership, Ohio, and advocacy work.\u003c/p\u003e","\u003cp\u003eIn this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026amp; Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.\u003c/p\u003e","\u003cp\u003eIn this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026amp; Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".\u003c/p\u003e","\u003cp\u003eIn this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026amp; Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.\u003c/p\u003e","\u003cp\u003eIn this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.\u003c/p\u003e","\u003cp\u003eThis Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.\u003c/p\u003e","\u003cp\u003eThis oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.\u003c/p\u003e","\u003cp\u003eIn the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026amp; Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026amp; Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.\u003c/p\u003e","\u003cp\u003eIn this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.\u003c/p\u003e\n","\u003cp\u003eThis description is taken from the headnote for the oral history. \u003c/p\u003e","\u003cp\u003eIn this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026amp;M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026amp; Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.","The collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026 Mary Wren Building at the direction of College President Gene R. Nichol. ","This sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026 Mary students, William \u0026 Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026 Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.","File contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.","This sub- series contains oral history deeds, transcripts and notes from 1995-2012.","Final papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026 Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.","Please note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance. ","This series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.","Williamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026 White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004","Al Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.","Douglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.","Dr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Dr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Lauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.","Sarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.","Linda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","John Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.","Mrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.","Mr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.","Jane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.","Mayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.","Sister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.","Mrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.","Ms. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.","Judy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.","Jake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.","Professor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.","Kalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.","Mr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.","Hannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.","Lance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.","Mrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.","Mr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.","Mr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.","Rachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.","Mr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.","Mr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.","Willie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.","Lauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.","Lisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.","Jacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.","Mr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.","The four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.","Lynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.","Timothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.","Kris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.","Folder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.","WDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.","The folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.","Folder contains a research paper on Big Brothers Big Sisters of Williamsburg.","The folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.","The folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.","The folder contains a research paper about Walsingham Academy.","The folder contains a research paper about youth athletics in Williamsburg","The folder contains a research paper about William and Mary alumni retiring in Williamsburg.","Folder contains a research paper on the evolution of the Williamsburg-James City County School System.","The folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.","The folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.","Folder contains several maps and a reflective essay.","Folder contains maps and relfective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a map and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.","The folder contains maps and reflective essays.","Folder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.","The folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.","The folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.","Folder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.","Mr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.","Chris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.","Mrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.","Mr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.","Bruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.","Mr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.","Tyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.","Amanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.","Samuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.","Caroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.","Folder contains maps and written reports.","The folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.","The folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.","The folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.","The folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.","The folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.","The folder contains a research paper on the influence of bus drivers on their students.","The folder contains a research paper on food security in Grove, Virginia.","Mr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.","Ms. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.","Lamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.","Ms. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.","Terry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.","Dorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.","Fred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.","Grace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.","Reed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.","Robert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.","Sam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.","Brenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.","Rich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.","Mary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.","Mrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.","Corinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team. ","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team. ","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team. ","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team. ","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team. ","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team. ","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team. ","I sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team. ","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team. ","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team. ","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. ","The content of this note was taken from the headnote created by the interview team. ","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. ","The content of this note was taken from the headnote created by the interview team. ","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.","The content of this note was taken from the headnote created by the interview team. ","Samantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.","The content of this note is taken from the headnote created by the interview team. ","I, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future. ","The content of this note comes from the headnote created by the interview team. ","I interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026 Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.","The content of this note comes from the headnote created by the interview team. ","We interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.  ","The content of this note was taken from the headnote created by the interview team.","I interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about. ","The content of this note was taken from the headnote created by the interview team. ","I interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.","The content of this note comes from the headnote created by the interview team. ","I interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.","The content of this note was taken from the headnote created by the interview team. ","I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team. ","This interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.","Description was taken from the headnote created by the interview team. ","This interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women. ","Description was taken from the headnote created by the interview team. ","This interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026 Mary.","Description comes from the headnote created by the interview team. ","This interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health. ","Description taken from headnote created by the interview team.","This interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.","Description was taken from the headnote created by the interview team.","In this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.","Description was taken from the headnote created by the interview team. ","This interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.","Description was taken from the headnote created by the interview team. ","This interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.","Description was taken from the headnote created by the interview team. ","This interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.","This description was taken from the headnote created by the interview team. ","I interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.","This description was taken from the headnote created by the interview team. ","I interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.","The description is taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media. ","Description taken from headnote created by interview team.","This interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.","This description is taken from the headnote created by the interview team. ","I interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.","The description was taken from the headnote created by the interview team. ","This interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.","This description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.","This interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services. ","This description was taken from the headnote created by the interview team. ","In this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.","This description is taken from the headnote created by the interview team. ","In this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.","This description is taken from the headnote created by the interview team. ","This interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.","This description was taken from the headnote created by the interview team. ","In this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.","This description was taken from a headnote created by the interview team. ","This interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work. ","This description was taken from the headnote created by the interview team. ","In this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.","This description was taken from the headnote created by the interview team. ","In this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.","This description was taken from the headnote created by the interview team. ","In this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026 Mary, her passions for dance and history,\nand significant influences on her life.","This description was taken from the headnote created by the interview team.","This interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation. ","This description was taken from the headnote created by the interview team. ","In this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.","This description was taken from the headnote created by the interview team. ","This interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.","This description was taken from the headnote created by the interview team. ","This interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg. ","This description was taken from the headnote created by the interview team. ","In this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026 Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","\nThis description was taken from the headnote created by the interview team. ","Within this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form. ","This description was taken from the headnote created by the interview team. ","In this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.","This description was taken from the headnote created by the interview team.","In this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026 Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.","This description was taken from the headnote created by the interview team. ","In this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.","This interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.","In this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.","In the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026 Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.","This interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026 Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.","In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.","Maureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.","This interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026 Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026 Mary, walking arts, leadership, Ohio, and advocacy work.","In this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026 Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.","In this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026 Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".","In this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026 Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.","In this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.","This Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.","This oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.","In the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026 Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026 Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.","In this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.","This description is taken from the headnote for the oral history. ","In this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026 Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Economic Development"],"names_ssim":["Special Collections Research Center","American Studies Program","Economic Development","Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)"],"corpname_ssim":["Special Collections Research Center","American Studies Program","Economic Development"],"persname_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1146,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:21:23.242Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c11_c07"}},{"id":"vilxw_repositories_5_resources_1140_c02_c11_c312","type":"Item","attributes":{"title":"Bernstein \"Serenade\"; Strauss Op. 64","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1140_c02_c11_c312#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_1140_c02_c11_c312","ref_ssm":["vilxw_repositories_5_resources_1140_c02_c11_c312"],"id":"vilxw_repositories_5_resources_1140_c02_c11_c312","ead_ssi":"vilxw_repositories_5_resources_1140","_root_":"vilxw_repositories_5_resources_1140","_nest_parent_":"vilxw_repositories_5_resources_1140_c02_c11","parent_ssi":"vilxw_repositories_5_resources_1140_c02_c11","parent_ssim":["vilxw_repositories_5_resources_1140","vilxw_repositories_5_resources_1140_c02","vilxw_repositories_5_resources_1140_c02_c11"],"parent_ids_ssim":["vilxw_repositories_5_resources_1140","vilxw_repositories_5_resources_1140_c02","vilxw_repositories_5_resources_1140_c02_c11"],"parent_unittitles_ssm":["Henry Strouss Performing Arts collection","Lincoln Center","New York Philharmonic"],"parent_unittitles_tesim":["Henry Strouss Performing Arts collection","Lincoln Center","New York Philharmonic"],"text":["Henry Strouss Performing Arts collection","Lincoln Center","New York Philharmonic","Bernstein \"Serenade\"; Strauss Op. 64","Rouvali, Santtu-Matias (1985)","Bernstein, Leonard, 1918-1990","Strauss, Richard, 1864-1949","Rouvali, Santtu-Matias (1985)","Bernstein, Leonard, 1918-1990","Strauss, Richard, 1864-1949","English","box 23","folder 46"],"title_filing_ssi":"Bernstein \"Serenade\"; Strauss Op. 64","title_ssm":["Bernstein \"Serenade\"; Strauss Op. 64"],"title_tesim":["Bernstein \"Serenade\"; Strauss Op. 64"],"unitdate_inclusive_ssm":["2024 February 8-13"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Bernstein \"Serenade\"; Strauss Op. 64"],"component_level_isim":[3],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Henry Strouss Performing Arts collection"],"extent_ssm":["1 Files"],"extent_tesim":["1 Files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3188,"parent_access_terms_tesm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"date_range_isim":[2024],"names_ssim":["Rouvali, Santtu-Matias (1985)","Bernstein, Leonard, 1918-1990","Strauss, Richard, 1864-1949","Rouvali, Santtu-Matias (1985)","Bernstein, Leonard, 1918-1990","Strauss, Richard, 1864-1949"],"persname_ssim":["Rouvali, Santtu-Matias (1985)","Bernstein, Leonard, 1918-1990","Strauss, Richard, 1864-1949"],"language_ssim":["English"],"containers_ssim":["box 23","folder 46"],"_nest_path_":"/components#1/components#10/components#311","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1140","ead_ssi":"vilxw_repositories_5_resources_1140","_root_":"vilxw_repositories_5_resources_1140","_nest_parent_":"vilxw_repositories_5_resources_1140","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1140.xml","title_ssm":["Henry Strouss Performing Arts collection"],"title_tesim":["Henry Strouss Performing Arts collection"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0778","/repositories/5/resources/1140"],"text":["WLU.Coll.0778","/repositories/5/resources/1140","Henry Strouss Performing Arts collection","Theater","For the benefit of the National Conference of Christians and Jews","For the benefit of both American and Russian War Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"","Includes 2 partial programs and photocopied newspaper articles about the event.","Includes newspaper articles and protest flyer","Includes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.","Includes newspaper review of the performance","Includes newspaper review of the performance and Latin insert","Includes newspaper review of the performance and The Orchestra of America program","Includes newspaper review of the performance and Pittsburgh Symphony Orchestra program","Includes ticket stub","Annotation on program cover: \"I met Pablo afterwards!\"","Progam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz","Includes a duplicate program. Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"","Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection","Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz,  Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-","English"],"unitid_tesim":["WLU.Coll.0778","/repositories/5/resources/1140"],"normalized_title_ssm":["Henry Strouss Performing Arts collection"],"collection_title_tesim":["Henry Strouss Performing Arts collection"],"collection_ssim":["Henry Strouss Performing Arts collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creator_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creator_persname_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"creators_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961"],"access_terms_ssm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"access_subjects_ssim":["Theater"],"access_subjects_ssm":["Theater"],"has_online_content_ssim":["false"],"extent_ssm":["15 Cubic Feet"],"extent_tesim":["15 Cubic Feet"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"bioghist_html_tesm":["\u003cp\u003eFor the benefit of the National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003eFor the benefit of both American and Russian War Charities\u003c/p\u003e","\u003cp\u003eFirst New York appearance in 3 years\u003c/p\u003e","\u003cp\u003eFirst American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.\u003c/p\u003e","\u003cp\u003eNoted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 250th anniversary of Pergolesi's birth\u003c/p\u003e","\u003cp\u003eThe orchestra's first appearance outside of Puerto Rico\u003c/p\u003e","\u003cp\u003eA gala recital for the benefit of the National Committee Against Discrimination in Housing\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo\u003c/p\u003e","\u003cp\u003eCelebrating the 30th Anniversary Season of Eugene Ormandy as Music Director\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003eOpening night of the production.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eFinal program in a special series of four concerts, \"The Viennese School\"\u003c/p\u003e","\u003cp\u003eFinal event in the Hurok Sunday series\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\".\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eCelebrating the 75th Anniversary of Ithaca College\u003c/p\u003e","\u003cp\u003eGala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eIn appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\"\u003c/p\u003e","\u003cp\u003eIn memory of Charles Munch\u003c/p\u003e","\u003cp\u003eFourth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eSixth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eCommemorating the 200th Anniversary of the birth of Ludwig Van Beethoven\u003c/p\u003e","\u003cp\u003eSecond Concert in Series\u003c/p\u003e","\u003cp\u003eAnnual Patron-Sponsor Concert\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eNicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eA Metropolitan Opera Guild Benefit Concert\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eConcert in memory of David Oistrakh.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eIn honor of Aaron Copland's 75th birthday.\u003c/p\u003e","\u003cp\u003eLorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.\u003c/p\u003e","\u003cp\u003eA British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival\u003c/p\u003e","\u003cp\u003ePart of the bicentennial celebration of the United States\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eThe concert was in memory of Fred Norring.\u003c/p\u003e","\u003cp\u003eFor the 150th anniversary of Beethovan's death.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.\u003c/p\u003e","\u003cp\u003eThe Annual Patrons' and Sponsors' Concert\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eThe Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series A.\u003c/p\u003e","\u003cp\u003eFourth Concert in the Series \"Art of the Lied\"\u003c/p\u003e","\u003cp\u003eDue to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.\u003c/p\u003e","\u003cp\u003eA gala concert performance for the benefit of the production fund of Friends of French Opera.\u003c/p\u003e","\u003cp\u003eHonoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)\u003c/p\u003e","\u003cp\u003eSinger Julia Hamari was unable to perform and was replaced by Florence Quivar.\u003c/p\u003e","\u003cp\u003eMontserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.\u003c/p\u003e","\u003cp\u003eAn all Copland program in honor of Aaron Copland's 80th birthday.\u003c/p\u003e","\u003cp\u003eThe program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.\u003c/p\u003e","\u003cp\u003eScenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.\u003c/p\u003e","\u003cp\u003eDue to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.\u003c/p\u003e","\u003cp\u003eIn honor of the 100th anniversary of the composer's death.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the French Opéra-Comique Festival\u003c/p\u003e","\u003cp\u003eGala Sixtieth Anniversary Benefit Concert.\u003c/p\u003e","\u003cp\u003eThe performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.\u003c/p\u003e","\u003cp\u003ePart of the French Opéra Comique Festival.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.\u003c/p\u003e","\u003cp\u003ePerformed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThis was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.\u003c/p\u003e","\u003cp\u003ePart of The Choral Celebration of Bach.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe Berg works are being performed in honor of the 100th anniversary of his birth.\u003c/p\u003e","\u003cp\u003eBecause of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.\u003c/p\u003e","\u003cp\u003eFor the benefit of Emmaus, which serves New York City's homeless.\u003c/p\u003e","\u003cp\u003eThis concert was dedicated to the memory of Karol Szymanowski.\u003c/p\u003e","\u003cp\u003eA benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.\u003c/p\u003e","\u003cp\u003eCelebrating the 60th birthday of Mstislav Rostropovich\u003c/p\u003e","\u003cp\u003e35th Anniversary Concert\u003c/p\u003e","\u003cp\u003eRudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.\u003c/p\u003e","\u003cp\u003eSylvia McNair replaced Sophia Larson for this performance.\u003c/p\u003e","\u003cp\u003eIt is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.\u003c/p\u003e","\u003cp\u003eThis concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eDue to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.\u003c/p\u003e","\u003cp\u003eGiuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.\u003c/p\u003e","\u003cp\u003eSeiji Ozawa was unable to conduct due to illness and was replaced by André Previn.\u003c/p\u003e","\u003cp\u003eThis performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.\u003c/p\u003e","\u003cp\u003eThe grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.\u003c/p\u003e","\u003cp\u003eThese performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)\u003c/p\u003e","\u003cp\u003eMozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.\u003c/p\u003e","\u003cp\u003eCopland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.\u003c/p\u003e","\u003cp\u003eInsert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland\u003c/p\u003e","\u003cp\u003eInsert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.\u003c/p\u003e","\u003cp\u003eCommemorating the quincentenary of the Christopher Columbus Voyage\u003c/p\u003e","\u003cp\u003eInsert: Saint Ludmila Description\u003c/p\u003e","\u003cp\u003eMusic from concentration camp Terezin, also known as Theresienstadt\u003c/p\u003e","\u003cp\u003eNote: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"\u003c/p\u003e","\u003cp\u003eNote: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"\u003c/p\u003e","\u003cp\u003eInsert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"\u003c/p\u003e","\u003cp\u003eInsert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.\u003c/p\u003e","\u003cp\u003einsert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok\u003c/p\u003e","\u003cp\u003eInsert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid\u003c/p\u003e","\u003cp\u003eInsert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place\u003c/p\u003e","\u003cp\u003eInsert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.\u003c/p\u003e","\u003cp\u003eInsert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"\u003c/p\u003e","\u003cp\u003e\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"\u003c/p\u003e","\u003cp\u003eInsert: La Damnation de Faust Description\u003c/p\u003e","\u003cp\u003eInsert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group\u003c/p\u003e","\u003cp\u003eInsert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.\u003c/p\u003e","\u003cp\u003eThis performance was dedicated to the memory of Richard deVaultier (1916-1988).\u003c/p\u003e","\u003cp\u003eInsert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.\u003c/p\u003e","\u003cp\u003eInsert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.\u003c/p\u003e","\u003cp\u003eNotations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.\u003c/p\u003e","\u003cp\u003eInsert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre\u003c/p\u003e","\u003cp\u003eConcert to celebrate the 70th birthday of Lorin Maazel\u003c/p\u003e","\u003cp\u003eInsert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"\u003c/p\u003e","\u003cp\u003eJohn Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.\u003c/p\u003e","\u003cp\u003eChristopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 200th anniversary of the birth of Hector Berlioz\u003c/p\u003e","\u003cp\u003eThis performance is dedictaed to the memory of Robert E. Wagenfeld\u003c/p\u003e","\u003cp\u003eIn loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.\u003c/p\u003e","\u003cp\u003eThis evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.\u003c/p\u003e","\u003cp\u003eThe 50th Concert of the Met Orchestra at Carnegie Hall\u003c/p\u003e","\u003cp\u003eRevised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.\u003c/p\u003e","\u003cp\u003eIn memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of Charlotte Kirschner (1922-2005)\u003c/p\u003e","\u003cp\u003eAnnotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eNote under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eInsert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eMarking the Bicentennial of Wagner's Birth\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.\u003c/p\u003e","\u003cp\u003eNote: Donor performed in chorus\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003ePart of The Song Continues 2017\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eNoted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening\u003c/p\u003e","\u003cp\u003eConcert dedicated to ASO principal clarinet Laura Flax (1994-2017)\u003c/p\u003e","\u003cp\u003eNoted: Susanna Phillips was unable to perform, replaced by Jennifer Check\u003c/p\u003e","\u003cp\u003eNoted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance\u003c/p\u003e","\u003cp\u003eChristian Van Horn, 2018 Richard Tucker Award Winner\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Joseph Beutel Bio\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.\u003c/p\u003e","\u003cp\u003eHosted by Richard Gere\u003c/p\u003e","\u003cp\u003eTicket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22\u003c/p\u003e","\u003cp\u003eInsert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.\u003c/p\u003e","\u003cp\u003eInsert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"\u003c/p\u003e","\u003cp\u003eThis performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.\u003c/p\u003e","\u003cp\u003eInserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.\u003c/p\u003e","\u003cp\u003eInsert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003eInsert: Bio of Kirsten Sollek, Contralto\u003c/p\u003e","\u003cp\u003eAnnotation: \"Hilarious!\"\u003c/p\u003e","\u003cp\u003eTicket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier\u003c/p\u003e","\u003cp\u003eInsert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.\u003c/p\u003e","\u003cp\u003eInsert: \"Film \u0026amp; Music\" \"Scenes from Ivan the Terrible\"\u003c/p\u003e","\u003cp\u003e\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"\u003c/p\u003e","\u003cp\u003e\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"\u003c/p\u003e","\u003cp\u003e\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"\u003c/p\u003e","\u003cp\u003e\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel\u003c/p\u003e","\u003cp\u003e\"Robert La Fosse is unable to perform this evening.\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article on \"The Mollino Room\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003e\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"\u003c/p\u003e","\u003cp\u003e\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"\u003c/p\u003e","\u003cp\u003e\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003ePamphlet for the 50th Anniversary of Great Performers\u003c/p\u003e","\u003cp\u003eDue to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.\u003c/p\u003e","\u003cp\u003eTenth Anniversary Season\u003c/p\u003e","\u003cp\u003eInsert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English\u003c/p\u003e","\u003cp\u003e\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.\u003c/p\u003e","\u003cp\u003e\"This event is part of American Music Week which is sponsered by the American Music Center\"\u003c/p\u003e","\u003cp\u003eNewspaper Article: \"Chamber: Del Tredici\"\u003c/p\u003e","\u003cp\u003eInsert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)\u003c/p\u003e","\u003cp\u003eInsert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.\u003c/p\u003e","\u003cp\u003eAnnotation indicates Brahams' Sonata was replaced with a Schubert piece\u003c/p\u003e","\u003cp\u003eAnnotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78\u003c/p\u003e","\u003cp\u003eInsert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)\u003c/p\u003e","\u003cp\u003eInsert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius\u003c/p\u003e","\u003cp\u003eIncludes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"\u003c/p\u003e","\u003cp\u003ePerformances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.\u003c/p\u003e","\u003cp\u003eProgram Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026amp; Andrey Soloviev\u003c/p\u003e","\u003cp\u003eThree separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"\u003c/p\u003e","\u003cp\u003eCornell MacNeil replaces Anselmo Colzani as Rigoletto\u003c/p\u003e","\u003cp\u003eNew Production\u003c/p\u003e","\u003cp\u003eSigned by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti\u003c/p\u003e","\u003cp\u003eNot an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini\u003c/p\u003e","\u003cp\u003eProgram insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).\u003c/p\u003e","\u003cp\u003eProgram insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.\u003c/p\u003e","\u003cp\u003eProgram insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.\u003c/p\u003e","\u003cp\u003eIldar Abdrazakov's debut performance\u003c/p\u003e","\u003cp\u003eMetropolitan Opera Premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes\u003c/p\u003e","\u003cp\u003e\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"\u003c/p\u003e","\u003cp\u003eMet Opera premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"\u003c/p\u003e","\u003cp\u003eThis program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Last event before COVID shutdown\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eProgram Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"\u003c/p\u003e","\u003cp\u003eProgram Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"\u003c/p\u003e","\u003cp\u003e\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"\u003c/p\u003e","\u003cp\u003eJune Anderson's debut performance\u003c/p\u003e","\u003cp\u003ePlease note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen\u003c/p\u003e","\u003cp\u003eEpisodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel\u003c/p\u003e","\u003cp\u003ePlease note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"\u003c/p\u003e","\u003cp\u003e\"WarHorse Welcomes to the Company Tessa Klein\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["For the benefit of the National Conference of Christians and Jews","For the benefit of both American and Russian War Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\"  refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\"  We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov.   The role of Gavrilo will be danced by Maxim Zyuzin.  The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program.  First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert.  Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak.  Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by  Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection.  Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday.  As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item.  Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \"   There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In  tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program.  Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct.  This gave a young singer a chance.\"  Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season.  It is unclear how many, if any, performances took place during Covid-19 pandemic.  Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\""],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eIncludes 2 partial programs and photocopied newspaper articles about the event.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles and protest flyer\u003c/p\u003e","\u003cp\u003eIncludes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Latin insert\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and The Orchestra of America program\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Pittsburgh Symphony Orchestra program\u003c/p\u003e","\u003cp\u003eIncludes ticket stub\u003c/p\u003e","\u003cp\u003eAnnotation on program cover: \"I met Pablo afterwards!\"\u003c/p\u003e","\u003cp\u003eProgam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Both programs signed by Shirley Verrett\u003c/p\u003e","\u003cp\u003eProgram signed by Maureen Forrester\u003c/p\u003e","\u003cp\u003eProgram signed by Heather Harper and Jacqueline du Pré\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes torn out advertisement page\u003c/p\u003e","\u003cp\u003eIncludes an insert on the Oratorio Society of New York and a newspaper review of the concert.\u003c/p\u003e","\u003cp\u003eAnnotation on back cover: \"Boston Symphony very good Brahms #2\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes texts \u0026amp; translations pamphlet and an insert about the Cleveland Orchestra\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the concert\u003c/p\u003e","\u003cp\u003eIncludes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing\u003c/p\u003e","\u003cp\u003eIncludes a photocopied newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes signatures of Gerald Moore and Dietrich Fischer-Dieskau\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludeas a newspaper article reviewing the concert and a texts and translations insert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert outlining the highlights of next season.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert and an insert correcting program texts and translations.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet.\u003c/p\u003e","\u003cp\u003eIncludes a 2nd smaller program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles reviewing the concert. Program includes annotations in Hebrew.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with texts and translations.\u003c/p\u003e","\u003cp\u003eMissing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.\u003c/p\u003e","\u003cp\u003eIncludes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing a conductor and program change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an annotation in Hebrew.\u003c/p\u003e","\u003cp\u003eContains a written annotation that the Wagner Taunhauser Overture was played.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate prorgam.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eOutlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.\u003c/p\u003e","\u003cp\u003eIncludes a booklet on the Cleveland Orchestra's records.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a program inset that corrects the conductor for later concerts.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert detailing the change in performers.\u003c/p\u003e","\u003cp\u003eIncludes a note that the composer of the pieces performed is the conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert revising the program order.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncluides an insert about June Anderson.\u003c/p\u003e","\u003cp\u003eIncluides an insert about cast substitutions.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a flyer of other concerts in the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eOne of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eThere is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eProgram for a working rehearsal.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet listing the performers in this concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with the updated program.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing program changes.\u003c/p\u003e","\u003cp\u003eIncludes an insert about the New York City Gay Men's Chorus holiday celebration.\u003c/p\u003e","\u003cp\u003eIncludes two inserts detailing the changes in programming.\u003c/p\u003e","\u003cp\u003eInsert Included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eNew York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eNews Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNew York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland\u003c/p\u003e","\u003cp\u003eNews Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included.\u003c/p\u003e","\u003cp\u003eInsert included. Program annotated to indicate change in performers\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eContains a text and translations booklet\u003c/p\u003e","\u003cp\u003eRevised program included.\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an isert denoting cast change with additional information on performer\u003c/p\u003e","\u003cp\u003eIncludes text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a note from the donor (Henry Strouss)\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003etexts pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncudes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Festival overview\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate ASO program included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003econtains German translation booklet\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Vasily Petrenko bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Yannick Nézet-Séguin bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert with cast change\u003c/p\u003e","\u003cp\u003eContains a ticket for the evening's performance\u003c/p\u003e","\u003cp\u003eIncludes an insert about broadcasting and upcoming performances\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts. One is stapled to the program.\u003c/p\u003e","\u003cp\u003eIncludes an insert and a Texts and Translation Booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello\u003c/p\u003e","\u003cp\u003eIncludes a ticket\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes two insert, revised program and cast list\u003c/p\u003e","\u003cp\u003eContains a Calendar of Events for March 1986\u003c/p\u003e","\u003cp\u003eContains an advertisement for the Los Angeles Philharmonic\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with blue ink finger print\u003c/p\u003e","\u003cp\u003eProgram contains a crude rough sketch of an open piano and a closed piano\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with partial black and pink ink finger prints\u003c/p\u003e","\u003cp\u003eContains an insert\u003c/p\u003e","\u003cp\u003eIncludes a News Article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes markings near May 2, 1993.\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert and an annotation\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eContains an insert - updated program\u003c/p\u003e","\u003cp\u003eContains a signature from George Shirley\u003c/p\u003e","\u003cp\u003eContains a signature from Theodor Uppman\u003c/p\u003e","\u003cp\u003eContains a signature from Justino Diaz\u003c/p\u003e","\u003cp\u003eContains signatures from Gianna D'Angelo and Nedda Casei\u003c/p\u003e","\u003cp\u003eContains a signature from Renata Tebaldi\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from Mary Costa and Rosalind Elias\u003c/p\u003e","\u003cp\u003eContains a signature from William Dooley\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eContains a signature from Jon Vickers\u003c/p\u003e","\u003cp\u003eContains a signature from Cornell MacNeil\u003c/p\u003e","\u003cp\u003eContains signatures from Martina Arroyo and Elena Cernei\u003c/p\u003e","\u003cp\u003eContains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn\u003c/p\u003e","\u003cp\u003eContains a signature from Teresa Stratas\u003c/p\u003e","\u003cp\u003eContains a signature from Mirella Freni\u003c/p\u003e","\u003cp\u003eContains signatures from Mirella Freni, one signature illegible\u003c/p\u003e","\u003cp\u003eContains signatures from\u003c/p\u003e","\u003cp\u003eContains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers, Morley Meredith, and two illegible signatures\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers and Leonie Rysanek\u003c/p\u003e","\u003cp\u003eIncludes a signature from James McCracken\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Theodor Uppmann and Nedda Casei\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eHelge Brilioth's debut, Includes 3 inserts\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from several cast members\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes 5 \"New Production\" Pamphlets\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article on the performance\u003c/p\u003e","\u003cp\u003eIncldues a signature from Montserrat Caballe\u003c/p\u003e","\u003cp\u003eIncludes an Insert - 15% off Tickets to Elektra\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, an advertisement to meet Kiri Te Kanawa\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updating program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes personal notes from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet celebrating the opera's premiere and thanking the Gala Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, additional program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an advertisement for a trivia event during the opera's first intermission\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells\u003c/p\u003e","\u003cp\u003eIncludes a signature from Cynthia Clarey\u003c/p\u003e","\u003cp\u003eIncludes a signature from June Anderson\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncldues an article titled \"Parsons is shattering as Mert\"\u003c/p\u003e","\u003cp\u003eIncludes an article from Joseph Papp titled \"The Real Threepenny Opera\"\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, a list of actors playing the citizens of New Salem and Springfield\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an article on Tessa Klein and an updated program\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, cast list\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes 2 partial programs and photocopied newspaper articles about the event.","Includes newspaper articles and protest flyer","Includes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.","Includes newspaper review of the performance","Includes newspaper review of the performance and Latin insert","Includes newspaper review of the performance and The Orchestra of America program","Includes newspaper review of the performance and Pittsburgh Symphony Orchestra program","Includes ticket stub","Annotation on program cover: \"I met Pablo afterwards!\"","Progam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz","Includes a duplicate program. Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\""],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz,  Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-"],"corpname_ssim":["Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater"],"persname_ssim":["Strouss, Henry  (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal  (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter  (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r.  (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine  (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David  (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak,  Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick  (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy  (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana  (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk  (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz,  Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3427,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1140_c02_c11_c312"}},{"id":"viasr_repositories_2_resources_1_c130","type":"File","attributes":{"title":"Bilodeau, Louis-Xavier. Alumnus.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c130#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_1_c130","ref_ssm":["viasr_repositories_2_resources_1_c130"],"id":"viasr_repositories_2_resources_1_c130","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1","parent_ssi":"viasr_repositories_2_resources_1","parent_ssim":["viasr_repositories_2_resources_1"],"parent_ids_ssim":["viasr_repositories_2_resources_1"],"parent_unittitles_ssm":["RMC Faculty, Staff, and Alumni Files"],"parent_unittitles_tesim":["RMC Faculty, Staff, and Alumni Files"],"text":["RMC Faculty, Staff, and Alumni Files","Bilodeau, Louis-Xavier. Alumnus.","R-MC Alumni"],"title_filing_ssi":"Bilodeau, Louis-Xavier. Alumnus.","title_ssm":["Bilodeau, Louis-Xavier. Alumnus."],"title_tesim":["Bilodeau, Louis-Xavier. Alumnus."],"unitdate_other_ssim":["Class of 2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Bilodeau, Louis-Xavier. Alumnus."],"component_level_isim":[1],"repository_ssim":["Randolph-Macon College"],"collection_ssim":["RMC Faculty, Staff, and Alumni Files"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":296,"parent_access_restrict_tesm":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"date_range_isim":[2024],"access_subjects_ssim":["R-MC Alumni"],"access_subjects_ssm":["R-MC Alumni"],"_nest_path_":"/components#129","timestamp":"2026-05-24T23:33:02.115Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viasr_repositories_2_resources_1","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1","ead_source_url_ssi":"data/oai/RMC/repositories_2_resources_1.xml","title_filing_ssi":"RMC Faculty, Staff, and Alumni Files","title_ssm":["RMC Faculty, Staff, and Alumni Files"],"title_tesim":["RMC Faculty, Staff, and Alumni Files"],"unitdate_ssm":["1818-2024"],"unitdate_inclusive_ssm":["1818-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RMC.00013"],"text":["RMC.00013","RMC Faculty, Staff, and Alumni Files","Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections","From Spring 2013 Volume 85 Number 1","From Summer 2013 Volume 85 Number 2","From Volume 89 Number 2 - Inferred to be from Fall 2017 issue","Page 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date","From Summer 2013 Volume 85 Number 2","Article copied from bound version of the 2012-2013: A Year In Review, page 16","From Fall 2017 Volume 89 Number 2 page 27","Perhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12","From Spring 2015 Volume 87 Number 1","Unclear what the source is, but pages 604-606","From Summer/Fall 2015 Volume 87 Number 2","Original from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19","From the 2011-2012 Year in Review page 7","Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee","2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper","Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown.","Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n.    "],"unitid_tesim":["RMC.00013"],"normalized_title_ssm":["RMC Faculty, Staff, and Alumni Files"],"collection_title_tesim":["RMC Faculty, Staff, and Alumni Files"],"collection_ssim":["RMC Faculty, Staff, and Alumni Files"],"repository_ssm":["Randolph-Macon College"],"repository_ssim":["Randolph-Macon College"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet"],"extent_tesim":["15 Linear Feet"],"date_range_isim":[1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"bioghist_html_tesm":["\u003cp\u003eFrom Spring 2013 Volume 85 Number 1\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eFrom Volume 89 Number 2 - Inferred to be from Fall 2017 issue\u003c/p\u003e","\u003cp\u003ePage 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eArticle copied from bound version of the 2012-2013: A Year In Review, page 16\u003c/p\u003e","\u003cp\u003eFrom Fall 2017 Volume 89 Number 2 page 27\u003c/p\u003e","\u003cp\u003ePerhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12\u003c/p\u003e","\u003cp\u003eFrom Spring 2015 Volume 87 Number 1\u003c/p\u003e","\u003cp\u003eUnclear what the source is, but pages 604-606\u003c/p\u003e","\u003cp\u003eFrom Summer/Fall 2015 Volume 87 Number 2\u003c/p\u003e","\u003cp\u003eOriginal from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19\u003c/p\u003e","\u003cp\u003eFrom the 2011-2012 Year in Review page 7\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["From Spring 2013 Volume 85 Number 1","From Summer 2013 Volume 85 Number 2","From Volume 89 Number 2 - Inferred to be from Fall 2017 issue","Page 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date","From Summer 2013 Volume 85 Number 2","Article copied from bound version of the 2012-2013: A Year In Review, page 16","From Fall 2017 Volume 89 Number 2 page 27","Perhaps from a President's Report, no date shown.  Page removed from bound copy, page 11/12","From Spring 2015 Volume 87 Number 1","Unclear what the source is, but pages 604-606","From Summer/Fall 2015 Volume 87 Number 2","Original from Fall 2017 Volume 89 Number 2, printed copy posted 2017-12-19","From the 2011-2012 Year in Review page 7"],"odd_html_tesm":["\u003cp\u003eSome images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e\n","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e","\u003cp\u003eFinancial Aid Counselor beginning August 1980\u003c/p\u003e","\u003cp\u003eFirst employed August of 1988 as a Visiting Assistant Professor\u003c/p\u003e","\u003cp\u003eWas a Board of Trustees member from 1988-1992\u003c/p\u003e","\u003cp\u003eAlbertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship\u003c/p\u003e","\u003cp\u003eExact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917\u003c/p\u003e","\u003cp\u003eSome confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862\u003c/p\u003e","\u003cp\u003eDiploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eOriginal March letter dated 1942, response dated 1943. Unclear which date is accurate\u003c/p\u003e","\u003cp\u003e20 photos total\u003c/p\u003e","\u003cp\u003eFirst woman Trustee\u003c/p\u003e"],"odd_heading_ssm":["Content Disclaimer","Contact Information","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown.  Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"processinfo_html_tesm":["\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eincluded in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper"],"relatedmaterial_html_tesm":["\u003cp\u003eContextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405.  The year is unknown."],"scopecontent_html_tesm":["\u003cp\u003eLetters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university\u003c/p\u003e","\u003cp\u003eNewspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council\u003c/p\u003e","\u003cp\u003eEntire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.\u003c/p\u003e","\u003cp\u003eEmail correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)\u003c/p\u003e","\u003cp\u003eEmail notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson\u003c/p\u003e","\u003cp\u003eA letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee\u003c/p\u003e","\u003cp\u003e2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings\u003c/p\u003e","\u003cp\u003eA note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary\u003c/p\u003e","\u003cp\u003eone letter regarding Ball's illness, one related to his army status\u003c/p\u003e","\u003cp\u003eMemo references attachments that don't appear to have been included/attached in Bane's file.\u003c/p\u003e","\u003cp\u003eLetter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him\u003c/p\u003e","\u003cp\u003eHalf page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.\u003c/p\u003e","\u003cp\u003eWalter Hines Page, the grandson of Walter Hines Page the previous namesake of the library\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890.  The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library"],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English \n.    "],"total_component_count_is":2092,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:33:02.115Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c130"}},{"id":"viblbv_repositories_2_resources_4262_c02_c01_c03","type":"File","attributes":{"title":"[Biographical information about Thomas and Charlene Campbell]","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c02_c01_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAlso contains a list of files for box.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c02_c01_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4262_c02_c01_c03","ref_ssm":["viblbv_repositories_2_resources_4262_c02_c01_c03"],"id":"viblbv_repositories_2_resources_4262_c02_c01_c03","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262_c02_c01","parent_ssi":"viblbv_repositories_2_resources_4262_c02_c01","parent_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c02","viblbv_repositories_2_resources_4262_c02_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_4262","viblbv_repositories_2_resources_4262_c02","viblbv_repositories_2_resources_4262_c02_c01"],"parent_unittitles_ssm":["Roanoke Appalachian Trail Club Records","Series II: RATC Officers and Members","Subseries A: Thomas Campbell"],"parent_unittitles_tesim":["Roanoke Appalachian Trail Club Records","Series II: RATC Officers and Members","Subseries A: Thomas Campbell"],"text":["Roanoke Appalachian Trail Club Records","Series II: RATC Officers and Members","Subseries A: Thomas Campbell","[Biographical information about Thomas and Charlene Campbell]","box 12","folder 3","Also contains a list of files for box."],"title_filing_ssi":"[Biographical information about Thomas and Charlene Campbell]","title_ssm":["[Biographical information about Thomas and Charlene Campbell]"],"title_tesim":["[Biographical information about Thomas and Charlene Campbell]"],"unitdate_inclusive_ssm":["1989, 2018, 2024, undated"],"normalized_date_ssm":["1989/2024"],"normalized_title_ssm":["[Biographical information about Thomas and Charlene Campbell]"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":446,"parent_access_restrict_tesm":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["box 12","folder 3"],"scopecontent_html_tesm":["\u003cp\u003eAlso contains a list of files for box.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Also contains a list of files for box."],"_nest_path_":"/components#1/components#0/components#2","timestamp":"2026-05-21T02:40:56.480Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4262","ead_ssi":"viblbv_repositories_2_resources_4262","_root_":"viblbv_repositories_2_resources_4262","_nest_parent_":"viblbv_repositories_2_resources_4262","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4262.xml","title_filing_ssi":"Roanoke Appalachian Trail Club Records","title_ssm":["Roanoke Appalachian Trail Club Records"],"title_tesim":["Roanoke Appalachian Trail Club Records"],"unitdate_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"unitdate_inclusive_ssm":["[ca. 1840s?], [ca. 1880s]-2025","(bulk 1932-2025)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.054"],"text":["Ms.2024.054","Roanoke Appalachian Trail Club Records","Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest","Environmental protection","Local/Regional History and Appalachian South","The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.","The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n","The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14.","The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.","Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]","This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.","Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)","The materials in the collection are in English."],"unitid_tesim":["Ms.2024.054"],"normalized_title_ssm":["Roanoke Appalachian Trail Club Records"],"collection_title_tesim":["Roanoke Appalachian Trail Club Records"],"collection_ssim":["Roanoke Appalachian Trail Club Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"geogname_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"creator_ssm":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creator_corpname_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"creators_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"places_ssim":["Appalachian Mountains","Appalachian Trail","Roanoke (Va.)","Virginia, Southwest"],"access_terms_ssm":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was donated to Special Collections and University Archives in several accruals from 2023 to 2025. Future donations are expected."],"access_subjects_ssim":["Environmental protection","Local/Regional History and Appalachian South"],"access_subjects_ssm":["Environmental protection","Local/Regional History and Appalachian South"],"has_online_content_ssim":["false"],"extent_ssm":["27.5 Cubic Feet 23 boxes"],"extent_tesim":["27.5 Cubic Feet 23 boxes"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eThese materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.\u003c/emph\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, except Box 22 which contains restricted materials. Restricted folders are identified within the inventory. Contact Special Collections and University Archives for more information.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These minutes were printed on the back of recycled paper with sensitive private information, and these materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years.","These materials are restricted in accordance with legal restrictions and to protect personally identifiable information for 75 years."],"appraisal_html_tesm":["\u003cp\u003eDuplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["Duplicates, blank notepads, empty envelopes, and binders were removed from collection. Some documents with confidential or private information were returned to the Roanoke Appalachian Trail Club."],"arrangement_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].\u003c/p\u003e\n","\u003cp\u003eSeries I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)\u003c/p\u003e\n","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. \u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n\u003c/item\u003e\u003citem\u003e\nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n\u003c/item\u003e\u003citem\u003e\nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries G: General Files, 1952, 1958, 1971-2014\n\u003c/item\u003e\u003citem\u003e\nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e\n","\u003cp\u003eSeries II: RATC Officers and Members, 1939-2025\u003c/p\u003e\n","\u003cp\u003eThis series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n\u003c/item\u003e\u003citem\u003e\nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries D: Bill Cochran, 1966-2018\n\u003c/item\u003e\u003citem\u003e\nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n\u003c/item\u003e\u003citem\u003e\nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n\u003c/item\u003e\u003citem\u003e\nSubseries H: Andy Layne, 1977-1990, undated\n\u003c/item\u003e\u003citem\u003e\nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n\u003c/item\u003e\u003citem\u003e\nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Roanoke Appalachian Trail Club Records are arranged into series and subseries by subject, based primarily on the descriptions by the RATC. Original order of files provided by the RATC is maintained where possible. Folder titles are original, except text within brackets [].","Series I: RATC Management, [ca. 1840s?], [ca. 1880s]-2024 (bulk 1932-2016)","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC. ","\nSubseries A: RATC Meeting Minutes, 1940-1959, 1968-2004, 2022\n \nSubseries B: RATC By-Laws and Rosters, 1955, 1960, 1972-1993\n \nSubseries C: RATC Newsletters and Hike Schedules, 1939-1942, 1954-2010\n \nSubseries D: Monitoring the Appalachian Trail: Land Tract Files, [ca. 1840s?], [ca. 1880s]-2010 (bulk 1980s-2010) - Please note, many of these documents are photocopies, and the dates are based on the originals.\n \nSubseries E: Acquisitions and Relocations, 1949, 1955, [ca. 1960s]-1997, 2024\n \nSubseries F: Management Plans and Conservation Issues, 1964-1982, 1991-2003, 2010, 2016, 2024\n \nSubseries G: General Files, 1952, 1958, 1971-2014\n \nSubseries H: RATC Historical Materials, 1932-1962, 1977-2000, 2020-[ca. 2024]\n","Series II: RATC Officers and Members, 1939-2025","This series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","\nSubseries A: Thomas Campbell, 1939-2024 (bulk 1950s-1970s)\n \nSubseries B: Otey Family, 1949-1953, 2024-2025, undated\n \nSubseries C: Dick Clark, 1953-2006 (bulk 1980s-2000s)\n \nSubseries D: Bill Cochran, 1966-2018\n \nSubseries E: Zetta Campbell, 1972-1976, 1993, 2024\n \nSubseries F: Charles Parry, 1972-2024 (bulk 1970s-1990s)\n \nSubseries G: Sigfried and Ursula Kolmstetter, 1972-1996, 2019, 2024\n \nSubseries H: Andy Layne, 1977-1990, undated\n \nSubseries I: Roger Holnback, 1980-2012 (bulk 1990s-2000s)\n \nSubseries J: Linda Akers, [ca. 1983]-1992, 2000-2015, 2022\n"],"bioghist_html_tesm":["\u003cp\u003eThe Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.\u003c/p\u003e\n","\u003cp\u003eLocal hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. \u003c/p\u003e\n","\u003cp\u003eOn November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.\u003c/p\u003e\n","\u003cp\u003eAs of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.\u003c/p\u003e\n","\u003cp\u003eBiographical notes for several RATC members are included in the inventory under Series II.\u003c/p\u003e\n","\u003cp\u003eExternal Sources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 53, \"RATC History, 1932-1945,\" of this collection\u003c/p\u003e\n","\u003cp\u003eRoanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/\"\u003ehttps://www.ratc.org/\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eBy-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016, \u003ca target=\"_blank\" href=\"https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\"\u003ehttps://www.ratc.org/wp-content/uploads/documents/bylaws.pdf\u003c/a\u003e, accessed May 1, 2024.\u003c/p\u003e\n","\u003cp\u003eDiana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org, \u003ca target=\"_blank\" href=\"https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\"\u003ehttps://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/\u003c/a\u003e, accessed September 25, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Conservancy, \u003ca target=\"_blank\" href=\"https://appalachiantrail.org/\"\u003ehttps://appalachiantrail.org/\u003c/a\u003e, accessed October 3, 2025.\u003c/p\u003e","\u003cp\u003eThomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.\u003c/p\u003e\n","\u003cp\u003eTom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Thomas Healy Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378864/thomas-healy-campbell\"\u003ehttps://www.findagrave.com/memorial/84378864/thomas-healy-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charlene Lunsford Campbell,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/84378830/charlene-campbell\"\u003ehttps://www.findagrave.com/memorial/84378830/charlene-campbell\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eThe Spider\u003c/title\u003e (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond, \u003ca target=\"_blank\" href=\"https://scholarship.richmond.edu/the-spider/\"\u003ehttps://scholarship.richmond.edu/the-spider/\u003c/a\u003e, accessed September 19, 2025. \u003c/p\u003e","\u003cp\u003eBiographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"\u003c/p\u003e\n","\u003cp\u003eJohn Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection\u003c/p\u003e\n","\u003cp\u003eU.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey Jr.,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/185149412/john-otway-otey\"\u003ehttps://www.findagrave.com/memorial/185149412/john-otway-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Goldie Marie Dean Otey,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/207412197/goldie_marie-otey\"\u003ehttps://www.findagrave.com/memorial/207412197/goldie_marie-otey\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/11741905\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/11741905\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eDick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).\u003c/p\u003e\n","\u003cp\u003eClark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Mountain advisers up for an upgrade,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMatt Chittum, \"Fancier Franklin bridge suggested,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e","\u003cp\u003eWilliam Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.\u003c/p\u003e\n","\u003cp\u003eCochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\" \u003ctitle render=\"italic\"\u003eCardinal News,\u003c/title\u003e July 1, 2024, \u003ca target=\"_blank\" href=\"https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\"\u003ehttps://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for William N. \"Bill\" Cochran, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 7, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Bill Cochran,\" Virginia Sports Hall of Fame, \u003ca target=\"_blank\" href=\"https://vasportshof.com/inductee/bill-cochran/\"\u003ehttps://vasportshof.com/inductee/bill-cochran/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage, \u003ca target=\"_blank\" href=\"https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\"\u003ehttps://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003e\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com, \u003ca target=\"_blank\" href=\"https://www.ancestrylibrary.com/search/collections/9279/records/12779996\"\u003ehttps://www.ancestrylibrary.com/search/collections/9279/records/12779996\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e","\u003cp\u003eZetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Zetta Campbell, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e July 5, 2024, p. A6, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Zetta Marie Campbell\", Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/272121036/zetta_marie-campbell\"\u003ehttps://www.findagrave.com/memorial/272121036/zetta_marie-campbell\u003c/a\u003e, accessed September 22, 2025.\u003c/p\u003e","\u003cp\u003eCharles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.\u003c/p\u003e\n","\u003cp\u003eParry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. \u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003e\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010, \u003ca target=\"_blank\" href=\"https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\"\u003ehttps://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003e\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011, \u003ca target=\"_blank\" href=\"https://news.vt.edu/articles/2011/01/011011-science-parry.html\"\u003ehttps://news.vt.edu/articles/2011/01/011011-science-parry.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eObituary for Charles John Parry, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eMark Taylor, \"Math teacher devoted himself to AT,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e December 28, 2010, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Charles J. Parry,\" Findagrave.com, \u003ca target=\"_blank\" href=\"https://www.findagrave.com/memorial/232281708/charles-j-parry\"\u003ehttps://www.findagrave.com/memorial/232281708/charles-j-parry\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e\n","\u003cp\u003eAppalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum, \u003ca target=\"_blank\" href=\"https://www.atmuseum.org/2017-class.html\"\u003ehttps://www.atmuseum.org/2017-class.html\u003c/a\u003e, accessed September 18, 2025.\u003c/p\u003e","\u003cp\u003eSiegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eAt the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection\u003c/p\u003e\n","\u003cp\u003eObituary for Ursula Edith Kolmstetter, \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e January 3, 2024, available online from Legacy.com, \u003ca target=\"_blank\" href=\"https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\"\u003ehttps://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534\u003c/a\u003e, accessed September 19, 2025.\u003c/p\u003e\n","\u003cp\u003eDan Casey, \"Physician was caretaker for people, trails,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times,\u003c/title\u003e March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.\u003c/p\u003e","\u003cp\u003eAndy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.\u003c/p\u003e\n","\u003cp\u003eSource:\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 46, \"[Andy Layne biographical information],\" of this collection\u003c/p\u003e","\u003cp\u003eRoger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.\u003c/p\u003e\n","\u003cp\u003eHolnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. \u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 3, \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, of this collection\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters, Roanoke Appalachian Trail Club, \u003ca target=\"_blank\" href=\"https://www.ratc.org/newsletter/\"\u003ehttps://www.ratc.org/newsletter/\u003c/a\u003e, accessed Oct. 2, 2025.\u003c/p\u003e\n","\u003cp\u003eMason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, January 6, 2011, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Western Virginia Land Trust director steps down,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, February 10, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eDanielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, March 16, 2012, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003eSam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\" \u003ctitle render=\"italic\"\u003eThe Roanoke Times\u003c/title\u003e, September 29, 2019, accessed online from NewsBank on October 2, 2025.\u003c/p\u003e\n","\u003cp\u003e\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website, \u003ca target=\"_blank\" href=\"https://www.brswcd.org/team-2\"\u003ehttps://www.brswcd.org/team-2\u003c/a\u003e, accessed October 2, 2025.\u003c/p\u003e","\u003cp\u003eLinda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eBox 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection\u003c/p\u003e\n","\u003cp\u003eBox 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note","Biographical Note"],"bioghist_tesim":["The Appalachian Trail (AT), a hiking trail along the Appalachian Mountains in the United States, was first proposed by Bernard MacKaye in 1921, and two years later, the first section opened in New York State. In 1925, the Appalachian Trail Conference (ATC) formed to help manage the maintenance and conservation of the AT, and in 2005, the ATC was renamed Appalachian Trail Conservancy. As of 2025, the AT spans almost 2,200 miles in 14 states from Maine to Georgia, with 25% of the trail traversing Virginia and 30 local AT clubs affiliated with the ATC.","Local hiking clubs began organizing to build and maintain the AT and joining the ATC in the 1920s and 1930s. In October 1932, Donald S. Gates, a professor at Roanoke College, gathered several hikers and local groups to discuss forming an AT club in the Roanoke area. At a second meeting in October, Myron H. Avery, the chairman of the ATC, and members from the Potomac and Natural Bridge AT Clubs joined them to explain various aspects of their work. ","On November 13, 1932, the Roanoke Appalachian Trail Club (RATC) was officially established with 17 charter members, including the first officers: president Gates, secretary E. B. Coxwell, treasurer Larry Pownall, and trail supervisor David Dick. Grace Pownall was appointed vice president about two (2) weeks later. The ATC initially assigned the RATC 55 miles of the trail to manage, but by the club's first anniversary, the section had expanded to 68.29 miles.","As of 2025, the RATC covers over 120 miles, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs. The organization continues its original mission to maintain and protect the Appalachian Trail; develops and maintains trails, campsites, open shelters, and permanent camps on the AT; collects data about the history, scenery, geology, flora, and fauna of the Appalachian Mountains; prepares maps and guides for hiking, camping, and forest fire prevention; and participates in and advocates for the development of laws and regulations related to the AT and the Appalachian Mountains.","Biographical notes for several RATC members are included in the inventory under Series II.","External Sources: ","Box 13, Folder 48, \"RATC Histories Written in 1980s,\" of this collection","Box 13, Folder 52, \"RATC Histories Written in 1950s,\" of this collection","Box 13, Folder 53, \"RATC History, 1932-1945,\" of this collection","Roanoke Appalachian Trail Club,  https://www.ratc.org/ , accessed May 1, 2024.","By-Laws of the Roanoke Appalachian Trail Club, Inc., Rev. March 12, 2016,  https://www.ratc.org/wp-content/uploads/documents/bylaws.pdf , accessed May 1, 2024.","Diana Christopulos, \"How Three Hiking Clubs Became the Roanoke Appalachian Trail Club,\" RATC.org,  https://www.ratc.org/how-three-hiking-clubs-became-the-roanoke-appalachian-trail-club/ , accessed September 25, 2025.","Appalachian Trail Conservancy,  https://appalachiantrail.org/ , accessed October 3, 2025.","Thomas Healy \"Tom\" Campbell (1899-1986) attended the College of William and Mary from 1915 to 1916 and Richmond College (now University of Richmond) from 1917 to 1919. He married Charlene Lunsford (1902-1986) in 1922, and they had a daughter. In 1965, they both left their employers. Tom retired as Chief Investigator in the Auditor's office of the Norfolk and Western Railway, while Charlene left her employer of 20 years, Roanoke-based retail chain Heironimus.","Tom joined the Roanoke Appalachian Trail Club in 1947, and Charlene followed suit several years later. Each served in several offices for RATC, including Tom as President from 1950-1951. He also served on the Appalachian Trail Conference's Board of Managers from 1950-1975, including fourteen (14) years as Vice Chairman (1961-1975). Tom was also a charter member of the Appalachian National Scenic Trail Advisory Committee.","Sources:","Box 12, Folder 3, \"[Biographical information about Thomas and Charlene Campbell],\" of this collection","\"Thomas Healy Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378864/thomas-healy-campbell , accessed September 18, 2025.","\"Charlene Lunsford Campbell,\" Findagrave.com,  https://www.findagrave.com/memorial/84378830/charlene-campbell , accessed September 18, 2025.","The Spider  (Richmond College yearbook), Vols. 16-17, 1918-1919, available online from the University of Richmond,  https://scholarship.richmond.edu/the-spider/ , accessed September 19, 2025. ","Biographical note by Diana Christopulos, Feb. 18, 2025: \"Marie and John Otey were RATC volunteers in the early 1950s, and they worked on the relocations led by Jimmy Denton near the Blue Ridge Parkway and around Roanoke. They joined in late 1949 and were active 1950-55. John was Assistant Trail Supervisor in 1952, 1953, 1955. He was also active on the Publicity Committee and took numerous photos on the Trail.\"","John Otway Otey, Jr. (1906-1980) married Goldie Marie Dean Peters (1906-1989) in 1950. John worked as a clerk for Norfolk and Western Railway, while Marie worked as a stenographer or secretary.","Sources:","Box 13, Folder 54, \"[Notes and correspondence about the Otey Family Papers],\" of this collection","U.S. Federal Census, 1940-1950, accessed online from Ancestry.com on September 19, 2025.","\"John Otway Otey Jr.,\" Findagrave.com,  https://www.findagrave.com/memorial/185149412/john-otway-otey , accessed September 19, 2025.","\"Goldie Marie Dean Otey,\" Findagrave.com,  https://www.findagrave.com/memorial/207412197/goldie_marie-otey , accessed September 19, 2025.","\"John Otway Otey\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/11741905 , accessed September 19, 2025.","Dick Clark has served in numerous positions in the RATC from the 1980s to 2010s, including hikemaster (1984-1994), vice president (1998-2000), president (2000-2003), and counselor (2003-2015).","Clark was appointed by the Roanoke City Council to serve on the Mill Mountain Advisory Committee from 1999 to 2014, and he served as vice chair during his tenure.","Sources:","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Matt Chittum, \"Mountain advisers up for an upgrade,\"  The Roanoke Times,  p. B1, April 6, 2014, accessed online from NewsBank on October 2, 2025.","Matt Chittum, \"Fancier Franklin bridge suggested,\"  The Roanoke Times,  p. B1, June 3, 2014, accessed online from NewsBank on October 2, 2025.","William Neal \"Bill\" Cochran (1937-2024) was a journalist who focused on the outdoors, writing for  The Roanoke Times  from 1962 until 2018–two (2) decades after retiring as the newspaper's outdoors editor in 1998. His coverage included many trail hikes with the Roanoke Appalachian Trail Club, conservation issues in Virginia, and outdoor sporting and the Appalachian Trail. Cochran received 10 awards from the Virginia Press Association, was honored by the Virginia General Assembly with the House Joint Resolution 520 \"Commending Bill Cochran\" in 1999, and was the 2009 media inductee in the Virginia Sports Hall of Fame.","Cochran graduated from Lynchburg College (now University of Lynchburg) with a bachelor's degree in English in 1960, and he served in the Virginia National Guard. He married Katherine Gravett in 1965, and they had a son. They operated the Cross Trails Bed and Breakfast near the Appalachian Trail in Catawba from 1995 to 2003 as well as a Christmas tree farm in West Virginia. ","Sources:","Mark Taylor, \"Legendary Roanoke outdoors writer Bill Cochran dies,\"  Cardinal News,  July 1, 2024,  https://cardinalnews.org/2024/07/01/legendary-roanoke-outdoors-writer-bill-cochran-dies/ , accessed September 19, 2025.","Obituary for William N. \"Bill\" Cochran,  The Roanoke Times,  July 7, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/william-cochran-obituary?id=55481593 , accessed September 19, 2025.","Mark Berman, \"Bill Cochran | 1937-2024: Outdoors editor was 'an institution',\"  The Roanoke Times,  July 2, 2024, p. A1 and A6, accessed online from NewsBank on September 19, 2025.","\"Bill Cochran,\" Virginia Sports Hall of Fame,  https://vasportshof.com/inductee/bill-cochran/ , accessed September 19, 2025.","\"Virginia HJ520 Commending Bill Cochran,\" Policy Engage,  https://trackbill.com/bill/virginia-house-joint-resolution-520-commending-bill-cochran/512861/ , accessed September 19, 2025.","\"William Neal Cochran\" in the Virginia, U.S., Marriage Records, 1936-2014, Ancestry.com,  https://www.ancestrylibrary.com/search/collections/9279/records/12779996 , accessed September 19, 2025.","Zetta Marie Campbell (1930-2024) joined the Roanoke Appalachian Trail Club in 1959. She also served as secretary (1964-1965, 1968-1969, 1983-1984) and editor of the  Trail Blazer  newsletter (1970-1977). Campbell also illustrated the hike schedules in the 1970s and led hikes until at least 2019. She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources: ","Box 13, Folder 66, \"1970s - Zetta Campbell Drawings/Hike Scheds,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Zetta Campbell,  The Roanoke Times,  July 5, 2024, p. A6, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/zetta-campbell-obituary?id=55488335 , accessed September 22, 2025.","\"Zetta Marie Campbell\", Findagrave.com,  https://www.findagrave.com/memorial/272121036/zetta_marie-campbell , accessed September 22, 2025.","Charles Parry (1942-2010) joined the Roanoke Appalachian Trail Club in 1972, serving as the Trail Supervisor from 1979 until his death. He received the Appalachian Trail Park Office's Silver Service Award in 2002 and was inducted into the Appalachian Trail Hall of Fame in 2017, the first RATC member to receive this honor.","Parry graduated from the State University of New York College at Oswego (now State University of New York at Oswego) and earned a master's and a Ph.D. in mathematics from Michigan State University around 1969 or 1970. He was a professor of mathematics at Virginia Tech from 1971 until his retirement in 2010, establishing a research program in number theory, helping to design mathematics courses for computer science students, and serving as Math Club adviser. ","Sources: ","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Box 13, Folder 67, \"Charles Parry AT Hall of Fame,\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","\"Charles Parry honored with emeritus status,\" Virginia Tech News, October 19, 2010,  https://news.vt.edu/content/news_vt_edu/en/articles/2010/10/101910-science-parry.html , accessed September 18, 2025.","\"In memoriam: Charles Parry, emeritus professor of mathematics,\" Virginia Tech News, January 10, 2011,  https://news.vt.edu/articles/2011/01/011011-science-parry.html , accessed September 18, 2025.","Obituary for Charles John Parry,  The Roanoke Times,  December 28, 2010, p. A12, accessed online from NewsBank on September 18, 2025.","Mark Taylor, \"Math teacher devoted himself to AT,\"  The Roanoke Times,  December 28, 2010, accessed online from NewsBank on October 2, 2025.","\"Charles J. Parry,\" Findagrave.com,  https://www.findagrave.com/memorial/232281708/charles-j-parry , accessed September 18, 2025.","Appalachian Trail Hall of Fame, \"2017 Class,\" Appalachian Trail Museum,  https://www.atmuseum.org/2017-class.html , accessed September 18, 2025.","Siegfried and Ursula Kolmstetter joined the RATC in 1971. Siegfried served as vice president (1974) and counselor (1972-1973), while both volunteered as hike leaders for decades. The couple maintained the McAfee Knob section of the AT for over 25 years, until the couple moved out of the area in 1996. Siegfried received the Appalachian Trail Park Office's Silver Service Award in 2002.","At the end of World War II in May 1945, 17-year-old Ursula Edith Walter (1927-2023) was captured by the Russian Army and imprisoned at the Theresienstadt prison camp. Eight (8) months after her imprisonment, she escaped and moved to West Germany, where she met Siegfried J. Kolmstetter (1921-2019). They married in 1952 and had several children. The Kolmstetters immigrated to the U.S. in 1957, settling in Roanoke in 1970. Siegfried was a physician for the Veterans Administration Hospital in Salem from 1970 to 1998. He received the hospital's Hands and Heart Award in 1992.","Sources:","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection","Box 13, Folder 44, \"RATC Board Members and Ancillaries, 1932-99 compiled by Diana Christopulos and Pam Wolsey, 2023-24,\" of this collection","Obituary for Ursula Edith Kolmstetter,  The Roanoke Times,  January 3, 2024, available online from Legacy.com,  https://www.legacy.com/us/obituaries/roanoke/name/ursula-kolmstetter-obituary?id=53995534 , accessed September 19, 2025.","Dan Casey, \"Physician was caretaker for people, trails,\"  The Roanoke Times,  March 28, 2019, p. 1-2, accessed online from NewsBank on September 22, 2025.","Andy Layne (1912-1991) joined the Roanoke Appalachian Trail Club in 1978. He led numerous hikes and helped with hike scheduling; attended workhikes and backpacking trips; and oversaw a section of the trail. Layne also served in several positions on the RATC Board, including shelter supervisor (1980), vice president (1981), and counselor (1985-1986). On the 10th anniversary of his death, the Andy Layne Trail in the Tinker Cliffs area was dedicated in his memory.","Source:","Box 19, Folder 46, \"[Andy Layne biographical information],\" of this collection","Roger Holnback joined the RATC in 1996 and served in numerous positions, including as president (2006-2009, 2015-2016), vice president (2003-2006, 2016-2017), land management supervisor (2009-2013), and conservation supervisor (2013-2015). He also was an ATC Land Trust coordinator and Roanoke Valley Greenways liaison in the 2000s and 2010s. His wife Lauren Taylor Holnback was also an RATC member.","Holnback served as executive director of the Western Virginia Land Trust (2001-2012), which worked with the City of Roanoke and other groups to place over 11,000 acres of Carvins Cove Natural Reserve under a conservation easement in 2008 and 2009. He was given the Roanoke Valley Cool Cities Coalition's Cool Citizens award in 2012. Later, he was chairman of the Blue Ridge Soil and Water Conservation District and president of the Pathfinders for Greenways. ","Sources:","Box 3,  Trail Blazer  newsletters, of this collection","Trail Blazer  newsletters, Roanoke Appalachian Trail Club,  https://www.ratc.org/newsletter/ , accessed Oct. 2, 2025.","Mason Adams, \"From land and air, teams work to preserve Carvins Cove's aura,\"  The Roanoke Times , January 6, 2011, accessed online from NewsBank on October 2, 2025.","\"Western Virginia Land Trust director steps down,\"  The Roanoke Times , February 10, 2012, accessed online from NewsBank on October 2, 2025.","Danielle Dunaway, \"Cool Citizens awards laud energy-efficient efforts,\"  The Roanoke Times , March 16, 2012, accessed online from NewsBank on October 2, 2025.","Sam Wall, \"Hinchee Park opens in Roanoke County - Hinchee Park opens in Roanoke County,\"  The Roanoke Times , September 29, 2019, accessed online from NewsBank on October 2, 2025.","\"Board and Staff,\" Blue Ridge Soil and Water Conservation District website,  https://www.brswcd.org/team-2 , accessed October 2, 2025.","Linda Akers joined the RATC in 1969 or 1970. She served in numerous positions on the board, including secretary (1981-1982), editor of the  Trail Blazer  (1982-1985), and social chair (1987-1999, 2013-2017). She received the Appalachian Trail Park Office's Silver Service Award in 2002.","Sources:","Box 17, Folder 41, \"[Linda Akers Interview notes by Diana Christopulos],\" of this collection","Box 19, Folder 33, \"Sigfried and Ursula Kolmstetter Obituaries,\" of this collection"],"odd_html_tesm":["\u003cp\u003eThe guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e","\u003cp\u003eMinutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 1, Folder 34.\u003c/p\u003e","\u003cp\u003eAdditional membership rosters may be found in the club newsletters.\u003c/p\u003e","\u003cp\u003eThe agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted minutes were separated from Box 16, Folders 3-5.\u003c/p\u003e","\u003cp\u003eRestricted item has been removed to Box 22, Folder 25.\u003c/p\u003e","\u003cp\u003eRestricted item moved from Box 19, Folder 14.\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description","Separated Materials","Separated Materials","General","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"odd_tesim":["The guide to the Roanoke Appalachian Trail Club Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","Minutes for May 17, 2001, June 21, 2001, July 26, 2001, February 13, 2003, August 2, 2004, and September 13, 2004, have been restricted and moved to Box 22, Folder 1.","Restricted minutes were separated from Box 1, Folder 34.","Additional membership rosters may be found in the club newsletters.","The agenda from January 12, 2004 have been restricted and moved to Box 22, Folder 25.","Restricted minutes were separated from Box 16, Folders 3-5.","Restricted item has been removed to Box 22, Folder 25.","Restricted item moved from Box 19, Folder 14."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Roanoke Appalachian Trail Club Records, Ms2024-054, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Roanoke Appalachian Trail Club Records was completed in October 2025. Box 16 was completed in March 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Tech Special Collections and University Archives also has the \u003ca target=\"_blank\" href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=oai/VT/repositories_2_resources_3522.xml\"\u003eM. Rupert Cutler Papers,\u003c/a\u003e which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["Virginia Tech Special Collections and University Archives also has the  M. Rupert Cutler Papers,  which covers many of the same and related environmental issues of the Appalachian Mountains, Roanoke, and Southwest Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. \u003c/p\u003e\n","\u003cp\u003eThe collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the \u003ctitle render=\"italic\"\u003eRATC Bulletin\u003c/title\u003e from 1939 to 1942 and continue with the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.\u003c/p\u003e\n","\u003cp\u003eThe Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e\n","\u003cp\u003eThe first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.\u003c/p\u003e\n","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.\u003c/p\u003e\n","\u003cp\u003e\nThe following are common abbreviations or acronyms found in the collection inventory:\n\u003clist\u003e\n\u003citem\u003e\nAEP - Appalachian Electric Power Company\n\u003c/item\u003e\u003citem\u003e\nAPCO - Appalachian Power Company, a subsidiary of AEP\n\u003c/item\u003e\u003citem\u003e\nAT - Appalachian Trail\n\u003c/item\u003e\u003citem\u003e\nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n\u003c/item\u003e\u003citem\u003e\nRATC - Roanoke Appalachian Trail Club\n\u003c/item\u003e\u003citem\u003e\nNPS - United States National Park Service\n\u003c/item\u003e\u003citem\u003e\nUSFS or FS - United States Forest Service\n\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003cp\u003eThis series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.\u003c/p\u003e","\u003cp\u003eThese minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.\u003c/p\u003e","\u003cp\u003eThe January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]\u003c/p\u003e","\u003cp\u003eAlso contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eOnly includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for January, April, May, and August 1976.\u003c/p\u003e","\u003cp\u003eIncludes minutes for February, March, August, November 1977.\u003c/p\u003e","\u003cp\u003eIncludes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"\u003c/p\u003e","\u003cp\u003eFolder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eFolder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".\u003c/p\u003e","\u003cp\u003eIncludes 1980 roster and \"order continues under same leadership\", according to notes from RATC.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for July, August, and September 1982.\u003c/p\u003e","\u003cp\u003eA list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Land Management and special meeting\".\u003c/p\u003e","\u003cp\u003eThere are no minutes after September 1989.\u003c/p\u003e","\u003cp\u003eNote from RATC: \"Annual meeting moved to March\".\u003c/p\u003e","\u003cp\u003eFebruary and July 1994 minutes are missing.\u003c/p\u003e","\u003cp\u003eDecember 1995 minutes are missing.\u003c/p\u003e","\u003cp\u003eIncludes \"First annual meeting at Lutheran Church (Linda Akers)\".\u003c/p\u003e","\u003cp\u003eAlso includes organizational documents, notes, and correspondence. [Removed from Binder.]\u003c/p\u003e","\u003cp\u003eAlso includes 1990 RATC Ann's Cabin Committee meeting minutes.\u003c/p\u003e","\u003cp\u003eOriginal folder was titled \"1976 RATC Membership Roster N=68\".\u003c/p\u003e","\u003cp\u003eThis is a draft of the Constitution and By-Laws of the RATC.\u003c/p\u003e","\u003cp\u003eIncludes proposed and final by-laws for March 6, 1993.\u003c/p\u003e","\u003cp\u003eStarting with the Spring 1983 issue, the hike schedules are printed as part of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eSome issues also include membership rosters.\u003c/p\u003e","\u003cp\u003eAlso includes photos from April 1959 and a membership application from May-June 1959.\u003c/p\u003e","\u003cp\u003eAlso includes backpacking catalogs.\u003c/p\u003e","\u003cp\u003eAlso includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.\u003c/p\u003e","\u003cp\u003eAlso includes hike schedules for June 26-December 18, 1966.\u003c/p\u003e","\u003cp\u003eThe first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1967-Winter 1967-68.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1968-Winter 1968-69.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1969-Winter 1969-70.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Summer 1970 and Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1971-Winter 1970-71.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1972-Winter 1972-73.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1973-Winter 1973-74.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1974-Summer 1974.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975-Winter 1975-76.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1975 and Fall 1976.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1977-Winter 1977-78.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1978-Winter 1978-79.\u003c/p\u003e","\u003cp\u003eSpring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]\u003c/p\u003e","\u003cp\u003eAlso includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.\u003c/p\u003e","\u003cp\u003eHike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on July 18, 1986.\u003c/p\u003e","\u003cp\u003eAlso includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.\u003c/p\u003e","\u003cp\u003eThe December 1990 issue is the Winter 1990-1991 issue.\u003c/p\u003e","\u003cp\u003eStarting with Winter 1995, the winter issues switch to the start of the year instead of the end.\u003c/p\u003e","\u003cp\u003eThe Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. \u003c/p\u003e\n","\u003cp\u003eAs most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.\u003c/p\u003e","\u003cp\u003eThis series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.\u003c/p\u003e","\u003cp\u003eWritten by Diana Christopulos, RATC Archivist\u003c/p\u003e","\u003cp\u003eAlso spelled Anne's Cabin.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eThis is a photocopy.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.\u003c/p\u003e","\u003cp\u003eMostly relates to the Buhrman Tract.\u003c/p\u003e","\u003cp\u003eContains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.\u003c/p\u003e","\u003cp\u003eAlso includes the Hiking Schedule for the Southwestern Virginia Relocation.\u003c/p\u003e","\u003cp\u003eIncludes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.\u003c/p\u003e","\u003cp\u003eIncludes Spring 1991 Trail Blazer and a phone tree.\u003c/p\u003e","\u003cp\u003eThe 1996 and 2008 items were printed off the internet in 2022.\u003c/p\u003e","\u003cp\u003eIncludes letters about donations and gifts.\u003c/p\u003e","\u003cp\u003eProbably created by T. J. Kent. Includes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003eIncludes list of items in album created in 2023.\u003c/p\u003e","\u003cp\u003e[Removed from photograph album.]\u003c/p\u003e","\u003cp\u003eIncludes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of documents from 1930s and issues of the Appalachian Trailway News.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eAlthough the histories are from around the 1980s, there are some notes from around the 2020s.\u003c/p\u003e","\u003cp\u003eIncludes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.\u003c/p\u003e","\u003cp\u003eIncludes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.\u003c/p\u003e","\u003cp\u003eThe second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.\u003c/p\u003e","\u003cp\u003eAlso contains a list of files for box.\u003c/p\u003e","\u003cp\u003eIncludes a letter from Senator Harry F. Byrd, Jr., about legislation.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eMajority is correspondence about trail maintenance and relocation projects or suggestions and related maps.\u003c/p\u003e","\u003cp\u003eContains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"\u003c/p\u003e","\u003cp\u003eSome documents pertain to property owners and AT relocations.\u003c/p\u003e","\u003cp\u003eDocuments discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.\u003c/p\u003e","\u003cp\u003eIncludes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.\u003c/p\u003e","\u003cp\u003eIncludes organizational charts for the ATC.\u003c/p\u003e","\u003cp\u003eIncludes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.\u003c/p\u003e","\u003cp\u003eMajority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.\u003c/p\u003e","\u003cp\u003eBoth issues contain articles about AT relocations by RATC.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes shelter log.\u003c/p\u003e","\u003cp\u003eIncludes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.\u003c/p\u003e","\u003cp\u003eAlso includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.\u003c/p\u003e","\u003cp\u003eThis is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes brochures about NPS and the AT.\u003c/p\u003e","\u003cp\u003eAlso includes tax-related documents and newsletters for other organizations.\u003c/p\u003e","\u003cp\u003eRelates to the Greenbrier Pipeline Project that would cross the AT.\u003c/p\u003e","\u003cp\u003eThis contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.\u003c/p\u003e","\u003cp\u003eAppalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell\u003c/p\u003e","\u003cp\u003ePrepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division\u003c/p\u003e","\u003cp\u003eIncludes some non-biking AT printed materials.\u003c/p\u003e","\u003cp\u003eItems discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.\u003c/p\u003e","\u003cp\u003eIncludes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eCelebrates the 75th anniversary of the ATC.\u003c/p\u003e","\u003cp\u003eAlso contains a report about invasive species on the AT.\u003c/p\u003e","\u003cp\u003eIncludes undated photographs.\u003c/p\u003e","\u003cp\u003eThe trail diary includes a letter to Katherine Cochran.\u003c/p\u003e","\u003cp\u003eIncludes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.\u003c/p\u003e","\u003cp\u003eIncludes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.\u003c/p\u003e","\u003cp\u003eIncludes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.\u003c/p\u003e","\u003cp\u003eIncludes a letter to Bill Cochran, ca. 1996.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.\u003c/p\u003e","\u003cp\u003eIncludes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.\u003c/p\u003e","\u003cp\u003eIncludes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.\u003c/p\u003e","\u003cp\u003eIncludes biographical information.\u003c/p\u003e","\u003cp\u003eIncludes letter and thank you note from 1991.\u003c/p\u003e","\u003cp\u003eThe Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.\u003c/p\u003e","\u003cp\u003eIncludes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.\u003c/p\u003e","\u003cp\u003eIncludes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.\u003c/p\u003e","\u003cp\u003eThese photos were grouped together but have no identifying information.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eThe photos in this folder are without identifying information and remain in their original groupings.\u003c/p\u003e","\u003cp\u003eSome materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eAlso includes management brochures. [Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003eTopics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]\u003c/p\u003e","\u003cp\u003eIncludes memoranda about land tracts.\u003c/p\u003e","\u003cp\u003eIncludes Tract 476-32.\u003c/p\u003e","\u003cp\u003eIncludes Tract 477-22, Parcels A and B.\u003c/p\u003e","\u003cp\u003eIncludes Tracts 478-34, 478-35, 478-36, and 478-37.\u003c/p\u003e","\u003cp\u003eIncludes monument sets.\u003c/p\u003e","\u003cp\u003eDocuments concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.\u003c/p\u003e","\u003cp\u003eDocuments relate to the acquisition of the Shell Tract along the Elk River in Tennessee.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Turner Tract on North Mountain in Virginia.\u003c/p\u003e","\u003cp\u003eDocuments relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.\u003c/p\u003e","\u003cp\u003eDocuments are about attempting to make Blackwater Canyon a national park.\u003c/p\u003e","\u003cp\u003eDocuments are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.\u003c/p\u003e","\u003cp\u003eIncludes reports from Griggs and Mullinix of the ATC Land Trust.\u003c/p\u003e","\u003cp\u003eMost materials specifically relate to the Western Virginia Land Trust.\u003c/p\u003e","\u003cp\u003eIncludes information on Andy Layne Trail.\u003c/p\u003e","\u003cp\u003eIncludes information on Roanoke Greenways and on laws.\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e","\u003cp\u003e[Removed from binder.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, National Park Service and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. ","The collection is divided into two series, I: RATC Management and II: RATC Officers and Members. The first series contains materials created, collected, and maintained by the RATC for its operations. It contains the meeting minutes, primarily about the activities of the Executive Board from 1940 to 1959 and 1968 to 2004. Some of the meeting minutes also record the activities of committees, affiliate organizations, and the annual all-member banquet during those years. There are also by-laws from the 1980s and 1990s and rosters from the 1950s to 1980s. The club newsletters start with the  RATC Bulletin  from 1939 to 1942 and continue with the  Trail Blazer  from 1954 to 2010. These document the club's recent activities, including work with the Appalachian Trail Conference (later Appalachian Trail Conservancy), local non-profits, and government entitities, hike schedules and detailed accounts of club hikes on the Appalachian Trail (AT), and reminiscences of and memorials to past and current members.","The Land Tract Files contain legal records of lands acquired by NPS after 1978 Congressional funding. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. Other documents about acquisitions and relocations also illuminate the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","The first series also contains management and conservation plans, general files, and RATC historical materials. The histories discuss the founding and development of the club as well as large trail relocations and the work of past members and officers. There are also several photo albums from the 1930s-1950s.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. These people include club president Thomas Campbell, the Otey family, president Dick Clark, local journalist Bill Cochran, newsletter editor Zetta Campbell, longtime trail supervisor Charles Parry, hike leaders Sigfried and Ursula Kolmstetter, hike leader Andy Layne, president Roger Holnback, and longtime social chair Linda Akers. Documents include correspondence, handwritten notes, additional meeting minutes and newsletters, photographs, newspaper clippings, and more. They also cover land acquisitions, building trails and shelters, group events and conferences, management and land use, and of course hikes on the AT.","\nThe following are common abbreviations or acronyms found in the collection inventory:\n \nAEP - Appalachian Electric Power Company\n \nAPCO - Appalachian Power Company, a subsidiary of AEP\n \nAT - Appalachian Trail\n \nATC - Appalachian Trail Conference or Appalachian Trail Conservancy\n \nRATC - Roanoke Appalachian Trail Club\n \nNPS - United States National Park Service\n \nUSFS or FS - United States Forest Service\n","This series contains materials created, collected, and maintained by the RATC for its operations. It is divided into eight sub-series based on material type or subject, based on original order provided by the RATC.","These minutes are mostly for the RATC Executive Board meetings, but also include some minutes for the annual all-member banquet and various RATC committees.","The January 16, 1953 annual meeting minutes are labeled \"January 16, 1952\". Also includes 1940 membership roster. [Removed from Binder]","Also contains 1957 membership roster, treasurer's reports or audits for 1954-1957, several hike schedules and Trail Blazers for 1957-1959, and attendees' information for the 1958 14th Meeting of the ATC. [Removed from binder.]","Also contains newspaper clippings, drafts of minutes, correspondence, reports, and other materials. [Removed from binder.]","Only includes April 1970 minutes, \"Copy of Minutes for Charles Headland\".","A list at the front of the folder says minutes are missing for January, July, and August 1974. Some of the minutes are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the May 1974 minutes.","A list at the front of the folder says minutes are missing for January, June, July, and August 1975. Some of the minutes are handwritten.","A list at the front of the folder says minutes are missing for January, April, May, and August 1976.","Includes minutes for February, March, August, November 1977.","Includes only February and March 1978 minutes, which are handwritten. Also includes typed transcription by Diana Christopulos on October 31, 2022, of the February 1978 minutes with note from Christopulos: \"This is the first meeting after landowners have closed the AT between Va. 311 and Tinker Cliffs.\"","Folder just includes notes that minutes were missing for 1979, and one note was removed from a notebook with minutes for 1974-1983.","Folder just includes a note that minutes were missing for 1974-1979. Looks like the note may have been removed from a notebook with minutes for 1974-1983.","Note from RATC: \"Incredible transition to orderly files with Linda Akers as Secretary and Mary Stewart as President\".","Includes 1980 roster and \"order continues under same leadership\", according to notes from RATC.","A list at the front of the folder says minutes are missing for July, August, and September 1982.","A list at the front of the folder says minutes are missing for May, July, or December 1983 minutes.","Note from RATC: \"Land Management and special meeting\".","There are no minutes after September 1989.","Note from RATC: \"Annual meeting moved to March\".","February and July 1994 minutes are missing.","December 1995 minutes are missing.","Includes \"First annual meeting at Lutheran Church (Linda Akers)\".","Also includes organizational documents, notes, and correspondence. [Removed from Binder.]","Also includes 1990 RATC Ann's Cabin Committee meeting minutes.","Original folder was titled \"1976 RATC Membership Roster N=68\".","This is a draft of the Constitution and By-Laws of the RATC.","Includes proposed and final by-laws for March 6, 1993.","Starting with the Spring 1983 issue, the hike schedules are printed as part of the  Trail Blazer  newsletters. Prior to that time, the hike schedule was inconsistently included with the newsletters. Some newsletters also include membership rosters.","[Removed from binder.]","Some issues also include membership rosters.","Also includes photos from April 1959 and a membership application from May-June 1959.","Also includes backpacking catalogs.","Also includes the Shenandoah-Rockfish Appalachian Trail Club Bulletin, Vol. 1, No. 2, June 18, 1962.","Also includes hike schedules for June 26-December 18, 1966.","The first 2 issues are No. 1, January 1966 and No. 2, February 1966. Then the publication cycle changes to quarterly publications, and the issue numbering restarts with No. 1, Spring 1966 through No. 4, Winter 1966-67. Also includes Hike Schedules for Summer 1966-Winter 1966-1967.","Also includes Hike Schedules for Spring 1967-Winter 1967-68.","Also includes Hike Schedules for Spring 1968-Winter 1968-69.","Also includes Hike Schedules for Spring 1969-Winter 1969-70.","Also includes Hike Schedules for Summer 1970 and Winter 1970-71.","Also includes Hike Schedules for Spring 1971-Winter 1970-71.","Also includes Hike Schedules for Spring 1972-Winter 1972-73.","Also includes Hike Schedules for Spring 1973-Winter 1973-74.","Also includes Hike Schedules for Spring 1974-Summer 1974.","Also includes Hike Schedules for Spring 1975-Winter 1975-76.","Also includes Hike Schedules for Spring 1975 and Fall 1976.","Also includes Hike Schedules for Spring 1977-Winter 1977-78.","Also includes Hike Schedules for Spring 1978-Winter 1978-79.","Spring 1979 is numbered Vol. 39, No. 1; Summer 1979 is Vol. 40, No. 1; Autumn 1979 is Vol. 40, No. 3; and Winter 1979 is Vol. 40, No. 4. Also includes Hike Schedules for Spring 1979-Winter 1979.","Also includes Hike Schedules for Spring 1980-Winter 1980. [Please note: Vol. 40 seems to have been skipped in the numbering system for the Trail Blazer.]","Also includes Hike Schedules for Fall 1981 and Summer [1981?]. The Winter Hike Schedule is included in the Winter 1981 Trail Blazer.","Hike schedules are included with the Trail Blazer issues for Spring 1982, Fall 1982, and Winter 1982.","Also includes minutes of the executive board meeting on July 18, 1986.","Also includes minutes of the executive board meeting on August 26, 1988, and RATC By-laws revised on November 5, 1988.","The December 1990 issue is the Winter 1990-1991 issue.","Starting with Winter 1995, the winter issues switch to the start of the year instead of the end.","The Land Tract Files are also called RATC Green Books and contain legal records of lands acquired by NPS after 1978 Congressional funding. These are bound by tract number. Most of these materials are photocopies of legal records documenting land acquisitions, including legal judgments, land ownership histories, foreclosure documents, leases and contracts with gas and electric companies, deeds and trusts, wills and genealogies regarding inheritance rights, land surveys and inspection records, appraisals and environmental assessments, financial documents and insurance certificates, photographs, maps, and correspondence with land owners, attorneys, court clerks, and others. ","As most of the documents are photocopies, the dates are based on the originals, not on when the photocopies may have been created. Some of the photocopies are also of poor quality and illegible. Some of the legal documents contain social security numbers, and these bound files are restricted.","This series document the RATC's work with the Appalachian Trail Conference (also Conservancy), U.S. National Park Service, and U.S. Forest Service to acquire and monitor property and to build and relocate trails.","Written by Diana Christopulos, RATC Archivist","Also spelled Anne's Cabin.","This is a photocopy.","This is a photocopy.","Includes newspaper clippings and a history of the AT with focus on Virginia and a copy of H 160 approved by the General Assembly of Virginia on March 4, 1971, to allow Virginia to acquire lands and enter into agreements pertaining to the AT.","Mostly relates to the Buhrman Tract.","Contains a handdrawn map by Thomas Campbell from about the 1960s and a transcription and description of the map with history note by Diana Christopulos in 2024.","Also includes the Hiking Schedule for the Southwestern Virginia Relocation.","Includes RATC brochures, 1966 hiking brochure, local management plan maps, a photocopy of the 1997 Memorandum of Understanding for the Appalachian National Scenic Trail between the Roanoke Appalachian Trail Club and the Appalachian Trail Conference, and the RATC 1991 Management Plan for the Appalachian Trail with notes by Diana Christopulos on March 3, 2024.","Includes Spring 1991 Trail Blazer and a phone tree.","The 1996 and 2008 items were printed off the internet in 2022.","Includes letters about donations and gifts.","Probably created by T. J. Kent. Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","Includes list of items in album created in 2023.","[Removed from photograph album.]","Includes press release about the Appalachian Trail Museum's Hall of Fame's class of 2022, including Jim and Molly Denton of Front Royal, Virginia, and interview notes from Diana Christopulos with two of the Denton's three children.","Includes photocopies of documents from 1930s and issues of the Appalachian Trailway News.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Although the histories are from around the 1980s, there are some notes from around the 2020s.","Includes a transcription of a January 24, 1951 history by L. H. Powell, transcribed by Diana Christopulos on March 20, 2020, but not the original 1951 history by Powell.","Includes notes about T. J. Kent's history notes by Diana Christopulos, RATC Archivist, November 11, 2022, and transcription and annotations of 1933 report of RATC by Christopulos, March 20, 2020.","The second series contains files created, collected, or maintained by people affiliated with the RATC, both officers and individual members, about the history and operation of the RATC. It is divided into eight sub-series by person and in chronological order. Each subseries is organized based on topic, and original order is maintained where possible.","Also contains a list of files for box.","Includes a letter from Senator Harry F. Byrd, Jr., about legislation.","Includes organizational charts for the ATC.","Majority is correspondence about trail maintenance and relocation projects or suggestions and related maps.","Contains documents regarding Virginia being \"the first state to execute an agreement for the protection and management of the Appalachian Trail.\"","Some documents pertain to property owners and AT relocations.","Documents discuss purchasing the Buhrman tract of land near Fullhardt Knob and relocation of the AT between Tinker Mountain and Fullhardt Knob, potentially through the Buhrman tract.","Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes William L. Gordge, RATC president's correspondence. Includes admittance of the Virginia Tech Outing Club to the ATC and assignment of a portion of AT for the club to maintain.","Includes organizational charts for the ATC.","Includes documents granting land use for relocating AT on Peters Mountain via land owned by Celanese Corporation, Pocahontas Land Corporation, the National Gypsum Company, and individuals.","Majority of documents regard planning in 1957-1958 for the 14th Meeting of the ATC at Mountain Lake Hotel in Mountain Lake (Giles County), Virginia, in 1958.","Both issues contain articles about AT relocations by RATC.","[Removed from binder.]","Includes shelter log.","Includes agendas, minutes, financial documents, and other supporting documents, including documents from committees, ATC, and NPS.","Also includes ATC's The Register newsletter, Vol. 24, No. 6, Spring 2001.","This is a user survey study carried out by the NPS in partnership with the University of Vermont and Penn State University. [Removed from binder.]","Also includes brochures about NPS and the AT.","Also includes tax-related documents and newsletters for other organizations.","Relates to the Greenbrier Pipeline Project that would cross the AT.","This contains the Memorandum of Agreement for the Management of the Appalachian National Scenic Trail between the NPS and U. S. Forest Service.","Appalachian Trailway News article about Jim and Molly Tabor Denton and Tom and Charlene Campbell","Prepared for NPS by Federal Highway Administration's Eastern Federal Lands Highway Division","Includes some non-biking AT printed materials.","Items discuss naming the Sinking Creek shelter as the Sarver Hollow Shelter and its dedication. There are also some documents related to the Sarver Cabin or Sarver Home Site.","Includes a copy of the RATC's \"Amended and Restated Articles of Incorporation\".","Celebrates the 75th anniversary of the ATC.","Celebrates the 75th anniversary of the ATC.","Also contains a report about invasive species on the AT.","Includes undated photographs.","The trail diary includes a letter to Katherine Cochran.","Includes article, \"National Trail Bill Sent to Congress\" by Bill Cochran.","Includes clippings about Audie Murphy's 1972 plane crash and hiking the AT, several relating to Ed Garvey.","Includes 1982 letter to Bill Cochran, a write up on Damascus Trail Days by Bill Cochran, and clippings about trail towns and the RATC celebrating its 50th anniversary.","Includes a letter to Bill Cochran, ca. 1996.","Includes clippings about the McAfee Knob closure from 1978 to 1987, McAfee Knob in general, history of the AT, and AT land acquisition.","Includes clippings about the murders of Susan Ramsey and Robert Mountford in 1981, Molly LaRue and Geoffrey L. Hood in 1990, and the murders of Julianne Williams and Lollie Winans in 1996.","Includes 1970s hike schedules illustrated by Campbell, 1993 article about hike led by Campbell, and a note about Campbell in the RATC from Diana Christopulos, February 16, 2024.","Includes biographical information.","Includes letter and thank you note from 1991.","The Trail Blazer issue contains an article about the Campbell Shelter. The cover is missing, but it is probably the Fall 1989 issue.","Includes Campbell Shelter, Catawba Shelter, New Wilson Creek Shelter, Wapitu Shelter, and Big Pond Shelter Move. The photos in this folder remain in their original groupings.","Includes 1987 ATC Conference at Lynchburg College and Natural Bridge. Please note: there are remnants of a rubberband attached to some photos.","These photos were grouped together but have no identifying information.","The photos in this folder are without identifying information and remain in their original groupings.","The photos in this folder are without identifying information and remain in their original groupings.","Some materials are the papers of Lauren Taylor Holnback and of Eric Nasar from the Trust for AT Lands.","[Removed from binder.]","Also includes management brochures. [Removed from binder.]","[Removed from binder.]","[Removed from binder.]","Topics include the Trail and Land Management Committee and Carvins Cove easement. [Removed from binder.]","Includes memoranda about land tracts.","Includes Tract 476-32.","Includes Tract 477-22, Parcels A and B.","Includes Tracts 478-34, 478-35, 478-36, and 478-37.","Includes monument sets.","Documents concern the Chesapeake Bay Program and Agreement related to the Chesapeake Bay watershed.","Documents relate to the acquisition of the Shell Tract along the Elk River in Tennessee.","Documents relate to the Turner Tract on North Mountain in Virginia.","Documents relate to the Roy and Tillie Wood's home the Woodshole, where AT hikers were invited to stay.","Documents are about attempting to make Blackwater Canyon a national park.","Documents are about the USFS Forest Legacy Program and Virginia's Forest Legacy program.","Includes reports from Griggs and Mullinix of the ATC Land Trust.","Most materials specifically relate to the Western Virginia Land Trust.","Includes information on Andy Layne Trail.","Includes information on Roanoke Greenways and on laws.","[Removed from binder.]","[Removed from binder.]"],"separatedmaterial_html_tesm":["\u003cp\u003eThis collection contains several issues of the \u003ctitle render=\"italic\"\u003eTrail Blazer\u003c/title\u003e, the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.\u003c/p\u003e\n","\u003cp\u003eThe following publications were separated to the Rare Book Collection:\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAppalachian Trail Guide to Central Virginia,\u003c/title\u003e First Edition, 1994 (Jack Albright, Field Editor).\u003c/p\u003e\n","\u003cp\u003eParsons, Shireen, and Wilderness Society. \u003ctitle render=\"italic\"\u003eVirginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.\u003c/title\u003e The Wilderness Society, 1999.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eTrail Lands: The Newsletter of the ATC Land Trust,\u003c/title\u003e Vol. 17, No. 1, Spring 2001.\u003c/p\u003e\n","\u003cp\u003e\u003ctitle render=\"italic\"\u003eAudubon Naturalist,\u003c/title\u003e Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.\u003c/p\u003e\n","\u003cp\u003eDaniel D. Chazin, ed., \u003ctitle render=\"italic\"\u003eAppalachian Trail Data Book 2000,\u003c/title\u003e 22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.\u003c/p\u003e\n","\u003cp\u003eKaren Deans, ed., \u003ctitle render=\"italic\"\u003eConservation Options: A Landowner's Guide,\u003c/title\u003e Washington, D. C.: Land Trust Alliance, 1999.\u003c/p\u003e\n","\u003cp\u003eBenton MacKaye, \u003ctitle render=\"italic\"\u003eThe New Exploration: A Philosophy of Regional Planning,\u003c/title\u003e Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.\u003c/p\u003e\n","\u003cp\u003eMurray Bookchin, \u003ctitle render=\"italic\"\u003eOur Synthetic Environment,\u003c/title\u003e Rev. Ed., New York City: Harper \u0026amp; Row, 1974.\u003c/p\u003e\n","\u003cp\u003eLeonard M. Adkins (a member of the RATC), \u003ctitle render=\"italic\"\u003e50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,\u003c/title\u003e Woodstock, VT: Backcountry Publications, 1994 (1995 printing).\u003c/p\u003e\n","\u003cp\u003eSteve Nash, \u003ctitle render=\"italic\"\u003eBlue Ridge 2020: An Owner's Manual,\u003c/title\u003e Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.\u003c/p\u003e\n","\u003cp\u003eWilliam Birchard, Jr., and Robert Proudman, \u003ctitle render=\"italic\"\u003eAppalacian Trail: Design, Construction, and Maintenance,\u003c/title\u003e 2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["This collection contains several issues of the  Trail Blazer , the newsletter of the Roanoke Appalachian Trail Club. If there were more than two (2) copies of an issue, the extra copy was separated to the Virginia Tech Special Collections and University Archives' Rare Book Collection.","The following publications were separated to the Rare Book Collection:","Appalachian Trail Guide to Central Virginia,  First Edition, 1994 (Jack Albright, Field Editor).","Parsons, Shireen, and Wilderness Society.  Virginia's Mountain Treasures : The Unprotected Wildlands of the Jefferson National Forest.  The Wilderness Society, 1999.","Trail Lands: The Newsletter of the ATC Land Trust,  Vol. 17, No. 1, Spring 2001.","Audubon Naturalist,  Vol. 20, No. 7, \"What Does Disney's America Mean to Our Region?\", 1994-09.","Daniel D. Chazin, ed.,  Appalachian Trail Data Book 2000,  22nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 1999.","Karen Deans, ed.,  Conservation Options: A Landowner's Guide,  Washington, D. C.: Land Trust Alliance, 1999.","Benton MacKaye,  The New Exploration: A Philosophy of Regional Planning,  Harpers Ferry, WV: The Appalachian Trail Conference and Urbana-Champaign, Ill.: University of Illinois Press, 1990.","Murray Bookchin,  Our Synthetic Environment,  Rev. Ed., New York City: Harper \u0026 Row, 1974.","Leonard M. Adkins (a member of the RATC),  50 Hikes in Northern Virginia: Walks, Hikes, and Backpacks from the Allegheny Mountains to the Chesapeake Bay,  Woodstock, VT: Backcountry Publications, 1994 (1995 printing).","Steve Nash,  Blue Ridge 2020: An Owner's Manual,  Chapel Hill, N. C., and London: The University of North Carolina Press, 1999.","William Birchard, Jr., and Robert Proudman,  Appalacian Trail: Design, Construction, and Maintenance,  2nd ed., Harpers Ferry, WV: The Appalachian Trail Conference, 2000."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a6e4fd39692d03baeae59292f8f5e256\" label=\"Abstract\"\u003eThe Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs.\u003c/abstract\u003e"],"abstract_tesim":["The Roanoke Appalachian Trail Club (RATC) Records document the management of the club from its founding in 1932. The collection includes the club newsletters, board minutes, former officers' and members' records, NPS and RATC acquisition information, conservation issues, management plans, histories of the club, scrapbooks, and photographs. The RATC continues its original mission to maintain and protect the Appalachian Trail (AT), and the club covers over 120 miles of the AT, including McAfee Knob, Dragon's Tooth, and Tinker Cliffs."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_79fb534a401c2d4d2312154f7e8ad227\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Roanoke Appalachian Trail Club (Roanoke, Va.)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Roanoke Appalachian Trail Club (Roanoke, Va.)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":740,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:56.480Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4262_c02_c01_c03"}},{"id":"vihart_repositories_4_resources_488_c04_c04_c01_c15","type":"File","attributes":{"title":"Black Joy in Song","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c15#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c04_c01_c15","ref_ssm":["vihart_repositories_4_resources_488_c04_c04_c01_c15"],"id":"vihart_repositories_4_resources_488_c04_c04_c01_c15","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04_c04_c01","parent_ssi":"vihart_repositories_4_resources_488_c04_c04_c01","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c04","vihart_repositories_4_resources_488_c04_c04_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c04","vihart_repositories_4_resources_488_c04_c04_c01"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings"],"text":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings","Black Joy in Song","Berry Media Group","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","American poetry--African American authors","African Americans -- Poetry","Poetry -- Black authors","Music -- Performance","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"title_filing_ssi":"Black Joy in Song","title_ssm":["Black Joy in Song"],"title_tesim":["Black Joy in Song"],"unitdate_other_ssim":["2024 September 21"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Black Joy in Song"],"component_level_isim":[4],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"extent_ssm":["19 Gigabytes 1 MXF file"],"extent_tesim":["19 Gigabytes 1 MXF file"],"dimensions_tesim":["running time: 00:53:03"],"creator_ssim":["Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Berry Media Group"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":858,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2024],"names_ssim":["Berry Media Group","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph"],"corpname_ssim":["Berry Media Group"],"persname_ssim":["Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph"],"access_subjects_ssim":["American poetry--African American authors","African Americans -- Poetry","Poetry -- Black authors","Music -- Performance"],"access_subjects_ssm":["American poetry--African American authors","African Americans -- Poetry","Poetry -- Black authors","Music -- Performance"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"_nest_path_":"/components#3/components#3/components#0/components#14","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c15"}},{"id":"viu_repositories_4_resources_1620","type":"collection","attributes":{"title":"Black Law Students Association, Virginia Law Chapter records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_4_resources_1620","ead_ssi":"viu_repositories_4_resources_1620","_root_":"viu_repositories_4_resources_1620","_nest_parent_":"viu_repositories_4_resources_1620","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1620.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/195945","title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"unitdate_ssm":["circa 1990 - 2024"],"unitdate_inclusive_ssm":["circa 1990 - 2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"text":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620","Black Law Students Association, Virginia Law Chapter records","University of Virginia. School of Law","Students","Student organization","There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series.","The Arthur J. Morris Law Library expects to add materials to this collection.","The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically.","On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.","The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.","The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.","This series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.","The Virginia Law Chapter published this newsletter to share information with its active members and alumni.","This series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.","These items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.","Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain.","Arthur J. Morris Law Library Special Collections","English"],"unitid_tesim":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"normalized_title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"collection_title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"collection_ssim":["Black Law Students Association, Virginia Law Chapter records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"acqinfo_ssim":["The Virginia Law Chapter donated most of the items in this collection to the University of Virginia's Arthur J. Morris Law Library at various dates. More information about the immediate source of acquisition of particular items is noted in other parts of this finding aid."],"access_subjects_ssim":["University of Virginia. School of Law","Students","Student organization"],"access_subjects_ssm":["University of Virginia. School of Law","Students","Student organization"],"has_online_content_ssim":["true"],"extent_ssm":["7.67 Linear Feet",".357901824 Gigabytes"],"extent_tesim":["7.67 Linear Feet",".357901824 Gigabytes"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the items in this collection.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add materials to this collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add materials to this collection."],"appraisal_html_tesm":["\u003cp\u003eThe items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists."],"arrangement_html_tesm":["\u003cp\u003eThe administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.\u003c/p\u003e","\u003cp\u003eMaterials are grouped into sub-series or files by event or development, which are then ordered chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically."],"bioghist_html_tesm":["\u003cp\u003eOn October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library."],"scopecontent_html_tesm":["\u003cp\u003eThe administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).\u003c/p\u003e","\u003cp\u003eThis series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.\u003c/p\u003e","\u003cp\u003eThis is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.\u003c/p\u003e","\u003cp\u003eThis series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. \u003c/p\u003e\n","\u003cp\u003eThe Arthur J. Morris Law Library has digitized some of the print resources in this series.\u003c/p\u003e","\u003cp\u003eThis is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.\u003c/p\u003e","\u003cp\u003eThis series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.\u003c/p\u003e","\u003cp\u003eThis series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e","\u003cp\u003eThe Virginia Law Chapter published this newsletter to share information with its active members and alumni.\u003c/p\u003e","\u003cp\u003eThis series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.\u003c/p\u003e","\u003cp\u003eThese items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"\u003c/p\u003e","\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.","This series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.","The Virginia Law Chapter published this newsletter to share information with its active members and alumni.","This series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.","These items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"names_ssim":["Arthur J. Morris Law Library Special Collections"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":9,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:23:54.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_1620","ead_ssi":"viu_repositories_4_resources_1620","_root_":"viu_repositories_4_resources_1620","_nest_parent_":"viu_repositories_4_resources_1620","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_1620.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/195945","title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"unitdate_ssm":["circa 1990 - 2024"],"unitdate_inclusive_ssm":["circa 1990 - 2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"text":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620","Black Law Students Association, Virginia Law Chapter records","University of Virginia. School of Law","Students","Student organization","There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series.","The Arthur J. Morris Law Library expects to add materials to this collection.","The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.","The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically.","On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.","The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.","The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.","This series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.","The Virginia Law Chapter published this newsletter to share information with its active members and alumni.","This series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.","These items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.","Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain.","Arthur J. Morris Law Library Special Collections","English"],"unitid_tesim":["RG.32.217","Archival Resource Key","/repositories/4/resources/1620"],"normalized_title_ssm":["Black Law Students Association, Virginia Law Chapter records"],"collection_title_tesim":["Black Law Students Association, Virginia Law Chapter records"],"collection_ssim":["Black Law Students Association, Virginia Law Chapter records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"acqinfo_ssim":["The Virginia Law Chapter donated most of the items in this collection to the University of Virginia's Arthur J. Morris Law Library at various dates. More information about the immediate source of acquisition of particular items is noted in other parts of this finding aid."],"access_subjects_ssim":["University of Virginia. School of Law","Students","Student organization"],"access_subjects_ssm":["University of Virginia. School of Law","Students","Student organization"],"has_online_content_ssim":["true"],"extent_ssm":["7.67 Linear Feet",".357901824 Gigabytes"],"extent_tesim":["7.67 Linear Feet",".357901824 Gigabytes"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on access to the items in this collection.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the materials in this series.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the items in this series.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on access to the items in this collection.","There are no restrictions on access to the items in this series","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the materials in this series.","There are no restrictions on access to the items in this series."],"accruals_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library expects to add materials to this collection.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["The Arthur J. Morris Law Library expects to add materials to this collection."],"appraisal_html_tesm":["\u003cp\u003eThe items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.\u003c/p\u003e\n","\u003cp\u003eWhen using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal"],"appraisal_tesim":["The items in this sub-series initially existed online. Archivists strived to capture the organizational website in a state close to how it would have appeared to users when it was live. However, to overcome technological limitations and to allow for sustainable preservation, archivists made appraisal decisions that resulted in the creation of archival resources that might function and look different from the originals.","When using these copies of the organization's website, researchers should know that they are not identical to the originals. They are close representations shaped by the appraisal decisions of archivists."],"arrangement_html_tesm":["\u003cp\u003eThe administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.\u003c/p\u003e","\u003cp\u003eMaterials are grouped into sub-series or files by event or development, which are then ordered chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["The administrative records are arranged into sub-series by the date BLSA transferred them to the Arthur J. Morris Law Library.","Materials are grouped into sub-series or files by event or development, which are then ordered chronologically."],"bioghist_html_tesm":["\u003cp\u003eOn October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["On October 16, 1970, students at the University of Virginia founded the Virginia Law Chapter of the Black Law Students Association. The Chapter's initial and continuing goals are to recruit Black law students and faculty, open a candid forum between UVA Law's Black and non-Black students, assist underserved populations in the Charlottesville community, and facilitate inter-school communication between other BLSA chapters."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Arthur J. Morris Law Library produced an online exhibit about the history of the Virginia Law Chapter of BLSA to commemorate the organization's 50th anniversary. Researchers can view the exhibit either online or at the Library."],"scopecontent_html_tesm":["\u003cp\u003eThe administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).\u003c/p\u003e","\u003cp\u003eThis series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.\u003c/p\u003e","\u003cp\u003eThis is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.\u003c/p\u003e","\u003cp\u003eThis series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. \u003c/p\u003e\n","\u003cp\u003eThe Arthur J. Morris Law Library has digitized some of the print resources in this series.\u003c/p\u003e","\u003cp\u003eThis is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.\u003c/p\u003e","\u003cp\u003eThis series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.\u003c/p\u003e","\u003cp\u003eThis series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e","\u003cp\u003eThe Virginia Law Chapter published this newsletter to share information with its active members and alumni.\u003c/p\u003e","\u003cp\u003eThis series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.\u003c/p\u003e","\u003cp\u003eThese items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"\u003c/p\u003e","\u003cp\u003eThe artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The administrative records, scrapbooks, websites, newsletters, and artifacts in this collection document the history of the Virginia Law Chapter of the Black Law Students Association (BLSA).","This series contains some of the Virginia Law Chapter's administrative records. These may include meeting agendas and minutes, procedural documents, and other materials that document operations, planning, and decision-making in the organization.","This is a small file of materials that includes an award, event flyer, a mission statement, an officer list, and officer photographs.","This series consists of scrapbooks, yearbooks, and picture books that document the experiences and work of the Virginia Law Chapter. The content in these resources vary from year to year, but they generally include information about organization officers, photographs of chapter members, event photographs, and event announcements. ","The Arthur J. Morris Law Library has digitized some of the print resources in this series.","This is a directory that contains a collection of various digital files. Together, the files constitute a digital yearbook that documents the history of the University of Virginia's BLSA chapter in the 2001-2002 academic year.","This series consists on websites and social media pages that the Virginia Law Chapter created and shared on the Internet.","This sub-series consists of captures archivists made of the Virginia Law Chapter's main organizational website. The chapter designed the site for a public audience and it shares information about their mission, membership, officers, events, and work.","This series consists of newsletters and other resources published by the Virginia Law Chapter of the Black Law Students Association.","The Virginia Law Chapter published this newsletter to share information with its active members and alumni.","This series contains collections of items that document the Virginia Law Chapter's participation in significant historical events and developments.","These items document the Virginia Law Chapter's participation in and response to the George Floyd Protest Movement. They include an email message to the University of Virginia Law School community and an official statement commenting on events surrounding the movement. Included here, is also a call to action for Law School community to create \"a more inclusive and dynamic environment for current and future Black students, faculty, and staff.\"","The artifacts and ephemera in this series document the history of the Virginia Law Chapter of the Black Law Students Association."],"userestrict_html_tesm":["\u003cp\u003eBecause of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Because of the nature of this collection, copyright status varies across the materials. Copyright is assumed to be held by the original creators of the content until it passes into the public domain."],"names_ssim":["Arthur J. Morris Law Library Special Collections"],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":9,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:23:54.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_1620"}},{"id":"viw_repositories_2_resources_9569_c03_c01","type":"Item","attributes":{"title":"Black Lives Matter license plate","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9569_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9569_c03_c01","ref_ssm":["viw_repositories_2_resources_9569_c03_c01"],"id":"viw_repositories_2_resources_9569_c03_c01","ead_ssi":"viw_repositories_2_resources_9569","_root_":"viw_repositories_2_resources_9569","_nest_parent_":"viw_repositories_2_resources_9569_c03","parent_ssi":"viw_repositories_2_resources_9569_c03","parent_ssim":["viw_repositories_2_resources_9569","viw_repositories_2_resources_9569_c03"],"parent_ids_ssim":["viw_repositories_2_resources_9569","viw_repositories_2_resources_9569_c03"],"parent_unittitles_ssm":["Hearth Memorial to the Enslaved collection","Accession 2024.183: Artifacts"],"parent_unittitles_tesim":["Hearth Memorial to the Enslaved collection","Accession 2024.183: Artifacts"],"text":["Hearth Memorial to the Enslaved collection","Accession 2024.183: Artifacts","Black Lives Matter license plate","box 2","Folder 2"],"title_filing_ssi":"Black Lives Matter license plate","title_ssm":["Black Lives Matter license plate"],"title_tesim":["Black Lives Matter license plate"],"unitdate_other_ssim":["2024 April 20"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Black Lives Matter license plate"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Hearth Memorial to the Enslaved collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":8,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2024],"containers_ssim":["box 2","Folder 2"],"_nest_path_":"/components#2/components#0","timestamp":"2026-05-21T09:46:11.871Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9569","ead_ssi":"viw_repositories_2_resources_9569","_root_":"viw_repositories_2_resources_9569","_nest_parent_":"viw_repositories_2_resources_9569","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9569.xml","title_filing_ssi":"Hearth Memorial to the Enslaved collection","title_ssm":["Hearth Memorial to the Enslaved collection"],"title_tesim":["Hearth Memorial to the Enslaved collection"],"unitdate_ssm":["May 26, 2021 and May 7, 2022"],"unitdate_inclusive_ssm":["May 26, 2021 and May 7, 2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 398","/repositories/2/resources/9569"],"text":["UA 398","/repositories/2/resources/9569","Hearth Memorial to the Enslaved collection","College of William and Mary--History--21st century","Slave labor","Memorials","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into one series,  Series I. Dedication of the Hearth Memorial to the Enslaved.","The Hearth Memorial to the Enslaved was created in response to research into William \u0026 Mary's history with slavery by students and faculty. Through assembly resolutions, the Board of Visitors acknowledged the university's involvement in slavery and established The Lemon Project: A Journey of Reconciliation in 2009 to study the relationship between African Americans and William \u0026 Mary. ","The Hearth was designed by William \u0026 Mary  alumnus Will Sendor '11 as a result of an international memorial design competition initiated by William \u0026 Mary  President Emeritus Taylor Reveley in 2018. The design was executed by the architectural firm Baskervill. 400 donors, the Board of Visitors, as well as every former rector, contributed to the completion of the  project, which cost over $2.9 million.","Dedication for the Hearth Memorial occured on May 7, 2022. ","A collection of materials from the Hearth: Memorial to the Enslaved, part of William and Mary's Lemon Project.","This group contains goggles and gloves worn by Jody Allen (Assistant Professor of History, Robert Francis Engs Director of the Lemon Project) at the Hearth groundbreaking event on May 26, 2021. A program from the memorial dedication on May 7,2022. Images of two commemorative cookies served at the Hearth dedication (originals not retained), and images of floral tributes left at the Hearth during the dedication (photographed by SCRC staff.)","This series contains goggles and gloves worn by Jody Allen (Assistant Professor of History, Robert Francis Engs Director of the Lemon Project) at the Hearth groundbreaking event on May 26, 2021. A program from the memorial dedication on May 7,2022. Images of two commemorative cookies served at the Hearth dedication (originals not retained), and images of floral tributes left at the Hearth during the dedication (photographed by SCRC staff.)","Contains two Hearth dedication programs, one section of green ribbon cut to dedicate the Hearth Memorial to the Enslaved, and one transcript of remarks made by Jody Lynn Allen, the Robert Francis Eggs Director of the Lemon Project: A Journey of Reconciliation, May 7, 2022.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Jody Allen","English"],"unitid_tesim":["UA 398","/repositories/2/resources/9569"],"normalized_title_ssm":["Hearth Memorial to the Enslaved collection"],"collection_title_tesim":["Hearth Memorial to the Enslaved collection"],"collection_ssim":["Hearth Memorial to the Enslaved collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["These materials were transferred to the Special Collections Research Center by Jody Allen on behalf of the Lemon Project."],"access_subjects_ssim":["College of William and Mary--History--21st century","Slave labor","Memorials"],"access_subjects_ssm":["College of William and Mary--History--21st century","Slave labor","Memorials"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet One 12 1/2 by 9 1/2 inch box.","97.4 Megabytes Two files containing a total of 21 JPG files"],"extent_tesim":["1 Linear Feet One 12 1/2 by 9 1/2 inch box.","97.4 Megabytes Two files containing a total of 21 JPG files"],"date_range_isim":[2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into one series,  Series I. Dedication of the Hearth Memorial to the Enslaved.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into one series,  Series I. Dedication of the Hearth Memorial to the Enslaved."],"bioghist_html_tesm":["\u003cp\u003eThe Hearth Memorial to the Enslaved was created in response to research into William \u0026amp; Mary's history with slavery by students and faculty. Through assembly resolutions, the Board of Visitors acknowledged the university's involvement in slavery and established The Lemon Project: A Journey of Reconciliation in 2009 to study the relationship between African Americans and William \u0026amp; Mary. \u003c/p\u003e\n","\u003cp\u003eThe Hearth was designed by William \u0026amp; Mary  alumnus Will Sendor '11 as a result of an international memorial design competition initiated by William \u0026amp; Mary  President Emeritus Taylor Reveley in 2018. The design was executed by the architectural firm Baskervill. 400 donors, the Board of Visitors, as well as every former rector, contributed to the completion of the  project, which cost over $2.9 million.\u003c/p\u003e\n","\u003cp\u003eDedication for the Hearth Memorial occured on May 7, 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Hearth Memorial to the Enslaved was created in response to research into William \u0026 Mary's history with slavery by students and faculty. Through assembly resolutions, the Board of Visitors acknowledged the university's involvement in slavery and established The Lemon Project: A Journey of Reconciliation in 2009 to study the relationship between African Americans and William \u0026 Mary. ","The Hearth was designed by William \u0026 Mary  alumnus Will Sendor '11 as a result of an international memorial design competition initiated by William \u0026 Mary  President Emeritus Taylor Reveley in 2018. The design was executed by the architectural firm Baskervill. 400 donors, the Board of Visitors, as well as every former rector, contributed to the completion of the  project, which cost over $2.9 million.","Dedication for the Hearth Memorial occured on May 7, 2022. "],"prefercite_html_tesm":["\u003cp\u003eHearth: Memorial to the Enslaved collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Hearth: Memorial to the Enslaved collection, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eA collection of materials from the Hearth: Memorial to the Enslaved, part of William and Mary's Lemon Project.\u003c/p\u003e\n","\u003cp\u003eThis group contains goggles and gloves worn by Jody Allen (Assistant Professor of History, Robert Francis Engs Director of the Lemon Project) at the Hearth groundbreaking event on May 26, 2021. A program from the memorial dedication on May 7,2022. Images of two commemorative cookies served at the Hearth dedication (originals not retained), and images of floral tributes left at the Hearth during the dedication (photographed by SCRC staff.)\u003c/p\u003e","\u003cp\u003eThis series contains goggles and gloves worn by Jody Allen (Assistant Professor of History, Robert Francis Engs Director of the Lemon Project) at the Hearth groundbreaking event on May 26, 2021. A program from the memorial dedication on May 7,2022. Images of two commemorative cookies served at the Hearth dedication (originals not retained), and images of floral tributes left at the Hearth during the dedication (photographed by SCRC staff.)\u003c/p\u003e","\u003cp\u003eContains two Hearth dedication programs, one section of green ribbon cut to dedicate the Hearth Memorial to the Enslaved, and one transcript of remarks made by Jody Lynn Allen, the Robert Francis Eggs Director of the Lemon Project: A Journey of Reconciliation, May 7, 2022.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["A collection of materials from the Hearth: Memorial to the Enslaved, part of William and Mary's Lemon Project.","This group contains goggles and gloves worn by Jody Allen (Assistant Professor of History, Robert Francis Engs Director of the Lemon Project) at the Hearth groundbreaking event on May 26, 2021. A program from the memorial dedication on May 7,2022. Images of two commemorative cookies served at the Hearth dedication (originals not retained), and images of floral tributes left at the Hearth during the dedication (photographed by SCRC staff.)","This series contains goggles and gloves worn by Jody Allen (Assistant Professor of History, Robert Francis Engs Director of the Lemon Project) at the Hearth groundbreaking event on May 26, 2021. A program from the memorial dedication on May 7,2022. Images of two commemorative cookies served at the Hearth dedication (originals not retained), and images of floral tributes left at the Hearth during the dedication (photographed by SCRC staff.)","Contains two Hearth dedication programs, one section of green ribbon cut to dedicate the Hearth Memorial to the Enslaved, and one transcript of remarks made by Jody Lynn Allen, the Robert Francis Eggs Director of the Lemon Project: A Journey of Reconciliation, May 7, 2022."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Jody Allen"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Jody Allen"],"persname_ssim":["Jody Allen"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T09:46:11.871Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9569_c03_c01"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":320},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":33},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":61},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":58},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":76},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}},{"attributes":{"label":"The George Washington Presidential Library at Mount Vernon","value":"The George Washington Presidential Library at Mount Vernon","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=The+George+Washington+Presidential+Library+at+Mount+Vernon"}},{"attributes":{"label":"University of Mary Washington","value":"University of Mary Washington","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=University+of+Mary+Washington"}},{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"University of Virginia, Special Collections Dept.","value":"University of Virginia, Special Collections Dept.","hits":108},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept."}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Fall in Line: The Story of the W\u0026L 1974 Lacrosse Team\" documentary","value":"\"Fall in Line: The Story of the W\u0026L 1974 Lacrosse Team\" documentary","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Fall+in+Line%3A+The+Story+of+the+W%26L+1974+Lacrosse+Team%22+documentary\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"1693 Minecraft Club records","value":"1693 Minecraft Club records","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1693+Minecraft+Club+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"1x1 Japan Exhibition Materials, 1965-2024","value":"1x1 Japan Exhibition Materials, 1965-2024","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1x1+Japan+Exhibition+Materials%2C+1965-2024\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Acropolis Art and Art History Journal records","value":"Acropolis Art and Art History Journal records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Acropolis+Art+and+Art+History+Journal+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Aiden E. Curran collection","value":"Aiden E. Curran collection","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Aiden+E.+Curran+collection\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alma Mater Productions (AMP) records","value":"Alma Mater Productions (AMP) records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alma+Mater+Productions+%28AMP%29+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alpha Sigma Alpha Collection","value":"Alpha Sigma Alpha Collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Alpha+Sigma+Alpha+Collection\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","value":"American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","hits":10},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Association+of+University+Women+%28AAUW%29+Records%2C+Harrisonburg%2C+Virginia+Branch\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"American Society of Pediatric Nephrology records","value":"American Society of Pediatric Nephrology records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Society+of+Pediatric+Nephrology+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Ann Magnuson, Performance Artist, Papers","value":"Ann Magnuson, Performance Artist, Papers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Ann+Magnuson%2C+Performance+Artist%2C+Papers\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Appalachian Prison Book Project Records","value":"Appalachian Prison Book Project Records","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Appalachian+Prison+Book+Project+Records\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1721","value":"1721","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1721"}},{"attributes":{"label":"1722","value":"1722","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1722"}},{"attributes":{"label":"1723","value":"1723","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1723"}},{"attributes":{"label":"1724","value":"1724","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1724"}},{"attributes":{"label":"1725","value":"1725","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1725"}},{"attributes":{"label":"1726","value":"1726","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1726"}},{"attributes":{"label":"1727","value":"1727","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1727"}},{"attributes":{"label":"1728","value":"1728","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1728"}},{"attributes":{"label":"1729","value":"1729","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1729"}},{"attributes":{"label":"1730","value":"1730","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1730"}},{"attributes":{"label":"1731","value":"1731","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bdate_range%5D%5B%5D=1731"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abate%2C+Kathy\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Adesina, Gbenga","value":"Adesina, Gbenga","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Adesina%2C+Gbenga\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alexander, Elizabeth, 1962-","value":"Alexander, Elizabeth, 1962-","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Elizabeth%2C+1962-\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alexander, Michelle, (Poet)","value":"Alexander, Michelle, (Poet)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+Michelle%2C+%28Poet%29\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Allen, Anna","value":"Allen, Anna","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allen%2C+Anna\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alleyne, Lauren K.","value":"Alleyne, Lauren K.","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alleyne%2C+Lauren+K.\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Alli, Andrew","value":"Alli, Andrew","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alli%2C+Andrew\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Allison, Margaret Appleton","value":"Allison, Margaret Appleton","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allison%2C+Margaret+Appleton\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"American Association of University Women. Harrisonburg Branch","value":"American Association of University Women. Harrisonburg Branch","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Association+of+University+Women.+Harrisonburg+Branch\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Anastacia-Reneé","value":"Anastacia-Reneé","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anastacia-Rene%C3%A9\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Anderson, Keisha-Gaye","value":"Anderson, Keisha-Gaye","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Anderson%2C+Keisha-Gaye\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Abate, Kathy","value":"Abate, Kathy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abate%2C+Kathy"}},{"attributes":{"label":"Abbado, Claudio (1933-06-26-2014-01-20)","value":"Abbado, Claudio (1933-06-26-2014-01-20)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Claudio+%281933-06-26-2014-01-20%29"}},{"attributes":{"label":"Abbado, Roberto","value":"Abbado, Roberto","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abbado%2C+Roberto"}},{"attributes":{"label":"Abdrazakov, Ilʹdar, 1976-","value":"Abdrazakov, Ilʹdar, 1976-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abdrazakov%2C+Il%CA%B9dar%2C+1976-"}},{"attributes":{"label":"Abel, Yves","value":"Abel, Yves","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Abel%2C+Yves"}},{"attributes":{"label":"Adam, Adolphe","value":"Adam, Adolphe","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adam%2C+Adolphe"}},{"attributes":{"label":"Adams, John (John Coolidge), 1947-","value":"Adams, John (John Coolidge), 1947-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adams%2C+John+%28John+Coolidge%29%2C+1947-"}},{"attributes":{"label":"Adams, John Luther, 1953-","value":"Adams, John Luther, 1953-","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adams%2C+John+Luther%2C+1953-"}},{"attributes":{"label":"Adams, Mason (1919-2005)","value":"Adams, Mason (1919-2005)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adams%2C+Mason+%281919-2005%29"}},{"attributes":{"label":"Adesina, Gbenga","value":"Adesina, Gbenga","hits":8},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adesina%2C+Gbenga"}},{"attributes":{"label":"Adolphe, Julia (1988)","value":"Adolphe, Julia (1988)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bnames%5D%5B%5D=Adolphe%2C+Julia+%281988%29"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":" United States -- History -- Civil War, 1861-1865","value":" United States -- History -- Civil War, 1861-1865","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=+United+States+--+History+--+Civil+War%2C+1861-1865"}},{"attributes":{"label":"Appalachian Mountains","value":"Appalachian Mountains","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Appalachian+Mountains"}},{"attributes":{"label":"Appalachian Trail","value":"Appalachian Trail","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Appalachian+Trail"}},{"attributes":{"label":"Avis (W. Va.)","value":"Avis (W. Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Avis+%28W.+Va.%29"}},{"attributes":{"label":"Baseball--History","value":"Baseball--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Baseball--History"}},{"attributes":{"label":"Cape Henry Region (Va.)--History","value":"Cape Henry Region (Va.)--History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Cape+Henry+Region+%28Va.%29--History"}},{"attributes":{"label":"Carter's Grove (Va.)","value":"Carter's Grove (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Carter%27s+Grove+%28Va.%29"}},{"attributes":{"label":"Charleston (W. Va.)","value":"Charleston (W. Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Charleston+%28W.+Va.%29"}},{"attributes":{"label":"Charlottesville (Va.) -- History -- 20th century","value":"Charlottesville (Va.) -- History -- 20th century","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Charlottesville+%28Va.%29+--+History+--+20th+century"}},{"attributes":{"label":"Clay County, West Virginia -- Genealogy","value":"Clay County, West Virginia -- Genealogy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=Clay+County%2C+West+Virginia+--+Genealogy"}},{"attributes":{"label":"College of William and Mary--Alumni and alumnae","value":"College of William and Mary--Alumni and alumnae","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Bplaces%5D%5B%5D=College+of+William+and+Mary--Alumni+and+alumnae"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Activism","value":"Activism","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Activism\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"Administrative records","value":"Administrative records","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Administrative+records\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American business enterprises","value":"African American business enterprises","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+business+enterprises\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American churches","value":"African American churches","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+churches\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American college students","value":"African American college students","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+college+students\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American music","value":"African American music","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+music\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American poets","value":"African American poets","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+poets\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American schools","value":"African American schools","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+schools\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African American women poets","value":"African American women poets","hits":18},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+American+women+poets\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African Americans ","value":"African Americans ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+\u0026f%5Bdate_range%5D%5B%5D=2024"}},{"attributes":{"label":"African Americans -- Civil rights -- History","value":"African Americans -- Civil rights -- History","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=African+Americans+--+Civil+rights+--+History\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Box","value":"Box","hits":7},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Box"}},{"attributes":{"label":"Collection","value":"Collection","hits":117},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Collection"}},{"attributes":{"label":"File","value":"File","hits":378},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Item","value":"Item","hits":241},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Item"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Record+Group"}},{"attributes":{"label":"Series","value":"Series","hits":99},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Series"}},{"attributes":{"label":"Subgroup","value":"Subgroup","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Subgroup"}},{"attributes":{"label":"Subseries","value":"Subseries","hits":22},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Blevel%5D%5B%5D=Subseries"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Bdate_range%5D%5B%5D=2024"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Bdate_range%5D%5B%5D=2024"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=10\u0026sort=title_sort+desc"}}]}