{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2023\u0026page=15\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2023\u0026page=14\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2023\u0026page=16\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2023\u0026page=129\u0026view=compact"},"meta":{"pages":{"current_page":15,"next_page":16,"prev_page":14,"total_pages":129,"limit_value":10,"offset_value":140,"total_count":1281,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_711_c122","type":"File","attributes":{"title":"Bosque de cantares by Guillermo Canek García","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_711_c122#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_711_c122#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_711_c122","ref_ssm":["vifgm_repositories_2_resources_711_c122"],"id":"vifgm_repositories_2_resources_711_c122","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","parent_ssi":"vifgm_repositories_2_resources_711","parent_ssim":["vifgm_repositories_2_resources_711"],"parent_ids_ssim":["vifgm_repositories_2_resources_711"],"parent_unittitles_ssm":["International art publishing collection"],"parent_unittitles_tesim":["International art publishing collection"],"text":["International art publishing collection","Bosque de cantares by Guillermo Canek García","box 6","folder 5","Publisher: Gato Negro, Mexico."],"title_filing_ssi":"Bosque de cantares by Guillermo Canek García","title_ssm":["Bosque de cantares by Guillermo Canek García"],"title_tesim":["Bosque de cantares by Guillermo Canek García"],"unitdate_other_ssim":["2023"],"normalized_date_ssm":["2023"],"normalized_title_ssm":["Bosque de cantares by Guillermo Canek García"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["International art publishing collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":122,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2023],"containers_ssim":["box 6","folder 5"],"scopecontent_html_tesm":["\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Publisher: Gato Negro, Mexico."],"_nest_path_":"/components#121","timestamp":"2026-05-21T05:12:58.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_711","ead_ssi":"vifgm_repositories_2_resources_711","_root_":"vifgm_repositories_2_resources_711","_nest_parent_":"vifgm_repositories_2_resources_711","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_711.xml","title_filing_ssi":"International art publishing collection","title_ssm":["International art publishing collection"],"title_tesim":["International art publishing collection"],"unitdate_ssm":["2009-2023"],"unitdate_inclusive_ssm":["2009-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0517","/repositories/2/resources/711"],"text":["C0517","/repositories/2/resources/711","International art publishing collection","Zines","Art","Art -- Exhibitions","Personal narratives","Comics (LGBTQ)","There are no access restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. 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Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. 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Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the and the It also holds an extensive ","The and the hold zines collections. A list of Virginia institutions with zines collections can be found ","The , the , and hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro Ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Oficyna Peryferie, Poland.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Water With Water and VCU Arts Qatar.\u003c/p\u003e","\u003cp\u003ePublisher: nos:books, Taiwan.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. 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U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: piedra ediciones, Mexico.","Publisher: Roma Publications, Netherlands.","Publisher:","Publisher: kolectivo_jajaja, Mexico.","Publisher: Sex Zine, Mexico.","Publisher: Polvoh Press, Oaxaca, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: Alacraña and Libros de Mano, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Uroboros Editorial press, Mexico","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: piedra ediciones, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: la silueta, Colombia.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","Publisher: alacraña and lapis, Mexico.","Publisher: Latvian Centre for Contemporary Art, Latvia","Publisher: Ediciones Hungría, Mexico.","Publisher: piedra ediciones, Mexico. Editor: Alfonso Santiago.","Publisher: Discos Cuchillo, Mexico.","Publisher: La Silueta, Colombia.","Published in Mexico.","Publisher: Fibra Casa Editora, Argentina.","Publisher: Casa Fibra, Argentina.","Publisher: Fibra Casa Editora, Argentina.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Content Warning: Graphic sexual content.","Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Paradise Systems, China.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Alacraña and Libros de Mano, Mexico.","Publisher: Asian_Food_Design, Japan.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_11da03b378d2c9e5dcf2e1f2bb4e7780\"\u003eThis collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_9357440505478d9d413d0788239bf684\"\u003eR 73, C 3, S 2\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 3, S 2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n, Spanish; Castilian \n, Chinese \n, Latvian \n. "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":175,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:12:58.124Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_711_c122"}},{"id":"wvmturhc_repositories_2_resources_7093_c01","type":"Series","attributes":{"title":"Boyer, Bonnie","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7093_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_7093_c01","ref_ssm":["wvmturhc_repositories_2_resources_7093_c01"],"id":"wvmturhc_repositories_2_resources_7093_c01","ead_ssi":"wvmturhc_repositories_2_resources_7093","_root_":"wvmturhc_repositories_2_resources_7093","_nest_parent_":"wvmturhc_repositories_2_resources_7093","parent_ssi":"wvmturhc_repositories_2_resources_7093","parent_ssim":["wvmturhc_repositories_2_resources_7093"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_7093"],"parent_unittitles_ssm":["Women Miners Oral History Project Records and Recordings"],"parent_unittitles_tesim":["Women Miners Oral History Project Records and Recordings"],"text":["Women Miners Oral History Project Records and Recordings","Boyer, Bonnie"],"title_filing_ssi":"Boyer, Bonnie","title_ssm":["Boyer, Bonnie"],"title_tesim":["Boyer, Bonnie"],"unitdate_inclusive_ssm":["2022-2023"],"normalized_date_ssm":["2022/2023"],"normalized_title_ssm":["Boyer, Bonnie"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Women Miners Oral History Project Records and Recordings"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access born-digital and digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2022,2023],"_nest_path_":"/components#0","timestamp":"2026-06-04T15:06:14.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_7093","ead_ssi":"wvmturhc_repositories_2_resources_7093","_root_":"wvmturhc_repositories_2_resources_7093","_nest_parent_":"wvmturhc_repositories_2_resources_7093","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_7093.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/265858","title_ssm":["Women Miners Oral History Project Records and Recordings"],"title_tesim":["Women Miners Oral History Project Records and Recordings"],"unitdate_ssm":["2021-2025"],"unitdate_inclusive_ssm":["2021-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4690","Archival Resource Key","/repositories/2/resources/7093"],"text":["A\u0026M 4690","Archival Resource Key","/repositories/2/resources/7093","Women Miners Oral History Project Records and Recordings","Civil rights","Coal mines and mining","Family leave","Feminism","Labor unions","West Virginia Feminist Activist and Women's History Collection","No special access restriction applies.","Researchers may access born-digital and digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","The Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion.","This project is the outgrowth of a conversation between Jessica Wilkerson and former miners Kipp Dawson, Marat Moore and Libby Lindsay, all of whom were involved in the United Mine Workers of America and the Coal Employment Project (CEP), a non-profit organization that advocated for women's entrance into industrial mines, fought discrimination that working women encountered and organized around working-class women's issues.","Amid the ongoing COVID-19 pandemic, Dawson, Moore and Lindsay began organizing lists of women miners and considering ways to preserve their history, compelled by the loss of some sisters and the illness of others.","From \"Women, Work, and Activism in the Coal Mines: The Women Miners Oral History Projects.\" (https://www.youtube.com/watch?v=FYjfJTWak0U)","This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts. Oral history interviewees include Bonnie Boyer, Tammy Brock, Lisa Parnell Christiansen, Kipp Dawson, Brenda Ellis, Betty Jean Hall, Jody Hogge, Shirley Hyche, Carol Jones, Goldie Kiser, Libby Lindsay Dingess, Doris Magan, and Ella Thomas.","Also included are photographs from a trip to England, research notes, and drafts and photographs for a Storymap. ","Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website.","The Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion. This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Boyer, Bonnie","Brock, Tammy","Christiansen, Lisa Parnell","Dawson, Kipp","Dingess, Elizabeth (Libby) Lindsay","Ellis, Brenda","Hall, Betty Jean","Hogge, Jody","Hyche, Shirley","Jones, Carol Davis","Kiser, Goldie","Magan, Doris","Mayo, Meghan","Moore, Elisabeth","Moore, Marat","Ramey, Jessie B.","Thomas, Ella","Walter, Emily M. ","Wilkerson, Jessica","English \n. "],"unitid_tesim":["A\u0026M 4690","Archival Resource Key","/repositories/2/resources/7093"],"normalized_title_ssm":["Women Miners Oral History Project Records and Recordings"],"collection_title_tesim":["Women Miners Oral History Project Records and Recordings"],"collection_ssim":["Women Miners Oral History Project Records and Recordings"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Boyer, Bonnie","Brock, Tammy","Christiansen, Lisa Parnell","Dawson, Kipp","Dingess, Elizabeth (Libby) Lindsay","Ellis, Brenda","Hall, Betty Jean","Hogge, Jody","Hyche, Shirley","Jones, Carol Davis","Kiser, Goldie","Magan, Doris","Mayo, Meghan","Moore, Elisabeth","Moore, Marat","Ramey, Jessie B.","Thomas, Ella","Walter, Emily M. ","Wilkerson, Jessica","Wilkerson, Jessica","Wilkerson, Jessica"],"creator_ssim":["Boyer, Bonnie","Brock, Tammy","Christiansen, Lisa Parnell","Dawson, Kipp","Dingess, Elizabeth (Libby) Lindsay","Ellis, Brenda","Hall, Betty Jean","Hogge, Jody","Hyche, Shirley","Jones, Carol Davis","Kiser, Goldie","Magan, Doris","Mayo, Meghan","Moore, Elisabeth","Moore, Marat","Ramey, Jessie B.","Thomas, Ella","Walter, Emily M. ","Wilkerson, Jessica","Wilkerson, Jessica","Wilkerson, Jessica"],"creator_persname_ssim":["Boyer, Bonnie","Brock, Tammy","Christiansen, Lisa Parnell","Dawson, Kipp","Dingess, Elizabeth (Libby) Lindsay","Ellis, Brenda","Hall, Betty Jean","Hogge, Jody","Hyche, Shirley","Jones, Carol Davis","Kiser, Goldie","Magan, Doris","Mayo, Meghan","Moore, Elisabeth","Moore, Marat","Ramey, Jessie B.","Thomas, Ella","Walter, Emily M. ","Wilkerson, Jessica","Wilkerson, Jessica","Wilkerson, Jessica"],"creators_ssim":["Boyer, Bonnie","Brock, Tammy","Christiansen, Lisa Parnell","Dawson, Kipp","Dingess, Elizabeth (Libby) Lindsay","Ellis, Brenda","Hall, Betty Jean","Hogge, Jody","Hyche, Shirley","Jones, Carol Davis","Kiser, Goldie","Magan, Doris","Mayo, Meghan","Moore, Elisabeth","Moore, Marat","Ramey, Jessie B.","Thomas, Ella","Walter, Emily M. ","Wilkerson, Jessica","Wilkerson, Jessica","Wilkerson, Jessica"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift of Wilkerson, Jessica, 2025 June 04."],"access_subjects_ssim":["Civil rights","Coal mines and mining","Family leave","Feminism","Labor unions","West Virginia Feminist Activist and Women's History Collection"],"access_subjects_ssm":["Civil rights","Coal mines and mining","Family leave","Feminism","Labor unions","West Virginia Feminist Activist and Women's History Collection"],"has_online_content_ssim":["false"],"extent_ssm":["25.7 Gigabytes 291 digital files, including .docx, .HEIC, .jpg, .m4a, .mp3, .mp4, .mov, .pdf, .tif, and .wav."],"extent_tesim":["25.7 Gigabytes 291 digital files, including .docx, .HEIC, .jpg, .m4a, .mp3, .mp4, .mov, .pdf, .tif, and .wav."],"date_range_isim":[2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born-digital and digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born-digital and digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eThe Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion.\u003c/p\u003e\n","\u003cp\u003eThis project is the outgrowth of a conversation between Jessica Wilkerson and former miners Kipp Dawson, Marat Moore and Libby Lindsay, all of whom were involved in the United Mine Workers of America and the Coal Employment Project (CEP), a non-profit organization that advocated for women's entrance into industrial mines, fought discrimination that working women encountered and organized around working-class women's issues.\u003c/p\u003e\n","\u003cp\u003eAmid the ongoing COVID-19 pandemic, Dawson, Moore and Lindsay began organizing lists of women miners and considering ways to preserve their history, compelled by the loss of some sisters and the illness of others.\u003c/p\u003e\n","\u003cp\u003eFrom \"Women, Work, and Activism in the Coal Mines: The Women Miners Oral History Projects.\" (https://www.youtube.com/watch?v=FYjfJTWak0U)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion.","This project is the outgrowth of a conversation between Jessica Wilkerson and former miners Kipp Dawson, Marat Moore and Libby Lindsay, all of whom were involved in the United Mine Workers of America and the Coal Employment Project (CEP), a non-profit organization that advocated for women's entrance into industrial mines, fought discrimination that working women encountered and organized around working-class women's issues.","Amid the ongoing COVID-19 pandemic, Dawson, Moore and Lindsay began organizing lists of women miners and considering ways to preserve their history, compelled by the loss of some sisters and the illness of others.","From \"Women, Work, and Activism in the Coal Mines: The Women Miners Oral History Projects.\" (https://www.youtube.com/watch?v=FYjfJTWak0U)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Women Miners Oral History Project Records and Recordings, A\u0026amp;M 4690, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Women Miners Oral History Project Records and Recordings, A\u0026M 4690, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts. Oral history interviewees include Bonnie Boyer, Tammy Brock, Lisa Parnell Christiansen, Kipp Dawson, Brenda Ellis, Betty Jean Hall, Jody Hogge, Shirley Hyche, Carol Jones, Goldie Kiser, Libby Lindsay Dingess, Doris Magan, and Ella Thomas.\u003c/p\u003e\n","\u003cp\u003eAlso included are photographs from a trip to England, research notes, and drafts and photographs for a Storymap. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts. Oral history interviewees include Bonnie Boyer, Tammy Brock, Lisa Parnell Christiansen, Kipp Dawson, Brenda Ellis, Betty Jean Hall, Jody Hogge, Shirley Hyche, Carol Jones, Goldie Kiser, Libby Lindsay Dingess, Doris Magan, and Ella Thomas.","Also included are photographs from a trip to England, research notes, and drafts and photographs for a Storymap. "],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_49e88f8d6fb3e50aee1c25eefdb46c81\"\u003eThe Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion. This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts.\u003c/abstract\u003e"],"abstract_tesim":["The Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion. This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_356aaadc2cc65981e8f7dae5c5e0c367\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Boyer, Bonnie","Brock, Tammy","Christiansen, Lisa Parnell","Dawson, Kipp","Dingess, Elizabeth (Libby) Lindsay","Ellis, Brenda","Hall, Betty Jean","Hogge, Jody","Hyche, Shirley","Jones, Carol Davis","Kiser, Goldie","Magan, Doris","Mayo, Meghan","Moore, Elisabeth","Moore, Marat","Ramey, Jessie B.","Thomas, Ella","Walter, Emily M. ","Wilkerson, Jessica"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Wilkerson, Jessica","Wilkerson, Jessica"],"persname_ssim":["Boyer, Bonnie","Brock, Tammy","Christiansen, Lisa Parnell","Dawson, Kipp","Dingess, Elizabeth (Libby) Lindsay","Ellis, Brenda","Hall, Betty Jean","Hogge, Jody","Hyche, Shirley","Jones, Carol Davis","Kiser, Goldie","Magan, Doris","Mayo, Meghan","Moore, Elisabeth","Moore, Marat","Ramey, Jessie B.","Thomas, Ella","Walter, Emily M. ","Wilkerson, Jessica"],"language_ssim":["English \n. "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:14.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7093_c01"}},{"id":"viw_repositories_2_resources_9790","type":"collection","attributes":{"title":"Bray School Lab records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9790#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026amp; Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9790#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9790","ead_ssi":"viw_repositories_2_resources_9790","_root_":"viw_repositories_2_resources_9790","_nest_parent_":"viw_repositories_2_resources_9790","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9790.xml","title_filing_ssi":"Bray School Lab Records","title_ssm":["Bray School Lab records"],"title_tesim":["Bray School Lab records"],"unitdate_ssm":["2023-2025"],"unitdate_inclusive_ssm":["2023-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 410","/repositories/2/resources/9790"],"text":["UA 410","/repositories/2/resources/9790","Bray School Lab records","African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged alphabetically by interviewees' last name.","This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Terry L. Meyers, English Department","English"],"unitid_tesim":["UA 410","/repositories/2/resources/9790"],"normalized_title_ssm":["Bray School Lab records"],"collection_title_tesim":["Bray School Lab records"],"collection_ssim":["Bray School Lab records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"access_subjects_ssm":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"has_online_content_ssim":["false"],"extent_ssm":["92.4 Gigabytes"],"extent_tesim":["92.4 Gigabytes"],"date_range_isim":[2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by interviewees' last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by interviewees' last name."],"prefercite_html_tesm":["\u003cp\u003eBray School Lab Records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Bray School Lab Records, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026amp; Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.\u003c/p\u003e","\u003cp\u003eTeddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.\u003c/p\u003e","\u003cp\u003eDavid Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eOlivia Blackshire is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026amp; Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026amp; Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026amp; Mary Bray School Lab.\u003c/p\u003e","\u003cp\u003eAntonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.\u003c/p\u003e","\u003cp\u003eDa-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.\u003c/p\u003e","\u003cp\u003eNicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026amp; Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026amp; Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eLoretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026amp; Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.\u003c/p\u003e","\u003cp\u003eHarold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.\u003c/p\u003e","\u003cp\u003eDevin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.\u003c/p\u003e","\u003cp\u003eJanice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.\u003c/p\u003e","\u003cp\u003eJason Chen is a professor of educational psychology at William \u0026amp; Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026amp; Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.\u003c/p\u003e","\u003cp\u003ePat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eEdwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026amp; Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.\u003c/p\u003e","\u003cp\u003eCurtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMadeline Dort graduated from William \u0026amp; Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026amp; Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026amp; Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.\u003c/p\u003e","\u003cp\u003eElizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.\u003c/p\u003e","\u003cp\u003eCynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.\u003c/p\u003e","\u003cp\u003eMichael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.\u003c/p\u003e","\u003cp\u003eStephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.\u003c/p\u003e","\u003cp\u003eLatricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026amp; Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.\u003c/p\u003e","\u003cp\u003eDawn Edmiston is a professor of Marketing at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026amp; Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026amp; Mary's assets to benefit programs like the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026amp; Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.\u003c/p\u003e","\u003cp\u003eEliza Fernandez is a recent graduate of William \u0026amp; Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026amp; Mary Bray School Lab and how her experience at William \u0026amp; Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.\u003c/p\u003e","\u003cp\u003eCliff Fleet is the President \u0026amp; CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026amp; Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026amp; Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026amp; Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026amp; Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.\u003c/p\u003e","\u003cp\u003eJack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.\u003c/p\u003e","\u003cp\u003eJohnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026amp; Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.\u003c/p\u003e","\u003cp\u003eConnie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.\u003c/p\u003e","\u003cp\u003eCrystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.\u003c/p\u003e","\u003cp\u003eCathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eGrace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026amp; Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026amp; Mary's responsibility to tell the whole story.\u003c/p\u003e","\u003cp\u003eMark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026amp; Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026amp; Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.\u003c/p\u003e","\u003cp\u003eRachel Hogue is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026amp; Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026amp; Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRon Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026amp; Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eJames Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.\u003c/p\u003e","\u003cp\u003eBurnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.\u003c/p\u003e","\u003cp\u003eDani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026amp; Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eMartha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.\u003c/p\u003e","\u003cp\u003eElle Kim is a William \u0026amp; Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.\u003c/p\u003e","\u003cp\u003eCurtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.\u003c/p\u003e","\u003cp\u003eMary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMaureen Elgersman Lee is the director of the William \u0026amp; Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026amp; Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eAyinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eDr. Terry Meyers is chancellor professor of English emeritus, William \u0026amp; Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026amp; Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026amp; Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026amp; Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026amp; Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.\u003c/p\u003e","\u003cp\u003eCarol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eEthan Miller was a Student Thought Partner with the William \u0026amp; Mary Bray School Lab before graduating from William \u0026amp; Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026amp; Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.\u003c/p\u003e","\u003cp\u003eConor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026amp; Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eMargaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026amp; Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026amp; Mary Bray School Lab and her role working with the Brafferton School at William \u0026amp; Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.\u003c/p\u003e","\u003cp\u003eJanise Parker is an associate professor of school psychology at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026amp; Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026amp; Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.\u003c/p\u003e","\u003cp\u003eDaniel Pleasant is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Daniel describes his journey to William \u0026amp; Mary and what led him to the William \u0026amp; Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.\u003c/p\u003e","\u003cp\u003eStephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.\u003c/p\u003e","\u003cp\u003eAnn Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026amp; Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.\u003c/p\u003e","\u003cp\u003eLinwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eCecilia Weaver is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.\u003c/p\u003e","\u003cp\u003eMatthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026amp; Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.\u003c/p\u003e","\u003cp\u003eYe Xiao is a student at William \u0026amp; Mary and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026amp; Mary and her thoughts on the importance of the work of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eTina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Terry L. Meyers, English Department"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Terry L. Meyers, English Department"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:20:42.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9790","ead_ssi":"viw_repositories_2_resources_9790","_root_":"viw_repositories_2_resources_9790","_nest_parent_":"viw_repositories_2_resources_9790","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9790.xml","title_filing_ssi":"Bray School Lab Records","title_ssm":["Bray School Lab records"],"title_tesim":["Bray School Lab records"],"unitdate_ssm":["2023-2025"],"unitdate_inclusive_ssm":["2023-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 410","/repositories/2/resources/9790"],"text":["UA 410","/repositories/2/resources/9790","Bray School Lab records","African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged alphabetically by interviewees' last name.","This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Terry L. Meyers, English Department","English"],"unitid_tesim":["UA 410","/repositories/2/resources/9790"],"normalized_title_ssm":["Bray School Lab records"],"collection_title_tesim":["Bray School Lab records"],"collection_ssim":["Bray School Lab records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"access_subjects_ssm":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"has_online_content_ssim":["false"],"extent_ssm":["92.4 Gigabytes"],"extent_tesim":["92.4 Gigabytes"],"date_range_isim":[2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by interviewees' last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by interviewees' last name."],"prefercite_html_tesm":["\u003cp\u003eBray School Lab Records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Bray School Lab Records, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026amp; Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.\u003c/p\u003e","\u003cp\u003eTeddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.\u003c/p\u003e","\u003cp\u003eDavid Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eOlivia Blackshire is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026amp; Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026amp; Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026amp; Mary Bray School Lab.\u003c/p\u003e","\u003cp\u003eAntonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.\u003c/p\u003e","\u003cp\u003eDa-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.\u003c/p\u003e","\u003cp\u003eNicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026amp; Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026amp; Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eLoretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026amp; Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.\u003c/p\u003e","\u003cp\u003eHarold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.\u003c/p\u003e","\u003cp\u003eDevin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.\u003c/p\u003e","\u003cp\u003eJanice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.\u003c/p\u003e","\u003cp\u003eJason Chen is a professor of educational psychology at William \u0026amp; Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026amp; Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.\u003c/p\u003e","\u003cp\u003ePat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eEdwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026amp; Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.\u003c/p\u003e","\u003cp\u003eCurtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMadeline Dort graduated from William \u0026amp; Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026amp; Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026amp; Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.\u003c/p\u003e","\u003cp\u003eElizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.\u003c/p\u003e","\u003cp\u003eCynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.\u003c/p\u003e","\u003cp\u003eMichael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.\u003c/p\u003e","\u003cp\u003eStephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.\u003c/p\u003e","\u003cp\u003eLatricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026amp; Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.\u003c/p\u003e","\u003cp\u003eDawn Edmiston is a professor of Marketing at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026amp; Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026amp; Mary's assets to benefit programs like the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026amp; Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.\u003c/p\u003e","\u003cp\u003eEliza Fernandez is a recent graduate of William \u0026amp; Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026amp; Mary Bray School Lab and how her experience at William \u0026amp; Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.\u003c/p\u003e","\u003cp\u003eCliff Fleet is the President \u0026amp; CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026amp; Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026amp; Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026amp; Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026amp; Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.\u003c/p\u003e","\u003cp\u003eJack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.\u003c/p\u003e","\u003cp\u003eJohnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026amp; Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.\u003c/p\u003e","\u003cp\u003eConnie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.\u003c/p\u003e","\u003cp\u003eCrystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.\u003c/p\u003e","\u003cp\u003eCathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eGrace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026amp; Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026amp; Mary's responsibility to tell the whole story.\u003c/p\u003e","\u003cp\u003eMark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026amp; Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026amp; Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.\u003c/p\u003e","\u003cp\u003eRachel Hogue is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026amp; Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026amp; Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRon Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026amp; Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eJames Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.\u003c/p\u003e","\u003cp\u003eBurnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.\u003c/p\u003e","\u003cp\u003eDani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026amp; Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eMartha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.\u003c/p\u003e","\u003cp\u003eElle Kim is a William \u0026amp; Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.\u003c/p\u003e","\u003cp\u003eCurtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.\u003c/p\u003e","\u003cp\u003eMary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMaureen Elgersman Lee is the director of the William \u0026amp; Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026amp; Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eAyinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eDr. Terry Meyers is chancellor professor of English emeritus, William \u0026amp; Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026amp; Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026amp; Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026amp; Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026amp; Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.\u003c/p\u003e","\u003cp\u003eCarol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eEthan Miller was a Student Thought Partner with the William \u0026amp; Mary Bray School Lab before graduating from William \u0026amp; Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026amp; Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.\u003c/p\u003e","\u003cp\u003eConor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026amp; Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eMargaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026amp; Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026amp; Mary Bray School Lab and her role working with the Brafferton School at William \u0026amp; Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.\u003c/p\u003e","\u003cp\u003eJanise Parker is an associate professor of school psychology at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026amp; Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026amp; Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.\u003c/p\u003e","\u003cp\u003eDaniel Pleasant is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Daniel describes his journey to William \u0026amp; Mary and what led him to the William \u0026amp; Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.\u003c/p\u003e","\u003cp\u003eStephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.\u003c/p\u003e","\u003cp\u003eAnn Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026amp; Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.\u003c/p\u003e","\u003cp\u003eLinwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eCecilia Weaver is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.\u003c/p\u003e","\u003cp\u003eMatthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026amp; Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.\u003c/p\u003e","\u003cp\u003eYe Xiao is a student at William \u0026amp; Mary and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026amp; Mary and her thoughts on the importance of the work of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eTina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Terry L. Meyers, English Department"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Terry L. 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Oral history interviewees include Bonnie Boyer, Tammy Brock, Lisa Parnell Christiansen, Kipp Dawson, Brenda Ellis, Betty Jean Hall, Jody Hogge, Shirley Hyche, Carol Jones, Goldie Kiser, Libby Lindsay Dingess, Doris Magan, and Ella Thomas.\u003c/p\u003e\n","\u003cp\u003eAlso included are photographs from a trip to England, research notes, and drafts and photographs for a Storymap. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts. Oral history interviewees include Bonnie Boyer, Tammy Brock, Lisa Parnell Christiansen, Kipp Dawson, Brenda Ellis, Betty Jean Hall, Jody Hogge, Shirley Hyche, Carol Jones, Goldie Kiser, Libby Lindsay Dingess, Doris Magan, and Ella Thomas.","Also included are photographs from a trip to England, research notes, and drafts and photographs for a Storymap. "],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_49e88f8d6fb3e50aee1c25eefdb46c81\"\u003eThe Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion. This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts.\u003c/abstract\u003e"],"abstract_tesim":["The Women Miners Oral History Project aims to collect and preserve the life histories of women in the Appalachian region who entered the mines as protected workers in the late 1970s after decades of exclusion. This collection contains materials created for the Women Miners Oral History Project, moslty oral history recordings and transcripts."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_356aaadc2cc65981e8f7dae5c5e0c367\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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","Wilkerson, Jessica"],"language_ssim":["English \n. "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:14.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_7093_c02"}},{"id":"viasr_repositories_2_resources_1_c211","type":"File","attributes":{"title":"Brooks, Austin. Alumnus.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_1_c211#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_1_c211","ref_ssm":["viasr_repositories_2_resources_1_c211"],"id":"viasr_repositories_2_resources_1_c211","ead_ssi":"viasr_repositories_2_resources_1","_root_":"viasr_repositories_2_resources_1","_nest_parent_":"viasr_repositories_2_resources_1","parent_ssi":"viasr_repositories_2_resources_1","parent_ssim":["viasr_repositories_2_resources_1"],"parent_ids_ssim":["viasr_repositories_2_resources_1"],"parent_unittitles_ssm":["RMC Faculty, Staff, and Alumni Files"],"parent_unittitles_tesim":["RMC Faculty, Staff, and Alumni Files"],"text":["RMC Faculty, Staff, and Alumni Files","Brooks, Austin. Alumnus.","R-MC Alumni"],"title_filing_ssi":"Brooks, Austin. Alumnus.","title_ssm":["Brooks, Austin. Alumnus."],"title_tesim":["Brooks, Austin. 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","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown. Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee","2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper","Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405. The year is unknown.","Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890. The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n. "],"unitid_tesim":["RMC.00013"],"normalized_title_ssm":["RMC Faculty, Staff, and Alumni Files"],"collection_title_tesim":["RMC Faculty, Staff, and Alumni Files"],"collection_ssim":["RMC Faculty, Staff, and Alumni Files"],"repository_ssm":["Randolph-Macon College"],"repository_ssim":["Randolph-Macon College"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet"],"extent_tesim":["15 Linear Feet"],"date_range_isim":[1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"bioghist_html_tesm":["\u003cp\u003eFrom Spring 2013 Volume 85 Number 1\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eFrom Volume 89 Number 2 - Inferred to be from Fall 2017 issue\u003c/p\u003e","\u003cp\u003ePage 33/34 cut from perhaps an Alumni Magazine or a President's Report, no date\u003c/p\u003e","\u003cp\u003eFrom Summer 2013 Volume 85 Number 2\u003c/p\u003e","\u003cp\u003eArticle copied from bound version of the 2012-2013: A Year In Review, page 16\u003c/p\u003e","\u003cp\u003eFrom Fall 2017 Volume 89 Number 2 page 27\u003c/p\u003e","\u003cp\u003ePerhaps from a President's Report, no date shown. 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Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e\n","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e","\u003cp\u003eFinancial Aid Counselor beginning August 1980\u003c/p\u003e","\u003cp\u003eFirst employed August of 1988 as a Visiting Assistant Professor\u003c/p\u003e","\u003cp\u003eWas a Board of Trustees member from 1988-1992\u003c/p\u003e","\u003cp\u003eAlbertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship\u003c/p\u003e","\u003cp\u003eExact years of employment are unknown. Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917\u003c/p\u003e","\u003cp\u003eSome confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862\u003c/p\u003e","\u003cp\u003eDiploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eOriginal March letter dated 1942, response dated 1943. Unclear which date is accurate\u003c/p\u003e","\u003cp\u003e20 photos total\u003c/p\u003e","\u003cp\u003eFirst woman Trustee\u003c/p\u003e"],"odd_heading_ssm":["Content Disclaimer","Contact Information","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Financial Aid Counselor beginning August 1980","First employed August of 1988 as a Visiting Assistant Professor","Was a Board of Trustees member from 1988-1992","Albertson was the recipient of the Barbara Sylvia Doggett Scholarship and the Linda Whitcomb Scholarship","Exact years of employment are unknown. Was the recipient of the Isaac Newton Vaughan Professorship in History from 1908-1917","Some confusion on whether he completed his degree in 1861 or 1862, but conferral of the degree happened in 1862","Diploma does not have year, but is signed by Olin, implying Baird graduated between 1834-1836 when Olin was president","2 copies","2 copies","Original March letter dated 1942, response dated 1943. Unclear which date is accurate","20 photos total","First woman Trustee"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"processinfo_html_tesm":["\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eincluded in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information"],"processinfo_tesim":["2 copies","included in this folder are the original newspaper as well as a scanned paper copy of relevant portions of the original newspaper"],"relatedmaterial_html_tesm":["\u003cp\u003eContextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405. The year is unknown.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Contextual information about W.B. Beauchamp provided by Judee Showalter was sourced from \"Sketches and Portraits of the Virginia Conference\" page 405. The year is unknown."],"scopecontent_html_tesm":["\u003cp\u003eLetters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university\u003c/p\u003e","\u003cp\u003eNewspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council\u003c/p\u003e","\u003cp\u003eEntire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.\u003c/p\u003e","\u003cp\u003eEmail correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)\u003c/p\u003e","\u003cp\u003eEmail notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson\u003c/p\u003e","\u003cp\u003eA letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee\u003c/p\u003e","\u003cp\u003e2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings\u003c/p\u003e","\u003cp\u003eA note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary\u003c/p\u003e","\u003cp\u003eone letter regarding Ball's illness, one related to his army status\u003c/p\u003e","\u003cp\u003eMemo references attachments that don't appear to have been included/attached in Bane's file.\u003c/p\u003e","\u003cp\u003eLetter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him\u003c/p\u003e","\u003cp\u003eHalf page lists \"W.B. 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The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.\u003c/p\u003e","\u003cp\u003eWalter Hines Page, the grandson of Walter Hines Page the previous namesake of the library\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Letters between Adams and Moreland discussing the possibility of meeting up for dinner as a result of Adams' job search to teach English at a college/university","Newspaper article clipping discussing Adams being the youngest person ever elected to Emporia City Council","Entire specialty publication newspaper issue is held in this file, article specific to Allen is on page 3.","Email correspondence regarding Linda Altman transitioning from full-time Human Resources Generalist to part-time Human Resource Specialist effective July 1, 2024 (2024-07-01)","Email notification sent to community members reporting on the passing of Professor Emeritus Rachel N. Anderson","A letter from Henry M. Carter Jr. to Armistead requesting Armistead to serve as an Alumni Area Agent for the Annual Loyalty Fund Committee","2 letters from Moreland to Sitterding-Carneal-Davis Company, Inc. and Messrs. Ruffin and Payne, Inc. with an included request for cost estimates on window and door furnishings","A note to a Mrs. Evans passed on from 'Carol' requesting Evans to return a call from a Mrs. Ward at the Washington Post, presumably regarding Bailey's obituary","one letter regarding Ball's illness, one related to his army status","Memo references attachments that don't appear to have been included/attached in Bane's file.","Letter from Judee Showalter to H. Gilmer Beauchamp thanking him for the donation of W.B. Beauchamp's certificate and providing some additional information about him","Half page lists \"W.B. Beauchamp, Virginia\" under the degree graduates for A.B. in the session of 1889-1890. The other half of the page is a class photo for 1890, with Beauchamp labeled as #2 in the photograph.","Walter Hines Page, the grandson of Walter Hines Page the previous namesake of the library"],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English \n. 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Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026amp; Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9790_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9790_c07","ref_ssm":["viw_repositories_2_resources_9790_c07"],"id":"viw_repositories_2_resources_9790_c07","ead_ssi":"viw_repositories_2_resources_9790","_root_":"viw_repositories_2_resources_9790","_nest_parent_":"viw_repositories_2_resources_9790","parent_ssi":"viw_repositories_2_resources_9790","parent_ssim":["viw_repositories_2_resources_9790"],"parent_ids_ssim":["viw_repositories_2_resources_9790"],"parent_unittitles_ssm":["Bray School Lab records"],"parent_unittitles_tesim":["Bray School Lab records"],"text":["Bray School Lab records","Brown, Nicole Oral History","African Americans--Education","Colonial Williamsburg (Williamsburg, Va.)","African Americans--History","Bray School Lab","Williamsburg Bray School Initiative","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg."],"title_filing_ssi":"Brown, Nicole Oral History","title_ssm":["Brown, Nicole Oral History"],"title_tesim":["Brown, Nicole Oral History"],"unitdate_other_ssim":["2023 July 24"],"normalized_date_ssm":["2023"],"normalized_title_ssm":["Brown, Nicole Oral History"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["Bray School Lab records"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":19,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2023],"access_subjects_ssim":["African Americans--Education","Colonial Williamsburg (Williamsburg, Va.)","African Americans--History","Bray School Lab","Williamsburg Bray School Initiative"],"access_subjects_ssm":["African Americans--Education","Colonial Williamsburg (Williamsburg, Va.)","African Americans--History","Bray School Lab","Williamsburg Bray School Initiative"],"scopecontent_html_tesm":["\u003cp\u003eNicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026amp; Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026amp; Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg."],"_nest_path_":"/components#6","timestamp":"2026-05-24T23:20:42.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9790","ead_ssi":"viw_repositories_2_resources_9790","_root_":"viw_repositories_2_resources_9790","_nest_parent_":"viw_repositories_2_resources_9790","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9790.xml","title_filing_ssi":"Bray School Lab Records","title_ssm":["Bray School Lab records"],"title_tesim":["Bray School Lab records"],"unitdate_ssm":["2023-2025"],"unitdate_inclusive_ssm":["2023-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 410","/repositories/2/resources/9790"],"text":["UA 410","/repositories/2/resources/9790","Bray School Lab records","African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged alphabetically by interviewees' last name.","This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Terry L. Meyers, English Department","English"],"unitid_tesim":["UA 410","/repositories/2/resources/9790"],"normalized_title_ssm":["Bray School Lab records"],"collection_title_tesim":["Bray School Lab records"],"collection_ssim":["Bray School Lab records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"access_subjects_ssm":["African Americans--History","Colonial Williamsburg (Williamsburg, Va.)","African Americans--Education--Virginia","Bray School Lab","Williamsburg Bray School Initiative"],"has_online_content_ssim":["false"],"extent_ssm":["92.4 Gigabytes"],"extent_tesim":["92.4 Gigabytes"],"date_range_isim":[2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged alphabetically by interviewees' last name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged alphabetically by interviewees' last name."],"prefercite_html_tesm":["\u003cp\u003eBray School Lab Records, Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e"],"prefercite_tesim":["Bray School Lab Records, Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026amp; Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.\u003c/p\u003e","\u003cp\u003eTeddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.\u003c/p\u003e","\u003cp\u003eDavid Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eOlivia Blackshire is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026amp; Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026amp; Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026amp; Mary Bray School Lab.\u003c/p\u003e","\u003cp\u003eAntonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.\u003c/p\u003e","\u003cp\u003eDa-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.\u003c/p\u003e","\u003cp\u003eNicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026amp; Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026amp; Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eLoretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026amp; Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.\u003c/p\u003e","\u003cp\u003eHarold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.\u003c/p\u003e","\u003cp\u003eDevin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.\u003c/p\u003e","\u003cp\u003eJanice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.\u003c/p\u003e","\u003cp\u003eJason Chen is a professor of educational psychology at William \u0026amp; Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026amp; Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.\u003c/p\u003e","\u003cp\u003ePat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eEdwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026amp; Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.\u003c/p\u003e","\u003cp\u003eCurtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMadeline Dort graduated from William \u0026amp; Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026amp; Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026amp; Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.\u003c/p\u003e","\u003cp\u003eElizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.\u003c/p\u003e","\u003cp\u003eCynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.\u003c/p\u003e","\u003cp\u003eMichael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.\u003c/p\u003e","\u003cp\u003eStephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.\u003c/p\u003e","\u003cp\u003eLatricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026amp; Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.\u003c/p\u003e","\u003cp\u003eDawn Edmiston is a professor of Marketing at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026amp; Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026amp; Mary's assets to benefit programs like the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026amp; Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.\u003c/p\u003e","\u003cp\u003eEliza Fernandez is a recent graduate of William \u0026amp; Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026amp; Mary Bray School Lab and how her experience at William \u0026amp; Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.\u003c/p\u003e","\u003cp\u003eCliff Fleet is the President \u0026amp; CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026amp; Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026amp; Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026amp; Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026amp; Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.\u003c/p\u003e","\u003cp\u003eJack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.\u003c/p\u003e","\u003cp\u003eJohnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026amp; Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.\u003c/p\u003e","\u003cp\u003eConnie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.\u003c/p\u003e","\u003cp\u003eCrystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.\u003c/p\u003e","\u003cp\u003eCathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eGrace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026amp; Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026amp; Mary's responsibility to tell the whole story.\u003c/p\u003e","\u003cp\u003eMark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026amp; Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026amp; Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.\u003c/p\u003e","\u003cp\u003eRachel Hogue is a student at William \u0026amp; Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026amp; Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026amp; Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eRon Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026amp; Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eJames Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.\u003c/p\u003e","\u003cp\u003eBurnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.\u003c/p\u003e","\u003cp\u003eDani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026amp; Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eMartha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.\u003c/p\u003e","\u003cp\u003eElle Kim is a William \u0026amp; Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.\u003c/p\u003e","\u003cp\u003eCurtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.\u003c/p\u003e","\u003cp\u003eMary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eMaureen Elgersman Lee is the director of the William \u0026amp; Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026amp; Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eAyinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eDr. Terry Meyers is chancellor professor of English emeritus, William \u0026amp; Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026amp; Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026amp; Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026amp; Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026amp; Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.\u003c/p\u003e","\u003cp\u003eCarol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eEthan Miller was a Student Thought Partner with the William \u0026amp; Mary Bray School Lab before graduating from William \u0026amp; Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026amp; Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.\u003c/p\u003e","\u003cp\u003eConor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026amp; Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eMargaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026amp; Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026amp; Mary Bray School Lab and her role working with the Brafferton School at William \u0026amp; Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.\u003c/p\u003e","\u003cp\u003eJanise Parker is an associate professor of school psychology at William \u0026amp; Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026amp; Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026amp; Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.\u003c/p\u003e","\u003cp\u003eDaniel Pleasant is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Daniel describes his journey to William \u0026amp; Mary and what led him to the William \u0026amp; Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.\u003c/p\u003e","\u003cp\u003eStephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.\u003c/p\u003e","\u003cp\u003eAnn Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026amp; Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.\u003c/p\u003e","\u003cp\u003eLinwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.\u003c/p\u003e","\u003cp\u003eCecilia Weaver is a William \u0026amp; Mary student and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.\u003c/p\u003e","\u003cp\u003eMatthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026amp; Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eHope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.\u003c/p\u003e","\u003cp\u003eYe Xiao is a student at William \u0026amp; Mary and a Student Thought Partner with the William \u0026amp; Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026amp; Mary and her thoughts on the importance of the work of the Williamsburg Bray School.\u003c/p\u003e","\u003cp\u003eTina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This oral history collection encompasses interviews that tell the story of the Bray School, the first extant building dedicated to the education of free and enslaved black children in the United States. The William \u0026 Mary Bray School Lab, part of the Williamsburg Bray School Initiative, has been researching and promoting the history of the Bray School and its legacy. Part of this work has entailed conducting oral histories with descendants of Bray School students and those researching or interpreting the Bray School's legacy.","Teddi Ashby is a member of the descendant community descended from the Ashby children who attended the Williamsburg Bray School. Teddi describes her years of historical research related to the Ashby family and the oral histories handed down by her family about her ancestors. Teddi discusses her aspirations for the Bray School site when it opens November 2024.","David Barr III is an writer, editor, playwright and former historic interpreter for Colonial Williamsburg. He has worked on black history projects including Aberdeen Garden 158, and with Mamie Till on a production for her son Emmett Till. David reflects on his experiences as an actor/interpreter for Colonial Williamsburg and his experience playing Gowan Pamphlet, a young enslaved boy owned by Jane Vobe believed to be educated at the Bray School, who went on to become the first ordained Baptist minister in Virginia and was instrumental in starting the First Baptist Church. David reflects on his time as an interpreter and his experiences with former director Rex Ellis (NMAAHC) and Christy Coleman (Director, Jamestown/Yorktown Foundation). He discusses the importance of the Williamsburg Bray School.","Olivia Blackshire is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner, partnering with the lab on research and engagement for the Williamsburg Bray School. Olivia discusses her path to William \u0026 Mary and her path to the Bray School Lab, her experiences participating on a conference panel and her research project related to the correspondence between the Bray Associates and the Bray School administrators. Olivia also reflects on the legacy of the Bray School and her thoughts on the rediscovery. William \u0026 Mary student Olivia Blackshire discusses her role as a student thought partner with the William \u0026 Mary Bray School Lab.","Antonio T. Bly is Peter H. Shattuck Endowed Chair in Colonial American History at California State University, Sacramento. He has written many books and articles on black literacy in the eighteenth century. Antonio describes his research on black literacy and education in the eighteenth century, and his thoughts on current debates around the issue of writing taught at the Bray Schools, and the broader implications for the legacy of the Bray Schools. Antonio shares his thoughts on the importance of learning fact-based history, the challenges for enslaved and free children in the eighteenth century and the legacy of the Williamsburg Bray School.","Hannah Bowman is a historic area supervisor with the Colonial Williamsburg Foundation. Hannah discusses her background and her family's love of history. She discusses her experience acting, and explains the importance of storytelling in interpretation. She explains how the story of the Bray School helps us understand the importance of telling a fuller story. Hannah Bowman shares her experience as a storyteller and describes the art of storytelling.","Da-Veia Brown is a video content producer who has previously worked as a historic interpreter with the Colonial Williamsburg Foundation. Da-Veia relates her early years and her journey to become a content producer for Colonial Williamsburg Innovation Studios. In this role, she creates visual content for Colonial Williamsburg many historic assets and sites. Da-Veia relates her experiences as a content creator and reflects on the meaning of the Williamsburg Bray School to the community.","Nicole Brown is the graduate lab assistant for the Williamsburg Bray School. She works with Student Thought Partners to conduct research on the Bray School. Nicole also portrays the Bray school teacher Anne Wager as a Nation Builder at the Colonial Williamsburg Foundation, where she also serves as manager of Core Programming for the foundation. Nicole is a Ph.D. student in William \u0026 Mary's American Studies program. Nicole Brown describes her journey to the Williamsburg Bray School and her research that has underpinned the Bray School Lab. She discusses her role as a lab assistant, guiding students at William \u0026 Mary who volunteer to work on projects to disseminate the story of the Bray school. She also provides insight into the legacy of the school and will guide the site interpretation for the site when it opens as the 89th original building in Colonial Williamsburg.","Loretta Burwell is a descendant community member and a possible direct descendant of a Bray Student. Loretta is an educator, having taught at several schools and colleges. She taught English literature but focused on black literature and poets. Loretta discusses her joy, pain, and hope on her journey to find her ancestors and her engagement with the William \u0026 Mary Bray School Lab. Loretta has done extensive research on her family history and lineage and discusses her journey to the Williamsburg Bray School, and the moment she was contacted by the Bray School Lab 30 years after leaving a card at a library seeking information on her ancestors. Loretta explains her visit to the Williamsburg Bray School and her journey from Atlanta George for Descendants Week, and her visit to Bruton Parish Church to see where her ancestors where baptized in the eighteenth century.","Harold Caldwell is a carpenter historic interpreter for the Colonial Williamsburg Foundation. Harold discusses his experience interpreting African American history first in Foodways and now as a journeyman carpenter. He details the work he is doing in the restoration for the Bray school building in Colonial Williamsburg historic area. Harold shares his thoughts on the rediscovery of the Williamsburg Bray School and what the rediscovery means for the community. He also shares why the work he does is so important.","Devin Canaday is a descendant community and native son of Williamsburg Virginia. Devin details his life as the member of the Canaday family in Williamsburg, his ten year experience with Colonial Williamsburg, and his success as an entrepreneur. Devin discusses his thoughts on the rediscovery of the Bray School and what it will mean to the community and the world. Devin weighs in on how the subject of the Bray School and its students' - not the building, should be the focus of the rediscovery.","Janice Canaday is a member of the Canaday and Jones family and a member of the Williamsburg Bray School descendant community. Janice details her family's history and the legacy of the Bray School students for the commuity and abroad. She discusses her many roles at the Colonial Williamsburg Foundation where she currently is the African American Community Engagement Manager. Janice discusses how she engages with the community and guests at Colonial Williamsburg to help them understand the significance of the Bray School scholars.","Jason Chen is a professor of educational psychology at William \u0026 Mary, and was one of four Strategic Cultural Partnerships Faculty Fellows who conducted research in support of SCP's initiatives, including the Williamsburg Bray School. Jason details his early impressions and discusses his path to William \u0026 Mary and his work to support the work of the Bray School Lab. Jason discusses the importance of the work the Bray School Lab is doing and why the work is important today.","Pat Chrenka is a historic interpreter at Colonial Williamsburg. Pat Chrenka discusses her roles with the Colonial Williamsburg Foundation and her experience interpreting the Bray School. Pat Chrenka explains the significance of the Williamsburg Bray School.","Edwin Cooke III is an historic interpreter with the Colonial Williamsburg Foundation. Edwin discusses his experience as a William \u0026 Mary student, an adjunct professor at Hampton University and a historic interpreter at Colonial Williamsburg. Edwin reflects on the legacy of the Bray School and the students who attended the school.","Curtis Corbitt is a member of the descendant community (Jones family) and an educator. He was born in Boston, Massachusetts but his roots are in York County Virginia. He is exploring his ties to the Bray school student Elisha Jones. Curtis describes his beginnings in Massachusetts, his family history and how he learned about the Williamsburg Bray School. He is currently researching the history of the land his family lives on, which has been in the family for many generations. He is following the oral history that the land was purchased from the plantation owner and hoping to establish a direct link to a Bray school student from the Jones family. Curtis discusses his family's legacies and his interest in knowing more about his ties to the Williamsburg Bray School.","Madeline Dort graduated from William \u0026 Mary in 2023. As an undergraduate student, she worked as a Bray School Lab student thought partner conducting research for the lab. Madeline describes her experiences as a William \u0026 Mary student, her activities as a student and her volunteer experience with Colonial Williamsburg. She also discusses her role and projects as a student thought partner at the lab under the direction of lab director Maureen Elgersman Lee and lab assistant Nicole Brown. William \u0026 Mary student Madeline Dort describes her experience working as a Student Thought Partner with the Bray School Lab. She also discusses her experiences as a historic interpreter and her reflections on race and education.","Elizabeth Drembus is a genealogist who has previously worked for DAR and on the Virginia Theological Seminary reparations project. For the VTS project, she helped locate the descendants of the enslaved persons who worked for the seminary. Elizabeth Drembus describes her work locating the descendants of the known Bray students. She also discusses her methodology and her engagement with the descendant community, her colloboration with the Bray School Lab staff and her hopes for the site when it opens in September 2024 at Colonial Williamsburg. Elizabeth Drembus discusses her methodology in searching for the descendants of the known Bray scholars. She also discusses the work the lab is doing to engage with the descendant community.","Cynthia Druitt is a descendant community member of the Williamsburg Bray School. Cynthia Druitt describes learning about the Williamsburg Bray School and that she is a member of the descendant community. She discusses her cousin, Col Lafayette Jones' and his book My Great Great Grandfather's Journey to an Island of Freedom, about the Jones children who attended the Bray School. Cynthia Druitt discusses the opening of the Williamsburg Bray School in the Colonial Williamsburg historic area.","Michael Druitt is an associate professor of Biological Sciences at Hampton University and identifies as a descendant community member for the Williamsburg Bray School. Michael discusses his family history and his ties to the descendant community for the Williamsburg Bray School. Michael reflects on the importance of education for the black community and the legacy of the Bray School in his family's history. Michael Druitt explains the importance of the Bray School legacy for himself and the black community, and the importance of learning about the history of those who forged a path for others to follow.","Stephanie is a resident of James City County and a member of the Williamsburg Bray School Descendant Community. Stephanie learned about the Williamsburg Bray School and moved back to Williamsburg from New York to explore the history and legacy of the school. Stephanie attended James City County schools as a young child before moving to New York. Stephanie Dunmore is exploring her roots and researching the connection between Dunmore's Proclamation of 1765 and her deceased husband's surname.","Latricia Cooke Eason is a member of the Williamsburg Bray School descendant community and a family researcher currently working on a book about her research. Latricia describes her experience growing up in the Williamsburg area and her current efforts to record her family's histories. She reflects on the work that William \u0026 Mary and Colonial Williamsburg are doing to tell a fuller story of the experience of African Americans in the Tidewater area. Latricia explains why black history is important and why we need to keep telling the stories of those who have gone before us and sacrificed for their descendants.","Dawn Edmiston is a professor of Marketing at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Dawn describes her journey to William \u0026 Mary and her desire to work with Strategic Cultural Partnerships to advance the story of the Williamsburg Bray School. Dawn discusses how her marketing program to leverage William \u0026 Mary's assets to benefit programs like the Williamsburg Bray School.","Rex Ellis is the former Associate Director for Curatorial Affairs at the National Museum of African American History and Culture (NMAAHC) at the Smithsonian Institution. Prior to this position, Dr. Ellis was the first African American Vice President for the Colonial Williamsburg Foundation, where he managed all programs and operations. He received his Bachelor of Fine Arts from Virginia Commonwealth University, a Masters in Fine Arts from Wayne State University, a Masters of Divinity from Virginia Union University, and an Ed.D from the College of William and Mary. He is the author of two books, Beneath the Blazing Sun: Stories from the African American Journey, and With a Banjo on My Knee, which chronicles the history of black banjo players from the time of slavery to the present. Dr. Ellis describes his youth and growing up in the Tidewater area of VA and his path to becoming a director at the Colonial Williamsburg Foundation, followed by the National Museum of African American History and Culture. He gives his insight into the importance of telling the story of the contributions of African Americans. Dr. Rex Ellis discusses the first educated Africans at William \u0026 Mary, menservants who accompanied their masters and later taught eachother the rudiments of education.","Eliza Fernandez is a recent graduate of William \u0026 Mary and an oral history intern with the CHiP 2024 summer internship. Eliza discusses her experience learning oral history methodology with the William \u0026 Mary Bray School Lab and how her experience at William \u0026 Mary has shaped her future. Eliza discusses her experiences attending Descendants Day at both James Monroe's Highland and Stratford Hall with members of the descendant community.","Cliff Fleet is the President \u0026 CEO of the Colonial Williamsburg Foundation, and an alumni of William \u0026 Mary. He headed Philip Morris before retiring to lead the foundation in its motto \"that the future may learn from the past.\" He was born in Charlottesville, Virginia and attended William \u0026 Mary where he received his master's degree and is also a faculty member. Cliff Fleet describes the genesis of the Williamsburg Bray School Initiative, a project that involved both the Colonial Williamsburg Foundation and William \u0026 Mary. Once the building determined to the Williamsburg Bray School was identified, he convened the initiative where William \u0026 Mary would do the research and Colonial Williamsburg would engage in the restoration of the building. He also discusses the engagement with the descendant community that was imperative for the success of the project. He discusses the future of the Bray School and the African Baptist Meeting House on Nassau Street. President Cliff Fleet discusses the Bray School Initiative, the Colonial Williamsburg Foundation and the \"power of place\" in Williamsburg, Virginia.","Dennis Gardner is a long-time resident of Williamsburg and a member of the Williamsburg Bray School descendant community. Dennis discusses the history of the Ashby family and his thoughts on the rediscovery of the Williamsburg Bray School. Dennis explains the importance of the Williamsburg Bray School to the community and to the descendants.","Jack Gary is the Executive Director of Archaeology for the Colonial Williamsburg Foundation. Jack Gary details his path to the Colonial Williamsburg Foundation, his experience prior to his current role, and the different projects he has worked on with the Foundation, including the African Baptist Meetinghouse and the Williamsburg Bray School. Jack details the day he found intact burials at the site of the first Baptist Church on Nassau Street in Colonial Williamsburg, and his efforts to contact the descendant community first when the discovery was made.","Johnette Gordon-Weaver is a Williamsburg native and a Williamsburg Bray School descendant community member. Johnette is active with the Reservation, the Village Initiative and other groups that aim to restore the history and legacy of Williamsburg's black residents. Johnette Gordon-Weaver discusses her family's history that goes back to 17th century Virginia. She also discusses her ties to the Reservation community and reflects on her involvement with the Williamsburg Bray School, her essay contribution to the book written by the William \u0026 Mary Bray School Lab and her thoughts on the opening of the Bray site in Fall 2024.","Connie Matthews Harshaw is the president of the Let Freedom Ring Foundation, an organization that supports the Historic First Baptist Church of Williamsburg Virginia. She has been in public service for many years and now spends her down advocating for different organizations. Connie Harshaw discusses the significance of the Williamsburg Bray School and her role in the rediscovery of the building and its new location in the historic area of Colonial Williamsburg. Connie Harshaw details the importance of the Bray School to the community and the importance of descendant communities.","Crystal Haskins is a member of the Bray School Descendant Community member and a lifelong educator in the James City County and York County School system. Crystal reflects on her life growing up as a member of the Williamsburg community and her experiences working for Colonial Williamsburg and as an educator. She discusses her efforts to involve the community in educational events surrounding the Bray School. Crystal Haskins discusses her aspirations for the opening ceremony for the Williamsburg Bray School and the ongoing efforts to continue to tell the story.","Cathy Hellier is the Senior Researcher for the Colonial Williamsburg Foundation. Cathy details her path to the Colonial Williamsburg Foundation and the work of researchers to uncover history and tell a fuller story of eighteenth century Williamsburg. She discusses her role in researching the documents needed to determine the ownership of the Bray-Digges home which housed the Bray School for its first 5 years of operation. Cathy Hellier discusses the importance of the Williamsburg Bray School to guests who visit Colonial Williamsburg.","Grace Helmick is the Media Technician for the Office of Strategic Cultural Partnerships. Grace discusses her journey to the Office of Strategic Cultural Partnerships at William \u0026 Mary and her role in documenting the Williamsburg Bray School's restoration phases. Grace reflects on the importance of repairing and rediscovering the legacy of the Bray School and William \u0026 Mary's responsibility to tell the whole story.","Mark Hofer is the Senior Director for the Learning and Design Lab in the Office of Strategic Cultural Partnerships at William \u0026 Mary. Mark discusses his role supporting efforts to bring the story of the Bray School to K-12 teachers in different formats for school curriculum and instruction. He discusses his path to William \u0026 Mary and his different roles in the university. Mark Hofer discusses his role incorporating different teaching methods for K-12 teachers for the Bray School and other SCP projects.","Rachel Hogue is a student at William \u0026 Mary and a Bray School Lab Student Thought Partner who collaborates with the lab on different projects related to the Williamsburg Bray School. Rachel Hogue is a student at William \u0026 Mary who has participated in several projects related to the rediscovery and education related to the Williamsburg Bray School. Rachel discusses her experiences as a Student Thought Partner for the Bray School Lab and the different projects she worked on, her time studying abroad at Oxford and her thoughts on the rediscovery of the school building. William \u0026 Mary student discusses her collaboration with the Bray School Lab on the rediscovery of the Williamsburg Bray School.","Ron Hurst is the Senior Vice President for Education and Historic Resources at the Colonial Williamsburg Foundation. Ron began his journey to Colonial Williamsburg from Northern Virginia, acquiring degrees from Virginia Tech and George Mason University before attending William \u0026 Mary and earning a master's degree. He has worn many hats with the Foundation before landing his current role and discusses his experiences with the restoration of the Williamsburg Bray School. Ron explains how Colonial Williamsburg made the determination that the Bray-Digges home was the home of the Williamsburg Bray School for its first five years of operation and the work to restore it in the historic area. Interview was conducted in the Goodwin Building at Colonial Williamsburg.","James Ingram is an actor/interpreter (Nation Builder Gowan Pamphlet) for the Colonial Williamsburg Foundation. James Ingram describes his journey to Colonial Williamsburg and his experience playing the first ordained Baptist minister in Virginia the Reverend Gowan Pamphlet. James discusses his research on Gowan Pamphlet and the effect his portrayal has had on him personally and professionally.","Burnell Irby is a middle school teacher that lives in Maryland. He has been doing research on his family for years and recently discovered his connection to the Williamsburg Bray School. Mr. Irby details the history of his family and his roots in Williamsburg, Virginia. He discusses the importance of the Bray School and the legacy of education as evidenced in the today's school curriculums. Burnell Irby discusses his research on his family and his family connection to the Bray School student enslavers.","Dani Jaworski is the manager of Architectural collections at the Colonial Williamsburg Foundation, and a William \u0026 Mary alumni. She is a descendant of the First Families of Virginia and oversees the architectural collection for the foundation. Dani discusses her background and her many career tracks before deciding to go into architectural collection and discusses her role in current projects at Colonial Williamsburg including the Williamsburg Bray School and the African Baptist Meeting House. Dani Jaworski discusses the plans for the African American corrider on Nassau St at Colonial Williamsburg.","Martha Katz-Hyman is an independent curator of material culture for enslaved peoples. Martha discusses her experience using material culture to interpret the lives of enslaved people in the seventeenth/eighteenth century. She discusses her role with different historic sites such as Carter's Grove, once a historic site run by Colonial Williamsburg. Martha describes her experience working with different individuals who assisted her in learning how to use material culture to tell a fuller story of the lives of enslaved people in the eighteenth century. Martha also details what to expect to see in the Bray School from a material culture standpoint.","Elle Kim is a William \u0026 Mary student who was an oral history intern for the summer of 2023 in the ChiP program with the Bray School Lab. Elle Kim describes her experiences as an oral history intern working under Oral Historian Tonia Merideth.","Curtis Lassiter is a longtime resident of Williamsburg Virginia and a descendant community member. Curtis discusses the history of his family and his experience growing up in Williamsburg VA. Curtis discusses his expectations for the opening of the Williamsburg Bray School and the descendant community's involvement.","Mary Lassiter is a member of the Williamsburg Bray School descendant community and a member of the descendants of the Reservation. Mary discusses her experience learning about the Williamsburg Bray School and her experiences as an activist for her community. Mary reflects on her experiences as a lifelong member of the Williamsburg community and her involvement with the Williamsburg Bray School.","Maureen Elgersman Lee is the director of the William \u0026 Mary Bray School Lab. Maureen is a native of Ontario, Canada and holds a DA in the Humanities. She overseers the work of the Bray School Lab and its efforts to rediscover the legacy of the Williamsburg Bray School and its scholars. Maureen discusses her formative years, her path to Clark Atlanta University where she studied African American history, and her path to Virginia and ultimately William \u0026 Mary prior to her tenure at Hampton University. She discusses the formation of the Bray School Initiative, her piloting the publication of the book edited by herself and lab assistant Nicole Brown, and the legacy of the Bray School and its future. Interview was conducted in the Bray School Lab in Williamsburg, VA.","Ayinde is a journeyman carpenter with Colonial Williamsburg. He has been with Colonial Williamsburg for 27 years working as a historic interpreter or in the trades. Ayinde discusses his role with Colonial Williamsburg and his current position as a journeyman carpenter currently working on building pieces of furniture for the Williamsburg Bray School. He also reflects on the significance of the school and relates the influence that several former interpreters of Colonial Williamsburg had on him. Ayinde Martin reflects on the Williamsburg Bray School and his role in creating pieces of furniture for the historic site that will open in the Fall of 2024.","Dr. Terry Meyers is chancellor professor of English emeritus, William \u0026 Mary, whose research led to the discovery of the Williamsburg Bray School. Dr. Meyers taught at William \u0026 Mary for 46 years before retiring six years ago. Terry Meyers describes his journey to William \u0026 Mary, what prompted him to begin his search for the Bray-Digges building on the campus of William \u0026 Mary and what the legacy of the Williamsburg Bray School means to the Williamsburg community. Terry Meyers discusses his search for the Bray-Digges building which had been hiding in plain sight on the campus of William \u0026 Mary for over 200 years. He walks his listeners down the path that led to the rediscovery of the building that housed the Bray school its first five years of operation.","Carol Miller is a member of the descendant community for the Williamsburg Bray School. Carol taught in the Williamsburg school system and is active in her community. Carol details her family history in York County VA, and her experiences growing up in the Tidewater area. She details her connections to the families of the area called The Grove area and her connection to other historical people and events. Carol provided knives in her collection of artifacts kept by the family collected from working for the Colonial Williamsburg Foundation.","Ethan Miller was a Student Thought Partner with the William \u0026 Mary Bray School Lab before graduating from William \u0026 Mary in Spring 2023. Ethan describes his background, experience as a student at William \u0026 Mary and the projects he worked on for the Bray School Lab. Ethan also discusses his thoughts on the opening of the Bray site in Fall of 2024 and the importance of projects like the Williamsburg Bray School to repair the damage done by slavery and its legacies.","Conor Molloy is the Learning Design Program Manager in the office of Strategic Cultural Partnerships at William \u0026 Mary. Conor discusses his role at SCP in helping build an online presence to for teaching and educational purposes, including an online module based on the rubric Engaging Descendant Communities in the Interpretation of Slavery at Museums and Historic Sites and his work to support the work of the Bray School Lab. Conor discusses growing up in the UK, his musical career and his path to William \u0026 Mary.","Margaret Morrison is the Administrative Coordinator for Strategic Cultural Partnerships, which oversees the William \u0026 Mary Bray School Lab. Margaret discusses her role in facilitating the operation of the William \u0026 Mary Bray School Lab and her role working with the Brafferton School at William \u0026 Mary. Margaret reflects on the importance of the Williamsburg Bray School in history and for the community.","Janise Parker is an associate professor of school psychology at William \u0026 Mary and a Strategic Cultural Partnerships Faculty Fellow. Her work focuses on the intersection of religion, spirituality and its effect on mental health. Dr. Parker discusses her project to promote racial healing for the William \u0026 Mary Bray School Lab and her thoughts on the rediscovery of the Bray School and how her work can promote racial healing. Dr. Janise Parker discusses her background and path to William \u0026 Mary as a professor of school psychology and her project to promote racial healing with the Bray School Lab.","Daniel Pleasant is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Daniel describes his journey to William \u0026 Mary and what led him to the William \u0026 Mary Bray School Lab. He also describes the different projects he has worked on in the lab. Daniel reflects on his experiences working in the lab and what they Bray School Lab means to him.","Stephen Seals is the director of Curated Programs at the Colonial Williamsburg Foundation and portrays Nation Builder James Lafayette. Stephen Seals discusses his life experiences that brought him to the Colonial Williamsburg Foundation, including his current roles and his experience with interpretations for the Bray School. Stephen reflects on his thoughts about the opening of the Bray School.","Ann Marie Stock is the Presidential Liaison for Strategic Cultural Partnerships, and a Chancellor Professor in the Modern Languages department at William Mary. She has authored several books and works in Cuban cinema. Ann Marie discusses her journey from the mid-west to Cuba, and her journey to William \u0026 Mary. She also discusses the people who shaped her future and her path to Presidential Liaison for Strategic Cultural Partnerships. Ann Marie discusses her thoughts on the move of the Bray School, her special friendship with the donors who made the work possible, and those who have been lost that she carries with her into this project.","Linwood E. Tyson, Jr. is a site interpreter for Colonial Williamsburg specializing in eighteenth century African American history. Linwood discusses his role as a site interpreter and his experiences interpreting the black experience at museums and historic sites. Linwood also reflects on what the story of the Williamsburg Bray School means to the community and the world, and his views on the site opening in the Fall of 2024.","Cecilia Weaver is a William \u0026 Mary student and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Cecilia describes her role as a Student Thought Partner in the Bray School Lab and the many projects and experiences she had working with the program. Cecilia reflects on the importance of the Bray School and its legacies.","Matthew Webster is Executive Director of the Historical Preservation and Research at the Colonial Williamsburg Foundation and is the project manager for the Williamsburg Bray School and its relocation to the Colonial Williamsburg historic district. Matt Webster discusses the history of the discovery of the Bray school located on the campus of William \u0026 Mary since its construction in 1760. He explains the process to stabilize the building, move it to the historic district and restore it for its opening as the 89th original building in the Colonial Williamsburg historic district in September 2024. Matt Webster discusses the architectural processes related to the Williamsburg Bray School.","Hope Wright is an actor/interpreter with the Colonial Williamsburg Foundation and a descendant community member. Hope Wright discusses her experience portraying Bray school students in Colonial Williamsburg family programming projects and her current role as an actor/interpreter in addition to her scholarship on material culture in the eighteenth century. She also discusses her aspirations for the interpretation of the site when it opens in September 2024 as the 89th original building with Colonial Williamsburg. Actor/Interpreter HopeWright discusses her experience working in programming for the Bray school and her reflections as a descendant community member.","Ye Xiao is a student at William \u0026 Mary and a Student Thought Partner with the William \u0026 Mary Bray School Lab. Ye describes her experience working as a student thought partner with the Bray School Lab. Ye discusses her work with the Bray School Lab, her experiences as a student at William \u0026 Mary and her thoughts on the importance of the work of the Williamsburg Bray School.","Tina Xo is a descendant community member of the Williamsburg Bray School and a descendant of the revolutionary war hero James Armistead Lafayette. She lived in the US and abroad due to her father's military service, but raised her family in the Williamsburg area. Tina Xo discusses her ties to the Williamsburg community and her experience visiting the home of her family, and learning the history of her ancestors. She recounts her feelings and thoughts related to the black experience, education, and her experience working with the Tuskegee Airmen. She recounts the different experiences engaging with the work of the Bray School Lab at different events. Tina Xo is a descendant community member for the Williamsburg Bray School who advocates for local history, specifically the Tuskegee Airmen."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Terry L. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2023],"containers_ssim":["box 22","Artifact 2026.084.A5"],"_nest_path_":"/components#1/components#27/components#2","timestamp":"2026-05-24T23:22:07.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00037","/repositories/2/resources/8508"],"text":["MS 00037","/repositories/2/resources/8508","Claudia Stevens papers","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84. Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond. Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983. Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens. Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages. This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter. Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music. Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton. Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","English"],"unitid_tesim":["MS 00037","/repositories/2/resources/8508"],"normalized_title_ssm":["Claudia Stevens papers"],"collection_title_tesim":["Claudia Stevens papers"],"collection_ssim":["Claudia Stevens papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Stevens, Claudia"],"creator_ssim":["Stevens, Claudia"],"creator_persname_ssim":["Stevens, Claudia"],"creators_ssim":["Stevens, Claudia"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e\n","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e\n","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e\n","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e\n","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e\n","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e\n","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e\n","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e","\u003cp\u003ePapers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.\u003c/p\u003e","\u003cp\u003eScope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026amp; Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026amp;M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection\u003c/p\u003e","\u003cp\u003eThis folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.\u003c/p\u003e","\u003cp\u003eThis folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf\u003c/p\u003e","\u003cp\u003eBiographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.\u003c/p\u003e","\u003cp\u003ePrograms of seven recitals given in Virginia by Claudia Stevens, 1983-84. Includes programs from Roanoke College, Emory \u0026amp; Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond. Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.\u003c/p\u003e","\u003cp\u003eLetters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.\u003c/p\u003e","\u003cp\u003eLetters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983. Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens. Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.\u003c/p\u003e","\u003cp\u003eLetter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"\u003c/p\u003e","\u003cp\u003eScore by Joel Chadabe titled \"Variation\" (1983), 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.\u003c/p\u003e","\u003cp\u003eScore by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.\u003c/p\u003e","\u003cp\u003eLetters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"\u003c/p\u003e","\u003cp\u003eScore by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.\u003c/p\u003e","\u003cp\u003eLetter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Jeffrey Mumford titled \"For Elliot\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"\u003c/p\u003e","\u003cp\u003eScore by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.\u003c/p\u003e","\u003cp\u003eLetters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.\u003c/p\u003e","\u003cp\u003eScore by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages. This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"\u003c/p\u003e","\u003cp\u003eLetters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter. Also resume of Allen Shearer.\u003c/p\u003e","\u003cp\u003eScore by Allen Shearer titled \"Medallion for piano solo\", 8 pages.\u003c/p\u003e","\u003cp\u003eScore by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.\u003c/p\u003e","\u003cp\u003eLetters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music. Also his resume and a grant letter for Taxin.\u003c/p\u003e","\u003cp\u003eScore by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026amp; 30, 1983 requesting particulars about the recital and possible publications of some tribute works.\u003c/p\u003e","\u003cp\u003eLetter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.\u003c/p\u003e","\u003cp\u003eScore by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.\u003c/p\u003e","\u003cp\u003eCorrespondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.\u003c/p\u003e","\u003cp\u003eScores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.\u003c/p\u003e","\u003cp\u003eScore by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"\u003c/p\u003e","\u003cp\u003eScore by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.\u003c/p\u003e","\u003cp\u003eScores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.\u003c/p\u003e","\u003cp\u003eLetters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026amp; 30, 1978 on choosing between several contributions and instructions.\u003c/p\u003e","\u003cp\u003eScore by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton. Also informing her about the Perspectives of New Music tribute already planned.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.\u003c/p\u003e","\u003cp\u003eScore by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.\u003c/p\u003e","\u003cp\u003eScore by David Lewin titled \"Just a Minute Roger\", 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.\u003c/p\u003e","\u003cp\u003eLetters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.\u003c/p\u003e","\u003cp\u003eScore by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.\u003c/p\u003e","\u003cp\u003eTwo programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.\u003c/p\u003e","\u003cp\u003eScore by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eInformational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.\u003c/p\u003e","\u003cp\u003eTypewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.\u003c/p\u003e","\u003cp\u003eScope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eLetter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.\u003c/p\u003e","\u003cp\u003eScope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eHandwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eTitled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.\u003c/p\u003e","\u003cp\u003eScope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning\u003c/p\u003e","\u003cp\u003eScope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"\u003c/p\u003e","\u003cp\u003eText by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.\u003c/p\u003e","\u003cp\u003eMusic-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eProduction notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes on the lighting and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes by Claudia Stevens, prepared for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.\u003c/p\u003e","\u003cp\u003eStaging notes for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes for November 14, 1990 production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProjection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.\u003c/p\u003e","\u003cp\u003eScope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eBlack and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.\u003c/p\u003e","\u003cp\u003eScope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.\u003c/p\u003e","\u003cp\u003eScope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eAnnouncement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.\u003c/p\u003e","\u003cp\u003eScope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.\u003c/p\u003e","\u003cp\u003eInvitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePrinted online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.\u003c/p\u003e","\u003cp\u003eThis folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026amp; Black, Grinnell College newspaper.\u003c/p\u003e","\u003cp\u003eProgram for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.\u003c/p\u003e","\u003cp\u003ePostcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.\u003c/p\u003e","\u003cp\u003eInvitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.\u003c/p\u003e","\u003cp\u003eArticle, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePostcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at Boston University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.\u003c/p\u003e","\u003cp\u003ePoster for Miami University's Center for American \u0026amp; World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.\u003c/p\u003e","\u003cp\u003eColor poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Denison University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eColor poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eLetter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.\u003c/p\u003e","\u003cp\u003eScript for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.\u003c/p\u003e","\u003cp\u003eScope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.\u003c/p\u003e","\u003cp\u003eScope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.\u003c/p\u003e","\u003cp\u003eScope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.\u003c/p\u003e","\u003cp\u003eTyped lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.\u003c/p\u003e","\u003cp\u003eOriginal musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.\u003c/p\u003e","\u003cp\u003eExcerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eColor Poster for \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.\u003c/p\u003e","\u003cp\u003eThis folder contains one opera libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains one original screenplay.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eStage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz,\" accented with red marker.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.\u003c/p\u003e","\u003cp\u003eBlue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.\u003c/p\u003e","\u003cp\u003eWork samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eYellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.\u003c/p\u003e","\u003cp\u003eScope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.\u003c/p\u003e","\u003cp\u003ePhotocopied page from Kutztown University Events Calendar.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.\u003c/p\u003e","\u003cp\u003eProgram for University of Richmond performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eRoanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003ePerforming Arts Series, 1993-1994, seasonal brochure for Roanoke College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Roanoke College.\u003c/p\u003e","\u003cp\u003eRichmond Times-Dispatch announcement for December 11 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eMusical Score Sheets and Musical Sketches for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.\u003c/p\u003e","\u003cp\u003e\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.\u003c/p\u003e","\u003cp\u003eAnnouncement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopied press sheet with handwritten information about a performance in Budapest.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.\u003c/p\u003e","\u003cp\u003eScope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.\u003c/p\u003e","\u003cp\u003eJCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.\u003c/p\u003e","\u003cp\u003eTeal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eArticle photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.\u003c/p\u003e","\u003cp\u003eLetter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.\u003c/p\u003e","\u003cp\u003eArticle in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.\u003c/p\u003e","\u003cp\u003eLettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"Playing Paradis\"\u003c/p\u003e","\u003cp\u003e\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.\u003c/p\u003e","\u003cp\u003eSpiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eProgram notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me\" written on the cardboard backing from a checkbook.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Lewis \u0026amp; Clark \u0026amp; Me\" performed at the Williamsburg Library Theater.\u003c/p\u003e","\u003cp\u003eProgram notes for \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eMusical Sketches and Production Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" on January 10, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eSeveral pages with photocopied images and program notes for \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for Williamsburg Library Theatre performance of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Williamsburg Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Small yellow flyer for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum\u003c/p\u003e","\u003cp\u003eThank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eThank-you letter from the Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026amp; Clark and Me\" scheduled on March 25, 2000.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eNewsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.\u003c/p\u003e","\u003cp\u003eCrayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eTwo black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Eastern Mennonite University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScript for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.\u003c/p\u003e","\u003cp\u003eScope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.\u003c/p\u003e","\u003cp\u003eReview of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.\u003c/p\u003e","\u003cp\u003eScope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.\u003c/p\u003e","\u003cp\u003eNewspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Southern Illinois University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eAnnouncement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eTwo copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.\u003c/p\u003e","\u003cp\u003eScope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.\u003c/p\u003e","\u003cp\u003eSpring calendar mailer for the Hampden-Sydney College Virginia arts series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.\u003c/p\u003e","\u003cp\u003eOhio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.\u003c/p\u003e","\u003cp\u003eWeekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eSeasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eCalendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eOnline listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Stetson University.\u003c/p\u003e","\u003cp\u003eEmailed message from Dixon Sutherland of Stetson University to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.\u003c/p\u003e","\u003cp\u003eProgram for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].\u003c/p\u003e","\u003cp\u003eFurman University press release for \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026amp; Vocation.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.\u003c/p\u003e","\u003cp\u003eThis program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.\u003c/p\u003e","\u003cp\u003eScope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.\u003c/p\u003e","\u003cp\u003eVirginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.\u003c/p\u003e","\u003cp\u003eScope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Cultural Arts \u0026amp; Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.\u003c/p\u003e","\u003cp\u003eScope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026amp; Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Miami University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.\u003c/p\u003e","\u003cp\u003eScope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.\u003c/p\u003e","\u003cp\u003eTwo pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of photographed children performing beside a piano.\u003c/p\u003e","\u003cp\u003ePhotocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].\u003c/p\u003e","\u003cp\u003ePhotograph of a marionette witch with a hook dangling from her arm.\u003c/p\u003e","\u003cp\u003eMask-sized photocopied image of an elderly man.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.\u003c/p\u003e","\u003cp\u003e\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eSecond copy of working script, with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eEmail, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eArticle in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eLetter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.\u003c/p\u003e","\u003cp\u003eOriginal The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.\u003c/p\u003e","\u003cp\u003eReview in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eScope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.\u003c/p\u003e","\u003cp\u003eFlyer for Big Stone Gap performance of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.\u003c/p\u003e","\u003cp\u003eLetter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.\u003c/p\u003e","\u003cp\u003eOriginal newsclippings for which photocopies have been made for this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026amp; Screen\" section of online journal Exquisite Corpse.\u003c/p\u003e","\u003cp\u003ePrinted (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).\u003c/p\u003e","\u003cp\u003eWorking script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.\u003c/p\u003e","\u003cp\u003eFinal performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eReview by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor poster for the 4th Annual Celebration of Life \u0026amp; Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance at The University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.\u003c/p\u003e","\u003cp\u003eEmail response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.\u003c/p\u003e","\u003cp\u003ePhotos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.\u003c/p\u003e","\u003cp\u003eScope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.\u003c/p\u003e","\u003cp\u003ePrintout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.\u003c/p\u003e","\u003cp\u003eOnline review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eScope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.\u003c/p\u003e","\u003cp\u003ePersonal correspondence from Ellis Cose regarding his response to reading the monologue.\u003c/p\u003e","\u003cp\u003eIndex for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).\u003c/p\u003e","\u003cp\u003eClaudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eBrecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.\u003c/p\u003e","\u003cp\u003ePhotocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)\u003c/p\u003e","\u003cp\u003eNotes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eMusical sketches related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eOnline announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.\u003c/p\u003e","\u003cp\u003eScope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.\u003c/p\u003e","\u003cp\u003eProgram for performances staged at Theatre Project in Baltimore.\u003c/p\u003e","\u003cp\u003eAnnouncement of performance printed from Theatre Project Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).\u003c/p\u003e","\u003cp\u003eScope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003ePrinted online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eColor printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.\u003c/p\u003e","\u003cp\u003eBaltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScript for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" printed for Creighton University performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in the College of William and Mary's News \u0026amp; Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.\u003c/p\u003e","\u003cp\u003eScope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" at Messiah College\u003c/p\u003e","\u003cp\u003eScope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eOnline announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eNotre Dame events calendar that includes performance of \"Blue Liaz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.\u003c/p\u003e","\u003cp\u003eProgram for Vassar College production of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material for \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to \"The Dawn Makers.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePostcard flyer for February 4 performance at Herbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eEmail color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.\u003c/p\u003e","\u003cp\u003eThis issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eThis is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.\u003c/p\u003e","\u003cp\u003eComposers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eOpera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePhotocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eHerbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eOversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.\u003c/p\u003e","\u003cp\u003eTwo fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"\u003c/p\u003e","\u003cp\u003eScope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.\u003c/p\u003e","\u003cp\u003eThis folder includes one script by Claudia Stevens titled \"Fluke.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Text for \"Flea\" script is by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eSpiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.\u003c/p\u003e","\u003cp\u003eOnline announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,\u003c/p\u003e","\u003cp\u003eAnnouncement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.\u003c/p\u003e","\u003cp\u003eHollins University events calendar announcement for March 25, 2009, performance.\u003c/p\u003e","\u003cp\u003eAssorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.\u003c/p\u003e","\u003cp\u003eScope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eA dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eScope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.\u003c/p\u003e","\u003cp\u003ePhotocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.\u003c/p\u003e","\u003cp\u003eScope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).\u003c/p\u003e","\u003cp\u003eScope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.\u003c/p\u003e","\u003cp\u003eLetter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.\u003c/p\u003e","\u003cp\u003eSigned typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.\u003c/p\u003e","\u003cp\u003ePostcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.\u003c/p\u003e","\u003cp\u003eThis is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.\u003c/p\u003e","\u003cp\u003ePhotocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eLetter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTwo photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eBlack and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.\u003c/p\u003e","\u003cp\u003eFlyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.\u003c/p\u003e","\u003cp\u003eScope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.\u003c/p\u003e","\u003cp\u003ePhotocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Arts at William \u0026amp; Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.\u003c/p\u003e","\u003cp\u003eClarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.\u003c/p\u003e","\u003cp\u003eArticle in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance of Panoply by Claudia Stevens at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eReview in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.\u003c/p\u003e","\u003cp\u003eInvitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eBright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.\u003c/p\u003e","\u003cp\u003eProgram for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eMultiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eLetter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.\u003c/p\u003e","\u003cp\u003eShasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.\u003c/p\u003e","\u003cp\u003eFlyer for mailing from the Shasta Community Concert Association, for season 1987-1988.\u003c/p\u003e","\u003cp\u003eProgram notes for Claudia Stevens piano performances.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.\u003c/p\u003e","\u003cp\u003eProgram for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eVirginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eProgram for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.\u003c/p\u003e","\u003cp\u003ePhotocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.\u003c/p\u003e","\u003cp\u003eCaptioned photo in Style Weekly announcing performance at St. Christopher's School.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eAnnouncement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.\u003c/p\u003e","\u003cp\u003eArticle about Panoply at Longwood College in The Farmville Herald.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' Panoply performance at Longwood College.\u003c/p\u003e","\u003cp\u003eArticle in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.\u003c/p\u003e","\u003cp\u003eFlyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.\u003c/p\u003e","\u003cp\u003eFlyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.\u003c/p\u003e","\u003cp\u003eIllustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.\u003c/p\u003e","\u003cp\u003eProgram for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eRed flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.\u003c/p\u003e","\u003cp\u003eStagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"\u003c/p\u003e","\u003cp\u003eProgram for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.\u003c/p\u003e","\u003cp\u003eThree-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProgram for Panoply performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eText and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.\u003c/p\u003e","\u003cp\u003eScope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.\u003c/p\u003e","\u003cp\u003e1995-1996 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1996-1997 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1997-1998 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1998-1999 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1999-2000 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.\u003c/p\u003e","\u003cp\u003e2000-2001 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2001-2002 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2002-2003 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2003-2004 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.\u003c/p\u003e","\u003cp\u003eScope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).\u003c/p\u003e","\u003cp\u003eColor brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"\u003c/p\u003e","\u003cp\u003eCaptioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.\u003c/p\u003e","\u003cp\u003ePhotograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.\u003c/p\u003e","\u003cp\u003ePoem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.\u003c/p\u003e","\u003cp\u003eReform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Assorted Miscellaneous Works.\"\u003c/p\u003e","\u003cp\u003eOriginal libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.\u003c/p\u003e","\u003cp\u003eOnline event announcement for William \u0026amp; Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026amp; Mary on February 2, 2011.\u003c/p\u003e","\u003cp\u003eColor flyer for a lecture at the College of William \u0026amp; Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOnline event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.\u003c/p\u003e","\u003cp\u003eScope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.\u003c/p\u003e","\u003cp\u003eScope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.\u003c/p\u003e","\u003cp\u003eColor poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eA Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857\u003c/p\u003e","\u003cp\u003eThis folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.\u003c/p\u003e","\u003cp\u003eDraft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eTypewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"\u003c/p\u003e","\u003cp\u003ePrintout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026amp;task=view\u0026amp;id=582\u0026amp;Itemid=64.\u003c/p\u003e","\u003cp\u003eProgram for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,\u003c/p\u003e","\u003cp\u003eTypewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.\u003c/p\u003e","\u003cp\u003eTicket for September 7, 2010 performance of \"Wick at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Pigeon.\"\u003c/p\u003e","\u003cp\u003eScope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.\u003c/p\u003e","\u003cp\u003eArticle printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.\u003c/p\u003e","\u003cp\u003eScope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.\u003c/p\u003e","\u003cp\u003eOversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eDraft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.\u003c/p\u003e","\u003cp\u003eProgram for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.\u003c/p\u003e","\u003cp\u003eProgram for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eLibretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eReview of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.\u003c/p\u003e","\u003cp\u003eContains review of Middlemarch\u003c/p\u003e","\u003cp\u003ePeriod spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.\u003c/p\u003e","\u003cp\u003eCostume jewelry used in Middlemarch in Spring premiere in San Franciso.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eHoweard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eA mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.\u003c/p\u003e","\u003cp\u003eScope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.\u003c/p\u003e","\u003cp\u003eScope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.\u003c/p\u003e","\u003cp\u003eScope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.\u003c/p\u003e","\u003cp\u003eThese are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eItem 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAv. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eLive semi-staged reading at Brandeis University. 1 DVC\u003c/p\u003e","\u003cp\u003eItem 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.008: One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eTwo audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.\u003c/p\u003e","\u003cp\u003e7 Audio CD's.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003ePremiere Production, 1 DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84. Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond. Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983. Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens. Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages. This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter. Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music. Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton. Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:07.075Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c02_c28_c03"}},{"id":"vilxw_repositories_5_resources_1140_c01_c1076","type":"Item","attributes":{"title":"Bruce Liu, Piano","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1140_c01_c1076#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxw_repositories_5_resources_1140_c01_c1076","ref_ssm":["vilxw_repositories_5_resources_1140_c01_c1076"],"id":"vilxw_repositories_5_resources_1140_c01_c1076","ead_ssi":"vilxw_repositories_5_resources_1140","_root_":"vilxw_repositories_5_resources_1140","_nest_parent_":"vilxw_repositories_5_resources_1140_c01","parent_ssi":"vilxw_repositories_5_resources_1140_c01","parent_ssim":["vilxw_repositories_5_resources_1140","vilxw_repositories_5_resources_1140_c01"],"parent_ids_ssim":["vilxw_repositories_5_resources_1140","vilxw_repositories_5_resources_1140_c01"],"parent_unittitles_ssm":["Henry Strouss Performing Arts collection","Carnegie Hall"],"parent_unittitles_tesim":["Henry Strouss Performing Arts collection","Carnegie Hall"],"text":["Henry Strouss Performing Arts collection","Carnegie Hall","Bruce Liu, Piano","Frederic Chopin International Competition","Carnegie Hall (New York, N.Y.)","Frederic Chopin International Competition","Chopin, Frédéric (Frédéric François), 1810-1849","Liszt, Franz, 1811-1886","Chopin, Frédéric (Frédéric François), 1810-1849","Liszt, Franz, 1811-1886","Piano","English","box 9","folder 23","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021)."],"title_filing_ssi":"Bruce Liu, Piano","title_ssm":["Bruce Liu, Piano"],"title_tesim":["Bruce Liu, Piano"],"unitdate_other_ssim":["2023 May 19"],"normalized_date_ssm":["2023"],"normalized_title_ssm":["Bruce Liu, Piano"],"component_level_isim":[2],"repository_ssim":["Washington and Lee University, Leyburn Library"],"collection_ssim":["Henry Strouss Performing Arts collection"],"extent_ssm":["1 Files"],"extent_tesim":["1 Files"],"creator_ssim":["Carnegie Hall (New York, N.Y.)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1318,"parent_access_terms_tesm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"date_range_isim":[2023],"names_ssim":["Frederic Chopin International Competition","Carnegie Hall (New York, N.Y.)","Frederic Chopin International Competition","Chopin, Frédéric (Frédéric François), 1810-1849","Liszt, Franz, 1811-1886","Chopin, Frédéric (Frédéric François), 1810-1849","Liszt, Franz, 1811-1886"],"corpname_ssim":["Carnegie Hall (New York, N.Y.)","Frederic Chopin International Competition"],"persname_ssim":["Chopin, Frédéric (Frédéric François), 1810-1849","Liszt, Franz, 1811-1886"],"access_subjects_ssim":["Piano"],"access_subjects_ssm":["Piano"],"language_ssim":["English"],"containers_ssim":["box 9","folder 23"],"bioghist_html_tesm":["\u003cp\u003eThis performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021)."],"_nest_path_":"/components#0/components#1075","timestamp":"2026-05-20T21:30:16.538Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxw_repositories_5_resources_1140","ead_ssi":"vilxw_repositories_5_resources_1140","_root_":"vilxw_repositories_5_resources_1140","_nest_parent_":"vilxw_repositories_5_resources_1140","ead_source_url_ssi":"data/oai/WLU/repositories_5_resources_1140.xml","title_ssm":["Henry Strouss Performing Arts collection"],"title_tesim":["Henry Strouss Performing Arts collection"],"unitdate_ssm":["1880-2023"],"unitdate_inclusive_ssm":["1880-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["WLU.Coll.0778","/repositories/5/resources/1140"],"text":["WLU.Coll.0778","/repositories/5/resources/1140","Henry Strouss Performing Arts collection","Theater","For the benefit of the National Conference of Christians and Jews","For the benefit of both American and Russian War Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\" refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\" We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov. The role of Gavrilo will be danced by Maxim Zyuzin. The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program. First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert. Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak. Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection. Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday. As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item. Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \" There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program. Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct. This gave a young singer a chance.\" Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season. It is unclear how many, if any, performances took place during Covid-19 pandemic. Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"","Includes 2 partial programs and photocopied newspaper articles about the event.","Includes newspaper articles and protest flyer","Includes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.","Includes newspaper review of the performance","Includes newspaper review of the performance and Latin insert","Includes newspaper review of the performance and The Orchestra of America program","Includes newspaper review of the performance and Pittsburgh Symphony Orchestra program","Includes ticket stub","Annotation on program cover: \"I met Pablo afterwards!\"","Progam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz","Includes a duplicate program. Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"","Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection","Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r. (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak, Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz, Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-","English"],"unitid_tesim":["WLU.Coll.0778","/repositories/5/resources/1140"],"normalized_title_ssm":["Henry Strouss Performing Arts collection"],"collection_title_tesim":["Henry Strouss Performing Arts collection"],"collection_ssim":["Henry Strouss Performing Arts collection"],"repository_ssm":["Washington and Lee University, Leyburn Library"],"repository_ssim":["Washington and Lee University, Leyburn Library"],"creator_ssm":["Strouss, Henry (Henry Strouss III ), Class of 1961"],"creator_ssim":["Strouss, Henry (Henry Strouss III ), Class of 1961"],"creator_persname_ssim":["Strouss, Henry (Henry Strouss III ), Class of 1961"],"creators_ssim":["Strouss, Henry (Henry Strouss III ), Class of 1961"],"access_terms_ssm":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"access_subjects_ssim":["Theater"],"access_subjects_ssm":["Theater"],"has_online_content_ssim":["false"],"extent_ssm":["15 Cubic Feet"],"extent_tesim":["15 Cubic Feet"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"bioghist_html_tesm":["\u003cp\u003eFor the benefit of the National Conference of Christians and Jews\u003c/p\u003e","\u003cp\u003eFor the benefit of both American and Russian War Charities\u003c/p\u003e","\u003cp\u003eFirst New York appearance in 3 years\u003c/p\u003e","\u003cp\u003eFirst American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.\u003c/p\u003e","\u003cp\u003eNoted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 250th anniversary of Pergolesi's birth\u003c/p\u003e","\u003cp\u003eThe orchestra's first appearance outside of Puerto Rico\u003c/p\u003e","\u003cp\u003eA gala recital for the benefit of the National Committee Against Discrimination in Housing\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo\u003c/p\u003e","\u003cp\u003eCelebrating the 30th Anniversary Season of Eugene Ormandy as Music Director\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour\u003c/p\u003e","\u003cp\u003eOpening night of the production.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eFinal program in a special series of four concerts, \"The Viennese School\"\u003c/p\u003e","\u003cp\u003eFinal event in the Hurok Sunday series\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\".\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eCelebrating the 75th Anniversary of Ithaca College\u003c/p\u003e","\u003cp\u003eGala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eIn appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eOpening concert in the Hurok International Series \"A\"\u003c/p\u003e","\u003cp\u003eIn memory of Charles Munch\u003c/p\u003e","\u003cp\u003eFourth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eSixth Event in the Hurok International Series B\u003c/p\u003e","\u003cp\u003eCommemorating the 200th Anniversary of the birth of Ludwig Van Beethoven\u003c/p\u003e","\u003cp\u003eSecond Concert in Series\u003c/p\u003e","\u003cp\u003eAnnual Patron-Sponsor Concert\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eNicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eA Metropolitan Opera Guild Benefit Concert\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eConcert in memory of David Oistrakh.\u003c/p\u003e","\u003cp\u003ePart of the Series of Stars\u003c/p\u003e","\u003cp\u003eIn honor of Aaron Copland's 75th birthday.\u003c/p\u003e","\u003cp\u003eLorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.\u003c/p\u003e","\u003cp\u003eA British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival\u003c/p\u003e","\u003cp\u003ePart of the bicentennial celebration of the United States\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the Mahler Festival\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras\u003c/p\u003e","\u003cp\u003eThe concert was in memory of Fred Norring.\u003c/p\u003e","\u003cp\u003eFor the 150th anniversary of Beethovan's death.\u003c/p\u003e","\u003cp\u003ePart of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.\u003c/p\u003e","\u003cp\u003eThe Annual Patrons' and Sponsors' Concert\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eThe Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.\u003c/p\u003e","\u003cp\u003eFifth Event in the Hurok International Series A.\u003c/p\u003e","\u003cp\u003eFourth Concert in the Series \"Art of the Lied\"\u003c/p\u003e","\u003cp\u003eDue to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.\u003c/p\u003e","\u003cp\u003eA gala concert performance for the benefit of the production fund of Friends of French Opera.\u003c/p\u003e","\u003cp\u003eHonoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)\u003c/p\u003e","\u003cp\u003eSinger Julia Hamari was unable to perform and was replaced by Florence Quivar.\u003c/p\u003e","\u003cp\u003eMontserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.\u003c/p\u003e","\u003cp\u003eAn all Copland program in honor of Aaron Copland's 80th birthday.\u003c/p\u003e","\u003cp\u003eThe program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.\u003c/p\u003e","\u003cp\u003eScenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.\u003c/p\u003e","\u003cp\u003eDue to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.\u003c/p\u003e","\u003cp\u003eIn honor of the 100th anniversary of the composer's death.\u003c/p\u003e","\u003cp\u003ePart of the Gala Rossini Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the French Opéra-Comique Festival\u003c/p\u003e","\u003cp\u003eGala Sixtieth Anniversary Benefit Concert.\u003c/p\u003e","\u003cp\u003eThe performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.\u003c/p\u003e","\u003cp\u003ePart of the French Opéra Comique Festival.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.\u003c/p\u003e","\u003cp\u003ePerformed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThis was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.\u003c/p\u003e","\u003cp\u003ePart of The Choral Celebration of Bach.\u003c/p\u003e","\u003cp\u003ePart of the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eThe Berg works are being performed in honor of the 100th anniversary of his birth.\u003c/p\u003e","\u003cp\u003eBecause of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.\u003c/p\u003e","\u003cp\u003eFor the benefit of Emmaus, which serves New York City's homeless.\u003c/p\u003e","\u003cp\u003eThis concert was dedicated to the memory of Karol Szymanowski.\u003c/p\u003e","\u003cp\u003eA benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.\u003c/p\u003e","\u003cp\u003eCelebrating the 60th birthday of Mstislav Rostropovich\u003c/p\u003e","\u003cp\u003e35th Anniversary Concert\u003c/p\u003e","\u003cp\u003eRudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.\u003c/p\u003e","\u003cp\u003eSylvia McNair replaced Sophia Larson for this performance.\u003c/p\u003e","\u003cp\u003eIt is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.\u003c/p\u003e","\u003cp\u003eThis concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eA New York International Festival of the Arts event\u003c/p\u003e","\u003cp\u003eDue to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.\u003c/p\u003e","\u003cp\u003eGiuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.\u003c/p\u003e","\u003cp\u003eSeiji Ozawa was unable to conduct due to illness and was replaced by André Previn.\u003c/p\u003e","\u003cp\u003eThis performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.\u003c/p\u003e","\u003cp\u003eThe grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.\u003c/p\u003e","\u003cp\u003eThese performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)\u003c/p\u003e","\u003cp\u003eMozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.\u003c/p\u003e","\u003cp\u003eCopland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.\u003c/p\u003e","\u003cp\u003eInsert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland\u003c/p\u003e","\u003cp\u003eInsert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.\u003c/p\u003e","\u003cp\u003eCommemorating the quincentenary of the Christopher Columbus Voyage\u003c/p\u003e","\u003cp\u003eInsert: Saint Ludmila Description\u003c/p\u003e","\u003cp\u003eMusic from concentration camp Terezin, also known as Theresienstadt\u003c/p\u003e","\u003cp\u003eNote: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"\u003c/p\u003e","\u003cp\u003eNote: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"\u003c/p\u003e","\u003cp\u003eInsert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"\u003c/p\u003e","\u003cp\u003eInsert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.\u003c/p\u003e","\u003cp\u003einsert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok\u003c/p\u003e","\u003cp\u003eInsert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid\u003c/p\u003e","\u003cp\u003eInsert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place\u003c/p\u003e","\u003cp\u003eInsert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.\u003c/p\u003e","\u003cp\u003eInsert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"\u003c/p\u003e","\u003cp\u003e\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"\u003c/p\u003e","\u003cp\u003eInsert: La Damnation de Faust Description\u003c/p\u003e","\u003cp\u003eInsert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group\u003c/p\u003e","\u003cp\u003eInsert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.\u003c/p\u003e","\u003cp\u003eThis performance was dedicated to the memory of Richard deVaultier (1916-1988).\u003c/p\u003e","\u003cp\u003eInsert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.\u003c/p\u003e","\u003cp\u003eInsert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.\u003c/p\u003e","\u003cp\u003eNotations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.\u003c/p\u003e","\u003cp\u003eInsert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre\u003c/p\u003e","\u003cp\u003eConcert to celebrate the 70th birthday of Lorin Maazel\u003c/p\u003e","\u003cp\u003eInsert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"\u003c/p\u003e","\u003cp\u003eJohn Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.\u003c/p\u003e","\u003cp\u003eChristopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.\u003c/p\u003e","\u003cp\u003eIncludes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.\u003c/p\u003e","\u003cp\u003eIn commemoration of the 200th anniversary of the birth of Hector Berlioz\u003c/p\u003e","\u003cp\u003eThis performance is dedictaed to the memory of Robert E. Wagenfeld\u003c/p\u003e","\u003cp\u003eIn loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.\u003c/p\u003e","\u003cp\u003eThis evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.\u003c/p\u003e","\u003cp\u003eThe 50th Concert of the Met Orchestra at Carnegie Hall\u003c/p\u003e","\u003cp\u003eRevised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.\u003c/p\u003e","\u003cp\u003eIn memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of Charlotte Kirschner (1922-2005)\u003c/p\u003e","\u003cp\u003eAnnotation: \"Obraztsova did not appear\" refers to mezzo-soprano Elena Obraztsova)\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eNote under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eInsert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003eMarking the Bicentennial of Wagner's Birth\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.\u003c/p\u003e","\u003cp\u003eOpen Working Rehearsal\u003c/p\u003e","\u003cp\u003ePlease note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.\u003c/p\u003e","\u003cp\u003eNote: Donor performed in chorus\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003ePart of The Song Continues 2017\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eCelebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut\u003c/p\u003e","\u003cp\u003eNoted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic\u003c/p\u003e","\u003cp\u003ePart of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening\u003c/p\u003e","\u003cp\u003eConcert dedicated to ASO principal clarinet Laura Flax (1994-2017)\u003c/p\u003e","\u003cp\u003eNoted: Susanna Phillips was unable to perform, replaced by Jennifer Check\u003c/p\u003e","\u003cp\u003eNoted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance\u003c/p\u003e","\u003cp\u003eChristian Van Horn, 2018 Richard Tucker Award Winner\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"\u003c/p\u003e","\u003cp\u003eThis concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.\u003c/p\u003e","\u003cp\u003eTexts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.\u003c/p\u003e","\u003cp\u003eInsert: Joseph Beutel Bio\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.\u003c/p\u003e","\u003cp\u003eHosted by Richard Gere\u003c/p\u003e","\u003cp\u003eTicket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22\u003c/p\u003e","\u003cp\u003eInsert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.\u003c/p\u003e","\u003cp\u003eInsert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"\u003c/p\u003e","\u003cp\u003eThis performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).\u003c/p\u003e","\u003cp\u003eInsert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.\u003c/p\u003e","\u003cp\u003eInserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.\u003c/p\u003e","\u003cp\u003eInsert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003e\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"\u003c/p\u003e","\u003cp\u003eInsert: Bio of Kirsten Sollek, Contralto\u003c/p\u003e","\u003cp\u003eAnnotation: \"Hilarious!\"\u003c/p\u003e","\u003cp\u003eTicket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier\u003c/p\u003e","\u003cp\u003eInsert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.\u003c/p\u003e","\u003cp\u003eInsert: \"Film \u0026amp; Music\" \"Scenes from Ivan the Terrible\"\u003c/p\u003e","\u003cp\u003e\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"\u003c/p\u003e","\u003cp\u003e\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"\u003c/p\u003e","\u003cp\u003e\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"\u003c/p\u003e","\u003cp\u003e\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel\u003c/p\u003e","\u003cp\u003e\"Robert La Fosse is unable to perform this evening.\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article on \"The Mollino Room\"\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003e\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"\u003c/p\u003e","\u003cp\u003e\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"\u003c/p\u003e","\u003cp\u003e\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003eRichard Westenburg signature\u003c/p\u003e","\u003cp\u003ePamphlet for the 50th Anniversary of Great Performers\u003c/p\u003e","\u003cp\u003eDue to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.\u003c/p\u003e","\u003cp\u003eTenth Anniversary Season\u003c/p\u003e","\u003cp\u003eInsert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English\u003c/p\u003e","\u003cp\u003e\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.\u003c/p\u003e","\u003cp\u003e\"This event is part of American Music Week which is sponsered by the American Music Center\"\u003c/p\u003e","\u003cp\u003eNewspaper Article: \"Chamber: Del Tredici\"\u003c/p\u003e","\u003cp\u003eInsert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)\u003c/p\u003e","\u003cp\u003eInsert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\" We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.\u003c/p\u003e","\u003cp\u003eAnnotation indicates Brahams' Sonata was replaced with a Schubert piece\u003c/p\u003e","\u003cp\u003eAnnotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78\u003c/p\u003e","\u003cp\u003eInsert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)\u003c/p\u003e","\u003cp\u003eInsert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius\u003c/p\u003e","\u003cp\u003eIncludes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"\u003c/p\u003e","\u003cp\u003ePerformances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.\u003c/p\u003e","\u003cp\u003eProgram Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov. The role of Gavrilo will be danced by Maxim Zyuzin. The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026amp; Andrey Soloviev\u003c/p\u003e","\u003cp\u003eThree separate concerts included in program. First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert. Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak. Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"\u003c/p\u003e","\u003cp\u003eCornell MacNeil replaces Anselmo Colzani as Rigoletto\u003c/p\u003e","\u003cp\u003eNew Production\u003c/p\u003e","\u003cp\u003eSigned by Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti\u003c/p\u003e","\u003cp\u003eNot an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection. Strouss is listed alongside his wife as a member of the benefit committee.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini\u003c/p\u003e","\u003cp\u003eProgram insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday. As a result, he will perform this evening on crutches, necessitating some changes in the original staging.\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item. Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).\u003c/p\u003e","\u003cp\u003eProgram insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \" There are signatures from Priscilla Baskerville and another, indecipherable.\u003c/p\u003e","\u003cp\u003eProgram insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.\u003c/p\u003e","\u003cp\u003eProgram insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.\u003c/p\u003e","\u003cp\u003eIldar Abdrazakov's debut performance\u003c/p\u003e","\u003cp\u003eMetropolitan Opera Premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes\u003c/p\u003e","\u003cp\u003e\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"\u003c/p\u003e","\u003cp\u003eMet Opera premiere\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"\u003c/p\u003e","\u003cp\u003e\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"This is important program. Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct. This gave a young singer a chance.\" Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"\u003c/p\u003e","\u003cp\u003eThis program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season. It is unclear how many, if any, performances took place during Covid-19 pandemic. Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation\u003c/p\u003e","\u003cp\u003eNote from H. Strouss: \"Last event before COVID shutdown\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert entitled \"We Stand with Ukraine\"\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.\u003c/p\u003e","\u003cp\u003eProgram Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eMembers-Only Open Rehearsal\u003c/p\u003e","\u003cp\u003eProgram Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"\u003c/p\u003e","\u003cp\u003eProgram Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"\u003c/p\u003e","\u003cp\u003e\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"\u003c/p\u003e","\u003cp\u003e\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"\u003c/p\u003e","\u003cp\u003eJune Anderson's debut performance\u003c/p\u003e","\u003cp\u003ePlease note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen\u003c/p\u003e","\u003cp\u003eEpisodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel\u003c/p\u003e","\u003cp\u003ePlease note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"\u003c/p\u003e","\u003cp\u003e\"WarHorse Welcomes to the Company Tessa Klein\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"\u003c/p\u003e","\u003cp\u003e\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical 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Charities","First New York appearance in 3 years","First American tour of the Berlin Philharmonic. Articles and flyer record protests in response to the manager's and director's previous Nazi membership.","Noted: Because of the demand for tickets, another concert with Stravisky was scheduled for January 23rd.","In commemoration of the 250th anniversary of Pergolesi's birth","The orchestra's first appearance outside of Puerto Rico","A gala recital for the benefit of the National Committee Against Discrimination in Housing","Part of the International Festival of Visiting Orchestras, Noted: because of illness, soloist Joseph Silverstein was replaced by Jaime Laredo","Celebrating the 30th Anniversary Season of Eugene Ormandy as Music Director","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Part of the International Festival of Visiting Orchestras, Part of the London Symphony Orchestra's 2nd round-the-world tour","Opening night of the production.","Part of the International Festival of Visiting Orchestras","Final program in a special series of four concerts, \"The Viennese School\"","Final event in the Hurok Sunday series","Opening concert in the Hurok International Series \"A\".","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Celebrating the 75th Anniversary of Ithaca College","Gala Performance. Maria Callas and Zinka Milanov, who both formerly played the titular role, attended the performance and received much applause. In contrast, Elena Suliotis was criticized for her performance and the audience was torn between cheering and booing.","Part of the International Festival of Visiting Orchestras","In appreciation of Harald A. Lowen (1897-1968), Executive Secretary 1958-1968","Part of the International Festival of Visiting Orchestras","Opening concert in the Hurok International Series \"A\"","In memory of Charles Munch","Fourth Event in the Hurok International Series B","Fifth Event in the Hurok International Series B","Sixth Event in the Hurok International Series B","Commemorating the 200th Anniversary of the birth of Ludwig Van Beethoven","Second Concert in Series","Annual Patron-Sponsor Concert","Part of the Series of Stars","Nicolai Gedda was ill and unable to perform the role of Arnold, replaced by Jerome Lo Monaco and Mallory Walker spliting the role.","Part of the Series of Stars","Part of the Series of Stars","A Metropolitan Opera Guild Benefit Concert","Part of the International Festival of Visiting Orchestras","Part of the International Festival of Visiting Orchestras","Concert in memory of David Oistrakh.","Part of the Series of Stars","In honor of Aaron Copland's 75th birthday.","Lorin Maazel, the conductor, was unable to perform due to an injury and was replaced by Edo de Waart for the concert. The second half of the concert was changed from The Rite of Spring by Stravinsky to Symphony No. 2 in D Major, Opus 73 by Brahms.","A British Salute to the American Bicentennial and The Seventh Concert in the Mozart Concerto Festival","Part of the bicentennial celebration of the United States","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the Mahler Festival","Part of the International Festival of Visiting Orchestras","The concert was in memory of Fred Norring.","For the 150th anniversary of Beethovan's death.","Part of the International Festival of Visiting Orchestras. The concert replaced the one originally announced for the Czech Philharmonic, which had to cancel its American tour.","The Annual Patrons' and Sponsors' Concert","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","The Fiftieth Anniversary Season of the Cleveland Orchestra. Part of the International Festival of Visiting Orchestras.","Fifth Event in the Hurok International Series A.","Fourth Concert in the Series \"Art of the Lied\"","Due to injury, Chicago Symphony Orchestra's conductor, Sir Georg Solti, was unable to conduct, so the concert was led by the assistant conductor Henry Mazer. The previous day he was replaced by Margaret Hillis.","A gala concert performance for the benefit of the production fund of Friends of French Opera.","Honoring the 150th Anniversary of Louis Moreau Gottschalk (Born in New Orleans on May 8, 1829)","Singer Julia Hamari was unable to perform and was replaced by Florence Quivar.","Montserrat Caballé withdrew to receive medical treatment in Spain and was replaced by Awilda Verdejo. Nicolai Gedda also withdrew due to illness and was replaced by Richard Estes.","An all Copland program in honor of Aaron Copland's 80th birthday.","The program order was reversed, Bartók's Concerto for Orchestra was played first followed by Bruckner's Symphony No. 4.","Scenes from the Life of a Martyr, by Undine Smith Moore, premiered in New York in memory of Martin Luther King Jr.","Part of the Gala Rossini Opera Festival.","Part of the Gala Rossini Opera Festival. Due to illness, Montserrat Caballe was replaced by June Anderson in the role of Semiramide.","Due to illness, Edward J. Crafts was unable to perform the role of Duke Robert and was replaced by James Stith. The role of the Messenger was sung by William Drake.","In honor of the 100th anniversary of the composer's death.","Part of the Gala Rossini Opera Festival","Part of the French Opéra-Comique Festival","Gala Sixtieth Anniversary Benefit Concert.","The performance of Mahler's Symphony No. 4 was dedicated to the memory of Michael Ries.","Part of the French Opéra Comique Festival.","Part of the Handel Opera Festival","Part of the Handel Opera Festival.","The performance of Berg's Seven Early Songs commemorates the 100th anniversary of the composer's birth.","Performed on the 300th anniversary of the composer's birth and part of the Handel Opera Festival.","This was the US debut of Jin Li. Part of the program is missing, which tells that the orchestra performed 2 Pieces for Small Orchestra: 1. On Hearing the First Cuckoo in Spring (1912) by Frederick Delius and Variations on an Original Theme, Op. 36, \"Enigma\" (1899) by Edward Elgar after the intermission.","Part of The Choral Celebration of Bach.","Part of the Handel Opera Festival.","The Berg works are being performed in honor of the 100th anniversary of his birth.","Because of a recent illness limiting Mr. Ozawa's rehearsal time, Dvorák's Symphony No. 7 was replaced by Tchaikovsky's Symphony No. 6 in the program.","For the benefit of Emmaus, which serves New York City's homeless.","This concert was dedicated to the memory of Karol Szymanowski.","A benefit to celebrate the fifteenth anniversary of Opera Orchestra of New York.","Celebrating the 60th birthday of Mstislav Rostropovich","35th Anniversary Concert","Rudolf Serkin was unable to preform as previously announced due to illness and was replaced by Malcolm Frager.","Sylvia McNair replaced Sophia Larson for this performance.","It is noted that Aprile Millo, who played Maddalena di Coigny, dedicated her performance to the memory of her father, Giovanni Millo, who was known for his portrayal of the title role.","This concert is presented by the Jerusalem Foundation in honor of the 40th Anniversary of the State of Israel.","A New York International Festival of the Arts event","A New York International Festival of the Arts event","Due to a death in the family, Seiji Ozawa was unable to conduct and was replaced by David Zinman. The program was changed from Mahler's Symphony No. 9 to Mahler's Symphony No. 1 and Chopin's Piano Concerto No. 1.","Giuseppe Giacomini was replaced by Nunzio Todisco and Michael Shell was replaced by Wanda Brister for the performance.","Seiji Ozawa was unable to conduct due to illness and was replaced by André Previn.","This performance is dedicated to the memory of Dr. Hugh Ross, for more than 60 years as the Music Director of the Schola Cantorum of New York.","The grandfather clock and black cat, originally meant to be Philippe Huttenlocher, was played by David Evitts.","These performances were dedicated to the memory of Leonard Bernstein (Auguest 25, 1918 - October 14, 1990)","Mozart's Piano Concerto No. 19 was changed to his Piano Concerto No. 26. The orchestra recognized the recent death of Aaron Copland (1900-1990) by including a commemerative performance of the Variations on a Shaker Melody (Simple Gifts) from Copland's ballet Appalachian Spring.","Copland's Quintet (\"The promise of living\") from Act I of the opera \"The Tender Land\" was performed in memory of his recent passing.","Insert: Mara Zampierni indisposed, role of Elizabette to be played by Martile Rowland","Insert: Role of Killian will by sung by Gerald Dolter. Prince Ottokar will be sung by Gregory Rahming. Please Note: This Opera involves hubnting and shooting prowess. Ther will be several gunshots during the performance.","Commemorating the quincentenary of the Christopher Columbus Voyage","Insert: Saint Ludmila Description","Music from concentration camp Terezin, also known as Theresienstadt","Note: \"This performance is dedicated to Alice Tully, whose love and support of the arts is legendary. Her presence in the center box at Opera Orchestra's concerts will be greatly missed. We are grateful for her warmth and friendship\"","Note: \"Celebrating Seiji Ozawa's Twentieth Anniversary Season as Music Director of the Boston Symphony Orchestra\"","Insert: \"Aprile Millo was involved in an automobile accident in Italy and has sustained injuries from which she is recovering, but which have forced her to withdrawl from Caterina Cornaro. Martile Rowland will sing the title role. She performed as Caterina in a preview performance last tuesday evening in Princeton University's Richardson Auditorium\"","Insert: Garrick Ohlsson will replace Evgeny Kissin as soloist in the Schumann Piano Concerto at this evening's performance by The Philadelphia Orchestra. Mr. Kissin has cancelled his appearance due to the flu. Carnegie Hall is grateful to Mr. Ohlsson for agreeing to appear on such short notice.","insert: HEROD will be sung by baritone Eduardo Del Campo (as opossed to Yuri Mazurok","Insert: John Uhlenhopp as Lykov, Martin Dillon as Bomelii, Svetlana Furdui as The Housemaid","Insert: JohnAler forced to cancel due to illness, tenor Carl Halvorson takes his place","Insert: Due to illness, Carol Vaness was replaced by Sharon Sweet. This is Sharon Sweet's Carnegie Hall debut.","Insert: \"Carnegie Hall joins Seiji Ozawa and the Vienna Philharmonic Orchestra in mourning thr loss of our friend, the distinguished composer Toru Takemitsu, who passed away Feburary 20th, 1996. In his memory, his work Requiem for String Orchestra will open tonight's program\"","\"This performance is dedicated with affection and admiration to the memory of Robert E. Wagenfeld\"","Insert: La Damnation de Faust Description","Insert: Beethoven in New York, Chamber orchestra of Europe, Sponsored by the BOC Group","Insert: \"Samuel Ramey will not sing the role of Roger in OONY's presentation of Verdi's Jerusalem. Mr. Ramey has canceled because of illness.\" Gary Simpson to Play Roger, Perry Ward to Play Count of Toulouse, Luiz-Ottavio Faria to play Emir.","This performance was dedicated to the memory of Richard deVaultier (1916-1988).","Insert: Pianist Ivo Pogorelich had to withdraw from the performance and was replaced by André Watts.","Insert: Tenor Thomas Moser had to withdraw from the performance due to illness and was replaced by Jon Fredric West.","Notations for Orchestra by Pierre Boulez performed in honor of the composer's 75th birthday.","Insert: Soprano Jane Eaglen was unable to perform the role of La Gioconda and was replaced by Sylvie Valayre","Concert to celebrate the 70th birthday of Lorin Maazel","Insert: \"Tonights performance is dedicated to the memory of Alfredo Kraus and Pablo Elvira who sang La favorita so beautifully with Opera Orchestra in 1975\"","John Williams \"For Seiji!\" New York premire. Celebrating Mstisalv Rostropovich's 75th Birthday.","Christopher Rouse's \"Rapture\" New York Premiere. Michael Hersch's \"Symphony No. 2\" New York Premiere.","Includes an insert for September 28th which informs that Bundit Ungrangsee and Xian Zhang will conduct this evening's performance. The previous evening, Natalia Luis-Bassa and Joji Hattori conducted. The audience was invited to stay after the performance for the announcement of the winner.","In commemoration of the 200th anniversary of the birth of Hector Berlioz","This performance is dedictaed to the memory of Robert E. Wagenfeld","In loving memory of Robert J. Harth 1956-06-13 -- 2004-01-30. The 2003-2004 season is dedicated to the memory of Robert J. Harth , who led Carnegie Hall as Executive and Artistic Director from September 2001 until January 2004.","This evening's performance is dedicated to the memory of Frederic Bradlee, a long-time friend and supporter of Opera Orchestra.","The 50th Concert of the Met Orchestra at Carnegie Hall","Revised Program: Please note that Michelle DeYoung will be perfroming this afternoon in place of Natalie Dessay who has withdrawn because of bronchitis.","In memory of Stephen M. Kellen, and honorary citizen of the city of Berlin and an honorary member of the Berliner Philharmoniker","This concert is dedicated to the memory of John Forbes, a longtime member of the St. Cecilia Chorus.","This concert is dedicated to the memory of Charlotte Kirschner (1922-2005)","Annotation: \"Obraztsova did not appear\" refers to mezzo-soprano Elena Obraztsova)","Open Working Rehearsal","Please note that Andris Nelsons will conduct this concert in place of James Levine, who continues to suffer ill effects from a recent procedure addressing his continuing back issues. Andris Nelsons appears this evening courtesy of the Metropolitan Opera.","Note under Daniil Trifonov: Grand Prize and Gold Medal, Piano, XIV International Tchaikovsky Competition","Open Working Rehearsal","Insert: The role of MLLE. JOUVENOT will be sung this evening by soprano DANIELLE WALKER","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Open Working Rehearsal","Marking the Bicentennial of Wagner's Birth","Open Working Rehearsal","Please note that Lorin Maazel is unable to conduct this evening's concert due to illness. Carnegie Hall and the Munich Philharmonic Orchestra are immensely grateful to Fabio Luisi for agreeing to conduct in his place. Mr. Luisi appears at Carnegie Hall courtesy of the Metropolitan Opera.","Open Working Rehearsal","Please note that Anna Netrebko will be performing in place of Elīna Garanča, who has withdrawn due to illness. The revised program is included below. Carnegie Hall and the Metropolitan Opera wish to express their gratitude to Ms. Netrebko for graciously agreeing to perform on very short notice.","Note: Donor performed in chorus","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Part of The Song Continues 2017","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Celebrating the 60th Anniversary of Daniel Barenboim's Carnegie Hall debut","Noted: the Adoramus te from the Mass Proper was replaced by Penitentes orate, a Mozarabic prayer from the 11th century","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic","Part of La Serenissima: Music and Arts from the Venetian Republic, Noted: Though soprano Anna Simboli is currently suffering from a minor illness, she will perform the roles of Amore and Damigella this evening","Concert dedicated to ASO principal clarinet Laura Flax (1994-2017)","Noted: Susanna Phillips was unable to perform, replaced by Jennifer Check","Noted: Pene Pati (Tenor), Rachel Willis-Sørensen (Soprano), and Matthew Curran (Bass) were added to the performance","Christian Van Horn, 2018 Richard Tucker Award Winner","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Bio of Jonathan Biss \"Due to an injury, pianist Paul Lewis has regretfully withdrawn from this evening's performance. Pianist Jonathan Biss will perform in his place.\"","This concert is dedicated to the memory of André Previn (1929-2019), whose artistry and warm personality throughout his brilliant and multifaceted career brought joy to countless music lovers worldwide.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: \"Chief Conductor Mariss Jansons has fallen ill and is unable to conduct this evening's performance. Carnegie Hall and the Bavarian Radio Symphony Orchestra are grateful to Vasily Petrenko, who has agreeded to conduct in his place.\"","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Yannick Nézet-Séguin conducts the Vienna Philharmonic Orchestra in place of Valery Gergiev.","Texts and Translations: To avoid disrupting the performers and fellow concertgoers, please make every effort to turn the pages as quietly as possible.","Insert: Joseph Beutel Bio","Insert: \"Please note that due to illness, tenor Andrew Staples is unable to perform this evening. Joshua Blue will perform in his place.","Hosted by Richard Gere","Ticket Information: Parquet Mid, $67.20, For up-to-date information about health and safety, visit carnegiehall.org/SafetyChecklist. Section PARQ Row/Box S Seat 22","Insert: This performance will be heard around the world! This concert will be broadcast live on Classical New York 105.9 FM WQXR and streamed online as part of the Carnegie Hall Live series. Before you silence your phones, tell your friends to listen in. Relive the concert anytime at wqxr.org and carnegiehall.org/wqxr.","Insert 1: \"Actor, director, screenwriter and producer Live Schreiber joins the Lviv National Philharmonic Orchestra of Ukraine as host for this evening's performance. Special thanks to CAMI Music for its generous support of this event.\" Insert 2: \"Olena Zelenska, First Lady of Ukraine. I am grateful to Carnegie Hall and to every person in the United States for their support of people in Ukraine. The Olena Zelenska Foundation is working to transform this support into systemic help for millions of Ukrainians whose lives have been affected in the aftermath of the full-scale Russian invasion. The war against Ukraine leaves civilians without electricity and heat in the face of winter. It bombs hospitals and schools. It turns childhood into orphanhood. It aims at life itself. Ukraine has resisted it for almost a year now. Unfortunately, the longer the war goes on, the more people become its victims, and the more support they need. We recover people's lives through humanitarian aid, medicine, and education to make the entire country's future possible. For more information on our programs, please visit (QR CODE) Will you stand with us?\"","This performance was Bruce Liu's New York Recital Debut. He was the First Prize Winner of the 18th International Chopin Piano Competition (2021).","Insert: \"Please note that Nadine Sierra has withdrawn from this concert due to illness. Soprano Lisette Oropesa will perform in her place.\" Contains Lisette Oropesa's bio.","Inserts are idenitcal: \"Richard Tucker Music Foundation Presents Gala 2023\" Includes the evening's set.","Insert: \"Have a drink on us!\" a redeemable coupon for a beverage at Carnegie Hall, website link to leanr about more \"extras\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","\"Please note that David Barenboim has had to withdraw from his North American tour with the Staatskapelle Berline due to health reasons. Conducting the orchestra in his place at Carnegie Hall is Yannick Nézet-Séguin.\"","Insert: Bio of Kirsten Sollek, Contralto","Annotation: \"Hilarious!\"","Ticket: Section: Tier 1 Row/Box: 33 Seat: 5. Concert Three. Price: $281.00 Name: Fung Section: Blavatnik Family First Tier","Insert: Kimo Furumoto will conduct the first half of tonight's concert, replacing Gerhard Samuel who is indisposed. Elmer Thomas conducts the second half of the program.","Insert: \"Film \u0026 Music\" \"Scenes from Ivan the Terrible\"","\"The management regrets to announce that due to injuries, we are unable to present THEME AND VARIATIONS this evening. The program will be: JARDIN ANIME (pause) Pas de Trois from THE GUARDS OF AMAGER (intermission) GISELLE\"","\"MIKHAIL BARYSHNIKOV has suffered an injury and is unable to dance this evening. Other Dancers will be performed by: SUSAN JAFFE and ROBERT LA FOSSE. The leading dancers in THEME AND VARIATIONS will be: CHERYL YEAGER and PETER FONSECA\"","\"Gesley Kirklan is unable to dance this evening. The role of \"La Sylphide\" will be performed by Marianna Tcherkassky.\"","\"Cynthia Gregrory is injured and is unable to dance this evening. \"Cinderella\" will be danced by Cheryl Yeager. \"A Masked Lady\" will be Elaine Kudo. In act 1, Scene 2, the soloist danced in \"Spring\" will be Alina Hernandez; in \"Winter\" it wil be Carla Stallings. In act 3, A Merchant's \"Three Daughters\" will be Christine Spizzo, Nancy Raffa, and Suzanne Goldman","\"In this evening's performance of The Leaves are Fading, please note the following cast changes: Amanda McKerrow replaces Leslie Browne. Kevin McKenzie Replaces Robert La Fosse. Chrisa Keramidas replaces Amanda McKerrow. John Turjoman replaces John Gardner. In Anastasia, the role of \"Anna Anderson\" will be performed by Martine Van Hamel","\"Robert La Fosse is unable to perform this evening.\"","Contains a newspaper article on \"The Mollino Room\"","Contains a newspaper article about the performance","\"Due to injuries in the Company, The Informer can not be presented this evening. Bruch Violin Concert No. 1 will be performed in its place.\"","\"Susan Jaffe is injured and unable to perform. Kitri, Lroenzo's daughter will be danced by Cheryl Yeager\"","\"Due to an injury, State of Grace will not be performed this evening. Cruel World will be danced in its place\"","\"In this evening's performance of Don Quixote, the Flower Girls will be Isabella Boylston and Misty Copeland and the Gypsy Couple will be Isadora Loyola and Luis Ribgorda.\"","Richard Westenburg signature","Richard Westenburg signature","Pamphlet for the 50th Anniversary of Great Performers","Due to Illness, Davone Tines was unable to perfom. Soloman Howard sang in his place.","Tenth Anniversary Season","Insert: \"At these concerts, Marvis Martin, soprano, will replace Frederica von Stade.\" Some of the numbers have been altered from the original program. Contains a bio for Marvis Martin and a Translation of Henri Duparc's \"Extase\" (En: Ecstacy) from the original French into English","\"Tonight's performance is dedicated to the Lincoln Center for Performing Arts on the occasion of its 25th anniversary.\" News Article: \"Music: Chamber Society\" by Bernard Holland, a review of the Friday evening program.","\"This event is part of American Music Week which is sponsered by the American Music Center\"","Newspaper Article: \"Chamber: Del Tredici\"","Insert: Typed Version of Program (Addition of an intermission, addition of a mozart piece, switch in order)","Insert: \"For the Chamber Music Society's performances on December 4 and 6, David Schiff will conduct the world premiere of his \"Solus Rex.\" Please not that INTERMISSION will follow the performance of \"Solus Rex.\" We regret that Robert Routch is unable to perform on these concerts because of illness. Micheal Ishii will play Horn III in the Dvorak Serenade and David Jolley will replace Mr. Routch in the Dvorak Serenade and the Poulenc Sextet.","Annotation indicates Brahams' Sonata was replaced with a Schubert piece","Annotation indicates André Watts was replaced by Lee Luvisi on Piano and the Grieg Sonata was replaced by Barhms' G Major Op 78","Insert: Christòpheren Nomura Bio (replace Hermann Prey late notice due to illness)","Insert and Annotaion: Mark Kaplan and Toby Hoffman appear to replace Thomas Kehetmair and Ruth Killius","Includes Program Insert: \"For tonight's performance, MICHAEL SCHADE will be replaced by WILLIAM KENDALL\"","Performances on 1998-07-14, 1998-07-15, 1998-07-18, and 1998-07-19 in Hebrew, performances on 1998-07-16, 1998-07-17 in Russian.","Program Note: \"According to performance practice of this period, the violinists and violists will stand while playing during the performance of the symphonies on all programs.\"","Program Insert: \"Please note the following cast change for this perofrmance of Little Humpbacked Horse: The role of The Humpbacked Horse will be danced by Grigory Popov. The role of Gavrilo will be danced by Maxim Zyuzin. The Horses and the Seahorses will be danced by Kamil Yangurazov \u0026 Andrey Soloviev","Three separate concerts included in program. First concert (2015-07-15, 2015-07-18) is a performance of Richard Strauss' Daphne arranged for concert. Second concert (2015-07-16) is Oliver Messiaen and Antonin Dvorak. Third concert (2015-07-17) is Beethoven's Pastoral symphony and Strauss' Symphonia Domestica.","\"In this evening's performance of Die Walkuere, the wole of Bruennhilde will be sung by Margaret Harshaw, replacing Birgit Nilsson, who is indisposed. The role of Sieglinde will be sung by Gladys Kuchta.\"","Cornell MacNeil replaces Anselmo Colzani as Rigoletto","New Production","Signed by Jesús López-Cobos, Bonaldo Giaiotti, Sherill Milnes, and Luciano Pavarotti","Not an operatic program; rather, a list of members of the benefit committee for a 1980-02-04 performance of \"Un Ballo In Maschera,\" whose program does not appear in this collection. Strouss is listed alongside his wife as a member of the benefit committee.","Program Insert: \"For this evening's performance of TOSCA the role of Cavaradossi will be sung by Ermanno Mauro, replacing Giacomo Giacomini","Program insert: In this evening's performance of \"Il Barbiere di Siviglia\", the role of Rosina will be sung by Gail Dubinbaum, replacing Julia Hamari, who is ill.","Program insert: Simon Estes, who is singing the role of Porgy, dislocated his knee in the final dress rehearsal of \"Porgy and Bess\" on Monday. As a result, he will perform this evening on crutches, necessitating some changes in the original staging.","Note from H. Strouss: \"Clarie says the misprints in the program could make it a collector's item. Actually more than two errors - but I don't remember all of them (First - Porgy + Bess).","Program insert: \"In the evening's performance of 'Porgy and Bess,' the role of Bess will be sung by Priscilla Baskerville, replacing Roberta Alexander, who is ill. \" There are signatures from Priscilla Baskerville and another, indecipherable.","Program insert: \"In this evening's performance of 'La Traviata,' the role of Violetta will be sung by Diana Soviero, replacing Anna Tomowa-Sintow, who is ill, and the role of Alfredo will be sung by Neil Rosenshein, replacing Dano Raffanti, who is also ill.","Program insert: \"The conductor for this evening's performance of LA TRAVIATA will be Richard Woitach, replacing Carlos Kleiber, who is ill.","Program insert: \"Please note the following program change: the soprano soloist will be Cheryl Studer, replacing Carol Vaness, who is ill.\"","\"In this evening's performance of Le Nozze di Figaro the role of Don Basilio will be sung by Bernard Fitch, replacing Greg Fedderly, who is ill, and the role fo Don Curzio will be sun by Anthony Laciura, replacing Tony Stevenson, who is ill.","Ildar Abdrazakov's debut performance","Metropolitan Opera Premiere","\"In this evening's performance of Aida the role of Radamès will be sung by Franco Farina, replacing Marco Berti, who is ill","\"In this evening's performance of Ernani Angela Meade will make her Metropolitan Opera debut as Elvira, replacing Sondra Radvanovsky, who is ill.","\"In this evening's performance of The Gambler the role of the General will be sung by Vladimir Ognovenko, replacing Segei Aleksashkin, who is ill.","\"In this evening's performance of Un Ballo in Maschera the role of Gustavo will be sung by Ramon Vargas, replacing Salvatore Licitra, who is ill.\"","\"The Metropolitan Opera is grateful to Marcello Giordani, who will be singing the role of Pinkerton in this evening's performance of Madama Butterfly, replacing Roberto Aronica, who is ill. Earlier today, Mr. Giordani sang the title role in La Damnation de Faust, making this a rare double appearance in one day.\"","\"In this evening's performance of Tristan und Isolde the role of Isolde will be sung by Linda Watson, replacing Katarina Dalayman, who is ill.\"","\"In this evening's performance of Les Contes d'Hoffmann, Rachele Gilmore will be making her Met debut in the role of Olympia, replacing Kathleen Kim. The role of Giulietta will be sung by Laura Vlasak Nolen, replacing Ekaterina Gubanova, and the Four Servants will be sung by Joel Sorensen, replacing Alan ke. Ms. Kim, Ms. Gubanova, and Mr. ke are ill.","\"In this evening's performance of Attila, the role of Foresto will be sung by Russell Thomas, replacing Ramón Vargas, who is ill, and the role of Uldino will be sung by Eduardo Valdes","\"Marilyn Horne will host today's Grand Finals Concert, replacing Joyce DiDonato, whose flight to New York was cancelled due to bad weather.\"","\"In this evening's performance of Der Fliegende Holländer, Lori Phillips will make her Metropolitan Opera debut as Senta, replacing Deborah Voigt, who is ill.","\"In this evening's performance of Romeo et Juliette, the role of Juliette will be sung by Hei-Kyung Hong, replacing Angela Gheorghiu, who is ill.\"","Met Opera premiere","\"In this evening's performance of Tosca, the role of Scarpia will be sung by Bryn Terfel, replacing James Morris, who is ill.\"","\"In this evening's performance of Don Giovanni, the title role will be sung by Peter Mattei, replacing Mariusz Kwiecien, who has injured his back.\"","\"In this evening's performance of The Enchanted Island, the role of Prospero will be sung by Anthony Roth Costanzo, replacing David Daniels, who is ill. The role of Ferdinand will be sung by Jeffrey Mandelbam, replacing Mr. Costanzo\"","\"In this evening's performance of Gotterdammerung, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In this evening's performance of Die Walkure, the role of Siegmund will be sung by Stuart Skelton, replacing Jonas Kaufmann, who is ill.\"","\"In this evening's performance of Siegfried, the role of Brunnhilde will be sung by Katarina Dalayman, replacing Deborah Voigt, who is ill.\"","\"In tonight's performance of Otello, Avgust Amonov will make his Metropolitan Opera debut in the title role, replacing Johan Botha, who is ill.\"","\"In this evening's performance of Les Troyens the role of Coreobus will be sung by Stephen Gaertner, replacing Dwayne Croft, who is ill.\"","\"Salvatore Cordella will make his Metropolitan Opera debut as Leicester in this evening's performance of Maria Stuarda, replacing Matthew Polenzani, who is ill.\"","\"Due to the configuration of scenery backstage, the first intermission of this performance of Turandot will last approximately 45 minutes\"","\"In this evening's performance of Die Meistersinger von Nurnberg, the role of Sxtus Beckmesser will be sung by Martin Gantner, replacing Johannes Martin Kranzle, who is ill; and the role of Fritz Kothner will be sung by Ryan McKinny, replacing Mr. Gantner.\"","Program Insert: \"In this afternoon's performance of Anna Bolena, the roleof Giovanna Seymour will be sung by Milijana Nikolic, replacing Jamie Barton, who is ill.\"","Note from H. Strouss: \"This is important program. Placido Domingo resigned from Met do [sic] to accusations of sexual misconduct. This gave a young singer a chance.\" Program insert: \"In tonight's performance of Macbeth, Craig Colclough will make his Met debut in the title role.\"","This program is a catalog of livestreamed and radio performances of the Met Opera during the 2019-20 season. It is unclear how many, if any, performances took place during Covid-19 pandemic. Placido Domingo is also listed (incorrectly) as performing in a number of performances, even after his resignation","Note from H. Strouss: \"Last event before COVID shutdown\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert entitled \"We Stand with Ukraine\"","Program Insert: \"In today's performance of Peter Grimes, Laura Wilde makes her Met debut in the role of Ellen Orford.","Program Insert: \"In today's performance of Norma, the title role will be sung by Helena Dix\"","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Members-Only Open Rehearsal","Program Notice: \"The Philharmonic-Symphony Society of New York notes with great sorrow the death of our esteemed colleague Aaron Copland...\"","Program Note: \"These performances are dedicated to the memory of Laureate Conductor Leonard Bernstein, whose legendary conducting debut with the New York Philharmonic took place on November 14, 1943.\"","\"In this performance of Madama Butterfly the role of Madama Butterfly will be sung by Maralin Niska\"","\"In this evening's performance of Mefistofele the role of Faust will be sung by Harry Theyard\"","June Anderson's debut performance","Please note the following cast changes due to injury. Symphony in C Third Movement: Samantha Allen will dance in place of Yvonne Borree. Fourth Movement: Stacey Calvert will dance in place of Samantha Allen","Episodes Guest Conductor: David Briskin. Please note the following cast changes, due to illness and injury. Vienna Waltzes: Joaquin De Luz will dance in place of Damian Woetzel","Please note the following cast change, due to illness and injry. Ana Sophia Scheller will dance in place of Carrie Lee Riggins","\"At this performance the role of Varya usually played by Priscilla Smith will be played by Suzanne Collins\"","\"At this performance the role of Flan usually played by John Cunningham will be played by Brian Evers and the role of Detective usually played by Brian Evers will be played by David Little\"","\"At this performance the role of Enoch Snow Jr. usually played by Duane Boutte will be played by Steven Ochoa","\"At this performance the role of Lt. Buzz Adams usually played by George Merrick will be played by Nick Mayo\"","\"WarHorse Welcomes to the Company Tessa Klein\"","\"At this performance the role of Cary Grant usually played by Tony Yazbeck will be played by Danny Gardner\"","\"At this performance the role of Homer usually played by Julian Rozzel, Jr. will be played by Tyrone Mitchell Henderson\""],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item], [Date of Item]. Henry Strouss Performing Arts Collection, WLU-Coll-0778, [Series number and name], [Box number], [Folder title and number]. Washington and Lee University Library Special Collections and Archives, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eIncludes 2 partial programs and photocopied newspaper articles about the event.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles and protest flyer\u003c/p\u003e","\u003cp\u003eIncludes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Latin insert\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and The Orchestra of America program\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the performance and Pittsburgh Symphony Orchestra program\u003c/p\u003e","\u003cp\u003eIncludes ticket stub\u003c/p\u003e","\u003cp\u003eAnnotation on program cover: \"I met Pablo afterwards!\"\u003c/p\u003e","\u003cp\u003eProgam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Both programs signed by Shirley Verrett\u003c/p\u003e","\u003cp\u003eProgram signed by Maureen Forrester\u003c/p\u003e","\u003cp\u003eProgram signed by Heather Harper and Jacqueline du Pré\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes an insert of program notes\u003c/p\u003e","\u003cp\u003eIncludes torn out advertisement page\u003c/p\u003e","\u003cp\u003eIncludes an insert on the Oratorio Society of New York and a newspaper review of the concert.\u003c/p\u003e","\u003cp\u003eAnnotation on back cover: \"Boston Symphony very good Brahms #2\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes texts \u0026amp; translations pamphlet and an insert about the Cleveland Orchestra\u003c/p\u003e","\u003cp\u003eIncludes newspaper review of the concert\u003c/p\u003e","\u003cp\u003eIncludes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing\u003c/p\u003e","\u003cp\u003eIncludes a photocopied newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes signatures of Gerald Moore and Dietrich Fischer-Dieskau\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludeas a newspaper article reviewing the concert and a texts and translations insert.\u003c/p\u003e","\u003cp\u003eIncludes a photocopy of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert outlining the highlights of next season.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert and an insert correcting program texts and translations.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.\u003c/p\u003e","\u003cp\u003eIncludes photocopies of a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a texts and translations pamphlet.\u003c/p\u003e","\u003cp\u003eIncludes a 2nd smaller program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes newspaper articles reviewing the concert. Program includes annotations in Hebrew.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with texts and translations.\u003c/p\u003e","\u003cp\u003eMissing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.\u003c/p\u003e","\u003cp\u003eIncludes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing a conductor and program change.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an annotation in Hebrew.\u003c/p\u003e","\u003cp\u003eContains a written annotation that the Wagner Taunhauser Overture was played.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate prorgam.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eOutlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.\u003c/p\u003e","\u003cp\u003eIncludes a booklet on the Cleveland Orchestra's records.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a program inset that corrects the conductor for later concerts.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the performance.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert detailing the change in performers.\u003c/p\u003e","\u003cp\u003eIncludes a note that the composer of the pieces performed is the conductor.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert revising the program order.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncluides an insert about June Anderson.\u003c/p\u003e","\u003cp\u003eIncluides an insert about cast substitutions.\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a flyer of other concerts in the Handel Opera Festival.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eOne of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eThere is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eProgram for a working rehearsal.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet listing the performers in this concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article reviewing the concert.\u003c/p\u003e","\u003cp\u003eIncludes an insert with the updated program.\u003c/p\u003e","\u003cp\u003eIncludes an insert describing program changes.\u003c/p\u003e","\u003cp\u003eIncludes an insert about the New York City Gay Men's Chorus holiday celebration.\u003c/p\u003e","\u003cp\u003eIncludes two inserts detailing the changes in programming.\u003c/p\u003e","\u003cp\u003eInsert Included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program book.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eNew York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eNews Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNew York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland\u003c/p\u003e","\u003cp\u003eNews Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich\u003c/p\u003e","\u003cp\u003eNews Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet.\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eInsert included.\u003c/p\u003e","\u003cp\u003eInsert included. Program annotated to indicate change in performers\u003c/p\u003e","\u003cp\u003eInsert included\u003c/p\u003e","\u003cp\u003eIncludes an insert for the evening of the 28th.\u003c/p\u003e","\u003cp\u003eContains a text and translations booklet\u003c/p\u003e","\u003cp\u003eRevised program included.\u003c/p\u003e","\u003cp\u003eIncludes a text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a text and translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an isert denoting cast change with additional information on performer\u003c/p\u003e","\u003cp\u003eIncludes text and translation booklet\u003c/p\u003e","\u003cp\u003eIncludes a note from the donor (Henry Strouss)\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003etexts pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncudes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program. Festival overview\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003ePerformance ticket included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eIncludes a duplicate program.\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate ASO program included\u003c/p\u003e","\u003cp\u003etexts \u0026amp; translations pamphlet included\u003c/p\u003e","\u003cp\u003eCarnegie Hall Playbill \u0026amp; separate Richard Tucker Foundation program included\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003econtains German translation booklet\u003c/p\u003e","\u003cp\u003eopen working rehearsal\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Vasily Petrenko bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert with a conductor change and Yannick Nézet-Séguin bio\u003c/p\u003e","\u003cp\u003eIncludes a Texts and Translations booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert with cast change\u003c/p\u003e","\u003cp\u003eContains a ticket for the evening's performance\u003c/p\u003e","\u003cp\u003eIncludes an insert about broadcasting and upcoming performances\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eIncludes 2 inserts. One is stapled to the program.\u003c/p\u003e","\u003cp\u003eIncludes an insert and a Texts and Translation Booklet\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello\u003c/p\u003e","\u003cp\u003eIncludes a ticket\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes a revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes an insert, revised program\u003c/p\u003e","\u003cp\u003eIncludes two insert, revised program and cast list\u003c/p\u003e","\u003cp\u003eContains a Calendar of Events for March 1986\u003c/p\u003e","\u003cp\u003eContains an advertisement for the Los Angeles Philharmonic\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with blue ink finger print\u003c/p\u003e","\u003cp\u003eProgram contains a crude rough sketch of an open piano and a closed piano\u003c/p\u003e","\u003cp\u003eAnnotation\u003c/p\u003e","\u003cp\u003eProgram marked with partial black and pink ink finger prints\u003c/p\u003e","\u003cp\u003eContains an insert\u003c/p\u003e","\u003cp\u003eIncludes a News Article\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article\u003c/p\u003e","\u003cp\u003eIncludes an Insert\u003c/p\u003e","\u003cp\u003eIncludes markings near May 2, 1993.\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes pen annotation\u003c/p\u003e","\u003cp\u003eIncludes an insert\u003c/p\u003e","\u003cp\u003eIncludes an Insert and an annotation\u003c/p\u003e","\u003cp\u003eIncludes Texts and Translations Booklet\u003c/p\u003e","\u003cp\u003eContains an insert - updated program\u003c/p\u003e","\u003cp\u003eContains a signature from George Shirley\u003c/p\u003e","\u003cp\u003eContains a signature from Theodor Uppman\u003c/p\u003e","\u003cp\u003eContains a signature from Justino Diaz\u003c/p\u003e","\u003cp\u003eContains signatures from Gianna D'Angelo and Nedda Casei\u003c/p\u003e","\u003cp\u003eContains a signature from Renata Tebaldi\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from John Alexander and William Dooley\u003c/p\u003e","\u003cp\u003eContains signatures from Mary Costa and Rosalind Elias\u003c/p\u003e","\u003cp\u003eContains a signature from William Dooley\u003c/p\u003e","\u003cp\u003eContains a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eContains a signature from Jon Vickers\u003c/p\u003e","\u003cp\u003eContains a signature from Cornell MacNeil\u003c/p\u003e","\u003cp\u003eContains signatures from Martina Arroyo and Elena Cernei\u003c/p\u003e","\u003cp\u003eContains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn\u003c/p\u003e","\u003cp\u003eContains a signature from Teresa Stratas\u003c/p\u003e","\u003cp\u003eContains a signature from Mirella Freni\u003c/p\u003e","\u003cp\u003eContains signatures from Mirella Freni, one signature illegible\u003c/p\u003e","\u003cp\u003eContains signatures from\u003c/p\u003e","\u003cp\u003eContains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers, Morley Meredith, and two illegible signatures\u003c/p\u003e","\u003cp\u003eContains signatures from Jon Vickers and Leonie Rysanek\u003c/p\u003e","\u003cp\u003eIncludes a signature from James McCracken\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Theodor Uppmann and Nedda Casei\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eHelge Brilioth's debut, Includes 3 inserts\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes two newspaper articles about the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from several cast members\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article about the performance\u003c/p\u003e","\u003cp\u003eIncludes 5 \"New Production\" Pamphlets\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article on the performance\u003c/p\u003e","\u003cp\u003eIncldues a signature from Montserrat Caballe\u003c/p\u003e","\u003cp\u003eIncludes an Insert - 15% off Tickets to Elektra\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, a pamphlet thanking the Met Opera's Benefit Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, an advertisement to meet Kiri Te Kanawa\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updating program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes personal notes from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet celebrating the opera's premiere and thanking the Gala Committee\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, additional program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an advertisement for a trivia event during the opera's first intermission\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes a handwritten note from Henry Strouss\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells\u003c/p\u003e","\u003cp\u003eIncludes a signature from Cynthia Clarey\u003c/p\u003e","\u003cp\u003eIncludes a signature from June Anderson\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes a newspaper article covering the performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncldues an article titled \"Parsons is shattering as Mert\"\u003c/p\u003e","\u003cp\u003eIncludes an article from Joseph Papp titled \"The Real Threepenny Opera\"\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, a list of actors playing the citizens of New Salem and Springfield\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes two inserts, an article on Tessa Klein and an updated program\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eOpening Performance\u003c/p\u003e","\u003cp\u003eIncludes an insert, cast list\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, updated program\u003c/p\u003e","\u003cp\u003eIncludes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes 2 partial programs and photocopied newspaper articles about the event.","Includes newspaper articles and protest flyer","Includes additional program detailing Stravinsky's concerts at Carnegie Hall and Town Hall.","Includes newspaper review of the performance","Includes newspaper review of the performance and Latin insert","Includes newspaper review of the performance and The Orchestra of America program","Includes newspaper review of the performance and Pittsburgh Symphony Orchestra program","Includes ticket stub","Annotation on program cover: \"I met Pablo afterwards!\"","Progam signed by Pablo Casals, Rudolf Serkin, Olga Iglesias, and Justino Diaz","Includes a duplicate program. Both programs signed by Shirley Verrett","Program signed by Maureen Forrester","Program signed by Heather Harper and Jacqueline du Pré","Includes an insert of program notes","Includes an insert of program notes","Includes torn out advertisement page","Includes an insert on the Oratorio Society of New York and a newspaper review of the concert.","Annotation on back cover: \"Boston Symphony very good Brahms #2\"","Includes a duplicate program. Includes texts \u0026 translations pamphlet and an insert about the Cleveland Orchestra","Includes newspaper review of the concert","Includes inserts about the Cleveland Orchestra and photocopies of newspaper articles with photos from the concert","Includes a duplicate program. Includes a sheet with the English translation of Hungarian text based on Psalm 55 and a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert. Annotation in the program notes that The Young Person's Guide to the Orchestra by Britten may have been played in closing","Includes a photocopied newspaper article reviewing the concert.","Includes a duplicate program. Includes German text and English translations insert for Mahler's piece as well as a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes signatures of Gerald Moore and Dietrich Fischer-Dieskau","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes a pamphlet with \"A Letter to Our Subscribers from Enrich Leinsdorf\"","Includes a newspaper article reviewing the concert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes 3 newspaper articles reviewing the concert, 1 praising Elena Suliotis' recent role as Abigaille in \"Nabucco,\" 2 recent articles from another issue, and a note marking the program which reads, \"Almost a riot. Can be found on YouTube.\"","Includes a duplicate program. Includes handwritten annotations. About Gliere's Symphony No. 3 in B Minor: \"exciting, great movement, playful.\" About Debussy's \"Ibèria,\" No. 2 from Images for Orchestra: uncertain.","Includes a texts and translations pamphlet from Mahler Symphony No. 4 in G Major","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includeas a newspaper article reviewing the concert and a texts and translations insert.","Includes a photocopy of a newspaper article reviewing the concert.","Includes an insert outlining the highlights of next season.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert and an insert correcting program texts and translations.","Includes a duplicate program.","Includes a duplicate program. Includes a newspaper article reviewing the concert. One program is also signed, \"Sincerely, Leontyne Price.\"","Includes a newspaper article reviewing the concert.","Includes two complete programs and a third partial program. Inlcudes an insert correcting the program and an insert about the New Jersey Symphony Orchestra. The two complete programs is signed by Henry Lewis and Marilyn Horne. Includes another partial program with written Hebrew annotations.","Includes photocopies of a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles noting the cast change and reviewing the concert. Program is annotated to note the change.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Includes a texts and translations pamphlet.","Includes a 2nd smaller program","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the performance.","Includes newspaper articles reviewing the concert. Program includes annotations in Hebrew.","Includes a newspaper article reviewing the concert.","Includes an insert with texts and translations.","Missing a newspaper article referenced in a note: \"Music: Radiating Luster\" from the New York Times.","Includes an insert from the American Symphony Orchestra. Program is signed by Aaron Copland.","Includes an insert describing a conductor and program change.","Includes a newspaper article reviewing the concert.","Includes an annotation in Hebrew.","Contains a written annotation that the Wagner Taunhauser Overture was played.","Includes a duplicate program. One is autographed, \"Pete: This one you should have heard! Richard Westenburg,\" \"All things to Pete, Herbert Beattie,\" \"Franco Careccia,\" and \"With thanks, Lou Ann Lee.\" The other is autographed, \"Richard Westenburg\" and \"Thanks [unknown], Franco Careccia.\"","Includes a newspaper article reviewing the concert.","Includes a duplicate program.","Includes a duplicate program.","Includes a duplicate prorgam.","Includes a duplicate program book.","Includes an insert for the evening of the 28th.","Outlines five performances in the coming 1961-62 season and their accompanying guest soloists: November 8, 1961 with Whittemore and Lowe, duo-pianists, December 6, 1961 with Robert Rudié, violinist, Virginia Babikian, Soprano, Louise Parker, Contralto, and Don Yule, Baritone, January 10, 1962 with Claudette Sorel, pianist, and Assunta Dell'Aquila, harpist, February 14, 1962 with Aldo Parisot, and March 14, 1962 with Maureen Forrester, Contralto.","Includes a booklet on the Cleveland Orchestra's records.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a program inset that corrects the conductor for later concerts.","Includes a newspaper article describing the change of conductor and reviewing the concert as well as a newspaper article describing the previous performance and change of conductor.","Includes a newspaper article reviewing the performance.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert detailing the change in performers.","Includes a note that the composer of the pieces performed is the conductor.","Includes a newspaper article reviewing the concert.","Includes an insert revising the program order.","Includes a newspaper article reviewing the concert.","Includes two newspaper articles reviewing the concert.","Incluides an insert about June Anderson.","Incluides an insert about cast substitutions.","Includes two newspaper articles reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a flyer of other concerts in the Handel Opera Festival.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an inset about the Cleveland Orchestra's 1985-86 season and a ticket for the performance bought at The Russian Tea Room.","Includes a duplicate program.","One of the ad pages contains handwritten notes saying: \"Pete and Jo: We went to this concert and then to a Thai restaurant. Peter,\" \"Pete this is the fur. Jana,\" \"Hello there! Had a great time at Watty's performance and with everyone afterwards. It's about time, we got you both. Lucas,\" \"W\"","Includes a newspaper article reviewing the concert.","There is an insert correcting that the name listed in the program to sing the Primo Cantore should read Randall Hartness.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Program for a working rehearsal.","Includes a pamphlet listing the performers in this concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes a newspaper article reviewing the concert.","Includes an insert with the updated program.","Includes an insert describing program changes.","Includes an insert about the New York City Gay Men's Chorus holiday celebration.","Includes two inserts detailing the changes in programming.","Insert Included","Insert included","Includes a duplicate program book.","Insert included","Insert included","New York Times Article included: \"The Met Opera Orchestra Without the Met Opera\"","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Insert included","Includes a duplicate program.","News Article included: \"Opera Musicians Can Share the Stage\" by Anthony Tommasini","New York Times News Article included:\"Music Review: Savoring Mahler in a Nanosecond World\" by Bernard Holland","News Article included: \"Pied Piper Who Leads March Out of the Hall\" by Anthony Tommasini","News Article included: \"Music Review: An Orchestra's Piquant Reminders of Postwar Berlin\" by James R. Oestreich","News Article included: \"Music Review: Enter Another Dazzling Mezzo\" by Anthony Tommasini","Insert included","Includes a text and translation booklet.","Insert included","Insert included.","Insert included. Program annotated to indicate change in performers","Insert included","Includes an insert for the evening of the 28th.","Contains a text and translations booklet","Revised program included.","Includes a text and translation booklet","Includes a text and translations booklet","Includes a text and translations booklet","Includes an isert denoting cast change with additional information on performer","Includes text and translation booklet","Includes a note from the donor (Henry Strouss)","Includes a duplicate program.","texts \u0026 translations pamphlet included","open working rehearsal","texts pamphlet included","texts \u0026 translations pamphlet included","texts \u0026 translations pamphlet included","Incudes a duplicate program.","Performance ticket included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","Includes a duplicate program.","Includes a duplicate program.","open working rehearsal","Includes a duplicate program. Festival overview","Includes a duplicate program.","open working rehearsal","Includes a duplicate program.","Performance ticket included","texts \u0026 translations pamphlet included","Includes a duplicate program.","Carnegie Hall Playbill \u0026 separate ASO program included","texts \u0026 translations pamphlet included","Carnegie Hall Playbill \u0026 separate Richard Tucker Foundation program included","open working rehearsal","contains German translation booklet","open working rehearsal","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an Insert","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Vasily Petrenko bio","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes a Texts and Translations booklet","Includes an insert with a conductor change and Yannick Nézet-Séguin bio","Includes a Texts and Translations booklet","Includes an Insert","Includes an Insert with cast change","Contains a ticket for the evening's performance","Includes an insert about broadcasting and upcoming performances","Includes 2 inserts","Includes Texts and Translations Booklet","Includes an Insert","Includes Texts and Translations Booklet","Includes 2 inserts. One is stapled to the program.","Includes an insert and a Texts and Translation Booklet","Includes an insert","Includes a cursive pencil annotation beside Paul Hindemith's Overture to The Flying Dutchman as Played by Bad Spa Orchestra at 7 AM by the Well with Jeremias Sergiani-Velázquez and Yurika Mok on violins, Mila Milisavljevic on viola and Susannah Chapman on cello","Includes a ticket","Includes an insert","Includes an insert","Includes a revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes a newspaper article","Includes a newspaper article","Includes an insert, revised program","Includes an insert, revised program","Includes an insert, revised program","Includes two insert, revised program and cast list","Contains a Calendar of Events for March 1986","Contains an advertisement for the Los Angeles Philharmonic","Includes an insert","Annotation","Program marked with blue ink finger print","Program contains a crude rough sketch of an open piano and a closed piano","Annotation","Program marked with partial black and pink ink finger prints","Contains an insert","Includes a News Article","Includes a newspaper article","Includes an Insert","Includes markings near May 2, 1993.","Includes pen annotation","Includes pen annotation","Includes an insert","Includes an Insert and an annotation","Includes Texts and Translations Booklet","Contains an insert - updated program","Contains a signature from George Shirley","Contains a signature from Theodor Uppman","Contains a signature from Justino Diaz","Contains signatures from Gianna D'Angelo and Nedda Casei","Contains a signature from Renata Tebaldi","Contains signatures from John Alexander and William Dooley","Contains signatures from John Alexander and William Dooley","Contains signatures from Mary Costa and Rosalind Elias","Contains a signature from William Dooley","Contains a newspaper article about the performance","Contains a signature from Jon Vickers","Contains a signature from Cornell MacNeil","Contains signatures from Martina Arroyo and Elena Cernei","Contains signatures fro Cornell MacNeil, Roberta Peters, Bonaldo Giaiotti, and Mignon Dunn","Contains a signature from Teresa Stratas","Contains a signature from Mirella Freni","Contains signatures from Mirella Freni, one signature illegible","Contains signatures from","Contains signatures from Carlo Bergonzi and Nedda Casei. One illegible signature","Contains signatures from Jon Vickers, Morley Meredith, and two illegible signatures","Contains signatures from Jon Vickers and Leonie Rysanek","Includes a signature from James McCracken","Includes a newspaper article about the performance","Includes an Insert: In this evening's performance of Die Zauberfloete, the role of the Queen of the Night will be sung by Christine Duetekom replacing Roberta Peters, who is indisposed; Belen Amparan will sing the role of the third lady replacing Nedda Casei who is indisposed","Includes a newspaper article covering the performance","Includes signatures from Theodor Uppmann and Nedda Casei","Includes two newspaper articles about the performance","Includes two newspaper articles about the performance","Helge Brilioth's debut, Includes 3 inserts","Includes a newspaper article about the performance","Includes two newspaper articles about the performance","Includes signatures from several cast members","Includes a newspaper article about the performance","Includes 5 \"New Production\" Pamphlets","Includes a newspaper article on the performance","Incldues a signature from Montserrat Caballe","Includes an Insert - 15% off Tickets to Elektra","Includes an insert, updated program","Includes two inserts, an advertisement for open Philharmonic rehersals and a pamphlet for the Save the Met Broadcasts Campaign","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, a pamphlet thanking the Met Opera's Benefit Committee","Includes an insert, an advertisement to meet Kiri Te Kanawa","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updating program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes personal notes from Henry Strouss","Includes a pamphlet celebrating the opera's premiere and thanking the Gala Committee","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, additional program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Includes an advertisement for a trivia event during the opera's first intermission","Includes an insert, updated program","Includes a handwritten note from Henry Strouss","Includes a handwritten note from Henry Strouss","Includes an insert, updated program","Includes an insert, updated program","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an article covering the performance","Includes an article covering the performance","Includes signatures from Richard Taylor, Samuel Ramey, and Patricia Wells","Includes a signature from Cynthia Clarey","Includes a signature from June Anderson","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes a newspaper article covering the performance","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, updated program","Incldues an article titled \"Parsons is shattering as Mert\"","Includes an article from Joseph Papp titled \"The Real Threepenny Opera\"","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, a list of actors playing the citizens of New Salem and Springfield","Includes an insert, updated program","Includes an insert, updated program","Includes two inserts, an article on Tessa Klein and an updated program","Opening Performance","Opening Performance","Includes an insert, cast list","Includes an insert, updated program","Includes an insert, updated program","Includes an insert, \"The 25th Anniversary of the Fall of the Berlin Wall\""],"userestrict_html_tesm":["\u003cp\u003eAccess to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Access to collections in the Special Collections and Archives is not authorization to publish. Separate written application for permission to publish must be made to Special Collections and Archives. Copyright of some items in this collection may be held by respective creators, not by the donor(s) of the collection"],"names_ssim":["Washington and Lee University, University Library Special Collections and Archives","Carnegie Hall (New York, N.Y.)","Wetzler Orchestra ","Philharmonic Society of New York","NBC Symphony Orchestra","Westminster Symphonic Choir","Little Orchestra Society","Choral Art Society","Berliner Philharmoniker","Columbia Symphony Orchestra","New York Philharmonic","Schola Cantorum (Musical group)","University of Maryland Choir","Orchestra of America","Pittsburgh Symphony Orchestra","American Opera Society","Festival Casals. Orchestra","Cleveland Orchestra. Chorus","Cleveland Orchestra","American Symphony Orchestra (New York, N.Y.)","Musica Aeterna Orchestra","Musica Aeterna Chorus","BBC Symphony Orchestra","Friends of French Opera","Boston Symphony Orchestra","Clarion Music Society","Oratorio Society of New York","Philadelphia Orchestra Association","Rutgers University. Choir","London Symphony Orchestra","Wiener Johann Strauss-Orchester","The New School","Cincinnati Symphony Orchestra","LaSalle Quartet","Concertgebouworkest","Los Angeles Philharmonic Orchestra","Collegiate Chorale","Wiener Philharmoniker","Münchener Bach-Orchester","Münchener Bach-Chor","Wiener Symphoniker","Česká filharmonie","New England Conservatory Chorus","Dessoff Choirs","Bayerischer Rundfunk. Orchester","Gosudarstvennyĭ simfonicheskiĭ orkestr SSSR","English Chamber Orchestra","Minnesota Orchestra","Hartford Symphony Orchestra","Hartford Symphony Chorale","Chicago Symphony Orchestra","New Jersey Symphony Orchestra","Chicago Symphony Chorus","Handel Society of New York","Opera Orchestra of New York","Pro Arte Festival Orchestra","Tizmoret ha-filharmonit ha-Yiśreʼelit","Leningradskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Musica Sacra (Musical group : New York, N.Y.)","Metropolitan Opera Guild","National Orchestral Association (U.S.)","Gewandhausorchester Leipzig","Detroit Symphony Orchestra","Baltimore Symphony Orchestra","New York Choral Society","Musique de la Garde républicaine de Paris","Stuttgarter Klaviertrio","Byrne Camp Chorale","Mendelssohn Club of Philadelphia","Mormon Tabernacle Choir","Orchestre de Paris","Wiener Singverein","Státní filharmonie Brno","Pražský komorní orchestr","Roger Wagner Chorale","Sacred Music Society (New York, N.Y.)","Orchestra of St. Luke's","Staatskapelle Berlin","St. Cecilia Orchestra","St. Cecilia Chorus","Tanglewood Festival Chorus","National Symphony Orchestra (New York, N.Y.)","Yale Concert Band","Wayne State University. Symphonic Chorus","Indianapolis Symphony Orchestra","Peter, Paul, and Mary (Musical group)","Cathedral of St. John the Divine (New York, N.Y.). Choir","United States Military Academy. Band","American Chamber Orchestra","Curtis Student Orchestra","St. Louis Symphony Orchestra","St. Louis Symphony Chorus","Orchestre symphonique de Montréal","London Philharmonic Orchestra","Symfonický orchestr hlavního města Prahy FOK","Worcester Chorus","Royal Philharmonic Orchestra","Rotterdams Philharmonisch Orkest","Radio-Symphonie-Orchester Berlin","Toronto Symphony","Illapu (Musical group)","Fortaleza (Musical group)","Münchner Philharmoniker","Orchestre de la Suisse romande","Boys' Choir of Harlem","Filharmonia Krakowska","Zagrebačka filharmonija","Hallé Orchestra","Chamber Orchestra of Europe","Stuttgarter Philharmoniker","Canterbury Choral Society","Staatskapelle Dresden","Princeton Pro Musica","Sveriges radios symfoniorkester","Orchestre philharmonique de Monte-Carlo","Jerusalem Symphony Orchestra","Guarneri Quartet","Buffalo Philharmonic Orchestra","SWR Radio-Sinfonieorchester Stuttgart","San Francisco Symphony Orchestra","Orchestre de Paris. Chœur","Pro Arte Chorale","Choral Arts Society of Philadelphia","New York City Gay Men's Chorus","Academy of St. Martin-in-the-Fields","Philharmonia Orchestra","National Arts Centre. Orchestra","Orchestre national d'Île-de-France","Dale Warland Singers","Piano Teachers Congress of New York","Filharmoniske selskap (Oslo, Norway). Orkester","Robert Shaw Festival Singers","Robert Shaw Festival Chorus","State Symphonic Kapelle of Moscow","Philadelphia Singers. Chorale","Orchestra and Chorus of Teatro Alla Scala","Concert Choir . of the St. Louis Children's Choirs","Rossiĭskiĭ nat︠s︡ionalʹnyĭ orkestr","Concert Chorale of New York","Philadelphia Boys Choir","Sankt-Peterburgskai︠a︡ gosudarstvennai︠a︡ filarmonii︠a︡","Tokyo College of Music Symphony Orchestra","Chorus Viennensis","Wiener Sängerknaben","New York Grand Opera Company. New York Grand Opera ","Metropolitan Opera (New York, N.Y.). Orchestra","Mariinskiĭ teatr (1991- ). Orkestr","Collegium vocale (Ghent, Belgium)","Chapelle royale de Paris (Musical group)","Robert Shaw Choral Institute. Singers","Theodore Presser Company","Arnold Schoenburg Choir (Vienna)","The United States Navy Band","Sea Chanters Chorus","Cathedral of St. John the Divine (New York, N.Y.). Chorister Boys","Zhong yang min zu yue tuan (Beijing, China)","Atlanta Symphony Orchestra","Deutsches Symphonie-Orchester Berlin","Sibelius-Akatemia (Helsinki, Finland). Sinfoniaorkesteri","Atlanta Symphony Chamber Chorus","London Sinfonietta","Dallas Symphony Chorus","Mendelssohn Choir of Pittsburgh","Metropolitan Opera (New York, N.Y.). Chorus","Budapesti Fesztiválzenekar","Bach Collegium Japan","University of Puerto Rico Centennial Chorus","Westchester Philharmonic","Manhattan Philharmonic","Russian Chamber Chorus of New York","Fathy Salama Orchestra","The Scott Choral Artists of New York City","Sweet Honey in the Rock","Musica Sacra Chorus and Orchestra","Kremerata Baltica (Musical group)","Schweizerisches Festspielorchester","American Academy in Berlin","Orquesta Sinfónica Simón Bolívar","Thurgood Marshall Academy for Learning and Social Change (Harlem, New York, N.Y.)","Mariinskiĭ teatr (1991- ). Khor","Weill Music Institute ","Brooklyn Philharmonic Symphony Orchestra","New York City Opera. Orchestra","Marilyn Horne Foundation","Orchestra barocca di Venezia","Chapelle de Québec","Orfeón Pamplonés","Saitō Kinen Ōkesutora","NHK Symphony Orchestra Tokyo","Tafelmusik Baroque Orchestra","Morgan State University. Choir","Manhattan Symphony Orchestra","Chorus la Preghiera","Europa galante (Musical group)","World Orchestra for Peace","Monteverdi Choir","Ensemble de Metales de Venezuela","West-Eastern Divan Orchestra","English Concert (Musical group)","Studio de musique ancienne de Montréal","Ensemble Matheus","PALS Children's Chorus","Manhattan Girls Chorus","Arcangelo . Arcangelo (Ensemble)","New York Choral Artists","Brooklyn Youth Chorus","Rochester Philharmonic Orchestra","Winnipeg Symphony Orchestra","Beogradska filharmonija","Teatro regio (Turin, Italy). Coro","Mahler Chamber Orchestra","Tallis Scholars","Fretwork","Distinguished Concerts International New York. DCINY","St. Michael's Church (New York, N.Y.)","Curtis Opera Theatre","Orlando Consort","Dover Quartet","Atlanta Symphony Chorus","Philharmonia Baroque Orchestra","World Projects Corporation","Trio Mediaeval","Richard Tucker Music Foundation","Accademia Bizantina","Il Pomo d'Oro","Hespèrion XXI (Musical group)","Le Concert des Nations","TENET (Musical group)","Quicksilver (Baroque music group)","MasterVoices (Musical group)","Cappella Mediterránea","Concerto italiano (Musical group)","Lorelei Ensemble","Cherry Orchard Festival Foundation","Akademie für Alte Musik Berlin","University Singers. Washington and Lee University (Washington and Lee University)","Bard Music Festival. Chorale","Opus 3 Artists","Arpeggiata (Musical group)","Accademia di Santa Cecilia. Orchestra","Guo jia da ju yuan (Beijing, China). Guan xian yue tuan","Bayerisches Staatsorchester","Bayerische Staatsoper München","Bayerische Staatsoper München. Chor","Emerson String Quartet","Les Violons du Roy","Pražský filharmonický sbor","New York Baroque Incorporated. NYBI","Clarion Choir","Jean \u0026 Jula Goldwurm Memorial Foundation","National Youth Orchestra of the United States of America. NYO-USA","Juilliard School","Juilliard Orchestra","Apollo's Fire (Musical group)","Gerda Lissner foundation","The Liederkranz Foundation","El Mundo","Concerto Köln (Musical group)","The Crossing","Arts florissants (Musical group)","Frederic Chopin International Competition","Lincoln Center for the Performing Arts","Alice Tully Hall (New York, N.Y.)","Chamber Music Society of Lincoln Center","Philharmonica Chamber Orchestra","Queens Symphony Orchestra","American Ballet Theatre","Greek Choral Society","The Canticum Novum Singers","National Chorale","The St. Paul Chamber Orchestra ","Westminster Choir","Israel Philharmonic Orchestra","BBC Concert Orchestra","The Central Band of the Royal Air Force","Red Star Red Army Chorus and Dance Ensemble","Russian State Symphony Orchestra","Lark String Quartet","Imperial Bells Ensemble of China","New York City Opera Children's Chorus","City of Birmingham Symphony Orchestra","Berlin Philharmonic Piano Quartet","Orchestra of the Royal Opera House, Covent Garden","London Symphony Chorus","Rutgers University Kirkpatrick Choir","Orchestra of the Age of Englightenment","Bartók Quartet. The Bartók Quartet","Gabrieli Quartet","Cleveland Quartet","Beaux Arts Trio","Orion String Quartet","Bill T. Jones/Arnie Zane and Company","Miami String Quartet","Alvin Ailey American Dance Theater","Royal Opera House","Gesher Theatre","The Abbey Theatre","Bolshoi Ballet","National Theatre of Scotland (Glasgow, Scotland, United Kingdom)","New Orleans Own Hot 8 Brass Band","The Blind Boys of Alabama","Théâtre des Bouffes du Nord","Royal Shakespeare Company (Stratford-upon-Avon, England)","Mariinsky Ballet","Paris Opera Ballet","Jiangsu Yancheng Acrobatic Company","Ninagawa Company","Shakespeare's Globe","Takarazuka Revue","Metropolitan Opera","Ballet Nacional de Cuba","John Curry Skating Company","Mitzi E. Newhouse Theater","Lincoln Center Theater (New York, N.Y.)","Lincoln Center Jazz Orchestra","David H. Koch Theater","New York City Opera","Teatro Nuovo","Vivian Beaumont Theater","Strouss, Henry (Henry Strouss III ), Class of 1961","Paderewski, Ignace Jan, 1860-1941","Toscanini, Arturo, 1867-1957","Heifetz, Jascha, 1901-1987","Williamson, John Finley, 1887-1964","Rachmaninoff, Sergei, 1873-1943","Enesco, Georges, 1881-1955","Menuhin, Yehudi, 1916-1999","Perlea, Jonel, 1900-1970","Sándor, György, 1912-2005","Scherman, Thomas (Thomas Kielty) (19170212-19790514)","Jonson, William (19721121)","Karajan, Herbert von (1908-04-05-1989-07-16)","Stravinsky, Igor, 1882-1971","Craft, Robert (Robert Lawson) (1923-10-20-2015-11-10)","Bernstein, Leonard, 1918-1990","Horszowski, Mieczyslaw (18920623-19930522)","Nixon, Marni (1930-02-22-2016-07-24)","Ross, Hugh (Hugh Cuthbert Melville), 1898-1990","Springmann, Fague","Bach, Johann Sebastian, 1685-1750","Dunn, Thomas, 1925-2008","Korn, Richard, 1908-1981","Whittemore, Arthur Austin (1916-10-23-1984-10-23)","Lowe, Jack (Jack Warren), 1917-1996","Steinberg, William (Hans Wilhelm), 1899-1978","Haydn, Joseph (Franz Joseph), 1732-1809","Bruckner, Anton (Josef Anton), 1824-1896","Gluck, Christoph Willibald, Ritter von, 1714-1787","Remoortel, Edouard van, 1926-1977","Hillis, Margaret, 1921-1998","Oxenburg, Allen Sven (1927-07-10-1992-07-02)","Nilsson, Birgit (19180517-20051225)","Shaw, Robert (Robert Lawson), 1916-1999","Casals, Pablo, 1876-1973","Schneider, Alexander, 1908-1993","Szell, George, 1897-1970","Firkušný, Rudolf, 1912-1994","Mozart, Wolfgang Amadeus (1756-1791)","Mahler, Gustav, 1860-1911","Lawrence, Robert, 1912-1981","Gardelli, Lamberto (19151108-19980717)","Costa, Mary","Simionato, Giulietta (19100512-20100505)","Istomin, Eugene (1925-11-26-2001-10-10)","Stern, Isaac, 1920-2001","Rose, Leonard (19180727-19841116)","Hurok, Sol, 1888-1974","Iglesias, Olga","Díaz, Justino ([1939-01-29,1940-01-29])","Serkin, Rudolf, 1903-1991","Beethoven, Ludwig van, 1770-1827","Richter-Haaser, Hans, 1912-1980","Lynn, George, 1915-1989","Verrett, Shirley (1931-05-31-2010-11-05)","Waldman, Frederic (1903-04-17-1995-12-01)","Handel, George Frideric, 1685-1759","Forrester, Maureen","Dorati, Antal (1906-04-09-1988-11-13)","Harper, Heather (Heather Mary) (1930-05-08-2019-04-22)","Du Pré, Jacqueline, 1945-1987","Gedda, Nicolai (1925-07-11-2017-01-08)","Gorr, Rita (1926-02-18-2012-01-22)","Elgar, Anne","Uppman, Theodor, 1920-2005","Leinsdorf, Erich, 1912-1993","Frank, Claude, 1925-2014","Brahms, Johannes, 1833-1897","Stokowski, Leopold (Leopold Anthony), 1882-1977","Katz, David (1924-1987)","Serebrier, José, 1938-","Gerstman, Felix, -1967","Jenkins, Newell (1915-02-08-1996-12-21)","Lee, T. Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r. (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak, Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, 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Charles, 1914-1994","Warfield, William (1920-01-22-2002-08-25)","Woodside, Lyndon","Silverstein, Joseph (Joseph Harry), 1932-2015","Eskin, Jules (Jules Louis) (1931-10-20-2016-11-15)","Laredo, Jaime","Curtin, Phyllis (1921-12-03-2016-06-05)","Valletti, Cesare","Reardon, John, 1930-1988","Ormandy, Eugene, 1899-1985","Walter, F. Austin","Bjoner, Ingrid","Rossini, Gioacchino, 1792-1868","Arroyo, Martina (19360202)","Chookasian, Lili (1921-08-01-2012-04-10)","Bergonzi, Carlo (19240713-20140725)","Kertész, István, 1929-1973","Ilosfalvy, Róbert, 1927-2009","Ashkenazy, Vladimir (Vladimir Davidovich), 1937-","Piatigorsky, Gregor, 1903-1976","Koni︠u︡s, I︠U︡. (I︠U︡liĭ), 1869-1942","Oliver, John, 1939-2018","DeVaron, Lorna Cooke, 1921-2018","Strauss, Eduard, 1910-1969","Koller, Dagmar","Kraeutler, Walter","Strauss, Johann, 1825-1899","Ghiaurov, Nicolai, 1929-2004","Wolff, Beverly","Debussy, Claude (Achille-Claude), 1862-1918","Donizetti, Gaetano (Domenico Gaetano Maria), 1797-1848","Lewis, Henry, 1932-1996","Cava, Carlo (1928-08-16-2018-09-01)","Souliotis, Elena, 1943-2004","Jones, Gwyneth, 1936-","Cherubini, Luigi, 1760-1842","Bottion, Aldo","Tree, Michael, 1934-2018","Parnas, Leslie (1931-11-11-2022-02-01)","Glickman, Loren","Rudolf, Max, 1902-1995","Hoffman, Jay K.","Kiviniemi, Aimo J., 1918-2009","Jenness, Phyllis, 1922-","Brooks, Patricia (Patricia Anne), 1933-1993","Carringer, Walter (2006-10-22)","Giaiotti, Bonaldo (1932-12-25-2018-06-12)","Arrau, Claudio, 1903-1991","Wilson, Charles M., 1931-2019","Sills, Beverly (1929-05-25-2007-07-02)","Fischer-Dieskau, Dietrich, 1925-2012","Moore, Gerald Martin","Schumann, Robert (Robert Alexander), 1810-1856","Paskalis, Kostas","Gamson, Arnold","Caballé, Montserrat (Maria de Montserrat Viviana Concepción) (1933-04-12-2018-10-06)","Schubert, Franz","Schwarzkopf, Elisabeth (Olga Maria Elisabeth Friederike) (1915-12-09-[2006-08-02,2006-08-03])","Crochet, Evelyne","Haitink, Bernard (Bernard Johan Herman), 1929-2021","Henkemans, Hans (19131223-19951229)","Mehta, Zubin (19360429)","Cliburn, Van, 1934-2013","Adler, Murray","Lowenthal, Jerome (19320211)","Laurence, Eileen","Khanzadian, Vahan","Prince-Joseph, Bruce, 1925-2015","Kaplan, Abraham, 1931-","Böhm, Karl, 1894-1981","Richter, Karl, 1926-1981","Halem, Victor von (1940-03-26)","Gilles, Marie-Louise","Kesteren, John van, 1921-2008","Boky, Colette","Sawallisch, Wolfgang, 1923-2013","Slovák, Ladislav, 1919-1999","Dvorak, Antonin","Smetana, Bedřich, 1824-1884","Smith, Gregg (1931-08-21-2016-07-12)","Self, William","Solomon, Izler, 1910-1987","Ricci, Ruggiero, 1918-2012","Webern, Anton (Anton Friedrich Wilhelm von), 1883-1945","Cillario, Carlo Felice (19150207-20071213)","Callas, Maria, 1923-1977","Milanov, Zinka (1906-05-17-1989-05-30)","Ravel, Maurice (Joseph Maurice), 1875-1937","Falla, Manuel de, 1876-1946","Glière, Reinhold Morit︠s︡evich, 1875-1956","Weissenberg, Alexis (Alexis Sigismond) (1929-07-26-2012-01-08)","Ferras, Christian, 1933-1982","Verdi, Giuseppe","Ross, Elinor, 1926-2020","Vogt, Richard","Otterloo, Willem van (19071227-19780727)","Franck, César (César-Auguste-Jean-Guillaume-Hubert), 1822-1890","Newmark, John (1904-06-12-1991-10-17)","Tucci, Gabriella (1929-08-04-2020-07-09)","Baker, Janet, 1933-","Duval, Pierre, (Tenor)","Talvela, Martti (19350204-19890722)","Bonynge, Richard (1930-09-29)","Sutherland, Joan (Joan Alston), 1926-2010","Fischer, Annie (1914-07-05-1995-04-11)","Francescatti, Zino (Zino René-Charles), 1902-1991","Walton, William (William Turner), 1902-1983","Tchaikovsky, Peter Ilich, 1840-1893","Mandac, Evelyn","Litton, James H.","McCollum, John","Berberian, Ara (1930-05-14-2005-02-21)","Cleva, Fausto (19020517-19710806)","Tebaldi, Renata (1922-02-01-2004-12-19)","Saciuk, Andrzej","Previn, André (André George), 1929-2019","Novaes, Guiomar (1895-02-28-1979-03-07)","Tyler, Veronica","Paray, Paul, 1886-1979","Entremont, Philippe (1934-06-07)","Smith, William, 1924-1993","Wagner, Richard, 1813-1883","Sollberger, Sophie, 1934-","Bonazzi, Elaine (1936?-2019-01-29)","Sokol, Thomas A., 1929-","Shetler, Norman","Kubelík, Rafael, 1914-1996","Janáček, Leoš, 1854-1928","Weber, Carl Maria von (Carl Maria Friedrich Ernst von), 1786-1826","Hindemith, Paul, 1895-1963","Endich, Saramae","Milnes, Sherrill (19350110)","Munch, Charles, 1891-1968","Jochum, Eugen (19021101-19870326)","Svetlanov, Yevgeny, 1928-2002","Rostropovich, Mstislav, 1927-2007","Mussorgsky, Modest Petrovich, 1839-1881","Shostakovich, Maxim, 1938-","Sokolov, Grigoriĭ, 1950-","Shostakovich, Dmitriĭ Dmitrievich, 1906-1975","Giulini, Carlo Maria (1914-05-09-2005-06-14)","Barenboim, Daniel, 1942-","Zukerman, Pinchas, 1948-","Allen, Betty, 1927-2009","Markevitch, Igor, 1912-1983","Strauss, Richard, 1864-1949","Killmer, Nancy","Garniez, Nancy","Villa-Lobos, Heitor (1887-03-05-1959-11-17)","Rorem, Ned, 1923-2022","Tilson Thomas, Michael, 1944-","Wolf, Hugo (Hugo Filipp Jakob), 1860-1903","Boulez, Pierre, 1925-2016","Lane, Louis (Louis G.) (1923-12-25-2016-02-15)","Semkow, Jerzy, 1928-2014","Skrowaczewski, Stanisław (Stanisław Paweł Stefan Jan Sebastian), 1923-2017","Trautwein, George William (1927)","Winograd, Arthur (1920-04-22-2010-04-22)","Solti, Georg, 1912-1997","Mazer, Henry, 1918-2002","Scovotti, Jeanette","Simon, Joanna, 1940-","Riegel, Kenneth (19380419)","Patrick, Julian, 1927-2009","Cortez, Viorica (1935-12-26)","Cochran, William (1943-06-23)","Carmeli, Boris (1928-04-23-2009-07-31)","Horne, Marilyn (1934-01-16)","Lupu, Radu, 1945-2022","Price, Leontyne (Mary Violet Leontyne) (1927-02-10)","Garvey, David, 1922-1995","Simon, Stephen (Stephen Anthony), 1937-2013","Morell, Barry","Estes, Simon (1938-02-02)","Blegen, Judith (19410427)","Steffan, Sofia","Quilico, Louis","Lo Monaco, Jerome (1925-2002)","Walker, Mallory (1935-05-22)","Nelson, John, 1941-","Cassilly, Richard, 1927-1998","Ellis, Brent","Ostendorf, John, 1945-","Berlioz, Hector, 1803-1869","Parsons, Geoffrey (Geoffrey Penwill) (1929-06-15-1995-01-26)","Zanetti, Miguel","Katz, Martin (Martin E.), 1945-","Burrows, Stuart (1933-02-07)","Stella, Antonietta (19290315)","Manuguerra, Matteo (1924-10-05-1998-08-23)","Carter, Elliott (Elliott Cook), 1908-2012","Dougherty, Lee","Dale, Clamma (1948-07-04)","Tal, Josef, 1910-2008","Bloch, Ernest, 1880-1959","Maazel, Lorin, 1930-2014","Siepi, Cesare (19230210-20100705)","Veasey, Josephine (1930-07-10-2022-02-22)","Savoie, Robert, 1927-2007","Soyer, Roger (1939-09-01)","Gniewek, Raymond, 1931-","Brozzesi, Franco","Plishka, Paul, 1941-","Aks, Harold","Abbado, Claudio (1933-06-26-2014-01-20)","Mravinsky, Yevgeny, 1903-1988","Tretʹi︠a︡kov, Viktor, 1946-","Arkhipova, Irina, 1925-2010","Westenburg, Richard","Bogard, Carole","Collins, Daniel, (Countertenor)","Bressler, Charles (1926-04-01-1996-11-28)","Anderson, Richard, (Bass)","Bruson, Renato (19360113)","Eda-Pierre, Christiane (1932-03-24-2020-09-06)","West, Jon Fredric, 1952-","Di Stefano, Giuseppe, 1921-2008","Sutherland, Robert, (Pianist)","Ludwig, Christa (1928-03-16-2021-04-24)","Pruett, Jérôme","Barzin, Leon (1900-11-27-1999-08-29)","Glaze, Gary","Masur, Kurt (1927-07-18-2015-12-19)","Lorenz, Siegfried, 1945-","Reger, Max, 1873-1916","Magad, Samuel, 1932-","Zeitlin, Ralph William","Still, Ray (19200312-20140312)","Hesse, Ruth","Ulfung, Ragnar (Ragnar Sigurd), 1927-","Hamari, Julia (19421121)","McCoy, Seth, 1928-1997","Ceccato, Aldo","Hollander, Lorin, 1944-","Bamert, Matthias (19420705)","Page, Robert (Robert Elza), 1927-2016","Kurtz, Eugene, 1923-2006","Lewis, William (William L.), 1931-","Perlman, Itzhak, 1945-","Comissiona, Sergiu (1928-20050305)","Prokofiev, Sergey (Sergey Sergeyevich), 1891-1953","Menuhin, Hephzibah, 1920-1981","Kraus, Alfredo","Elvira, Pablo, 1937-2000","Akiyama, Kazuyoshi, 1941-","Davenny-Wyner, Susan","De Cormier, Robert (Robert Romeo) (1922-01-07-2017-11-07)","Brendel, Alfred (1931-01-05)","Boutry, Roger (1932-02-27-2019-09-07)","Mendelssohn-Bartholdy, Felix, 1809-1847","Schröder-Feinen, Ursula","Tyl, Noel, 1936-","Copland, Aaron, 1900-1990","Rabbai, Joseph","Anagnost, Dino","Scotto, Renata, 1934-","Madden, Donald, 1933-1983","Aler, John (19491004)","Burchinal, Frederick (1948-12-07)","Harris, Roy, 1898-1979","Quivar, Florence (1944-03-03)","Davis, Eileen, (Mezzo-soprano)","Leonhard, Monika, 1942-","Kussmaul, Rainer","Hahn, Klaus-Peter, 1944-","Domingo, Plácido, 1941-","Bumbry, Grace, 1937-2023","Bergquist, Eleanor","Chudy, Natalya","Rampal, Jean-Pierre, 1922-2000","Zukerman, Eugenia","Sanders, Samuel (19370627-19990709)","Lauridsen, Beverly (1945-1994)","Armstrong, Sheila (19420813)","Davis, Colin (Colin Rex), 1927-2013","Ozawa, Seiji, 1935-","Liszt, Franz, 1811-1886","Larrocha, Alicia de (1923-05-23-2009)","Bailey, Norman (Norman Stanley), 1933-2021","Martin, Janis (Janis Lenere) (19390816-20141214)","Ottley, Jerold D. (Jerold Don) (1934-04-07)","Ripplinger, Donald (Donald Hilton) (1927)","Schreiner, Alexander, 1901-1987","Cundick, Robert (Robert Milton), 1926-2016","Longhurst, John (1940)","Levine, James, 1943-2021","Ewing, Maria (Maria Louise) (1950-03-27-2022-01-09)","Flummerfelt, Joseph (Joseph Ross) (1937-02-24-2019-03-01)","Minton, Yvonne (19381204)","Ward, David, 1922-1983","Dam, José van (1940-08-25)","Froschauer, Helmuth (1933-09-22-2019-08-18)","Tomowa-Sintow, Anna, 1941-","Baltsa, Agnes (1944-11-19)","Krenn, Werner","Freni, Mirella, 1935-2020","Cossotto, Fiorenza (19350422)","Beattie, Herbert, 1926-2019","Careccia, Franco","Lee, Lou Ann","Taylor, Rose (Rose Audrey) (19450401-20130914)","Gilels, Emil (1916-10-19-1985-10-14)","Rintzler, Marius","Swing, Peter Gram","Brooks, Tamara (1941-09-11-2012-05-19)","Hanson, Donald, (Conductor)","Waldhans, Jiři, 1923-1995","Bělohlávek, Jiří (1946-02-24-2017-05-31)","Krajný, Boris (1945-11-28)","Wagner, Roger, 1914-1992","Hendricks, Barbara (1948-11-20)","Albin, Gene (Gene V.), 1934-","Lebherz, Louis","Hurwood, Bonnie","Haywood, Lorna","Love, Shirley (1940-01-06)","Norman, Jerold","Smith, Malcolm, 1933-","Mickelson, Randolph","Masini, Gianfranco","Kenny, Yvonne (19501125)","Palmer, Felicity (19440406)","Gelber, Bruno-Leonardo, 1941-","Levitt, Arthur, 1931- ","Weill, Sandy","Wolfensohn, James D.","Bass, Robert, 1953-2008","Randolph, David (19141221-20100512)","Goodwin, John Daly","Carneiro, Joana, 1976-","Coorey, Matthew, 1973-","Johns, Kynan","Lehner, Manfred Hermann","Zhang, Xian, 1973-","Rattle, Simon, 1955-","Carey, Eric","Roset, Julie","Switzer, Erika","Kreisler, Fritz, 1875-1962","Lamson, Carl (1878-11-27-1966-03)","Gould, Morton, 1913-1996","Burton, Philip (Philip Henry), 1904-1995","Geer, Will (1902-03-09-1978-04-22)","Rodgers, Gaby","Martin, Ian, 1912-1981","O'Casey, Sean, 1880-1964","Parisot, Aldo (Aldo Simões) (1918-09-30-2018-12-29)","Sorel, Claudette, 1932-1999","Rudié, Robert (1919-2012-03-04)","Kempff, Wilhelm, 1895-1991","Druian, Rafael (19220120-20020906)","Robison, Paula (1941-06-08)","Isepp, Martin","Prey, Hermann, 1929-1998","Edwards, Ryan","Pfitzner, Hans (Hans Erich), 1869-1949","Gagnon, Roland","Hirst, Grayson","Belling, Susan","Porrello, Joseph","Metcalf, William, 1934-1997","Giovaninetti, Reynald","Floyd, Alpha","Kubiak, Teresa, 1937-","Howell, Gwynne (Gwynne Richard) (19380613)","Von Stade, Frederica (19450601)","Berman, Lazar (19300226-20050206)","Busoni, Ferruccio, 1866-1924","Popp, Lucia (1939-11-12-1993-11-16)","Glinka, M. I. (Mikhail Ivanovich), 1804-1857","Scriabin, Aleksandr Nikolayevich, 1872-1915","Vishnevskai︠a︡, Galina (Galina Pavlovna), 1926-2012","Knie, Roberta (1938-03-13-2017-03-16)","Demus, Jörg (Jörg Wolfgang), 1928-2019","Sousa, John Philip, 1854-1932","Brion, Keith (1933-07-09)","Nagel, Robert (Robert Earl) (1924-9-29-2016-06-05)","Swallow, John (John Warner), 1924-2012","Watts, Andre (1946-06-20-2023-07-12)","Weikl, Bernd (1942-07-29)","Söderström, Elisabeth (Anna Elisabeth), 1927-2009","Grobe, Donald (1929-12-16-1986-04-01)","Zoghby, Linda","Massenet, Jules, 1842-1912","Martinovich, Boris","Kniplová, Naděžda (1932-04-18-2020-01-14)","Schoenberg, Arnold, 1874-1951","Gottschalk, Louis Moreau","List, Eugene, 1918-1985","Savant, Victor","Shookhoff, William","Tenzi, Fausto","Verdejo, Awilda","Estes, Richard, 1948-","Ricciarelli, Katia (1946-01-16)","Hinds, Ruby","Gonzalez, Dalmacio (1945-05-12)","Johns, William, 1940-","Davis, Osceola","Muti, Riccardo (1941-07-28)","Buchanan, Isobel","Varady, Julia","Suzuki, Hidetaro, 1937-","Mroz, Leonard (Leonard Andrzej)","Gulyás, Dénes (1954)","Kazaras, Peter (1956)","Maurice, Glenda (1939-12-16-2013-4-16)","Britton, David, (Tenor)","Opalach, Jan (19500902)","Devia, Mariella (1948)","Delibes, Léo (Clément Philibert Léo), 1836-1891","Rao, Doreen","Bernard, Annabelle","Hancock, Gerre (Gerre Edward), 1934-2012","Castro Alberty, Margarita","Yarrow, Peter, 1938-","Stookey, Paul (Noel Paul), 1937-","Travers, Mary (Mary Allin), 1936-2009","Moore, Undine S. (Undine Smith) (1904-08-25-1989-02-06)","Halley, Paul (1952)","Randall, Tony (1920-02-26-2004-05-17)","Boito, Arrigo, 1842-1918","Andrade, Rosario","Rice, Laura Brooks","Hong, Hei-Kyung","deVaughn, Alteouise","Creech, Philip (1950-06-01)","Woodley, Arthur (1949)","Margalit, Israela (1944)","Behrens, Hildegard (1937-02-09-2009-08-18)","Vejzović, Dunja, 1943-","Dvorský, Peter, 1951-","Bogart, John-Paul (1952-09-17)","Sessions, Roger (Roger Huntington), 1896-1985","Spierer, Léon","Atzmon, Moshe","Patanè, Giuseppe, 1932-1989","Krilovici, Marina","Blake, Rockwell (1951-01-10)","Renzetti, Donato, 1950-","Burns, Stephen, 1959-","Phillips, Daniel (1960)","Phillips, Todd, (Violinist)","Anderson, June, 1952-","Roloff, Roger","Tokody, Ilona","Crafts, Edward","Barker, Charles","Rogoff, Rony","Ginastera, Alberto, 1916-1983","Boozer, Brenda","Weikert, Ralf","Cuberli, Lella (1945-09-29)","Merritt, Chris (Chris Allan), 1952-","Davis, Andrew, 1944-","Kahane, Jeffrey, 1956-","Gielen, Michael (Michael Andreas), 1927-2019","Kramer, Jonathan D. (Jonathan Donald), 1942-2004","Putnam, Ashley (1952-08-10)","Masterson, Valerie","Marriner, Neville (1924-04-15-2016-10-02)","Kocsis, Zoltán (1952-05-30-2016-11-06)","Pollini, Maurizio, 1942-","Neumann, Václav, 1920-1995","Leech, Richard, (Tenor)","Wilson, Neil, 1956-2000","Slatkin, Leonard (Leonard Edward) (1944-09-01)","Elgar, Edward (1857-06-02-1934-02-23)","Adams, John (John Coolidge), 1947-","Comet, Catherine","Montgomery, Kenneth","Thomas, Ambroise (Charles Louis Ambroise), 1811-1896","Rolandi, Gianna","McCauley, Barry (1950-06-25-2001-10-10)","Mack, John (John W.) (1927-10-30-2006-07-23)","Majeske, Daniel (Daniel Harold) (1932-09-17-1993-12-01)","Geber, Stephen","Vernon, Robert, (Violist)","Monk, Allan (19420819)","Dimitrova, Gena Macheva, 1941-2005","Stoltzman, Richard (1942-07-12)","Miranda, Sharon Moe","Marková, Jiřina","Wenkel, Ortrun","Dutoit, Charles (19361007)","Petkov, Dimitŭr, 1938-","Tennstedt, Klaus, 1926-1998","Cappuccilli, Piero (19291109-20050712)","Jones, Gwendolyn, (Mezzo-soprano)","Mackerras, Charles, 1925-2010","Gall, Jeffrey (1950-09-19)","Honegger, Arthur (Oscar-Arthur), 1892-1955","Marier, Theodore (Theodore Norman) (1912-10-17-2001-02-24)","Blahušiaková, Magdaléna","Sylvester, Michael, 1955-","Kusnjer, Ivan, 1951-","Leppard, Raymond (Raymond John) (1927-08-11-2019-10-22)","Kavrakos, Dimitri","Troyanos, Tatiana (1938-09-12)","Berg, Alban, 1885-1935","Hagegård, Håkan (1945-11-25)","Battle, Kathleen","Neikrug, Marc (Marc Edward), 1946-","Jin, Li, 1969-","Bruch, Max (Max Christian Friedrich), 1838-1920","Conlon, James, 1950-","Chailly, Riccardo, 1953-","Mintz, Shlomo, 1957-","Ameling, Elly (19340208)","Bouleyn, Kathryn","Lalo, Édouard (Édouard-Victoire-Antoine), 1823-1892","Vento, Marc, 1936-","Ciurca, Cleopatra","Myers, Lorna","Cole, Vinson (1950-11-21)","Jacobs, René (1946)","Taylor, Janice","Albert, Donnie Ray","Schafer, R. Murray (Raymond Murray) (1933-07-18-2021-08-14)","Dohnányi, Christoph von","Valentin, Dave (1952-04-29-2017-03-08)","Mauceri, John (1945-09-12)","Jordan, Armin (1932-04-09-2006-09-20)","Holliger, Heinz (1939-05-21)","Faulkner, Julia","Wheeler, Kimball (194u)","Chopin, Frédéric (Frédéric François), 1810-1849","Lloyd Webber, Andrew, 1948-","McGovern, Maureen (Maureen Therese) (1949-07-27)","Hillyer, Kazuko","Caddick, David","Turnbull, Walter J. , Dr.","Penderecki, Krzysztof (Krzysztof Eugeniusz), 1933-2020","Ma, Yo-Yo, 1955-","Strugała, Tadeusz, 1935-","Szymanowski, Karol, 1882-1937","Di Domenico, Dino","Wild, Earl (19151126-20100123)","Dešpalj, Pavle (1934-06-18)","Dešpalj, Valter","Sorkočević, Luka, 1734-1789","Beňačková-Čápová, Gabriela (1944-03-25)","Glassman, Allan","Dutilleux, Henri, 1916-2013","Milcheva, Aleksandrina (19340927)","Curry, Diane","Lamberti, Giorgio, 1938-","Gordon, David, 1947-","Toradze, Alexander","St. Clair, Carl (Carl Ray) (19520605)","Verrot, Pascal, 1959-","Hines, Jerome, 1921-2003","Harrell, Lynn (1944-01-30-2020-04-27)","Vivaldi, Antonio, 1678-1741","Lutosławski, Witold, 1913-1994","Parker, Jon Kimura, 1959-","Britten, Benjamin (Edward Benjamin), 1913-1976","Zimmermann, Frank Peter (1965)","Bizet, Georges (Georges Alexandre César Léopold), 1838-1875","Mehlig, Karl","Barber, Samuel (Samuel Osborne), 1910-1981","Matthus, Siegfried (1934-04-13)","Hauschild, Wolf-Dieter, 1937-","Licad, Cecile, 1961-","Walker, Charles Dodsley (1920-03-16-2015-03-21)","Barron, Jennifer","Burgess, Mary, (Mezzo-soprano)","Frager, Malcolm (19350115-19910620)","Schmidl, Peter","Henze, Hans Werner, 1926-2012","Bychkov, Semyon, 1952-","Fauré, Gabriel (Gabriel Urbain), 1845-1924","Kodály, Zoltán, 1882-1967","Larson, Sophia","McNair, Sylvia, (Soprano)","Cohen, Franklin, 1946-","Glass, Philip (1937-01-31)","Meyerbeer, Giacomo, 1791-1864","Slade, Frances F.","Mims, Marilyn, 1962-","Damrosch, Leopold, 1832-1885","Kalt, Frederic","Poppen, Diemut","Lester, Richard, 1959-","Giordano, Umberto, 1867-1948","Polozov, Vi︠a︡cheslav","Salvadori, Antonio, 1949-2006","Salonen, Esa-Pekka, 1958-","Lin, Cho-Liang, 1960-","Blomdahl, Karl-Birger, 1916-1968","Nielsen, Carl, 1865-1931","Ochman, Wiesław (1937-02-06)","Foster, Lawrence, 1941-","Labèque, Katia ([1950-03-03,1950-03-11])","Labèque, Marielle (1952-03-06)","Dukas, Paul (Paul Abraham), 1865-1935","Spohr, Louis, 1784-1859","Ben-Haim, Paul, 1897-1984","Temirkanov, I︠U︡. (19381210)","Pavlovsky, Eduardo A. (Eduardo Alejo) (1933-12-10-2015-10-04)","Quipildor, Zamba","Warrick-Smith, Pamela","Ramírez, Ariel (1921-09-21-2010-02-18)","Poulenc, Francis (Francis Jean Marcel), 1899-1963","Zinman, David (19460709)","Bunin, Stanislav, 1966-","Glazunov, Aleksandr Konstantinovich, 1865-1936","Bellini, Vincenzo, 1801-1835","Tumagian, Eduard","Giacomini, Giuseppe (1940-09-07-2021-07-28)","Todisco, Nunzio","Brister, Wanda","Marton, Eva (1943-06-18)","Cairns, Christine","Rouillon, Philippe","Meier, Waltraud (19560109)","Oldham, Arthur (Arthur William), 1926-2003","Roark-Strummer, Linda (1952)","D'Intino, Luciana (1959)","Folse, Bart","Coni, Paolo","Millo, Aprile","Perahia, Murray (1947-04-19)","Ax, Emanuel (19490608)","Norman, Jessye (1945-09-15-2019-09-30)","Deibler, Seán","Persichetti, Vincent (Vincent Ludwig), 1915-1987","Bronfman, Yefim (1958-04-10)","Lourié, Arthur (Arthur Vincent), 1892-1966","Midori, 1971-","Miller, Gary, (Conductor)","Marc, Alessandra","Sinopoli, Giuseppe (1946-11-02-2001-04-21)","Herbig, Gunther (1931-11-30)","Chmura, Gabriel (1946)","Schuman, Patricia, 1954-","Mentzer, Susanne (19570121)","Stairs, Michael (Michael Ondon) (2018-08-11)","Uchida, Mitsuko, 1948-","Finley, David-Marc","Kulko, Oleg","Järvi, Neeme (1937-06-07)","Kitaenko, Dmitriĭ (Dmitriĭ Georgievich) (19400818)","Viardo, Vladimir, 1949-","Catalani, Alfredo, 1854-1893","Tortelier, Paul, 1914-1990","Chung, Kyung-Wha, 1948-","Wernick, Richard (Richard F.), 1934-","Wagenaar, Johan, 1862-1941","Argerich, Martha, 1941-","Sylvan, Sanford (Sanford Mead) (1953-12-19-2019-01-29)","Hvorostovsky, Dmitri (Dmitri Aleksandrovich) (1962-10-16-2017-11-22)","Arkadʹev, M. A. (Mikhail Aleksandrovich) (1958-03-15)","Johnson, Sigrid","Stewart, Thomas, 1928-2006","Awerbuch (2001-08-26)","Giles, James, 1967-","Brooks, Muriel (1921)","Eschenbach, Christoph (19400220)","Serkin, Peter (Peter Adolf), 1947-2020","Janicello, Mark (1962-11-03)","Rowland, Martile","Mora, Fernando de la (1958-06-07)","Romani, Felice, 1788-1865","Vaughan Williams, Ralph (1872-1958)","Fassabaender, Brigitte (1939)","Rands, Bernard (1934-03-02)","Sotin, Hans (1939-09-10)","Imai, Nobuko (1943)","Wakasugi, Hiroshi, 1935-2009","Miki, Minoru, 1930-2011","Blackwell, Harolyn","Tippett, Micheal (1905-01-02-1998-01-08)","Ravina, Oscar","Pritchard, Lee H. ","McCartney, Paul (19420618)","Davis, Carl, 1936-","Jansons, Mariss (Mariss Ivars Georgs), 1943-2019","Zimmerman, Frank Peter (1965-02-27)","DePreist, James (James Anderson), 1936-2013","Heltay, Laszlo","Kaiser, Amy","Charbonneau, Pierre, 1944-","Swensen, Robert (1961)","Fleming, Renée (19590214)","Rozhdestvensky, Sasha (1970)","Leoncavallo, Ruggiero, 1858-1919","Dessì, Daniela (1957-05-14-2016-08-20)","Takemitsu, Tōru (1930-10-08-1996-02-22)","Schuman, William, 1910-1992","Westhoven, Krine, Jr. (1931-03-07-1997-07-30)","Welser-Möst, Franz (19600816)","Corigliano, John (John Paul), 1938-","Hayes, David, 1963-","Gabbiani, Roberto","Columbus, Christopher","Sparfeld, Ethelyn ","Davies, Peter Maxwell, 1934-2016","Orff, Carl, 1895-1982","Dent, Karl","Pletnev, Mikhail, 1957-","Feinburg , Alan","Ran, Shulamit, 1949-","Kisin, Evgeniĭ, 1971-","Schwarz, Gerard, 1947-","Paul, Thomas, 1934-","Kunde, Gregory (1954)","Moosdorf, Otto-Georg","Kalichstein, Joseph (1946-01-15-2022-03-31)","Vaness, Carol (1952-07-27)","Hellekant, Charlotte","Berio, Luciano, 1925-2003","Ohlsson, Garrick (19480403)","Pasternack, Benjamin","Grenke, David","Burenin, V. (Viktor), 1841-1926","Klein, Gideon, 1919-1945","Ullmann, Viktor (18980101-19441018)","Hamilton, Robert G.","Lipovšek, Marjana (1946)","Starker, Janos (1924-07-05-2013-04-28)","Akigishi, Hirohisa, 1962-","Hirokami, Junʼichi, 1958-","Weill, Kurt (Julian Kurt), 1900-1950","Marschik, Peter (1958)","Esposito, Valeria, 1961-","Rossi, Gaetano, 1774-1855","Goerke, Christine","Luxon, Benjamin (19370324)","Royer, Alphonse, 1803-1875","La Selva, Vincent (1929-09-17-2017-10-09)","Walsh, Mary","Vaëz, Gustav (1812-12-06-1862-03-12)","Williams, Janet, 1965-","Larmore, Jennifer (1958-06-21)","Sacchéro, Giacomo","D'Auria, Diego","Futral, Elizabeth","Cross, Gregory (1960)","Voigt, Deborah","Stone, William (1944-03-12)","Humphrey, Jon, (Tenor)","Borland, William, (Baritone)","López-Cobos, Jesús (1940-02-25-2018-03-02)","Schiff, András (19531221)","Bartoli, Cecilia (19660604)","Gergiev, Valeriĭ, 1953-","Herreweghe, Philippe","Maw, Nicholas (John Nicholas) (19351105-20090519)","Mørk, Truls, 1961-","Nordheim, Arne (1931-06-20-2010-06-05)","Simpson, Marietta (1954)","Grossman, Jerry (Jerry Michael) (1950-12-15)","Price, Margaret, 1941-2011","Ouzounian, Michael","Campo, Eduardo del","Milliet, Paul, 1848-1924","Tomšič-Srebotnjak, Dubravka, 1940-","Hampson, Thomas (19550628)","Focile, Nuccia (1959)","Leĭferkus, Sergeĭ (Sergeĭ Petrovich), 1946-","Uhlenhopp, John","Borodina, Olʹga","McNally, Terrence (1939-11-03-2020-03-24)","Krása, Hans, 1899-1944","Hunt Lieberson, Lorraine, 1954-2006","Cooper, Imogen ([1949-08-28,1949-08-29])","Morrell, Gareth, 1956-","Gershwin, George, 1898-1937","Galway, James (1939-12-08)","Liebermann, Lowell (19610222)","Guelfi, Carlo","Solzhenitsyn, Ignat","Terfel, Bryn (19651109)","Josefowicz, Leila, 1977-","Mercadante, Saverio (Giuseppe Saverio Raffaele), 1795-1870","Kremer, Gidon, 1947-","Ganassi, Sonia (1967)","Di Renzi, Richard","Eaglen, Jane (1960-04-04)","Sweet, Sharon","Hadley, Jerry (1952-06-16-2007-07-18)","Miles, Alastair (1961-07-11)","Rogé, Pascal (19510406)","Collard, Jean-Philippe, 1948-","Frank, Pamela (1967-06-20)","Ortner, Erwin, 1947-","Grant Murphy, Heidi (1966)","Cage, John (John Milton) (1912-09-05-1992-08-12)","Labelle, Dominique (1960)","Hart, Mary Ann","Tharp, Steven","Clement, Richard","West, Jayne","Maddalena, James (1954)","Studer, Cheryl (19551024)","Chafin, Robert, 1963-","Dillon, Martin","Chang, Sarah (1980-12-10)","Zacharias, Christian (19500427)","Shaham, Gil, 1971-","Mackenzie, Norman, (Pianist, Conductor)","Bonney, Barbara (1956-04-14)","Otter, Anne Sofie von (1955-05-09)","Sabbatini, Giuseppe","Hughes, Raymond (1952)","Harnoncourt, Nikolaus (1929-12-06-2016-03-05)","Orgonasova, Luba (1961-01-22)","Remmert, Birgit","Mills, Mary (Mary Elizabeth Mills) (1964)","Ragin, Derek Lee","Williams, Bradley (1965)","Schaldenbrand, Christopher","Bär, Olaf, 1957-","Siukola, Heikki","Connell, Elizabeth","Argento, Dominick (1927-10-27-2019-02-20)","Oue, Eiji (1956-10-03)","Bingxu, Hu","Song, Fei, 1969-","Wu, Yuxia","Gunn, Nathan","Upshaw, Dawn (19600717)","Margison, Richard, 1953-","Ansell, Steven","Chausow , Robert","Fricker, Daniel","Reiser, Niki","Bollag, Josef","Clift, Karen","Zimerman, Krystian (1956-12)","Gatti, Daniele, 1961-","Stutzmann, Nathalie (1965)","Schäfer, Christine, 1965-","Siegel, Jeffrey","Haza, Luis","Tetzlaff, Christian, 1966-","Martin, Douglas, (Musician)","Kasarova, Vesselina (19650718)","Bell, Joshua, 1967-","Grieg, Edvard, 1843-1907","Rimsky-Korsakov, Nikolay, 1844-1908","Berg, Nathan, 1972-","Flanigan, Lauren","Poretsky, Susana","Ward, Perry","Ikaia-Purdy, Keith","Simpson, Gary (Robert Gary), 1959-","Ligeti, György, 1923-2006","Vengerov, Maksim (1974-08-20)","Panula, Jorma (1930-08-10)","Ziesak, Ruth (1963)","Salerno-Sonnenberg, Nadja (1961-01-10)","Hough, Stephen, 1961-","Wigglesworth, Mark, 1964-","Ziegler, Delores","Holzmair, Wolfgang, 1952-","Ainsley, John Mark (19630709)","Meoni, Giovanni","Amiliato, Fabio","Tan, Dun, 1957-","Sviridov, Georgiĭ, 1915-1998","Gilad, Jonathan","Larsson, Anna, (Contralto) (1966-09-10)","Grossmann, Agnes, (Choral conductor)","Isaac, Heinrich, approximately 1450-1517","Delfs, Andreas","Babbitt, Milton","Banse, Juliane, 1965-","Järvi, Paavo, 1962-","Ledbetter, Victor","Brewer, Christine, 1960-","Silja, Anja (19400417)","Forbis, Clifton","Alexander, Roberta (1949-03-03)","Mutter, Anne-Sophie, 1963-","Scribner, Norman (Norman Orville) (19360225-20150322)","Costanzo, Anthony Roth","Bostridge, Ian (1964)","Brown, Timothy, (Horn player)","Morales, Ricardo, (Clarinetist) (1972)","Marchini, Italo (1953)","Relyea, John","Swenson, Ruth Ann (1959-08-25)","Smith, Hugh, (Tenor)","Putilin, Nikolaĭ (Nikolaĭ Georgievich), 1954-","Thomas, Indra","Blythe, Stephanie (1970)","Bernstein, Richard, (Bass-baritone) (1966-07-30)","Brubeck, Dave (1920-12-06-2012-12-05)","Moody, James, 1925-2010","Brubeck, Chris (19520319)","Krall, Diana (Diana Jean) (1964-11-16)","Redman, Joshua (1969-02-01)","Vonk, Hans","Maultsby, Nancy","Peterson, Dean","Thibaudet, Jean-Yves, 1961-","Ponchielli, Amilcare, 1834-1886","Valayre, Sylvie (19641010)","Day, Kathryn","Robertson, David, 1958-","Znaider, Nikolaj, 1975-","Freire, Nelson (1944-10-18-2021-11-01)","Phelps, Cynthia","Young, Rebecca, (Violist)","Gubaidulina, Sofia, 1931-","Esperian, Kallen","Gazale, Alberto","Welch-Babidge, Jennifer","Knussen, Oliver (Stuart Oliver) (1952-06-12-2018-07-08)","Lundy, Nancy Allen","Olsen, Stanford","Oswald, Mark","Chen, Robert","Guleghina, Maria (1959-08-09)","Pons, Juan (19460808)","Urmana, Violeta (1959/1961)","Kowalijow, Vitalij","Young, Thomas, 1962-","Takezawa, Kyoko, 1966-","Siff, Ira (1946-02-15)","Stoyanova, Krassimira","Makarina, Olga","Giordani, Marcello (1963-01-25-2019-10-05)","Polenzani, Matthew (1968)","Sharp, William, (Baritone) (19510601)","Metallo, Vincent","Lafontaine, Timothy ","Grant, Jason, 1970-","Barr, Frank","Wilson-Johnson, David (1950-11-16)","Watson, Janice, 1964-","Lang, Petra (1962-11-29)","Gruber, H. K. (Heinz Karl) (19430103)","Tanguy, Eric (19680127)","Williams, John (John Towner), 1932-","Davidson, David r. (1948-2009)","Liao, Changyong, 1968-","Rouse, Christopher (Christopher Chapman), 1949-2019","Hersch, Michael, 1971-","Pape, René (1964-09-04)","Bolcom, William (William Elden) (1938-05-26)","Schmidt, Frank Willi, 1967-","Chang, Han-Na (19821223)","Bashmet, I︠U︡riĭ (I︠U︡riĭ Abramovich) (1953)","Shen, Hsueh-Yung, 1952-","Parloff, Michael","Zuber, Gregory","Takova, Darina","Shtoda, Daniil (Daniil Aleksandrovich) (19770213)","Chaignaud, Jean-Luc","Fischer, Iván (1951-01-20)","DiDonato, Joyce (1970)","George, Vance","Ullmann, Marcus","Gauvin, Karina (1966~)","Schreier, Peter (Peter Max) (1935-07-29-2019-12-25)","Rucker, Mark, (Singer)","Licitra, Salvatore, 1968-2011","Figueroa, Rafael, 1961-","Chan, David, (Violinist)","Eanet, Nick","Strauss, Josef, 1827-1870","Blaze, Robin (19710111)","Kooy, Peter (1954-09-17)","Türk, Gerd","Suzuki, Masaaki, 1954-","Nonoshita, Yukari","Ramey, Samuel (1942-03-28)","Gao, Ding","van Kley, Susan","Zerbe, Monica","Fischer, Julia, 1983-","Graham, Susan, 1960-","Zeffiri, Mario","Baptista, Cyro (1950-12-23)","Stott, Kathryn (Kathryn Linda) (1958-12-10)","D'Rivera, Paquito, 1948-","Matta, Nilson","Suadin, I Nyoman","Whitman, Thomas, 1960-","Laurendeau, Jean","Anderson, Valdine","Acevedo, Carmen","Figueroa, Guillermo, 1953-","Pérez, Jossie","Martínez, Ana María, 1968-","Chandler-Eteme, Janice","Jones, Ann Elizabeth Howard","Moore-Brown, Marilyn","Chama, José Eduardo","Potenza, Rossana","Casanova, Francisco, (Tenor)","Aimard, Pierre-Laurent, 1957-","Boreĭko, Andreĭ, 1957-","Crider, Michèle (1963)","Kitic, Milena","Golesorkhi, Anooshah","Spano, Robert (Robert V.) (1961-05-07)","Polegato, Brett (19680509)","Douvas, Elaine","Szkafarowsky, Stefan ","Tiboris, Peter","Terentʹeva, Nina","Brown, Angela M. (Angela Marie), 1963-","Edwards, Iwan, 1937-2022","Murzaev, Sergeĭ","Gubskiĭ, Mikhail","Pavlovskai︠a︡, Tatʹi︠a︡na","Repin, Vadim (1971-08-31)","Grimaud, Hélène, 1969-","Pintscher, Matthias (1971-01-29)","Montalvo, Marisol","Robbins, Julien (1950-11-14)","Taylor, James, 1966-","Rilling, Helmuth (19330529)","Petersen, Marlis (1968-02-03)","Birtwistle, Harrison (1934-07-15-2022-04-18)","Lortie, Louis, 1959-","Lachenmann, Helmut (1935-11-27)","Courtney, James, 1946-","Wong, Deborah","Kraevsky, Natalya","Kavakos, Leonidas (1967)","Giordano, Massimo (1971-02-19)","Gutiérrez, Eglise","Chung, Myung-Whun, 1953-","Delavan, Mark","Bartolini, Lando","Easton, Richard, 1933-2019","Rees, Roger, 1944-2015","Margiono, Charlotte","Studebaker, Thomas, 1970-","Sousa, Vasco","Guerreiro, Luis","Neto, António","Ruela, João Pedro","Mariza (19731216)","N'Dour, Youssou (19591001)","Salama, Fathy","Dehn, Ellie","Johnson, Heather, (Mezzo-soprano) ([1971,1972])","Chingari, Marco","Lieberson, Peter, 1946-2011","Röschmann, Dorothea (1967-06-17)","Bravo, Fabiana (1969)","Baransky, Pavel","Sunnegårdh, Erika","Lang, Lang, (Pianist)","Korchak, Dmitriĭ (Dmitriĭ Mikhaĭlovich), 1979-","Fabiano, Michael (19840508)","Saxton, Shirley Johnson","Maillard, Carol","Casel, Nitanju Bolade","Barnwell, Ysaye M.","Kisfauldy, Ors","Dohmen, Albert","Zeller, Richard","Hite, William","Pannill, Judith","Angel, Ryland","Wuorinen, Charles","Tritle, Kent (1960-09-26)","Donose, Ruxandra, 1964-","McPherson, Robert, (Tenor)","Ford, Bruce (1956-08-15)","Cornetti, Marianne","Moore, Latonia (1979)","Filianoti, Giuseppe, 1974-","Li, Yundi (1982-10-07)","Adès, Thomas (Thomas Joseph Edmund) (1971-03-01)","Piazzolla, Astor (1921-03-11-1992-07-05)","Korngold, Erich Wolfgang, 1897-1957","Magalhaes, Amadeu","Lucas, Filipe","Zaccaria, Davide","Pontes, Dulce (Dulce José) (1969-04-08)","Feiteira, Paulo","Stockhausen, Karlheinz, 1928-2007","DeYoung, Michelle (1968)","Miller, Joe, 1965-","Malvar-Ruiz, Fernando (1968-07-11)","Kissinger, Henry, 1923-","Eugenides, Jeffrey (Jeffrey Kent) (1960-03-08)","Henckel von Donnersmarck, Florian, 1973-","Schlöndorff, Volker (1939-03-31)","Mehretu, Julie, 1970-","Dudamel, Gustavo (19810126)","Quasthoff, Thomas (1959-11-09)","Lindberg, Magnus (Magnus Gustaf Adolf), 1958-","Milliken, Catherine","Maldoom, Royston","Fink, Bernarda (1959)","Brandes, Christine","Soboleva, Irina","Petrenko, Pavel","Petrenko, Andrei","Duparc, Henri, 1848-1933","Ketting, Otto, 1935-2012","Furlanetto, Ferruccio (1949-05-16)","Jessop, Craig D.","Johnson-Huff, Ann","Drafall, Robert W.","Teraoka-Brady, Carolyn","Bernhardt, Valerie","Snyder, Dan","Dominick, John, III","Ciavaglia, Michael A. ","Manucharyan, Yeghishe","Harler, Alan (1940-04-10)","Vasta, Stephen (Steve) Francis","Kirschner, Ann J.","Lowry, Robert, 1826-1899","Glaser, Pamela","Covo, Bettina, 1956-","Biss, Jonathan (1980-09-18)","Stomsvik, Diana","Kachanov, Nikolai","Galuzine, Vladimir","Daurov, Adrian","Schönberg, Claude-Michel (19440506)","McBroom, Amanda (1947-08-09)","Wallace, Randall, 1949-","Simon, Carly (19450625)","Mcferrin, David","Ein-Habar, Eyal","Anger, Ain","Vargas, Ramon, 1960-","Callegari, Daniele","Pieczonka, Adrianne, 1963-","Stringer, Howard, 1942-","Mares, Luca","Cabrino, Guiseppe","Vincenzo, Alessandra Di","Galligioni, Francesco","Sbrogiò, Alessandro","Ökrös, Oszkár, 1957-","Lendvay, József, 1974-","Lendvay, József","Gritton, Susan (19650831)","Romey, Kathy Saltzman","Nolen, Laura Vlasak","Di Giacomo, Julianna, 1975-","Kožená, Magdalena (1973)","Owens, Eric, 1970-","Friedrich, Eberhard (1958)","Hummel, Johann Nepomuk, 1778-1837","Daniels, David, 1966-","Joshua, Rosemary (1964-10-16)","Labadie, Bernard, 1963-","Damrau, Diana (1971-05-31)","Grove, Jill","Vänskä, Osmo, 1953-","Niemelä, Hannu, 1954-","Hyökki, Matti, 1946-","Nisula, Päivi","Karnéus, Katarina","Claycomb, Laura (1968-08-23)","Anton̦enko, Aleksandrs, 1975-","Frühbeck de Burgos, Rafael (19330915-20140611)","Fernández, Igor Ijurra","Berkun Menaker, Dianne","Kalagina, Anastasia","Alagna, Roberto","Veronesi, Alberto (1967)","Mascagni, Pietro, 1863-1945","Alsop, Marin (1956-10-16)","Thomas, Vaneese","De Haas, Darius","Stifelman, Leslie","Lewis-Evans, Kecia","Goerne, Matthias, 1967-","Griffey, Anthony Dean, 1967-","Vallet, Pierre, (Conductor)","O'Neill, Simon, 1971-","Hahn, Hilary","Mena, Juanjo, 1965-","Higdon, Jennifer, 1962-","Batiashvili, Lisa, 1979-","Taigi, Chiara","Nelsons, Andris (1978-11-18)","Van der Linde, Clint, 1976-","Nicholls, Rachel, (Soprano)","Blažíková, Hana (19801202)","Wolfe, Duain","Lee, Josephine, 1975-","Martineau, Malcolm (19600203)","Schade, Michael (1965-01-23)","Schwartz, Sylvia, 1982-","Gabrieli, Giovanni, approximately 1554-1612","Nagano, Kent (Kent George), 1951-","Dessay, Natalie, 1965-","Trifonov, Daniil (Daniil Olegovich), 1991-","Clark, Katerina","Amar, Tarik Youssef Cyril, 1969-","Wortman, Richard (19380324)","Matthewman, Gary","Bondarenko, Andriĭ (Andriĭ Volodymyrovych), 1987-","Luisi, Fabio (1959-01-17)","Harbison, John (John Harris) (1938-12-20)","Rice, Christine","Goode, Richard (1943-06-01)","Bicket, Harry (1960)","Purcell, Henry, 1659-1695","Biber, Heinrich Ignaz Franz, 1644-1704","Bennett, Mark, (Trumpeter)","Scholl, Andreas (19671110)","Kaufmann, Jonas (1969-07-10)","Gheorghiu, Angela (1965-09-07)","Barnum, Donald","Walker, Danielle","Lully, Jean-Baptiste, 1632-1687","Fasch, Johann Friedrich, 1688-1758","Lamon, Jeanne (1949-08-14-2021-06-20)","Robinson, James","Falby, Doreen","Polochick, Edward","Conway, Eric, Dr.","Bagwell, James","Ketelson, Kyle (1971)","Morris, James (1947-01-10)","Cutler, Eric","Rebeka, Marina, 1980-","Jurowski, Vladimir, 1972-","Bellemer, John G.","Johnson, Anita, (Vocalist)","Cooke, Sasha","Phan, Nicholas (1979-01-03)","Phillips, Susanna, 1981-","Yamadate, Fuyuki","Singer, Gregory","Kimura, Mineko","Matsubara, Yuko","John, Emily","Chase, Constance","Biondi, Fabio (1961-03-15)","Locatelli, Pietro Antonio, 1695-1764","Nardini, Pietro, 1722-1793","Genaux, Vivica (1969-07-10)","Heras-Casado, Pablo (1977-11-21)","Denk, Jeremy (1970-05-16)","Norrington, Roger (1934-03-16)","Pluhar, Christina (1965)","Andueza, Raquel","Galeazzi, Lucilla (19501224)","Merula, Tarquinio, -1665","Davies, Neal (1965)","Guillon, Damien (1981)","O'Connor, Kelley","Wilson, Harold","Baetge, Noah","Shapiro, Mark","Sandel-Pantaleo, Leann","Rowley, Jennifer, (Soprano)","Sorenson, Garrett","Schasching, Rudolf","Henschel, Jane, 1950-","Stemme, Nina (1966)","Giovannini, Antonio, 1980-","Feola, Rosa","Respighi, Ottorino, 1879-1936","Martucci, Giuseppe, 1856-1909","Măcelaru, Cristian, 1980-","Solti, Valerie","Quantz, Johann Joachim, 1697-1773","Frederick, King of Prussia, II, 1712-1786","Pahud, Emmanuel, 1970-","Meister , Elisabeth","Rose, Matthew, (Bass)","Spyres, Michael","Gardiner, John Eliot (19430420)","Johnston, Jennifer","Barton, Jamie ([1981, 1982])","Meade, Angela","Pallesen, Nicholas","Caldarella, Juan","Scarpino, Alejandro, 1904-1970","Castro, Giancarlo, 1980-","Clamor, Thomas","Chávez, Carlos (Chávez Ramírez), 1899-1978","Orbón, Julián, 1925-1991","Revueltas, Silvestre (José Silvestre Revueltas Sánchez), 1899-1940","Colon, Gaspar","Alvarez, Idwer","Benzecry, Esteban (19700413)","Lindsey, Kate","Marcon, Andrea (1963)","Fusek, Anna","Favaro, Michele","Genini, Giulia","Bovo, Daniele","Bardon, Patricia (1964)","Rae, Brenda","Pisaroni, Luca, 1975-","Lippert, Herbert, 1957-","Suppé, Franz von, 1819-1895","Widmann, Jörg (1973-06-19)","Jackson, Christopher (Christopher O.), 1960-2007","Palestrina, Giovanni Pierluigi da, 1525?-1594","Démettre, Claire-Lise, 1986-","Paugam, Laurence","Pernoo, Jérôme (1972)","Cangemi, Veronica (19641010)","Spinosi, Jean-Christophe, 1964-","Botstein, Leon (1946-12-14)","Wilson, Tamara, (Soprano)","Wittmoser, Carsten","Icochea, Andy Icochea","Thielemann, Christian, 1959-","Yang, Jonathan Jun","Lee, Kate Xintong","Baldwin, Alec, 1958-","Mat︠s︡uev, Denis, 1975-","Oesterle, Michelle","Chacón-Cruz, Arturo, 1977-","Borchev, Nikolay","Watson, Katherine, (Soprano)","Ibragimova, Alina (Alina Rinatovna), 1985-","Cohen, Jonathan (Jonathan Frank)","Hirai, Hideaki","Cerutti, Joe","Tsuji, Hideyuki ","Lunghi, Francesca","Satake, Naomi","Stucky, Steven (Steven Edward) (1949-11-07-2016-02-14)","Boulianne, Julie, (Mezzo-soprano)","Savall, Jordi (19410801)","Egarr, Richard, 1963-","Phillips, Peter, 1953-","Blachly, Alexander (1944-11-13)","Mattila, Karita","Dobracheva, Ėvelina","Hanson, Howard, 1896-1981","Christie, Michael, 1974-","Mickelthwate, Alexander","Pershall, David","Costello, Stephen, 1981-","Chauvet, Géraldine","Haas, Georg Friedrich (1953-08-16)","Lučić, Željko, 1968-","Tang, Muhai, 1949-","Coote, Alice (19680510)","Devin, Anna","Christy, Anna","Nézet-Séguin, Yannick, 1975-","Connolly, Sarah (Sarah Patricia) (19630613)","Zobel, David","Kaiser, Joseph (1977-10-14)","DeShong, Elizabeth","Guthrie, Arlo (Arlo Davy) (1947-07-10-)","Fenoglio, Claudio","Osborn, John, (Tenor) (1972-05-16)","Salsi, Luca, 1975-","Noseda, Gianandrea (1964)","Fang, Ying","Arbo, Rani","Diawara, Fatoumata (1982)","Aurelio","Olatuja, Alicia","Bakhtouridze, Mzia","Abdrazakov, Ilʹdar, 1976-","Skorokhodov, Sergeĭ, 1974-","Kolosova, Alisa, 1987-","Netrebko, Anna (Anna I︠U︡rʹevna) (1971-09-18)","Andsnes, Leif Ove, 1970-","Gerhaher, Christian (1969-07-24)","Brownlee, Lawrence (1972-11-24)","Cabell, Nicole (1977-10-17)","Benini, Maurizio","Schuller, Gunther (Gunther Alexander) (1925-11-22-2015-06-21)","Byrd, William, 1539 or 1540-1623","Ichise, Reiko","Tunnicliffe, Richard","Morikawa, Asako","Boothby, Richard, 1955-","Weckmann, Matthias, 1616?-1674","Bezuidenhout, Kristian (1979)","Barkmin, Gun-Brit","Serdi︠u︡k, Nadezhda (1975)","Matochkina, Yulia","Ganbaatar, Aruinbaatar","Masleev, Dmitry, 1988-","Ionițǎ, Andrei, 1994-","Michalek, David","Karlowicz, Mieczyslaw (1876-1909)","Beczala, Piotr (1968)","Lunn, Joanne ([1973,1975])","Ivashchenko, Dimitry","Vogel, Eva","Dasch, Annette, 1976-","Griffith, Jonathan","Shumate, Penelope ","Chapa, Claudia","McVeigh, John","Rutenberg, Craig","Scarlatti, Domenico, 1685-1757","Vinikour, Jory, 1963-","Bull, John, -1628.","Bradley, Michelle","Gaertner, Michael ","Morlot, Ludovic, 1973-","Covington, Conner Gray, 1987-","Venner, Matthew","Dobell, Mark","Smith, Angus","Greig, Donald","Melton, Heidi","McGegan, Nicholas","Link, Joel","Lee, Bryan","Pajaro-van de Stadt, Milena","Shaw, Camden","Noda, Ken","Rivera, Jessica, (Soprano)","Ford, Nmon","Gere, Richard (Richard Tiffany), 1949-","Baruch, Wayne","Gayton, Charles","Vinke, Stefan","Ganenko, Tatiana","Drury, Patricia","Pakaluk, Michael S.","Clarke, Colin R.","Gibbs, Deborah Lee","Millar, Cynthia, (Ondes Martenot player)","Friman, Anna Maria","Fuglseth, Linn Andrea","Opheim, Berit, 1967-","Fisch, Asher (1965)","Karloski, Helen","Richardson, Alex, (Tenor)","Cutlip, Philip","Dantone, Ottavio","Mullova, Viktorii︠a︡, 1959-","Beilman, Benjamin","Emelʹi︠a︡nychev, Maksim, 1988-","Palazzo, Manuel","Camarena, Javier (1976~)","Witt, Gregor, 1968-","Glander, Matthias","Baier, Mathias, 1982-","Vlatković, Radovan (1962)","Brandl, Wolfram","Deyneka, Yulia (1982)","Tokcan, Yurdal, 1966-","Psonis, Dimitris","Güngör, Hakan, 1973-","Sarikouyoumdjian, Haïg","Greenleaf, Jolle","Mealy, Robert","Andrijeski, Julie","Sperling, Ted","Dŭrvarova, Elmira (1954)","Mathew, George, (Conductor)","Baráth, Emőke, 1985-","Bridelli, Giuseppina, 1986-","Karthäuser, Sophie (1975)","Boesch, Florian","García Alarcón, Leonardo (1976)","Lexa, Olivier","Alessandrini, Rinaldo (1960)","Buchbinder, Rudolf, 1946-","Skride, Baiba","Krijgh, Harriet, 1991-","Moser, Elsbeth","Mehta, Bejun ([1968-06-29,1969])","Willer, Beth","Luganskiĭ, Nikolaĭ (Nikolaĭ Lʹvovich), 1972-","Padmore, Mark (Mark Joseph) (19610308)","Forck, Bernhard","Grey, Mark, 1967-","Wyers, Giselle","Lynch, Shane","Boers, Geoffrey (Geoffrey Paul)","Hatteberg, Kent Eugene","Kühmeier, Genia","Scheen, Céline (1976)","Capezzuto, Vincenzo","Pappano, Antonio, 1959-","Hannigan, Barbara (1971)","Jia, Lü, 1964-","Zhang, Haochen, 1990-","Chest, John","Check, Jennifer","Fujimura, Mihoko","Sierra, Nadine, 1988-","Luisotti, Nicola (19611126)","Jansen, Janine (1978)","Stein, Avi","Zhu, Beiliang, 1985-","Weaver, Charles","Deutsch, Helmut (1945-12-24)","Schultz, Golda","Wong, Lisa, 1969-","Van Horn, Christian (1978)","Schmitt, Maximilian","Davies, Iestyn (1979-09-16)","Harvey, Joélle","Petrenko, Kirill (1972)","Müller-Schott, Daniel, 1976-","Brower, Angela","Müller, Hanna-Elisabeth, 1985-","Eckhoff, Sören","Jones, Simon (1950-07-27)","Kenny, Elizabeth","Jones, Robert, active 1597-1615","Dowland, John, 1563?-1626","Nylund, Camilla (1968-06-11)","Rees, Andrew, (Tenor)","Dirvanauskaitė, Giedrė","Watkins, Paul, 1970-","Dutton, Lawrence (1954-05-09)","Setzer, Philip, 1951-","Drucker, Eugene, 1952-","Faust, Isabelle, 1972-","Giguère, Pascale","Rachvelishvili, Anita, 1984-","Gražinytė-Tyla, Mirga, 1986-","Ehnes, James, 1976-","Ruggles, Carl, 1876-1971","Yende, Pretty, 1985-","Lehár, Franz, 1870-1948","Tauber, Richard, 1891-1948","Kálmán, Emmerich, 1882-1953","Rieder, Jochen (1970)","Tamestit, Antoine, 1979-","Richardot, Lucile","Armiliato, Marco","Vasilek, Lukáš, 1980-","Kulman, Elisabeth (19730628)","Karg, Christiane (1980)","Saïtkoulov, Roustem","Manasherov, Miriam","Soltani, Kian (1992)","Flórez, Juan Diego, 1973-","Scalera, Vincent","Conti, Francesco, 1681 or 1682-1732","Cano, Jennifer Johnson","Hantaï, Pierre, 1964-","Beyer, Amandine","Orliński, Jakub Józef, 1990-","Nosky, Aisslinn","Woods, Alexander, (Violinist)","Miller, Kyle, 1986-","Seltzer, Ezra","Zebley, Charles","Lislevand, Rolf (1961)","Pierlot, Philippe, 1958-","Kraemer, Manfred (1960-10-27)","Engle, Marie","Fischer, Ádám, 1949-","Levit, Igor, 1987-","Rondeau, Jean, 1991-","Muhly, Nico (1981-08-26)","Lisiecki, Jan, 1995-","Wang, Yuja (19870210)","Capuçon, Gautier (1981)","Tynan, Ailish","Fox, Steven, 1978-","Brook, Matthew","Tritschler, Robin","Teuscher, Lydia, 1975-","Buxtehude, Dietrich, 1637-1707","Tsuji, Nobuyuki (1988-09-13)","Satie, Erik, 1866-1925","Marais, Marin, 1656-1728","Visée, Robert de","Dunford, Thomas, 1988-","Maclary, Edward","Grimaldi, Erika, 1980-","Amarù, Chiara, 1984-","Angelini, Michele (1982)","Leonard, Isabel","Schachtner, Benno, 1984-","Garanča, Elīna, 1976-","Stadlen, Sam","Levine, Joanna","Ashton, Emily","Abduraimov, Behzod (1990-09-11)","Blue, Angel (Angel Joy), 1984-","Gaffigan, James, 1979-","Oropesa, Lisette","Petrenko, Vasiliĭ (Vasiliĭ Ėduardovich), 1976-","d'Alessio, Giulio","Scheid, Edson","Rossi, Stefano, (Violinist)","Minasi, Ludovico, 1984-","Tosti, F. Paolo (Francesco Paolo), 1846-1916","Baillieu, James","Nilsson, Lars David, 1966-","Mattei, Peter, 1965-","Foster, Tom","Zachow, Friedrich Wilhelm, 1663-1712","Froberger, Johann Jacob, 1616-1667","Mattheson, Johann, 1681-1764","Kim, Stephen","Mackey, Steven, 1956-","Zanocco, Gianpiero","Torri, Pietro, approximately 1650-1737","Hallenberg, Ann","Hailstork, Adolphus C. (Adolphus Cunningham) (1941-04-17)","Marsalis, Branford (Branford Iweanya) (1960-08-26)","Mälkki, Susanna (1969-03-13)","Dinnerstein, Simone (Simone Andréa) (19720918)","Thurman, Uma (1970-04-29)","Aucoin, Matthew, 1990-","Coleman, Valerie, 1970-","Wilkins, Thomas, (Conductor)","Fullana, Francisco","Sorrell, Jeannette","Uccellini, Marco, approximately 1603-1680","Zetlan, Jennifer","Petrie, Heather","Holcomb, Bernard, 1983-","Lagasca, Enrio","Christophers, Harry (1953)","Filsell, Jeremy (Jeremy Daniell) (1964-04-10)","Sly, Philippe","Prégardien, Julian, 1984-","Cargill, Karen","Quist, Amanda","Dixon, Rodrick (1966-06-22)","Ustvolʹskai︠a︡, Galina Ivanovna, 1919-2006","Corrette, Michel, 1707-1795","Telemann, Georg Philipp, 1681-1767","Bihan, Marie Lambert-Le","Mobley, Reginald","Hadelich, Augustin (1984)","Zweden, Jaap van (19601212)","Bell, Isaiah","Austin, Justin","Bradford, Lucia","Kyslytsya, Sergiy","Fortner, Sullivan (Sullivan Joseph) (1986-12-29)","Feinstein, Michael (Michael Jay) (1956-09-07)","Smith, Robert F. (Robert Frederick), 1962-","Walker, George (George Theophilus), 1922-2018","Bach, Carl Philipp Emanuel, 1714-1788","Isserlis, Steven, 1958-","Pachelbel, Johann, 1653-1706","Jovanovich, Brandon","Frank, Gabriela Lena (1972)","Dueñas, María","Meyers, Anne Akiko, 1970-","Márquez, Arturo, 1950-","Schumann, Clara, 1819-1896","Price, Florence (Florence Beatrice), 1887-1953","Rana, Beatrice, 1993-","Norman, Andrew, 1979-","Bendix-Balgley, Noah, 1984-","Key, Frances Scott (1779-1843)","Shani, Lahav, 1989-","Imber, Naphtali Herz, 1856-1909","Xi, Wang, 1978-","Freedman, Daryl","Schoonhoven, Kyle van","McIntyre, Jana","Parrish, Joseph","Hunt, Sophia","Woolsey, Midge","Buialski, Vladyslav","Shrut, Arlene","Chase, Claire (Claire Rose), 1978-","Vustin, Aleksandr, 1943-2020","Silvestrov, Valentyn (1937)","Savino, Richard","Ellis, Jennifer, (Soprano)","Snaidas, Nell","LaMotte, Adam","Kuchar, Theodore (1960)","Khristenko, Stanislav, 1984-","Stankovych, I︠E︡. (I︠E︡vhen), 1942-","Villalon, Elena","Persson, Miah (1969-05-27)","De Bique, Jeanine","Manna, Gennaro, 1715-1779","Alston, Charlotte Blake","Zhang, Meigui","Nally, Donald, 1960-","Adams, John Luther, 1953-","Thompson, Sumner","Langlois de Swarte, Théotime","Christie, William (William Lincoln) (1944-12-19)","Senaillé, Jean Baptiste, approximately 1688-1730","Leclair, Jean-Marie, 1697-1764","Charpentier, Marc-Antoine, 1643-1704","Bach, Johann Sebastian","Sodergren, Mikki","Donato, Emily","Giebler, Brian L. (Brian Louis), 1986-","Palumbo, Donald","Kelsey, Quinn","Ernesto Pena Laguna, Luis (1983)","Cutting, Hugh","Sousa, Dinis","Cronin, Hilary","Denbee, Sarah","Horak-Hallett, Bethany","Clarke, Samantha","Ponsford-Hill, Ali","Lombardi, Federica","Desandre, Lea, 1993-","Monteverdi, Claudio (Claudio Giovanni Antonio), 1567-1643","Kapsperger, Giovanni Girolamo, 1580-1651","Karadaglić, Miloš, 1983-","Marcello, Alessandro Ignazio (1673-1747)","Boccherini, Luigi, 1743-1805","Haji, Andrew","Hopkins, Joshua, 1978-","Amereau, Avery","Snouffer, Lauren (1988-03-30)","Crowe, Lucy","Cohen, Aryeh Nussbaum","Massey, Clifton","Wilson, Steve (Steven Caldicott)","Lemper, Ute, 1963-","Norin-Kuehn, Deborah","Sousa, John Philip","Kaplan, Allan R., 1948-","Maltby, Richard (Richard Eldridge), 1914-1991","Grundman, Clare (Clare Ewing), 1913-1996","Naldi, Ronald","Babbitt, Beth","Meyer, Marlene","Dymit, Thomas","Diana, William","Portnoy, Donald","Wyatt, Larry","Christie, Laury","Kim, David, (Violinist) (1963)","McGarrity, Evelyn","Furumoto, Kimo","Else, Peter","Markin, Tracey","Blank, Johanne ","Thomas, Elmer","Borodin, Aleksandr Porfirʹevich, 1833-1887","Fagen, Arthur (1951)","Doo-Wan, Kim","Loveless, Wendell P.","Paredes, Marcos","Dowell, Anthony","Kirkland, Gelsey","Baryshnikov, Mikhail, 1948-","Tudor, Antony, 1908-1987","Tcherkassky, Marianna","Schafer, Richard William","Harvey, Cynthia, 1957-","Martínez, Enrique, 1926-1998","Minz, Alexander","Makarova, Natalia, 1940-","Barbee, Victor","Robbins, Jerome (Jerome Wilson) (1918-10-11-1998-07-29)","Loring, Eugene, 1911-1982","Ivanov, Lev (Lev Ivanovich), 1834-1901","Gregory, Cynthia","Bujones, Fernando, 1955-2005","Petipa, Marius, 1818-1910","Stevenson, Ben, 1937-","Lanchbery, John (1923-05-15-[2003-02-26,2003-02-27])","Balanchine, George (1904-01-22-1983-04-30)","Tetley, Glen","De Mille, Agnes (1905-09-18-1993-10-06)","Ashton, Frederick, 1904-1988","Messac, Magali","Spizzo, Christine","Khalfouni, Dominique","Barker, Alan, (Conductor) (William Alan) (1938-02-05)","Houlton, Lise","Petit, Roland, 1924-2011","Anastos, Peter (19480223)","MacMillan, Kenneth (1932-07-02-1989-01-08)","Browne, Leslie","La Fosse, Robert","Jaffe, Susan, 1962-","Van Hamel, Martine, 1945-","Fonseca, Peter","Yeager, Cheryl","McFall, John J.","Cunningham, Merce (1919-04-16-2009-07-26)","von Lovenskjold, Hermann","Bournonville, August","Fokine, Michel","Eglevsky, Andre","Tharp, Twyla","Saint-Leon, Arthur","Armitage, Karole","Vainonen, Vasily","Minkus, Ludwig (1826-1917)","Gorsky, Alexander","Tippet, Clark","Kern, Jerome","Riley, Terry","Hyman, Dick","Sinatra, Frank","Morris, Mark","Massine, Leonide","Dove, Ulysses","Goleizovsky, Kasyan","Smuin, Michael","Kylian, Jiri","Lander, Harald","Blair, David","McKenzie, Kevin","Wasserstein, Wendy","Lubovitch, Lar","Styne, Jule","Coralli, Jean","Perrot, Jules","Kudelka, James","Hunsberger, Donald","Rebel, Jean-Fery","Wolfram, WIlliam","Everly, Jack","Holmes, Anna-Marie","Adam, Adolphe","Pugni, Cesare","Ratmansky, Alexei Osipovich (1968)","Nijinska, Bronislava","De Valois, Ninette","Gomes, Marcelo","Bond, Gemma","Béjart, Maurice","Roudenko, Vladimir","Spacagna, Maria (1951)","Lloyd, David (1920-2013)","Kraft, Jean (1927-2021)","Campori, Angelo (1934-2013)","McCray, James (1938-2018)","Gilmore, John (1950-1994)","Rosenbaum, Harold (1950)","Gottlieb, Gordon (1948)","Schnittke, Alfred (1934-1998)","Rutter, John Milford, Sir (1945)","Velis, Andrea (1932-1994)","Ellington, Duke (1899-1974)","Elias, Rosalind ([1929-03-13,1930-03-13]-2020-05-03)","Booth, Philip (1942)","Sidlin, Murry (1940)","Mccorvey, Everett (1957)","Boyd, Liona","Lightfoot, Gordon (Gordon Meredith) (1938-11-17-2023-05-01)","Arnold Steinhardt","John Dalley","David Soyer","Treger, Charles, 1935-","Laurence Lesser","Theo Adam","Bella Davidovich","Joan Savage","Mary Law","Anatoly Bazhalkin","Nikolai Maiboroda","Anatoli Zaitchenko","Nikolai Nizienko","Michelangelo Veltri","Vladimir Ovchinikov","Katarina Dalayman","Janet Westrick","Felicity Lott","Anthony Piccolo","Jean-Philippe Rameau","Nai-Yuan Hu","Valery Polyansky","Vladimir Spivakov","Edward Downes","Gounod, Charles, 1818-1893","Jan Dismas Zelenka","Bohuslav Martinů","Vladimir Fedoseyev","Patrick Gardner","Theo Verbey","Lise de la Salle","Manfred Honeck","Matthew Truscott","Paul Lewis","Edward Gardner","James Ehnes","Wadsworth, Charles (Charles William) (1929-05-21)","Sargon, Merja","Yajima, Hiroko","Pears, Peter, 1910-1986","Beach, Amy, 1867-1944","Berkeley, Lennox (Lennox Randall Francis), 1903-1989","Browning, John, 1933-2003","De Peyer, Gervase, 1926-2017","Arner, Leonard","Fournier, Pierre, 1906-1986","Schippers, Thomas (19300309-19771216)","Fortunato, D'Anna (1945-02-21)","Mendenhall, Judy","Angeles, Victoria de los (19231101-20050114)","Sylar, Sherry","Schub, André-Michel (1952-12-26)","Jolley, David (19481220)","Kavafian, Ani (1948-05-10)","Bolet, Jorge (19141115-19901016)","Pollak, Carolyn","Buswell, James, 1946-","Bae, Ik-Hwan, 1956-2014","Luvisi, Lee, 1937-","Routch, Robert (1948-08-12)","Siebert, Renée","Brehm, Alvin (1925-02-08-2014-11-22)","Carroll, Edward, 1953-","Fujiwara, Hamao","Trampler, Walter (19150825-19970927)","Bourgue, Maurice (1939-11-06)","Ellis, Osian (Osian Gwynn) (1928-02-08-2021-01-06)","Rosen, Nathaniel","Wincenc, Carol (Carol S.) (19490629)","Reed, Bruce","Thompson, Arthur, 1942-2004","Bunnell, Jane","Hoch, Beverly","Suk, Josef (1929-08-08-2011-07-06)","Kavafian, Ida","Tuckwell, Barry (Barry Emmanuel) (1931-03-05-2020-01-16)","Bennett, Richard Rodney (1936-03-29-2012-12-24)","Dicterow, Glenn","Smukler, Laurie","Corea, Chick (1941-06-12-2021-02-09)","Martin, Marvis","Gutiérrez, Horacio, 1948-","Swensen, Joseph (Joseph Anton), 1960-","Cooper, Kenneth, 1941-","Sherry, Fred (1948-10-27)","Shub, Andre-Michel","Picker, Tobias, 1954-","Nickrenz, Scott","Girard, Valerie","Danielpour, Richard (1956-01-28)","Martin, Marya","Thompson, Marcus, 1946-","Brey, Carter (1954-09-19)","Neubauer, Paul, 1962-","Zori, Carmit","Kang, Dong-Suk (1954-04-28)","Arm, Theodore","Marangella, Joel","Heineman, Sue","Palmer, Todd","Fedele, David, 1966-","Shifrin, David (19500202)","Ingraham, Paul","Myers, Philip, 1949-","Millard, Christopher, 1952-","Fink, Katherine","McDuffie, Robert","Peskanov, Mark (1956-08-30)","Taylor, Stephen, (Oboist) (1949)","Smylie, Dennis","Webster, Michael, 1945-","Saffer, Lisa","Feller, Bart","Wilson, Ransom (1951-10-25)","Bloom, Claire (Patricia Claire), 1931-","Carlisle, Robert, (Horn player)","Coletti, Paul","Turković, Milan","Ellis, Randall","Adolphe, Bruce (1955)","Stevens, Thomas, 1938-2018","Godburn, Dennis","Yoshida, Ayako","Hoffman, Gary, 1956-","Sitkovetsky, Dmitry, 1954-","Bryn-Julson, Phyllis (1945-02-05)","Anderson, Kelly","Dunn, Susan, (Soprano) (Susan R.) (1954-07-23)","Hanslowe, Theodora","Feidman, Giora (1936)","Bachmann, Maria, (Violinist)","Hoffman, Toby (1958-09-12)","Winograd, Peter","McDermott, Anne-Marie, 1963-","Yoo, Scott","Morelli, Frank, 1951-","Kashkashian, Kim (1952-08-31)","White, Robert, 1936 October 27-","Sinta, Donald (Donald Joseph) (1937-06-16)","Redgrave, Lynn, 1943-2010","Smith, Philip, (Trumpeter)","Golub, David","Thomas, Ronald (Ronald B.), 1954-","Levin, Ida","Huang, Hsin-Yun","O'Connor, Tara Helen","Hill, Mark, (Oboe player)","Douglas, Barry, 1960-","Mentzner, Susanne","Lucey, Frances","Dlugoszewski, Lucia, 1925-2000","Taylor, David (David Michael), 1944-","Purvis, William (19480710)","Kay, Alan R. (Alan R.)","Montone, Jennifer","Gekker, Chris (Paul Christopher) (1954-01-18)","Hagner, Viviane (1977)","Ngwenyama, Nokuthula","Kim, Soovin","Schmidt, Wolfgang Emanuel (1971)","McGill, Anthony (Anthony Barrone) (1979-07-17)","Fain, Tim","Shao, Sophie","Scarlata, Randall","Frautschi, Jennifer","Pridemore, Patrick A.","Meyer, Edgar, (Bassist) (1960-11-24)","Ali-Zadeh, Franghiz, 1947-","Tcherepnin, Alexander, 1899-1977","Schifrin, Lalo, 1932-","Chausson, Amédée-Ernest (1855-1899)","Arensky, Anton, 1861-1906","Coleridge-Taylor, Samuel, 1875-1912","Marsalis, Wynton (1961-10-18)","Ailey, Alvin (1931-1989)","Homberger, Christoph (1962)","Isaacs, Jeremy, Sir (1932)","Arye, Yevgeny (1947-2022)","Demidov, Israel (1957)","Sobol, Joshua (1939)","Chervinsky, Adam (1938)","Morrison, Conall (1996)","Crossan, Gerald","Friel, Brian (1929-2015)","Levin, Robert (1947)","Henschel, Dietrich (1967)","Grigorovich, Yuri (1927)","Vasiliev, Vladimir (1940)","Khachaturian, Aram Ilyich (1903-1978)","Jamison, Judith (1943)","Benjamin, Avi (1959)","Taymor, Julie (1952)","Goldenthal, Elliot (1954)","Gardner, John Champlin (1933-1982)","Tiffany, John (1971)","Cumming, Alan (1965)","Euripides (480 BC-406 BC)","Pountney, David, CBE (1947)","Sloane, Steven (1958)","Otelli, Claudio (1960)","Zimmerman, Bernd Alois (1918-1970)","Fiennes, Ralph (1962)","Neeson, Liam (1952)","Beckett, Samuel (1906-1989)","Hammond, John Paul (1942)","Brook, Peter, CBE (1925-2022)","Bawab, Dima (1981)","Goold, Rupert (1972)","Gale, Mariah (1979)","Troughton, Samuel John (1977)","Shakespeare, William","Somova, Alina Alekseevna (1985)","Shchedrin, Rodion Konstantinovich (1932)","Farr, David (1969)","Hicks, Greg (1953)","Miyamoto, Amon (1958)","Ito, Chihiro (1982)","Fukuoka, Yutaka","D'silva, Darrell (1964)","Bailey, Lucy","Bausch, Pina (1940-2009)","Hengelbrock, Thomas (1958)","Wesseling, Maria Ricarda (1969)","Shi-Zheng, Chen (1963)","Albarn, David, OBE (1968)","Klinichev, Pavel (1974)","Messiaen, Oliver (1908-1992)","Ninagawa, Yukio (1935-2016)","Abe, Umitaro (1977)","Miyazawa, Rie (1973)","Podalydès, Denis (1963)","Coin, Christophe (1958)","Rénéric, Pascal (1976)","Molière (1622-1673)","Munby, Jonathan","Maxwell, Jules (1965)","Pryce, Jonathan (1947)","Uegaki, Satoshi","Mine, Saori","Kander, John (1927)","Vaziev, Makhar (1961)","Maillot, Jean-Christophe (1960)","MacNeil, Cornell, 1922-2011","Peters, Roberta, 1930-2017","Corena, Fernando, 1916-1984","Merrill, Robert, 1917-2004","Edelmann, Otto, 1917-2003","Harshaw, Margaret, 1909-1997","Vickers, Jon (19261029-20150710)","Puccini, Giacomo, 1858-1924","Roberti, Margherita, 1925-2021","Colzani, Anselmo, 1918-2006","Rysanek, Leonie, 1926-1998","De Paolis, Alessio, 1893-1964","Yakobson, Leonid, 1904-1975","Della Casa, Lisa, 1919-2012","Shirley, George, 1934-","Tozzi, Giorgio","Tucker, Richard, 1913-1975","Kónya, Sándor, 1923-2002","Crespin, Régine, 1927-2007","Dooley, William, 1932-2019","McCracken, James, 1926-1988","Thomas, Jess, 1927-1993","Uzunov, Dimiter, 1922-1985","Kabaivanska, Raina, 1934-","D'Angelo, Gianna, 1929-2013","Casei, Nedda, 1932-2020","Campora, Giuseppe, 1923-2004","London, George, 1920-1985","Offenbach, Jacques","Alexander, John, 1923-1990","Cassel, Walter (1910-05-15-2000-07-03)","Sereni, Mario, 1928-2015","Amara, Lucine (1927-03-01)","Cernei, Elena, 1924-2000","Dunn, Mignon (1931-06-17)","Resnik, Regina, 1922-2013","Stratas, Teresa","Raimondi, Gianni, 1923-2008","Nuotio, Pekka, 1929-1989","Cilea, Francesco (1866-1950)","Peerce, Jan, 1904-1984","Anthony, Charles (Calogero Antonio Caruso) (1929-2012)","Evans, Geraint (1922-1992)","Macurdy, John (1929-03-18-2020-05-07)","Caballé, Montserrat (1933-2018)","Levy, Marvin David, 1932-2015","Collier, Marie (1927-1971)","Hernandez, Amalia, 1917-2000","Bosabalian, Luisa (1936-1998)","Boatwright, McHenry, 1928-1994","Bing, Rudolf (Rudolf Franz Joseph), 1902-1997","Olvis, William (William Edward) (1928-02-12-1998-11-27)","Nagy, Robert, 1929-2008","Fenn, Jean","Prevedi, Bruno","Panerai, Rolando (1924-2019)","Zanasi, Mario, 1927-2000","Lombard, Alain (19401004)","Morel, Jean (Jean Paul), 1903-1975","Warfield, Sandra","Lippert, Marion (1939-)","Fonteyn, Margot (1919-1991)","Hérold, Ferdinand (1791-1833)","Park, Merle (1937- )","Coleman, MIchael (1940-","Nureyev, Rudolf Khametovich (1938-1993)","Sibley, Antoinette (1939- )","Forst, Judith (1943- )","Strasfogel, Ignace (1909-1994)","Cossa, Dominic (1935-05-13)","Naghiu, Octaviano","Brilioth, Helge (1931-1998)","Stripling, Jan (1942-2017)","Cragun, Richard (1944-2012)","Borkh, Inge ([1917-05-26,1921-05-26]-2018-08-26)","Dobriansky, Andrij","Sullivan, Dan, 1940-","Di Giuseppe, Enrico, 1932-2005","Gramm, Donald, 1927-1983","Castel, Nico (1931-2015)","Chéreau, Patrice (1944-2013)","Couden, Sara","Dexter, John (1925-1990)","Norden , Betsy (1945)","Lazarev, Alexander Nikolayevich (1945)","Ognivtsev, Aleksander (1920-1981)","Simonov, Yuri Ivanovich (1941)","Nesterenko, Yevgeny Yevgenievich (1938-2021)","Mansurov, Fuat (1928-2010)","Ermler, Mark Fridrikhovich (1932-2002)","Vedernikov, Alexander Filippovich (1927-2018)","Molchanov, Kiril Vladimirovich (1922-1982)","Kord, Kazimierz (1930-2021)","Harwood, Elizabeth (1938-1990)","Plasson, Michel (1933)","Hanson, Victor Herrick (1933-2005)","Gavazzeni, Gianandrea (1909-1996)","Woitach, Richard","Hunter, Rita (1933-08-13-2001-04-29)","Farley, Carole (1946)","Mauti-Nunziata, Elena (1946)","Pritchard, John Michael, Sir (1921-1989)","Alonso, Alicia (1920-2019)","Araújo, Loipa (1941)","Grey, Beryl, CBE (1927-2022)","Rudel, Julius (1921-2014)","Moldoveanu, Eugenia (1944)","Wixell, Ingvar (1931-2011)","Simmons, Calvin Eugene (1950-1982)","Humperdinck, Engelbert (1854-1921)","Jarvi, Naami (1937)","Maag, Ernst Peter Johannes (1919-2001)","Obraztsova, Elena Vasilyevna (1939-2015)","McIntyre, Donald, Sir (1934)","White, Thomas S.","Cranko, John Cyril (1927-1973)","Shicoff, Neil (1949)","Jones, Isola (1949)","Tchakarov, Emil (1948)","Ponichelli, Amilcare (1834-1886)","Nicola, Rescigno (1916-2008)","Tajo, Italo (1915-1993)","Stilwell, Richard (1942)","Rendall, David (1948)","Santi, Nello","Panov, Valery Mateevich (1938)","Dostoevsky, Fyodor Mikhailovich (1821-1881)","Malfitano, Catherine","Cotrubas, Ileana (1939)","Bybee, Ariel (1943-2018)","Kohn, Eugene ","Capecchi, Renato (1923-1998)","Tate, Jeffrey Philip, Sir (1943-2017)","Żylis-Gara, Teresa (1930-2021)","Mauro, Ermanno (1939)","Rosenthal, Manuel (1904-2003)","Maliponte, Adriana (1938)","Bernardi, Mario (1930-2013)","Raffanti, Dano (1948)","Valente, Benita (1934)","Janowski, Marek (1939)","Elder, Mark","Walker, Sarah Elizabeth Royle, CBE (1943)","van Allan, Richard, CBE (1935-2008)","Davies, Arthur (1941-2018)","Rawnsley, John (1950)","Davies, Noel (1945-2008)","Müller, Edoardo ","Carlson, Lenus (1945)","Fulton, Thomas (1949-1994)","Daniels, Barbara (1946)","Conrad, Barbara Smith (1937-2017)","Johnson, Camellia (1953-2015)","Navarro, Luis Antonio García (1941-2001)","Baskerville, Priscilla (1962)","Merritt, Myra","Zandonai, Riccardo (1883-1944)","Stivender, David (1933-1990)","Montarsolo, Paolo (1925-2006)","Palacio, Ernesto (1946)","Patsalas, Constantin (1943-1989)","Parker, Charlie \"Bird\" (1920-1955)","Altmeyer, Jeannine (1948)","Meier, Johanna (1938)","Perick, Christof","Fournet, Jean (1913-2008)","Badea, Christian (1947)","Di Franco, Loretta (1942)","Kleiber, Carlos (1930-2004)","Kotoski, Dawn (1966)","Pinnock, Trevor David, CBE (1946)","Mitchell, Leona (1949)","Panni, Marcello (1940)","Cheek, John, 1948-","Martinucci, Nicola (1941)","Cambreling, Sylvain (1948)","Christin, Judith (1948)","Salminen, Matti (1945)","Araiza, Francisco (1950)","Moll, Kurt (1938-2017)","Ajmone-Marson, Guido","Saccani, Rico (1952)","Rosenshein, Neil (1947)","Kout, Jiří","Croft, Dwayne","Fiore, John","Ferden, Bruce (1949-1993)","Glass, Phillip (1937)","Neblett, Carol Lee (1946-2017)","Marin, Ion (1960)","Michael, Hermann (1937-2005)","Donath, Helen Jeanette (1940)","Rizzi, Carlo","Praticò, Bruno","Rootering, Jan-Hendrik (1950)","Pulley, Emily Ann (1967)","Villarroel González, Verónica","Chernov, Vladimir Nikolaïevitch (1953)","Oren, Daniel (1955)","Croft, Richard","Graves, Denyce","Dennis, Betty","Loukianetz, Victoria (1966)","Atherton, David","Del Carlo, John","Hager, Leopold (1935)","Bedford, Steuart John Rudolf, CBE (1939-2021)","Corbelli, Alessandro","Krauss, Clemens","Young, Simone","de Billy, Bertrand","Titov, Alexander","Gruzin, Boris","Kit, Mikhail","Agache, Alexandru","Floyd, Carlisle","Rost, Andrea","Campanella, Bruno","Weigle, Sebastian","Mescheriakova, Marina","Wolf-Ferrari, Ermanno ","Halévy, Fromental ","Viotti, Marcello ","Furlanetto, Ferruccio ","Summers, Patrick","Alfano, Franco ","Auguin, Philippe ","Gallardo-Domâs, Cristina ","Bergeson, Scott","Miklósa, Erika ","Haider, Friedrich","Botha, Johan","Kovalevska, Maija","Frittoli, Barbara","Carosi, Micaela ","Jordan, Philippe","Langrée, Louis","Ataneli, Lado","Chaslin, Frédéric","Vassallo, Franco","Runnicles, Donald","Petrenko, Mikhail","Villaume, Emmanuel","Abbado, Roberto","Smith, Robert Dean","Galouzine, Vladimir","Anzolini, Dante","Alvarez, Carlos","Schrott, Erwin","Gilbert, Alan","Finley, Gerald","Racette, Patricia","Seiffert, Peter","de Niese, Danielle","Frizza, Riccardo","Gagnidze, George","Pidò, Evelino","Bullock, Susan","Keenan, John","Calleja, Joseph","Gilmore, Rachele","Keenlyside, Simon","Abel, Yves","Ono, Kazushi","Uusitalo, Juha","Phillips, Lori","Fournillier, Patrick","Rizzi Brignoli, Roberto","Capitanucci, Fabio","Grigolo, Vittorio","Smelkov, Pavel","Álvarez, Marcelo","Lee, Yonghoon","Degout, Stéphane","Nielsen, Erik","Poplavskaya, Marina","Held, Alan","Walker, Antony","Royal, Kate","Carignani, Paolo","Kwiecien, Mariusz","Altinoglu, Alain","Franck, Mikko","de Biasio, Roberto","Morris, Jay Hunter","Westbroek, Eva-Maria","Inouye, Derrick","Gould, Stephen","Amonov, Avgust","Luna, Audrey","Radvanovsky, Sondra Dee (1969)","Ettinger, Dan","Theorin, Iréne","Mariotti, Michele (1979)","Cura, José","Zifchak, Maria","Byström, Malin","Ranzani, Stefano","He, Hui","Yoncheva, Sonya (1981)","Meli, Francesco (1980)","Krasteva, Nadia (1976)","Zajick, Dolora (1952)","Koenigs, Lothar (1965)","Madore, Elliot (1987)","Lanchas, Valeriano (1976)","van den Heever, Elza (1979)","Opolais, Kristine (1979)","Sherratt, Brindley (1965)","Mazzola, Enrique","Chichon, Karel Mark, OBE (1971)","Skelton, Stuart (1968)","Monastyrska, Liudmyla Viktorivna","Gubanova, Ekaterina (1979)","Dyka, Oksana (1978)","Robinson, Morris (Morris D.) (1969-03-18)","Làrusdóttir, Dísella (1977)","Mumford, Tamara","Debus, Johannes (1974)","Siegel, Gerhard (1963)","Morandi, Pier Giorgio (1958)","Vogt, Klaus Florian (1970)","Ticciati, Robin, OBE (1983)","Volle, Michael (1960)","Hartig, Anita (1983)","Morley, Erin (1980)","Bignamini, Jader (1976)","Bižić, David (1975)","Pomakov, Robert (1981)","Stare, Ward (1982)","Mattsey, Jeff","Allen, Thomas Boaz, Sir (1944)","Lattimore, Margaret","Colaneri, Joseph","Hindoyan, Domingo Garcia (1980)","D'Arcangelo, Ildebrande (1969)","Plachetka, Adam (1985)","Majeski, Amanda (1984)","Castronovo, Charles (1975)","Pérez, Ailyn (1979)","Mavlyanov, Najmiddin (1979)","Naouri, Laurent (1964)","Wellber, Omer Meir (1981)","Margaine, Clémentine (1984)","Nánási, Henrik","Farnes, Richard (1964)","Colclough, Craig","Park, Hera Hyesang","Manacorda, Antonello (1970)","Kamensek, Karen (1970)","Blake, Aaron","Eyvazov, Yusif (1977)","Davidsen, Lise (1987)","Lewek, Kathryn (1983)","Hymel, Bryan (1979)","Nikitin, Evgeny Igorevich","Selig, Franz-Josef (1962)","Erraught, Tara (1986)","Liverman, Will (1988)","Blanchard, Terrence (1962)","Rustioni, Daniele (1983)","Carter, Nicholas","Clayton, Allan, MBE (1981)","Dean, Brett (1961)","Baikoff, Erika","Ward, Duncan","Gamba, Michele (1983)","Maestri, Ambrogio (1970)","Hamlin, Spencer","Groissböck, Günther (1976)","Buratto, Eleanora (1982)","Guggeis, Thomas (1993)","Konieczny, Tomasz (1972)","Gigliotti, Eve","Belosselskiy, Dmitry Stanislavovich (1975)","Chioldi, Michael (1970)","Herrera, Nancy Fabiola","Catán Porteny, Daniel (1949-2011)","Furrer, Patrick","Buszewski, Piotr (1992)","Stikhina, Elena (1986)","Lyniv, Oksana (1978)","Pankratova, Elena","Kowaljow, Vitalij","Grigoryan, Juliana","Jagde, Brian (1980)","Golovatenko, Igor","Schweizer, David","Masur, Richard (1948)","Walken, Christopher (1943)","Le Roux, Madeleine (1946)","Shapiro, Mel (1937)","Moriarty, Michael (1941)","Hines, Mainer Patrick (1930-1985)","Mason , Marsha (1942)","Southern, Richard (1903-1989)","Adams, Mason (1919-2005)","Miratti, Tony (1946)","Vestoff, Virginia (1939-1982)","Moody, Michael Dorn","Nichols, Mike (1931-2014)","Rudd, Paul Ryan (1940-2010)","Sweet, Dolph (1920-1985)","Harewood, Dorian (1950)","Rabe, David (1940)","Mosher, Gregory (1949)","Goldstein, Steven (1963)","Huffman, Felicity (1962)","Silverstein, Sheldon Allan (1930-1999)","Mamet, David (1947)","Balaban, Robert Elmer (1945)","Conroy, Frances (1953)","Buono, Cara (1971)","Nelson, Richard John (1950)","Bishop, Kelly (1944)","Channing, Stockard (1944)","Pearlman, Stephen (1935-1998)","Guare, John (1938)","Bishop, André (1948)","Alexander, Jane (1939)","McDormand, Frances (1957)","Vickery, John (1950)","Davis, Clifton (1945)","McGiver, Boris (1962)","Stoppard, Tom, Sir (1937)","Alexander, Terry (1947)","Heckart, Eileen (1919-2001)","Mastrantonio, Mary Elizabeth (1958)","Donaghy, Tom","Chenoweth, Kristin (1968)","Fuller, Penny (1937)","Gets, Malcolm (1964)","Finn, William (1952)","Stroman, Susan (1954)","Stackpole, Dana (1966)","Hingston, Sean Martin (1965)","Antoon, Jason (1971)","Weidman, John (1946)","Sutherland, Donald (1935-2024)","O'Hare, Denis (1962)","Margulies, Julianna (1966)","Baitz, Jon Robin (1961)","Kani, John (1942)","Bihl, Esmeralda","Seane, Warona","James, Nikki M. (1981)","Ticotin, Nancy (1957)","Bavan, Yolande (1942)","Lachiusa, Michael John (1962)","Baker, Becky Ann (1953)","Harelik, Mark (1951)","Hecht, Jessica (1965)","Greenberg, Richard (1958)","Aspillaga, Vanessa (1972)","Brown, Blair (1946)","Clayburgh, Jill (1944-2010)","Ruhl, Sarah (1974)","Schreiber, Pablo (1978)","Shinn, Christopher (1975)","Kudisch, Marc (2024)","Belcon, Natalia Venetia (1969)","Kelly, David Patrick (1951)","Flaherty, Stephen (1960)","Lavin, Linda (1937)","Houdyshell, Jayne (1953)","Bartlett, Peter (1942)","Rudnick, Paul (1957)","McMartin, John (1929-2016)","Rebhorn, James (1948-2014)","Eli, Robert","Haigle, Noah (1978)","Gleason, Joanna (1950)","Foster, Hunter (1969)","Cervantes, Miguel (1976)","Frankel, Scott David (1963)","Davidson, Jeremy (1971)","Mays, Jefferson (1965)","Hogan, Robert (1933-2021)","Rogers, J.T. (1968)","Keenan-Bolger, Celia (1978)","Saito, James (1955)","Yaegashi, James (1972)","Lane, Diane (1965)","Shalhoub, Tony (1953)","Rankin, Gayle (1989)","Doran, Bathsheba","Plunkett, Stephen (1976)","Breen, Patrick (1960)","Pankow, John (1955)","Parnell, Peter","Ehle, Jennifer (1969)","McDonough, Ann (1949)","Murphy, Sally (1962)","Harmon, Joshua","Clemens, Adelaide (1989)","Chanler-Berat, Adam (1986)","Larroquette, John (1947)","Donovan, Edmund (1990)","Hellman, Nina (1967)","Ivey, Judith (1951)","Hunter, Samuel D. (1981)","Marylouise, Burke (1941)","Watkins, Brian","Coiro, Rhys (1979)","Bunin, Keith (1971)","Jones, Candrice","Testa, Mary (1955)","Baker, Dylan (1959)","Müller-Brühl, Helmut Peter (1933-2012)","Bach, Johann Christian Friedrich (1732-1795)","Mozart, Franz Xaver Wolfgang (1791-1844)","Dichter, Misha, 1945-","Glover, Jane, Dame (1949)","Kalmar, Carlos (1958)","Paganini, Nicolò, 1782-1840","Golijov, Osvaldo (1960)","Manze, Andrew (1965)","Halls, Matthew","Barnatan, Inon, 1979-","Zender, Johannes Wolfgang (1936-2019)","Schachter, Michael","Hughes, Langston (James Mercer Langston) (1901-1967)","Foss, Lukas, 1922-2009","Wallenstein, Alfred (18981007-19830208)","del Tredici, David Walter (1937-2023)","Wiłkomirska, Wanda (1929-2018)","Munroe, Lorne (1924-2020)","Zeltser, Mark Efimovich (1947)","Postnikova, Viktoria (1944)","Taneyev, Sergei Ivanovich (1856-1915)","Jones, Jennifer, (Mezzo-soprano)","Shiokawa, Yūko (1946)","Kim, Earl (1920-1998)","Weller, Walter (1939-2015)","Davies, Ryland (1943-2023)","Curzon, Clifford Michael, Sir (1907-1982)","Blackshaw, Christian Charles (1949)","Drucker, Stanley (1929-02-04-2022-12-19)","Newland, Larry","Carter, Elliott (1908-2012)","Gitlis, Ivry (1922-2020)","Duruflé, Maurice (1902-1986)","Haendel, Ida (1928-2020)","Barton, Randolph","Sondheim, Stephen, 1930-2021","Subramaniam, Lakshminarayana (1947)","Bussotti, Sylvano (1931-2021)","Vinzing, Ute (1936)","Turnovsky, Martin (1928-2021)","Novák, Vítězslav Augustín Rudolf (1870-1949)","Druckman, Jacob (1928-1996)","Husa, Karel (1921-2016)","Cherkassy, Shura (1909-1995)","Rubinstein, Anton Grigoryevich (1829-1894)","Sanderling, Kurt (1912-2011)","Meneses, Antônio (1957)","Zwilich, Ellen Taafe (1939)","Wolfe, Julia (1958)","Ortiz, Cristina (1958)","Stenhammar, Carl Wilhelm Eugen (1871-1927)","Levi, Yoel (1950)","Pedrotti, Carlo (1817-1893)","Hétu, Jacques (1938-2010)","Mácal, Zdeněk (1936-2023)","Kabalevsky, Dmitry Borisovich (1904-1987)","Oistrakh, Igor","Keene, Christopher, 1946-1995","Virsaladze, Eliso (1942)","Gutman, Natalia Grigoryevna (1942)","Flor, Claus Peter (1953)","Schiff, Heinrich (1951-2016)","Sheng, Bright (1955)","Davies, Dennis Russell (1944)","Kolb, Barbara (1939)","Gavrilov, Andrei (1955)","Pratt, Awadagin (1966)","Tubin, Eduard (1905-1982)","Baxtresser, Jeanne (1947)","Diadkova, Larissa Ivanova (1954)","Tamberg, Eino (1930-2010)","Feltsman, Vladimir Oskarovich (1952)","Katzer, Georg (1935-2019)","Piston, Walter Hamor, Jr. (1894-1976)","McFerrin, Robert Keith (1950)","Ling, Jahja (1951)","Perle, George (1915-2009)","Kirchner, Leon, 1919-2009","Thompson, Randall (1899-04-21-1984-07-09)","Wilson, Olly Woodrow, Jr. (1937-2018)","Asawa, Brian (1966-2016)","Little, Tasmin Elizabeth (1965)","Thomson, Virgil (1986-1989)","Westerfield, Richard","Suwanai, Akiko (1972)","Zorn, John, 1953-","Schwantner, Joseph Clyde (1943-03-22)","Canteloube de Malaret, Marie-Joseph (1879-1957)","Dam-Jensen, Inger (1964)","MacMillan, James Loy, Sir (1959)","Daugherty, Michael (1954)","Staples, Sheryl (1968)","Biller, Georg Christoph (1955-2022)","Leonskaja, Elisabeth (1945)","Frank, Martin (1890-1974)","Kirchschlager, Angelika (1965)","Pollet, Françoise (1949)","Say, Fazıl (1970)","Volodos, Arcadi (1972)","Wiens, Edith (1950)","Turrin, Joseph (1947)","Paasikivi-Ilves, Lilli Katriina (1965)","Kernis, Aaron Jay (1960)","Covey-Crump, Rogers (1944)","Hartke, Stephen Paul (1952)","Cedolins, Fiorenza (1966)","Weilerstein, Alisa (1982)","Tovey, Bramwell (1953-2022)","Puts, Kevin Matthew (1972)","Moser, Johannes (1979)","Grantham, Donald (1947)","Egner, Philip (1870-1956)","Shenyang (1984)","Gavrylyuk, Alexander (1984)","Plummer, Christopher (1929-2021)","Kriiku, Kari (1960)","Chin, Unsuk (1961)","Storgårds, John Gunnar Rafael (1963)","Adolphe, Julia (1988)","Auerbach, Lera (1973)","Davies, Tansy (1973)","Weilerstein, Joshua (1987)","Gersen, Joshua","Grosvenor, Benjamin (1992)","Þorvaldsdóttir, Anna Sigríður (1977)","Tao, Conrad Yiwen (1994)","Slobodeniouk, Dima (1975)","Gomyo, Karen","Rouvali, Santtu-Matias (1985)","Martinaitytė, Žibuoklė (1973)","Chen, Ray (1989)","Schulhoff, Erwin (1894-1942)","Pinto-Correira, Andreia","Lim, Yunchan (2004)","Berlin, Irving, 1888-1989","Merman, Ethel, 1908-1984","Yarnell, Bruce, 1935-1973","Venuta, Benay, 1910-1995","Kasha, Lawrence","Wayne, David","Treigle, Norman","Guadagno, Anton","Crader, Jeannine","Rodgers, Richard","Layton, Joe","Henderson, Florence","Irving, Robert, 1913-1991","Frohlich, Jean-Pierre","Corsaro, Frank, 1924-2017","Novoa, Salvador, 1937-2021","Patane, Franco, 1908-1968","Niska, Maralin, 1926-2016","Peress, Maurice, 1930-2017","Peterson, Kurt","Mallory, Victoria, 1948-2014","Molese, Michele, 1928-1989","Malas, Spiro, 1933-2019","Mester, Jorge, 1935-","Bible, Frances, 1919-2001","Susskind, Walter, 1913-1980","Morelli, Giuseppe, 1907-2000","Chapman, William, 1923-2012","Theyard, Harry, 1929-","Devlin, Michael, 1942-","Hale, Robert, 1933-2023","Ledbetter, William, 1961-","Lankston, John, 1934-2018","Reimueller, Ross, 1938-1987","Galvany, Marisa","Menotti, Gian Carlo","Darrenkamp, John","Martelli, Luigi","Delius, Frederick","Roy, Will","Roe, Charles","Palló, Imre, 1941-","Branson Gray, George","Taylor, Richard","Wells, Patricia","Ballard, Earline","Somogi, Judith, 1937-1988","Bertini, Gary, 1927-2005","Caldwell, Sarah, 1924-2006","Sarabia, Guillermo, 1937-1985","Musgrave, Thea, 1928-","Clarey, Cynthia, 1949-","DeRenzi, Victor","McKee, Richard","Grey, Joel, 1932-","Loewe, Frederick, 1901-1988","Burton, Richard, 1925-1984","Ebersole, Christine, 1953-","Stapp, Olivia","Bröcheler, John, 1945-","de Almeida, Antonio, 1928-1997","Grice, Garry","Weise, Klaus, 1936-2022","Eisler, David, 1955-1992","Esham, Faith, 1948-","Kelm, Linda, 1944-2016","Siciliani, Alessandro, 1952-","Knighton, Elizabeth","Flint, Mark, 1954-2012","Vergara, Victoria","Grayson, Robert","Robson, Christopher, 1953-","Senn, Marta","Garrison, Jon, 1944-","Dickson, Stephen, 1951-1991","Rescigno, Joseph, 1945-","Faix Brown, Winifred","Boncompagni, Elio, 1933-2019","Shirvis, Barbara","von Flotow, Friedrich, 1812-1883","Woods, Sheryl","Blitzstein, Marc, 1905-1964","Hunter, Laurie Anne","Munro, Leigh","McNeil, Dennis, 1960-","Marsee, Susanne, 1941-","Ajmone-Marsan, Guido, 1947-2014","Alexeyev, Valery","West, Stephen","Duerr, Robert, 1954-","Sorensen, Joel","von Einem, Gottfried, 1918-2007","Manahan, George, 1952-","Castle, Joyce, 1939-","Nolen, Timothy, 1941-2023","Mosteller, Steven","Ketelsen, Kyle, 1971-","Pendatchanska, Alexandrina, 1970-","Adamo, Mark, 1962-","Martins, Peter, 1946-","Pereira, Erica","Peiffer, Allen","Reichard, Daniel","Kay, Hershy, 1919-1981","Prince, Robert, 1929-2007","Strayhorn, Billy, 1915-1967","Cohen, Brad","Dovhan, Stefania, 1979-","Feldman, Morton, 1926-1987","Schwartz, Stephen, 1948-","Pärt, Arvo, 1935-","Mercurio, Steven","Scappucci, Speranza (1973)","Müller, Rufus (1959)","Boehler, Matt","Duncan, Tyler","Wang, Yunpeng","Levin, Ira","Cokorinos, Philip","Braunfels, Walter (1882-1954)","Crutchfield, Will (1957)","Gish, Allison","Jordheim, Alisa","van Heyningen, Erik","Ball, William, 1931-1991","O'Sullivan, Michael, 1934-1971","Maxwell, Roberta, 1941-","Rabb, Ellis, 1930-1998","Harris, Rosemary, 1927-","Walker, Sydney, 1921-1994","Williams, Tennessee","Farentino, James, 1938-2012","Conolly, Patricia, 1933-","Leonard, Hugh, 1926-2009","Freedman, Gerald, 1927-2020","Harris, Julie, 1925-2013","Durning, Charles, 1923-2012","Milner, Ron, 1938-2004","Schultz, Michael, 1938-","Turman, Glynn, 1947-","Strindberg, August, 1849-1912","Caldwell, Zoe, 1933-2020","Elizondo, Héctor, 1936-","Burr, Anne, 1918-2003","Papp, Joseph, 1921-1991","Parsons, Estelle, 1927-","Lombard, Michael, 1934-2020","Gunn, Bill, 1934-1989","Williams, Dick Anthony, 1934-2012","Brown, Graham, 1924-2011","Ibsen, Henrik, 1828-1906","Skagestad, Tormod, 1920-1997","Ullmann, Liv, 1938-","Waterston, Sam, 1940-","Pinero, Arthur Wing, 1855-1934","Antoon, A. J., 1944-1992","Hurt, Mary Beth, 1946-","Streep, Meryl, 1949-","Rudman, Michael, 1939-2023","Shaw, George Bernard, 1856-1950","Gordon, Ruth, 1896-1985","O'Shea, Milo, 1926-2013","Brecht, Bertolt, 1898-1956","Foreman, Richard, 1937-","Bosco, Philip, 1930-2018","Kava, Caroline, 1949-","Chekhov, Anton, 1860-1904","Serban, Andrei, 1943-","Aeschylus, 525-456 BC","Zakkai, Jamil","Barry, Philip, 1896-1949","Danner, Blythe, 1943-","Herrmann, Edward, 1943-2014","Converse, Frank, 1938-","Anglim, Philip, 1952-","Anderman, Maureen, 1946-","Allen, Woody, 1935-","Grosbard, Ulu, 1929-2012","Arthur, Bea, 1922-2009","Weston, Jack, 1924-1996","Porter, Cole, 1891-1964","Uggams, Leslie, 1943-","Edelman, Gregg, 1958-","Vichi, Gerry","Chayefsky, Paddy, 1923-1981","Armus, Sidney, 1924-2002","Zaks, Jerry, 1946-","Evers, Brian, 1942-","Lagomarsino, Ron, 1951-","Curry, Tim, 1946-","Pappas, Evan","Sherwood, Robert, 1896-1955","Gutierrez, Gerald, 1950-2003","Hytner, Nicholas, 1956-","Hayden, Michael, 1963-","Barbour, James, 1966-","Nunn, Trevor, 1940-","Dundas, Jennifer, 1971-","Frierson, Andrea","Hellman, Lillian, 1905-1984","O'Brien, Jack, 1939-","Kerwin, Brian, 1949-","Kline, Kevin, 1947-","Atkinson, Jayne, 1959-","Brown, Jason Robert, 1970-","Prince, Harold, 1928-2019","Carmello, Carolee, 1962-","Carver, Brent, 1951-2020","Sheridan, Richard Brinsley, 1751-1816","Lamos, Mark, 1946-","Bergl, Emily, 1975-","Guettel, Adam, 1964-","Sher, Bartlett, 1959-","Clark, Victoria, 1959-","Morrison, Matthew, 1978-","O'Hara, Kelli, 1976-","O'Byrne, Brian, 1967-","Cullum, John, 1930-","Cerveris, Michael, 1960-","Plimpton, Martha, 1970-","Szot, Paulo, 1969-","Wolfe, George, 1954-","Wright, Jeffrey, 1965-","Stafford, Nick, 1959-","Elliott, Marianne, 1966-","Morris, Tom, 1964-","Klein, Tessa","Taylor, Holland, 1943-","Klein, Benjamin Endsley","White, Julie, 1961-","Lapine, James, 1949-","Fontana, Santino, 1982-","Akhtar, Ayad, 1970-","Hughes, Doug, 1955-","Pasquale, Steven, 1976-","Lim, Teresa Avia","Lerner, Alan Jay, 1918-1986","Smith, Paul Slade","Ambrose, Lauren, 1978-","Zarrett, Lee","Hadden-Paton, Harry, 1981-","Benanti, Laura, 1979-","Schenkkan, Robert, 1953-","Rauch, Bill, 1962-","Cox, Brian, 1946-","Coleman, Grantham, 1990-","Cusack, Carmen, 1971-","Gardner, Danny, 1982-","Wilder, Thornton, 1897-1975","Blain-Cruz, Lileana","Meredith, James Vincent, 1971-","Soo, Phillipa, 1990-","Donica, Jordan, 1994-","Harding, Daniel, 1975-","Cullen, Joseph","Halsey, Simon, 1958-","Huber, Gerold, 1969-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3427,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T21:30:16.538Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vilxw_repositories_5_resources_1140_c01_c1076"}},{"id":"vifgm_repositories_2_resources_459_c86","type":"File","attributes":{"title":"Bubbles #16 by Brian Baynes","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_459_c86#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_459_c86","ref_ssm":["vifgm_repositories_2_resources_459_c86"],"id":"vifgm_repositories_2_resources_459_c86","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","parent_ssi":"vifgm_repositories_2_resources_459","parent_ssim":["vifgm_repositories_2_resources_459"],"parent_ids_ssim":["vifgm_repositories_2_resources_459"],"parent_unittitles_ssm":["Mid-Atlantic minicomics and zines collection"],"parent_unittitles_tesim":["Mid-Atlantic minicomics and zines collection"],"text":["Mid-Atlantic minicomics and zines collection","Bubbles #16 by Brian Baynes","box 5","folder 11"],"title_filing_ssi":"Bubbles #16 by Brian Baynes","title_ssm":["Bubbles #16 by Brian Baynes"],"title_tesim":["Bubbles #16 by Brian Baynes"],"unitdate_inclusive_ssm":["April 2023"],"normalized_date_ssm":["2023"],"normalized_title_ssm":["Bubbles #16 by Brian Baynes"],"component_level_isim":[1],"repository_ssim":["George Mason University"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":86,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[2023],"containers_ssim":["box 5","folder 11"],"_nest_path_":"/components#85","timestamp":"2026-05-21T05:27:49.802Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_459","ead_ssi":"vifgm_repositories_2_resources_459","_root_":"vifgm_repositories_2_resources_459","_nest_parent_":"vifgm_repositories_2_resources_459","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_459.xml","title_ssm":["Mid-Atlantic minicomics and zines collection"],"title_tesim":["Mid-Atlantic minicomics and zines collection"],"unitdate_ssm":["2012-2024"],"unitdate_inclusive_ssm":["2012-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0316","/repositories/2/resources/459"],"text":["C0316","/repositories/2/resources/459","Mid-Atlantic minicomics and zines collection","LGBTQ+","Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)","There are no access restrictions.","Future accruals to this collection are expected.","Arranged by acquisition date.","\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.","Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.","Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024.","The Special Collections Research Center also holds the International art publishing collection and the It also holds an extensive ","\nThe and the hold zines collections. A list of Virginia institutions with zines collections can be found ","The , the , and hold minicomics collections.","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.","R 54, C 3, S 1, 3","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0316","/repositories/2/resources/459"],"normalized_title_ssm":["Mid-Atlantic minicomics and zines collection"],"collection_title_tesim":["Mid-Atlantic minicomics and zines collection"],"collection_ssim":["Mid-Atlantic minicomics and zines collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["LGBTQ+"],"geogname_ssim":["LGBTQ+"],"places_ssim":["LGBTQ+"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated and purchased by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries from 2018-present. Jake Lahah's zines were donated by the artist."],"access_subjects_ssim":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"access_subjects_ssm":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bibliography_html_tesm":["\u003cp\u003e\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.\u003c/p\u003e\n","\u003cp\u003eCroley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.\u003c/p\u003e\n","\u003cp\u003e\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024."],"bioghist_html_tesm":["\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e\n","\u003cp\u003eMinicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size."],"custodhist_html_tesm":["\u003cp\u003eSome of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center."],"prefercite_html_tesm":["\u003cp\u003eMid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.\u003c/p\u003e","\u003cp\u003eAccruals processed and added to finding aid by Amanda Menjivar in June and November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the International art publishing collection and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the International art publishing collection and the It also holds an extensive ","\nThe and the hold zines collections. A list of Virginia institutions with zines collections can be found ","The , the , and hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2012-2024. Topics vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Birdcage Bottom.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail and Liz Barr.\u003c/p\u003e","\u003cp\u003ePublisher: hic \u0026amp; hoc publications.\u003c/p\u003e","\u003cp\u003ePublisher: Bright Spot Press.\u003c/p\u003e","\u003cp\u003eContributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Eberhardt Press.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Leeking Inc.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Ten09, George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePurchased from People's Book in Takoma Park, MD.\u003c/p\u003e","\u003cp\u003ePurchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eUnknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press. Produced at George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press.\u003c/p\u003e","\u003cp\u003ePublisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_66308bb7aee749d96c68d0c2573c907a\"\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_76334dd84ac287f5c668568c164c9851\"\u003eR 54, C 3, S 1, 3\u003c/physloc\u003e"],"physloc_tesim":["R 54, C 3, S 1, 3"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. 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Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.","Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.","Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024.","The Special Collections Research Center also holds the International art publishing collection and the It also holds an extensive ","\nThe and the hold zines collections. A list of Virginia institutions with zines collections can be found ","The , the , and hold minicomics collections.","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.","R 54, C 3, S 1, 3","George Mason University. Libraries. 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Jake Lahah's zines were donated by the artist."],"access_subjects_ssim":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"access_subjects_ssm":["Zines","Personal narratives","Gender expression","Gender identity","Mental health","Anime (Television programs)"],"has_online_content_ssim":["false"],"extent_ssm":["3 Linear Feet 5 boxes"],"extent_tesim":["3 Linear Feet 5 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"accruals_html_tesm":["\u003cp\u003eFuture accruals to this collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Future accruals to this collection are expected."],"arrangement_html_tesm":["\u003cp\u003eArranged by acquisition date.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by acquisition date."],"bibliography_html_tesm":["\u003cp\u003e\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.\u003c/p\u003e\n","\u003cp\u003eCroley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.\u003c/p\u003e\n","\u003cp\u003e\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Comic Books and Graphic Novels - Minicomics in the AAEL Library.\" University of Michigan Library. https://guides.lib.umich.edu/comics/minicomics, accessed May 2024.","Croley, Carolyn. \"A short history of zines,\" December 13, 2023. Amon Carter Museum of American Art. https://www.cartermuseum.org/blog/short-history-zines.","\"Loud on Paper Library Guide - What is a Zine?\" Purdue University, Libraries and School of Information Studies. https://guides.lib.purdue.edu/loudonpaper/what-is-a-zine#:~:text=Definition,circulates%20less%20than%201%2C000%20copies, accessed May 2024."],"bioghist_html_tesm":["\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e\n","\u003cp\u003eMinicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.","Zines - short for \"fanzines\" - became popular with underground science fiction fan circles in the 1930s and 1940s, and grew exponentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.","Minicomics, similar to zines, are small, handmade, self-published comics. Minicomics differ from zines in that their primary content features comics, cartoons, or graphic narrative. Minicomics are not always small, and can range in physical and narrative size."],"custodhist_html_tesm":["\u003cp\u003eSome of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Some of the materials in this collection were directly donated by the author to Stephanie Grimm, who then in turn donated them to the Special Collections Research Center."],"prefercite_html_tesm":["\u003cp\u003eMid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Mid-Atlantic minicomics and zines collection, C0316, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.\u003c/p\u003e","\u003cp\u003eAccruals processed and added to finding aid by Amanda Menjivar in June and November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar in May 2024. Finding aid completed by Amanda Menjivar in May 2024.","Accruals processed and added to finding aid by Amanda Menjivar in June and November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the International art publishing collection and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the International art publishing collection and the It also holds an extensive ","\nThe and the hold zines collections. A list of Virginia institutions with zines collections can be found ","The , the , and hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2012-2024. Topics vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Birdcage Bottom.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail and Liz Barr.\u003c/p\u003e","\u003cp\u003ePublisher: hic \u0026amp; hoc publications.\u003c/p\u003e","\u003cp\u003ePublisher: Bright Spot Press.\u003c/p\u003e","\u003cp\u003eContributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: Retrofit Comics and Big Planet Comics.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Eberhardt Press.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: GenderFail.\u003c/p\u003e","\u003cp\u003ePublisher: Leeking Inc.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Force.\u003c/p\u003e","\u003cp\u003ePublisher: Ten09, George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: late comeback press.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePublisher: Shining Life.\u003c/p\u003e","\u003cp\u003ePurchased from People's Book in Takoma Park, MD.\u003c/p\u003e","\u003cp\u003ePurchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eProduced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026amp; Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.\u003c/p\u003e","\u003cp\u003eUnknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003e\u003citalic\u003eWHO CARES LOL\u003c/italic\u003e is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press. Produced at George Mason University.\u003c/p\u003e","\u003cp\u003ePublisher: Late Comeback Press.\u003c/p\u003e","\u003cp\u003ePublisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003eCreated by a Mason alumnus.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e","\u003cp\u003ePublisher: inner loop press.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, which includes the states of Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, West Virginia, as well as Washington, District of Columbia.","Materials were created between 2012-2024. Topics vary - see inventory for more details.","Publisher: Birdcage Bottom.","Publisher: GenderFail and Liz Barr.","Publisher: hic \u0026 hoc publications.","Publisher: Bright Spot Press.","Contributors: Alec Icky Dunn, Josh MacPhee, Christopher Kardambikis.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: Retrofit Comics and Big Planet Comics.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Eberhardt Press.","Publisher: GenderFail.","Publisher: GenderFail.","Publisher: Leeking Inc.","Publisher: Force.","Publisher: Force.","Publisher: Ten09, George Mason University.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: late comeback press.","Publisher: Shining Life.","Publisher: Shining Life.","Purchased from People's Book in Takoma Park, MD.","Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Produced for the program E17: ZINES at Transformer Gallery (Washington, D.C.). E17: Zines was the 17th year of Transformer's Exercises for Emerging Artists program, an annual peer critique and mentorship program for D.C.-based emerging artists. The program was led by Christopher Kardambikis (Assistant Professor of Art, GMU ) with coordination by Katie Lee, and featured artists interested in zines and DIY publishing: Ayana Zaire Cotton, Athena Naylor, Late Comeback Press (Caroline Kim \u0026 Rachna Soun), Evyan Roberts, Jennifer Lillis, and Julie Sheah.","Unknown author. Contains wildflower seeds. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","WHO CARES LOL is a free art zine about Arlington, Virginia. Sourced by Marissa Burkland of GMU Libraries.","Publisher: Late Comeback Press. Produced at George Mason University.","Publisher: Late Comeback Press.","Publisher: Neil Brideau. Purchased during an exhibit of the artist at DWIGHTMESS, a comics residency and exhibition space founded by Adam Griffiths in Silver Spring, Maryland.","Created by a Mason alumnus.","Created by a Mason alumnus.","Created by a Mason alumnus.","Publisher: inner loop press.","Publisher: inner loop press."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_66308bb7aee749d96c68d0c2573c907a\"\u003eThis collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains zines and minicomics created by individuals and small presses from the Mid-Atlantic region of the United States, created from 2012-2021."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_76334dd84ac287f5c668568c164c9851\"\u003eR 54, C 3, S 1, 3\u003c/physloc\u003e"],"physloc_tesim":["R 54, C 3, S 1, 3"],"names_ssim":["George Mason University. 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