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Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27)."],"title_filing_ssi":"\"We the People Say, 'Let JMU Bowl'\"","title_ssm":["\"We the People Say, 'Let JMU Bowl'\""],"title_tesim":["\"We the People Say, 'Let JMU Bowl'\""],"unitdate_other_ssim":["2023 November 18"],"normalized_date_ssm":["2023"],"normalized_title_ssm":["\"We the People Say, 'Let JMU Bowl'\""],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["ESPN College GameDay posters"],"dimensions_tesim":["22\" x 28\""],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":48,"parent_access_restrict_tesm":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2023],"names_ssim":["United States (Title of work: Constitution.)","United States (Title of work: Constitution.)","Madison, James, 1751-1836","Madison, James, 1751-1836"],"corpname_ssim":["United States (Title of work: Constitution.)"],"persname_ssim":["Madison, James, 1751-1836"],"containers_ssim":["Flat File 11"],"scopecontent_html_tesm":["\u003cp\u003eQuotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27)."],"_nest_path_":"/components#2/components#28","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_693","ead_ssi":"vihart_repositories_4_resources_693","_root_":"vihart_repositories_4_resources_693","_nest_parent_":"vihart_repositories_4_resources_693","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_693.xml","title_ssm":["ESPN College GameDay posters"],"title_tesim":["ESPN College GameDay posters"],"unitdate_ssm":["2015","2017","2023"],"unitdate_other_ssim":["2015","2017","2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0336","/repositories/4/resources/693"],"text":["SC 0336","/repositories/4/resources/693","ESPN College GameDay posters","Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All 2015 and 2017 posters have been digitized and are available online via  JSTOR .","The collection is arranged in sub-groups according to date and ESPN College GameDay opponents.","Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.","Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.","Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. ","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.","James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-","English"],"unitid_tesim":["SC 0336","/repositories/4/resources/693"],"normalized_title_ssm":["ESPN College GameDay posters"],"collection_title_tesim":["ESPN College GameDay posters"],"collection_ssim":["ESPN College GameDay posters"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Posters were donated on or soon after October 14, 2017 directly following GameDay events and collected at the front desk of Carrier Library. One of the 2015 GameDay posters was donated on October 9, 2017 directly to Special Collections. One 2017 poster was donated in November 2018. The 2023 GameDay posters were brought to a designated donation table located in front of Moody Hall after the broadcast on November 18, 2023. Special Collections staff also salvaged orphaned or trashed posters after the broadcast. The posters were donated by JMU students, alumni, and fans. Donors were not asked to sign deeds of gift."],"access_subjects_ssim":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"access_subjects_ssm":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"has_online_content_ssim":["false"],"extent_ssm":["15 cubic feet 15 flat files"],"extent_tesim":["15 cubic feet 15 flat files"],"genreform_ssim":["Posters","Memes (Internet)"],"date_range_isim":[2015,2017,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll 2015 and 2017 posters have been digitized and are available online via \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://www.jstor.org/site/jamesmadisonuniversity/jamesmadisonuniversityespncollegegamedayposters/\"\u003eJSTOR\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All 2015 and 2017 posters have been digitized and are available online via  JSTOR ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in sub-groups according to date and ESPN College GameDay opponents.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in sub-groups according to date and ESPN College GameDay opponents."],"bibliography_html_tesm":["\u003cbibref\u003eBell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. \u003c/bibref\u003e","\u003cbibref\u003eBozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.\u003c/bibref\u003e","\u003cbibref\u003eHoltzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.\u003c/bibref\u003e","\u003cbibref\u003e\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.\u003c/bibref\u003e","\u003cbibref\u003esports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.\u003c/bibref\u003e","\u003cbibref\u003e\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015."],"bioghist_html_tesm":["\u003cp\u003eHeld every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.\u003c/p\u003e","\u003cp\u003eJames Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.\u003c/p\u003e","\u003cp\u003eThe 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.\u003c/p\u003e","\u003cp\u003eESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.\u003c/p\u003e\n","\u003cp\u003eLeading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.\u003c/p\u003e","\u003cp\u003eThe 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. \u003c/p\u003e\n","\u003cp\u003eInternet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. \u003c/p\u003e","\u003cp\u003eThe 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.\u003c/p\u003e","\u003cp\u003eThe poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.\u003c/p\u003e","\u003cp\u003eThe poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. \u003c/p\u003e\n","\u003cp\u003ePoster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.\u003c/p\u003e","\u003cp\u003eThe 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.\u003c/p\u003e","\u003cp\u003eThe poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.\u003c/p\u003e","\u003cp\u003eThe poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.\u003c/p\u003e","\u003cp\u003eThe poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.\u003c/p\u003e","\u003cp\u003eThe poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.\u003c/p\u003e","\u003cp\u003eThe poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.\u003c/p\u003e","\u003cp\u003eThe poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. \u003c/p\u003e\n","\u003cp\u003eWhile popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.\u003c/p\u003e","\u003cp\u003eThe full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.\u003c/p\u003e","\u003cp\u003eThe poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.\u003c/p\u003e","\u003cp\u003eThe poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. \u003c/p\u003e\n","\u003cp\u003eThe poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. \u003c/p\u003e\n","\u003cp\u003eAn internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.\u003c/p\u003e\n","\u003cp\u003eThe poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. \u003c/p\u003e","\u003cp\u003eThe poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.\u003c/p\u003e","\u003cp\u003eThe poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. \u003c/p\u003e\n","\u003cp\u003eThe poster has an unknown signature.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.\u003c/p\u003e","\u003cp\u003eMany of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.\u003c/p\u003e","\u003cp\u003eSign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).\u003c/p\u003e","\u003cp\u003eThe sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.\u003c/p\u003e","\u003cp\u003eSign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).\u003c/p\u003e","\u003cp\u003eThe sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.\u003c/p\u003e\n","\u003cp\u003eThe opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.\u003c/p\u003e","\u003cp\u003eThe sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.\u003c/p\u003e","\u003cp\u003eThe NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"\u003c/p\u003e","\u003cp\u003eA sign presumably created for a two-year-old JMU fan and future Duke.\u003c/p\u003e","\u003cp\u003eFeatures the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.\u003c/p\u003e\n","\u003cp\u003eThe second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.\u003c/p\u003e","\u003cp\u003eDuring a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.\u003c/p\u003e\n","\u003cp\u003eThe second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"\u003c/p\u003e","\u003cp\u003eThe sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.\u003c/p\u003e","\u003cp\u003eThe sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.\u003c/p\u003e","\u003cp\u003eAccuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.\u003c/p\u003e","\u003cp\u003eFeatures purple and gold \"JMU\" in bubble letters.\u003c/p\u003e","\u003cp\u003eFeatures an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.\u003c/p\u003e","\u003cp\u003eComments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side declares that JMU (hot) is superior to App State (not).\u003c/p\u003e\n","\u003cp\u003eThe second side encourages people to support libraries.\u003c/p\u003e","\u003cp\u003eTwo-sided sign. Both sides are identical.\u003c/p\u003e\n","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to allow JMU play in a bowl game.\u003c/p\u003e","\u003cp\u003eThe sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.\u003c/p\u003e","\u003cp\u003eCrossword-style graphic and includes image of embarrassed Duke Dog and football helmet.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.\u003c/p\u003e","\u003cp\u003eJames Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"\u003c/p\u003e","\u003cp\u003eQuotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).\u003c/p\u003e","\u003cp\u003eRefers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.\u003c/p\u003e","\u003cp\u003eDemands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.\u003c/p\u003e","\u003cp\u003ePrinted sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.\u003c/p\u003e","\u003cp\u003ePrinted sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"\u003c/p\u003e","\u003cp\u003eAccuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.\u003c/p\u003e","\u003cp\u003eFour-sided laminated sign.\u003c/p\u003e\n","\u003cp\u003e1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.\u003c/p\u003e\n","\u003cp\u003e2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e\n","\u003cp\u003e3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026amp; Mary, or others.\u003c/p\u003e\n","\u003cp\u003e4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"\u003c/p\u003e\n","\u003cp\u003eCreator included initials and date to each side -  \"KEL 2023.\"\u003c/p\u003e","\u003cp\u003eFeatures a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.\u003c/p\u003e","\u003cp\u003eFeatures a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.\u003c/p\u003e","\u003cp\u003eUses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.\u003c/p\u003e","\u003cp\u003eFeatures image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side of the sign includes a quote and scene from the movie \u003cemph render=\"italic\"\u003eMean Girls\u003c/emph\u003e during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.\u003c/p\u003e\n","\u003cp\u003eThe other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.\u003c/p\u003e","\u003cp\u003eCompares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show \u003cemph render=\"italic\"\u003eSpongebob Squarepants\u003c/emph\u003e. Pinhead Larry is depicted as a dimwit and only has one tooth.\u003c/p\u003e","\u003cp\u003eIncludes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).\u003c/p\u003e","\u003cp\u003eCrossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.\u003c/p\u003e","\u003cp\u003eInvokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.\u003c/p\u003e","\u003cp\u003ePair of complementary signs each shaped like a foot.\u003c/p\u003e\n","\u003cp\u003eThe left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.\u003c/p\u003e\n","\u003cp\u003eThe right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a scene from the television show \u003cemph render=\"italic\"\u003eThe Office\u003c/emph\u003e in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.\u003c/p\u003e\n","\u003cp\u003eThe second side is a black-and-white swirl optical illusion.\u003c/p\u003e","\u003cp\u003eImages from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.\u003c/p\u003e\n","\u003cp\u003eOne image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  \u003c/p\u003e\n","\u003cp\u003eIncludes the hashtag #letusbowl.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.\u003c/p\u003e\n","\u003cp\u003eThe other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.\u003c/p\u003e","\u003cp\u003eRefers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.\u003c/p\u003e","\u003cp\u003eRefers to the JMU tradition of holding the door for others when entering and exiting a building.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.\u003c/p\u003e\n","\u003cp\u003eThe second side reads \"JMU Duuukes\" which is a common chant among fans.\u003c/p\u003e","\u003cp\u003eFestive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).\u003c/p\u003e","\u003cp\u003eFeatures a scene from \u003cemph render=\"italic\"\u003eSpongeBob SquarePants\u003c/emph\u003e with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.\u003c/p\u003e\n","\u003cp\u003eSecond side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7db16ad7b8ea3ec44dbf745436fd4229\"\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.\u003c/abstract\u003e"],"abstract_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers."],"names_coll_ssim":["James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century"],"names_ssim":["James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University"],"persname_ssim":["Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c03_c29"}},{"id":"viw_repositories_2_resources_8508_c02_c26","type":"File","attributes":{"title":"\"What Aaron Copland Said\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c02_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8508_c02_c26","ref_ssm":["viw_repositories_2_resources_8508_c02_c26"],"id":"viw_repositories_2_resources_8508_c02_c26","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508_c02","parent_ssi":"viw_repositories_2_resources_8508_c02","parent_ssim":["viw_repositories_2_resources_8508","viw_repositories_2_resources_8508_c02"],"parent_ids_ssim":["viw_repositories_2_resources_8508","viw_repositories_2_resources_8508_c02"],"parent_unittitles_ssm":["Claudia Stevens papers","Series 2: Works of Claudia Stevens as interdisciplinary performer, composer, writer, playwright and librettist"],"parent_unittitles_tesim":["Claudia Stevens papers","Series 2: Works of Claudia Stevens as interdisciplinary performer, composer, writer, playwright and librettist"],"text":["Claudia Stevens papers","Series 2: Works of Claudia Stevens as interdisciplinary performer, composer, writer, playwright and librettist","\"What Aaron Copland Said\""],"title_filing_ssi":"\"What Aaron Copland Said\"","title_ssm":["\"What Aaron Copland Said\""],"title_tesim":["\"What Aaron Copland Said\""],"unitdate_inclusive_ssm":["2021-2024"],"normalized_date_ssm":["2021/2024"],"normalized_title_ssm":["\"What Aaron Copland Said\""],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Claudia Stevens papers"],"extent_ssm":["0.1 Linear Feet One legal size folder."],"extent_tesim":["0.1 Linear Feet One legal size folder."],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":893,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2021,2022,2023,2024],"_nest_path_":"/components#1/components#25","timestamp":"2026-05-24T23:22:07.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00037","/repositories/2/resources/8508"],"text":["MS 00037","/repositories/2/resources/8508","Claudia Stevens papers","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","English"],"unitid_tesim":["MS 00037","/repositories/2/resources/8508"],"normalized_title_ssm":["Claudia Stevens papers"],"collection_title_tesim":["Claudia Stevens papers"],"collection_ssim":["Claudia Stevens papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Stevens, Claudia"],"creator_ssim":["Stevens, Claudia"],"creator_persname_ssim":["Stevens, Claudia"],"creators_ssim":["Stevens, Claudia"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e\n","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e\n","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e\n","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e\n","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e\n","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e\n","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e\n","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e","\u003cp\u003ePapers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.\u003c/p\u003e","\u003cp\u003eScope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026amp; Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026amp;M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection\u003c/p\u003e","\u003cp\u003eThis folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.\u003c/p\u003e","\u003cp\u003eThis folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf\u003c/p\u003e","\u003cp\u003eBiographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.\u003c/p\u003e","\u003cp\u003ePrograms of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026amp; Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.\u003c/p\u003e","\u003cp\u003eLetters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.\u003c/p\u003e","\u003cp\u003eLetters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.\u003c/p\u003e","\u003cp\u003eLetter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"\u003c/p\u003e","\u003cp\u003eScore by Joel Chadabe titled \"Variation\" (1983), 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.\u003c/p\u003e","\u003cp\u003eScore by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.\u003c/p\u003e","\u003cp\u003eLetters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"\u003c/p\u003e","\u003cp\u003eScore by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.\u003c/p\u003e","\u003cp\u003eLetter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Jeffrey Mumford titled \"For Elliot\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"\u003c/p\u003e","\u003cp\u003eScore by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.\u003c/p\u003e","\u003cp\u003eLetters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.\u003c/p\u003e","\u003cp\u003eScore by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"\u003c/p\u003e","\u003cp\u003eLetters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.\u003c/p\u003e","\u003cp\u003eScore by Allen Shearer titled \"Medallion for piano solo\", 8 pages.\u003c/p\u003e","\u003cp\u003eScore by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.\u003c/p\u003e","\u003cp\u003eLetters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.\u003c/p\u003e","\u003cp\u003eScore by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026amp; 30, 1983 requesting particulars about the recital and possible publications of some tribute works.\u003c/p\u003e","\u003cp\u003eLetter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.\u003c/p\u003e","\u003cp\u003eScore by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.\u003c/p\u003e","\u003cp\u003eCorrespondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.\u003c/p\u003e","\u003cp\u003eScores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.\u003c/p\u003e","\u003cp\u003eScore by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"\u003c/p\u003e","\u003cp\u003eScore by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.\u003c/p\u003e","\u003cp\u003eScores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.\u003c/p\u003e","\u003cp\u003eLetters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026amp; 30, 1978 on choosing between several contributions and instructions.\u003c/p\u003e","\u003cp\u003eScore by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.\u003c/p\u003e","\u003cp\u003eScore by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.\u003c/p\u003e","\u003cp\u003eScore by David Lewin titled \"Just a Minute Roger\", 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.\u003c/p\u003e","\u003cp\u003eLetters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.\u003c/p\u003e","\u003cp\u003eScore by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.\u003c/p\u003e","\u003cp\u003eTwo programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.\u003c/p\u003e","\u003cp\u003eScore by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eInformational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.\u003c/p\u003e","\u003cp\u003eTypewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.\u003c/p\u003e","\u003cp\u003eScope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eLetter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.\u003c/p\u003e","\u003cp\u003eScope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eHandwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eTitled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.\u003c/p\u003e","\u003cp\u003eScope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning\u003c/p\u003e","\u003cp\u003eScope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"\u003c/p\u003e","\u003cp\u003eText by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.\u003c/p\u003e","\u003cp\u003eMusic-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eProduction notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes on the lighting and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes by Claudia Stevens, prepared for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.\u003c/p\u003e","\u003cp\u003eStaging notes for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes for November 14, 1990 production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProjection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.\u003c/p\u003e","\u003cp\u003eScope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eBlack and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.\u003c/p\u003e","\u003cp\u003eScope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.\u003c/p\u003e","\u003cp\u003eScope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eAnnouncement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.\u003c/p\u003e","\u003cp\u003eScope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.\u003c/p\u003e","\u003cp\u003eInvitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePrinted online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.\u003c/p\u003e","\u003cp\u003eThis folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026amp; Black, Grinnell College newspaper.\u003c/p\u003e","\u003cp\u003eProgram for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.\u003c/p\u003e","\u003cp\u003ePostcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.\u003c/p\u003e","\u003cp\u003eInvitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.\u003c/p\u003e","\u003cp\u003eArticle, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePostcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at Boston University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.\u003c/p\u003e","\u003cp\u003ePoster for Miami University's Center for American \u0026amp; World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.\u003c/p\u003e","\u003cp\u003eColor poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Denison University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eColor poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eLetter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.\u003c/p\u003e","\u003cp\u003eScript for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.\u003c/p\u003e","\u003cp\u003eScope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.\u003c/p\u003e","\u003cp\u003eScope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.\u003c/p\u003e","\u003cp\u003eScope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.\u003c/p\u003e","\u003cp\u003eTyped lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.\u003c/p\u003e","\u003cp\u003eOriginal musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.\u003c/p\u003e","\u003cp\u003eExcerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eColor Poster for \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.\u003c/p\u003e","\u003cp\u003eThis folder contains one opera libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains one original screenplay.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eStage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz,\" accented with red marker.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.\u003c/p\u003e","\u003cp\u003eBlue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.\u003c/p\u003e","\u003cp\u003eWork samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eYellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.\u003c/p\u003e","\u003cp\u003eScope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.\u003c/p\u003e","\u003cp\u003ePhotocopied page from Kutztown University Events Calendar.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.\u003c/p\u003e","\u003cp\u003eProgram for University of Richmond performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eRoanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003ePerforming Arts Series, 1993-1994, seasonal brochure for Roanoke College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Roanoke College.\u003c/p\u003e","\u003cp\u003eRichmond Times-Dispatch announcement for December 11 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eMusical Score Sheets and Musical Sketches for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.\u003c/p\u003e","\u003cp\u003e\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.\u003c/p\u003e","\u003cp\u003eAnnouncement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopied press sheet with handwritten information about a performance in Budapest.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.\u003c/p\u003e","\u003cp\u003eScope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.\u003c/p\u003e","\u003cp\u003eJCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.\u003c/p\u003e","\u003cp\u003eTeal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eArticle photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.\u003c/p\u003e","\u003cp\u003eLetter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.\u003c/p\u003e","\u003cp\u003eArticle in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.\u003c/p\u003e","\u003cp\u003eLettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"Playing Paradis\"\u003c/p\u003e","\u003cp\u003e\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.\u003c/p\u003e","\u003cp\u003eSpiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eProgram notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me\" written on the cardboard backing from a checkbook.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Lewis \u0026amp; Clark \u0026amp; Me\" performed at the Williamsburg Library Theater.\u003c/p\u003e","\u003cp\u003eProgram notes for \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eMusical Sketches and Production Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" on January 10, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eSeveral pages with photocopied images and program notes for \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for Williamsburg Library Theatre performance of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Williamsburg Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Small yellow flyer for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum\u003c/p\u003e","\u003cp\u003eThank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eThank-you letter from the Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026amp; Clark and Me\" scheduled on March 25, 2000.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eNewsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.\u003c/p\u003e","\u003cp\u003eCrayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eTwo black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Eastern Mennonite University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScript for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.\u003c/p\u003e","\u003cp\u003eScope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.\u003c/p\u003e","\u003cp\u003eReview of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.\u003c/p\u003e","\u003cp\u003eScope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.\u003c/p\u003e","\u003cp\u003eNewspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Southern Illinois University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eAnnouncement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eTwo copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.\u003c/p\u003e","\u003cp\u003eScope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.\u003c/p\u003e","\u003cp\u003eSpring calendar mailer for the Hampden-Sydney College Virginia arts series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.\u003c/p\u003e","\u003cp\u003eOhio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.\u003c/p\u003e","\u003cp\u003eWeekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eSeasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eCalendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eOnline listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Stetson University.\u003c/p\u003e","\u003cp\u003eEmailed message from Dixon Sutherland of Stetson University to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.\u003c/p\u003e","\u003cp\u003eProgram for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].\u003c/p\u003e","\u003cp\u003eFurman University press release for \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026amp; Vocation.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.\u003c/p\u003e","\u003cp\u003eThis program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.\u003c/p\u003e","\u003cp\u003eScope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.\u003c/p\u003e","\u003cp\u003eVirginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.\u003c/p\u003e","\u003cp\u003eScope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Cultural Arts \u0026amp; Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.\u003c/p\u003e","\u003cp\u003eScope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026amp; Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Miami University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.\u003c/p\u003e","\u003cp\u003eScope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.\u003c/p\u003e","\u003cp\u003eTwo pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of photographed children performing beside a piano.\u003c/p\u003e","\u003cp\u003ePhotocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].\u003c/p\u003e","\u003cp\u003ePhotograph of a marionette witch with a hook dangling from her arm.\u003c/p\u003e","\u003cp\u003eMask-sized photocopied image of an elderly man.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.\u003c/p\u003e","\u003cp\u003e\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eSecond copy of working script, with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eEmail, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eArticle in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eLetter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.\u003c/p\u003e","\u003cp\u003eOriginal The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.\u003c/p\u003e","\u003cp\u003eReview in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eScope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.\u003c/p\u003e","\u003cp\u003eFlyer for Big Stone Gap performance of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.\u003c/p\u003e","\u003cp\u003eLetter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.\u003c/p\u003e","\u003cp\u003eOriginal newsclippings for which photocopies have been made for this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026amp; Screen\" section of online journal Exquisite Corpse.\u003c/p\u003e","\u003cp\u003ePrinted (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).\u003c/p\u003e","\u003cp\u003eWorking script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.\u003c/p\u003e","\u003cp\u003eFinal performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eReview by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor poster for the 4th Annual Celebration of Life \u0026amp; Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance at The University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.\u003c/p\u003e","\u003cp\u003eEmail response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.\u003c/p\u003e","\u003cp\u003ePhotos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.\u003c/p\u003e","\u003cp\u003eScope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.\u003c/p\u003e","\u003cp\u003ePrintout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.\u003c/p\u003e","\u003cp\u003eOnline review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eScope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.\u003c/p\u003e","\u003cp\u003ePersonal correspondence from Ellis Cose regarding his response to reading the monologue.\u003c/p\u003e","\u003cp\u003eIndex for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).\u003c/p\u003e","\u003cp\u003eClaudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eBrecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.\u003c/p\u003e","\u003cp\u003ePhotocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)\u003c/p\u003e","\u003cp\u003eNotes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eMusical sketches related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eOnline announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.\u003c/p\u003e","\u003cp\u003eScope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.\u003c/p\u003e","\u003cp\u003eProgram for performances staged at Theatre Project in Baltimore.\u003c/p\u003e","\u003cp\u003eAnnouncement of performance printed from Theatre Project Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).\u003c/p\u003e","\u003cp\u003eScope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003ePrinted online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eColor printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.\u003c/p\u003e","\u003cp\u003eBaltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScript for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" printed for Creighton University performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in the College of William and Mary's News \u0026amp; Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.\u003c/p\u003e","\u003cp\u003eScope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" at Messiah College\u003c/p\u003e","\u003cp\u003eScope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eOnline announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eNotre Dame events calendar that includes performance of \"Blue Liaz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.\u003c/p\u003e","\u003cp\u003eProgram for Vassar College production of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material for \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to \"The Dawn Makers.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePostcard flyer for February 4 performance at Herbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eEmail color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.\u003c/p\u003e","\u003cp\u003eThis issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eThis is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.\u003c/p\u003e","\u003cp\u003eComposers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eOpera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePhotocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eHerbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eOversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.\u003c/p\u003e","\u003cp\u003eTwo fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"\u003c/p\u003e","\u003cp\u003eScope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.\u003c/p\u003e","\u003cp\u003eThis folder includes one script by Claudia Stevens titled \"Fluke.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Text for \"Flea\" script is by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eSpiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.\u003c/p\u003e","\u003cp\u003eOnline announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,\u003c/p\u003e","\u003cp\u003eAnnouncement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.\u003c/p\u003e","\u003cp\u003eHollins University events calendar announcement for March 25, 2009, performance.\u003c/p\u003e","\u003cp\u003eAssorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.\u003c/p\u003e","\u003cp\u003eScope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eA dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eScope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.\u003c/p\u003e","\u003cp\u003ePhotocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.\u003c/p\u003e","\u003cp\u003eScope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).\u003c/p\u003e","\u003cp\u003eScope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.\u003c/p\u003e","\u003cp\u003eLetter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.\u003c/p\u003e","\u003cp\u003eSigned typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.\u003c/p\u003e","\u003cp\u003ePostcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.\u003c/p\u003e","\u003cp\u003eThis is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.\u003c/p\u003e","\u003cp\u003ePhotocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eLetter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTwo photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eBlack and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.\u003c/p\u003e","\u003cp\u003eFlyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.\u003c/p\u003e","\u003cp\u003eScope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.\u003c/p\u003e","\u003cp\u003ePhotocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Arts at William \u0026amp; Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.\u003c/p\u003e","\u003cp\u003eClarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.\u003c/p\u003e","\u003cp\u003eArticle in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance of Panoply by Claudia Stevens at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eReview in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.\u003c/p\u003e","\u003cp\u003eInvitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eBright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.\u003c/p\u003e","\u003cp\u003eProgram for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eMultiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eLetter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.\u003c/p\u003e","\u003cp\u003eShasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.\u003c/p\u003e","\u003cp\u003eFlyer for mailing from the Shasta Community Concert Association, for season 1987-1988.\u003c/p\u003e","\u003cp\u003eProgram notes for Claudia Stevens piano performances.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.\u003c/p\u003e","\u003cp\u003eProgram for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eVirginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eProgram for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.\u003c/p\u003e","\u003cp\u003ePhotocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.\u003c/p\u003e","\u003cp\u003eCaptioned photo in Style Weekly announcing performance at St. Christopher's School.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eAnnouncement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.\u003c/p\u003e","\u003cp\u003eArticle about Panoply at Longwood College in The Farmville Herald.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' Panoply performance at Longwood College.\u003c/p\u003e","\u003cp\u003eArticle in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.\u003c/p\u003e","\u003cp\u003eFlyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.\u003c/p\u003e","\u003cp\u003eFlyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.\u003c/p\u003e","\u003cp\u003eIllustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.\u003c/p\u003e","\u003cp\u003eProgram for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eRed flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.\u003c/p\u003e","\u003cp\u003eStagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"\u003c/p\u003e","\u003cp\u003eProgram for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.\u003c/p\u003e","\u003cp\u003eThree-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProgram for Panoply performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eText and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.\u003c/p\u003e","\u003cp\u003eScope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.\u003c/p\u003e","\u003cp\u003e1995-1996 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1996-1997 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1997-1998 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1998-1999 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1999-2000 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.\u003c/p\u003e","\u003cp\u003e2000-2001 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2001-2002 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2002-2003 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2003-2004 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.\u003c/p\u003e","\u003cp\u003eScope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).\u003c/p\u003e","\u003cp\u003eColor brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"\u003c/p\u003e","\u003cp\u003eCaptioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.\u003c/p\u003e","\u003cp\u003ePhotograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.\u003c/p\u003e","\u003cp\u003ePoem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.\u003c/p\u003e","\u003cp\u003eReform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Assorted Miscellaneous Works.\"\u003c/p\u003e","\u003cp\u003eOriginal libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.\u003c/p\u003e","\u003cp\u003eOnline event announcement for William \u0026amp; Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026amp; Mary on February 2, 2011.\u003c/p\u003e","\u003cp\u003eColor flyer for a lecture at the College of William \u0026amp; Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOnline event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.\u003c/p\u003e","\u003cp\u003eScope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.\u003c/p\u003e","\u003cp\u003eScope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.\u003c/p\u003e","\u003cp\u003eColor poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eA Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857\u003c/p\u003e","\u003cp\u003eThis folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.\u003c/p\u003e","\u003cp\u003eDraft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eTypewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"\u003c/p\u003e","\u003cp\u003ePrintout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026amp;task=view\u0026amp;id=582\u0026amp;Itemid=64.\u003c/p\u003e","\u003cp\u003eProgram for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,\u003c/p\u003e","\u003cp\u003eTypewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.\u003c/p\u003e","\u003cp\u003eTicket for September 7, 2010 performance of \"Wick at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Pigeon.\"\u003c/p\u003e","\u003cp\u003eScope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.\u003c/p\u003e","\u003cp\u003eArticle printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.\u003c/p\u003e","\u003cp\u003eScope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.\u003c/p\u003e","\u003cp\u003eOversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eDraft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.\u003c/p\u003e","\u003cp\u003eProgram for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.\u003c/p\u003e","\u003cp\u003eProgram for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eLibretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eReview of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.\u003c/p\u003e","\u003cp\u003eContains review of Middlemarch\u003c/p\u003e","\u003cp\u003ePeriod spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.\u003c/p\u003e","\u003cp\u003eCostume jewelry used in Middlemarch in Spring premiere in San Franciso.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eHoweard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eA mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.\u003c/p\u003e","\u003cp\u003eScope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.\u003c/p\u003e","\u003cp\u003eScope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.\u003c/p\u003e","\u003cp\u003eScope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.\u003c/p\u003e","\u003cp\u003eThese are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eItem 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAv. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eLive semi-staged reading at Brandeis University. 1 DVC\u003c/p\u003e","\u003cp\u003eItem 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.008: One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eTwo audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.\u003c/p\u003e","\u003cp\u003e7 Audio CD's.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003ePremiere Production, 1 DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:07.075Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c02_c26"}},{"id":"viw_repositories_2_resources_9604_c02_c09","type":"File","attributes":{"title":"White, Ralph Oral History","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9604_c02_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9604_c02_c09","ref_ssm":["viw_repositories_2_resources_9604_c02_c09"],"id":"viw_repositories_2_resources_9604_c02_c09","ead_ssi":"viw_repositories_2_resources_9604","_root_":"viw_repositories_2_resources_9604","_nest_parent_":"viw_repositories_2_resources_9604_c02","parent_ssi":"viw_repositories_2_resources_9604_c02","parent_ssim":["viw_repositories_2_resources_9604","viw_repositories_2_resources_9604_c02"],"parent_ids_ssim":["viw_repositories_2_resources_9604","viw_repositories_2_resources_9604_c02"],"parent_unittitles_ssm":["The Stephens Project Records","Series 2 Revival of Stephens Project"],"parent_unittitles_tesim":["The Stephens Project Records","Series 2 Revival of Stephens Project"],"text":["The Stephens Project Records","Series 2 Revival of Stephens Project","White, Ralph Oral History","College of William and Mary--Alumni and alumnae","LGBT activism","Gay, Lesbian, Bisexual, Transgendered Students and Alumni"],"title_filing_ssi":"White, Ralph Oral History","title_ssm":["White, Ralph Oral History"],"title_tesim":["White, Ralph Oral History"],"unitdate_other_ssim":["2023 May 15"],"normalized_date_ssm":["2023"],"normalized_title_ssm":["White, Ralph Oral History"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["The Stephens Project Records"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":76,"date_range_isim":[2023],"geogname_ssim":["College of William and Mary--Alumni and alumnae"],"geogname_ssm":["College of William and Mary--Alumni and alumnae"],"places_ssim":["College of William and Mary--Alumni and alumnae"],"access_subjects_ssim":["LGBT activism","Gay, Lesbian, Bisexual, Transgendered Students and Alumni"],"access_subjects_ssm":["LGBT activism","Gay, Lesbian, Bisexual, Transgendered Students and Alumni"],"_nest_path_":"/components#1/components#8","timestamp":"2026-05-24T23:18:38.657Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9604","ead_ssi":"viw_repositories_2_resources_9604","_root_":"viw_repositories_2_resources_9604","_nest_parent_":"viw_repositories_2_resources_9604","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9604.xml","title_filing_ssi":"Stephens Project Records, The","title_ssm":["The Stephens Project Records"],"title_tesim":["The Stephens Project Records"],"unitdate_ssm":["2008-2024"],"unitdate_inclusive_ssm":["2008-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 399","/repositories/2/resources/9604"],"text":["UA 399","/repositories/2/resources/9604","The Stephens Project Records","Completely restrict access to \"uncut\" version for ten years, access to \"cut\" version unrestricted.","Completely restrict access to \"uncut\" version for ten years, access to \"cut\" version unrestricted.","Scope and Contents Interview of Samuel Turner Arrington at the LGBT Center in New York City the day the Supreme Court rulings on DOMA and Prop 8 were made public. Turner grew up in Lynchburg, Virginia, graduated from William \u0026 Mary in 2000, and lived in Norfolk until moving to New York for medical school earlier this summer. Turner, who married his partner several years ago, had largely positive experiences as an openly gay man at William \u0026 Mary and in Virginia since. His education in W\u0026M English and Women's Studies courses as well as casual debates outside of class helped him embrace his identity. He has happily witnessed social change in Virginia and the country as a whole, and discusses the important role he believes the internet has played in propagating change.","In loving memory of Gary Lyle, December 24, 1933 - November 7, 2011.","I interviewed Chris Beacham on a quiet day in Swem Library less than a week after commencement, in which Chris participated as a member of the 2013 graduating class. Chris and I discussed his many, largely positive experiences as a genderqueer member of William and Mary's LGBTQ community. Chris explained the beginnings of his queer identity in high school and his further personal and intellectual growth at W\u0026M as a student, editor of Lips, and member of the queer social community on campus. Chris' responses to my questions were thoughtful and candid, and should be of great interest to those looking to know more about the queer community and queer activism at William and Mary in the twenty-first century.\n-David Pratt, May 20, 2013","The content of this section was taken from the headnote created by the interview team. ","I interviewed Greg Bowers in Swem Library's Burger Conference Room on a summer afternoon. Dr. Bowers has been teaching theory and composition in the Music department since 2008, when he and his partner moved to Williamsburg from Portland, Oregon. Bowers shared with me the experiences, opinions, hopes and frustrations of a younger gay faculty member at a Southern state university. While noting slow change, Bowers is concerned about William \u0026 Mary as an environment for LGBT individuals, and hopes to act as a force for positive change on campus and in the community.\n-David Pratt, June 13, 2013","The content of this section was taken from a headnote created by the interview team. ","I interviewed Vance Briceland at the LGBT Center in New York City the day after the Supreme Court made public its decisions regarding the Defense of Marriage Act and Proposition 8. Vance grew up in a socially progressive Richmond household and, at William and Mary between 1981 and 1985, was surprised to find an environment far more conservative and hostile than the one his parents fostered for him during his youth. Now an accomplished writer, Briceland related to me several moving stories of hard times he experienced and witnessed at William \u0026 Mary. All have to do with the unwillingness of gay and straight students, faculty and administrators to acknowledge homosexuality as anything other than a flaw or, at best, obstacle to be acknowledged and overcome.\n-David Pratt, July 11, 2013","The content of this section was taken from the headnote created by the interview team. ","Wayne N. Curtis graduated from the College of William and Mary in 1982 with a BA in History. He joined William and Mary GALA in 1987, served as a board member in the 1990s, and has served as president from 2003 to the present (2008). This interview was conducted as part of the William and Mary GALA Stephens Oral History Project.","This interview of Drew Emery was conducted October 24th, 2009 as part of the William and Mary GALA Stephens Oral History Project by Amy Schindler and Troy Davis. Emery graduated from the College of William and Mary in 1986 with a BA in Theatre and received his Master's degree from the University of Virginia. The interview focuses mostly on Emery's time at William and Mary and his film \"Inlaws \u0026 Outlaws,\" released in 2005. In a separate session, Andrew Emery discusses his film and answers questions after a screening of the movie at the College of William and Mary on October 23rd, 2009. The event was sponsored by William \u0026 Mary GALA. The Q\u0026A session focuses on the film in general, but also includes discussion of contemporary politics.","Lawrence (Larry) Griffith graduated from the College of William and Mary in 1981 with a BA in English. He was president of Lambda Alliance when a student (1979) and a board member of William and Mary GALA (Gay and Lesbian Alumni Association). These two interviews were conducted as part of the William and Mary GALA Stephens Oral History Project.","interviewed Carlton Hardy on a Saturday morning in Swem Library's Burger Conference Room. Mr. Hardy grew up in Williamsburg, attended William \u0026 Mary from 1962 to 1967, earning a Bachelor's in History and Master's in Counseling, and has lived in Virginia ever since. In 2012, Equality Virginia honored Carlton's long-time dedication to LGBT volunteer and civic work with the Legend Award. In our interview, Carlton and I discussed his life from his childhood in 1950s Williamsburg through his years at the College, his sexual coming-out in the 1980s, and finally his present involvement in the LGBT social and political community in Hampton Roads. After concluding the interview, I began recording again, at Carlton's request, to record our discussion of the unique concerns of middle-aged LGBT folks facing retirement and old age.\n-David Pratt, February 14, 2014","The content of this section was taken from the headnote created by the interview team. ","This interview of Kevin Kosanovich was conducted as part of the Stephens Project by David Pratt. Kevin Kosanovich has been involved in the Stephens Project as a graduate assistant and oral history interviewer.","I interviewed Julian Long over the phone on a Tuesday evening. Julian, who enrolled at William \u0026 Mary in 2000 as Julie Carr, graduated in 2004 with a BA in English and Women's Studies, and again in 2007 with a JD from the law school. We discussed Julian's life before college and his decision to attend William \u0026 Mary, as well as his self-realization first as a bisexual woman and later as a transsexual man. Julian spoke about his involvement in campus LGBTQ groups, and related his experiences of support from students and faculty as well as some experiences of discrimination and hate. We discussed his life and career since leaving Williamsburg, and the impact his experiences at William and Mary have had on both.\n-David Pratt, June 5, 2013","This content was taken from the headnote created by the interview team. ","Interview with Eric Peterson at the LGBT Center in New York City only about two hours after the Supreme Court rulings on DOMA and Prop 8 were made public. Through most of the recording of the interview, the listener can hear the cheers of those celebrating at the press conference across the hall from our conference room. The interview with Eric undoubtedly reflects the mood of the day, especially as Eric's recollections of his experiences as a closeted gay man at William \u0026 Mary in the 1980s contrast with the openness heralded by the Supreme Court's decisions and Eric's life as a happy, openly gay man today.","Peyton Pond graduated from the College of William and Mary in 1982 with a BA in English. This interview was conducted as part of the William and Mary GALA Stephens Oral History Project. Some restrictions apply to this interview through October 25, 2013.","Joseph Price graduated from the College of William and Mary in 1993 with a BA in Public Policy. He was president of William and Mary GALA (Gay and Lesbian Alumni Association). This interview was conducted as part of the William and Mary GALA Stephens Oral History Project.","Interview with Jesse Rude at the LGBT Center in New York City the day after the Supreme Court made public its decisions regarding the Defense of Marriage Act and Proposition 8. Amid continuing positive feelings from the previous day's civil rights successes, Jesse related the changes he has experienced since growing up in rural Virginia without gay role models. We discussed the gradual acceptance of his identity during his first two years at William \u0026 Mary, the people who helped him along the way, and the positive growth in his life and in American culture since he first came to William \u0026 Mary in 1993.","Interview with Helis Sikk, a fellow PhD student in the American Studies program, at Swem Library during Homecoming weekend. We discussed Helis' academic and social background as a college student in her home country of Estonia and later in the American Studies graduate program at the University of Wyoming. As we talked about LGBT tolerance and queer social life in Tartu, Laramie, and Williamsburg, Helis elaborated upon some broader ideas about identity politics and the meaning of the word \"queer.\"","I interviewed Dr. Frederic Tate in Swem Library's Burger Conference Room on a summer afternoon. Dr. Tate has lived in Williamsburg for 27 years, working during that time as a psychologist at Eastern State Hospital and, during the late '80s and '90s, an adjunct faculty member of the Psychology department. While with the Psychology department, Dr. Tate consulted with the Counseling Center on gay and lesbian issues and gave talks to various campus constituencies on safer sex and AIDS prevention. During our interview, Dr. Tate described his experience growing up in Appalachian Virginia, his largely positive memories of William \u0026 Mary as an LGBT environment in the '80s and '90s, and his hopes and doubts for Virginia's future in terms of LGBT issues. Dr. Tate's recollections of giving safe sex talks in the basement of St. Bede's Catholic Church, helping to establish and run what may have been the first hospice for adults with AIDS on the east coast, and hearing Governor Warner speak at an LGBT event, among other anecdotes, add specific and often fascinating detail to our understanding of LGBT life in Virginia and at William \u0026 Mary in the '80s and '90s.\n-David Pratt, July 8, 2013","The content of this section was taken from the headnote created by the interview team. ","Julian Allison ('23) is a Government and History double major at William \u0026 Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026 Mary.","Julian Allison, a senior at William \u0026 Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.","Julian Allison ('23) is a Government and History double major at William \u0026 Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026 Mary.","Julian Allison, a senior at William \u0026 Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.","Julian Allison ('23) is a Government and History double major at William \u0026 Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026 Mary.","Julian Allison, a senior at William \u0026 Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.","Noelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026 Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026 Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.","Noelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026 Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026 Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.","Noelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026 Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026 Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.","Kaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026 Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.","Kaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. ","Kaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026 Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.","Kaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. ","Kaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026 Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.","Kaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. ","Maxwell Cloe received a BA in American Studies and English from William \u0026 Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026 Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"","Maxwell Cloe describes their academic experiences at William \u0026 Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.","Maxwell Cloe received a BA in American Studies and English from William \u0026 Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026 Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"","Maxwell Cloe describes their academic experiences at William \u0026 Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.","Maxwell Cloe received a BA in American Studies and English from William \u0026 Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026 Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"","Maxwell Cloe describes their academic experiences at William \u0026 Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.","Preetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026 Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone. \nPreetha Gopinath describes their experiences with several student organizations at William \u0026 Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.","Preetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026 Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone.\nPreetha Gopinath describes their experiences with several student organizations at William \u0026 Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.","Preetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026 Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone.\nPreetha Gopinath describes their experiences with several student organizations at William \u0026 Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.","Aubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026 Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026 Mary and the Exodus Project.","Aubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026 Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.","Aubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026 Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026 Mary and the Exodus Project.","Aubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026 Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.","Aubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026 Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026 Mary and the Exodus Project.","Aubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026 Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.","Jimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026 Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026 Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026 Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.","Jimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026 Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026 Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026 Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.","Jimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026 Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026 Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026 Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.","Malvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026 Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.","In this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026 Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026 Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.","Malvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026 Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.","In this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026 Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026 Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.","Malvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026 Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.","In this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026 Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026 Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.","Owen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026 Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.","Owen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026 Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.","Owen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026 Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.","Matthew Wright graduated from William \u0026 Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026 Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.","Matthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.","Matthew Wright graduated from William \u0026 Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026 Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.","Matthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.","Matthew Wright graduated from William \u0026 Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026 Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.","Matthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.","Special Collections Research Center","Baker, Tom, 1944-","Curtis, Wayne","Amy Schindler","Steve Murden","Sikk, Helis","Tate, Frederic B.","English"],"unitid_tesim":["UA 399","/repositories/2/resources/9604"],"normalized_title_ssm":["The Stephens Project Records"],"collection_title_tesim":["The Stephens Project Records"],"collection_ssim":["The Stephens Project Records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"has_online_content_ssim":["false"],"extent_ssm":["10 Megabytes"],"extent_tesim":["10 Megabytes"],"date_range_isim":[2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCompletely restrict access to \"uncut\" version for ten years, access to \"cut\" version unrestricted.\u003c/p\u003e","\u003cp\u003eCompletely restrict access to \"uncut\" version for ten years, access to \"cut\" version unrestricted.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Completely restrict access to \"uncut\" version for ten years, access to \"cut\" version unrestricted.","Completely restrict access to \"uncut\" version for ten years, access to \"cut\" version unrestricted."],"scopecontent_html_tesm":["\u003cp\u003eScope and Contents Interview of Samuel Turner Arrington at the LGBT Center in New York City the day the Supreme Court rulings on DOMA and Prop 8 were made public. Turner grew up in Lynchburg, Virginia, graduated from William \u0026amp; Mary in 2000, and lived in Norfolk until moving to New York for medical school earlier this summer. Turner, who married his partner several years ago, had largely positive experiences as an openly gay man at William \u0026amp; Mary and in Virginia since. His education in W\u0026amp;M English and Women's Studies courses as well as casual debates outside of class helped him embrace his identity. He has happily witnessed social change in Virginia and the country as a whole, and discusses the important role he believes the internet has played in propagating change.\u003c/p\u003e","\u003cp\u003eIn loving memory of Gary Lyle, December 24, 1933 - November 7, 2011.\u003c/p\u003e","\u003cp\u003eI interviewed Chris Beacham on a quiet day in Swem Library less than a week after commencement, in which Chris participated as a member of the 2013 graduating class. Chris and I discussed his many, largely positive experiences as a genderqueer member of William and Mary's LGBTQ community. Chris explained the beginnings of his queer identity in high school and his further personal and intellectual growth at W\u0026amp;M as a student, editor of Lips, and member of the queer social community on campus. Chris' responses to my questions were thoughtful and candid, and should be of great interest to those looking to know more about the queer community and queer activism at William and Mary in the twenty-first century.\n-David Pratt, May 20, 2013\u003c/p\u003e\n","\u003cp\u003eThe content of this section was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Greg Bowers in Swem Library's Burger Conference Room on a summer afternoon. Dr. Bowers has been teaching theory and composition in the Music department since 2008, when he and his partner moved to Williamsburg from Portland, Oregon. Bowers shared with me the experiences, opinions, hopes and frustrations of a younger gay faculty member at a Southern state university. While noting slow change, Bowers is concerned about William \u0026amp; Mary as an environment for LGBT individuals, and hopes to act as a force for positive change on campus and in the community.\n-David Pratt, June 13, 2013\u003c/p\u003e\n","\u003cp\u003eThe content of this section was taken from a headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Vance Briceland at the LGBT Center in New York City the day after the Supreme Court made public its decisions regarding the Defense of Marriage Act and Proposition 8. Vance grew up in a socially progressive Richmond household and, at William and Mary between 1981 and 1985, was surprised to find an environment far more conservative and hostile than the one his parents fostered for him during his youth. Now an accomplished writer, Briceland related to me several moving stories of hard times he experienced and witnessed at William \u0026amp; Mary. All have to do with the unwillingness of gay and straight students, faculty and administrators to acknowledge homosexuality as anything other than a flaw or, at best, obstacle to be acknowledged and overcome.\n-David Pratt, July 11, 2013\u003c/p\u003e\n","\u003cp\u003eThe content of this section was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWayne N. Curtis graduated from the College of William and Mary in 1982 with a BA in History. He joined William and Mary GALA in 1987, served as a board member in the 1990s, and has served as president from 2003 to the present (2008). This interview was conducted as part of the William and Mary GALA Stephens Oral History Project.\u003c/p\u003e","\u003cp\u003eThis interview of Drew Emery was conducted October 24th, 2009 as part of the William and Mary GALA Stephens Oral History Project by Amy Schindler and Troy Davis. Emery graduated from the College of William and Mary in 1986 with a BA in Theatre and received his Master's degree from the University of Virginia. The interview focuses mostly on Emery's time at William and Mary and his film \"Inlaws \u0026amp; Outlaws,\" released in 2005. In a separate session, Andrew Emery discusses his film and answers questions after a screening of the movie at the College of William and Mary on October 23rd, 2009. The event was sponsored by William \u0026amp; Mary GALA. The Q\u0026amp;A session focuses on the film in general, but also includes discussion of contemporary politics.\u003c/p\u003e","\u003cp\u003eLawrence (Larry) Griffith graduated from the College of William and Mary in 1981 with a BA in English. He was president of Lambda Alliance when a student (1979) and a board member of William and Mary GALA (Gay and Lesbian Alumni Association). These two interviews were conducted as part of the William and Mary GALA Stephens Oral History Project.\u003c/p\u003e","\u003cp\u003einterviewed Carlton Hardy on a Saturday morning in Swem Library's Burger Conference Room. Mr. Hardy grew up in Williamsburg, attended William \u0026amp; Mary from 1962 to 1967, earning a Bachelor's in History and Master's in Counseling, and has lived in Virginia ever since. In 2012, Equality Virginia honored Carlton's long-time dedication to LGBT volunteer and civic work with the Legend Award. In our interview, Carlton and I discussed his life from his childhood in 1950s Williamsburg through his years at the College, his sexual coming-out in the 1980s, and finally his present involvement in the LGBT social and political community in Hampton Roads. After concluding the interview, I began recording again, at Carlton's request, to record our discussion of the unique concerns of middle-aged LGBT folks facing retirement and old age.\n-David Pratt, February 14, 2014\u003c/p\u003e\n","\u003cp\u003eThe content of this section was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview of Kevin Kosanovich was conducted as part of the Stephens Project by David Pratt. Kevin Kosanovich has been involved in the Stephens Project as a graduate assistant and oral history interviewer.\u003c/p\u003e","\u003cp\u003eI interviewed Julian Long over the phone on a Tuesday evening. Julian, who enrolled at William \u0026amp; Mary in 2000 as Julie Carr, graduated in 2004 with a BA in English and Women's Studies, and again in 2007 with a JD from the law school. We discussed Julian's life before college and his decision to attend William \u0026amp; Mary, as well as his self-realization first as a bisexual woman and later as a transsexual man. Julian spoke about his involvement in campus LGBTQ groups, and related his experiences of support from students and faculty as well as some experiences of discrimination and hate. We discussed his life and career since leaving Williamsburg, and the impact his experiences at William and Mary have had on both.\n-David Pratt, June 5, 2013\u003c/p\u003e\n","\u003cp\u003eThis content was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eInterview with Eric Peterson at the LGBT Center in New York City only about two hours after the Supreme Court rulings on DOMA and Prop 8 were made public. Through most of the recording of the interview, the listener can hear the cheers of those celebrating at the press conference across the hall from our conference room. The interview with Eric undoubtedly reflects the mood of the day, especially as Eric's recollections of his experiences as a closeted gay man at William \u0026amp; Mary in the 1980s contrast with the openness heralded by the Supreme Court's decisions and Eric's life as a happy, openly gay man today.\u003c/p\u003e","\u003cp\u003ePeyton Pond graduated from the College of William and Mary in 1982 with a BA in English. This interview was conducted as part of the William and Mary GALA Stephens Oral History Project. Some restrictions apply to this interview through October 25, 2013.\u003c/p\u003e","\u003cp\u003eJoseph Price graduated from the College of William and Mary in 1993 with a BA in Public Policy. He was president of William and Mary GALA (Gay and Lesbian Alumni Association). This interview was conducted as part of the William and Mary GALA Stephens Oral History Project.\u003c/p\u003e","\u003cp\u003eInterview with Jesse Rude at the LGBT Center in New York City the day after the Supreme Court made public its decisions regarding the Defense of Marriage Act and Proposition 8. Amid continuing positive feelings from the previous day's civil rights successes, Jesse related the changes he has experienced since growing up in rural Virginia without gay role models. We discussed the gradual acceptance of his identity during his first two years at William \u0026amp; Mary, the people who helped him along the way, and the positive growth in his life and in American culture since he first came to William \u0026amp; Mary in 1993.\u003c/p\u003e","\u003cp\u003eInterview with Helis Sikk, a fellow PhD student in the American Studies program, at Swem Library during Homecoming weekend. We discussed Helis' academic and social background as a college student in her home country of Estonia and later in the American Studies graduate program at the University of Wyoming. As we talked about LGBT tolerance and queer social life in Tartu, Laramie, and Williamsburg, Helis elaborated upon some broader ideas about identity politics and the meaning of the word \"queer.\"\u003c/p\u003e","\u003cp\u003eI interviewed Dr. Frederic Tate in Swem Library's Burger Conference Room on a summer afternoon. Dr. Tate has lived in Williamsburg for 27 years, working during that time as a psychologist at Eastern State Hospital and, during the late '80s and '90s, an adjunct faculty member of the Psychology department. While with the Psychology department, Dr. Tate consulted with the Counseling Center on gay and lesbian issues and gave talks to various campus constituencies on safer sex and AIDS prevention. During our interview, Dr. Tate described his experience growing up in Appalachian Virginia, his largely positive memories of William \u0026amp; Mary as an LGBT environment in the '80s and '90s, and his hopes and doubts for Virginia's future in terms of LGBT issues. Dr. Tate's recollections of giving safe sex talks in the basement of St. Bede's Catholic Church, helping to establish and run what may have been the first hospice for adults with AIDS on the east coast, and hearing Governor Warner speak at an LGBT event, among other anecdotes, add specific and often fascinating detail to our understanding of LGBT life in Virginia and at William \u0026amp; Mary in the '80s and '90s.\n-David Pratt, July 8, 2013\u003c/p\u003e\n","\u003cp\u003eThe content of this section was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eJulian Allison ('23) is a Government and History double major at William \u0026amp; Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003eJulian Allison, a senior at William \u0026amp; Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.\u003c/p\u003e","\u003cp\u003eJulian Allison ('23) is a Government and History double major at William \u0026amp; Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003eJulian Allison, a senior at William \u0026amp; Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.\u003c/p\u003e","\u003cp\u003eJulian Allison ('23) is a Government and History double major at William \u0026amp; Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003eJulian Allison, a senior at William \u0026amp; Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.\u003c/p\u003e","\u003cp\u003eNoelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026amp; Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026amp; Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.\u003c/p\u003e","\u003cp\u003eNoelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026amp; Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026amp; Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.\u003c/p\u003e","\u003cp\u003eNoelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026amp; Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026amp; Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.\u003c/p\u003e","\u003cp\u003eKaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026amp; Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.\u003c/p\u003e\n","\u003cp\u003eKaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. \u003c/p\u003e","\u003cp\u003eKaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026amp; Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.\u003c/p\u003e\n","\u003cp\u003eKaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. \u003c/p\u003e","\u003cp\u003eKaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026amp; Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.\u003c/p\u003e\n","\u003cp\u003eKaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. \u003c/p\u003e","\u003cp\u003eMaxwell Cloe received a BA in American Studies and English from William \u0026amp; Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026amp; Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"\u003c/p\u003e\n","\u003cp\u003eMaxwell Cloe describes their academic experiences at William \u0026amp; Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.\u003c/p\u003e","\u003cp\u003eMaxwell Cloe received a BA in American Studies and English from William \u0026amp; Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026amp; Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"\u003c/p\u003e\n","\u003cp\u003eMaxwell Cloe describes their academic experiences at William \u0026amp; Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.\u003c/p\u003e","\u003cp\u003eMaxwell Cloe received a BA in American Studies and English from William \u0026amp; Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026amp; Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"\u003c/p\u003e\n","\u003cp\u003eMaxwell Cloe describes their academic experiences at William \u0026amp; Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.\u003c/p\u003e","\u003cp\u003ePreetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026amp; Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone. \nPreetha Gopinath describes their experiences with several student organizations at William \u0026amp; Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.\u003c/p\u003e","\u003cp\u003ePreetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026amp; Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone.\nPreetha Gopinath describes their experiences with several student organizations at William \u0026amp; Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.\u003c/p\u003e","\u003cp\u003ePreetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026amp; Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone.\nPreetha Gopinath describes their experiences with several student organizations at William \u0026amp; Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.\u003c/p\u003e","\u003cp\u003eAubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026amp; Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026amp; Mary and the Exodus Project.\u003c/p\u003e\n","\u003cp\u003eAubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026amp; Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.\u003c/p\u003e","\u003cp\u003eAubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026amp; Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026amp; Mary and the Exodus Project.\u003c/p\u003e\n","\u003cp\u003eAubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026amp; Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.\u003c/p\u003e","\u003cp\u003eAubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026amp; Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026amp; Mary and the Exodus Project.\u003c/p\u003e\n","\u003cp\u003eAubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026amp; Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.\u003c/p\u003e","\u003cp\u003eJimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026amp; Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026amp; Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026amp; Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.\u003c/p\u003e","\u003cp\u003eJimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026amp; Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026amp; Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026amp; Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.\u003c/p\u003e","\u003cp\u003eJimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026amp; Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026amp; Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026amp; Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.\u003c/p\u003e","\u003cp\u003eMalvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026amp; Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.\u003c/p\u003e\n","\u003cp\u003eIn this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026amp; Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026amp; Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.\u003c/p\u003e","\u003cp\u003eMalvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026amp; Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.\u003c/p\u003e\n","\u003cp\u003eIn this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026amp; Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026amp; Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.\u003c/p\u003e","\u003cp\u003eMalvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026amp; Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.\u003c/p\u003e\n","\u003cp\u003eIn this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026amp; Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026amp; Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.\u003c/p\u003e","\u003cp\u003eOwen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026amp; Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.\u003c/p\u003e","\u003cp\u003eOwen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026amp; Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.\u003c/p\u003e","\u003cp\u003eOwen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026amp; Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.\u003c/p\u003e","\u003cp\u003eMatthew Wright graduated from William \u0026amp; Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026amp; Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.\u003c/p\u003e\n","\u003cp\u003eMatthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.\u003c/p\u003e","\u003cp\u003eMatthew Wright graduated from William \u0026amp; Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026amp; Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.\u003c/p\u003e\n","\u003cp\u003eMatthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.\u003c/p\u003e","\u003cp\u003eMatthew Wright graduated from William \u0026amp; Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026amp; Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.\u003c/p\u003e\n","\u003cp\u003eMatthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Scope and Contents Interview of Samuel Turner Arrington at the LGBT Center in New York City the day the Supreme Court rulings on DOMA and Prop 8 were made public. Turner grew up in Lynchburg, Virginia, graduated from William \u0026 Mary in 2000, and lived in Norfolk until moving to New York for medical school earlier this summer. Turner, who married his partner several years ago, had largely positive experiences as an openly gay man at William \u0026 Mary and in Virginia since. His education in W\u0026M English and Women's Studies courses as well as casual debates outside of class helped him embrace his identity. He has happily witnessed social change in Virginia and the country as a whole, and discusses the important role he believes the internet has played in propagating change.","In loving memory of Gary Lyle, December 24, 1933 - November 7, 2011.","I interviewed Chris Beacham on a quiet day in Swem Library less than a week after commencement, in which Chris participated as a member of the 2013 graduating class. Chris and I discussed his many, largely positive experiences as a genderqueer member of William and Mary's LGBTQ community. Chris explained the beginnings of his queer identity in high school and his further personal and intellectual growth at W\u0026M as a student, editor of Lips, and member of the queer social community on campus. Chris' responses to my questions were thoughtful and candid, and should be of great interest to those looking to know more about the queer community and queer activism at William and Mary in the twenty-first century.\n-David Pratt, May 20, 2013","The content of this section was taken from the headnote created by the interview team. ","I interviewed Greg Bowers in Swem Library's Burger Conference Room on a summer afternoon. Dr. Bowers has been teaching theory and composition in the Music department since 2008, when he and his partner moved to Williamsburg from Portland, Oregon. Bowers shared with me the experiences, opinions, hopes and frustrations of a younger gay faculty member at a Southern state university. While noting slow change, Bowers is concerned about William \u0026 Mary as an environment for LGBT individuals, and hopes to act as a force for positive change on campus and in the community.\n-David Pratt, June 13, 2013","The content of this section was taken from a headnote created by the interview team. ","I interviewed Vance Briceland at the LGBT Center in New York City the day after the Supreme Court made public its decisions regarding the Defense of Marriage Act and Proposition 8. Vance grew up in a socially progressive Richmond household and, at William and Mary between 1981 and 1985, was surprised to find an environment far more conservative and hostile than the one his parents fostered for him during his youth. Now an accomplished writer, Briceland related to me several moving stories of hard times he experienced and witnessed at William \u0026 Mary. All have to do with the unwillingness of gay and straight students, faculty and administrators to acknowledge homosexuality as anything other than a flaw or, at best, obstacle to be acknowledged and overcome.\n-David Pratt, July 11, 2013","The content of this section was taken from the headnote created by the interview team. ","Wayne N. Curtis graduated from the College of William and Mary in 1982 with a BA in History. He joined William and Mary GALA in 1987, served as a board member in the 1990s, and has served as president from 2003 to the present (2008). This interview was conducted as part of the William and Mary GALA Stephens Oral History Project.","This interview of Drew Emery was conducted October 24th, 2009 as part of the William and Mary GALA Stephens Oral History Project by Amy Schindler and Troy Davis. Emery graduated from the College of William and Mary in 1986 with a BA in Theatre and received his Master's degree from the University of Virginia. The interview focuses mostly on Emery's time at William and Mary and his film \"Inlaws \u0026 Outlaws,\" released in 2005. In a separate session, Andrew Emery discusses his film and answers questions after a screening of the movie at the College of William and Mary on October 23rd, 2009. The event was sponsored by William \u0026 Mary GALA. The Q\u0026A session focuses on the film in general, but also includes discussion of contemporary politics.","Lawrence (Larry) Griffith graduated from the College of William and Mary in 1981 with a BA in English. He was president of Lambda Alliance when a student (1979) and a board member of William and Mary GALA (Gay and Lesbian Alumni Association). These two interviews were conducted as part of the William and Mary GALA Stephens Oral History Project.","interviewed Carlton Hardy on a Saturday morning in Swem Library's Burger Conference Room. Mr. Hardy grew up in Williamsburg, attended William \u0026 Mary from 1962 to 1967, earning a Bachelor's in History and Master's in Counseling, and has lived in Virginia ever since. In 2012, Equality Virginia honored Carlton's long-time dedication to LGBT volunteer and civic work with the Legend Award. In our interview, Carlton and I discussed his life from his childhood in 1950s Williamsburg through his years at the College, his sexual coming-out in the 1980s, and finally his present involvement in the LGBT social and political community in Hampton Roads. After concluding the interview, I began recording again, at Carlton's request, to record our discussion of the unique concerns of middle-aged LGBT folks facing retirement and old age.\n-David Pratt, February 14, 2014","The content of this section was taken from the headnote created by the interview team. ","This interview of Kevin Kosanovich was conducted as part of the Stephens Project by David Pratt. Kevin Kosanovich has been involved in the Stephens Project as a graduate assistant and oral history interviewer.","I interviewed Julian Long over the phone on a Tuesday evening. Julian, who enrolled at William \u0026 Mary in 2000 as Julie Carr, graduated in 2004 with a BA in English and Women's Studies, and again in 2007 with a JD from the law school. We discussed Julian's life before college and his decision to attend William \u0026 Mary, as well as his self-realization first as a bisexual woman and later as a transsexual man. Julian spoke about his involvement in campus LGBTQ groups, and related his experiences of support from students and faculty as well as some experiences of discrimination and hate. We discussed his life and career since leaving Williamsburg, and the impact his experiences at William and Mary have had on both.\n-David Pratt, June 5, 2013","This content was taken from the headnote created by the interview team. ","Interview with Eric Peterson at the LGBT Center in New York City only about two hours after the Supreme Court rulings on DOMA and Prop 8 were made public. Through most of the recording of the interview, the listener can hear the cheers of those celebrating at the press conference across the hall from our conference room. The interview with Eric undoubtedly reflects the mood of the day, especially as Eric's recollections of his experiences as a closeted gay man at William \u0026 Mary in the 1980s contrast with the openness heralded by the Supreme Court's decisions and Eric's life as a happy, openly gay man today.","Peyton Pond graduated from the College of William and Mary in 1982 with a BA in English. This interview was conducted as part of the William and Mary GALA Stephens Oral History Project. Some restrictions apply to this interview through October 25, 2013.","Joseph Price graduated from the College of William and Mary in 1993 with a BA in Public Policy. He was president of William and Mary GALA (Gay and Lesbian Alumni Association). This interview was conducted as part of the William and Mary GALA Stephens Oral History Project.","Interview with Jesse Rude at the LGBT Center in New York City the day after the Supreme Court made public its decisions regarding the Defense of Marriage Act and Proposition 8. Amid continuing positive feelings from the previous day's civil rights successes, Jesse related the changes he has experienced since growing up in rural Virginia without gay role models. We discussed the gradual acceptance of his identity during his first two years at William \u0026 Mary, the people who helped him along the way, and the positive growth in his life and in American culture since he first came to William \u0026 Mary in 1993.","Interview with Helis Sikk, a fellow PhD student in the American Studies program, at Swem Library during Homecoming weekend. We discussed Helis' academic and social background as a college student in her home country of Estonia and later in the American Studies graduate program at the University of Wyoming. As we talked about LGBT tolerance and queer social life in Tartu, Laramie, and Williamsburg, Helis elaborated upon some broader ideas about identity politics and the meaning of the word \"queer.\"","I interviewed Dr. Frederic Tate in Swem Library's Burger Conference Room on a summer afternoon. Dr. Tate has lived in Williamsburg for 27 years, working during that time as a psychologist at Eastern State Hospital and, during the late '80s and '90s, an adjunct faculty member of the Psychology department. While with the Psychology department, Dr. Tate consulted with the Counseling Center on gay and lesbian issues and gave talks to various campus constituencies on safer sex and AIDS prevention. During our interview, Dr. Tate described his experience growing up in Appalachian Virginia, his largely positive memories of William \u0026 Mary as an LGBT environment in the '80s and '90s, and his hopes and doubts for Virginia's future in terms of LGBT issues. Dr. Tate's recollections of giving safe sex talks in the basement of St. Bede's Catholic Church, helping to establish and run what may have been the first hospice for adults with AIDS on the east coast, and hearing Governor Warner speak at an LGBT event, among other anecdotes, add specific and often fascinating detail to our understanding of LGBT life in Virginia and at William \u0026 Mary in the '80s and '90s.\n-David Pratt, July 8, 2013","The content of this section was taken from the headnote created by the interview team. ","Julian Allison ('23) is a Government and History double major at William \u0026 Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026 Mary.","Julian Allison, a senior at William \u0026 Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.","Julian Allison ('23) is a Government and History double major at William \u0026 Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026 Mary.","Julian Allison, a senior at William \u0026 Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.","Julian Allison ('23) is a Government and History double major at William \u0026 Mary from Mamaroneck, New York. He is involved in the Phi Sigma Pi honors fraternity, and currently serves on the executive board as Chapter Historian, In 2021-22, he was also the marketing lead for the Students Rights Initiative and currently serves on the Committee for Contextualizing Campus Landmarks and Iconography at William \u0026 Mary.","Julian Allison, a senior at William \u0026 Mary when this interview was conducted, reflects on his experience with various communities at the university and in Williamsburg. He discusses his experiences living both on and off campus and students' relationship with the Williamsburg community. He also describes classes about queer issues and the opportunity to conduct research and have discussions with other students, including his senior seminar about the AIDS crisis. Julian also describes current events within the US legal system and LGBTQ+ issues, as well as his future plans to go to law school. He also discusses queer campus groups and a desire for a physical queer space on campus.","Noelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026 Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026 Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.","Noelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026 Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026 Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.","Noelia Azim is a Hispanic Studies major in the class of 2022. She is originally from Chesapeake, Virginia. While at William \u0026 Mary, she was involved in Lambda Alliance as a freshman and sophomore, and is involved in the Filipino American Student Association as a senior.\nNoelia Azim discusses her experience finding queer friends across campus, including her freshman hall, joining lambda her freshman year, and memories of queer nights at Triangle. She also describes queer and trans POC cooking nights she attended, as well as a lack of diversity within the larger William \u0026 Mary queer community. Noelia discusses her Hispanic Studies major and the lack of discussions about queer topics within that department. After joining the Filipino American Student Association during her senior year, she discusses her interactions with queer people in that space and how the community has changed since her freshman year.","Kaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026 Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.","Kaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. ","Kaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026 Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.","Kaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. ","Kaitlyn Clark is a 4th year PhD Student at the Virginia Institute of Marine Science (VIMS), the graduate school for Marine Science at William \u0026 Mary. She is originally from California, and received her undergraduate degree from the College of the Atlantic in Bar Harbor, Maine ('19). At VIMS, Kaitlyn is studying fishery science, and her research focuses on reproductive and feeding ecology in Atlantic sea scallops. She is also a co-coordinator of Queer Grads, a social group for queer graduate students at VIMS.","Kaitlyn Clark describes her experience living and working in Gloucester Point, which is where VIMS is located. She also discusses the Queer Grads group at VIMS, including the process of further developing that organization and moving it under the Graduate Student Association. She also discusses professional mentoring programs and associations, including oSTEM (Out in Science, Technology, Engineering, and Mathematics). Kaitlyn describes her experiences on commercial scallop boats as part of her research at VIMS and how being queer has influenced her interactions with fishermen. ","Maxwell Cloe received a BA in American Studies and English from William \u0026 Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026 Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"","Maxwell Cloe describes their academic experiences at William \u0026 Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.","Maxwell Cloe received a BA in American Studies and English from William \u0026 Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026 Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"","Maxwell Cloe describes their academic experiences at William \u0026 Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.","Maxwell Cloe received a BA in American Studies and English from William \u0026 Mary in 2020, an MA in American Studies in 2021, and is currently a Program Coordinator for the Sharpe Community Scholars Program. They are from Mechanicsville, VA and currently live in Richmond, VA. While at William \u0026 Mary, Maxwell completed research on queer archives and art in the Appalachian Mountains, and continues to maintain a queer digital archive, \"Wildcrafting our Queerness.\"","Maxwell Cloe describes their academic experiences at William \u0026 Mary related to queerness, including GSWS classes and their undergraduate and graduate research about queer art, culture, and life in the Appalachian Mountains. They also discuss the Triangle bar, which hosted queer nights until it closed in 2019. After this, it was difficult for queer people to find a dedicated space to socialize, and Maxwell describes efforts by queer organizations like Lambda Alliance and Rainbow Coalition to host events. As a current staff member, Maxwell discusses the opportunity they have to serve as a mentor for students as well.","Preetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026 Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone. \nPreetha Gopinath describes their experiences with several student organizations at William \u0026 Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.","Preetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026 Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone.\nPreetha Gopinath describes their experiences with several student organizations at William \u0026 Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.","Preetha Gopinath is a physics major in the class of 2024 from near Princeton, New Jersey. At William \u0026 Mary, Preetha is involved in the South Asian Student Association and the Phi Mu Sorority, and she works at Aromas in Swem Library and the Tutor Zone.\nPreetha Gopinath describes their experiences with several student organizations at William \u0026 Mary. This includes the South Asian Student Association and the group's Expressions yearly showcase, along with experiences in Greek Life as a member of the Phi Mu sorority. Preetha also spent his first semester online due to COVID, and she discusses efforts to meet new people once arriving to campus.","Aubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026 Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026 Mary and the Exodus Project.","Aubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026 Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.","Aubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026 Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026 Mary and the Exodus Project.","Aubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026 Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.","Aubrey Lay is a Government and Linguistics major in the Class of 2023. He grew up in Bethesda, Maryland. At William \u0026 Mary, he is a co-captain of the bhangra team, a co-president of Rainbow Coalition, a 1693 scholar, and is involved in research with Discourse Analysis at William \u0026 Mary and the Exodus Project.","Aubrey Lay discusses his involvement as a co-president of Rainbow Coalition, including events for intersex awareness week, queer sex ed, and the Over the Rainbow Gala. With Rainbow Coalition, he has collaborated with Lambda Alliance and the Center for Student Diversity. He also discusses the Exodus Project, which is investigating the humanitarian response to the war in Ukraine and its effect on LGBTQI people. Aubrey describes the ability for William \u0026 Mary students to build queer-affirming communities in various spaces, including his experience on the Bhangra team.","Jimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026 Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026 Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026 Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.","Jimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026 Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026 Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026 Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.","Jimmy Lockedmonds graduated from William and Mary with an MBA in Accounting in 2008 and a Masters in Accounting in 2009. He is from Central Virginia outside of Charlottesville, and currently lives in Alexandria with his husband. He is currently involved with the Crim Dell Association at William \u0026 Mary and works in federal contracting.\nJimmy Lockedmonds discusses his involvement with various activities at William \u0026 Mary, including his experience building a chapter of the Kappa Sigma fraternity together with his freshmen hallmates. He was also involved with the College Partnership for Kids, the University Center Activities Board, the William \u0026 Mary Pep Band, Phone a Thon, and working in Building Operations at Swem. Jimmy describes various events held by LGBT organizations on campus. He also discusses his current involvement with the Crim Dell Association and alumni networks.","Malvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026 Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.","In this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026 Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026 Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.","Malvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026 Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.","In this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026 Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026 Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.","Malvika Shrimali ('24) is from Ashburn, VA. They are co-editor in chief of the Gallery literary arts magazine, co-president of Wordshop (a creative writing club), and a member of the South Asian Student Organization and Humans of William \u0026 Mary. They are a Hispanic Studies and Environmental Studies double major, and use these fields to examine environmental justice and environmental colonialism. An avid writer and poet, Malvika hopes to become a journalist in the future.","In this interview, Malvika discusses their ability to be a \"queer student\" in academics at William \u0026 Mary. They also describe the interaction between being both queer and Indian and their experiences building community with other queer and Indian students. Malvika writes poetry and makes collages, and they discuss their experience with those art forms, as well as literary clubs at William \u0026 Mary. They also describe their coming out experience, including talking to professors about using they/them pronouns.","Owen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026 Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.","Owen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026 Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.","Owen Williams is a History and Government double major in the class of 2023. He is from Vienna, Virginia, and has been involved in a variety of campus organizations at William \u0026 Mary. He is currently on Student Assembly as the chief of staff, and is also involved in Interfraternity Council and the Phi Gamma Delta fraternity.\nOwen Williams discusses his experiences with various student organizations, including being a member of Lambda Alliance his freshman year, and subsequently working with them as a member of Student Assembly. Within Student Assembly, Owen has been involved with civic engagement and diversity and accessibility initiatives. He also discusses his experience in Greek life as a member of Phi Gamma Delta and his efforts to create a more inclusive and LGBT-friendly space within that fraternity. Along with these campus involvements, Owen describes coming out before college and the lack of diversity in scholarship included in history and government classes.","Matthew Wright graduated from William \u0026 Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026 Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.","Matthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.","Matthew Wright graduated from William \u0026 Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026 Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.","Matthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive.","Matthew Wright graduated from William \u0026 Mary in 2022 with a double major in Psychology and Film and Media Studies. He is from Ashburn, VA. While at William \u0026 Mary, Matthew was involved in Lambda Alliance and a cappella. After graduating, he is working with children on the autism spectrum as a behavior therapist.","Matthew Wright joined Lambda Alliance his freshman year, and they discuss various experiences with the organization, including social events, serving as the public relations chair, and the negative effect COVID had on the organization and its attendance. He also describes memories of queer nights at the Triangle. Matthew has built a community of queer friends, and discusses the benefits of these relationships. They also describe the pride events hosted by Lambda Alliance and Rainbow Coalition, as well as the university administration's attempts to be more inclusive."],"names_ssim":["Special Collections Research Center","Baker, Tom, 1944-","Curtis, Wayne","Amy Schindler","Steve Murden","Sikk, Helis","Tate, Frederic B."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Baker, Tom, 1944-","Curtis, Wayne","Amy Schindler","Steve Murden","Sikk, Helis","Tate, Frederic B."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:18:38.657Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9604_c02_c09"}},{"id":"vihart_repositories_4_resources_693_c03_c47","type":"Item","attributes":{"title":"\"Who Do You Think You Are? 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I am!\" This illogical celebration became a popular internet meme.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c03_c47#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_693_c03_c47","ref_ssm":["vihart_repositories_4_resources_693_c03_c47"],"id":"vihart_repositories_4_resources_693_c03_c47","ead_ssi":"vihart_repositories_4_resources_693","_root_":"vihart_repositories_4_resources_693","_nest_parent_":"vihart_repositories_4_resources_693_c03","parent_ssi":"vihart_repositories_4_resources_693_c03","parent_ssim":["vihart_repositories_4_resources_693","vihart_repositories_4_resources_693_c03"],"parent_ids_ssim":["vihart_repositories_4_resources_693","vihart_repositories_4_resources_693_c03"],"parent_unittitles_ssm":["ESPN College GameDay posters","2023 vs. Appalachian State Mountaineers"],"parent_unittitles_tesim":["ESPN College GameDay posters","2023 vs. Appalachian State Mountaineers"],"text":["ESPN College GameDay posters","2023 vs. Appalachian State Mountaineers","\"Who Do You Think You Are? 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2023],"names_ssim":["Weber, Pete, 1962-","Cignetti, Curt, 1961-","Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"persname_ssim":["Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"containers_ssim":["Flat File 13"],"scopecontent_html_tesm":["\u003cp\u003eImages from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.\u003c/p\u003e","\u003cp\u003eOne image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  \u003c/p\u003e","\u003cp\u003eIncludes the hashtag #letusbowl.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl."],"_nest_path_":"/components#2/components#46","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_693","ead_ssi":"vihart_repositories_4_resources_693","_root_":"vihart_repositories_4_resources_693","_nest_parent_":"vihart_repositories_4_resources_693","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_693.xml","title_ssm":["ESPN College GameDay posters"],"title_tesim":["ESPN College GameDay posters"],"unitdate_ssm":["2015","2017","2023"],"unitdate_other_ssim":["2015","2017","2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0336","/repositories/4/resources/693"],"text":["SC 0336","/repositories/4/resources/693","ESPN College GameDay posters","Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All 2015 and 2017 posters have been digitized and are available online via  JSTOR .","The collection is arranged in sub-groups according to date and ESPN College GameDay opponents.","Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.","Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.","Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. ","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.","James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-","English"],"unitid_tesim":["SC 0336","/repositories/4/resources/693"],"normalized_title_ssm":["ESPN College GameDay posters"],"collection_title_tesim":["ESPN College GameDay posters"],"collection_ssim":["ESPN College GameDay posters"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Posters were donated on or soon after October 14, 2017 directly following GameDay events and collected at the front desk of Carrier Library. One of the 2015 GameDay posters was donated on October 9, 2017 directly to Special Collections. One 2017 poster was donated in November 2018. The 2023 GameDay posters were brought to a designated donation table located in front of Moody Hall after the broadcast on November 18, 2023. Special Collections staff also salvaged orphaned or trashed posters after the broadcast. The posters were donated by JMU students, alumni, and fans. Donors were not asked to sign deeds of gift."],"access_subjects_ssim":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"access_subjects_ssm":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"has_online_content_ssim":["false"],"extent_ssm":["15 cubic feet 15 flat files"],"extent_tesim":["15 cubic feet 15 flat files"],"genreform_ssim":["Posters","Memes (Internet)"],"date_range_isim":[2015,2017,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll 2015 and 2017 posters have been digitized and are available online via \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://www.jstor.org/site/jamesmadisonuniversity/jamesmadisonuniversityespncollegegamedayposters/\"\u003eJSTOR\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All 2015 and 2017 posters have been digitized and are available online via  JSTOR ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in sub-groups according to date and ESPN College GameDay opponents.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in sub-groups according to date and ESPN College GameDay opponents."],"bibliography_html_tesm":["\u003cbibref\u003eBell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. \u003c/bibref\u003e","\u003cbibref\u003eBozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.\u003c/bibref\u003e","\u003cbibref\u003eHoltzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.\u003c/bibref\u003e","\u003cbibref\u003e\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.\u003c/bibref\u003e","\u003cbibref\u003esports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.\u003c/bibref\u003e","\u003cbibref\u003e\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015."],"bioghist_html_tesm":["\u003cp\u003eHeld every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.\u003c/p\u003e","\u003cp\u003eJames Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.\u003c/p\u003e","\u003cp\u003eThe 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.\u003c/p\u003e","\u003cp\u003eESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.\u003c/p\u003e\n","\u003cp\u003eLeading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.\u003c/p\u003e","\u003cp\u003eThe 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. \u003c/p\u003e\n","\u003cp\u003eInternet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. \u003c/p\u003e","\u003cp\u003eThe 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.\u003c/p\u003e","\u003cp\u003eThe poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.\u003c/p\u003e","\u003cp\u003eThe poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. \u003c/p\u003e\n","\u003cp\u003ePoster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.\u003c/p\u003e","\u003cp\u003eThe 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.\u003c/p\u003e","\u003cp\u003eThe poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.\u003c/p\u003e","\u003cp\u003eThe poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.\u003c/p\u003e","\u003cp\u003eThe poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.\u003c/p\u003e","\u003cp\u003eThe poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.\u003c/p\u003e","\u003cp\u003eThe poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.\u003c/p\u003e","\u003cp\u003eThe poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. \u003c/p\u003e\n","\u003cp\u003eWhile popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.\u003c/p\u003e","\u003cp\u003eThe full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.\u003c/p\u003e","\u003cp\u003eThe poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.\u003c/p\u003e","\u003cp\u003eThe poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. \u003c/p\u003e\n","\u003cp\u003eThe poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. \u003c/p\u003e\n","\u003cp\u003eAn internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.\u003c/p\u003e\n","\u003cp\u003eThe poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. \u003c/p\u003e","\u003cp\u003eThe poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.\u003c/p\u003e","\u003cp\u003eThe poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. \u003c/p\u003e\n","\u003cp\u003eThe poster has an unknown signature.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.\u003c/p\u003e","\u003cp\u003eMany of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.\u003c/p\u003e","\u003cp\u003eSign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).\u003c/p\u003e","\u003cp\u003eThe sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.\u003c/p\u003e","\u003cp\u003eSign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).\u003c/p\u003e","\u003cp\u003eThe sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.\u003c/p\u003e\n","\u003cp\u003eThe opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.\u003c/p\u003e","\u003cp\u003eThe sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.\u003c/p\u003e","\u003cp\u003eThe NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"\u003c/p\u003e","\u003cp\u003eA sign presumably created for a two-year-old JMU fan and future Duke.\u003c/p\u003e","\u003cp\u003eFeatures the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.\u003c/p\u003e\n","\u003cp\u003eThe second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.\u003c/p\u003e","\u003cp\u003eDuring a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.\u003c/p\u003e\n","\u003cp\u003eThe second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"\u003c/p\u003e","\u003cp\u003eThe sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.\u003c/p\u003e","\u003cp\u003eThe sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.\u003c/p\u003e","\u003cp\u003eAccuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.\u003c/p\u003e","\u003cp\u003eFeatures purple and gold \"JMU\" in bubble letters.\u003c/p\u003e","\u003cp\u003eFeatures an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.\u003c/p\u003e","\u003cp\u003eComments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side declares that JMU (hot) is superior to App State (not).\u003c/p\u003e\n","\u003cp\u003eThe second side encourages people to support libraries.\u003c/p\u003e","\u003cp\u003eTwo-sided sign. Both sides are identical.\u003c/p\u003e\n","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to allow JMU play in a bowl game.\u003c/p\u003e","\u003cp\u003eThe sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.\u003c/p\u003e","\u003cp\u003eCrossword-style graphic and includes image of embarrassed Duke Dog and football helmet.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.\u003c/p\u003e","\u003cp\u003eJames Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"\u003c/p\u003e","\u003cp\u003eQuotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).\u003c/p\u003e","\u003cp\u003eRefers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.\u003c/p\u003e","\u003cp\u003eDemands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.\u003c/p\u003e","\u003cp\u003ePrinted sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.\u003c/p\u003e","\u003cp\u003ePrinted sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"\u003c/p\u003e","\u003cp\u003eAccuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.\u003c/p\u003e","\u003cp\u003eFour-sided laminated sign.\u003c/p\u003e\n","\u003cp\u003e1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.\u003c/p\u003e\n","\u003cp\u003e2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e\n","\u003cp\u003e3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026amp; Mary, or others.\u003c/p\u003e\n","\u003cp\u003e4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"\u003c/p\u003e\n","\u003cp\u003eCreator included initials and date to each side -  \"KEL 2023.\"\u003c/p\u003e","\u003cp\u003eFeatures a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.\u003c/p\u003e","\u003cp\u003eFeatures a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.\u003c/p\u003e","\u003cp\u003eUses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.\u003c/p\u003e","\u003cp\u003eFeatures image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side of the sign includes a quote and scene from the movie \u003cemph render=\"italic\"\u003eMean Girls\u003c/emph\u003e during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.\u003c/p\u003e\n","\u003cp\u003eThe other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.\u003c/p\u003e","\u003cp\u003eCompares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show \u003cemph render=\"italic\"\u003eSpongebob Squarepants\u003c/emph\u003e. Pinhead Larry is depicted as a dimwit and only has one tooth.\u003c/p\u003e","\u003cp\u003eIncludes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).\u003c/p\u003e","\u003cp\u003eCrossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.\u003c/p\u003e","\u003cp\u003eInvokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.\u003c/p\u003e","\u003cp\u003ePair of complementary signs each shaped like a foot.\u003c/p\u003e\n","\u003cp\u003eThe left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.\u003c/p\u003e\n","\u003cp\u003eThe right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a scene from the television show \u003cemph render=\"italic\"\u003eThe Office\u003c/emph\u003e in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.\u003c/p\u003e\n","\u003cp\u003eThe second side is a black-and-white swirl optical illusion.\u003c/p\u003e","\u003cp\u003eImages from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.\u003c/p\u003e\n","\u003cp\u003eOne image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  \u003c/p\u003e\n","\u003cp\u003eIncludes the hashtag #letusbowl.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.\u003c/p\u003e\n","\u003cp\u003eThe other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.\u003c/p\u003e","\u003cp\u003eRefers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.\u003c/p\u003e","\u003cp\u003eRefers to the JMU tradition of holding the door for others when entering and exiting a building.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.\u003c/p\u003e\n","\u003cp\u003eThe second side reads \"JMU Duuukes\" which is a common chant among fans.\u003c/p\u003e","\u003cp\u003eFestive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).\u003c/p\u003e","\u003cp\u003eFeatures a scene from \u003cemph render=\"italic\"\u003eSpongeBob SquarePants\u003c/emph\u003e with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.\u003c/p\u003e\n","\u003cp\u003eSecond side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7db16ad7b8ea3ec44dbf745436fd4229\"\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.\u003c/abstract\u003e"],"abstract_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers."],"names_coll_ssim":["James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century"],"names_ssim":["James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University"],"persname_ssim":["Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":73,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c03_c47"}},{"id":"vihart_repositories_4_resources_693_c03_c35","type":"Item","attributes":{"title":"\"Who Let The Dukes Out???\" etc.","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c03_c35#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFour-sided laminated sign.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_693_c03_c35#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_693_c03_c35","ref_ssm":["vihart_repositories_4_resources_693_c03_c35"],"id":"vihart_repositories_4_resources_693_c03_c35","ead_ssi":"vihart_repositories_4_resources_693","_root_":"vihart_repositories_4_resources_693","_nest_parent_":"vihart_repositories_4_resources_693_c03","parent_ssi":"vihart_repositories_4_resources_693_c03","parent_ssim":["vihart_repositories_4_resources_693","vihart_repositories_4_resources_693_c03"],"parent_ids_ssim":["vihart_repositories_4_resources_693","vihart_repositories_4_resources_693_c03"],"parent_unittitles_ssm":["ESPN College GameDay posters","2023 vs. Appalachian State Mountaineers"],"parent_unittitles_tesim":["ESPN College GameDay posters","2023 vs. Appalachian State Mountaineers"],"text":["ESPN College GameDay posters","2023 vs. Appalachian State Mountaineers","\"Who Let The Dukes Out???\" etc.","Jonas Brothers","Baha Men (Musical group)","Jonas Brothers","Baha Men (Musical group)","Flat File 11","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side - 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Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2023],"names_ssim":["Jonas Brothers","Baha Men (Musical group)","Jonas Brothers","Baha Men (Musical group)"],"corpname_ssim":["Jonas Brothers","Baha Men (Musical group)"],"containers_ssim":["Flat File 11"],"scopecontent_html_tesm":["\u003cp\u003eFour-sided laminated sign.\u003c/p\u003e","\u003cp\u003e1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.\u003c/p\u003e","\u003cp\u003e2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003e3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026amp; Mary, or others.\u003c/p\u003e","\u003cp\u003e4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"\u003c/p\u003e","\u003cp\u003eCreator included initials and date to each side -  \"KEL 2023.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\""],"_nest_path_":"/components#2/components#34","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_693","ead_ssi":"vihart_repositories_4_resources_693","_root_":"vihart_repositories_4_resources_693","_nest_parent_":"vihart_repositories_4_resources_693","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_693.xml","title_ssm":["ESPN College GameDay posters"],"title_tesim":["ESPN College GameDay posters"],"unitdate_ssm":["2015","2017","2023"],"unitdate_other_ssim":["2015","2017","2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0336","/repositories/4/resources/693"],"text":["SC 0336","/repositories/4/resources/693","ESPN College GameDay posters","Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)","Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","All 2015 and 2017 posters have been digitized and are available online via  JSTOR .","The collection is arranged in sub-groups according to date and ESPN College GameDay opponents.","Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.","Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.","Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. ","The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.","James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice Spice, 2000-","Jonas, Nick, 1992-","Herbstreit, Kirk","Harbaugh, Jim (James Joseph), 1963-","Turner, Sophie, 1996-","Howard, Desmond, 1970-","Swift, Taylor (Taylor Alison), 1989-","Madison, James, 1751-1836","Grogu, (Fictitious character)","Corso, Lee","Count, (Fictitious character from Sesame Street)","Weber, Pete, 1962-","Cignetti, Curt, 1961-","English"],"unitid_tesim":["SC 0336","/repositories/4/resources/693"],"normalized_title_ssm":["ESPN College GameDay posters"],"collection_title_tesim":["ESPN College GameDay posters"],"collection_ssim":["ESPN College GameDay posters"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"access_terms_ssm":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Posters were donated on or soon after October 14, 2017 directly following GameDay events and collected at the front desk of Carrier Library. One of the 2015 GameDay posters was donated on October 9, 2017 directly to Special Collections. One 2017 poster was donated in November 2018. The 2023 GameDay posters were brought to a designated donation table located in front of Moody Hall after the broadcast on November 18, 2023. Special Collections staff also salvaged orphaned or trashed posters after the broadcast. The posters were donated by JMU students, alumni, and fans. Donors were not asked to sign deeds of gift."],"access_subjects_ssim":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"access_subjects_ssm":["Memes","Education, Higher -- Social aspects","Football -- Humor","Sports -- Social aspects","College students -- Social life and customs","College students -- Attitudes","College sports -- Attitudes","College sports","College athletes","Popular culture","Posters","Memes (Internet)"],"has_online_content_ssim":["false"],"extent_ssm":["15 cubic feet 15 flat files"],"extent_tesim":["15 cubic feet 15 flat files"],"genreform_ssim":["Posters","Memes (Internet)"],"date_range_isim":[2015,2017,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"altformavail_html_tesm":["\u003cp\u003eAll 2015 and 2017 posters have been digitized and are available online via \u003cextref type=\"simple\" actuate=\"onRequest\" show=\"new\" href=\"https://www.jstor.org/site/jamesmadisonuniversity/jamesmadisonuniversityespncollegegamedayposters/\"\u003eJSTOR\u003c/extref\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["All 2015 and 2017 posters have been digitized and are available online via  JSTOR ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in sub-groups according to date and ESPN College GameDay opponents.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in sub-groups according to date and ESPN College GameDay opponents."],"bibliography_html_tesm":["\u003cbibref\u003eBell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. \u003c/bibref\u003e","\u003cbibref\u003eBozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.\u003c/bibref\u003e","\u003cbibref\u003eHoltzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.\u003c/bibref\u003e","\u003cbibref\u003e\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.\u003c/bibref\u003e","\u003cbibref\u003esports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.\u003c/bibref\u003e","\u003cbibref\u003e\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Bell, Brittany. \"A Journey Well-Written - JMU.\" James Madison University, 16 April 2021, https://www.jmu.edu/news/alumni/2021/2021_04_16_a_journey_well_written.shtml. ","Bozek, Richie. \"JMU selected for ESPN 'College GameDay' next weekend.\" 2015. The Breeze, https://www.breezejmu.org/sports/jmu-selected-for-espn-college-gameday-next-weekend/article_3afdfd8e-743a-11e5-9742-3bee473e4cd1.html.","Holtzclaw, Harry. \"A look at how JMU can get College GameDay once again.\" 2017. The Breeze, https://www.breezejmu.org/sports/a-look-at-how-jmu-can-get-college-gameday-once-again/article_0ec75c94-9ed9-11e7-a150-a797ee396993.html.","\"meme, n.\" OED Online, Oxford University Press, September 2022, www.oed.com/view/Entry/239909.","sports desk. \"ESPN's 'College GameDay' announces return to JMU.\" 2017. The Breeze, https://www.breezejmu.org/sports/espns-college-gameday-announces-return-to-jmu/article_1c195fac-abed-11e7-a6d6-3fe7ae1346f6.html.","\"2015 Football Cumulative Statistics.\" James Madison University Athletics, https://jmusports.com/sports/football/stats/2015."],"bioghist_html_tesm":["\u003cp\u003eHeld every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.\u003c/p\u003e","\u003cp\u003eJames Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.\u003c/p\u003e","\u003cp\u003eThe 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.\u003c/p\u003e","\u003cp\u003eESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.\u003c/p\u003e\n","\u003cp\u003eLeading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Held every Saturday morning during the college football regular season, ESPN College GameDay broadcasts live from the campus of the team hosting the featured football game.","James Madison University was first considered for ESPN's College GameDay in 2015. While there was conversation happening behind the scenes about James Madison University being that week's possible location, it was a tweet from Lee Fitting, ESPN producer for GameDay, that started public recognition of the school for a possible host for GameDay. His tweet came as a response from a James Madison University account called \"JMU Duke Blawg\" who had been pushing for ESPN GameDay attention. Between Everett Withers' as head football coach and Lavaedeay \"Vad\" Monlique Lee as quarterback, their season was gaining a lot of attention in the lead up to the GameDay picks. The undefeated season for James Madison University and the University of Richmond's winning streak helped make them a strong contender. James Madison University was sitting at a (7-0) undefeated winning streak while the University of Richmond was (5-1) and on a five-game winning streak at the time. ESPN announced on Sunday, October 18, 2015 that James Madison University would host the 2015 College GameDay on Saturday, October 24.","The 2017 choice for GameDay was heavily influenced by online presence from the university and their long winning streak. With the popularization of social media, online attention from universities have become an easy way to get recognized, and from this, receive opportunities such as GameDay. The strategy for James Madison University was to lay the groundwork throughout their season while also maintaining a strong online presence in order to be considered. The Breeze, James Madison University's school newspaper, posted an article on September 21, 2017 laying out the strategy in place to secure a second year of hosting College GameDay. Part of the university's strategy included ensuring that James Madison University remained undefeated, that Villanova remained undefeated, and that the \"JMU Nation must continue to nag College GameDay on social media.\" Ultimately, James Madison University went on to have the nation's longest winning streak, 17 games, in the lead up to ESPN College GameDay. On Sunday, October 8, 2017 ESPN officially announced that James Madison University would host GameDay on Saturday, October 14, 2017.","ESPN College GameDay's third visit to Harrisonburg on November 18, 2023 was marked by a record setting crowd of approximately 26,000 people. Additionally, GameDay celebrated its 30th anniversary with its visit to JMU which also included musical performances by the Jonas Brothers and Bailey Zimmerman.","Leading up to GameDay, JMU and the NCAA were embroiled in a bowl game controversy related to JMU's transition period after switching from the Coastal Athletic Association to the Sun Belt Conference in 2021. Per NCAA rules, a two-year transition period is required for teams to fully transition from Division I FCS (Football Championship Subdivision) to Division I FBS (Football Bowl Subdivision). JMU's transition period was in effect from July 1, 2022 to June 30, 2024. While JMU was undefeated and nationally ranked at the time, the NCAA upheld the transition period rule that the football team would not be bowl eligible. Ultimately, JMU was able to play in a bowl game (Lockheed Martin Armed Forces Bowl vs. Air Force, 2023 December 23) since there were not enough six-win teams to fill all the bowl game slots."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], ESPN College GameDay posters, 2015, 2017, 2023, SC 0336, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eWooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.\u003c/p\u003e","\u003cp\u003eThe 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Wooden dowels, PVC pipes, and other yard sticks were removed from signs. Given the usage of mixed media (glitter, ribbons, paint, etc.) in their creation, the posters were interfiled with acid-free paper. Several of the physical posters exhibit smearing due to water exposure and warping as well as color loss and image degradation.","The 2015 and 2017 posters were digitized in October 2022 by graduate assistants Mariam Ismail and Kayleigh Bishop using a Nikon D3300 digital camera with a 18-55 mm lens. Bodeene Amyot Cairdeas, digital and audiovisual archivist, edited the digital files to address the following issues: color, exposure, and lens correction, distortion, and chromatic aberration. Tiffany Cole, archivist, uploaded the edited files and respective metadata into JSTOR Forum/Artstor in December 2022."],"scopecontent_html_tesm":["\u003cp\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. \u003c/p\u003e\n","\u003cp\u003eInternet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. \u003c/p\u003e","\u003cp\u003eThe 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.\u003c/p\u003e","\u003cp\u003eThe poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.\u003c/p\u003e","\u003cp\u003eThe poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. \u003c/p\u003e\n","\u003cp\u003ePoster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.\u003c/p\u003e","\u003cp\u003eThe 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.\u003c/p\u003e","\u003cp\u003eThe poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.\u003c/p\u003e","\u003cp\u003eThe poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.\u003c/p\u003e","\u003cp\u003eThe poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.\u003c/p\u003e","\u003cp\u003eThe poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.\u003c/p\u003e","\u003cp\u003eThe poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.\u003c/p\u003e","\u003cp\u003eThe poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. \u003c/p\u003e\n","\u003cp\u003eWhile popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.\u003c/p\u003e","\u003cp\u003eThe full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.\u003c/p\u003e","\u003cp\u003eThe poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.\u003c/p\u003e","\u003cp\u003eThe poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. \u003c/p\u003e\n","\u003cp\u003eThe poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. \u003c/p\u003e\n","\u003cp\u003eAn internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.\u003c/p\u003e\n","\u003cp\u003eThe poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. \u003c/p\u003e","\u003cp\u003eThe poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.\u003c/p\u003e","\u003cp\u003eThe poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. \u003c/p\u003e\n","\u003cp\u003eThe poster has an unknown signature.\u003c/p\u003e","\u003cp\u003eThe poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.\u003c/p\u003e","\u003cp\u003eMany of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.\u003c/p\u003e","\u003cp\u003eSign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).\u003c/p\u003e","\u003cp\u003eThe sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.\u003c/p\u003e","\u003cp\u003eSign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).\u003c/p\u003e","\u003cp\u003eThe sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.\u003c/p\u003e\n","\u003cp\u003eThe opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.\u003c/p\u003e","\u003cp\u003eThe sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.\u003c/p\u003e","\u003cp\u003eThe NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"\u003c/p\u003e","\u003cp\u003eA sign presumably created for a two-year-old JMU fan and future Duke.\u003c/p\u003e","\u003cp\u003eFeatures the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.\u003c/p\u003e\n","\u003cp\u003eThe second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.\u003c/p\u003e","\u003cp\u003eDuring a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.\u003c/p\u003e\n","\u003cp\u003eThe second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"\u003c/p\u003e","\u003cp\u003eThe sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.\u003c/p\u003e","\u003cp\u003eThe sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.\u003c/p\u003e","\u003cp\u003eAccuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.\u003c/p\u003e","\u003cp\u003eFeatures purple and gold \"JMU\" in bubble letters.\u003c/p\u003e","\u003cp\u003eFeatures an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.\u003c/p\u003e","\u003cp\u003eComments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side declares that JMU (hot) is superior to App State (not).\u003c/p\u003e\n","\u003cp\u003eThe second side encourages people to support libraries.\u003c/p\u003e","\u003cp\u003eTwo-sided sign. Both sides are identical.\u003c/p\u003e\n","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eUses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e","\u003cp\u003eDemands of the NCAA to allow JMU play in a bowl game.\u003c/p\u003e","\u003cp\u003eThe sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.\u003c/p\u003e","\u003cp\u003eCrossword-style graphic and includes image of embarrassed Duke Dog and football helmet.\u003c/p\u003e","\u003cp\u003eThe sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.\u003c/p\u003e","\u003cp\u003eJames Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"\u003c/p\u003e","\u003cp\u003eQuotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).\u003c/p\u003e","\u003cp\u003eRefers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.\u003c/p\u003e","\u003cp\u003eDemands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.\u003c/p\u003e","\u003cp\u003ePrinted sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.\u003c/p\u003e","\u003cp\u003ePrinted sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"\u003c/p\u003e","\u003cp\u003eAccuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.\u003c/p\u003e","\u003cp\u003eFour-sided laminated sign.\u003c/p\u003e\n","\u003cp\u003e1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.\u003c/p\u003e\n","\u003cp\u003e2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.\u003c/p\u003e\n","\u003cp\u003e3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026amp; Mary, or others.\u003c/p\u003e\n","\u003cp\u003e4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"\u003c/p\u003e\n","\u003cp\u003eCreator included initials and date to each side -  \"KEL 2023.\"\u003c/p\u003e","\u003cp\u003eFeatures a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.\u003c/p\u003e","\u003cp\u003eFeatures a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.\u003c/p\u003e","\u003cp\u003eUses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.\u003c/p\u003e","\u003cp\u003eFeatures image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eThe primary side of the sign includes a quote and scene from the movie \u003cemph render=\"italic\"\u003eMean Girls\u003c/emph\u003e during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.\u003c/p\u003e\n","\u003cp\u003eThe other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.\u003c/p\u003e","\u003cp\u003eCompares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show \u003cemph render=\"italic\"\u003eSpongebob Squarepants\u003c/emph\u003e. Pinhead Larry is depicted as a dimwit and only has one tooth.\u003c/p\u003e","\u003cp\u003eIncludes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).\u003c/p\u003e","\u003cp\u003eCrossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.\u003c/p\u003e","\u003cp\u003eInvokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.\u003c/p\u003e","\u003cp\u003ePair of complementary signs each shaped like a foot.\u003c/p\u003e\n","\u003cp\u003eThe left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.\u003c/p\u003e\n","\u003cp\u003eThe right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a scene from the television show \u003cemph render=\"italic\"\u003eThe Office\u003c/emph\u003e in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.\u003c/p\u003e\n","\u003cp\u003eThe second side is a black-and-white swirl optical illusion.\u003c/p\u003e","\u003cp\u003eImages from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.\u003c/p\u003e\n","\u003cp\u003eOne image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  \u003c/p\u003e\n","\u003cp\u003eIncludes the hashtag #letusbowl.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.\u003c/p\u003e\n","\u003cp\u003eThe other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.\u003c/p\u003e","\u003cp\u003eRefers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.\u003c/p\u003e","\u003cp\u003eRefers to the JMU tradition of holding the door for others when entering and exiting a building.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003ePrimary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.\u003c/p\u003e\n","\u003cp\u003eThe second side reads \"JMU Duuukes\" which is a common chant among fans.\u003c/p\u003e","\u003cp\u003eFestive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).\u003c/p\u003e","\u003cp\u003eFeatures a scene from \u003cemph render=\"italic\"\u003eSpongeBob SquarePants\u003c/emph\u003e with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.\u003c/p\u003e","\u003cp\u003eTwo-sided sign.\u003c/p\u003e\n","\u003cp\u003eOne side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.\u003c/p\u003e\n","\u003cp\u003eSecond side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers. ","Internet memes, defined as humorous images online that are often replicated and parodied to fit specific situations, are used throughout the posters and represent the cultural references of the period and sometimes inside jokes from students at James Madison University directed at the opposing team. The signs also frequently draw on pop culture references and poke fun at the opposing team and their fanbase. ","The 2015 GameDay posters focus on James Madison University's quarterback, Lavaedeay \"Vad\" Monlique  Lee, implying he will lead them to victory. Vad Lee had a strong season in 2014 by taking James Madison University to the FCS playoffs and led a strong 2015 season leading up to the Richmond game, season statistics were (7-0; 4-0) at this point in the season. These posters center on Vad's leadership skills as quarterback and cheer him on through various pop culture references from 2015.","The poster is a play on words from George Thorogood's song \"Bad to the Bone\" to cheer on James Madison University's 2015 quarterback, Lavaedeay \"Vad\" Monlique  Lee.","The poster plays on the popular catchphrase \"Hulk smash\" and depicts 2015 quarterback, Lavaedeay \"Vad\" Monlique Lee, as smashing the Richmond's mascot WebstUR the spider. The quote \"Hulk smash\" was made popular from a series of Marvel movies wherein the comic book character the hulk proclaims \"HULK SMASH\" before smashing something. While also popular from the comics themselves, the phrase made its way into pop culture references after Marvel began releasing movies with the Hulk often quoting the phrase in them. The poster references how the James Madison University quarterback is going to smash the Villanova football team. ","Poster is signed by Jonathan \"Jon\" Alger, the President of James Madison University, Matt Brady, and Samantha \"Sam\" Ponder.","The 2017 GameDay posters primarily focus on James Madison University's strength as a team, and school, over Villanova. Using viral internet images popular in 2017, they center on the inferiority of the Villanova team when being compared to James Madison University. These viral images, often called memes, are variously displaying James Madison University's \"superior taste\" in all regards. Calling attention to Villanova's cost of tuition and low football game attendance rates, the majority of the posters purport that James Madison University will defeat them. One poster references an inside joke to James Madison University students about how Villanova will lose the football game because they are not fans of the correct condiment. There are some posters that center less on the animosity of the two teams and instead are saying hello to friends and family.","The poster revises the common saying \"don't bring a knife to a gunfight,\" popularized by the 1987 film \"The Untouchables,\" to display the superiority of James Madison University's mascot, the Duke Dog, over Villanova's own Will D. Cat, the wildcat. The poster is meant to imply that not only are dogs better than cats but that James Madison University will perform better than Villanova's team.","The poster follows a popularized internet format, commonly called a meme, to depict how James Madison University is better than Villanova. The image is commonly known as the \"You vs. the guy meme\" and is meant to be used to show how one guy is superior to another. The format traditionally depicts two images, usually men, side by side with the implication being that the image on the right is better and the more desirable. This poster implies that James Madison University is better and more likely to win, and thus that you should be worried if you are the other \"guy\" in the image.","The poster uses the image of Austin Rogers, a famous Jeopardy player in 2017 who had a 12-game win streak. Known for his quirky yet funny anecdotes on Jeopardy, his image quickly became a househould face for a large portion of 2017. The poster uses his image paired with the saying as a statement on how well James Madison University's season is going. Going into the Villanova game, they had 17 wins in a row, outlasting Rogers' streak on Jeopardy. The poster talks to their successful season and how it will lead them to victory over Villanova. Their final season stats of (14-1; 8-0) displays their successful season and how the James Madison University football team had a longer winning streak than a popular Jeopardy star at the time.","The poster comments on the animosity between cats and dogs by using the fact that domesticated cats use a litter box to make fun of Villanova's Will D. Cat the wildcat as being more domestic and less threatening than James Madison University's Duke Dog. The implication is that Villanova's football team will lose because they, like their mascot, are not threatening enough to beat James Madison University.","The poster discusses James Madison University's high attendance to football games. Villanova's 2017 season had low attendance rates, 5,649 average for their home team attendance. James Madison University's 2017 home team attendance is averaged around 21,724. The ESPN GameDay estimated attendance was around 14,000 people. The poster uses these statistics to show the support for James Madison University over Villanova and their hopes that this will impact the outcome of the game.","The poster uses yum-yum sauce, a Japanese steakhouse mayonnaise sauce, to undermine Villanova. Yum-yum sauce is a popularized condiment for Japanese cuisine in the United States but holds a particular fondness for James Madison University students. Brought to the dining hall, D-hall, around 2017, it was famous on campus to students as the superior sauce choice for stir-fry. This poster functions as a James Madison University inside joke to Villanova by insulting their lack of taste when it comes to condiment choices. It is then implied that their lack of taste will be reflected in how they perform at GameDay. ","While popular, yum-yum sauce was a short lived condiment on campus. It was removed from D-hall after a few years and is now remembered fondly by those students who were on campus at the time.","The full poster details the specific costs of attending Villanova in 2017. It lists out the prices of tuition and fees, $49,430, room and board, $13,093, and books and miscellaneous items, $3,400. These prices are all added up and the total is stated as \"1 a$$ kicking from JMU.\" The poster is discussing how Villanova's high cost to attend is not reflected in their ability to beat James Madison University at football. The poster is detailing not only James Madison University's lower cost of attendance but is attempting to explain how money at a university does not translate to techinical abilities on the field.","The poster functions as a gesture from a student to their parents during GameDay weekend. With GameDay being broadcast on ESPN, this poster is a way for a student to show their family where they are on the broadcast and say hello to them from the crowd.","The poster features James Madison University's colors of gold and purple with the university letters surrounded by hearts. The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster states how James Madison's successful season, 17 straight wins at this point in 2017, will lead to a victory over the Villanova team. The statement of \"it's OVA\" is a reference to a common phrase about something already being done. The connotation here is that it is already over for Villanova and James Madison University will win. ","The poster is made on a Pizza Hut sponsored GameDay poster. In 2017, it was Pizza Hut's third year as GameDay sponsor. These posters were handed out to students to create their own sayings for the football game.","The poster uses a popular internet graphic from the 2010s to depict how former James Madison University head coach, Everett Withers is regretting his decision to leave and coach at Texas State University. ","An internet meme is a humorous image online that is often replicated and parodied to fit specific situations. The poster uses the popular meme entitled \"distracted boyfriend\" which shows a guy walking with his girlfriend but looking back at another girl. Traditionally, the meme is used to show how someone is disloyal or regretting a choice they have made. The meme first appeared in early 2017 but by August 2017 was viral online.","The poster uses this viral internet frame to portray Everett Withers as the \"distracted boyfriend\" in the meme. James Madison University is the girl he is looking back at and Texas State University is his current girlfriend. After coaching the James Madison University football team in the 2015 GameDay, the poster implies his disloyalty to his current team and regret around not coaching James Madison University for their second GameDay. Brought on by James Madison University's strong season in 2017, a 17-game winning streak, it is implying they will not lose at GameDay this time around. ","Additionally, the back of the poster has \"Hey Papa Waller!\" on it. This is likely a message from a student to their family. Knowing that GameDay will be streaming on ESPN, it would have served as a way for their family to see them on TV and say \"hey\" from the large GameDay crowd. ","The poster is in reference to a comment by Cam Newton, then Carolina Panthers quarterback, to reporter Jourdan Rodrigue on October 4, 2017. In response to her question about running routes with wide receiver Devin Funchess, Cam Newton responded \"it's funny to hear a female talk about routes.\" This poster references said comment and undermines Newton's comment about women. The poster has an unknown signature on it.","The poster uses a pop culture reference to a popular children's television show to display how bad of a team Villanova is. Referencing the popular show Spongebob Squarepants, the poster is meant to show Villanova's distasteful nature in their choice of restaurant from the show. Notably, the show centers around the restaurant known as \"The Krusty Krab\", a popular eatery in the show compared to its rival the \"Chum Bucket.\" The Chum Bucket is known for serving poor food, often chum, and is often considered the villain in the show. The poster references how Villanova is viewed in the same regard by James Madison University students. It is also inferred that due to their restaurant choice Villanova will lose the game because they have inferior restaurant tastes compared to James Madison University. ","The poster has an unknown signature.","The poster uses a popular image from \"It's the Great Pumpkin, Charlie Brown\" film to represent the superiority of James Madison University's football team over Villanova's. Using the image of Charlie Brown trick or treating in his ghost costume, Villanova is represented as the one who gets a rock in their bag. Paired with James Madison University's character, also dressed as a ghost, stating that they received a championship ring, it is meant to imply their superiority at football. This was a common internet image circulating at the time. It was commonly known as \"Charlie Brown Halloween Rock Meme\" and is meant to show how one person always gets something less than the other. The poster adds the university logos to each ghost character to further this point of James Madison University being better sports team than Villanova.","Many of the signs make reference to the NCAA bowl game controversy; the Jonas Brothers, specifically Joe Jonas's recent separation from actress Sophie Turner; University of Michigan's football cheating scandal; and other happenings in pop culture.","Sign reads \"Joe Jonas I'm Single (also go dukes)\" and is in reference to Joe Jonas's recent separation from Sophie Turner. Created by Olivia Lewis ('23).","The sign suggests that JMU will easily defeat Appalachian State, whose mascot is Yosef the Mountaineer. The hashtag #everythingschool is also included which refers to the JMU's success in numerous sports during the fall of 2023 including football, men's basketball, and women's soccer. While some colleges and universities are historically known to be a \"football school\" or a \"basketball school\", JMU conversely was colloquially recognized as an \"everything school\" by excelling in all things.","Sign includes purple and gold paw prints and a hand-drawn barking Duke Dog. Created by Lydia Endersby ('23).","The sign reimagines a line from the song \"Munch (Feelin' U)\" by Ice Spice, released in 2023, and presumably refers to Kevin Jonas. Created by Laine Kelly ('25).","Two-sided sign.","The primary side features the Duke Dog standing on the top of a mountain peak saying \"Roll Dukes\" while Yosef the Mountaineer, the Appalachian State mascot, rolls down on a boulder to the base of the mountain to join the other opponents JMU defeated earlier in the season.","The opposite side requests that Nick Jonas show his Dexcom device, a continuous glucose monitoring system for diabetes management, and the sign-holder will show him theirs. Jonas was diagnosed with type 1 diabetes at the age of 13.","The sign refers to ESPN College GameDay analyst Kirk Herbstreit's Golden Retriever named Ben who frequently accompanied Herbstreit on his trips to call and analyze football games. Ben was in attendance at JMU's College GameDay.","The NCAA's ruling that JMU was ineligible to play in a bowl game because of their two-year transition period from FCS to FBS demonstrates the NCAA's hatred for puppies. The sign features a picture of a crying Duke Dog.","Demands of the NCAA to let JMU play in a bowl game and invokes the Jonas Brothers by using a play on the popular phrase \"What Would Jesus Do?\"","A sign presumably created for a two-year-old JMU fan and future Duke.","Features the Duke Dog trash talking Appalachian State by making a pun about their mascot Yosef.","Two-sided sign.","One side accuses Applachian State of having pubic lice. Includes the hashtag #RollMotherF*ckingDukes. The creator of the sign was dressed in a crab suit during GameDay.","The second side features a map of Virginia (labeled JMU) and North Carolina (labeled App State) using it as rationale for Appalachian State being inferior to JMU.","During a November 13, 2023 press conference, Jim Harbaugh, head coach of the University of Michigan Wolverines football team, referred to his team as \"America's team.\" The sign offers a counterpoint, asserting that JMU is actually America's team. Created by John Bowen Jr. ('04).","Two-sided sign.","One side features a play on words using the Sun Belt Conference, of which JMU became a member in 2022, and the phrase \"fly too close to the sun\" which refers to the story of Icarus in Greek mythology.","The second side requests information on Joe Jonas's impending divorce from actress Sophie Turner and follows up with the parenthetical question \"Marry Me??\"","The sign demonstrates fandom for JMU through the practice of sharing one's pronouns. Includes a graphic of the Duke Dog riding on a flying bald eagle.","The sign uses the lyrics of the Jonas Brothers song \"Sucker\" to convey the similarities and closeness between JMU and the band. Each of the Jonas Brothers' faces is superimposed on a bowling pin referring to the NCAA bowl eligibility controversy.","Accuses Desmond Howard of stealing Kirk Herbstreit's talking points for ESPN College GameDay. Both are analysts on the college football pre-game show. The sign may also allude to the University of Michigan sign-stealing controversy of 2023 given that Desmond Howard played college football at Michigan.","Features purple and gold \"JMU\" in bubble letters.","Features an image of Sophie Turner and Taylor Swift taken on the night of September 19, 2023 while the two were out in New York City. Also includes the hashtag #TeamSophie and select lyrics from Swift's song \"Vigilante Shit.\" The sign is an obvious reference to Turner's recent separation from Joe Jonas.","Comments on the success of JMU's football team by making reference to the Jonas Brothers' song \"Burnin' Up.\"","Two-sided sign.","One side declares that JMU (hot) is superior to App State (not).","The second side encourages people to support libraries.","Two-sided sign. Both sides are identical.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","Demands of the NCAA to allow JMU play in a bowl game.","The sign predicts JMU will have a record of 11-0 after their game against Appalachian State, presuming a victory over the Mountaineers. Also includes the slogan made popular by Apple in 2009 claiming that there is an application for everything.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game.","Crossword-style graphic and includes image of embarrassed Duke Dog and football helmet.","The sign redefines the NCAA acronym and presumably refers to its decision to not allow JMU to play in a bowl game. Also includes the hashtag #letjmubowl.","James Madison is universally acknowledged as the Father of the Constitution due to his instrumental role in drafting the Constitution as well as the Bill of Rights. The sign argues that James Madison is also the father of football, a claim likely made due to JMU's dominance in football. Includes drawing of the American flag and the Duke Dog holding a copy of the Bill of Rights with the amendment \"JMU shall bowl.\"","Quotes the Preamble of the Constitution to convince the NCAA to allow JMU to play in a bowl game. Includes image of James Madison wearing sunglasses and bowling pins labeled with each of JMU's opponents up until that point in the 2023 season. Created by Maddy Brendel ('27).","Refers to the two-year transition period the NCAA requires of teams that join new conferences before they're allowed to play in the postseason. Includes each teams' win percentage since 2022 when JMU formally joined the Sun Belt Conference. JMU had an 86% win percentage while Appalachian State's win percentage was 55%.","Demands that the NCAA allow JMU to play in a bowl game by touting the team's undefeated record. Other imagery identifies Appalachian State as losers while JMU are winners.","Printed sign features official JMU letters and an artifical intelligence (AI)-generated Duke Dog with a fierce facial expression and a crown.","Printed sign features JMU logo (Duke Dog on top of JMU letters) with the phrases \"Duke Dog's Ready to Pound\" and \"Welcome to Our House!\"","Accuses Appalachian State fans of urinating while standing and therefore being weak or effeminate or any number of other presumed insults associated with that manner of using the bathroom. The attack is likely targeted at men fans who would otherwise stand while they urinate. The word \"Pee\" is in yellow letters.","Four-sided laminated sign.","1. \"Who Let the Dukes Out???\" is a reinterpretation of the Baha Men's 2000 song \"Who Let the Dogs Out.\" The song has historically been associated with sporting events.","2. \"I'm a Sucker for (JM)U\" uses lyrics to the Jonas Brothers' song \"Sucker\" to convey affinity for JMU.","3. \"JMU = Virginia's School\" asserts that JMU is the flagship university in the state, not Virginia Tech, University of Virginia, William \u0026 Mary, or others.","4. \"We Want the Jonas Bros to Stay at JMU Until the Year 3,000?\" refers to the Jonas Brothers' 2006 song \"Year 3000.\"","Creator included initials and date to each side -  \"KEL 2023.\"","Features a game prediction alongside graphic of Baby Yoda (aka Grogu). The prediction uses the object-subject-verb pattern that is typical of Yoda speak.","Features a photoshopped image of Lee Corso, GameDay analyst, wearing a birthday cake hat. ESPN College GameDay formally celebrated its 30th anniversary as part of the festivities at JMU on November 18, 2023. The program first used a traveling broadcast model for its November 13, 1993 show.","Uses the hashtag #letJMUbowl to plead to the NCAA that JMU should be able to play in a post-season bowl game. The Duke Dog is featured holding a football and appears to be running similar to how a football player rushes for yards.","Features image of Count von Count from Sesame Street on a television screen with the numbers 11-0 to signify what would be JMU's record if they beat Appalachian State.","Two-sided sign.","The primary side of the sign includes a quote and scene from the movie  Mean Girls  during which Regina George (JMU), played by Rachel McAdams, insults Cady Heron (Appalachian State), played by Lindsay Lohan.","The other side pleads to Barstool Sports, a digital media company, to hire the creator of the sign who will be a 2024 graduate of the School of Media Arts and Design (SMAD) and claims \"I need a job.\" Includes email address for contact.","Compares the average Appalachian State fan to Pinhead Larry, a character played by Patrick Star from the cartoon television show  Spongebob Squarepants . Pinhead Larry is depicted as a dimwit and only has one tooth.","Includes official NCAA logo with \"Unfair\" underneath referring to the NCAA's decision to deny JMU from playing in a bowl game. Created by Riley Isakower ('22).","Crossword-style graphic asserting that JMU should be eligible to play in a bowl game with JMU-Duke Dog logo.","Invokes the popular internet meme \"girl math\" by using the equation that JMU plus an 11-0 record equals (or should equal) a bowl game. A 10-0 record is crossed out and replaced with an 11-0 record which presumes JMU will beat Appalachian State. The typical concept of girl math is a humorous way of rationalizing extravagent, unnecessary, or impulsive purchases.","Pair of complementary signs each shaped like a foot.","The left foot sign reads \"Our Dawgs Are Barkin'\" which is a common saying when someone's feet are hurt. It also refers to JMU's mascot which is a dog.","The right foot sign reads \"Let the Dawgs Out\" is a reference to the Baha Men's 2000 song \"Who Let the Dogs Out.\" It also refers to JMU's mascot which is a dog.","Two-sided sign.","Primary side includes a scene from the television show  The Office  in which a younger Michael Scott, played by Steve Carell, is shaking hands with his then boss Ed Truck, played by Ken Howard. The handshake meme is typically used to illustrate commonalities between two entities. In this case, the act of consistently making horrible decisions and the NCAA are shaking hands and are therefore in solidarity. This refers to the NCAA's decision to not allow JMU to play in a bowl game.","The second side is a black-and-white swirl optical illusion.","Images from the 2012 U.S. Open bowling tournament during which professional bowler Pete Weber bowled a strike during the final frame and subsequently won the tournament. Famously, Weber launched into a celebratory fit and yelled the incoherent phrase \"Who do you think you are? I am!\" This illogical celebration became a popular internet meme.","One image features Weber in his bowling stance. The NCAA logo is superimposed onto Weber and the JMU logo is superimposed onto Weber's bowling ball. The second image shows Weber's celebration with Curt Cignett's face superimposed onto Weber's face.  ","Includes the hashtag #letusbowl.","Two-sided sign.","One side has a congratulatory theme due to ESPN College GameDay's 30th anniversary.","The other side identifies the sign creators as both JMU alumni and parents to a student at the University of Auburn.","Refers to the viral Tik Tok motivational catchphrase \"Never back down. Never What? Never give up\" made popular by Nick Eh 30, an online streamer. Includes graphic of the Duke Dog his muscles.","Refers to the JMU tradition of holding the door for others when entering and exiting a building.","Two-sided sign.","Primary side includes a comparison of the University of Michigan and JMU football teams and concludes that the NCAA does not make sense. Michigan's head football coach, Jim Harbaugh, is noted as having been twice suspended in 2023 for impermissible recruiting and chating while JMU's coach was not suspended at all. Michigan was involved in a cheating scandal while JMU was not. Despite all of this Michigan was bowl eligible while JMU was not thus the argument that the NCAA  is an illogical entity.","The second side reads \"JMU Duuukes\" which is a common chant among fans.","Festive sign that reads \"Fans For 40 Years - ESPN College GameDay - Go Dukes! - Beat App State.\" Created by Kenny Sothoron ('83) and Rebecca Woodcock Sothoron ('85).","Features a scene from  SpongeBob SquarePants  with Patrick Star and Tattletale Strangler who are both in jail. Michigan head football coach Jim Harbaugh's head is superimposed onto Patrick Star and the Duke Dog-JMU logo is superimposed on Tattletale Strangler. Patrick Star/Jim Harbaugh is asking Tattletale Strangler/JMU \"Hey pal, what're you in for?\" referencing Harbaugh's suspension for cheating and presumably JMU's sentence brought down by the NCAA of being bowl ineligible.","Two-sided sign.","One side states that enrolling for a sixth year of college was a wise choice due to ESPN College GameDay visiting campus as well as JMU being superior in all things. Includes \"Everything School\" logo in JMU colors.","Second side uses a turn of phrase regarding dogs and bowls to argue that JMU, whose mascot is a dog, should be eligible to play in a bowl game. Includes graphic of the Duke Dog and a bowl-shaped trophy with a clip-art picture of a peach on it which presumably refers to the Peach Bowl. "],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have not been transferred to the James Madison University Special Collections Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7db16ad7b8ea3ec44dbf745436fd4229\"\u003eThe ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers.\u003c/abstract\u003e"],"abstract_tesim":["The ESPN College GameDay Posters consist of 70 posters created for the 2015, 2017, and 2023 ESPN College GameDay braodcasts held on the campus of James Madison University. Two of the posters were made for the 2015 ESPN College GameDay against the Richmond Spiders. Fourteen of the posters were created for the 2017 ESPN College GameDay against the Villanova Wildcats. Fifty-four posters document the 2023 ESPN College GameDay against the Appalachian State Mountaineers."],"names_coll_ssim":["James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century"],"names_ssim":["James Madison University Libraries Special Collections","James Madison Dukes (Football team)","ESPN (Television network)","James Madison University -- Sports","James Madison University -- Football -- 21st century","National Collegiate Athletic Association","Jonas Brothers","Michigan Wolverines (Football team)","United States (Title of work: Constitution.)","Baha Men (Musical group)","Auburn University","Lee, Vad, 1993-","Alger, Jonathan R.","Rogers, Austin, 1978-","Withers,  Everett, 1963-","Newton, Cam, 1989-","Rodrigue, Jourdan","SquarePants SpongeBob, (Fictitious character) (1999-05-01)","Brown, Charlie, (Fictitious character) (1946-10-30)","Jonas, Joe, 1989-","Jonas, Kevin, 1987-","Ice 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Makeup, 2022-2023, Box 90, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Wigs and Makeup, 2022-2023, Box 90, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries."],"_nest_path_":"/components#9/components#40/components#0","timestamp":"2026-05-20T20:10:37.459Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vino_repositories_5_resources_63","ead_ssi":"vino_repositories_5_resources_63","_root_":"vino_repositories_5_resources_63","_nest_parent_":"vino_repositories_5_resources_63","ead_source_url_ssi":"data/oai/ODU/repositories_5_resources_63.xml","aspace_url_ssi":"https://archivesguides.lib.odu.edu/repositories/5/resources/63","title_filing_ssi":"Virginia Opera","title_ssm":["Virginia Opera Records"],"title_tesim":["Virginia Opera Records"],"unitdate_ssm":["1970-2020, undated","Date acquired: 05/09/2006"],"unitdate_inclusive_ssm":["1970-2020, undated"],"unitdate_other_ssim":["Date acquired: 05/09/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MG 85","/repositories/5/resources/63"],"text":["MG 85","/repositories/5/resources/63","Virginia Opera Records","Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House","Open to researchers without restrictions.","Material is added to the collection periodically.","The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.","Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.","The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.","Virginia Symphony Orchestra Records (MG 81-A).","The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.","This series contains materials related to the Virginia Opera Association. The series is further broken into the following sub-series: Sub-Series A: Business; Sub-Series B: Programs and Marketing; Sub-Series C: Events; Sub-Series D: Newspaper Clippings; Sub-Series E. Magazine Articles; Sub-Series F: Press Releases; Sub-Series G: Newsletters; and Sub-Series H: Notebooks.","This sub-series contains materials related to the business of the Virginia Opera Association including meeting agendas and minutes; reports; financial information; committee information; bylaws; and other business. Material is arranged alphabetically.","This sub-series contains season programs and marketing materials for each season. Material is arranged chronologically by season.","This sub-series contains flyers, programs, and other material related to Virginia Opera events such as fundraisers, receptions, and art shows.  Material is arranged chronologically by season.","This sub-series contains newspaper clippings related to the Virginia Opera and opera in general.  Material is arranged chronologically.","This sub-series contains magazine articles related to the Virginia Opera.  Material is arranged chronologically.","This sub-series contains press releases put out by the Virginia Opera. Material is arranged chronologically.","This sub-series contains newsletters created by the Virginia Opera. Material is arranged chronologically.","This sub-series contains notebooks created by the Virginia Opera and are arranged chronologically.","This series contains materials related to the Virginia Opera Guild. The series is further broken into the following sub-series: Sub-Series A: Business; Sub-Series B: Events; Sub-Series C: Committees; Sub-Series D: Membership; Sub-Series E: Newsletters; Sub-Series F: Miscellaneous; and Sub-Series G: Notebooks and Scrapbooks.","This sub-series contains materials related to the business of the Virginia Opera Guild including meeting agendas and minutes; financial information; bylaws, correspondence, and other business material. Material is arranged alphabetically.","This sub-series contains materials related to various Virginia Opera Guild events. Material is arranged chronologically.","This sub-series contains records related to the committees of the Virginia Opera Guild. Material is arranged alphabetically by committee.","This sub-series contains membership applications, board and membership lists, membership directories, and other membership related material for the Virginia Opera Guild. Material is arranged alphabetically.","This sub-series contains newsletters for the Virginia Opera Guild. Newsletters are arranged alphabetically.","This sub-series contains material for the Virginia Opera Guild that don't fit into other sub-series. Material is arranged chronologically.","This sub-series contains notebooks and scrapbooks created by the Virginia Opera Guild. Notebooks and scrapbooks are arranged chronologically.","This series is broken into five sub-series: Sub-Series A: Business; Sub-Series B: Membership; Sub-Series C: News Documents and Newsletters; Sub-Series D; Guides; and Sub-Series E. Docent Educational Materials.","This sub-series contains docent business material. Included are agendas, correspondence, reports and summaries, policies and procedures, and other documents. Material is arranged alphabetically by topic.","This sub-series contains docent membership lists and are arranged chronologically.","This sub-series contains news articles about the Docent Education Program and issues of the \"Recitative\" docent newsletter. Material is arranged alphabetically.","This sub-series contains opera guides, teachers' guides, and study guides. The guides highlight detailed information about various operas including plot synopses, characters, music, information about the composer, historical information, classroom activities, pronunciation guides, discussion topics, and study questions. Some of the guides even contain scipts of various operas, a few in the native language of the composer. The guides are arranged chronologically.","This sub-series contains educational material used in the docent program. Included are classroom activities, repertoire and performance history, field trip materials, as well as information on the Norfolk Public School Project and In-School Touring Program. Material is arranged alphabetically.","This series contains material related to the renovation of the Center Theater into the Harrison Opera House. Included are the renovation plan and building specifications; news releases, clippings, and magazine articles related to the Harrison Opera House; a history of the Norfolk Center Theater; and the Grand Opening program from November 1993. Material is arranged alphabetically.","This series contains biographical information about Virginia Opera personalities. Material is arranged alphabetically by the individual's last name.","This series contains information about organizations related to the Virginia Opera. Included are the Friends of the Virginia Opera and Lyric Opera Virginia. Lyric Opera Virginia is a splinter group of the Virginia Opera formed after the termination of Peter Mark in 2010. Material is arranged alphabetically.","This series contains material that do not fit into other series. Included are recipe cards, notes, and other miscellaneous material. Material is arranged alphabetically.","This series is broken down into five sub-series: Sub-Series A: Photographs; Sub-Series B: Videotapes; Sub-Series C: Audiocassette Tapes; Sub-Series D: Compact Discs and DVDs; and Sub-Series E: Record Albums.","This sub-series contains photographs from the Virginia Opera, Virginia Opera Guild, and docents. Included are photographs of individuals, groups, parties, workshops, opera props and sets, and the Harrison Opera House. A number of photos related to Virginia Opera events in Richmond.  Some photographs are in scrapbooks. Material is arranged alphabetically.","This sub-series contains Docent training videos in VHS format. All of these materials are from 1994. These are arranged chronologically.","This sub-series contains audiocassette tapes containing workshops, lectures, board meetings, and the music of various opera performances. Material is arranged alphabetically.","This sub-series contains audio and data CDs and DVDs.  Audio CDs include interviews and promotional CDs with the music from various operas. Data CDs include digital photographs from various opera events. Material is arranged alphabetically.","This sub-series contains record albums with the music from various operas. Albums are arranged alphabetically.","This series contains artifacts relating to the Virginia Opera. Included are promotional pins, bumper stickers, t-shirts, key chains, Virginia Opera posters, and a folder of oversize newspaper articles.","Signed by cast","2 copies","Signed by cast","This series contains Virginia Opera production books, also known as \"Wig and Makeup Bibles.\"  These books contain material related to all aspects of each opera production. These include sketches related to props and costuming; wardrobe lists; rehearsal reports; production notes; cast lists; calendars; and other material. The production books are arranged chronologically by season.","Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.","Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.","ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild","English"],"unitid_tesim":["MG 85","/repositories/5/resources/63"],"normalized_title_ssm":["Virginia Opera Records"],"collection_title_tesim":["Virginia Opera Records"],"collection_ssim":["Virginia Opera Records"],"repository_ssm":["Old Dominion University"],"repository_ssim":["Old Dominion University"],"creator_ssm":["Virginia Opera Association"],"creator_ssim":["Virginia Opera Association"],"creator_corpname_ssim":["Virginia Opera Association"],"creators_ssim":["Virginia Opera Association"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"acqinfo_ssim":["Eleanor J. Bader","Gift. Accession #A2006-05"],"access_subjects_ssim":["Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House"],"access_subjects_ssm":["Opera--Educational programs","Opera companies--Virginia","Docents, opera companies","Harrison Opera House"],"has_online_content_ssim":["false"],"extent_ssm":["50.9 Linear Feet","25 Hollinger document cases, 5 Hollinger half document cases, 4 multimedia boxes, 46 archival notebooks, one record carton, and 3 oversize boxes.  boxes"],"extent_tesim":["50.9 Linear Feet","25 Hollinger document cases, 5 Hollinger half document cases, 4 multimedia boxes, 46 archival notebooks, one record carton, and 3 oversize boxes.  boxes"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers without restrictions."],"accruals_html_tesm":["\u003cp\u003eMaterial is added to the collection periodically.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Material is added to the collection periodically."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into ten series: Series I: Virginia Opera Association; Series II: Virginia Opera Guild; Series III: Virginia Opera Docents; Series IV: Harrison Opera House; Series V: Personalities; Series VI: Related Organization; Series VII: Miscellaneous; Series VIII: Multimedia; Series IX: Artifacts; and Series X: Opera Production Books."],"bioghist_html_tesm":["\u003cp\u003eFounded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. \u003c/p\u003e\n","\u003cp\u003eVenues \u003c/p\u003e\n","\u003cp\u003eThe Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild \u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.\u003c/p\u003e\n","\u003cp\u003eEducation and Outreach \u003c/p\u003e\n","\u003cp\u003eThe Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. \u003c/p\u003e\n","\u003cp\u003ePrograms include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.\u003c/p\u003e\n","\u003cp\u003eAlso offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.\u003c/p\u003e\n","\u003cp\u003eThe Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. \u003c/p\u003e\n","\u003cp\u003e\nNote written by Mel Frizzell, Special Collections and University Archives Assistant.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Founded in 1974 by Edythe C. Harrison, the Virginia Opera Association was launched with two productions at the Norfolk Center Theater. In 1975, Peter Mark signed on as conductor for the Virginia Opera, a position he held for 35 years. His wife, the Scottish-American composer Thea Musgrave, has composed many of her works for the Virginia Opera. In 1977, the Virginia Opera began performances in Richmond with the encouragement of then-Governor Mills Godwin and Mrs. T. Fleetwood (Anna) Garner who helped form the Richmond Friends of the Opera. By 1983, the Richmond and Central Virginia Board of Virginia Opera was formed and a Richmond office was opened. In November 1992, the Virginia Opera presented its first main stage performance at the Center for the Arts at George Mason University in Fairfax. Today the Opera has an operating budget of $6 million and performs 36 main stage performances yearly in Norfolk, Richmond and Fairfax. Performances reach nearly 50,000 attendees, and there are over 3,000 contributing donors to the Opera. In addition, the Virginia Opera reaches more than 200,000 students and community members yearly through its Education and Community Outreach Programs. ","Venues ","The Norfolk Center Theater began as a concrete-block structure near the Chrysler museum that originally served as a USO for armed forces personnel during World War II. The Norfolk Center Theater was renovated in 1993 and became the Edythe C. and Stanley L. Harrison Opera House, dedicated to the Virginia Opera's founder and her husband. The Harrison Opera House has 1,632 seats. \nThe Virginia Opera also plays at two other major venues in Virginia: the historical Landmark Theater in Richmond and the George Mason University Center for the Arts. The Landmark Theater, formerly known as the Mosque, was the Acca Temple Shrine in 1926 until it was bought by the City of Richmond in the 1940s. In the early 1990s it was transformed into the theater it is today. The George Mason University Center for the Arts in Fairfax is located on the George Mason campus, and also offers ballet and music concerts.","The Virginia Opera Guild ","The Virginia Opera Guild plays a supporting role to the Virginia Opera. Members share an appreciation for opera, attend social events that provide insight into opera productions, and sponsor fundraising events that benefit Virginia Opera programs.","Education and Outreach ","The Virginia School System has joined up with the Virginia Opera Association to bring educational value to the opera. Each year thousands of students visit opera houses across Virginia to be entertained as well as educated. Virginia Opera Educational Outreach Programs bring opera into the community by offering free admission to people less fortunate or setting up small operas in the community. These programs reach more than 200,000 students and community members each year. ","Programs include an In-School Touring Program that brings opera programs to schools and communities throughout the year; Student Night at the Opera offering discounted tickets to students on special nights and Student Matinee's that allow students to attend matinee performances at an affordable price; and Operation Opera offering free presentations to community venues throughout Virginia.","Also offered are age-appropriate study guides created to correlate with the Virginia Standards of Learning. These guides include background information, student worksheets, library activities that encourage educators to incorporate the arts into existing curriculum.","The Virginia Opera Docents serve as speakers to schools and community organizations as part of the Education and Outreach Program. These volunteers share their knowledge and insight about the opera providing free programs on a first-come-first-served basis. ","\nNote written by Mel Frizzell, Special Collections and University Archives Assistant."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries..\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 1, Annual Fund Campaign, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 2, Annual Fund Campaign, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 3, Annual Fund Drive, 1989-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 4, Annual Meeting and Report, 2004-2005, 2005 June 12, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 5, Annual Meeting and Report, 2005-2006, 2006 June 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 6, Annual Meeting and Report, 2006-2007, 2007 June 3, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 7, Annual Meeting and Report, 2008-2009, 2009 June 7, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 8, Annual Meeting and Report, 2009-2010, 2010 June 6, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 9, Annual Meeting and Report, 2010-2011, 2011 June 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 10, Annual Meeting and Report, 2011-2012, 2012 May 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 11, Annual Meeting and Dinner, 2013 June 9, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 12, Artist Patrons Program, 1998-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 13, Audits, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 14, Board of Directors Committee Assignments, 1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 15, Board of Directors / Governors Lists, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 16, Board of Directors / Governors Lists, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 17, Board of Directors / Governors Lists, 2006-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 18, Board of Directors / Governors Lists, 2007-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 19, Board of Directors / Governors Lists, 2008-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 20, Board of Directors / Governors Lists, 2009-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 21, Board of Directors / Governors Lists, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 22, Board of Directors / Governors Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 23, Board of Directors Lists, 1974-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 1, Folder 24, Board of Directors Meetings and Business, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 1, Board Member Orientation, 2009 September 9T, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 2, Board Resource Manual, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 3, Board Resource Manual, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 4, Board Resource Manual, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 5, Business Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 6, Brief Synopsis of Board Committees and Activities, 2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 7, Brochures, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 8, Bylaws, 2009 June 7, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 2, Folder 9, Commissioning Club, 2024-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 1, Committees, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 2, Committees, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 3, Committees, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 4, Committees, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 5, Committees, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 6, Committees, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 7, Consultation Proposal, 1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 8, Contact Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 9, Correspondence, 1981-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 10, Development and Marketing Update, 2006 May 17, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 11, Director of Development Planning Document, 2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 12, Education Department, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 13, Executive Committee Meeting, 1990 July 11, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 14, Executive Committee Meeting, 2007 August 28, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 15, Executive Committee Meeting, 2007 November 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 16, Executive Committee Meeting, 2011 September 27, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 17, Favorite Memories Project, 2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 18, Finance Committee Meeting, 2013 January 18, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 19, Financial Statements, 1985-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 20, Financial Statements, 1990-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 21, Financial Statements, 1995-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 22, Financial Statements, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 23, Financial Statements, 2005-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 24, Financial Statements, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 3, Folder 25, Financial Statements, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 1, Fundraising, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 2, Hampton Roads Board of Governors Meetings and Business, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 3, Hampton Roads Board of Governors Meetings and Business, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 4, Hampton Roads Board of Governors Meetings and Business, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 5, Hampton Roads Board of Governors Meetings and Business, 2011-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 6, Housing Program, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 7, Leadership Challenge Grant, 2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 8, Membership / Subscription Info, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 9, Muriel Smith Opera Scholarship, 1985-1986, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 10, Outreach Programs, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 11, Peter Mark, Termination, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 12, Promotion Manual for Establishing an Opera Company, 1977-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 13, Richmond Advisory Board, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 14, Richmond and Central Virginia Board Retreat, 1998 June 26, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 15, Richmond Virginia Opera Association / Friends of Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 16, \"Simon Bolivar Day\" Proclamation, 1995 February 10, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 17, Sponsorships / Partnerships, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 18, Statewide Board of Directors Meeting, 2008 October 1, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 19, Statewide Board of Directors Meeting, 2009 October 23, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 20, Statewide Board of Directors Meeting, 2010 January 10, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 21, Statewide Board of Directors Meeting, 2010 February 12, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 22, Statewide Board of Directors Meeting, 2010 September 30, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 23, Statewide Board of Directors Meeting, 2010 October 30, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 24, Statewide Board of Directors Meeting, 2011 March 25, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 25, Statewide Board of Directors Meetings, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 26, Statewide Board of Directors Meeting, 2011 October 6, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 27, Statewide Board of Directors Meetings, 2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 28, Statewide Board of Directors Responsibilities, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 29, Strategic Plan, FY2009-2013, 2009-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 30, Strategic Plan, FY 2014-2017, 2014-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 31, Student Programs, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 32, Subscription Detail by Constituent – Westminster Canterbury, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 33, SWOT Analysis, 2011 February 15, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 34, Virginia Opera Thank You Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 4, Folder 35, Vision and Mission Statement, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 1, Season, 1974-1975, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 2, Season, 1975-1976, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 3, Season, 1976-1977, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 4, Season, 1977-1978, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 5, Season, 1978-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 6, Season, 1979-1980, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 7, Season, 1980-1981, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 8, Season, 1981-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 9, Season, 1982-1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 10, Season, 1983-1984, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 11, Season, 1984-1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 12, Season, 1985-1986, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 13, Season, 1986-1987, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 14, Season, 1987-1988, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 15, Season, 1988-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 5, Folder 16, Season, 1989-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 1, Season, 1990-1991, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 2, Season, 1991-1992, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 3, Season, 1992-1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 4, Season, 1993-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 5, Season, 1994-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 6, Season, 1995-1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 7, Season, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 6, Folder 8, Season, 1997-1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 7, Folder 1, Season, 1998-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 7, Folder 2, Season I, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 7, Folder 3, Season II, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 7, Folder 4, Season I, 2000-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 7, Folder 5, Season II, 2000-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 7, Folder 6, Season I, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 7, Folder 7, Season II, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 8, Folder 1, Season I, 2001-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 8, Folder 2, Season II, 2002-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 8, Folder 3, Season I, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 8, Folder 4, Season II, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 8, Folder 5, Season I, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 8, Folder 6, Season II, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 9, Folder 1, Season, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 9, Folder 2, Season, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 9, Folder 3, Season, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 9, Folder 4, Season, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 9, Folder 5, Season, 2009-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 10, Folder 1, Season I, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 10, Folder 2, Season II, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 10, Folder 3, Season, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 10, Folder 4, Season, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 10, Folder 5, Season, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 1, Season, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 2, Season, 2015-2016, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 3, Season, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 4, Season, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 5, Season, 2018-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 6, Season, 2019-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 7, Season, 2020-2021, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 8, Season, 2021-2022, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 9, Season, 2022-2023, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 10, Season, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 11, Season, 2024-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 11, Folder 12, Season, 2025-2026, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 12, Folder 1, Events, 1970-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 12, Folder 2, Events, 1980-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 12, Folder 3, Events: Decorator Showhouse, 1988, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 12, Folder 4, Events: Very Outstanding Auction, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 12, Folder 5, Events, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 12, Folder 6, Events, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 12, Folder 7, Events, 2000-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 13, Folder 1, Events, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 13, Folder 2, Events, 2002-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 13, Folder 3, Events, Spring Dinner, 2003 May 1, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 13, Folder 4, Events, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 13, Folder 5, Events, Spring Dinner, 2004 May 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 14, Folder 1, Events, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 14, Folder 2, Events, Spring Dinner, 2005 May 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 14, Folder 3, Events, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 14, Folder 4, Events, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 14, Folder 5, Events, Russian Festival, 2006-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 14, Folder 6, Events, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 1, Events, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 2, Events, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 3, Events, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 4, Events, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 5, Events, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 6, Events, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 7, Events, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 8, Events, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 9, Events, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 15, Folder 10, Events, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 1, Newspaper Clippings, 1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 2, Newspaper Clippings, 1980-1984, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 3, Newspaper Clippings, 1985-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 4, Newspaper Clippings, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 5, Newspaper Clippings, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 6, Newspaper Clippings, 2000-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 7, Newspaper Clippings, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 8, Newspaper Clippings, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 9, Newspaper Clippings, 2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 10, Newspaper Clippings, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 16, Folder 11, Richmond Newspaper Clippings, 1980-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 1, Magazine Articles, 1975-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 2, Magazine Articles, 1980-1984, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 3, Magazine Articles, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 4, Magazine Articles, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 5, Magazine Articles, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 6, Press Releases, 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 7, Press Releases, 2008-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 8, Virginia Opera News, 1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 9, Virginia Opera News, 1980, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 10, Virginia Opera News, 1981, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 11, Virginia Opera News, 1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 12, Virginia Opera News, 1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 13, Virginia Opera Notes, 1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 14, The Opera Voice, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 15, The Opera Voice, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 16, The Opera Voice, 1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 17, The Opera Voice, 1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 18, The Opera Voice, 1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 19, The Opera Voice, 1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 20, The Opera Voice, 1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 21, The Opera Voice, 2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 22, The Opera Voice, 2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 23, The Opera Voice, 2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 24, The Opera Voice, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 25, The Opera Voice, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 17, Folder 26, The Opera Voice, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNotebook: Grenzebach Survey, 1996, Box 18, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNotebook: Arias and Duets Season Preview, Fall, 2003, Box 19, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNotebook: Virginia Opera, 2005-2007, Box 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNotebook: Virginia Opera Ballet, 2006, Box 21, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 1, Board of Directors, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 2, Board of Directors Meetings, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 3, Board of Directors Meetings, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 4, Board of Directors Meetings, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 5, Board of Directors Meetings, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 6, Board of Directors Meetings, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 7, Board of Directors Meetings, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 8, Board of Directors Meetings, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 9, Board of Directors Meetings, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 10, Board of Directors Meetings, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 11, Board of Directors Meetings, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 12, Board of Directors Meetings, 2015-2016, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 13, Board of Directors Meetings, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 14, Board of Directors Meetings, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 15, Board of Directors Meetings, 2018-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 16, Board of Directors Meetings, 2019-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 17, Board of Directors Meetings, 2020-2021, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 18, Board of Directors Meetings, 2021-2022, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 22, Folder 19, Board of Directors Meetings, 2022-2023, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 1, Board of Directors Meetings, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 2, Board of Directors Meetings, 2024-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 3, Board of Directors Meetings, 2025-2026, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 4, Board of Directors Retreat, 2015 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 5, Board of Directors Retreat, 2016 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 6, Board of Directors Retreat, 2017 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 7, Board of Directors Retreat, 2018 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 1, Board of Directors Positions/Job Descriptions, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 9, Budget and Finance, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 10, Budget and Finance, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 11, Budget and Finance, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 12, Budget and Finance, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 13, Budget and Finance, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 14, Budget and Finance, 2014-2016, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 15, Budget and Finance, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 16, Budget and Finance, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 17, Budget and Finance, 2018-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 18, Budget and Finance, 2019-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 19, Budget and Finance, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 20, Bylaws, 2002 June 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 21, Bylaws, 2018 March 21, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 22, Calendars and Schedules, 1996-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 23, Correspondence, 1993-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 24, Correspondence, 2021-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 25, Reports to VOA Board of Trustees, 2021-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 26, Standard Operating Procedures, 2019 June 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 27, Guild Events, 1985-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 28, Guild Events, 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 29, Guild Events, 2000-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 23, Folder 30, Guild Events, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 1, Guild Events, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 2, Guild Events, 2015-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 3, Guild Events, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 5, Guild Events, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 6, Auction Committee, 2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 7, Committees – General Info, 2016-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 8, Events Committee, 2008-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 9, Gala Committee, 2007-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 10, Gala Committee (Emerald Anniversary), 2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 11, Gala Committee, 2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 12, Guild Committee Contact List, 2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 13, Guild Mailing List, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 14, Hospitality Committee, 2002-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 15, Program Evaluations, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 16, Proposed Budget for Opera Ball, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 17, Volunteers, 1993-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 18, WHRO Fundraiser/Membership Drive, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 19, Applications to Become a Member, 1988-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 20, Applications to Become a Member, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 21, Applications to Become a Member, 2005-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 22, Applications to Become a Member, 2010-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 23, Applications to Become a Member, 2018-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 24, Applications to Become a Member, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 25, Board and Membership Lists, 1981-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 26, Board and Membership Lists, 1982-1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 24, Folder 27, Board and Membership Lists, 1989-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 1, Board and Membership Lists, 1990-1991, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 2, Board and Membership Lists, 1991-1992, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 3, Board and Membership Lists, 1992-1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 4, Board and Membership Lists, 1993-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 5, Board and Membership Lists, 1994-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 6, Board and Membership Lists, 1995-1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 7, Board and Membership Lists, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 8, Board and Membership Lists, 1997-1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 9, Board and Membership Lists, 1998-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 10, Board and Membership Lists, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 11, Board and Membership Lists, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 12, Board and Membership Lists, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 13, Board and Membership Lists, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 14, Board and Membership Lists, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 15, Board and Membership Lists, 2010-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 16, Board and Membership Lists, 2014-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 17, Board and Membership Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 18, Membership Directories, 1996-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 19, Membership Directories, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 20, Membership Directories, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 21, Membership Directories, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 22, Membership Directories, 2014-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 23, Membership Directories, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 24, Membership Directories, 2025-2029, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 25, Membership Forms, 2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 26, Membership Pamphlets, 2021-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 27, Membership Renewal Pamphlets, 1992, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 28, Membership Renewal Pamphlets, 2016-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 29, Membership Renewal Pamphlets, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 30, Membership Renewals, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25, Folder 31, Subscription Campaign, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 1, Newsletters, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 2, Newsletters, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 1, Newsletters, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 4, Newsletters, 2000-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 5, Newsletters, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 6, Newsletters, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 7, Newsletters, 2015-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 8, Newsletters, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 9, Name Sticker, Eleanor Bader, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 10, Parking Pass, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 11, Parking Pass, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 12, Memorial Service, Shirley Woolfitt, 2011 June 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 13, In Memory of Robert E. Holmes, 2022 June 15, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 14, Newsletters, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 25A, Folder 15, Memorial, Linda Holt Lilly, 2024 November 21, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Scrapbook I, 1985-1990, Box 26, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Scrapbook II, 1988-1991, Box 27, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGuild Papers (Notebook), 2003-2004, Box 28, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGuild Papers (Notebook), 2004-2005, Box 29, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGuild Papers (Notebook), 2005-2007, Box 30, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGala (Notebook), 2008, Box 31, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 1, Agendas, 1983-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 2, Attendance Summary, 1980-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 3, Business Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 4, Docent Calendars and Schedules, 1984-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 5, Cards and Thank You Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 6, Correspondence, 1980s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 7, Correspondence, 1990s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 8, Correspondence, 2000s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 9, Evaluations, 1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 10, Events, circa 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 11, Fine Arts Leadership Conference, 1982 October 20-22, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 12, Forms, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 13, Internal Reports, 1995-1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 14, Larchmont Library Programs, 2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 15, Mission, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 16, New and Prospective Docents, 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 17, Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 18, Policies and Procedures, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 19, Presentations and Programs, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 20, Reports, 1998-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 21, Tours, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 22, Trunk Shows, 1990s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 23, Volunteer Time Logs, 1995-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 24, Docent Lists, 1980s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 25, Docent Lists, 1990s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 26, Docent Lists, 2000s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 27, Docent Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 28, News Articles on Docent Education Program, 1981-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 29, \"OPED: A Publication of Virginia Opera Education for Teachers, Parents, and Patrons\", Fall, 1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 30, \"Recitative\" Docent Newsletters, 1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 31, \"Recitative\" Docent Newsletters, 1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 32, \"Recitative\" Docent Newsletters, 1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 33, \"Recitative\" Docent Newsletters, 1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 34, \"Recitative\" Docent Newsletters, 1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 32, Folder 35, \"Recitative\" Docent Newsletters, 1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 33, Folder 1, Guides, 1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 33, Folder 2, Guides I, 1980-1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 33, Folder 3, Guides II, 1980-1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 33, Folder 4, Guides, 1985-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 33, Folder 5, Guides I, 1990-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 33, Folder 6, Guides II, 1990-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 34, Folder 1, Guides I, 1995-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 34, Folder 2, Guides II, 1995-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 34, Folder 3, Guides I, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 34, Folder 4, Guides II, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 34, Folder 5, Guides, 2005-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 34, Folder 6, Guides, 2011-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 34, Folder 7, Guides - Miscellaneous, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 1, Adopt-a-School Program, circa 2023, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 2, Artist Bios, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 3, Backstage Tour – Harrison Opera House, 1994-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 4, Classroom Activities, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 5, Docent Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 6, Education and Civic Engagement Programs Pamphlet, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 7, Education and Outreach, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 8, Eleanor Bader's \"I Hear America Singing\" Songbook, 1941, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 9, Enriching Our Lives through Opera, Education and Audience Development, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 10, Fact Sheets, 1981-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 11, Field Trip Materials, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 12, Historical Notes and Quotes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 13, History of Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 14, In-School Touring Program, 1998-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 15, Norfolk Public School Project, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 16, Notes on Docent Opera Tapes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 17, Operation Opera, 2005-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 18, Opera Overviews, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 19, Opera Synopsis, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 20, Repertoire and Performance History, 1975-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 21, The Scenic Designer, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 22, Virginia Opera Chronology, 1975-1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 23, Virginia Opera History, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 35, Folder 24, Virginia Opera Stage by Stage: The Artistic Journey of an American Opera Company, 2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 1, Building Description and Specifications, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 2, Campaign for the Renovation of the Norfolk Center Theater, 1990-1991, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 3, Edythe C. \u0026amp; Stanley L. Harrison Opera House, Gala Grand Opening, 1993 November, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 4, History of the Norfolk Center Theater, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 5, Magazine Articles about the Opening of the Harrison Opera House, 1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 6, News Clippings about the Opening of the Harrison Opera House,, 1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 7, News Releases regarding renovations to the Harrison Opera House, 1992-1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 8, Renovation Plan for the Norfolk Center Theater, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 9, Tour Information, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 10, Fullinwider, Rowena, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 11, Mihalap, Hope, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 12, Stuhlreyer III, Paul A. \"Gus\", undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 36, Folder 13, Winslow, Julian Emmett, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Civic Musical Association of Richmond Programs, 1940-1946, Box 37, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 1, Friends of Virginia Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 2, Hampton Roads Economic Development Alliance, 2000 November 8, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 3, Hertford NC Opera Society, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 4, Lyric Opera Virginia, 2011-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 5, Virginia Opera Foundation: The Encore Society, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 6, Effect of Inclement Weather, the Flying Dutchman, 1996 February 2, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 7, Handwritten Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 8, Match the Movie to the Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 9, \"Modern Major General\" Song Parody, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 10, The Opera Zoo: Singers, Composers, and Other Primates by Glenn Winters, 2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 11, Recipe Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 12, Seagull Chatter (Westminster Canterbury) newsletter, 2011-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 13, Super Titles Survey, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 38, Folder 14, Virginia Opera Promo Material, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 1, Adopt-a-School, 2001 October, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 2, An Introduction to the Season, 2001-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 3, AP Party, Richmond, 2005 February 6, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 4, Board at End of the Year Party, 2006 May, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 5, Cast Post-Party, Penny Lane, 2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 6, Decorator Show House Café, 1988, April 18-May 8, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 7, Docent Party, 1991 May 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 8, Docent Workshop, 1994 June 15-August 3, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 9, Docents at Opera House Renovation, 1993 October 23, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 10, Eleanor Bader, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 11, Faust, Richmond Event, 2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 12, Foam-backed Cardboard Displays, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 13, Gala, 2008 January 26, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 14, Group Photo in Front of Opera House, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 15, Harrison Opera House Tour Photos, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 16, Inside the Opera House, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 17, I Pagliacci Event, Richmond, 2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 18, The Magic Flute, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 19, Marriage of Figaro Event, Richmond, 2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 20, The Mikado, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 21, Norma Operatini, Richmond, 2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 22, Operatini, Tristan at Richmond, 2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 23, Peter Mark, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 24, Rigoletto, 1995, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 25, Refurbishing the \"La Traviata Set\",, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 39, Folder 26, Reynolds Home Gala, Richmond, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 40, Folder 1, Richmond Events – Miscellaneous I, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 40, Folder 2, Richmond Events – Miscellaneous II, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 40, Folder 3, Richmond Events – Miscellaneous III, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 40, Folder 4, Richmond Events – Miscellaneous IV, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 40, Folder 5, Richmond Events – Miscellaneous V, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 40, Folder 6, Richmond Events – Miscellaneous VI, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 40, Folder 7, Richmond Events – Miscellaneous VII, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 1, Richmond Fall Events, 2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 2, Richmond Bowl-a-thon, 2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 3, Rodelinda, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 4, Season Event, Richmond, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 5, Season Preview, Richmond RN's Club, 2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 6, Spring Dinner, Richmond, 2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 7, Spring Party, 2008 May 22, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 8, Steven Baker, Director of Marketing VOA, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 9, Student Night at the Opera, 2006 October 18, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 10, \"The Girl of the Golden West\", 1984 February-March, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 11, Virginia Opera Association Staff at United Virginia Bank Vault, 1984 December 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 12, Virginia Opera Docents, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 13, Virginia Opera Guild, 1st Opera Ball, 1980, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 14, Virginia Opera Guild, Venetian Masked Ball, 1992 February 29, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 15, Virginia Opera Association Annual Meeting, 2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 16, Von Bressendorf Party, Richmond, 1996 November 3, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 17, Von Bressendorf Party, Richmond, 1997 April 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 18, West Side Story – Sets, 1994 April, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e[Identification of item and date], Box 41, Folder 19, West Side Story - Cast Party, 2000 November 12, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhoto Album (Pink), 1996-1998, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhoto Album (Pink), 1998, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhoto Album (Blue / White), 1998, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhoto Album (Blue / White), 1996-1999, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhoto Album (Blue / White), 1999, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhoto Album (Black), undated, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDocent Training Workshop #2, History of Opera Part 1, Dr. Lee Teply, 1994 June 22, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDocent Training Workshop #3, Operatic Voice, Phyllis Hunter, Lee Teply, 1994 June 29, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDocent Training Workshop #4, J. Hollinger, Tape #1, 1994 July 6, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDocent Training Workshop #4, Polly Martin, Tape #2, 1994 July 6, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGeorge Glauder, 1994 July 13, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"What is Opera\" 2nd hour, Roz Bieber, 1994 July 20, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBuffa tape, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCarol Rausch, 1994 April 29, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCosi fan Tutte - Mozart, Michael Barclay Lecture, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eEdie Harrison, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eEdie Harrison, 2004 March 31, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eExcerpts Turandot / Puccini, 2000 March, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFaust Excerpts / Docent Tape, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHandel- Julius Caesar Tape 1, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHandel- Julius Caesar Tape 2, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHandel- Rodelinda Tape 1, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHandel- Rodelinda Tape 2, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHistory of Virginia Opera Interview: Opera Guild, Edie Harrison, 2007 June 6, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHoffmann, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eIl Trovatore, Lecture Cassette I, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eIl Trovatore, Lecture Cassette II, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eIl Trovatore for 1997 Programs, 1997, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJulius Caesar, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJ. Caesar I, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eJ. Caesar II, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLa Boheme – Docent Tape, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eL'Elisir D'Amore, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"Life in the Pits\" – The Conductors, 1994 October 28, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMadame Butterfly Lecture, Garald Whisler, 1997 August, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarilyn Burbaum, 2004 October 28, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMikado Excerpt, 2001 November 7, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePavarotti - O Holy Night, Battle - A Christmas Celebration, 1994 December 17, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRowena, 2004 October 18, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eScene Shop, Bob Minick, 1995 October 10, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSteve Steiner, \"The Operatic Voice\", 1995 November, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eStephen Lord, \"Rites of Passage\", The Operatic Voice, 1995 November, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTalk with Stephen Lord, \"The Operatic Voice\", 1994 October 29, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Tender Land, A. Copeland, 1954, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Tender Land, Aaron Copland, 1998 January, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Tender Land Presentations, 1997, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Meeting, Tape 1, 2001 August 21, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Meeting, Tape 2, 2001 August 21, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Board Meeting, Tape 1, 2006 June 8, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Board Meeting, Tape 2, 2006 June 8, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Gala Tribute, 2006 January 21, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVOA Docent Tape: Tosca, undated, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAP Party, 2005 February 16, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eArias and Duets, Lewis Ginter Botanical Gardens, 2003 April 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eArias, Duets, \u0026amp; Trios, Louis Ginter Gardens, 2004 April 7, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eArias LGBG, 2005 March 17, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBill Field's 70th, Disc #1, 2006 November 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBill Field's 70th, Disc #2, 2006 November 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBill Field's 70th, Disc #3, 2006 November 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eByrd Theater, 2005 October, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCarmen B-Roll, 2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCarolyn \u0026amp; John MC, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCompliments of the Opera Guild (2 qty), 2002 December 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eGreat American Voices Military Base Tour, 2005, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFidelio Last Night Season Closer, 2004 March 30, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFleidermaus Cast Party, 2003 September 16, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLa Traviata, 2005 October 23, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Maestro's Gala, 2003, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eThe Magic Flute, 2003 November 28, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMajor Donor Dinner, 2004 November 17, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarriage of Figaro, Arias, Trios, and Duets, 2006 January 19, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarriage of Figaro, Intermission Photos, 2006 February 26, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMarriage of Figaro, Operation at Maggianos, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMerry Widow, 2004 November 28, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNorma, 2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpera Gala Photos, 2009, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpera Vineyards, Barboursville, VA, 2003 June 7, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOperation Tristan, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eRigoletto, 2004 February 15, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSarah Blankenship, 2006 September 20, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSeason Preview #1, 2003 September, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSeason Preview #2, 2003 September, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSpring Dinner, 2004, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eSymphony / Opera Holiday Party, 2007, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTurandot Patron's Room, 2004 October 22, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eUntitled Costco / Canon I, 2002 February 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eUntitled Costco / Canon II, 2002 February 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVA Opera, Vol. 1 edited, 2006 April 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVA Opera, Vol. 2 edited, 2006 April 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVA Opera, unedited, 2006 April 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera I, 2007 February, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera II, 2007 February, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Event, The Women's Club, 2008 March 18, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Spring Party, 2008 May 22, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Interview with Peter Mark, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera, Limited Edition (3 copies), 2005-2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera, Rennolds' House, 2003 May 1, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVOA Compilation, 2005-2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVOA Spring, 2005 May 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVOA Vineyard, 2004, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWM-C Irvington, 2003 September 16, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMary, Queen of Scots, Thea Musgrave, American Premier Performance, Virginia Opera Association, 1978 April 2, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Association Apron (green), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Association Apron (red), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Canvas Bag, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Vocooles T-shirt, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Guild Board of Visitors White Polo Shirt, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Keychains (2 qty), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"I'm a Virginia Opera VIP\" Tag, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eEleanor Bader Docent nametag (2 qty), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eTwo Virginia Opera Pin: Virginia Opera Guild: Starry Starry Night Pins (2 qty), 1989 November 11, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Pins (2 qty): I'm a Snow White Star, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Docent Musical Note, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarrison Opera House Silver Keychain, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarrison Opera House Silver Necklace, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarrison Opera House Silver Pin, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eHarrison Opera House Construction Souvenir, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Association \"Opera is In\" Sticker: two blue with white lettering and one white with blue lettering, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Association \"Opera is In\" Bumper Sticker, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003e\"Virginia is for Opera Lovers\" Bumper Sticker, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Pens (3 qty), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVOA Bidder's Delight Auction Poster (3 qty), 1981 October 3, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Masked Ball Poster (2 copies), 1985 October-November, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eCarmen Poster (1 copy), 1986-1987, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNorfolk: Where your ship can come in poster (1 copy), undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVirginia Opera Poster, Great Season of Grand Opera (1 copy), 1987-1988, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMan of La Mancha Poster (2 copies), undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Christmas Carol Poster (2 copies), undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDazzling Poster (2 copies), 1988-1989, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Decade of Excellence, Virginia Opera (2 copies), 1984-1985, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eVerdi's La Traviala Poster (2 qty), 2005 September-October, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFabiana Bravo is Norma Poster, 2006 March, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBlack Patti Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAmahl and the Night Visitors Poster, 1984 December, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAmahl and the Night Visitors Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePhoto Poster of Peter Mark, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eFoam Backed Poster of Peter Mark, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMacbeth Poster, 1983 January, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eMary Queen of Scots Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eBuck Hill Skytop Music Festival Poster, 2011, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDie Walkure Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eA Christmas Carol Poster, 2002 December, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAndrea Chenier Poster, 2003 February, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eDie Fledermaus Poster, 2003 March-April, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eLa Boheme Poster, 2005 May, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAround the World with Virginia Opera Poster, 1998 September 25, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpera Costume Dress Drawing on Foam Board, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003ePencil Sketch of Thea Musgrave, 2006 April 8, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eAssorted Virginia Opera Folders, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNews clippings: A Night at the Opera, Q Style Fashion Quarterly, Winter, 2004, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNews clippings: \"Stars in Their Eyes: A look at the cheery goings-on at the Virginia Opera Ball held in November at the Norfolk City Arena with the theme 'A Starry Starry Night,\" Portfolio Magazine,, 1989 December 5, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNews clippings: \"A Cinderella Fantasy,\" Portfolio Magazine, 1990 December 18, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNews clippings: \"Hail, Caesar!: Virginia Opera goes for Baroque with dramatic production that boasts larger-than-life characters,\" The Virginian-Pilot, 1997 January 27, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNews clippings: \"Cruise the World of Opera\" and \"Who is Pocahontas: New Opera asks 400-year old question\", Portfolio Weekly, 2007 May 29, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNews clippings: \"Dressing Up 'Aida': Virginia Opera Costumes are huge undertaking for renowned designer and shop,\" The Daily Break, 2011 September 30, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eNews clippings: \"Riverside Revels: Approximately 300 festive guests joined Virginia Opera to 'Cruise the World of Opera,\" Portfolio Weekly, 2007 May 29, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eOpera Club Reviews 4th Grade Poster, undated, Oversize Box 49, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 1999-2000, Box 50, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 1999-2000, Box 51, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2000-2001, Box 52, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2000-2001, Box 53, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2001-2002, Box 54, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2001-2002, Box 55, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2002-2003, Box 56, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2002-2003, Box 57, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2003-2004, Box 58, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2003-2004, Box 59, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2004-2005, Box 60, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2005-2006, Box 61, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2006-2007, Box 62, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2007-2008, Box 63, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2007-2008, Box 64, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2008-2009, Box 65, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2009-2010, Box 66, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2010-2011, Box 67, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2011-2012, Box 68, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2011-2012, Box 69, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup III, 2011-2012, Box 70, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup IV, 2011-2012, Box 71, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2012-2013, Box 72, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2012-2013, Box 73, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup III, 2012-2013, Box 74, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2013-2014, Box 75, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2013-2014, Box 76, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2014-2015, Box 77, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2014-2015, Box 78, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2015-2016, Box 79, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2015-2016, Box 80, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2016-2017, Box 81, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2016-2017, Box 82, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2017-2018, Box 83, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2017-2018, Box 84, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2018-2019, Box 85, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup I, 2019-2020, Box 86, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup II, 2019-2020, Box 87, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2020-2021, Box 88, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2021-2922, Box 89, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e","\u003cp\u003eWigs and Makeup, 2022-2023, Box 90, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Box [insert number], Folder [insert number and title], Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries..","[Identification of item and date], Box 1, Folder 1, Annual Fund Campaign, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 2, Annual Fund Campaign, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 3, Annual Fund Drive, 1989-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 4, Annual Meeting and Report, 2004-2005, 2005 June 12, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 5, Annual Meeting and Report, 2005-2006, 2006 June 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 6, Annual Meeting and Report, 2006-2007, 2007 June 3, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 7, Annual Meeting and Report, 2008-2009, 2009 June 7, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 8, Annual Meeting and Report, 2009-2010, 2010 June 6, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 9, Annual Meeting and Report, 2010-2011, 2011 June 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 10, Annual Meeting and Report, 2011-2012, 2012 May 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 11, Annual Meeting and Dinner, 2013 June 9, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 12, Artist Patrons Program, 1998-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 13, Audits, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 14, Board of Directors Committee Assignments, 1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 15, Board of Directors / Governors Lists, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 16, Board of Directors / Governors Lists, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 17, Board of Directors / Governors Lists, 2006-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 18, Board of Directors / Governors Lists, 2007-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 19, Board of Directors / Governors Lists, 2008-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 20, Board of Directors / Governors Lists, 2009-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 21, Board of Directors / Governors Lists, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 22, Board of Directors / Governors Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 23, Board of Directors Lists, 1974-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 1, Folder 24, Board of Directors Meetings and Business, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 1, Board Member Orientation, 2009 September 9T, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 2, Board Resource Manual, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 3, Board Resource Manual, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 4, Board Resource Manual, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 5, Business Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 6, Brief Synopsis of Board Committees and Activities, 2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 7, Brochures, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 8, Bylaws, 2009 June 7, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 2, Folder 9, Commissioning Club, 2024-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 1, Committees, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 2, Committees, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 3, Committees, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 4, Committees, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 5, Committees, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 6, Committees, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 7, Consultation Proposal, 1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 8, Contact Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 9, Correspondence, 1981-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 10, Development and Marketing Update, 2006 May 17, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 11, Director of Development Planning Document, 2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 12, Education Department, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 13, Executive Committee Meeting, 1990 July 11, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 14, Executive Committee Meeting, 2007 August 28, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 15, Executive Committee Meeting, 2007 November 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 16, Executive Committee Meeting, 2011 September 27, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 17, Favorite Memories Project, 2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 18, Finance Committee Meeting, 2013 January 18, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 19, Financial Statements, 1985-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 20, Financial Statements, 1990-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 21, Financial Statements, 1995-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 22, Financial Statements, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 23, Financial Statements, 2005-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 24, Financial Statements, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 3, Folder 25, Financial Statements, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 1, Fundraising, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 2, Hampton Roads Board of Governors Meetings and Business, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 3, Hampton Roads Board of Governors Meetings and Business, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 4, Hampton Roads Board of Governors Meetings and Business, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 5, Hampton Roads Board of Governors Meetings and Business, 2011-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 6, Housing Program, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 7, Leadership Challenge Grant, 2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 8, Membership / Subscription Info, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 9, Muriel Smith Opera Scholarship, 1985-1986, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 10, Outreach Programs, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 11, Peter Mark, Termination, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 12, Promotion Manual for Establishing an Opera Company, 1977-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 13, Richmond Advisory Board, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 14, Richmond and Central Virginia Board Retreat, 1998 June 26, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 15, Richmond Virginia Opera Association / Friends of Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 16, \"Simon Bolivar Day\" Proclamation, 1995 February 10, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 17, Sponsorships / Partnerships, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 18, Statewide Board of Directors Meeting, 2008 October 1, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 19, Statewide Board of Directors Meeting, 2009 October 23, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 20, Statewide Board of Directors Meeting, 2010 January 10, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 21, Statewide Board of Directors Meeting, 2010 February 12, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 22, Statewide Board of Directors Meeting, 2010 September 30, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 23, Statewide Board of Directors Meeting, 2010 October 30, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 24, Statewide Board of Directors Meeting, 2011 March 25, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 25, Statewide Board of Directors Meetings, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 26, Statewide Board of Directors Meeting, 2011 October 6, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 27, Statewide Board of Directors Meetings, 2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 28, Statewide Board of Directors Responsibilities, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 29, Strategic Plan, FY2009-2013, 2009-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 30, Strategic Plan, FY 2014-2017, 2014-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 31, Student Programs, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 32, Subscription Detail by Constituent – Westminster Canterbury, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 33, SWOT Analysis, 2011 February 15, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 34, Virginia Opera Thank You Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 4, Folder 35, Vision and Mission Statement, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 1, Season, 1974-1975, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 2, Season, 1975-1976, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 3, Season, 1976-1977, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 4, Season, 1977-1978, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 5, Season, 1978-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 6, Season, 1979-1980, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 7, Season, 1980-1981, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 8, Season, 1981-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 9, Season, 1982-1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 10, Season, 1983-1984, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 11, Season, 1984-1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 12, Season, 1985-1986, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 13, Season, 1986-1987, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 14, Season, 1987-1988, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 15, Season, 1988-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 5, Folder 16, Season, 1989-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 1, Season, 1990-1991, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 2, Season, 1991-1992, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 3, Season, 1992-1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 4, Season, 1993-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 5, Season, 1994-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 6, Season, 1995-1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 7, Season, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 6, Folder 8, Season, 1997-1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 7, Folder 1, Season, 1998-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 7, Folder 2, Season I, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 7, Folder 3, Season II, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 7, Folder 4, Season I, 2000-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 7, Folder 5, Season II, 2000-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 7, Folder 6, Season I, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 7, Folder 7, Season II, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 8, Folder 1, Season I, 2001-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 8, Folder 2, Season II, 2002-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 8, Folder 3, Season I, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 8, Folder 4, Season II, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 8, Folder 5, Season I, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 8, Folder 6, Season II, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 9, Folder 1, Season, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 9, Folder 2, Season, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 9, Folder 3, Season, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 9, Folder 4, Season, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 9, Folder 5, Season, 2009-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 10, Folder 1, Season I, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 10, Folder 2, Season II, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 10, Folder 3, Season, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 10, Folder 4, Season, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 10, Folder 5, Season, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 1, Season, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 2, Season, 2015-2016, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 3, Season, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 4, Season, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 5, Season, 2018-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 6, Season, 2019-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 7, Season, 2020-2021, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 8, Season, 2021-2022, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 9, Season, 2022-2023, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 10, Season, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 11, Season, 2024-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 11, Folder 12, Season, 2025-2026, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 12, Folder 1, Events, 1970-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 12, Folder 2, Events, 1980-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 12, Folder 3, Events: Decorator Showhouse, 1988, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 12, Folder 4, Events: Very Outstanding Auction, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 12, Folder 5, Events, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 12, Folder 6, Events, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 12, Folder 7, Events, 2000-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 13, Folder 1, Events, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 13, Folder 2, Events, 2002-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 13, Folder 3, Events, Spring Dinner, 2003 May 1, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 13, Folder 4, Events, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 13, Folder 5, Events, Spring Dinner, 2004 May 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 14, Folder 1, Events, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 14, Folder 2, Events, Spring Dinner, 2005 May 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 14, Folder 3, Events, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 14, Folder 4, Events, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 14, Folder 5, Events, Russian Festival, 2006-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 14, Folder 6, Events, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 1, Events, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 2, Events, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 3, Events, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 4, Events, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 5, Events, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 6, Events, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 7, Events, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 8, Events, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 9, Events, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 15, Folder 10, Events, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 1, Newspaper Clippings, 1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 2, Newspaper Clippings, 1980-1984, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 3, Newspaper Clippings, 1985-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 4, Newspaper Clippings, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 5, Newspaper Clippings, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 6, Newspaper Clippings, 2000-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 7, Newspaper Clippings, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 8, Newspaper Clippings, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 9, Newspaper Clippings, 2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 10, Newspaper Clippings, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 16, Folder 11, Richmond Newspaper Clippings, 1980-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 1, Magazine Articles, 1975-1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 2, Magazine Articles, 1980-1984, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 3, Magazine Articles, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 4, Magazine Articles, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 5, Magazine Articles, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 6, Press Releases, 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 7, Press Releases, 2008-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 8, Virginia Opera News, 1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 9, Virginia Opera News, 1980, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 10, Virginia Opera News, 1981, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 11, Virginia Opera News, 1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 12, Virginia Opera News, 1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 13, Virginia Opera Notes, 1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 14, The Opera Voice, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 15, The Opera Voice, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 16, The Opera Voice, 1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 17, The Opera Voice, 1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 18, The Opera Voice, 1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 19, The Opera Voice, 1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 20, The Opera Voice, 1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 21, The Opera Voice, 2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 22, The Opera Voice, 2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 23, The Opera Voice, 2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 24, The Opera Voice, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 25, The Opera Voice, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 17, Folder 26, The Opera Voice, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Notebook: Grenzebach Survey, 1996, Box 18, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Notebook: Arias and Duets Season Preview, Fall, 2003, Box 19, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Notebook: Virginia Opera, 2005-2007, Box 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Notebook: Virginia Opera Ballet, 2006, Box 21, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 1, Board of Directors, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 2, Board of Directors Meetings, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 3, Board of Directors Meetings, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 4, Board of Directors Meetings, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 5, Board of Directors Meetings, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 6, Board of Directors Meetings, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 7, Board of Directors Meetings, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 8, Board of Directors Meetings, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 9, Board of Directors Meetings, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 10, Board of Directors Meetings, 2013-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 11, Board of Directors Meetings, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 12, Board of Directors Meetings, 2015-2016, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 13, Board of Directors Meetings, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 14, Board of Directors Meetings, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 15, Board of Directors Meetings, 2018-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 16, Board of Directors Meetings, 2019-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 17, Board of Directors Meetings, 2020-2021, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 18, Board of Directors Meetings, 2021-2022, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 22, Folder 19, Board of Directors Meetings, 2022-2023, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 1, Board of Directors Meetings, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 2, Board of Directors Meetings, 2024-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 3, Board of Directors Meetings, 2025-2026, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 4, Board of Directors Retreat, 2015 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 5, Board of Directors Retreat, 2016 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 6, Board of Directors Retreat, 2017 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 7, Board of Directors Retreat, 2018 July, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 1, Board of Directors Positions/Job Descriptions, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 9, Budget and Finance, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 10, Budget and Finance, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 11, Budget and Finance, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 12, Budget and Finance, 2010-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 13, Budget and Finance, 2012-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 14, Budget and Finance, 2014-2016, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 15, Budget and Finance, 2016-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 16, Budget and Finance, 2017-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 17, Budget and Finance, 2018-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 18, Budget and Finance, 2019-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 19, Budget and Finance, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 20, Bylaws, 2002 June 5, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 21, Bylaws, 2018 March 21, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 22, Calendars and Schedules, 1996-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 23, Correspondence, 1993-2017, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 24, Correspondence, 2021-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 25, Reports to VOA Board of Trustees, 2021-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 26, Standard Operating Procedures, 2019 June 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 27, Guild Events, 1985-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 28, Guild Events, 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 29, Guild Events, 2000-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 23, Folder 30, Guild Events, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 1, Guild Events, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 2, Guild Events, 2015-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 3, Guild Events, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 5, Guild Events, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 6, Auction Committee, 2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 7, Committees – General Info, 2016-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 8, Events Committee, 2008-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 9, Gala Committee, 2007-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 10, Gala Committee (Emerald Anniversary), 2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 11, Gala Committee, 2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 12, Guild Committee Contact List, 2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 13, Guild Mailing List, 2011-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 14, Hospitality Committee, 2002-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 15, Program Evaluations, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 16, Proposed Budget for Opera Ball, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 17, Volunteers, 1993-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 18, WHRO Fundraiser/Membership Drive, 2005-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 19, Applications to Become a Member, 1988-1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 20, Applications to Become a Member, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 21, Applications to Become a Member, 2005-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 22, Applications to Become a Member, 2010-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 23, Applications to Become a Member, 2018-2020, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 24, Applications to Become a Member, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 25, Board and Membership Lists, 1981-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 26, Board and Membership Lists, 1982-1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 24, Folder 27, Board and Membership Lists, 1989-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 1, Board and Membership Lists, 1990-1991, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 2, Board and Membership Lists, 1991-1992, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 3, Board and Membership Lists, 1992-1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 4, Board and Membership Lists, 1993-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 5, Board and Membership Lists, 1994-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 6, Board and Membership Lists, 1995-1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 7, Board and Membership Lists, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 8, Board and Membership Lists, 1997-1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 9, Board and Membership Lists, 1998-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 10, Board and Membership Lists, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 11, Board and Membership Lists, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 12, Board and Membership Lists, 2007-2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 13, Board and Membership Lists, 2008-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 14, Board and Membership Lists, 2009-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 15, Board and Membership Lists, 2010-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 16, Board and Membership Lists, 2014-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 17, Board and Membership Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 18, Membership Directories, 1996-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 19, Membership Directories, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 20, Membership Directories, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 21, Membership Directories, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 22, Membership Directories, 2014-2018, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 23, Membership Directories, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 24, Membership Directories, 2025-2029, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 25, Membership Forms, 2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 26, Membership Pamphlets, 2021-2025, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 27, Membership Renewal Pamphlets, 1992, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 28, Membership Renewal Pamphlets, 2016-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 29, Membership Renewal Pamphlets, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 30, Membership Renewals, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25, Folder 31, Subscription Campaign, 2014-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 1, Newsletters, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 2, Newsletters, 1990-1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 1, Newsletters, 1995-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 4, Newsletters, 2000-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 5, Newsletters, 2005-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 6, Newsletters, 2010-2014, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 7, Newsletters, 2015-2019, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 8, Newsletters, 2020-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 9, Name Sticker, Eleanor Bader, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 10, Parking Pass, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 11, Parking Pass, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 12, Memorial Service, Shirley Woolfitt, 2011 June 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 13, In Memory of Robert E. Holmes, 2022 June 15, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 14, Newsletters, 1989, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 25A, Folder 15, Memorial, Linda Holt Lilly, 2024 November 21, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Scrapbook I, 1985-1990, Box 26, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Scrapbook II, 1988-1991, Box 27, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Guild Papers (Notebook), 2003-2004, Box 28, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Guild Papers (Notebook), 2004-2005, Box 29, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Guild Papers (Notebook), 2005-2007, Box 30, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Gala (Notebook), 2008, Box 31, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 1, Agendas, 1983-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 2, Attendance Summary, 1980-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 3, Business Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 4, Docent Calendars and Schedules, 1984-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 5, Cards and Thank You Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 6, Correspondence, 1980s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 7, Correspondence, 1990s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 8, Correspondence, 2000s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 9, Evaluations, 1983, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 10, Events, circa 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 11, Fine Arts Leadership Conference, 1982 October 20-22, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 12, Forms, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 13, Internal Reports, 1995-1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 14, Larchmont Library Programs, 2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 15, Mission, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 16, New and Prospective Docents, 1990-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 17, Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 18, Policies and Procedures, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 19, Presentations and Programs, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 20, Reports, 1998-1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 21, Tours, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 22, Trunk Shows, 1990s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 23, Volunteer Time Logs, 1995-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 24, Docent Lists, 1980s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 25, Docent Lists, 1990s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 26, Docent Lists, 2000s, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 27, Docent Lists, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 28, News Articles on Docent Education Program, 1981-2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 29, \"OPED: A Publication of Virginia Opera Education for Teachers, Parents, and Patrons\", Fall, 1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 30, \"Recitative\" Docent Newsletters, 1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 31, \"Recitative\" Docent Newsletters, 1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 32, \"Recitative\" Docent Newsletters, 1996, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 33, \"Recitative\" Docent Newsletters, 1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 34, \"Recitative\" Docent Newsletters, 1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 32, Folder 35, \"Recitative\" Docent Newsletters, 1999, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 33, Folder 1, Guides, 1979, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 33, Folder 2, Guides I, 1980-1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 33, Folder 3, Guides II, 1980-1985, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 33, Folder 4, Guides, 1985-1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 33, Folder 5, Guides I, 1990-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 33, Folder 6, Guides II, 1990-1995, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 34, Folder 1, Guides I, 1995-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 34, Folder 2, Guides II, 1995-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 34, Folder 3, Guides I, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 34, Folder 4, Guides II, 2000-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 34, Folder 5, Guides, 2005-2010, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 34, Folder 6, Guides, 2011-2015, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 34, Folder 7, Guides - Miscellaneous, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 1, Adopt-a-School Program, circa 2023, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 2, Artist Bios, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 3, Backstage Tour – Harrison Opera House, 1994-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 4, Classroom Activities, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 5, Docent Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 6, Education and Civic Engagement Programs Pamphlet, 2023-2024, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 7, Education and Outreach, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 8, Eleanor Bader's \"I Hear America Singing\" Songbook, 1941, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 9, Enriching Our Lives through Opera, Education and Audience Development, 2005-2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 10, Fact Sheets, 1981-1982, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 11, Field Trip Materials, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 12, Historical Notes and Quotes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 13, History of Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 14, In-School Touring Program, 1998-2012, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 15, Norfolk Public School Project, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 16, Notes on Docent Opera Tapes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 17, Operation Opera, 2005-2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 18, Opera Overviews, 2004-2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 19, Opera Synopsis, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 20, Repertoire and Performance History, 1975-2009, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 21, The Scenic Designer, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 22, Virginia Opera Chronology, 1975-1998, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 23, Virginia Opera History, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 35, Folder 24, Virginia Opera Stage by Stage: The Artistic Journey of an American Opera Company, 2008, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 1, Building Description and Specifications, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 2, Campaign for the Renovation of the Norfolk Center Theater, 1990-1991, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 3, Edythe C. \u0026 Stanley L. Harrison Opera House, Gala Grand Opening, 1993 November, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 4, History of the Norfolk Center Theater, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 5, Magazine Articles about the Opening of the Harrison Opera House, 1994, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 6, News Clippings about the Opening of the Harrison Opera House,, 1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 7, News Releases regarding renovations to the Harrison Opera House, 1992-1993, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 8, Renovation Plan for the Norfolk Center Theater, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 9, Tour Information, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 10, Fullinwider, Rowena, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 11, Mihalap, Hope, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 12, Stuhlreyer III, Paul A. \"Gus\", undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 36, Folder 13, Winslow, Julian Emmett, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","The Civic Musical Association of Richmond Programs, 1940-1946, Box 37, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 1, Friends of Virginia Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 2, Hampton Roads Economic Development Alliance, 2000 November 8, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 3, Hertford NC Opera Society, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 4, Lyric Opera Virginia, 2011-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 5, Virginia Opera Foundation: The Encore Society, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 6, Effect of Inclement Weather, the Flying Dutchman, 1996 February 2, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 7, Handwritten Notes, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 8, Match the Movie to the Opera, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 9, \"Modern Major General\" Song Parody, 1990, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 10, The Opera Zoo: Singers, Composers, and Other Primates by Glenn Winters, 2011, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 11, Recipe Cards, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 12, Seagull Chatter (Westminster Canterbury) newsletter, 2011-2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 13, Super Titles Survey, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 38, Folder 14, Virginia Opera Promo Material, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 1, Adopt-a-School, 2001 October, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 2, An Introduction to the Season, 2001-2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 3, AP Party, Richmond, 2005 February 6, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 4, Board at End of the Year Party, 2006 May, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 5, Cast Post-Party, Penny Lane, 2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 6, Decorator Show House Café, 1988, April 18-May 8, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 7, Docent Party, 1991 May 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 8, Docent Workshop, 1994 June 15-August 3, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 9, Docents at Opera House Renovation, 1993 October 23, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 10, Eleanor Bader, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 11, Faust, Richmond Event, 2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 12, Foam-backed Cardboard Displays, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 13, Gala, 2008 January 26, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 14, Group Photo in Front of Opera House, 1996-1997, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 15, Harrison Opera House Tour Photos, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 16, Inside the Opera House, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 17, I Pagliacci Event, Richmond, 2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 18, The Magic Flute, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 19, Marriage of Figaro Event, Richmond, 2013, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 20, The Mikado, 2001-2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 21, Norma Operatini, Richmond, 2006, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 22, Operatini, Tristan at Richmond, 2005, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 23, Peter Mark, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 24, Rigoletto, 1995, 2003-2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 25, Refurbishing the \"La Traviata Set\",, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 39, Folder 26, Reynolds Home Gala, Richmond, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 40, Folder 1, Richmond Events – Miscellaneous I, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 40, Folder 2, Richmond Events – Miscellaneous II, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 40, Folder 3, Richmond Events – Miscellaneous III, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 40, Folder 4, Richmond Events – Miscellaneous IV, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 40, Folder 5, Richmond Events – Miscellaneous V, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 40, Folder 6, Richmond Events – Miscellaneous VI, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 40, Folder 7, Richmond Events – Miscellaneous VII, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 1, Richmond Fall Events, 2001, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 2, Richmond Bowl-a-thon, 2002, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 3, Rodelinda, 1999-2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 4, Season Event, Richmond, 2006-2007, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 5, Season Preview, Richmond RN's Club, 2003, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 6, Spring Dinner, Richmond, 2004, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 7, Spring Party, 2008 May 22, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 8, Steven Baker, Director of Marketing VOA, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 9, Student Night at the Opera, 2006 October 18, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 10, \"The Girl of the Golden West\", 1984 February-March, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 11, Virginia Opera Association Staff at United Virginia Bank Vault, 1984 December 4, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 12, Virginia Opera Docents, undated, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 13, Virginia Opera Guild, 1st Opera Ball, 1980, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 14, Virginia Opera Guild, Venetian Masked Ball, 1992 February 29, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 15, Virginia Opera Association Annual Meeting, 2000, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 16, Von Bressendorf Party, Richmond, 1996 November 3, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 17, Von Bressendorf Party, Richmond, 1997 April 20, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 18, West Side Story – Sets, 1994 April, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","[Identification of item and date], Box 41, Folder 19, West Side Story - Cast Party, 2000 November 12, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Photo Album (Pink), 1996-1998, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Photo Album (Pink), 1998, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Photo Album (Blue / White), 1998, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Photo Album (Blue / White), 1996-1999, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Photo Album (Blue / White), 1999, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Photo Album (Black), undated, Box 42, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Docent Training Workshop #2, History of Opera Part 1, Dr. Lee Teply, 1994 June 22, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Docent Training Workshop #3, Operatic Voice, Phyllis Hunter, Lee Teply, 1994 June 29, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Docent Training Workshop #4, J. Hollinger, Tape #1, 1994 July 6, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Docent Training Workshop #4, Polly Martin, Tape #2, 1994 July 6, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","George Glauder, 1994 July 13, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","\"What is Opera\" 2nd hour, Roz Bieber, 1994 July 20, Box 43, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Buffa tape, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Carol Rausch, 1994 April 29, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Cosi fan Tutte - Mozart, Michael Barclay Lecture, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Edie Harrison, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Edie Harrison, 2004 March 31, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Excerpts Turandot / Puccini, 2000 March, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Faust Excerpts / Docent Tape, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Handel- Julius Caesar Tape 1, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Handel- Julius Caesar Tape 2, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Handel- Rodelinda Tape 1, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Handel- Rodelinda Tape 2, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","History of Virginia Opera Interview: Opera Guild, Edie Harrison, 2007 June 6, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Hoffmann, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Il Trovatore, Lecture Cassette I, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Il Trovatore, Lecture Cassette II, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Il Trovatore for 1997 Programs, 1997, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Julius Caesar, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","J. Caesar I, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","J. Caesar II, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","La Boheme – Docent Tape, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","L'Elisir D'Amore, undated, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","\"Life in the Pits\" – The Conductors, 1994 October 28, Box 44, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Madame Butterfly Lecture, Garald Whisler, 1997 August, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Marilyn Burbaum, 2004 October 28, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Mikado Excerpt, 2001 November 7, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Pavarotti - O Holy Night, Battle - A Christmas Celebration, 1994 December 17, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Rowena, 2004 October 18, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Scene Shop, Bob Minick, 1995 October 10, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Steve Steiner, \"The Operatic Voice\", 1995 November, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Stephen Lord, \"Rites of Passage\", The Operatic Voice, 1995 November, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Talk with Stephen Lord, \"The Operatic Voice\", 1994 October 29, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","The Tender Land, A. Copeland, 1954, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","The Tender Land, Aaron Copland, 1998 January, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","The Tender Land Presentations, 1997, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Meeting, Tape 1, 2001 August 21, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Meeting, Tape 2, 2001 August 21, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Board Meeting, Tape 1, 2006 June 8, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Board Meeting, Tape 2, 2006 June 8, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Gala Tribute, 2006 January 21, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VOA Docent Tape: Tosca, undated, Box 45, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","AP Party, 2005 February 16, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Arias and Duets, Lewis Ginter Botanical Gardens, 2003 April 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Arias, Duets, \u0026 Trios, Louis Ginter Gardens, 2004 April 7, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Arias LGBG, 2005 March 17, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Bill Field's 70th, Disc #1, 2006 November 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Bill Field's 70th, Disc #2, 2006 November 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Bill Field's 70th, Disc #3, 2006 November 8, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Byrd Theater, 2005 October, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Carmen B-Roll, 2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Carolyn \u0026 John MC, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Compliments of the Opera Guild (2 qty), 2002 December 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Great American Voices Military Base Tour, 2005, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Fidelio Last Night Season Closer, 2004 March 30, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Fleidermaus Cast Party, 2003 September 16, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","La Traviata, 2005 October 23, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","The Maestro's Gala, 2003, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","The Magic Flute, 2003 November 28, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Major Donor Dinner, 2004 November 17, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Marriage of Figaro, Arias, Trios, and Duets, 2006 January 19, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Marriage of Figaro, Intermission Photos, 2006 February 26, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Marriage of Figaro, Operation at Maggianos, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Merry Widow, 2004 November 28, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Norma, 2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Opera Gala Photos, 2009, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Opera Vineyards, Barboursville, VA, 2003 June 7, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Operation Tristan, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Rigoletto, 2004 February 15, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Sarah Blankenship, 2006 September 20, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Season Preview #1, 2003 September, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Season Preview #2, 2003 September, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Spring Dinner, 2004, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Symphony / Opera Holiday Party, 2007, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Turandot Patron's Room, 2004 October 22, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Untitled Costco / Canon I, 2002 February 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Untitled Costco / Canon II, 2002 February 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VA Opera, Vol. 1 edited, 2006 April 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VA Opera, Vol. 2 edited, 2006 April 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VA Opera, unedited, 2006 April 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera I, 2007 February, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera II, 2007 February, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Event, The Women's Club, 2008 March 18, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Spring Party, 2008 May 22, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Interview with Peter Mark, undated, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera, Limited Edition (3 copies), 2005-2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera, Rennolds' House, 2003 May 1, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VOA Compilation, 2005-2006, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VOA Spring, 2005 May 5, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VOA Vineyard, 2004, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","WM-C Irvington, 2003 September 16, Box 46, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Mary, Queen of Scots, Thea Musgrave, American Premier Performance, Virginia Opera Association, 1978 April 2, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Association Apron (green), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Association Apron (red), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Canvas Bag, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Vocooles T-shirt, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Guild Board of Visitors White Polo Shirt, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Keychains (2 qty), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","\"I'm a Virginia Opera VIP\" Tag, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Eleanor Bader Docent nametag (2 qty), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Two Virginia Opera Pin: Virginia Opera Guild: Starry Starry Night Pins (2 qty), 1989 November 11, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Pins (2 qty): I'm a Snow White Star, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Docent Musical Note, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Harrison Opera House Silver Keychain, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Harrison Opera House Silver Necklace, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Harrison Opera House Silver Pin, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Harrison Opera House Construction Souvenir, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Association \"Opera is In\" Sticker: two blue with white lettering and one white with blue lettering, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Association \"Opera is In\" Bumper Sticker, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","\"Virginia is for Opera Lovers\" Bumper Sticker, undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Pens (3 qty), undated, Oversize Box 47, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","VOA Bidder's Delight Auction Poster (3 qty), 1981 October 3, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","A Masked Ball Poster (2 copies), 1985 October-November, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Carmen Poster (1 copy), 1986-1987, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Norfolk: Where your ship can come in poster (1 copy), undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Virginia Opera Poster, Great Season of Grand Opera (1 copy), 1987-1988, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Man of La Mancha Poster (2 copies), undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","A Christmas Carol Poster (2 copies), undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Dazzling Poster (2 copies), 1988-1989, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","A Decade of Excellence, Virginia Opera (2 copies), 1984-1985, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Verdi's La Traviala Poster (2 qty), 2005 September-October, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Fabiana Bravo is Norma Poster, 2006 March, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Black Patti Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Amahl and the Night Visitors Poster, 1984 December, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Amahl and the Night Visitors Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Photo Poster of Peter Mark, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Foam Backed Poster of Peter Mark, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Macbeth Poster, 1983 January, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Mary Queen of Scots Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Buck Hill Skytop Music Festival Poster, 2011, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Die Walkure Poster, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","A Christmas Carol Poster, 2002 December, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Andrea Chenier Poster, 2003 February, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Die Fledermaus Poster, 2003 March-April, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","La Boheme Poster, 2005 May, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Around the World with Virginia Opera Poster, 1998 September 25, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Opera Costume Dress Drawing on Foam Board, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Pencil Sketch of Thea Musgrave, 2006 April 8, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Assorted Virginia Opera Folders, undated, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","News clippings: A Night at the Opera, Q Style Fashion Quarterly, Winter, 2004, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","News clippings: \"Stars in Their Eyes: A look at the cheery goings-on at the Virginia Opera Ball held in November at the Norfolk City Arena with the theme 'A Starry Starry Night,\" Portfolio Magazine,, 1989 December 5, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","News clippings: \"A Cinderella Fantasy,\" Portfolio Magazine, 1990 December 18, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","News clippings: \"Hail, Caesar!: Virginia Opera goes for Baroque with dramatic production that boasts larger-than-life characters,\" The Virginian-Pilot, 1997 January 27, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","News clippings: \"Cruise the World of Opera\" and \"Who is Pocahontas: New Opera asks 400-year old question\", Portfolio Weekly, 2007 May 29, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","News clippings: \"Dressing Up 'Aida': Virginia Opera Costumes are huge undertaking for renowned designer and shop,\" The Daily Break, 2011 September 30, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","News clippings: \"Riverside Revels: Approximately 300 festive guests joined Virginia Opera to 'Cruise the World of Opera,\" Portfolio Weekly, 2007 May 29, Oversize Box 48, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Opera Club Reviews 4th Grade Poster, undated, Oversize Box 49, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 1999-2000, Box 50, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 1999-2000, Box 51, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2000-2001, Box 52, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2000-2001, Box 53, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2001-2002, Box 54, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2001-2002, Box 55, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2002-2003, Box 56, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2002-2003, Box 57, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2003-2004, Box 58, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2003-2004, Box 59, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2004-2005, Box 60, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2005-2006, Box 61, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2006-2007, Box 62, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2007-2008, Box 63, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2007-2008, Box 64, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2008-2009, Box 65, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2009-2010, Box 66, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2010-2011, Box 67, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2011-2012, Box 68, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2011-2012, Box 69, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup III, 2011-2012, Box 70, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup IV, 2011-2012, Box 71, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2012-2013, Box 72, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2012-2013, Box 73, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup III, 2012-2013, Box 74, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2013-2014, Box 75, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2013-2014, Box 76, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2014-2015, Box 77, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2014-2015, Box 78, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2015-2016, Box 79, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2015-2016, Box 80, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2016-2017, Box 81, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2016-2017, Box 82, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2017-2018, Box 83, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2017-2018, Box 84, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2018-2019, Box 85, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup I, 2019-2020, Box 86, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup II, 2019-2020, Box 87, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2020-2021, Box 88, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2021-2922, Box 89, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries.","Wigs and Makeup, 2022-2023, Box 90, Virginia Opera Records, Special Collections and University Archives, Old Dominion University Libraries."],"processinfo_html_tesm":["\u003cp\u003eThe collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was reprocessed by Mel Frizzell, Special Collections and University Archives Assistant, from 2020 to 2021."],"relatedmaterial_html_tesm":["\u003cp\u003eVirginia Symphony Orchestra Records (MG 81-A).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Virginia Symphony Orchestra Records (MG 81-A)."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.\u003c/p\u003e","\u003cp\u003eThis series contains materials related to the Virginia Opera Association. The series is further broken into the following sub-series: Sub-Series A: Business; Sub-Series B: Programs and Marketing; Sub-Series C: Events; Sub-Series D: Newspaper Clippings; Sub-Series E. Magazine Articles; Sub-Series F: Press Releases; Sub-Series G: Newsletters; and Sub-Series H: Notebooks.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to the business of the Virginia Opera Association including meeting agendas and minutes; reports; financial information; committee information; bylaws; and other business. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains season programs and marketing materials for each season. Material is arranged chronologically by season.\u003c/p\u003e","\u003cp\u003eThis sub-series contains flyers, programs, and other material related to Virginia Opera events such as fundraisers, receptions, and art shows.  Material is arranged chronologically by season.\u003c/p\u003e","\u003cp\u003eThis sub-series contains newspaper clippings related to the Virginia Opera and opera in general.  Material is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains magazine articles related to the Virginia Opera.  Material is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains press releases put out by the Virginia Opera. Material is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains newsletters created by the Virginia Opera. Material is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains notebooks created by the Virginia Opera and are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis series contains materials related to the Virginia Opera Guild. The series is further broken into the following sub-series: Sub-Series A: Business; Sub-Series B: Events; Sub-Series C: Committees; Sub-Series D: Membership; Sub-Series E: Newsletters; Sub-Series F: Miscellaneous; and Sub-Series G: Notebooks and Scrapbooks.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to the business of the Virginia Opera Guild including meeting agendas and minutes; financial information; bylaws, correspondence, and other business material. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials related to various Virginia Opera Guild events. Material is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains records related to the committees of the Virginia Opera Guild. Material is arranged alphabetically by committee.\u003c/p\u003e","\u003cp\u003eThis sub-series contains membership applications, board and membership lists, membership directories, and other membership related material for the Virginia Opera Guild. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains newsletters for the Virginia Opera Guild. Newsletters are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material for the Virginia Opera Guild that don't fit into other sub-series. Material is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains notebooks and scrapbooks created by the Virginia Opera Guild. Notebooks and scrapbooks are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis series is broken into five sub-series: Sub-Series A: Business; Sub-Series B: Membership; Sub-Series C: News Documents and Newsletters; Sub-Series D; Guides; and Sub-Series E. Docent Educational Materials.\u003c/p\u003e","\u003cp\u003eThis sub-series contains docent business material. Included are agendas, correspondence, reports and summaries, policies and procedures, and other documents. Material is arranged alphabetically by topic.\u003c/p\u003e","\u003cp\u003eThis sub-series contains docent membership lists and are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains news articles about the Docent Education Program and issues of the \"Recitative\" docent newsletter. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains opera guides, teachers' guides, and study guides. The guides highlight detailed information about various operas including plot synopses, characters, music, information about the composer, historical information, classroom activities, pronunciation guides, discussion topics, and study questions. Some of the guides even contain scipts of various operas, a few in the native language of the composer. The guides are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains educational material used in the docent program. Included are classroom activities, repertoire and performance history, field trip materials, as well as information on the Norfolk Public School Project and In-School Touring Program. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis series contains material related to the renovation of the Center Theater into the Harrison Opera House. Included are the renovation plan and building specifications; news releases, clippings, and magazine articles related to the Harrison Opera House; a history of the Norfolk Center Theater; and the Grand Opening program from November 1993. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis series contains biographical information about Virginia Opera personalities. Material is arranged alphabetically by the individual's last name.\u003c/p\u003e","\u003cp\u003eThis series contains information about organizations related to the Virginia Opera. Included are the Friends of the Virginia Opera and Lyric Opera Virginia. Lyric Opera Virginia is a splinter group of the Virginia Opera formed after the termination of Peter Mark in 2010. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis series contains material that do not fit into other series. Included are recipe cards, notes, and other miscellaneous material. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis series is broken down into five sub-series: Sub-Series A: Photographs; Sub-Series B: Videotapes; Sub-Series C: Audiocassette Tapes; Sub-Series D: Compact Discs and DVDs; and Sub-Series E: Record Albums.\u003c/p\u003e","\u003cp\u003eThis sub-series contains photographs from the Virginia Opera, Virginia Opera Guild, and docents. Included are photographs of individuals, groups, parties, workshops, opera props and sets, and the Harrison Opera House. A number of photos related to Virginia Opera events in Richmond.  Some photographs are in scrapbooks. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains Docent training videos in VHS format. All of these materials are from 1994. These are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains audiocassette tapes containing workshops, lectures, board meetings, and the music of various opera performances. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains audio and data CDs and DVDs.  Audio CDs include interviews and promotional CDs with the music from various operas. Data CDs include digital photographs from various opera events. Material is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis sub-series contains record albums with the music from various operas. Albums are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThis series contains artifacts relating to the Virginia Opera. Included are promotional pins, bumper stickers, t-shirts, key chains, Virginia Opera posters, and a folder of oversize newspaper articles.\u003c/p\u003e","\u003cp\u003eSigned by cast\u003c/p\u003e","\u003cp\u003e2 copies\u003c/p\u003e","\u003cp\u003eSigned by cast\u003c/p\u003e","\u003cp\u003eThis series contains Virginia Opera production books, also known as \"Wig and Makeup Bibles.\"  These books contain material related to all aspects of each opera production. These include sketches related to props and costuming; wardrobe lists; rehearsal reports; production notes; cast lists; calendars; and other material. The production books are arranged chronologically by season.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The bulk of this collection includes the records of the Virginia Opera Association, the Virginia Opera Guild, the Virginia Opera Docents, and information on the Harrison Opera House. The Friends of Virginia Opera and a split off group called Lyric Opera Virginia are also represented. Material in the collection includes administrative records, budgets, and correspondence; season programs and marketing materials; news articles and newsletters; membership information; educational materials; multimedia including video tapes, cassette tapes, compact discs, and record albums; photographs; and artifacts.","This series contains materials related to the Virginia Opera Association. The series is further broken into the following sub-series: Sub-Series A: Business; Sub-Series B: Programs and Marketing; Sub-Series C: Events; Sub-Series D: Newspaper Clippings; Sub-Series E. Magazine Articles; Sub-Series F: Press Releases; Sub-Series G: Newsletters; and Sub-Series H: Notebooks.","This sub-series contains materials related to the business of the Virginia Opera Association including meeting agendas and minutes; reports; financial information; committee information; bylaws; and other business. Material is arranged alphabetically.","This sub-series contains season programs and marketing materials for each season. Material is arranged chronologically by season.","This sub-series contains flyers, programs, and other material related to Virginia Opera events such as fundraisers, receptions, and art shows.  Material is arranged chronologically by season.","This sub-series contains newspaper clippings related to the Virginia Opera and opera in general.  Material is arranged chronologically.","This sub-series contains magazine articles related to the Virginia Opera.  Material is arranged chronologically.","This sub-series contains press releases put out by the Virginia Opera. Material is arranged chronologically.","This sub-series contains newsletters created by the Virginia Opera. Material is arranged chronologically.","This sub-series contains notebooks created by the Virginia Opera and are arranged chronologically.","This series contains materials related to the Virginia Opera Guild. The series is further broken into the following sub-series: Sub-Series A: Business; Sub-Series B: Events; Sub-Series C: Committees; Sub-Series D: Membership; Sub-Series E: Newsletters; Sub-Series F: Miscellaneous; and Sub-Series G: Notebooks and Scrapbooks.","This sub-series contains materials related to the business of the Virginia Opera Guild including meeting agendas and minutes; financial information; bylaws, correspondence, and other business material. Material is arranged alphabetically.","This sub-series contains materials related to various Virginia Opera Guild events. Material is arranged chronologically.","This sub-series contains records related to the committees of the Virginia Opera Guild. Material is arranged alphabetically by committee.","This sub-series contains membership applications, board and membership lists, membership directories, and other membership related material for the Virginia Opera Guild. Material is arranged alphabetically.","This sub-series contains newsletters for the Virginia Opera Guild. Newsletters are arranged alphabetically.","This sub-series contains material for the Virginia Opera Guild that don't fit into other sub-series. Material is arranged chronologically.","This sub-series contains notebooks and scrapbooks created by the Virginia Opera Guild. Notebooks and scrapbooks are arranged chronologically.","This series is broken into five sub-series: Sub-Series A: Business; Sub-Series B: Membership; Sub-Series C: News Documents and Newsletters; Sub-Series D; Guides; and Sub-Series E. Docent Educational Materials.","This sub-series contains docent business material. Included are agendas, correspondence, reports and summaries, policies and procedures, and other documents. Material is arranged alphabetically by topic.","This sub-series contains docent membership lists and are arranged chronologically.","This sub-series contains news articles about the Docent Education Program and issues of the \"Recitative\" docent newsletter. Material is arranged alphabetically.","This sub-series contains opera guides, teachers' guides, and study guides. The guides highlight detailed information about various operas including plot synopses, characters, music, information about the composer, historical information, classroom activities, pronunciation guides, discussion topics, and study questions. Some of the guides even contain scipts of various operas, a few in the native language of the composer. The guides are arranged chronologically.","This sub-series contains educational material used in the docent program. Included are classroom activities, repertoire and performance history, field trip materials, as well as information on the Norfolk Public School Project and In-School Touring Program. Material is arranged alphabetically.","This series contains material related to the renovation of the Center Theater into the Harrison Opera House. Included are the renovation plan and building specifications; news releases, clippings, and magazine articles related to the Harrison Opera House; a history of the Norfolk Center Theater; and the Grand Opening program from November 1993. Material is arranged alphabetically.","This series contains biographical information about Virginia Opera personalities. Material is arranged alphabetically by the individual's last name.","This series contains information about organizations related to the Virginia Opera. Included are the Friends of the Virginia Opera and Lyric Opera Virginia. Lyric Opera Virginia is a splinter group of the Virginia Opera formed after the termination of Peter Mark in 2010. Material is arranged alphabetically.","This series contains material that do not fit into other series. Included are recipe cards, notes, and other miscellaneous material. Material is arranged alphabetically.","This series is broken down into five sub-series: Sub-Series A: Photographs; Sub-Series B: Videotapes; Sub-Series C: Audiocassette Tapes; Sub-Series D: Compact Discs and DVDs; and Sub-Series E: Record Albums.","This sub-series contains photographs from the Virginia Opera, Virginia Opera Guild, and docents. Included are photographs of individuals, groups, parties, workshops, opera props and sets, and the Harrison Opera House. A number of photos related to Virginia Opera events in Richmond.  Some photographs are in scrapbooks. Material is arranged alphabetically.","This sub-series contains Docent training videos in VHS format. All of these materials are from 1994. These are arranged chronologically.","This sub-series contains audiocassette tapes containing workshops, lectures, board meetings, and the music of various opera performances. Material is arranged alphabetically.","This sub-series contains audio and data CDs and DVDs.  Audio CDs include interviews and promotional CDs with the music from various operas. Data CDs include digital photographs from various opera events. Material is arranged alphabetically.","This sub-series contains record albums with the music from various operas. Albums are arranged alphabetically.","This series contains artifacts relating to the Virginia Opera. Included are promotional pins, bumper stickers, t-shirts, key chains, Virginia Opera posters, and a folder of oversize newspaper articles.","Signed by cast","2 copies","Signed by cast","This series contains Virginia Opera production books, also known as \"Wig and Makeup Bibles.\"  These books contain material related to all aspects of each opera production. These include sketches related to props and costuming; wardrobe lists; rehearsal reports; production notes; cast lists; calendars; and other material. The production books are arranged chronologically by season."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from Special Collections and University Archives, and the holder of the copyright, if not Old Dominion University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0915f82b33ce42e5fee28245423eb92c\" label=\"Abstract\"\u003eConsists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters.\u003c/abstract\u003e"],"abstract_tesim":["Consists of Virginia Opera programs, guides, newspaper clippings, magazine articles. Also includes administrative records, correspondence, audio-visual materials, artifacts, and posters."],"names_coll_ssim":["Lyric Opera of Virginia","Virginia Opera Guild","Virginia Opera Association"],"names_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"corpname_ssim":["ODU Community Collections","Virginia Opera Association","Lyric Opera of Virginia","Virginia Opera Guild"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":842,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T20:10:37.459Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vino_repositories_5_resources_63_c10_c41_c01"}},{"id":"viblbv_repositories_2_resources_4296_c02","type":"Item","attributes":{"title":"William Connelly","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4296_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4296_c02","ref_ssm":["viblbv_repositories_2_resources_4296_c02"],"id":"viblbv_repositories_2_resources_4296_c02","ead_ssi":"viblbv_repositories_2_resources_4296","_root_":"viblbv_repositories_2_resources_4296","_nest_parent_":"viblbv_repositories_2_resources_4296","parent_ssi":"viblbv_repositories_2_resources_4296","parent_ssim":["viblbv_repositories_2_resources_4296"],"parent_ids_ssim":["viblbv_repositories_2_resources_4296"],"parent_unittitles_ssm":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"parent_unittitles_tesim":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"text":["Stories of Segregation in Bluefield, Virginia Oral History Collection","William Connelly"],"title_filing_ssi":"William Connelly","title_ssm":["William Connelly"],"title_tesim":["William Connelly"],"unitdate_other_ssim":["2023-05-10"],"normalized_date_ssm":["2023"],"normalized_title_ssm":["William Connelly"],"component_level_isim":[1],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2,"parent_access_restrict_tesm":["The collection is open for research, with the exception fo some restricted materials that are not available to the public."],"parent_access_terms_tesm":["Permission to publish material from the Bluefield Oral History Project must be obtained from Special Collections and Universtiy Archives, Virginia Tech."],"date_range_isim":[2023],"_nest_path_":"/components#1","timestamp":"2026-05-21T02:15:33.030Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4296","ead_ssi":"viblbv_repositories_2_resources_4296","_root_":"viblbv_repositories_2_resources_4296","_nest_parent_":"viblbv_repositories_2_resources_4296","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4296.xml","title_filing_ssi":"Stories of Segregation in Bluefield, Virginia Oral History Collection","title_ssm":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"title_tesim":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"unitdate_ssm":["2023"],"unitdate_other_ssim":["2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2024.076"],"text":["Ms.2024.076","Stories of Segregation in Bluefield, Virginia Oral History Collection","Local/Regional History and Appalachian South","African Americans -- History","The collection is open for research, with the exception fo some restricted materials that are not available to the public.","Some of this collection has been digitized and is available online.","This collection began as a research project for how segregation changes over time in Bluefield, Virginia. Bluefield was established as a railway hub that served the Appalachian coalfields of southern West Virginia. The coal produced great wealth in the region, and Bluefield was the recipient. The railroad lines that served as its economic lifeline went down the middle of the valley with high mountains on both the north and south sides. The boundary of the railroad and mountain provided the physical limitations of the town, easing the establishment of segregated neighborhoods that faced each other across the valley.","The processing, arrangement, and description of the Bluefield Oral History Project was completed in August 2024.","This collection was donated as a research project on the personal significance of the historically segregated neighborhoods of Bluefield, West Virginia, and Bluefield, Virginia. Gregory Galford, Vonnia Davis, Micaela Appelbaum, and Jessica Taylor interviewed residents and former residents of these segregated neighborhoods to reconstruct a previously unrecorded history of how segregated space in this regional hub has changed over time.","Permission to publish material from the Bluefield Oral History Project must be obtained from Special Collections and Universtiy Archives, Virginia Tech.","Special Collections and University Archives, Virginia Tech","The material of this collection is in English."],"unitid_tesim":["Ms.2024.076"],"normalized_title_ssm":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"collection_title_tesim":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"collection_ssim":["Stories of Segregation in Bluefield, Virginia Oral History Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["Permission to publish material from the Bluefield Oral History Project must be obtained from Special Collections and Universtiy Archives, Virginia Tech."],"acqinfo_ssim":["Interivews were acquired by Special Collections and University Archives in 2023. Additional oral histories will be added to the collection as they are conducted and processed."],"access_subjects_ssim":["Local/Regional History and Appalachian South","African Americans -- History"],"access_subjects_ssm":["Local/Regional History and Appalachian South","African Americans -- History"],"has_online_content_ssim":["false"],"extent_ssm":["0.1 Cubic Feet"],"extent_tesim":["0.1 Cubic Feet"],"date_range_isim":[2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, with the exception fo some restricted materials that are not available to the public.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research, with the exception fo some restricted materials that are not available to the public."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/324\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eThis collection began as a research project for how segregation changes over time in Bluefield, Virginia. Bluefield was established as a railway hub that served the Appalachian coalfields of southern West Virginia. The coal produced great wealth in the region, and Bluefield was the recipient. The railroad lines that served as its economic lifeline went down the middle of the valley with high mountains on both the north and south sides. The boundary of the railroad and mountain provided the physical limitations of the town, easing the establishment of segregated neighborhoods that faced each other across the valley.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["This collection began as a research project for how segregation changes over time in Bluefield, Virginia. Bluefield was established as a railway hub that served the Appalachian coalfields of southern West Virginia. The coal produced great wealth in the region, and Bluefield was the recipient. The railroad lines that served as its economic lifeline went down the middle of the valley with high mountains on both the north and south sides. The boundary of the railroad and mountain provided the physical limitations of the town, easing the establishment of segregated neighborhoods that faced each other across the valley."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: Stories of Segregation in Bluefield,Virginia, Ms2024-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: Stories of Segregation in Bluefield,Virginia, Ms2024-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Bluefield Oral History Project was completed in August 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Bluefield Oral History Project was completed in August 2024."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was donated as a research project on the personal significance of the historically segregated neighborhoods of Bluefield, West Virginia, and Bluefield, Virginia. Gregory Galford, Vonnia Davis, Micaela Appelbaum, and Jessica Taylor interviewed residents and former residents of these segregated neighborhoods to reconstruct a previously unrecorded history of how segregated space in this regional hub has changed over time.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection was donated as a research project on the personal significance of the historically segregated neighborhoods of Bluefield, West Virginia, and Bluefield, Virginia. Gregory Galford, Vonnia Davis, Micaela Appelbaum, and Jessica Taylor interviewed residents and former residents of these segregated neighborhoods to reconstruct a previously unrecorded history of how segregated space in this regional hub has changed over time."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Bluefield Oral History Project must be obtained from Special Collections and Universtiy Archives, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the Bluefield Oral History Project must be obtained from Special Collections and Universtiy Archives, Virginia Tech."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["The material of this collection is in English."],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:15:33.030Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4296_c02"}},{"id":"viw_repositories_2_resources_9915","type":"collection","attributes":{"title":"William \u0026 Mary Archery Team records","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9915#creator","type":"document_value","attributes":{"value":"Wang, Crystal (Crystal Wang)","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9915#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection includes materials that document the daily activities of the William \u0026amp; Mary Archery Team. Items include ephemera such as team jackets and stickers. Digital records include meeting minutes, membership list, photographs, and constitution from the William \u0026amp; Mary Archery Team.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9915#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_9915","ead_ssi":"viw_repositories_2_resources_9915","_root_":"viw_repositories_2_resources_9915","_nest_parent_":"viw_repositories_2_resources_9915","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9915.xml","title_filing_ssi":"William \u0026 Mary Archery Team records","title_ssm":["William \u0026 Mary Archery Team records"],"title_tesim":["William \u0026 Mary Archery Team records"],"unitdate_ssm":["2023-2024"],"unitdate_inclusive_ssm":["2023-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.113","/repositories/2/resources/9915"],"text":["UA 7.113","/repositories/2/resources/9915","William \u0026 Mary Archery Team records","Intramural sports","College sports--Virginia--Williamsburg","Student Organizations","Student activities","Membership lists","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Collection is arranged by accession. Accruals expected.","Collection includes materials that document the daily activities of the William \u0026 Mary Archery Team. Items include ephemera such as team jackets and stickers. Digital records include meeting minutes, membership list, photographs, and constitution from the William \u0026 Mary  Archery Team.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Wang, Crystal (Crystal Wang)","English"],"unitid_tesim":["UA 7.113","/repositories/2/resources/9915"],"normalized_title_ssm":["William \u0026 Mary Archery Team records"],"collection_title_tesim":["William \u0026 Mary Archery Team records"],"collection_ssim":["William \u0026 Mary Archery Team records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Wang, Crystal (Crystal Wang)"],"creator_ssim":["Wang, Crystal (Crystal Wang)"],"creator_persname_ssim":["Wang, Crystal (Crystal Wang)"],"creators_ssim":["Wang, Crystal (Crystal Wang)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Crystal Wang."],"access_subjects_ssim":["Intramural sports","College sports--Virginia--Williamsburg","Student Organizations","Student activities","Membership lists"],"access_subjects_ssm":["Intramural sports","College sports--Virginia--Williamsburg","Student Organizations","Student activities","Membership lists"],"has_online_content_ssim":["false"],"extent_ssm":["1.6 Linear Feet One Hollinger textile box, file and digital records"],"extent_tesim":["1.6 Linear Feet One Hollinger textile box, file and digital records"],"genreform_ssim":["Membership lists"],"date_range_isim":[2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged by accession. Accruals expected.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged by accession. Accruals expected."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Archery Team records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["William \u0026 Mary Archery Team records, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes materials that document the daily activities of the William \u0026amp; Mary Archery Team. Items include ephemera such as team jackets and stickers. Digital records include meeting minutes, membership list, photographs, and constitution from the William \u0026amp; Mary  Archery Team.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection includes materials that document the daily activities of the William \u0026 Mary Archery Team. Items include ephemera such as team jackets and stickers. Digital records include meeting minutes, membership list, photographs, and constitution from the William \u0026 Mary  Archery Team."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Wang, Crystal (Crystal Wang)"],"corpname_ssim":["Special Collections Research Center"],"names_coll_ssim":["Wang, Crystal (Crystal Wang)"],"persname_ssim":["Wang, Crystal (Crystal Wang)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T13:10:11.020Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9915","ead_ssi":"viw_repositories_2_resources_9915","_root_":"viw_repositories_2_resources_9915","_nest_parent_":"viw_repositories_2_resources_9915","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9915.xml","title_filing_ssi":"William \u0026 Mary Archery Team records","title_ssm":["William \u0026 Mary Archery Team records"],"title_tesim":["William \u0026 Mary Archery Team records"],"unitdate_ssm":["2023-2024"],"unitdate_inclusive_ssm":["2023-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 7.113","/repositories/2/resources/9915"],"text":["UA 7.113","/repositories/2/resources/9915","William \u0026 Mary Archery Team records","Intramural sports","College sports--Virginia--Williamsburg","Student Organizations","Student activities","Membership lists","Collection is open to all researchers. 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Accruals expected."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Archery Team records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["William \u0026 Mary Archery Team records, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eCollection includes materials that document the daily activities of the William \u0026amp; Mary Archery Team. Items include ephemera such as team jackets and stickers. Digital records include meeting minutes, membership list, photographs, and constitution from the William \u0026amp; Mary  Archery Team.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Collection includes materials that document the daily activities of the William \u0026 Mary Archery Team. Items include ephemera such as team jackets and stickers. 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Two of the brochures are programs for performances, \"Sitayana: Journey of Womanhood,\" and \"Sa Pagitan.\" Two brochures are programs for the APIA Commencement \u0026 Awards Celebration held on May 13, 2017. The last two brochures are titled \"Tribe Bayanihan, Filipino Cooking at the College of William and Mary,\" and contain four recipes. There is also a QR code for tickets to some event, the QR code has been disabled.","8, 17 x 11 inches posters related to the  Asian \u0026 Pacific Islander American Studies Department (APIA). Five posters advertise lectures and performances, while three are large printed versions of the Flat Hat article written by Jack Powers, \"Art Matsu '28: Hero Amidst Hatred.\"","Records of the founding of the Asian and Pacific Islander American Studies program (APIA), including student declarations of self-designed majors prior to the official establishment of the program, information on proposed classes and syllabi, records of guest speakers, and a trifold panel promoting the International Performing Arts Exchange (IPAX) led by professor Francis Tanglao-Aguas.","Contains models for minor and major course requirements, syllabi, invoices, flyers, and travel authorization forms.","Student files.","Student files.","Student travel authorization forms, poster, and event/travel budgeting.","A trifold panel promoting the International Performing Arts Exchange (IPAX) led by professor Francis Tanglao-Aguas."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:36:39.414Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9558","ead_ssi":"viw_repositories_2_resources_9558","_root_":"viw_repositories_2_resources_9558","_nest_parent_":"viw_repositories_2_resources_9558","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9558.xml","title_filing_ssi":"William \u0026 Mary Asian \u0026 Pacific Islander American Studies Department records","title_ssm":["William \u0026 Mary Asian \u0026 Pacific Islander American (APIA) Studies Department records"],"title_tesim":["William \u0026 Mary Asian \u0026 Pacific Islander American (APIA) Studies Department records"],"unitdate_ssm":["2007- 2025"],"unitdate_inclusive_ssm":["2007- 2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 402","/repositories/2/resources/9558"],"text":["UA 402","/repositories/2/resources/9558","William \u0026 Mary Asian \u0026 Pacific Islander American (APIA) Studies Department records","Middle East","Asian American college students","College of William and Mary--Students--Social life and customs","Pacific Islander American college students","Graduation (School)","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Restricted, but materials can be provided in a redacted form on demand.","Restricted, but materials can be provided in a redacted form on demand.","Restricted, but materials can be provided in a redacted form on demand.","Restricted, but materials can be provided in a redacted form on demand.","Restricted, but materials can be provided in a redacted form on demand.","Restricted, but materials can be provided in a redacted form on demand.","Collection arranged by accession.","Minimally processed.","A collection of papers and records created by the Asian \u0026 Pacific Islander American Studies Department (APIA).","18, 11 x 8 1/2 inch flyers for events and speakers sponsored by the Asian \u0026 Pacific Islander American Studies Department (APIA) and the Reves Center for International Studies. 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