{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026page=23","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026page=22","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026page=24","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026page=179"},"meta":{"pages":{"current_page":23,"next_page":24,"prev_page":22,"total_pages":179,"limit_value":10,"offset_value":220,"total_count":1781,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_853_c05_c11","type":"Item","attributes":{"title":"Class of 2021","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_853_c05_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_853_c05_c11","ref_ssm":["viw_repositories_2_resources_853_c05_c11"],"id":"viw_repositories_2_resources_853_c05_c11","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853_c05","parent_ssi":"viw_repositories_2_resources_853_c05","parent_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c05"],"parent_ids_ssim":["viw_repositories_2_resources_853","viw_repositories_2_resources_853_c05"],"parent_unittitles_ssm":["University Archives Web Archive Collection","Events"],"parent_unittitles_tesim":["University Archives Web Archive Collection","Events"],"text":["University Archives Web Archive Collection","Events","Class of 2021"],"title_filing_ssi":"Class of 2021","title_ssm":["Class of 2021"],"title_tesim":["Class of 2021"],"unitdate_inclusive_ssm":["2021"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["Class of 2021"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["University Archives Web Archive Collection"],"extent_ssm":["1 item"],"extent_tesim":["1 item"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":115,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2021],"_nest_path_":"/components#4/components#10","timestamp":"2026-05-21T11:35:34.069Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_853","ead_ssi":"viw_repositories_2_resources_853","_root_":"viw_repositories_2_resources_853","_nest_parent_":"viw_repositories_2_resources_853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_853.xml","title_filing_ssi":"University Archives Web Archive Collection","title_ssm":["University Archives Web Archive Collection"],"title_tesim":["University Archives Web Archive Collection"],"unitdate_ssm":["2015-ongoing"],"unitdate_inclusive_ssm":["2015-ongoing"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 392","/repositories/2/resources/853"],"text":["UA 392","/repositories/2/resources/853","University Archives Web Archive Collection","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026 Buildings, News \u0026 Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026M Alumni.","Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","A collection of harvested websites for the institutional history and records of The College of William and Mary.","Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science","English"],"unitid_tesim":["UA 392","/repositories/2/resources/853"],"normalized_title_ssm":["University Archives Web Archive Collection"],"collection_title_tesim":["University Archives Web Archive Collection"],"collection_ssim":["University Archives Web Archive Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Web harvesting with Archive-It."],"has_online_content_ssim":["false"],"extent_ssm":["351 Items"],"extent_tesim":["351 Items"],"date_range_isim":[2015],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026amp; Buildings, News \u0026amp; Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026amp;M Alumni.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged in twelve series: Academics, Administration, Athletics, Campus Issues, Events, Facilities \u0026 Buildings, News \u0026 Publications, Offices, Organizations, Student Life, Todd W. Weaver Collection, and W\u0026M Alumni."],"scopecontent_html_tesm":["\u003cp\u003eWebsites for this collections were selected for their representation of the College of William \u0026amp; Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Websites for this collections were selected for their representation of the College of William \u0026 Mary and their documentation of the interests and activities of the students, faculty, staff, alumni, and leadership."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6c7c5601f0895be13f28035aed98b5d0\"\u003eA collection of harvested websites for the institutional history and records of The College of William and Mary.\u003c/abstract\u003e"],"abstract_tesim":["A collection of harvested websites for the institutional history and records of The College of William and Mary."],"names_coll_ssim":["College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"names_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"corpname_ssim":["Special Collections Research Center","College of William and Mary.","Omohundro Institute of Early American History and Culture","Virginia Institute of Marine Science"],"language_ssim":["English"],"total_component_count_is":417,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T11:35:34.069Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_853_c05_c11"}},{"id":"viu_repositories_7_resources_215","type":"collection","attributes":{"title":"Claude Moore Health Sciences Library records","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"extent_tesim":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_215","ead_ssi":"viu_repositories_7_resources_215","_root_":"viu_repositories_7_resources_215","_nest_parent_":"viu_repositories_7_resources_215","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_215.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/133046","title_ssm":["Claude Moore Health Sciences Library records"],"title_tesim":["Claude Moore Health Sciences Library records"],"unitdate_ssm":["1942-2025","1848-2019"],"unitdate_bulk_ssim":["1942-2025"],"unitdate_inclusive_ssm":["1848-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"text":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215","Claude Moore Health Sciences Library records","University of Virginia","The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research.","The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.","Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically.","\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.","Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.","Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"","This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","Claude Moore Health Sciences Library","English"],"unitid_tesim":["RG.17.4","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/7/resources/215"],"normalized_title_ssm":["Claude Moore Health Sciences Library records"],"collection_title_tesim":["Claude Moore Health Sciences Library records"],"collection_ssim":["Claude Moore Health Sciences Library records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies."],"access_subjects_ssim":["University of Virginia"],"access_subjects_ssm":["University of Virginia"],"has_online_content_ssim":["true"],"extent_ssm":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"extent_tesim":["97 Volumes 97 bound volumes and enclosures on book shelves","8 Linear Feet 29 archival boxes"],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThe records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.\u003c/p\u003e","\u003cp\u003eThe annual reports are open to research.\u003c/p\u003e","\u003cp\u003eThese records are open to research.\u003c/p\u003e","\u003cp\u003eThe planning documents and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are open to research.\u003c/p\u003e","\u003cp\u003eThe public relations files are open to research.\u003c/p\u003e","\u003cp\u003eThe publications are open to research.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the newsletters in this subseries.\u003c/p\u003e","\u003cp\u003eThere are no restrictions on access to the publications of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe social media files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe blog files are open to researchers.\u003c/p\u003e","\u003cp\u003eThe administrative organization and structure files are open to research.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are open to research.\u003c/p\u003e","\u003cp\u003eIn accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.\u003c/p\u003e","\u003cp\u003eConference programs and reports are open to research.\u003c/p\u003e","\u003cp\u003eThe historical and biographical files are open to research.\u003c/p\u003e","\u003cp\u003eThe reports in this series are open to research.\u003c/p\u003e","\u003cp\u003eThe committee records and meeting minutes are open to research.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations records are open to research.\u003c/p\u003e","\u003cp\u003eThe lecture and presentation materials are open to research.\u003c/p\u003e","\u003cp\u003eThe exhibit records are open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The records of the Claude Moore Health Sciences Library are open to researchers, except where it is noted. Decisions to close records to research are made in accordance with the Health Insurance Portability and Accountability Act of 1996 (HIPAA), the Family Educational Rights and Privacy Act of 1974 (FERPA), the Virginia Freedom of Information Act (VAFOIA), the policies of the University of Virginia, and other relevent laws, regulations, or policies.","The annual reports are open to research.","These records are open to research.","The planning documents and reports are open to research.","The photographs and negatives are open to research.","The public relations files are open to research.","The publications are open to research.","There are no restrictions on access to the newsletters in this subseries.","There are no restrictions on access to the publications of the Health Sciences Library.","The social media files are open to researchers.","The blog files are open to researchers.","The administrative organization and structure files are open to research.","The policies, procedures, and handbooks are open to research.","In accordance with the The Family Educational Rights and Privacy Act of 1974 (FERPA), the library may restrict access to student-authored materials and other protected student records in this series. Course syllabi, course announcements, and other materials produced by University faculty and staff are open to research.","Conference programs and reports are open to research.","The historical and biographical files are open to research.","The reports in this series are open to research.","The committee records and meeting minutes are open to research.","The awards, honors, and commemorations records are open to research.","The lecture and presentation materials are open to research.","The exhibit records are open to research."],"accruals_html_tesm":["\u003cp\u003eThe annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.\u003c/p\u003e","\u003cp\u003eHistorically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003ePublic relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.\u003c/p\u003e","\u003cp\u003eThe publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.\u003c/p\u003e","\u003cp\u003eAnnually, data is downloaded from the Library's active social media sites and added to this collection.\u003c/p\u003e","\u003cp\u003eCopies of each existing blog are captured every year and added to the collection.\u003c/p\u003e","\u003cp\u003eThe organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.\u003c/p\u003e","\u003cp\u003eHistorically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eHistorically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.\u003c/p\u003e","\u003cp\u003eSignificant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e","\u003cp\u003eHistorically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals","Accruals"],"accruals_tesim":["The annual reports of the Health Sciences Library are scheduled for permanent retention. There will be accruals to this series if the Health Sciences Library resumes the creation of annual reports.","The correspondence and subject files of the Health Sciences Library director are not scheduled for permanent retention and, in the past, have been transferred to the archives on an irregular basis. No further accruals of this material is expected.","Historically significant planning documents and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a document or report is historically significant. Accruals to this series are expected.","Historically significant photographs and negatives are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a photograph or negative is historically significant. Accruals to this series are expected.","Public relations files are scheduled for permanent retention in the archives. These records are generally created by the University's marketing and communications departments and they are filed in the records groups associated with those units. However, the library does occasionally create its own public relations files that we expect to add to this series.","The publications of the Health Sciences Library are scheduled for permanent retention in the archives. Much of the content that the Library made available through publications is now made available on various online platforms. It is likely that accruals to this series will be infrequent.","Annually, data is downloaded from the Library's active social media sites and added to this collection.","Copies of each existing blog are captured every year and added to the collection.","The organizational charts of the Health Sciences Library are scheduled for permanent retention in the archives. Besides the charts, only historically significant records document administrative structure are retained in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether one of these records is historically significant. Accruals to this series are expected to occur occassionally.","Historically significant policies, procedures, and handbooks produced by the Health Sciences Library are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a record is historically significant. Accruals to this series are expected.","Historically significant syllabi and course materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Healh Sciences Library determines whether a course record is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant conference programs and reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a program or report is historically significant. Accruals to this series are expected.","Significant historical and biographical materials are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is significant. Accruals to this series are expected to occur infrequently.","Historically significant reports are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a report is historically significant. Accruals to this series are expected to occur infrequently.","Historically significant exhibit records are scheduled for permanent retention in the archives. The head of the Historical Collections and Services Department at the Health Sciences Library determines whether a record is historically significant. Accruals to this series are expected to occur infrequently."],"arrangement_html_tesm":["\u003cp\u003eRecords are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.\u003c/p\u003e","\u003cp\u003eAnnual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.\u003c/p\u003e","\u003cp\u003eIn this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.\u003c/p\u003e","\u003cp\u003eThe images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe miscellaneous photographs are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.\u003c/p\u003e","\u003cp\u003eThe publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.\u003c/p\u003e","\u003cp\u003eThe newsletters are arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eThe promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.\u003c/p\u003e","\u003cp\u003eThe social media content is arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eBlogs are arranged into files alphabetically by title.\u003c/p\u003e","\u003cp\u003eFiles in this series are arranged chronologically according to the date of their creation.\u003c/p\u003e","\u003cp\u003eThe policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.\u003c/p\u003e","\u003cp\u003eSyllabi and course materials are arranged chronologically.\u003c/p\u003e","\u003cp\u003eConference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.\u003c/p\u003e","\u003cp\u003eMaterials in this series are arranged chronologically according to the date that they were created.\u003c/p\u003e","\u003cp\u003eThe reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe directories are arranged by title into files. The files are arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThe awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.\u003c/p\u003e","\u003cp\u003eThe records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. \u003c/p\u003e\n","\u003cp\u003eRecords in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eRecords in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.\u003c/p\u003e","\u003cp\u003eThe materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.\u003c/p\u003e","\u003cp\u003eThese files are arranged alphabetically.\u003c/p\u003e","\u003cp\u003eThese items are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Records are generally organized according to the records retention and disposition schedules series maintained by the Library of Virginia (LVA). When necessary, additional subdivisions have been created for materials that do not have clear equivalents in the LVA resources.","Annual reports are arranged into 3 subseries: Medical Library, Health Sciences Libary, and Information Sciences Council. The subseries are arranged chornologically. Inside the subseries annual reports are placed into files that are arranged chronologically.","The correspondence and subject files are arranged into subseries according to the library director who created them. The subseries are then arranged chronologically by the date that each director began his or her term in this position. Beginning and end dates of the directors' terms are given after his or her name in the subseries title.","In this series, a file is created for each planning report and its associated documents. The files are arranged chronologically by the date of creation for the materials they contain.","The photographs and negatives are arranged into subseries by subject. The subseries are then arranged alphabetically by title. The arrangements of the files in the subseries vary.","The photographs and negatives of library artifacts are arranged alphabetically according to the name of the artifact shown.","The images of Health Sciences Library staff and interiors are arranged chronologically according to their date of creation.","The miscellaneous photographs are arranged chronologically according to the date of their creation.","The public relations files are arranged into subseries according to types of materials (e.g. clippings collections and press releases). The subseries are then arranged alphabetically. The files in the subseries are arranged chonologically.","The publications are arranged into subseries according to types of materials (e.g. journals and magazines, newsletters, patient education resources). The subseries are then arranged alphabetically. The arrangements of the files in the subseries vary.","The newsletters are arranged alphabetically by title.","The promotional brochures, flyers, and other publications are arranged chronologically according to their date of creation.","The social media content is arranged into files alphabetically by title.","Blogs are arranged into files alphabetically by title.","Files in this series are arranged chronologically according to the date of their creation.","The policies, procedures, and handbooks are arranged into the following subseries in this order: Staff procedures and handbooks, and Library users procedures and handbooks. The files in each subseries are arranged chronologically.","Syllabi and course materials are arranged chronologically.","Conference records and programs are arranged into files by conference title. The files are arranged chronologically by the date each conference was held. All of the instances of a reoccurring conference are gathered together into the same file. If the conference is reoccurring, it is arranged in relation to the rest of the files according to the first instance of that conference.","Materials in this series are arranged chronologically according to the date that they were created.","The reports are arranged into files. The files are then arranged chronologically by their date of creation. When a report is reoccurring, all of the reports in that series are placed together in a single file.","The directories are arranged by title into files. The files are arranged chronologically.","The records in this series are arranged into files according to committee or department (when the department is holding reccurring general meetings). The files are then arranged alphabetically.","The awards, honors, and commemorations are arranged into files. The files are then arranged chronologically by date. When an award, honor, or commemoration is reoccurring (e.g. annually), all of the records in that series are placed together in a single file.","The records for stand-alone lectures and presentations are arranged into a subseries called \"Single lectures and presentations\". The records of lectures and presentations that belong to a program or lecture series are arranged into subseries named after the program or lecture series. Following the subseries titled \"Single lectures and presentations\", the remaining lecture series are arranged alphabetically by title. ","Records in all of the subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","Records in this subseries are arranged into files titled with the names of the lectures and presentations. The files are then arranged chronologically by date of creation.","The materials are arranged into files, each file representing an exhibit. Files are arranged alphabetically by exhibit title.","These files are arranged alphabetically.","These items are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003e\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n\u003c/p\u003e","\u003cp\u003e\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n\u003c/p\u003e","\u003cp\u003e\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n\u003c/p\u003e","\u003cp\u003e\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n\u003c/p\u003e","\u003cbr\u003e","\u003cul\u003e\n\u003cli\u003eSeptember 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books.\u003c/li\u003e\n\u003cli\u003e1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda.\u003c/li\u003e\n\u003cli\u003eSeptember 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee.\u003c/li\u003e\n\u003cli\u003e1919-June 1929: Ella Watson Johnson serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eJune 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System.\u003c/li\u003e\n\u003cli\u003eJune 1929-September 1929: Margaret Otto serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1931-1934: Caroline Hill Davis serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eMarch 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1935: The Medical Library institutes its first orientation for first year medical students.\u003c/li\u003e\n\u003cli\u003e1936-1943: Anne Lewis Morris serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1944-1947: Mabel Cook Wyllie serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003e1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection.\u003c/li\u003e\n\u003cli\u003e1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian.\u003c/li\u003e\n\u003cli\u003eSeptember 1962: Wilhelm Moll is appointed the Director of the Medical Library.\u003c/li\u003e\n\u003cli\u003e1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine.\u003c/li\u003e\n\u003cli\u003eNovember 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications.\u003c/li\u003e\n\u003cli\u003eNovember 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons.\u003c/li\u003e\n\u003cli\u003eAugust 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library.\u003c/li\u003e\n\u003cli\u003eApril 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia.\u003c/li\u003e\n\u003cli\u003e1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e1989: The library card catalog is digitized and made available through computer terminals.\u003c/li\u003e\n\u003cli\u003e1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003cli\u003e2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007.\u003c/li\u003e\n\u003cli\u003e2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.\u003c/li\u003e\n\u003c/ul\u003e","\u003cp\u003e(formerly Reference Department from 1987-1991)\u003c/p\u003e","\u003cp\u003eHistorical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["\nBetween 1826 and 1929, the University of Virginia's collection of medical books and journals were kept with the general library collections in the Rotunda. In 1929, the University moved the collections to the new Medical Library inside the recently-constructed Medical School Building. \n","\nBetween 1929 and 1962, a medical librarian with a small staff of student and clerical workers stewarded the library's collections. The Medical Library at this time, although physically separate from the rest of the University's libraries, was administered as part of the central University library system with oversight from School of Medicine faculty serving on the Medical Library Committee. In addition to the management of collections, the medical librarians in this era began to curate exhibits and provide instruction. Only a few of the medical librarians who served in this period had professional library training.\n","\nIn 1962, Wilhelm Moll was appointed the first Director of the Medical Library. During his tenure, Moll oversaw the radical trasnformation of a small branch library into an independent research library. The full-time library staff expanded from 4 to 30, the University built a new library building over Jefferson Park Avenue, the nursing and medical libraries merged to form the Health Sciences Library, a history of medicine program was founded, and the library began to adopt digital technologies.\n","\nAfter Moll's death in 1979, the University apppointed Terry Thorkildsen as the Director of the Claude Moore Health Sciences Library.  Thorkildsen and his successors Linda Watson (1990-2005) and Gretchen Arnold (2005-present) led the library during an era when revolutionary advances in digital technologies (e.g. the Internet, personal computers, databases) presented new challenges and opportunities for the Library.\n","","September 1826: The University of Virginia Library opens in the Rotunda and it includes a collection of medical books. 1911: The University Library's entire collection of medical books and journals are gathered together and moved to the basement of the Rotunda. September 13, 1915: Richard Henry Whitehead, Dean of the School of Medicine, creates the Medical Library Committee. 1919-June 1929: Ella Watson Johnson serves as the Medical Librarian. June 1929: The Medical Library moves from the basement of the Rotunda to its own space in the new Medical School Building, the Medical Library remains a department of the central University Library System. June 1929-September 1929: Margaret Otto serves as the Medical Librarian. 1929-1931: Anne Ashhurst Gwathmey serves as the Medical Librarian. 1931-1934: Caroline Hill Davis serves as the Medical Librarian. March 1934-June 1934: Dora Mitchell Brown serves as the Medical Librarian. 1934-1936: Miriam Thomas Buchanan serves as the Medical Librarian. 1935: The Medical Library institutes its first orientation for first year medical students. 1936-1943: Anne Lewis Morris serves as the Medical Librarian. 1943-1944: Mary Elizabeth Mayo serves as the Medical Librarian. 1944-1947: Mabel Cook Wyllie serves as the Medical Librarian. 1945-1949: The Nursing Library is placed under the Supervision of the Medical Librarian until the appointment of a clerk to manage the Nursing collection. 1947-1962: Elizabeth Frances Adkins serves as the Medical Librarian. September 1962: Wilhelm Moll is appointed the Director of the Medical Library. 1962-1963: As the result of administrative reorganizations during this period, the Medical Library is separated from the central University Library system and placed under the control of the School of Medicine. November 1970: Librarians conduct the first online searches of a database at the University of Virginia Medical Library using the experimental AIM-TWX service developed by the National Library of Medicine's Lister Hill National Center for Biomedical Communications. November 1971: Librarians begin using the National Library of Medicine's MEDLINE system to conduct online searches for patrons. August 1975: The Medical Library and Nursing Library are merged into the Health Sciences Library and Information Center and moved into a new building that spans over Jefferson Park Avenue. Wilhelm Moll is made the Director of the Health Sciences Library. April 1976: The Health Sciences Library is formally dedicated and named after Claude Moore, an alumnus of and donor to the University of Virginia. 1979: Terry Thorkildsen is appointed the Director of the Claude Moore Health Sciences Library. 1989: The library card catalog is digitized and made available through computer terminals. 1990: Linda Watson is appointed the Director of the Claude Moore Health Sciences Library. 2005: Gretchen Arnold is appointed the interim Director of the Claude Moore Health Sciences Library and is then made Director in 2007. 2022: Bart Ragon is appointed the Director of the Claude Moore Health Sciences Library.","(formerly Reference Department from 1987-1991)","Historical Collections and Services was originally concieved in the 1980s by the first director of the Claude Moore Health Sciences Library, Wilhelm Moll. His vision was to create a rare book room that would house the rare books that belonged to the Medical Library. During the Jeffersonian era and up until 1929, the books belonging to the school of medicine and anatomy were housed in the Rotunda Library on Grounds. In 1929, a new Medical School Building opened. This unified all the medical departments, which had been scattered throughout the Grounds. The Medical Collection became the Medical Library, and moved into new quarters in the Medical School Building. When Alderman, now Shannon, Library was built in 1937, the books moved there until the creation of the Claude Moore Health Sciences Library in 1976. Following Dr. Moll's untimely death in 1979, Special Collections librarian Joan Echtenkamp Klein helped to make Moll's reality of a special collections department a reality. She became the curator and manager of Historical Collections and Services, serving in that role until 2015. Dan Cavanaugh took over the role of curator and manager until 2022. Meggan Cashwell became the curator and manager in 2023 and is currently serving in that position."],"odd_html_tesm":["\u003cp\u003eSome exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation.\u003c/p\u003e"],"odd_heading_ssm":["Date Discrepancies"],"odd_tesim":["Some exhibit pages do not have creation dates listed anywhere, but they do have copyright dates at the bottom of the page. This can be confusing in understanding what is the true date of creation."],"originalsloc_html_tesm":["\u003cp\u003eMany of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Many of these online exhibits were once physical exhibits on display in the Claude Moore Health Sciences Library. Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"phystech_html_tesm":["\u003cp\u003eWhen the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.\u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e","\u003cp\u003eWhen the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. \u003c/p\u003e","\u003cp\u003ePatrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. \u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements","Physical Characteristics and Technical Requirements"],"phystech_tesim":["When the Claude Moore Health Sciences Library downloads content from a social media platform, the Library preserves all of the original files (e.g. jpeg files, html files, json files) from the capture.","Patrons may contact Historical Collections staff at the Library to request copies of files containing social media content. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. ","When the Claude Moore Health Sciences Library captures a copy of a blog, the Library preserves all of the its original files (e.g. jpeg files, html files) as well as an aggregated web archive file (warc). Both a directory containing the original files and the warc file are bundled together into a single digital object. ","Patrons may contact Historical Collections staff at the Library to request copies of blog files. The files may be sent to the patron for remote viewing or they may be viewed in the Historical Collections reading room. The Library will provide patrons in the reading room with software to view the files. Patrons who request to view the files remotely are responsible for obtaining their own copies of the hardware and software required to render the files. "],"relatedmaterial_html_tesm":["\u003cp\u003eExhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\"\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Exhibit placards, text, images, curation notes, and other preparation documents may be found in folders with the same exhibit title in this records group in the sub series entitled \"Exhibit Files, 1970-2019, undated.\""],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.\u003c/p\u003e","\u003cp\u003eThis series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eThe annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.\u003c/p\u003e","\u003cp\u003eInformal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).\u003c/p\u003e","\u003cp\u003eThis series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.\u003c/p\u003e","\u003cp\u003eCorrespondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution\u003c/p\u003e","\u003cp\u003eIncludes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse\u003c/p\u003e","\u003cp\u003eCorrespondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt\u003c/p\u003e","\u003cp\u003eIncludes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.\u003c/p\u003e","\u003cp\u003eIncludes correspondence with William Bennett Bean\u003c/p\u003e","\u003cp\u003eIncludes correspondence on Health System reorganization\u003c/p\u003e","\u003cp\u003eThe records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.\u003c/p\u003e","\u003cp\u003eThis subseries contains images of artifacts in the collections of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThe images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eMoll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.\u003c/p\u003e","\u003cp\u003eLIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet\u003c/p\u003e","\u003cp\u003ePeople identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.\u003c/p\u003e","\u003cp\u003eIndividuals not identified.\u003c/p\u003e","\u003cp\u003eFront: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears\u003c/p\u003e","\u003cp\u003eLeft to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson\u003c/p\u003e","\u003cp\u003eOne photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson\u003c/p\u003e","\u003cp\u003eCollection Services and Bibliographic Control\u003c/p\u003e","\u003cp\u003eIntellectual Access and Collection Development\u003c/p\u003e","\u003cp\u003eLibrary Administration\u003c/p\u003e","\u003cp\u003eEllen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn\u003c/p\u003e","\u003cp\u003eThis subseries consists of images that do not belong in any other subseries.\u003c/p\u003e","\u003cp\u003eGordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.\u003c/p\u003e","\u003cp\u003ePhoto was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority\u003c/p\u003e","\u003cp\u003eThis series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.\u003c/p\u003e","\u003cp\u003eThis subseries contains print copies of news articles about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.\u003c/p\u003e","\u003cp\u003eThe materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eA \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.\u003c/p\u003e","\u003cp\u003eThis subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eEnvelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.\u003c/p\u003e","\u003cp\u003eThis series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.\u003c/p\u003e","\u003cp\u003eThe staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.\u003c/p\u003e","\u003cp\u003eThis series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.\u003c/p\u003e","\u003cp\u003eThe Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.\u003c/p\u003e","\u003cp\u003eThe records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.\u003c/p\u003e","\u003cp\u003eThis series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.\u003c/p\u003e","\u003cp\u003eThis subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eIncludes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library\u003c/p\u003e","\u003cp\u003eThis subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.\u003c/p\u003e","\u003cp\u003eThis series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.\u003c/p\u003e","\u003cp\u003eIncludes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.\u003c/p\u003e","\u003cp\u003eIncludes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.\u003c/p\u003e","\u003cp\u003eThis series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.\u003c/p\u003e","\u003cp\u003eThis series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.\u003c/p\u003e","\u003cp\u003eThis file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.\u003c/p\u003e","\u003cp\u003eThe dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.\u003c/p\u003e","\u003cp\u003eIncludes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.\u003c/p\u003e","\u003cp\u003eIncludes remarks that were given by Dr. Don Detmer.\u003c/p\u003e","\u003cp\u003eIncludes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".\u003c/p\u003e","\u003cp\u003eThis series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.\u003c/p\u003e","\u003cp\u003eThis subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.\u003c/p\u003e","\u003cp\u003eThis subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.\u003c/p\u003e","\u003cp\u003ePromotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.\u003c/p\u003e","\u003cp\u003eThis series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.\u003c/p\u003e","\u003cp\u003eThese materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.\u003c/p\u003e","\u003cp\u003eIdentified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall\u003c/p\u003e","\u003cp\u003eIncludes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.\u003c/p\u003e","\u003cp\u003e\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026amp; Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.\u003c/p\u003e","\u003cp\u003eIntroduction by Joan Klein\u003c/p\u003e","\u003cp\u003eThis series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.\u003c/p\u003e","\u003cp\u003eThis online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.\u003c/p\u003e","\u003cp\u003eThis online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.\u003c/p\u003e","\u003cp\u003eThis exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.\u003c/p\u003e","\u003cp\u003eThis online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.\u003c/p\u003e","\u003cp\u003eThis online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.\u003c/p\u003e","\u003cp\u003eThis exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.\u003c/p\u003e","\u003cp\u003eThis online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004\u003c/p\u003e","\u003cp\u003eThis exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.\u003c/p\u003e","\u003cp\u003eThis online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. \u003c/p\u003e\n","\u003cp\u003eThe exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.\u003c/p\u003e\n","\u003cp\u003eThe Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.\u003c/p\u003e\n","\u003cp\u003eThe Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026amp; summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.\u003c/p\u003e","\u003cp\u003eThis online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.\u003c/p\u003e\n","\u003cp\u003eThe exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.\u003c/p\u003e","\u003cp\u003eThis exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.\u003c/p\u003e\n","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026amp; Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eJoan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026amp; Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.\u003c/p\u003e\n","\u003cp\u003eStaff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.\u003c/p\u003e\n","\u003cp\u003eDavid Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026amp; Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.\u003c/p\u003e","\u003cp\u003eThe Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.\u003c/p\u003e\n","\u003cp\u003eOthers associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026amp; Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.\u003c/p\u003e","\u003cp\u003eThis exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"\u003c/p\u003e\n","\u003cp\u003eAnne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.\u003c/p\u003e\n","\u003cp\u003eUnless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"\u003c/p\u003e","\u003cp\u003eIn 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.\u003c/p\u003e\n","\u003cp\u003eThis exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.\u003c/p\u003e","\u003cp\u003eThis online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.\u003c/p\u003e\n","\u003cp\u003eSara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.\u003c/p\u003e\n","\u003cp\u003eJoaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.\u003c/p\u003e","\u003cp\u003eThe 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.\u003c/p\u003e\n","\u003cp\u003eMary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.\u003c/p\u003e","\u003cp\u003eWalter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.\u003c/p\u003e\n","\u003cp\u003eThis exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.\u003c/p\u003e","\u003cp\u003eThis series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection consists of permanent and historically significant institutional records created by the University of Virginia Health Sciences Library and the antecedent Medical Library. These records include, but are not limited to: annual reports, planning documents, newsletters, online exhibits, blogs, social media content, conference programs, department histories, committee records, and library-sponsored lecture materials.","This series consists of annual reports produced by the Medical Library (1929-1975), the Health Sciences Library (1975-Present), and the Information Sciences Council (1990-1996). Annual reports for the Health Sciences Library are missing from this collection for the period from 2006 to the present. Also, the annual reports for the Medical Library are missing from this collections for the period from 1929 to 1942. It is unclear whether the Medical and Health Sciences libraries wrote reports for the years.","The annual reports of the Medical Library contain comprehensive descriptions of the annual activities of the Medical Library. The Medical Library's annual reports from 1929 to 1942 are missing from this collection. It is not known if the reports were ever written by the library.","The annual reports of the Health Sciences Library contain comprehensive descriptions of the annual activities of the Health Sciences Library. The Health Sciences Library's annual reports from 2006 to the present are missing from this collection. It is not known if the reports were ever written by the library.","Informal annual report-like documents and related material, including reports shared on the Claude Moore Health Sciences Library blog and an internal UVA Health System news website (HS Connect). Reports from: March 2007, September 2009 (written by Gretchen Arnold), January 2013 (written by Gretchen Arnold), and March 2018 (written by Gretchen Arnold).","This series consists of correspondence and subject files that were created and assembeled by the directors of the Health Sciences Library while carrying out the responsibilities of their position.","Correspondents include Curators of the HSL--Daniel Spikes, Cassandra Ruane, Frank C. Mevers, Todd L. Savitt, and Doris Leckie of the Smithsonian Institution","Includes articles about Jesse Lazear, Carlos Finlay, Philip Hench and cortisone, Henry R. Carter, Nicolas Chervin, Joseph Y. Porter and Isaac Hulse","Correspondents with Bean include Mary (Mrs. Philip) Hench, Atcheson L. Hench, Byrd S. Leavell, and Todd Savitt","Includes news releases, news clippings, journal articles, and correspondence related to the gift by Mary Hench of the Philip S. Hench Walter Reed Yellow Fever collection.","Includes correspondence with William Bennett Bean","Includes correspondence on Health System reorganization","The records in this series document the planning of historically significant administrative initiatives, purchases, construction, and events at the Health Sciences Library.","This series consists of digital and analog images that show the history and collections of the Health Sciences Library. Image formats in this series include, but are not limited to, photographic prints, film negatives, jpeg files, tiff files, 35mm film slides, CDs or other media containing digital images. The series does not include official identification photographs for faculty, students, and staff.","This subseries contains images of artifacts in the collections of the Health Sciences Library.","The images in this subseries show the staff, faculty, and interior spaces of the Health Sciences Library.","Moll, Bowers, Bowers, and Rudnick are photographed with ceramic vessels used in the early production of penicillin.","LIS officially started in 1989. Dr. Don Detmer is upper right of FF sheet","People identified are: Inhye Son, Sarah Handley, Anne Humphries, Mike Wilson, Jonathan Lord, Elaine Banner, Julia Kochi, Marylin James, Mary Nightengale, Ophelia Payne, Nadine Ellero, Trisha Luby, Sue Daddezio, Diane Ricketson, Deborah Camden, Michael Sullivan, Betty Mickens, Dan Wilson, Shelby Miller John Sesody, Greatchen Arnold, Michelle Martin, Jeri Davis, Barbara Crawford, Cindy Saylor, Susan Yowell, Karen Collier, Pat Shannon, Rick Peterson, Brenda Bikos, Sandy Zoumbaris, Jana Maas, Joan Klein, Mark Mones, Jane Wagner, Eli Casarez, Aulia Gies, Cynthia Siedman-Willen, Catherine Anninos, Judy Shotwell, Linda Watson and Ann Carter.","Individuals not identified.","Front: Kathleen Tracey, karen Collier, Deborah Camden, Ophelia Payne, Rick Peterson\nSecond: Marylin James, Jane Wagner, Barbara Crawford, Polly Sandridge, Linda Watson\nThird: Pat Shannon, Brenda Bikos, Gretchen Naisawald, Anne Humphries, Jeri Davis, Shelby Miller, Jonquil Feldman, Mike Wilson\nFourth: Judith Robinson, Susan Daddezio, Julia Hochi\nFifth: Thomas Speare, Catherine Anninos, Libby Colley, Judy Shotwell\nSixth: Hall Sharp, Rick Weaver, Ann Carter\nSeventh: Nadine Ellero, Megan McCaskey, Sarah Handley\nEighth: Jonathan Lord, Jake Appleford, Mary Nightengale, Inhye Son\nAbsent: Joan Klein, christopher Marks, Betty Mickens, Mark Mones, Diane Spears","Left to right: Dieter Groeschel, Joan Klein, Linda Watson, unidentified person\nIn back: unidentified, Janet Pearson","One photo individuals front left to right Dieter Groeschel, Joan Klein, Linda Watson, unidentified person, in the back an unidentified person and Janet Pearson","Collection Services and Bibliographic Control","Intellectual Access and Collection Development","Library Administration","Ellen Ramsey, David Moody, Bart Ragon, Mike Wilson, Joan Klein, Dave Denton, Inhye Son, Wilma Lynch, Pat Shannon, Gretchen Arnold, Jeri Davis, Joy Nuckolls, Karen Knight, Elaine Attridge, Ann Carter, Jonathan Lord, Andrea Horne Denton, Stephanie Fielding, Adrienne Granitz, Sonya Coleman, Jason Bennett, Tony Hiserman, Tenzin Thosam, Roderick Martin, Nadine Ellero, Patricia Vaughn","This subseries consists of images that do not belong in any other subseries.","Gordon was the coordinator of an exhibit on the history of gastroscopy and visited the medical school to open the exhibit. Photo taken by Ursula Ziolkowki.","Photo was sent to Terry Thorkildson from the Area Health Education Centers Program Eastern Virginia Medical Authority","This series contains historically significant press releases, visual aids, clippings, and other items that record information about the Library that were produced for or by the news media.","This subseries contains print copies of news articles about the Health Sciences Library.","This series consists of publications produced by the Health Sciences Library for public distribution or general internal distribution. Publications include, but are not limited to, magazines, journals, monographs, newsletters, weblogs, weekly announcements, online publications, marketing materials, and patient education resources. This series may contain both print and digital publications.","The materials in this subseries were produced to guide the use of collections housed at the Health Sciences Library.","This subseries consists of digital and print newsletters that provide information about the activities of the Health Sciences Library.","A \"scrapbook\" of Library milestones and appropriate photographs for each medical and nursing graduating class celebrating its reunion in a particular year. The print series was discontinued after 2000, but additional Journey Through Time content is available online through the Historical Collections web exhibits.","This subseries contains brochures, flyers, and other printed ephemera that provide information about the Health Sciences Library.","Envelope has Dr. Wilhelm Moll handwritten on it. Brochure includes library statistics, what is needed in terms of money and space, various endorsements, and tax information.","This series contains social media content that has been produced by the Health Sciences Library for platforms like Facebook, Instagram, and Twitter.","The staff of the Health Sciences Library's Historical Collections and Services department maintains and contributes content to this Facebook page. Many posts and photographs on the page relate to the Department's services, collections, and events. Other posts share information related to the history of the health sciences and the work of libraries, museums, and archives.","This series consists of blogs that were created by the Health Sciences Library. The files in this series were downloaded from the Internet by Library staff. Content in the blogs that are accessed through a link outside of the blog's parent directory (e.g. external YouTube videos, external web pages) are not downloaded and archived in this series.","The Moore Library News (MLN) blog is produced by the Claude Moore Health Sciences Library. MLN blog posts provide information about Library collections, policies, services, and events.","The records in this series document the organizational structure of the Health Sciences Library. It also contains records that document administrative reorganizations of the Library. These materials include, but are not limited to, organizational charts and reports.","This series contains policies, procedures, and handbooks produced by the Health Sciences Library to direct and guide the conduct of its faculty, staff, and patrons. These records may also formally describe and define the relationship between the Health Sciences Library and its faculty, staff, and patrons.","This subseries contains procedures and handbooks for the faculty and staff of the Health Sciences Library.","Includes items from the Printing Office with the new library name: The Claude Moore Health Sciences Library","This subseries consists of procedures and handbooks for the patrons of the Health Sciences Library.","This series contains course announcements, syllabi, notes, and other materials that document classes and workshops taught by the faculty and staff of the Health Sciences Library.","This series consists of programs and reports that document the history of conferences and symposia hosted by the Health Sciences Library. Programs and reports often contain the following information: lists of speakers, presentation titles, schedules of events, and lecture abstracts. The following conference records are not included in this series: registration records, financial records, organization records, attendance lists.","This series consists of significant material that conveys the history of the Health Sciences Library, its administration, its accomplishments, its officials or employees. Includes, but is not limited to, scrapbooks, photographs, articles, program notes and documentation of events sponsored or funded by the agency. Also included are narratives; printed, audio, or audiovisual histories; or matters of significant historical importance.","Includes many photos of the library interior and library staff. Some individuals identified. Probably an exhibit celebrating the library's 15th anniversary in 1991, but photos from 1993 are also in the folder.","Includes photos of library interiors, staff (some identified) and UVA buildings; library organization chart for 2/1995; and Library Building Funds chart, 1975.","This series consists of reports, of a historically significant nature, that do not belong to any other series of the Health Sciences Library records.","This series contains memos, correspondence, subject files, online resources, and meeting minutes of committees working within the Health Sciences Library.","This file includes the meeting minutes, meeting agendas, and other documentation of the Library Management Group. The members of this committee were the leaders of the Health Sciences Library. They met once a month to discuss major library initiatives, provide updates and reports about library department activities, and share other information related to the management of the Library.","This file consists of the meeting minutes, bylaws, constitution, and correspondence of the Medical History Society of the University of Virginia. The Society was formed to promote the knowledge and study of the history of medicine and the health sciences at the University of Virginia. For much of its history, Wilhelm Moll led the Society. It supported the development of historical collections and services at the Health Sciences Library and founded a lecture series that becsme the History of the Health Sciences Lecture Series in 1984.","This series consists of records that document awards, honors, and commemorations presented by the Health Sciences Library. These records may include, but are not limited to, event programs, lists of recipients, and recipient biographies.","The dedication ceremony included remarks by Donald S. Fredrickson, MD, Director, National Institutes of Health.","Includes a tribute to Wilhelm Moll by William B. Bean and another speech by an unidentified individual.","Includes remarks that were given by Dr. Don Detmer.","Includes remarks given by Donald Lindberg. The title of Lindberg's presentation was\"The Computer and the Academical Village\".","This series consists of records that document lectures and presentations sponsored by the Health Sciences Library. These records include, but are not limited to, audiovisual recordings, transcripts, announcements, handouts, and correspondence between presenters and event organizers.","This subseries consists of records associated with standalone lectures and presentations sponsored by the Health Sciences Library.","This subseries contains records that are associated with the Health Sciences Library's History of the Health Sciences Lecture Series.","This subseries contains records that are associated with the Medical History Society of the University of Virginia Lecture Series.","Promotional posters for a medical history lecture series held at the UVA Health Sciences Library and organized by the UVA Medical History Society.","This series consists of records that document exhibits created by the Claude Moore Health Sciences Library of an educational or promotional nature. Some records are physical, and others are archived websites crawled by the Internet Archives' Archive-It service and made accessible by their Wayback Machine.","These materials are physical materials containing exhibit plans and designs, text, labels, and images created for physical exhibits.","Identified individuals in photos are John Guerrant, Ken Crispell, and Barry Marshall","Includes print-out (109 pages) of \"Who's Who on the Philip S. Hench Walter Reed Yellow Fever Collection Website\" (2002) and supplemental list of compiled names.","\"Robley Dunglison: 1798-1869\" Pamphlet produced for a library exhibit honoring the 200th anniversary of Dunglison's birth. 3 copies; 14 pp. Prepared by Historical Collections \u0026 Services, Claude Moore Health Sciences Library. Folder note indicates biography was written by Joby Topper. Includes reference list.","Introduction by Joan Klein","This series contains web archived online exhibits created by Historical Collections and Services between 2007 and circa 2023, although some of the creation dates of the websites are questionable. These 21 exhibits were hosted on the Claude Moore Health Sciences Library website but are now available via the Internet Archives' Wayback Machine.","This online exhibit is centered on the book \"A History of Cancer Care at the University of Virginia, 1901-1911.\" This book provides vast insight into the teamwork, dedication, collegiality, and skill–as well as luck–which was necessary for the Cancer Center to exist today. Twenty-five oral history interviews were conducted in the course of researching the book and are included with the book or may be viewed in the videos section of this website. Written by Henry K. Sharp, Ph.D. and Morton C. Wilhelm, M.D. the Joseph Helms Farrow Professor Emeritus in Surgical Oncology, University of Virginia School of Medicine.","This online exhibit serves as an online \"scrapbook\" with some of the milestones of the Claude Moore Health Sciences Library, Medical Center, and the School of Medicine and the School of Nursing. There are added appropriate photographs for each class year.","This exhibit recounts the origin and early history of the American Lung Association. The American Lung Association of Virginia (ALAV) Collection contains personal and official correspondence, financial and legal papers, minute books, organizational and scientific reports, educational publicity, photographs, and artifacts. ALAV donated its organization's papers to the Claude Moore Health Sciences Library in 1990 and 1991 made this exhibit possible. The ALAV made an additional donation in 2009.","This online exhibit presents images and summaries of the known uses of each instrument. The extant comments of medical writers from antiquity–including Oribasius, Galen, Soranus, Aetius, and the Hippocratic corpus–have provided scholars with some clues about the use of some instruments. Some instruments, such as mixing instruments and tweezers, probably had other household uses, such as the application of cosmetics and paints.","This online exhibit was created under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library. Hal Sharp, a Historical Collections staff member, wrote the essay giving a brief history of anatomical drawing. The exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant. Emily Bowden, Historical Collections, photographed the Denoyer-Geppert Anatomy Series charts. William Crutchfield generously donated W. and A. K. Johnston's Charts of Anatomy and Physiology which were owned for 33 years by his father, Dr. William Gayle Crutchfield.","This exhibit was designed to highlight the UVA Hospital's involvement with supporting United States Army troops during World War I and World War II. It was created by Janet Pearson with the assistance of Joby Topper. Special thanks to Dr. John L. Guerrant, Dorothy Sandridge Gloor, and Elizabeth Harlin Drash for sharing their stories and helping us identify photographs.","This online exhibit shows materials related to eugenics as it relates to UVA and Charlottesville, VA. Alison White and Ina Hofland, staff members of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia, created this Web exhibit. They also created the physical exhibit of the same title on which it is based. The physical exhibit was displayed in the foyer of the Health Sciences Library April-September 2002. Steve Stedman designed the Web exhibit. Special thanks to Sara Huyser, Joan Echtenkamp Klein, Ophelia Payne, Bart Ragon, Hal Sharp, and Mike Wilson for their assistance. Web Exhibit Publish Date: February 13, 2004","This exhibit was created under the direction of Joan Ectenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at the Claude Moore Health Sciences Library. Dr. Morton C. Wilhelm, the Joseph Helms Farrow Professor in Surgical Oncology, wrote the essay with the editorial assistance of Janet Pearson. The web exhibit was designed by Janet Pearson, Historical Collections; Bart Ragon, the Associate Director for Knowledge Integration, Research and Technology; and Paulina Vaca, Web Communications Assistant.","This online exhibit offers a look into The Papers of James Carmichael and Son, a collection held at the UVA Albert and Shirley Small Special Collections Library, and tells a story of the early nineteenth-century inhabitants of Fredericksburg, Virginia and its surrounding rural areas. ","The exhibit is organized into two content areas: the Story and the Collection. Each of these areas, as well as the Home and About sections, are represented in the tabs near the top of every page. See the site map for more detail.","The Story section sets the atmosphere for the exhibit. One can get a sense of what the practice of medicine was like for James and Edward Carmichael in the early nineteenth century by reading the essays describing the Pharmacy, the Tools of the Trade, and the Health Care of Slaves.","The Collection section houses the images of the original Carmichael letters, which are meticulously transcribed and categorized to provide access not only to the words, but to the medical conditions, treatments, and philosophies of almost two centuries past. Particularly compelling is the use of Medical Subject Headings (MeSH) to categorize the letters along with a very detailed methodology and definition of MeSH terms. Other items of interest include the daybook kept by Doctor Carmichael from 1816-1817, newspaper clippings, court records \u0026 summaries, period maps, and Virginia WPA Historical Inventory Project records. Additionally, there is an exhaustive Who's Who list of names that appeared in the letters as well as a thorough list of Places Mentioned.","This online exhibit tells the story of how the U.S. Army Commission, comprised of Major Walter Reed, Dr. James Carroll, Dr. Aristides Agramonte, and Dr. Jesse Lazear, confirmed Carlos Finlay's theory about the transmission of yellow fever. By showing without a doubt that mosquitoes were the vector for yellow fever, the researchers empowered public health officials in the Americas to eradicate this devastating disease from much of the Western Hemisphere.","The exhibit is divided into three main sections. The first section, Archives, provides information about and links to the Philip S. Hench Walter Reed Yellow Fever Collection. The collection, most collected by Philip S. Hench and housed at the University of Virginia's Claude Moore Health Sciences Library, is a rich archive of materials that documents the history of the U.S. Army Yellow Fever Commission. The second section, History, tells the story of the U.S. Army Yellow Fever Commission and the impact of its findings. Finally, the third section, Resources, provides access to biographies, bibliographies, and other resources visitors may want to consult to learn more about the Commission and the history of yellow fever.","This exhibit tells the story about 12 physicians practicing in Charlottesville, VA in 1848 mutually agreed to create an agreed rate of medical charges for services.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at The Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the fee bill project and directed it. Todd L. Savitt, Ph.D., wrote the background information essay on fee bills in general and the Charlottesville fee bill in particular. He is a faculty member at East Carolina University in the Department of Bioethics \u0026 Interdisciplinary Studies. Janet Pearson wrote the introduction and the biographical sketches of the twelve signers. She gathered images and took photographs in the University of Virginia Cemetery and Columbarium and in downtown Charlottesville. She is a member of the staff of Historical Collections and Services. Sonya Coleman, also a member of the staff of Historical Collections, contributed to the design elements. David Moody, Claude Moore Health Sciences Library Webmaster, and Jason Bennett, Technology in Education Consultant, provided the programming architecture for the Web exhibit.","Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections \u0026 Services at the Claude Moore Health Sciences Library, University of Virginia, conceived the idea for the \"Fever Fighters\" project after the generous donation of Dr. Hanson's diary by his granddaughter, Jane H. Monroe.","Staff members at Historical Collections, Leigh Mantle, Susan Yowell, and Janet Pearson, contributed content and created the GIS Map. Caitlin Summers, a dedicated intern at Historical Collections, also provided editorial assistance in the spring of 2012.","David Moody, Library Webmaster; Mike Wilson, Information Services Specialist; and Jason Bennett, Technology Specialist, provided the programming architecture for the Web exhibit.","This exhibit was inspired by The Mineral Springs of Western Virginia by William Burke, the first volume purchased by the Weaver Family Endowed Rare Book and Medical Materials Fund. Published in 1846, the book describes the setting and development of eleven springs in what are now Virginia and West Virginia. Dr. Burke, a one-time owner and resident physician at Red Sulphur Springs, remarks on the usefulness of the various mineral waters in certain diseases as well as contraindications to their use. The springs range from those that are well known today such as the White Sulphur Springs, currently the Greenbrier resort in West Virginia, to the Blue Sulphur Springs, once able to accommodate several hundred people and now represented by a lone Greek Revival pavilion in the middle of a field near Smoot, West Virginia.","This exhibit was written and organized by Janet Pearson, a member of the staff of Historical Collections and Services, under the direction of Joan Echtenkamp Klein, the Alvin V. and Nancy Baird Curator for Historical Collections at The Claude Moore Health Sciences Library, University of Virginia. Claudia Sueyras, Normajean Hultman, and Sonya Coleman did preliminary research. Rod Martin and Victoria Meyer scanned items from Historical Collections and the Charles L. Brown Science \u0026 Engineering Library. David Moody, with the assistance of Bart Ragon, provided the programming architecture for the Web exhibit. Sonya Coleman contributed to the design elements. Special thanks has been given to the staff at the Albert and Shirley Small Special Collections Library, University of Virginia, as they retrieved dozens of documents and also to the Digital Curation Services staff for their scanning of the documents.","The Anatomical Theatre at the University of Virginia online exhibit tells the story of the Theatre's presence at the University for more than a century. While not included in the earliest plans of the University, the need for the Theatre became clear before the first classes were ever held. Thomas Jefferson himself drew the design which includes two floor plans, a front elevation view, and a cross section. The exhibit traces the construction and later changes to the building, its demise, and archeological investigations at the site. It also gives a glimpse of what happened inside the building and the deeds that were done to procure cadavers so that medical students could learn anatomy.","This exhibit was sparked by the interest of the late Dr. M.C. Wilhelm in the model of the Anatomical Theatre housed in Historical Collections at the University of Virginia Claude Moore Health Sciences Library. A retired surgeon and volunteer in Historical Collections, Dr. Wilhelm gathered resources and did preliminary writing. It was decided to further develop the project, and the result is this exhibit, written and organized by Janet Pearson, a Historical Collections staff member. Originally done under the direction of Joan Echtenkamp Klein, who was the Alvin V. and Nancy Baird Curator for Historical Collections until her untimely death, project support was continued under Dan Cavanaugh, who stepped into Joan's role and position.","Others associated with the University of Virginia community freely shared their ideas and research. These individuals include Garth Anderson, the Facilities Management Historian; Kirt von Daacke, Assistant Dean and Professor, College of Arts \u0026 Sciences; Louis Nelson, Professor in the Department of Architectural History and Associate Provost for Outreach; Robert Bloodgood, Professor in the School of Medicine; Benjamin Ford, Principal Investigator with Rivanna Archaeological Services, LLC; and Sonya Coleman, formerly a staff member in Historical Collections and now at the Library of Virginia. Emily Bowden, the Historical Collections Specialist, answered many technical queries as well as gave editorial assistance. Anson Parker and Jason Bennett provided the programming architecture for the Web exhibit.","This exhibit explores the development of the iron lung during the late nineteenth and early twentieth century and considers the reasons for its success during the height of the poliomyelitis epidemics. Andrew Sallans, Historical Collections Specialist, researched and compiled the content for the online and physical exhibits. The design of the online exhibit was conceived and executed by Steve Stedman, Webmaster for the Claude Moore Health Sciences Library.","This online exhibit displays a digitized copy of Historical Collections and Services' rare book \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England: An Introduction to Orders thought meete by her Maiestie ..., 1578.\"","Anne McKeithen, Janet Pearson, and Andrew Sallans, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, compiled the material for the Plague Book exhibit under the direction of Joan Echtenkamp Klein. Joaquin Bueno designed the Web exhibit and graphics, with the programming architecture of David Moody and the assistance of Bart Ragon.","Unless otherwise noted, the images are courtesy of the Missouri Botanical Garden, © 1995-2006 Missouri Botanical Garden http://www.illustratedgarden.org). They deserve special thanks for their generous permission to reproduce their exquisite illustrations. Special thanks are also given to Duane J. Osheim, Ph.D., Professor and Chair, of the Corcoran Department of History at the University of Virginia for his paper, \"Plague and Public Health in Europe, with Special Reference to Sixteenth-Century England.\"","In 2001 Historical Collections in the Claude Moore Health Sciences Library created an exhibit that traces the history of the first century of the Hospital in words and images. One copy of the exhibit traveled from location to location in the Health System and beyond; the other set of panels were hung in a busy hospital corridor near the main entrance where they remain today. These panels form the basis for this online exhibit which now includes the addition of a section on the first 14 years of the Hospital's second century. We hope you enjoy following the history of the growth of the University of Virginia Health System as it seeks to fulfill its longstanding vision to benefit human health and improve quality of life through patient care, research, and education.","This exhibition was prepared by Hal Sharp and Janet Pearson of the Department of Historical Collections and Services, The Claude Moore Health Sciences Library.","This online exhibit aims to give viewers a view into more than 50 of Historical Collections and Services' most notable books and see how their authors over the years have documented their discoveries and concepts for contemporaries and for us.  There are digitized versions of many of the books in the Fulltext Books section, which offers links to the scanned images of over half of these rare books.","Sara Huyser, Anne McKeithen, and Janet Pearson, members of the staff of Historical Collections at The Claude Moore Health Sciences Library, wrote and compiled the material for Vaulted Treasures under the direction of Joan Echtenkamp Klein.","Joaquin Bueno designed the Web exhibit and graphics, with the server expertise of David Moody and the assistance of Bart Ragon. Special thanks to Claudia Sueyras who scanned many of the books and Andrew Sallans who provided technical assistance.","The 37 caricatures displayed in this exhibit are divided into two groups: English and French. The English prints are predominately drawn by two of the more famous British caricaturists, James Gillray and George Cruikshank. The French caricatures include artwork by J.J. Grandville, Louis-Léopold Boilly, and Edme Jean Pigal.","Mary Wagner donated the caricatures in this exhibit to Historical Collections and Services, The Claude Moore Health Sciences Library. Her husband, the late Robert R. Wagner, M.D., collected these when he was a post-doctoral fellow at the National Institute for Medical Research in London from 1950 to 1951. Wagner was Chair of the Department of Microbiology at the University of Virginia from 1967 to 1994, and Director of the UVa Cancer Center from 1983 to 1993. Thanks to Mary Wagner's generosity, the caricatures recently have been professionally treated, preserved, and reframed. The originals are on display in Historical Collections and Services and in the Department of Microbiology in the Robert R. Wagner Conference Room. These nineteenth-century satirical prints will thus continue to delight future generations.","This exhibit was written by Sara Huyser and Janet Pearson, members of the staff of Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia. Steve Stedman designed the Web exhibit. Special thanks to Joan Echtenkamp Klein and Andrew Sallans for their assistance.","Walter Reed's professional experiences with typhoid fever stand in marked contrast to his professional encounters with yellow fever. In the case of typhoid, he was more a messenger than a conqueror. Typhoid fever remained defiant during a career that oversaw the rout of yellow fever. Through a humanizing story that shows how fate brought Reed continuing frustration as well as talent and success, this exhibit seeks to render him a more accessible role model for students of medicine and history.","This exhibit was written by Noel G. Harrison, a graduate student in The Corcoran Department of History at the University of Virginia and an intern in Historical Collections and Services at the Claude Moore Health Sciences Library, University of Virginia during the fall of 2002. The Web exhibit was prepared and designed by Mike Wilson and Sara Huyser. Special thanks to Bart Ragon, Joan Echtenkamp Klein, and Hal Sharp for their assistance.","This series includes records related to Historical Collections and Services, the special collections and archives department of the Claude Moore Health Sciences Library. Records the public can access are related to exhibitions that were curated by staff and displayed in the library."],"userestrict_html_tesm":["\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.\u003c/p\u003e","\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eCopyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.\u003c/p\u003e","\u003cp\u003eThe Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use","Conditions Governing Use"],"userestrict_tesim":["The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this collection varies.","The Rector and Visitors of the University of Virginia own the copyright to the annual reports in this series.","The Rector and Visitors of the University of Virginia owns the copyright to records in this series that were created by the library directors while they were acting within the scope of their position, except scholarly and academic works. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the planning documents and reports created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to images created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to publications created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The University of Virginia owns the copyrights to publications produced by the Health Sciences Library. Other copyright restrictions may apply to some materials.","Copyright restrictions may apply.","The Rector and Visitors of the University of Virginia own the copyright for social media content (e.g. posts, photographs) created by University employees while acting within the scope of their employment, except scholarly and academic works. The organizations that own the social media platforms might also hold licenses to all of the content posted by University of Virginia employees. Copyright ownership varies for other content that has been posted on the Library's social media platforms and archived here.","The Rector and Visitors of the University of Virginia own the copyright to blogs and blog posts created by University employees while acting within the scope of their employment, except scholarly and academic works.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to media created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to conference records and programs created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to reports created by University employees while acting within the scope of their employment. Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to records created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to the records in this series that were created by University employees while acting within the scope of their employment.","The Rector and Visitors of the University of Virginia own the copyright to materials in this series created by University employees while acting within the scope of their employment, except scholarly and academic work.  Copyright ownership for other materials in this series varies.","The Rector and Visitors of the University of Virginia own the copyright to exhibit content created by University employees while acting within the scope of their employment.  Copyright ownership for other materials in this series varies."],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":26,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:41:23.997Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_215"}},{"id":"viw_repositories_2_resources_8508","type":"collection","attributes":{"title":"Claudia Stevens papers","creator":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508#creator","type":"document_value","attributes":{"value":"Stevens, Claudia","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00037","/repositories/2/resources/8508"],"text":["MS 00037","/repositories/2/resources/8508","Claudia Stevens papers","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","English"],"unitid_tesim":["MS 00037","/repositories/2/resources/8508"],"normalized_title_ssm":["Claudia Stevens papers"],"collection_title_tesim":["Claudia Stevens papers"],"collection_ssim":["Claudia Stevens papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Stevens, Claudia"],"creator_ssim":["Stevens, Claudia"],"creator_persname_ssim":["Stevens, Claudia"],"creators_ssim":["Stevens, Claudia"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e\n","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e\n","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e\n","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e\n","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e\n","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e\n","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e\n","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e","\u003cp\u003ePapers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.\u003c/p\u003e","\u003cp\u003eScope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026amp; Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026amp;M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection\u003c/p\u003e","\u003cp\u003eThis folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.\u003c/p\u003e","\u003cp\u003eThis folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf\u003c/p\u003e","\u003cp\u003eBiographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.\u003c/p\u003e","\u003cp\u003ePrograms of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026amp; Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.\u003c/p\u003e","\u003cp\u003eLetters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.\u003c/p\u003e","\u003cp\u003eLetters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.\u003c/p\u003e","\u003cp\u003eLetter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"\u003c/p\u003e","\u003cp\u003eScore by Joel Chadabe titled \"Variation\" (1983), 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.\u003c/p\u003e","\u003cp\u003eScore by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.\u003c/p\u003e","\u003cp\u003eLetters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"\u003c/p\u003e","\u003cp\u003eScore by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.\u003c/p\u003e","\u003cp\u003eLetter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Jeffrey Mumford titled \"For Elliot\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"\u003c/p\u003e","\u003cp\u003eScore by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.\u003c/p\u003e","\u003cp\u003eLetters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.\u003c/p\u003e","\u003cp\u003eScore by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"\u003c/p\u003e","\u003cp\u003eLetters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.\u003c/p\u003e","\u003cp\u003eScore by Allen Shearer titled \"Medallion for piano solo\", 8 pages.\u003c/p\u003e","\u003cp\u003eScore by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.\u003c/p\u003e","\u003cp\u003eLetters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.\u003c/p\u003e","\u003cp\u003eScore by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026amp; 30, 1983 requesting particulars about the recital and possible publications of some tribute works.\u003c/p\u003e","\u003cp\u003eLetter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.\u003c/p\u003e","\u003cp\u003eScore by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.\u003c/p\u003e","\u003cp\u003eCorrespondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.\u003c/p\u003e","\u003cp\u003eScores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.\u003c/p\u003e","\u003cp\u003eScore by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"\u003c/p\u003e","\u003cp\u003eScore by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.\u003c/p\u003e","\u003cp\u003eScores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.\u003c/p\u003e","\u003cp\u003eLetters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026amp; 30, 1978 on choosing between several contributions and instructions.\u003c/p\u003e","\u003cp\u003eScore by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.\u003c/p\u003e","\u003cp\u003eScore by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.\u003c/p\u003e","\u003cp\u003eScore by David Lewin titled \"Just a Minute Roger\", 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.\u003c/p\u003e","\u003cp\u003eLetters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.\u003c/p\u003e","\u003cp\u003eScore by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.\u003c/p\u003e","\u003cp\u003eTwo programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.\u003c/p\u003e","\u003cp\u003eScore by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eInformational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.\u003c/p\u003e","\u003cp\u003eTypewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.\u003c/p\u003e","\u003cp\u003eScope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eLetter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.\u003c/p\u003e","\u003cp\u003eScope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eHandwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eTitled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.\u003c/p\u003e","\u003cp\u003eScope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning\u003c/p\u003e","\u003cp\u003eScope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"\u003c/p\u003e","\u003cp\u003eText by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.\u003c/p\u003e","\u003cp\u003eMusic-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eProduction notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes on the lighting and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes by Claudia Stevens, prepared for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.\u003c/p\u003e","\u003cp\u003eStaging notes for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes for November 14, 1990 production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProjection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.\u003c/p\u003e","\u003cp\u003eScope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eBlack and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.\u003c/p\u003e","\u003cp\u003eScope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.\u003c/p\u003e","\u003cp\u003eScope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eAnnouncement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.\u003c/p\u003e","\u003cp\u003eScope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.\u003c/p\u003e","\u003cp\u003eInvitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePrinted online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.\u003c/p\u003e","\u003cp\u003eThis folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026amp; Black, Grinnell College newspaper.\u003c/p\u003e","\u003cp\u003eProgram for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.\u003c/p\u003e","\u003cp\u003ePostcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.\u003c/p\u003e","\u003cp\u003eInvitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.\u003c/p\u003e","\u003cp\u003eArticle, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePostcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at Boston University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.\u003c/p\u003e","\u003cp\u003ePoster for Miami University's Center for American \u0026amp; World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.\u003c/p\u003e","\u003cp\u003eColor poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Denison University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eColor poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eLetter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.\u003c/p\u003e","\u003cp\u003eScript for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.\u003c/p\u003e","\u003cp\u003eScope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.\u003c/p\u003e","\u003cp\u003eScope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.\u003c/p\u003e","\u003cp\u003eScope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.\u003c/p\u003e","\u003cp\u003eTyped lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.\u003c/p\u003e","\u003cp\u003eOriginal musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.\u003c/p\u003e","\u003cp\u003eExcerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eColor Poster for \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.\u003c/p\u003e","\u003cp\u003eThis folder contains one opera libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains one original screenplay.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eStage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz,\" accented with red marker.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.\u003c/p\u003e","\u003cp\u003eBlue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.\u003c/p\u003e","\u003cp\u003eWork samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eYellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.\u003c/p\u003e","\u003cp\u003eScope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.\u003c/p\u003e","\u003cp\u003ePhotocopied page from Kutztown University Events Calendar.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.\u003c/p\u003e","\u003cp\u003eProgram for University of Richmond performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eRoanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003ePerforming Arts Series, 1993-1994, seasonal brochure for Roanoke College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Roanoke College.\u003c/p\u003e","\u003cp\u003eRichmond Times-Dispatch announcement for December 11 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eMusical Score Sheets and Musical Sketches for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.\u003c/p\u003e","\u003cp\u003e\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.\u003c/p\u003e","\u003cp\u003eAnnouncement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopied press sheet with handwritten information about a performance in Budapest.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.\u003c/p\u003e","\u003cp\u003eScope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.\u003c/p\u003e","\u003cp\u003eJCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.\u003c/p\u003e","\u003cp\u003eTeal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eArticle photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.\u003c/p\u003e","\u003cp\u003eLetter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.\u003c/p\u003e","\u003cp\u003eArticle in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.\u003c/p\u003e","\u003cp\u003eLettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"Playing Paradis\"\u003c/p\u003e","\u003cp\u003e\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.\u003c/p\u003e","\u003cp\u003eSpiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eProgram notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me\" written on the cardboard backing from a checkbook.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Lewis \u0026amp; Clark \u0026amp; Me\" performed at the Williamsburg Library Theater.\u003c/p\u003e","\u003cp\u003eProgram notes for \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eMusical Sketches and Production Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" on January 10, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eSeveral pages with photocopied images and program notes for \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for Williamsburg Library Theatre performance of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Williamsburg Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Small yellow flyer for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum\u003c/p\u003e","\u003cp\u003eThank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eThank-you letter from the Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026amp; Clark and Me\" scheduled on March 25, 2000.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eNewsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.\u003c/p\u003e","\u003cp\u003eCrayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eTwo black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Eastern Mennonite University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScript for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.\u003c/p\u003e","\u003cp\u003eScope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.\u003c/p\u003e","\u003cp\u003eReview of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.\u003c/p\u003e","\u003cp\u003eScope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.\u003c/p\u003e","\u003cp\u003eNewspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Southern Illinois University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eAnnouncement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eTwo copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.\u003c/p\u003e","\u003cp\u003eScope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.\u003c/p\u003e","\u003cp\u003eSpring calendar mailer for the Hampden-Sydney College Virginia arts series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.\u003c/p\u003e","\u003cp\u003eOhio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.\u003c/p\u003e","\u003cp\u003eWeekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eSeasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eCalendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eOnline listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Stetson University.\u003c/p\u003e","\u003cp\u003eEmailed message from Dixon Sutherland of Stetson University to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.\u003c/p\u003e","\u003cp\u003eProgram for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].\u003c/p\u003e","\u003cp\u003eFurman University press release for \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026amp; Vocation.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.\u003c/p\u003e","\u003cp\u003eThis program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.\u003c/p\u003e","\u003cp\u003eScope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.\u003c/p\u003e","\u003cp\u003eVirginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.\u003c/p\u003e","\u003cp\u003eScope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Cultural Arts \u0026amp; Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.\u003c/p\u003e","\u003cp\u003eScope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026amp; Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Miami University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.\u003c/p\u003e","\u003cp\u003eScope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.\u003c/p\u003e","\u003cp\u003eTwo pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of photographed children performing beside a piano.\u003c/p\u003e","\u003cp\u003ePhotocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].\u003c/p\u003e","\u003cp\u003ePhotograph of a marionette witch with a hook dangling from her arm.\u003c/p\u003e","\u003cp\u003eMask-sized photocopied image of an elderly man.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.\u003c/p\u003e","\u003cp\u003e\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eSecond copy of working script, with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eEmail, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eArticle in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eLetter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.\u003c/p\u003e","\u003cp\u003eOriginal The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.\u003c/p\u003e","\u003cp\u003eReview in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eScope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.\u003c/p\u003e","\u003cp\u003eFlyer for Big Stone Gap performance of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.\u003c/p\u003e","\u003cp\u003eLetter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.\u003c/p\u003e","\u003cp\u003eOriginal newsclippings for which photocopies have been made for this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026amp; Screen\" section of online journal Exquisite Corpse.\u003c/p\u003e","\u003cp\u003ePrinted (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).\u003c/p\u003e","\u003cp\u003eWorking script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.\u003c/p\u003e","\u003cp\u003eFinal performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eReview by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor poster for the 4th Annual Celebration of Life \u0026amp; Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance at The University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.\u003c/p\u003e","\u003cp\u003eEmail response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.\u003c/p\u003e","\u003cp\u003ePhotos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.\u003c/p\u003e","\u003cp\u003eScope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.\u003c/p\u003e","\u003cp\u003ePrintout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.\u003c/p\u003e","\u003cp\u003eOnline review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eScope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.\u003c/p\u003e","\u003cp\u003ePersonal correspondence from Ellis Cose regarding his response to reading the monologue.\u003c/p\u003e","\u003cp\u003eIndex for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).\u003c/p\u003e","\u003cp\u003eClaudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eBrecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.\u003c/p\u003e","\u003cp\u003ePhotocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)\u003c/p\u003e","\u003cp\u003eNotes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eMusical sketches related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eOnline announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.\u003c/p\u003e","\u003cp\u003eScope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.\u003c/p\u003e","\u003cp\u003eProgram for performances staged at Theatre Project in Baltimore.\u003c/p\u003e","\u003cp\u003eAnnouncement of performance printed from Theatre Project Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).\u003c/p\u003e","\u003cp\u003eScope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003ePrinted online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eColor printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.\u003c/p\u003e","\u003cp\u003eBaltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScript for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" printed for Creighton University performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in the College of William and Mary's News \u0026amp; Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.\u003c/p\u003e","\u003cp\u003eScope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" at Messiah College\u003c/p\u003e","\u003cp\u003eScope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eOnline announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eNotre Dame events calendar that includes performance of \"Blue Liaz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.\u003c/p\u003e","\u003cp\u003eProgram for Vassar College production of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material for \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to \"The Dawn Makers.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePostcard flyer for February 4 performance at Herbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eEmail color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.\u003c/p\u003e","\u003cp\u003eThis issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eThis is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.\u003c/p\u003e","\u003cp\u003eComposers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eOpera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePhotocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eHerbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eOversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.\u003c/p\u003e","\u003cp\u003eTwo fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"\u003c/p\u003e","\u003cp\u003eScope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.\u003c/p\u003e","\u003cp\u003eThis folder includes one script by Claudia Stevens titled \"Fluke.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Text for \"Flea\" script is by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eSpiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.\u003c/p\u003e","\u003cp\u003eOnline announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,\u003c/p\u003e","\u003cp\u003eAnnouncement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.\u003c/p\u003e","\u003cp\u003eHollins University events calendar announcement for March 25, 2009, performance.\u003c/p\u003e","\u003cp\u003eAssorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.\u003c/p\u003e","\u003cp\u003eScope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eA dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eScope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.\u003c/p\u003e","\u003cp\u003ePhotocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.\u003c/p\u003e","\u003cp\u003eScope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).\u003c/p\u003e","\u003cp\u003eScope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.\u003c/p\u003e","\u003cp\u003eLetter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.\u003c/p\u003e","\u003cp\u003eSigned typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.\u003c/p\u003e","\u003cp\u003ePostcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.\u003c/p\u003e","\u003cp\u003eThis is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.\u003c/p\u003e","\u003cp\u003ePhotocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eLetter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTwo photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eBlack and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.\u003c/p\u003e","\u003cp\u003eFlyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.\u003c/p\u003e","\u003cp\u003eScope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.\u003c/p\u003e","\u003cp\u003ePhotocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Arts at William \u0026amp; Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.\u003c/p\u003e","\u003cp\u003eClarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.\u003c/p\u003e","\u003cp\u003eArticle in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance of Panoply by Claudia Stevens at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eReview in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.\u003c/p\u003e","\u003cp\u003eInvitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eBright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.\u003c/p\u003e","\u003cp\u003eProgram for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eMultiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eLetter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.\u003c/p\u003e","\u003cp\u003eShasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.\u003c/p\u003e","\u003cp\u003eFlyer for mailing from the Shasta Community Concert Association, for season 1987-1988.\u003c/p\u003e","\u003cp\u003eProgram notes for Claudia Stevens piano performances.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.\u003c/p\u003e","\u003cp\u003eProgram for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eVirginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eProgram for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.\u003c/p\u003e","\u003cp\u003ePhotocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.\u003c/p\u003e","\u003cp\u003eCaptioned photo in Style Weekly announcing performance at St. Christopher's School.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eAnnouncement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.\u003c/p\u003e","\u003cp\u003eArticle about Panoply at Longwood College in The Farmville Herald.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' Panoply performance at Longwood College.\u003c/p\u003e","\u003cp\u003eArticle in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.\u003c/p\u003e","\u003cp\u003eFlyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.\u003c/p\u003e","\u003cp\u003eFlyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.\u003c/p\u003e","\u003cp\u003eIllustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.\u003c/p\u003e","\u003cp\u003eProgram for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eRed flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.\u003c/p\u003e","\u003cp\u003eStagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"\u003c/p\u003e","\u003cp\u003eProgram for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.\u003c/p\u003e","\u003cp\u003eThree-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProgram for Panoply performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eText and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.\u003c/p\u003e","\u003cp\u003eScope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.\u003c/p\u003e","\u003cp\u003e1995-1996 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1996-1997 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1997-1998 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1998-1999 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1999-2000 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.\u003c/p\u003e","\u003cp\u003e2000-2001 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2001-2002 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2002-2003 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2003-2004 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.\u003c/p\u003e","\u003cp\u003eScope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).\u003c/p\u003e","\u003cp\u003eColor brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"\u003c/p\u003e","\u003cp\u003eCaptioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.\u003c/p\u003e","\u003cp\u003ePhotograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.\u003c/p\u003e","\u003cp\u003ePoem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.\u003c/p\u003e","\u003cp\u003eReform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Assorted Miscellaneous Works.\"\u003c/p\u003e","\u003cp\u003eOriginal libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.\u003c/p\u003e","\u003cp\u003eOnline event announcement for William \u0026amp; Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026amp; Mary on February 2, 2011.\u003c/p\u003e","\u003cp\u003eColor flyer for a lecture at the College of William \u0026amp; Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOnline event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.\u003c/p\u003e","\u003cp\u003eScope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.\u003c/p\u003e","\u003cp\u003eScope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.\u003c/p\u003e","\u003cp\u003eColor poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eA Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857\u003c/p\u003e","\u003cp\u003eThis folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.\u003c/p\u003e","\u003cp\u003eDraft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eTypewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"\u003c/p\u003e","\u003cp\u003ePrintout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026amp;task=view\u0026amp;id=582\u0026amp;Itemid=64.\u003c/p\u003e","\u003cp\u003eProgram for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,\u003c/p\u003e","\u003cp\u003eTypewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.\u003c/p\u003e","\u003cp\u003eTicket for September 7, 2010 performance of \"Wick at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Pigeon.\"\u003c/p\u003e","\u003cp\u003eScope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.\u003c/p\u003e","\u003cp\u003eArticle printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.\u003c/p\u003e","\u003cp\u003eScope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.\u003c/p\u003e","\u003cp\u003eOversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eDraft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.\u003c/p\u003e","\u003cp\u003eProgram for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.\u003c/p\u003e","\u003cp\u003eProgram for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eLibretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eReview of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.\u003c/p\u003e","\u003cp\u003eContains review of Middlemarch\u003c/p\u003e","\u003cp\u003ePeriod spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.\u003c/p\u003e","\u003cp\u003eCostume jewelry used in Middlemarch in Spring premiere in San Franciso.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eHoweard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eA mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.\u003c/p\u003e","\u003cp\u003eScope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.\u003c/p\u003e","\u003cp\u003eScope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.\u003c/p\u003e","\u003cp\u003eScope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.\u003c/p\u003e","\u003cp\u003eThese are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eItem 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAv. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eLive semi-staged reading at Brandeis University. 1 DVC\u003c/p\u003e","\u003cp\u003eItem 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.008: One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eTwo audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.\u003c/p\u003e","\u003cp\u003e7 Audio CD's.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003ePremiere Production, 1 DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:07.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00037","/repositories/2/resources/8508"],"text":["MS 00037","/repositories/2/resources/8508","Claudia Stevens papers","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","English"],"unitid_tesim":["MS 00037","/repositories/2/resources/8508"],"normalized_title_ssm":["Claudia Stevens papers"],"collection_title_tesim":["Claudia Stevens papers"],"collection_ssim":["Claudia Stevens papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Stevens, Claudia"],"creator_ssim":["Stevens, Claudia"],"creator_persname_ssim":["Stevens, Claudia"],"creators_ssim":["Stevens, Claudia"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e\n","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e\n","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e\n","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e\n","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e\n","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e\n","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e\n","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e","\u003cp\u003ePapers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.\u003c/p\u003e","\u003cp\u003eScope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026amp; Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026amp;M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection\u003c/p\u003e","\u003cp\u003eThis folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.\u003c/p\u003e","\u003cp\u003eThis folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf\u003c/p\u003e","\u003cp\u003eBiographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.\u003c/p\u003e","\u003cp\u003ePrograms of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026amp; Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.\u003c/p\u003e","\u003cp\u003eLetters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.\u003c/p\u003e","\u003cp\u003eLetters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.\u003c/p\u003e","\u003cp\u003eLetter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"\u003c/p\u003e","\u003cp\u003eScore by Joel Chadabe titled \"Variation\" (1983), 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.\u003c/p\u003e","\u003cp\u003eScore by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.\u003c/p\u003e","\u003cp\u003eLetters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"\u003c/p\u003e","\u003cp\u003eScore by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.\u003c/p\u003e","\u003cp\u003eLetter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Jeffrey Mumford titled \"For Elliot\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"\u003c/p\u003e","\u003cp\u003eScore by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.\u003c/p\u003e","\u003cp\u003eLetters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.\u003c/p\u003e","\u003cp\u003eScore by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"\u003c/p\u003e","\u003cp\u003eLetters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.\u003c/p\u003e","\u003cp\u003eScore by Allen Shearer titled \"Medallion for piano solo\", 8 pages.\u003c/p\u003e","\u003cp\u003eScore by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.\u003c/p\u003e","\u003cp\u003eLetters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.\u003c/p\u003e","\u003cp\u003eScore by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026amp; 30, 1983 requesting particulars about the recital and possible publications of some tribute works.\u003c/p\u003e","\u003cp\u003eLetter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.\u003c/p\u003e","\u003cp\u003eScore by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.\u003c/p\u003e","\u003cp\u003eCorrespondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.\u003c/p\u003e","\u003cp\u003eScores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.\u003c/p\u003e","\u003cp\u003eScore by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"\u003c/p\u003e","\u003cp\u003eScore by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.\u003c/p\u003e","\u003cp\u003eScores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.\u003c/p\u003e","\u003cp\u003eLetters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026amp; 30, 1978 on choosing between several contributions and instructions.\u003c/p\u003e","\u003cp\u003eScore by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.\u003c/p\u003e","\u003cp\u003eScore by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.\u003c/p\u003e","\u003cp\u003eScore by David Lewin titled \"Just a Minute Roger\", 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.\u003c/p\u003e","\u003cp\u003eLetters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.\u003c/p\u003e","\u003cp\u003eScore by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.\u003c/p\u003e","\u003cp\u003eTwo programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.\u003c/p\u003e","\u003cp\u003eScore by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eInformational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.\u003c/p\u003e","\u003cp\u003eTypewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.\u003c/p\u003e","\u003cp\u003eScope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eLetter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.\u003c/p\u003e","\u003cp\u003eScope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eHandwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eTitled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.\u003c/p\u003e","\u003cp\u003eScope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning\u003c/p\u003e","\u003cp\u003eScope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"\u003c/p\u003e","\u003cp\u003eText by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.\u003c/p\u003e","\u003cp\u003eMusic-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eProduction notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes on the lighting and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes by Claudia Stevens, prepared for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.\u003c/p\u003e","\u003cp\u003eStaging notes for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes for November 14, 1990 production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProjection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.\u003c/p\u003e","\u003cp\u003eScope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eBlack and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.\u003c/p\u003e","\u003cp\u003eScope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.\u003c/p\u003e","\u003cp\u003eScope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eAnnouncement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.\u003c/p\u003e","\u003cp\u003eScope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.\u003c/p\u003e","\u003cp\u003eInvitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePrinted online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.\u003c/p\u003e","\u003cp\u003eThis folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026amp; Black, Grinnell College newspaper.\u003c/p\u003e","\u003cp\u003eProgram for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.\u003c/p\u003e","\u003cp\u003ePostcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.\u003c/p\u003e","\u003cp\u003eInvitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.\u003c/p\u003e","\u003cp\u003eArticle, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePostcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at Boston University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.\u003c/p\u003e","\u003cp\u003ePoster for Miami University's Center for American \u0026amp; World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.\u003c/p\u003e","\u003cp\u003eColor poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Denison University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eColor poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eLetter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.\u003c/p\u003e","\u003cp\u003eScript for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.\u003c/p\u003e","\u003cp\u003eScope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.\u003c/p\u003e","\u003cp\u003eScope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.\u003c/p\u003e","\u003cp\u003eScope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.\u003c/p\u003e","\u003cp\u003eTyped lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.\u003c/p\u003e","\u003cp\u003eOriginal musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.\u003c/p\u003e","\u003cp\u003eExcerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eColor Poster for \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.\u003c/p\u003e","\u003cp\u003eThis folder contains one opera libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains one original screenplay.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eStage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz,\" accented with red marker.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.\u003c/p\u003e","\u003cp\u003eBlue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.\u003c/p\u003e","\u003cp\u003eWork samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eYellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.\u003c/p\u003e","\u003cp\u003eScope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.\u003c/p\u003e","\u003cp\u003ePhotocopied page from Kutztown University Events Calendar.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.\u003c/p\u003e","\u003cp\u003eProgram for University of Richmond performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eRoanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003ePerforming Arts Series, 1993-1994, seasonal brochure for Roanoke College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Roanoke College.\u003c/p\u003e","\u003cp\u003eRichmond Times-Dispatch announcement for December 11 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eMusical Score Sheets and Musical Sketches for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.\u003c/p\u003e","\u003cp\u003e\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.\u003c/p\u003e","\u003cp\u003eAnnouncement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopied press sheet with handwritten information about a performance in Budapest.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.\u003c/p\u003e","\u003cp\u003eScope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.\u003c/p\u003e","\u003cp\u003eJCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.\u003c/p\u003e","\u003cp\u003eTeal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eArticle photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.\u003c/p\u003e","\u003cp\u003eLetter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.\u003c/p\u003e","\u003cp\u003eArticle in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.\u003c/p\u003e","\u003cp\u003eLettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"Playing Paradis\"\u003c/p\u003e","\u003cp\u003e\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.\u003c/p\u003e","\u003cp\u003eSpiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eProgram notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me\" written on the cardboard backing from a checkbook.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Lewis \u0026amp; Clark \u0026amp; Me\" performed at the Williamsburg Library Theater.\u003c/p\u003e","\u003cp\u003eProgram notes for \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eMusical Sketches and Production Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" on January 10, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eSeveral pages with photocopied images and program notes for \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for Williamsburg Library Theatre performance of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Williamsburg Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Small yellow flyer for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum\u003c/p\u003e","\u003cp\u003eThank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eThank-you letter from the Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026amp; Clark and Me\" scheduled on March 25, 2000.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eNewsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.\u003c/p\u003e","\u003cp\u003eCrayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eTwo black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Eastern Mennonite University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScript for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.\u003c/p\u003e","\u003cp\u003eScope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.\u003c/p\u003e","\u003cp\u003eReview of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.\u003c/p\u003e","\u003cp\u003eScope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.\u003c/p\u003e","\u003cp\u003eNewspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Southern Illinois University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eAnnouncement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eTwo copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.\u003c/p\u003e","\u003cp\u003eScope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.\u003c/p\u003e","\u003cp\u003eSpring calendar mailer for the Hampden-Sydney College Virginia arts series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.\u003c/p\u003e","\u003cp\u003eOhio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.\u003c/p\u003e","\u003cp\u003eWeekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eSeasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eCalendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eOnline listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Stetson University.\u003c/p\u003e","\u003cp\u003eEmailed message from Dixon Sutherland of Stetson University to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.\u003c/p\u003e","\u003cp\u003eProgram for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].\u003c/p\u003e","\u003cp\u003eFurman University press release for \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026amp; Vocation.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.\u003c/p\u003e","\u003cp\u003eThis program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.\u003c/p\u003e","\u003cp\u003eScope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.\u003c/p\u003e","\u003cp\u003eVirginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.\u003c/p\u003e","\u003cp\u003eScope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Cultural Arts \u0026amp; Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.\u003c/p\u003e","\u003cp\u003eScope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026amp; Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Miami University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.\u003c/p\u003e","\u003cp\u003eScope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.\u003c/p\u003e","\u003cp\u003eTwo pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of photographed children performing beside a piano.\u003c/p\u003e","\u003cp\u003ePhotocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].\u003c/p\u003e","\u003cp\u003ePhotograph of a marionette witch with a hook dangling from her arm.\u003c/p\u003e","\u003cp\u003eMask-sized photocopied image of an elderly man.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.\u003c/p\u003e","\u003cp\u003e\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eSecond copy of working script, with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eEmail, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eArticle in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eLetter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.\u003c/p\u003e","\u003cp\u003eOriginal The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.\u003c/p\u003e","\u003cp\u003eReview in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eScope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.\u003c/p\u003e","\u003cp\u003eFlyer for Big Stone Gap performance of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.\u003c/p\u003e","\u003cp\u003eLetter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.\u003c/p\u003e","\u003cp\u003eOriginal newsclippings for which photocopies have been made for this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026amp; Screen\" section of online journal Exquisite Corpse.\u003c/p\u003e","\u003cp\u003ePrinted (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).\u003c/p\u003e","\u003cp\u003eWorking script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.\u003c/p\u003e","\u003cp\u003eFinal performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eReview by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor poster for the 4th Annual Celebration of Life \u0026amp; Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance at The University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.\u003c/p\u003e","\u003cp\u003eEmail response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.\u003c/p\u003e","\u003cp\u003ePhotos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.\u003c/p\u003e","\u003cp\u003eScope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.\u003c/p\u003e","\u003cp\u003ePrintout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.\u003c/p\u003e","\u003cp\u003eOnline review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eScope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.\u003c/p\u003e","\u003cp\u003ePersonal correspondence from Ellis Cose regarding his response to reading the monologue.\u003c/p\u003e","\u003cp\u003eIndex for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).\u003c/p\u003e","\u003cp\u003eClaudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eBrecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.\u003c/p\u003e","\u003cp\u003ePhotocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)\u003c/p\u003e","\u003cp\u003eNotes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eMusical sketches related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eOnline announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.\u003c/p\u003e","\u003cp\u003eScope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.\u003c/p\u003e","\u003cp\u003eProgram for performances staged at Theatre Project in Baltimore.\u003c/p\u003e","\u003cp\u003eAnnouncement of performance printed from Theatre Project Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).\u003c/p\u003e","\u003cp\u003eScope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003ePrinted online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eColor printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.\u003c/p\u003e","\u003cp\u003eBaltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScript for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" printed for Creighton University performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in the College of William and Mary's News \u0026amp; Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.\u003c/p\u003e","\u003cp\u003eScope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" at Messiah College\u003c/p\u003e","\u003cp\u003eScope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eOnline announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eNotre Dame events calendar that includes performance of \"Blue Liaz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.\u003c/p\u003e","\u003cp\u003eProgram for Vassar College production of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material for \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to \"The Dawn Makers.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePostcard flyer for February 4 performance at Herbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eEmail color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.\u003c/p\u003e","\u003cp\u003eThis issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eThis is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.\u003c/p\u003e","\u003cp\u003eComposers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eOpera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePhotocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eHerbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eOversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.\u003c/p\u003e","\u003cp\u003eTwo fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"\u003c/p\u003e","\u003cp\u003eScope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.\u003c/p\u003e","\u003cp\u003eThis folder includes one script by Claudia Stevens titled \"Fluke.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Text for \"Flea\" script is by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eSpiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.\u003c/p\u003e","\u003cp\u003eOnline announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,\u003c/p\u003e","\u003cp\u003eAnnouncement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.\u003c/p\u003e","\u003cp\u003eHollins University events calendar announcement for March 25, 2009, performance.\u003c/p\u003e","\u003cp\u003eAssorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.\u003c/p\u003e","\u003cp\u003eScope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eA dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eScope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.\u003c/p\u003e","\u003cp\u003ePhotocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.\u003c/p\u003e","\u003cp\u003eScope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).\u003c/p\u003e","\u003cp\u003eScope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.\u003c/p\u003e","\u003cp\u003eLetter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.\u003c/p\u003e","\u003cp\u003eSigned typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.\u003c/p\u003e","\u003cp\u003ePostcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.\u003c/p\u003e","\u003cp\u003eThis is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.\u003c/p\u003e","\u003cp\u003ePhotocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eLetter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTwo photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eBlack and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.\u003c/p\u003e","\u003cp\u003eFlyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.\u003c/p\u003e","\u003cp\u003eScope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.\u003c/p\u003e","\u003cp\u003ePhotocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Arts at William \u0026amp; Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.\u003c/p\u003e","\u003cp\u003eClarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.\u003c/p\u003e","\u003cp\u003eArticle in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance of Panoply by Claudia Stevens at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eReview in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.\u003c/p\u003e","\u003cp\u003eInvitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eBright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.\u003c/p\u003e","\u003cp\u003eProgram for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eMultiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eLetter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.\u003c/p\u003e","\u003cp\u003eShasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.\u003c/p\u003e","\u003cp\u003eFlyer for mailing from the Shasta Community Concert Association, for season 1987-1988.\u003c/p\u003e","\u003cp\u003eProgram notes for Claudia Stevens piano performances.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.\u003c/p\u003e","\u003cp\u003eProgram for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eVirginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eProgram for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.\u003c/p\u003e","\u003cp\u003ePhotocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.\u003c/p\u003e","\u003cp\u003eCaptioned photo in Style Weekly announcing performance at St. Christopher's School.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eAnnouncement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.\u003c/p\u003e","\u003cp\u003eArticle about Panoply at Longwood College in The Farmville Herald.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' Panoply performance at Longwood College.\u003c/p\u003e","\u003cp\u003eArticle in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.\u003c/p\u003e","\u003cp\u003eFlyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.\u003c/p\u003e","\u003cp\u003eFlyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.\u003c/p\u003e","\u003cp\u003eIllustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.\u003c/p\u003e","\u003cp\u003eProgram for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eRed flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.\u003c/p\u003e","\u003cp\u003eStagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"\u003c/p\u003e","\u003cp\u003eProgram for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.\u003c/p\u003e","\u003cp\u003eThree-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProgram for Panoply performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eText and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.\u003c/p\u003e","\u003cp\u003eScope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.\u003c/p\u003e","\u003cp\u003e1995-1996 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1996-1997 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1997-1998 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1998-1999 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1999-2000 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.\u003c/p\u003e","\u003cp\u003e2000-2001 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2001-2002 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2002-2003 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2003-2004 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.\u003c/p\u003e","\u003cp\u003eScope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).\u003c/p\u003e","\u003cp\u003eColor brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"\u003c/p\u003e","\u003cp\u003eCaptioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.\u003c/p\u003e","\u003cp\u003ePhotograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.\u003c/p\u003e","\u003cp\u003ePoem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.\u003c/p\u003e","\u003cp\u003eReform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Assorted Miscellaneous Works.\"\u003c/p\u003e","\u003cp\u003eOriginal libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.\u003c/p\u003e","\u003cp\u003eOnline event announcement for William \u0026amp; Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026amp; Mary on February 2, 2011.\u003c/p\u003e","\u003cp\u003eColor flyer for a lecture at the College of William \u0026amp; Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOnline event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.\u003c/p\u003e","\u003cp\u003eScope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.\u003c/p\u003e","\u003cp\u003eScope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.\u003c/p\u003e","\u003cp\u003eColor poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eA Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857\u003c/p\u003e","\u003cp\u003eThis folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.\u003c/p\u003e","\u003cp\u003eDraft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eTypewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"\u003c/p\u003e","\u003cp\u003ePrintout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026amp;task=view\u0026amp;id=582\u0026amp;Itemid=64.\u003c/p\u003e","\u003cp\u003eProgram for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,\u003c/p\u003e","\u003cp\u003eTypewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.\u003c/p\u003e","\u003cp\u003eTicket for September 7, 2010 performance of \"Wick at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Pigeon.\"\u003c/p\u003e","\u003cp\u003eScope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.\u003c/p\u003e","\u003cp\u003eArticle printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.\u003c/p\u003e","\u003cp\u003eScope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.\u003c/p\u003e","\u003cp\u003eOversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eDraft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.\u003c/p\u003e","\u003cp\u003eProgram for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.\u003c/p\u003e","\u003cp\u003eProgram for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eLibretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eReview of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.\u003c/p\u003e","\u003cp\u003eContains review of Middlemarch\u003c/p\u003e","\u003cp\u003ePeriod spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.\u003c/p\u003e","\u003cp\u003eCostume jewelry used in Middlemarch in Spring premiere in San Franciso.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eHoweard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eA mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.\u003c/p\u003e","\u003cp\u003eScope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.\u003c/p\u003e","\u003cp\u003eScope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.\u003c/p\u003e","\u003cp\u003eScope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.\u003c/p\u003e","\u003cp\u003eThese are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eItem 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAv. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eLive semi-staged reading at Brandeis University. 1 DVC\u003c/p\u003e","\u003cp\u003eItem 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.008: One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eTwo audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.\u003c/p\u003e","\u003cp\u003e7 Audio CD's.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003ePremiere Production, 1 DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:07.075Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508"}},{"id":"vilxv_repositories_3_resources_766_c03_c01_c07","type":"File","attributes":{"title":"Clifford A. Crittsinger interview","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vilxv_repositories_3_resources_766_c03_c01_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vilxv_repositories_3_resources_766_c03_c01_c07","ref_ssm":["vilxv_repositories_3_resources_766_c03_c01_c07"],"id":"vilxv_repositories_3_resources_766_c03_c01_c07","ead_ssi":"vilxv_repositories_3_resources_766","_root_":"vilxv_repositories_3_resources_766","_nest_parent_":"vilxv_repositories_3_resources_766_c03_c01","parent_ssi":"vilxv_repositories_3_resources_766_c03_c01","parent_ssim":["vilxv_repositories_3_resources_766","vilxv_repositories_3_resources_766_c03","vilxv_repositories_3_resources_766_c03_c01"],"parent_ids_ssim":["vilxv_repositories_3_resources_766","vilxv_repositories_3_resources_766_c03","vilxv_repositories_3_resources_766_c03_c01"],"parent_unittitles_ssm":["Military oral history collection","Vietnam War","VMI Class of 1966 Vietnam Oral History Project"],"parent_unittitles_tesim":["Military oral history collection","Vietnam War","VMI Class of 1966 Vietnam Oral History Project"],"text":["Military oral history collection","Vietnam War","VMI Class of 1966 Vietnam Oral History Project","Clifford A. Crittsinger interview","Crittsinger, Clifford A. (Clifford Andrew), 1941-","Crittsinger, Clifford A. (Clifford Andrew), 1941-","Virginia Military Institute—Class of 1966","Vietnam War, 1961-1975—Personal narratives, American","United States. Army","Oral histories"],"title_filing_ssi":"Clifford A. Crittsinger interview","title_ssm":["Clifford A. Crittsinger interview"],"title_tesim":["Clifford A. Crittsinger interview"],"unitdate_other_ssim":["2021 March 22"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["Clifford A. Crittsinger interview"],"component_level_isim":[3],"repository_ssim":["Virginia Military Institute Archives"],"collection_ssim":["Military oral history collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":101,"parent_access_restrict_tesm":["A small number of interviews carry donor access restrictions.  Most are available without restriction."],"parent_access_terms_tesm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"date_range_isim":[2021],"names_ssim":["Crittsinger, Clifford A. (Clifford Andrew), 1941-","Crittsinger, Clifford A. (Clifford Andrew), 1941-"],"persname_ssim":["Crittsinger, Clifford A. (Clifford Andrew), 1941-"],"access_subjects_ssim":["Virginia Military Institute—Class of 1966","Vietnam War, 1961-1975—Personal narratives, American","United States. Army","Oral histories"],"access_subjects_ssm":["Virginia Military Institute—Class of 1966","Vietnam War, 1961-1975—Personal narratives, American","United States. Army","Oral histories"],"_nest_path_":"/components#2/components#0/components#6","timestamp":"2026-05-21T00:11:07.355Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vilxv_repositories_3_resources_766","ead_ssi":"vilxv_repositories_3_resources_766","_root_":"vilxv_repositories_3_resources_766","_nest_parent_":"vilxv_repositories_3_resources_766","ead_source_url_ssi":"data/oai/VMI/repositories_3_resources_766.xml","title_ssm":["Military oral history collection"],"title_tesim":["Military oral history collection"],"unitdate_ssm":["2003-2014"],"unitdate_inclusive_ssm":["2003-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.0510","/repositories/3/resources/766"],"text":["MS.0510","/repositories/3/resources/766","Military oral history collection","World War, 1914-1918","World War, 1939-1945","Korean War (1950-1953)","Vietnam War (1961-1975)","Persian Gulf War (1991)","Iraq War, 2003-2011","Afghan War, 2001-2021","Oral histories","A small number of interviews carry donor access restrictions.  Most are available without restriction.","These interviews are not available online. Please contact the VMI Archives for information about accessing this material.","The bulk of this collection is available online.","The Military Oral History Project was orginally an initiative of VMI's John A. Adams '71 Center for Military History and Strategic Analysis. The Center's first Director, Kip Muir (served 2002-2011) initiated the oral history program, in which VMI cadets interviewed veterans as part of their military history coursework. Subsequent cadet-conducted interviews were overseen by the Center's second Director, Bradley L. Coleman.  ","In addition, a 2015 collaborate effort between Coleman and journalist Lisa Tracy resulted in a number of interviews conducted by Tracy with VMI World War II alumni.","Alfred A. Alvarez was born in 1924 and grew up in Chelsea, Massachusetts. He enlisted in July 1942, and following stateside training, joined the 1st Infantry Division in England. He took part in the Normandy invasion, hitting \"Easy Red,\" Omaha Beach on D-Day. He subsequently saw action in the Champagne campaigns and at Hurtgen Forest, the Battle of the Bulge, and in Czechoslovakia. ","Alvarez re-enlisted in the Reserves in 1945, and during his thirty-two years of duty served combat tours in Korea and Vietnam, and was deployed to Central and South America. He was inducted into the United States Army Officer Candidate School (OCS) Hall of Fame in April 2003. ","Ernest A. Andrews was born in 1923 in Tennessee and was drafted into the United States Army in 1943. He served in the 16th Infantry, H Company, First Infantry Division (Big Red One) until the end of the World War II, and was in combat at Normandy, and in the Rhineland, Central Europe, and Ardennes, France.","Joseph L. Argenzio was born in 1927 New York City, New York. He entered the United States Army in 1944 and, following training, was assigned to the First Infantry Division, 3rd Battalion, 16th Infantry, M Company. On D-Day he was part of the first wave at Omaha Beach, France. Argenzio subsequently saw combat in France, Belgium, and Germany, and participated in the liberation of Falkenau concentration camp in Czechoslovakia.","Charles D. Bachman enlisted in the United States Navy in 1943 and became a part of the V12 Unit in Champaign, Illinois. A summary of his military services includes:\n November 1944–1945: Attended Midshipmens School at Columbia University, New York March 1943–1945: Attended Destroyer Schools in Norfolk, Virginia June 1945–August 1945: Attended Tactical Radar School in Hollywood Beach, Florida August 1945–October 1945: Attended Fighter Director School in St. Simons, Georgia November 1945–August 1946: Served as deck officer, Combat Information Center watch officer, and fighter director on board the USS Warrington (DD-843)","John Gilchrist Barrett was born in 1921 in Gastonia, North Carolina. In 1942 he joined the United States Naval Reserves and was commissioned following his graduation from Wake Forest University. Barrett served in the Pacific Theater on the LCI(L)-1052 (Landing Craft Infantry Large). He was discharged in 1946 and enrolled in graduate school, receiving a PhD in history from the University of North Carolina at Chapel Hill. Barrett was a Professor of History at VMI from 1953 until his retirement in 1987. He died in 2013 in Lexington, Virginia.","Hobert Bodkin joined the United States Marine Corps in September 1942 and was assigned to the 1st Marine Division in March 1944. He went into combat during the invasion of Peleliu Island, Palau, and in April 1945 took part in the invasion of Okinawa, Japan.","Charles Brooks, a native of North Carolina, was drafted in May 1943. Following stateside service with an Anti-Aircraft Artillery (AAA) unit, he was shipped to Europe where he was assigned to Company A, 16th Infantry Regiment, 1st Division. He served as a first scout until the end of World War II.","Fred Brown was drafted in 1942 at the age of 19. After receiving training at Fort Jackson, South Carolina, he shipped out to the European theater. Brown took part in the Normandy invasion, the Battle of the Bulge, and the Battle of Hurtgen Forest.","Guy B. Burnette was born in 1921 in North Carolina and was drafted in 1942. After training, his unit was stationed in Hawaii for island defense, and after the atomic bombs were dropped on Japan, he was sent there for occupation duty.  Following World War II,  Burnett returned to North Carolina where he raised a family and was a farmer and construction worker.","Stanley Caulkins served as a B-17 radio operator in the United States Army Air Force from 1943 to 1946.","Robert L. Cheatham, Jr. graduated from Clemson University, South Carolina, and was commisioned as a second lieutenant through the Reserve Officers' Training Corps (ROTC) program in August 1942. Following training he was shipped overseas and arrived in North Africa on December 26, 1942. On February 13, 1943 he was assigned to C Company, 26th Infantry, First Division. Cheatham was captured by the Germans at Kasserine Pass, Tunisia on February 20, 1943 and was a prisoner of war until he was liberated on April 29, 1945.","Allen E. Clark enlisted in the United States Marine Corps in 1942 and served during World War II in the Pacific Theater on Bougainville, Guam, and Iwo Jima. He was a member of B Company, 1st Battalion, 21st Marine Regiment, 3rd Marine Division.","Glen Cleckler served with the United States Marine Corps during World War II from February 1943 to December 1945. His service included participation in the Battle of Iwo Jima.","William H. Collier served in World War II in the 106th Cavalry Regiment (mechanized). He participated in several campaigns in Europe, including Normandy, northern France, Rhineland, Ardennes-Alsace, and Central Europe. He also served in the Army of Occupation in Austria. His later career included postings in Korea, Germany, Hawaii, Vietnam, and the Pentagon. He retired in 1971, having obtained the rank of Lieutenant Colonel.","Cyril G. Cousart enlisted in the United States Army in 1942 and became a flight crew member on the B-29 bomber. His unit was stationed at Saipan in the Marianas and he flew on 35 missions over mainland Japan.","Chalmer E. Cowan was born in 1919 in Pennsylvania and was drafted in the United States Army in October 1941. After basic training, he was assigned to Battery A, 27th Field Artillery Battalion. He fought throughout North Africa and Italy during World War II. Cowan was discharged in July 1945.","George E. Cvengros (1923-1985) served in the 134th Infantry Regiment, Company \"F.\" His unit landed on Omaha Beach on July 5, 1944 and fought throughout France and Germany. He participated in the Battle of the Bulge, Germany, and was in Hannover, Germany when World War II ended.","Joseph O. Dazzo joined the United States Army in 1940 and was assigned to the 1st Infantry Division as a combat medic. He served in North Africa and Sicily, and took part in the Normandy invasion. His unit subsequently fought through France, Belgium, Germany, and Czechoslovakia. Dazzo was discharged in September 1945.","Nathan DeSantis joined the Merchant Marines in December 1941 and is a graduate of the Merchant Marine Academy, Class of 1944. He served throughout World War II on various vessels that carryied cargo in support of combat operations. DeSantis spent his entire career in the Merchant Marines and retired in 1988.","Robert Fred Dexter was born in Massachusetts in 1925. He joined the United States Army in January 1944 and served in World War II, Korea, Central and South America, and in Vietnam. Following the end of his Army service in 1971, he began a career with the Bureau of Alcohol, Tobacco and Firearms.","Mark R. Dixon grew up on a farm in York County, South Carolina, and was drafted in the United States Army in July 1945. He served one year with the First Infantry Division during the post-World War II occupation of Germany.","Walter M. Duncan, Sr. entered the United States Army Air Forces in November 1943 and received flight training on several aircraft before being assigned to the B-24.","Howard Dunfee was drafted in 1943 into the United States Army and was assigned to the 1st Infantry Division. He landed in Normandy on three days after D-Day and served as a front line infantryman, machine gun bearer, and gunner until he was seriously wounded near Aachen, Germany. After receiving treatment in several hospitals, Dunfee returned to the United States and was discharged in April 1945.","Allen D. Evans was born and raised in Indiana and is a decorated veteran of World War II. He enlisted in the United States Army in December 1942 and served in Europe with the 76th Field Artillery Battalion. He was a Staff Sergeant in charge of the Fire Direction Center and saw action throughout the European Theater of Operations (ETO), including the battles at Remagen, Germany and Ardennes Forest, France.","Robert R. Fair was born in Kansas in 1925. After spending a semester at Louisiana State University in the Army Specialized Training Program (ASTP), he entered the regular United States Army in mid-December 1943. He was assigned to the 100th Infantry Division, arriving in Europe (Marseille, France) in October 1944. Fair fought on the front lines as the Division moved through France and Germany until he was wounded in April 1945.","William C. Farmer was born in 1926 and joined the United States Navy after graduating from high school in 1944. He was stationed aboard an LSM (Landing Ship Medium) serving in the Pacific theater. His vessel operated in the Mariana Islands and supported the invasion of Okinawa, Japan in the Spring of 1945.","Edward Feightner was designated as a Naval Aviator in 1942, commissioned as an Ensign from that date, and subsequently progressed in rank to that of Rear Admiral 1971. During his distinguished career, he served in World War II as an Engineering Officer for various squadrons that operated in the Pacific theater. He was a test pilot and a member of the \"Blue Angels,\" and has over twenty years of experience in command of squadrons, airwings, ships, training units, and major staffs.","William Funkhouser, a decorated veteran of World War II, grew up in the Shenandoah Valley near Strasburg, Virginia. He joined the United States Army in February 1943 and served with F Company, 16th Regiment, First Infantry Division (Big Red One). He landed in Normandy on D-Day, June 6, 1944, and subsequently fought in the Battle of the Bulge.","Donald E. Furman grew up in Pennsylvania and was drafted in 1941. He served as a light tank driver in the European theater where his unit was assigned to reconnaissance duty.","Roy George was born in 1927 in New Jersey and enlisted in the United States Navy in August 1944. During his time in service, he completed Aviation A and B Schools and was assigned to service seaplanes and other aircraft. George received an honorable discharge in August 1948, leaving the Navy as an Aviation Metalsmith, 2nd Class Petty Officer.","Frank J. Haggerty enlisted in the United States Army Air Corps on December 8, 1941, one day after the Japanese attacked Pearl Harbor, Hawaii. Following stateside training as an aircraft mechanic, he shipped overseas and was stationed at Polebrook Army Air Force Station (Northamptonshire, United Kingdom) home of the Eighth Air Force. Haggerty's unit (320th Service Squadron attached to the 351st Bomb Group) serviced the B-17 Flying Fortress. At the end of World War II Haggerty remained in the Air Force for a total of 20 years, retiring in 1962.","R. \"Hap\" Halloran served in the United States Army Air Force during World War II. He was a B-29 navigator with the 73rd Wing, 499th Bomb Group, 878th Squadron, flying missions over Japan from a base in Saipan, northern Marianas. Halloran was shot down over Japan on January 27, 1945 and became a prisoner of war.","John Selden Halsey, VMI Class of 1943, entered the United States Army in May 1943. A decorated combat veteran, he served in Europe with the 116th Mechanized Reconnaissance Squadron and was wounded in action in Germany in February 1945.","R. Marlowe Harper was attending the University of Alabama when he was drafted in 1942. He was trained in radar and was ground crew member for the B-29 bomber, maintaining the gun laying set. Harper spend the last 8 months of World War II on Guam, where he supported missions bombing oil refineries in Japan. He was attached to the 20th Air Force, 15th Bomb Wing, 21st Squadron.","Jerome \"Bud\" Holzman served in Europe with the United States Army 94th Infantry Division from March 1945 to August 1945. As World War II came to an end, his unit was assigned to patrol, guard, and similar occupation duties in Germany and Czechoslovakia. He spent the final three months of his overseas duty at George S. Patton's 3rd Army Headquarters.","William Howard enlisted in the United States Navy in 1939 and attended boot camp at the Great Lakes Naval Station, Illinois. He served in the Asiatic Fleet from 1939-1943. After leaving the Navy, he worked in a munitions factory.","John Poindexter Irby III, VMI Class of 1944, was inducted into the United States Army in 1943, graduated from Officer Candidate School in 1944 and was first assigned to the 30th Cavalry Reconnaissance Squadron in Fort Riley, Kansas.","Carl F. Jenkins grew up on a dairy farm near Gastonia, North Carolina. He was drafted in August 1944 at the age of 18. After completing basic training, he was sent overseas as a replacement in the Big Red One during the Battle of the Bulge. Jenkins was wounded by scrapnel on February 28, 1945 and was awarded the Bronze Star and Purple Heart.","John R. Kershaw, a World War II veteran, served as a B-17 bomber pilot in Europe. Following training he was assigned to the 92nd Bomb Group, 327th Squadron, at Podington, England. Kershaw flew numerous combat missions, bombing targets over Germany.","Frank E. King was born in 1922 in Wythe County, Virginia. He volunteered for the United States Army in September 1942 and served with Headquarters Company, 2nd Battalion, 16th Infantry Regiment, 1st Infantry Division throughout World War II. King was in North Africa, Sicily, and landed at Omaha Beach on D-Day. He subsequently saw action in other major battles, including Huertgen Forest, Germany, and the Battle of the Bulge. King served overseas for more than 30 months and was awarded several decorations, including the Bronze Star.","Vice Admiral Jerome H. King, Jr. received his commission in the United States Navy in 1941, following his graduation from Yale University. His distinguished career began with service in the Pacific Theater during World War II and continued for over three decades until his retirement from active duty in 1974.","Edmund B. Kinter joined the United States Merchant Marines in 1943 and served on Liberty ships carrying ammunition and supplies across the Atlantic.","Leonard G. Lawton was born in 1919 in Orlando, Florida and entered the United States Marine Corps following his graduation from Stetson University in 1941. After completing boot camp and officer training, he served with the 1st Marine Division in the Pacific Theater where he saw extensive action and witnessed firsthand the conditions of jungle fighting. Lawton was awarded:\n The Silver Star for action on Guadalcanal The Purple Heart for a wound received in November 1942 Two Presidential Unit citations one personal letter of citation from Admiral William Halsey","Walter Luikart joined the United States Merchant Marines in 1943. He served on nine ships, including Liberty ships that carried cargo and on troop ships in the English Channel that delivered soldiers and vehicles to the beachhead. Luikart's assignments took him to the North Atlantic, Indian Ocean, and Mediterranean Sea. He left the service in 1947.","Demetrius \"Pete\" Lypka was born in 1918 in New Jersey and enlisted in the United States Army in 1941. He was assigned to the 1st Infantry Division, 16th Infantry, Company G and served until the end of World War II, seeing action in North Africa, Italy, France, and Germany. Lypka was discharged in July 1945 and returned home to start a career as a carpenter.","Alexander Marsh enlisted in the United States Army in June 1942. He served as a 57mm anti-tank gun platoon commander with the 106th Infantry and was deployed to Europe. He was captured in the Ardennes, France on December 16, 1944 and spent three months in Stalag IX, Germany.","Charles H. McKinney was born in 1920 in Selma, Alabama and joined the United States Army during the early days of World War II. After completing Officer Candidate School (OCS) in 1942, he joined the 509th Parachute Battalion in North Africa. He subsequently saw combat in Italy, France, and Belgium. McKinney also fought with the 505th Regiment, 82nd Airborne Division during the Korean War. He retired from active duty in 1962.","Alexander Michnewich was born in 1923 in Brooklyn, New York. From 1943 to 1946 he served in the United States Army Corps of Engineers, 1905th Aviation Battalion, and was stationed in the China-Burma-India theater.","Robert Moberg joined the United States Marine Corps in April 1943. After initial assignments, his unit was sent to Camp Tarawa, Hawaii, to join the 5th Marine Division and train for the invasion of Japan. He was en route to Japan when World War II ended, and went into Japan as part of the occupation forces.","Malcolm Muir, Sr. served with the United States Naval Reserve from 1942 to 1945 as an Armed Guard officer on board the SS Booker T. Washington (troop ship, Liberty ship), the Sinclair H-C (merchant tanker), and the SS Carleton Ellis (merchant tanker, Liberty ship).","Wilma Murray joined the United States Army Nurse Corps in 1941. After stateside training, she shipped overseas to England. She subsequently was deployed to Normandy and landed on Omaha Beach 10 days after D-Day. Murray served in evacuation hospitals attached to the 1st Army, treating the wounded as the troops fought through France and Belgium. At the end of the War, she was in Germany where she cared for tuberculosis patients in the liberated Buchenwald concentration camp.","James B. Naughton served for three years in the United States Marine Corps. Much of that time was spent in the hospital due to serious injuries received as a result of combat action during the Battle of Iwo Jima in 1945. Naughton is a successful accountant and worked at Naughton, Cesario and Company, which he began following his military service.","Guy C. Nicely, Jr. grew up in Lexington, Virginia and is a decorated veteran of World War II. He was drafted in the United States Army in February 1943 and soon joined the First Division, the Big Red One. After serving briefly in Sicily, Italy, his unit was sent to England to train for the D-Day invasion on June 6, 1944. He landed on Omaha Beach and later fought in the Battle of the Bulge. He received both the Bronze Star and the Purple Heart.","Edwin A. \"Ned\" Noble grew was born in 1922 in Bethel, Vermont and attended Tufts University after graduating from high school. He was drafted in the United States Army in 1944 and was assigned to the 1st Infantry Division, serving in the Ardennes, Rhineland, and Central Europe. He subsequently served as Acting Battalion Sergeant major during occupation duty in Nuremberg, Germany. Noble died on January 3, 2013 in Washington, D.C.","Cononel Anthony J. Perna (Retired) had a distinguished thirty year career in the United States Air Force and was among the youngest officers to reach the rank of Colonel. During World War II he served as a flight instructor for B-17s and B-24s. He was subsequently involved in both the Berlin Airlift (Germany) and in the creation of the United States flight simulation program. Perna also had assignments as the Defense Attaché to Israel during the Six Day War, in the Strategic Air Command (SAC) during the Cold War, and he served on the staff of the Joint Chiefs at the Pentagon.","George Porter enlisted in the United States Army at the beginning of the World War II and served at the famed Tuskegee Army Air Field, Alabama as a mechanic ground crew chief. He worked primarily on the P-40 and was responsible for training the mechanics who supported the Tuskegee Fighter Squadrons.","Carl D. Proffitt enlisted in the National Guard of Virginia in 1939 and reported for active duty on February 3, 1941, at Fort George G. Meade, Maryland. He shipped overseas to England in September of 1942. He served with K Company, 116th Infantry, 29th Division, for the D-Day Invasion. Among his numerous decorations are the Distinguished Service Cross, the Silver Star, two Bronze Stars, three Purple Hearts, the Good Conduct Medal, the Pre Pearl Harbor Medal, the Combat Infantry Badge, the French Freedom Medal, and the State of Virginia Distinguished Service Award.","Julian M. Quarles, Jr. served as an United States Army infantry officer (36th Division) during World War II, taking part in the landing at Salerno, Italy. He and another officer were captured, escaped from the prison train carrying them to Germany, and then made their way back to their outfit after 33 days behind German lines.","During World War II, Richard Rathmell served as a 3rd Assistant Engineer on a merchant marine vessel. His ships made ammunition runs in support of the war effort, including a North Atlantic crossing to supply the Battle of the Bulge.","Emmett F. Reagan was born in 1924 in Norfolk, Virginia and joined the United States Navy in 1942. After completing flight school, he served as a pilot in the Pacific Theater flying search and destroy missions.","John M. Remaly served in the United States Army Air Force from 1943 to 1945. He was an engineer on a B-24 Liberator bomber, flying in India, Burma, and China with the 10th Army Air Force. He was seriously burned when his plan made a crash landing on July 29, 1944.","William Repke enlisted in the United States Army in 1938 with the 102nd Cavalry. He went overseas to England in September 1942, then to Algiers, Africa in January of 1943. His unit was transferred to Italy and went into combat in Rome. He made the invasion of South France with the 117th Cavalry Squadron. Repke received a Battlefield Commission in October 1944, transferred to the 36th Infanty Division and then served six months in combat with Company B, 142nd Infantry. He was discharged in September 1945, having received the European Theater of Operations (ETO) Service Ribbon with five battle stars and one arrowhead, the Presidential Unit Citation, Combat Infantry Badge, Silver Star, and Bronze Star.","Charles A. Riley joined the United States Navy in 1943 at the age of 16. During World War II he served with the Navy's Scouts and Raiders, participating with the United States Marines in several campaigns, including the landing at Iwo Jima, Japan. Following the War he enrolled in college and subsequently joined the United States Army (Airborne) and then transferred to the Air Force, serving as an aviator. He flew missions in both Korea and Vietnam. Riley retired from active duty in 1970.","Kenneth D. Rupe was drafted into the United States Army in May 1942 and was assigned to hospital administration in the 300th General Hospital. The unit shipped overseas in the fall of 1943 and Rupe spent the bulk of the war in Naples, Italy in the 300th Headquarters.","Edward A. Ryan served with the United States Army, 29th Infantry, from 1943 to 1946.","Robert Sams enlisted in the United States Coast Guard in 1943. He spent 17 months at sea aboard the USS Cambria (APA 36) and participated in landing troops in the Marshall and Mariana Islands, the Philippines, Saipan, and Okinawa (Japan). Sams was also part of the first United States forces to land at Nagasaki, Japan six weeks after an atomic bomb destroyed the city.","Luther J. Schilling served with the United States Army, G-3 106th Infantry Division, Army of Occupation in Germany from 1944 to 1946.","Arthur Schintzel is a decorated veteran of World War II and the recipient of two Purple Hearts. He was drafted in 1942 and served in Europe with the United States Army 16th Infantry, First Infantry Division. He took part in the Normandy, France invasion on D-Day and was seriously wounded in action.","Charles B. Shaeff served in the United States Navy Reserves from June 24, 1943 to March 24, 1946.","First Lieutenant Gale Shreffler joined the United States Army Air Force in 1941. He was a B-29 Navigator based on Tinian Island, Marianas Islands where he served with the 313th Bomb Wing, 504th Bomb Group. Shreffler took part in bombing raids over Japan and crash landed on Iwo Jima in July 1945.","Alfred St. Clair was born in Bedford County, Virginia in 1918. He was drafted into the United States Army in July 1941 and served until the end of World War II. He was with the Fifth Army in England, North Africa, and Italy, including the Battle of Anzio (Italy). He is the recipient of the Purple Heart.","Philip O. Stewart enlisted in the United States Army in 1941. His first assignments were stateside with an anti-aircraft artillery battalion. In 1944 he shipped overseas and joined the First Division at the Roer River (Germany) crossing. Stewart fought with the unit in Germany until he was seriously wounded near the end of World War II.","Jack Talbot grew up in New Jersey and was working as a riveter when he was drafted into the United States Army in 1942. He shipped overseas in March 1943 and was assigned as a radioman at Headquarters Company, 1st Battalion, 26th Infantry. Talbot's unit served in North Africa, Sicily, France, and Germany until the end of World War II.","Samuel Tarkenton grew up in Norfolk, Virginia, and was drafted into the United States Army in March 1944. He shipped overseas as an infantry replacement in Company D, 26th Infantry, 1st Infantry Division. He fought in the Battle of the Bulge, in Czechloslovakia, and during the early part of the occupation was assigned to the war crimes trials in Nuremberg, Germany. Tarkenton was discharged in March 1946 and returned home to a career at the Norfolk Shipyard.","George J. Tompkins, Jr. enlisted in the United States Army in September 1942. He went overseas in 1943 and was assigned as a radio operator with the 1st Signal Company, 1st Infantry Division. Following time in North Africa, Sicily, and England, Tompkins participated in the Normandy (France) landing on D-Day and subsequently went into Belgium and Germany where he was in the Battle of Hurtgen Forest. He was discharged in October 1945.","Captain Meeks B. Vaughan commissioned into the United States Army Air Force as a 2nd Lieutenant in June 1942 while at the University of Tennessee. From March 1944 to October 1945 he was stationed at Guadalcanal (Solomon Islands), Bougainville (Solomon Islands), Leyte (Philippines), Morotai (Indonesia), and Palawan (Philippines), serving as an Intelligence Officer (S-2) and Captain.","A decorated veteran of World War II, William H. Wills was born in 1919 in New York City. He joined the United States Army in October 1940 and was assigned to the First Infantry Division, First Engineer Combat Battalion, B Company. Wills served for the entire war, fighting in North Africa, Tunisia, Sicily (Italy), and taking part in the D-Day landing on Omaha Beach (France). He subsequently fought in the Battle of the Bulge and ended the War in Czechoslovakia. After the War he served for 27 years as an officer with the New York City Police Department.","Colonel Tyson Wilson served with the United States Marine Corps (active duty and Reserves) from 1941 to 1977. For his service he received the Bronze Star with Combat V, the Purple Heart, and two Presidential Unit Citations (Guadalcanal and Tarawa).","William D. Badgett graduated from VMI in 1953 and served in the United States Air Force as a 1st Lieutenant from November 1953 to July 1955. From July 1954 to 1955 he was stationed in Korea. He served with the 608th Aircraft Control and Warning Squadron, first with Detachment #1 (Target Director Post) and then with Detachment #2 on the island of Pyongyang-do (radar surveillance). Badgett joined the VMI faculty in the fall of 1955 and spent his entire teaching career at VMI.","In 1957 Ovid Belt enlisted in the United States Army and served two years active duty and two years in the reserves. He deployed overseas to Korea with the 34th Infantry Division and later saw stateside duty with the 14th Infantry Division.","Colonel Wesley L. Fox enlisted in the United States Marines on August 4, 1950, and served two tours with the 1st Marine Division in Korea. He commissioned as a 2nd Lieutenant in 1966, and was first assigned to the 2nd Force Reconnaissance. He subsequently had numerous other assignments during his long and distinguished career. Fox's many decorations include the Medal of Honor and the Purple Heart.","Vernon A. Good served with the United States Marines from September of 1950 through November of 1951. He in the Inchon–Seoul Campaign, Wonsan Hungnam Chosin Campaign, North Korea. Good has received the following awards:\n Korean Service Medal with the Silver Star National Defense Medal Presidential Unit Citation (three times) United Nations Service Medal Korea Presidential Unit Citation–Foreign (two times)","Technical Sergeant Raymond A. Johnson served with the United States Marine Corps from 1948 to 1952.","Joseph W. Kovac enlisted in the United States Navy in 1950 and served during the Korean War aboard the destroyer USS Allen M. Sumner (DD 692). The ship was active in Pusan, Korea, where the mission was to prevent the progress of enemy supply trains. Kovac left the Navy in 1954 and returned to civilian life.","Leonard L. Lewane commissioned in the United States Army following his graduation from VMI in 1950 and rose to the rank of Colonel before retiring in 1974. During the Korean War (1950-1953) he served with the 72nd Tank Battalion, 2nd Infantry Division and the 64th Tank Battalion, 3rd Infantry Divison. During the Vietnam War (1965-1966) he served with the 1st Squadron, 4th Cavalry \"Quarter Horse\", 1st Division \"Big Red One.\" Lewane's Cold War assignments in Germany included Commander, 1st Brigade, 1st Armored Division (1972-1973) and Chief of Staff, United States Army Berlin (1973-1974).","Charles W. McKellar served with the United States Army Transport Service (1944-1945), the United States Marine Corps (1945–1949 and 1951–1966), and with the United States Marine Corps Reserve (1949–1951).","Bill Rivers Penn, MD, served in the United States Navy from 1950 to 1955. This included a tour of duty with the United States Marines from November 1952 to May 1953 as a Fleet Marine Force (FMF) corpsman.","John T. Pepper served with the Air National Guard as a mechanic prior to the Korean War. During the War he served as an infantryman.","From 1972 to 1973, Terry G. Allison served in the United States Navy as an Petty Officer Second Class, Aviation Storekeeper in San Diego  (California), Millington (Tennessee), Yorktown (Virginia), and Vietnam.","Brigadier General Norman Michael Bissell graduated from VMI in 1961 and commissioned in the United States Army, retiring in 1987. He served two tours as a combat helicopter pilot in Vietnam. His other assignments included:\n Commander of the 17th Aviation Group Commander of the Joint Republic of Korea Army and the United States Army Combined Aviation Force Director of the United States Army Flight Training and Deputy Chief and Acting Chief of Staff of the 101st Airborne Division (Air Assault) Two years in the Joint Chiefs of Staff at the Pentagon as Executive Officer to the Director of Operations (J3).","Lawrence E. Boese joined the United States Air Force following his graduation from VMI in 1966 and rose to the rank of Lieutenant General before retiring in 1996.","After commissioning in 1967, Michael L. Bozeman spent three years in the United States Army, including a year in Vietnam, where he served with distinction as a platoon leader and commanded a Long Range Reconnaissance Patrol Unit. His awards and decorations include the Silver Star, Bronze Star, Legion of Merit, Air Medal, Meritorious Service Medal, the Combat Infantryman's Badge, and the Ranger Tab. He is also a retired Brigadier General in the United States Army Reserve.","George M. Brooke, III, was a commissioned officer in the United States Marine Corps from 1967 to 1994, retiring at rank of Colonel. A summary of his military service includes:\n 1968-1969: First Marine Division, Vietnam, as an artillery forward observer and battery fire direction officer 1969-1972: United States Field Artillery School, Fort Sill, Oklahoma, as an Instructor, Gunnery Department 1973-1974: Third Marine Division, Okinawa, Japan, as a Rifle Company Commander 1974-1975: Marine Detachment, USS Canopus (AS-34), Holy Loch, Scotland, as a Commanding Officer 1976-1979: Second Marine Division, Camp Lejeune, North Carolina, as a Battalion Operations Officer, Logistics Officer, and Artillery Battery Commanding Officer 1983-1984: Headquarters, United States Marine Corps, Washington, D.C., as a Maritime Prepositioning Ships (MPS) Program Project Officer 1985-1986: III Marine Amphibious Force, Okinawa, Japan, as a Force Plans Officer 1986-1991: 1st Marine Corps District, Garden City, New York, as a Commanding Officer, Executive Officer, and Operations Officer 1991-1994: Joint Staff, Pentagon, in Washington, D.C., as a Division Chief, J-7 Directorate.","Bayes L. Bryant was born in Washington, D.C. in 1948 and enlisted in the United States Army in March 1968. He served until January 1972, completing two combat tours in Vietnam.","Captain Lloyd C. Burger graduated from the United States Coast Guard Academy in New London, Connecticut, and served with the Coast Guard from 1960 to 1988.","Colonel Leland H. Burgess commissioned at the University of Alabama as a 2nd lieutenant of artillery in May of 1965. He entered active duty in February of 1966 and underwent Artillery Basic Training at Fort Sill, Oklahoma. Burgess was a helicopter pilot in the Vietnam War from July 1967 to February 1968.","Richard F. Cayo served with the United States Navy from 1952 to 1973, serving on the USS Rushmore (LSD-47), USS Rankin (AKA-103), USS Cambria (APA-36), USS Okinawa (LPH-3), and USS DuPont (DD-941).","An infantry officer, Colonel William H. Dabney served 37 years in the Marine Corps, including two tours in Vietnam. He earned numerous citations, including the Silver Star, two Bronze Stars and two Vietnamese Crosses of Gallantry, and the Navy Cross. While in Vietnam, he commanded India Company, 3rd Battalion, 26th Marines, on Hill 881S during the Battle of Khe Sanh, for which he was awarded the Navy Cross in 2005.","Charles L. Dailey grew up in Pennsylvania, attending college there and in Indiana. He joined the United States Army in 1957, went through flight school, and was rated to fly both rotary and fixed wing aircraft. Dailey served two tours of duty in Vietnam, piloting the U-1A \"Otter\" and the twin-engine U-8D.","Terry J. Davis commissioned in the United States Army as a 2nd Lieutenant in April 1968 and entered active duty at Fort Bliss, Texas in September. He was assigned to the 1st Air Cavalry Division, serving in the Vietnam War from September 1969 to June 1970. Davis was a forward observer attached to an infantry company responsible for patrolling the jungles in the region known as the \"corridors\" to Saigon. He also participated in the invasion of Cambodia.","Lieutenant Colonel Lee S. Dewald served on active duty with the United States Army from 1969 to 1992. His military service included time as a Brigade Assistant (Operations), 3rd Brigade, 1st Cavalry Division, Vietnam, during which he planned combat intelligence operations for two air cavalry troops, a ranger company, and was involved in many other intelligence-related assignments. Dewald also was a Professor of Applied Mathematics at VMI, retiring in 2017.","Blaise S. DiMartino served in the United States Navy from September 1966 to August 1970 as a machinery repairman, 3rd class. He spent one year in Vietnam aboard a river boat repair ship and 24 months aboard the USS Monticello (LSD-35), in the Pacific Region.","Floyd H. Duncan graduated from VMI in 1964 and was on active duty in the United States Army from 1965 to 1967. He subsequently served in the Army Reserves. From 1978 to 2013 he was a member of the VMI faculty.","Captain Ronald A. Erchul spent twenty years in the United States Navy following his graduation from the Naval Academy in 1961. An ocean engineer, he received a Master's degree from the Naval Post-Graduate School and a PhD from the University of Rhode Island.","Alan F. Farrell was born in 1945 in Hanover, New Hampshire  and joined the United States Army (Special Forces) in 1966, serving in Vietnam from 1968 to 1970. Following his Army service, Farrell received a Bachelor's, Master's, and PhD from Tufts University and began a career in higher education.","Admiral William J. Flanagan commissioned in the United States Navy in 1967 and was selected for flag rank in his 20th year of service. He was subsequently among the youngest officers to achieve four star rank. During his 29-year career, he served in all theaters of operations,  including the Vietnam War, Persian Gulf War, and Iraq War. Flanagan served as:\n Commander, United States Second Fleet Commander of North Atlantic Treaty Organization's (NATO) Striking Fleet Commander in Chief, United States Atlantic Fleet NATO's Commander-in-Chief, Western Atlantic \nAmong his many military decorations are the Navy and Defense Distinguished Service Medals. Flanagan retired from the Navy in 1996.","Robert L. Gardner served in the Vietnam War as a United States Army avionics technician in the 56th Battalion, 330th Company and attached to the 611th Company. He worked primarily on helicopters.","William Grady went through United States Army basic training at Fort Jackson, South Carolina and then on to Fort Riley, Kansas, where he was with the 1st Division, 26th Infantry, C Company. He served in Vietnam and left the armed services as a Specialist 4.","Thomas Turner went through United States Army basic training at Fort Jackson, South Carolina, and then went to Fort Sam Houston, Texas for medical training. In Vietnam he served as a line medic for approximately eleven months in the field, one month in the rear. Upon his return from Vietnam, he worked in Fort Belvoir, Virginia, in the flight surgeon's office.","Arbury Daryl Hooker was drafted in June of 1969 into the United States Army Special Forces and served with Project Phoenix during the Vietnam War. During his military career he was stationed in Korea (1973-1974), Fort Bragg, California (1974-1976), Fort Greely, Alaska (1979), and Fort Eustis, Virginia (1979-1983). He also served with Task Force 160th Delta Force from 1983 to 1987 and in 1987, the Virginia Army National Guard.","Colonel Robert M. Hudson served as a pilot with the United States Air Force and was a prisoner of war for 93 days in Vietnam. During his career he flew the T-39, B-52F, B-52D, B-52H, FB-111, F-100 and F-16. He served as:\n Chief, battlestaff, Looking Glass Base Commander, Brooks Air Force Base, Texas Base Commander at a classified location Inspector General, Ramstein Air Base, Germany Director of Strategic Air Command, Strategic Communication Division","Brigadier General William C. Jones was appointed to the United States Air Force Academy in 1960 and received his commission as a Second Lieutenant in 1964. Upon completion of F-105 training in 1967, he was assigned to the 333rd Tactical Fighter Squadron, Takhli, Thailand, where he flew 189 combat missions, 123 over North Vietnam. Jones is a command pilot with over 6,000 flying hours in the T-33, T-37, T-38, F-102, F-105, F-106, A-7, C-26, and F-16 aircraft, including over 562 combat hours. He served as Assistant Adjutant General for Air, Headquarters, Virginia Air National Guard, based at Richmond International Airport, in Sandston. He retired in May 2001.","General John P. Jumper, VMI Class of 1966, retired in 2005 after a distinguished 39 year career. He served as the 17th Chief of Staff of the United States Air Force from 2001 to 2005.","Ronald W. Kosh enlisted in the United States Air Force in October 1962 and trained in air traffic control and combat control. His overseas deployments included assignments in the Philippines, Vietnam, Thailand, and Laos. Missions during the Vietnam War included deployment with Special Forces units and providing forward air control for interdiction of North Vietnamese Army materiel.","Captain Jerold L. Krumwiede graduated from the United States Naval Academy in 1954 and served until 1980. Following graduation he was assigned duty as Gunnery Officer on USS Frank Knox (DDR 742). In 1957, he attended United States Naval Postgraduate School, Monterey, earning an Master of Science in physics. His West Coast career focused on nuclear weapons at the Nuclear Weapons Training Command, and engineering assignments on USS Yorktown (CV 10) and Commander Destroyer Squadron 17 Staff. He became the Executive Officer of USS Morton (DD 748) serving tours in Vietnam theater.","On the East Coast, Krumwiede attended the Naval War College, concurrently earning an Master of Science in international affairs. This duty was followed by two years on the academic staff of the United States Naval Academy. This was followed by two years as Commanding Officer, USS Mullinix (DD 944). He served as Surface Operations Officer on COMCARGROUP FOUR Staff, followed by two years as Fleet Readiness Officer, CINCUSNAVEUR Staff, London, England. Following this duty he served four years on the Deputy \nChief of Naval Operations for Surface Warfare Staff, in command and control and electronic warfare programs.","Major General James E. Livingston retired in 1995 after more than 33 continuous years of active duty in the United States Marine Corps. His last assignment was as Commander of the Marine Forces Reserve in New Orleans, Louisiana. He commissioned as a Second Lieutenant in 1962 and promoted to Captain in 1966, serving as the Commanding Officer of the Marine detachment aboard the aircraft carrier USS Wasp (CV 18), before joining the 3rd Marine Division (Reinforced) in the Republic of Vietnam in August 1967.","On May 2, 1968, while serving as the Commanding Officer, Company E, 2nd Battalion, 4th Marines, Livingston distinguished himself above and beyond the call of duty in action against enemy forces and earned the Congressional Medal of Honor. After his second tour in Vietnam, he served as an instructor at the Army's Infantry School, Director of Division Schools for the 1st Marine Division and, later, as the S-3 for 3rd Battalion, 7th Marines. In March 1975, he returned to Vietnam and served as the Operations Officer for the Vietnam evacuation operations which included Operation \"Frequent Wind,\" the evacuation of Saigon. ","Lieutenant Colonel Paul B. Maini (VMI Class of 1966) served 20 years with the United States Army Infantry, Aviation. He servied in Vietnam from 1969 to 1970 and Korea from 1977 to 1979.","Richard C. Marshall, Jr. (VMI Class of 1965) entered the United States Air Force in December 1966 and trained as an F-4 Phantom pilot. He served three tours of duty in Vietnam where he was a forward air controller and also participated in rescue operations for downed pilots.","Colonel John G. Miller served in the United States Marines Corps from 1957 to 1985. During his career he spent two tours in Vietnam, the first as a rifle company commander and battalion assistant operation officer (1965-1966), and the second time as a Co-van advisor to the Vietnamese Marines (1970-1971).","Lieutenant Colonel Richard S. Miller (Retired) graduated from VMI in 1960 and commissioned in the United States Army as a 2nd Lieutenant, Infantry. His active duty assignments include:\n 7th Infantry Division, Korea 5th Special Forces Group, Vietnam Analyst in the Offices of the Secretary of Defense and Secretary of the Army Assistant Professor (mathematics) at West Point, New York Instructor at the United States Navy Postgraduate School, California \nMiller retired from active duty in 1980.","William Moriarty commissioned in the United States Marine Corps in 1959. In May 1964 he participated in an On the Job Training (OJT) program and was assigned to the 32nd Vietnamese Ranger Battalion as an advisor. In 1967 he was assigned to the Vietnamese Marine Corps.","Jeffrey H. Mosher served in the United States Army from 1970 through 1973, during which time he achieved the rank of Specialist and was a helicopter crew chief door gunner. At the time of this interview he was a Chief Petty Officer with the United Navy Seabees.","Sergeant Major (Retired) John Ohmer enlisted in the United States Army in 1963. He received aviation training as a crew chief, working with Cobra and Huey helicopters during his three tours of duty in Vietnam. He subsequently worked as a recruiter, retiring from service in 1990.","Wesley I. Rahn joined the United States Air Force in 1961 and retired in 1981. He was stationed at Ft. George G. Meade (at the time, Tipton Army Air Field), Maryland as a weather equipment repairman. From 1966 to 1969 he served in Ramstein, Germany, installing weather equipment throughout Europe. From 1971 to 1972 Rahn was stationed in Vietnam as a tech sergeant. Upon his return to the United States he was stationed at Robins Air Force Base, Georgia in intermediate electronics maintenance. Following this service he became an instructor at the Military Airlift Command Noncommissioned Officer (NCO) Academy, was stationed at Gunter Air Force Base, Alabama, and taught at the Senior Enlisted Academy.","Rahn worked with Lockheed Aircraft Company in Jiddah, Saudi Arabia, teaching management and leadership to Saudi officers working in the Air Force. Subsequently, he worked for the Director of Air Training at Riyadh, Saudi Air Force headquarters, also teaching Royal Saudi Air Force officers advanced management courses. In Saudi Arabia, Rahn also worked for Dallah Avco at R Staff Headquarters, McDonald-Douglas, and also taught at a field training center in Dhahran, where he was promoted to be the superintendent of the facility, working for the Royal Saudi Air Force supervising Saudis and McDonald-Douglas employees who were training Saudis on how to maintain aircraft.","Ronald Ray was born in Kentucky in 1942 and graduated from Centre College (Kentucky) and the University of Louisville School of Law. He commissioned as a 2nd Lieutenant in the United States Marine Corps Reserve in 1964 and spent the next five years on active duty. He was deployed to the Dominican Republic, the Caribbean, and served as an advisor in Vietnam from March 1967 to March 1968. Ray served as a Deputy Assistant Secretary of Defense during the Reagan administration, on two presidential commissions, and as a military historian at the United States Marine Corps Historical Center.","Colonel William R. Ricks served with the United States Air Force from 1964 to 1987 as a pilot of F-105s, F-4s, and F-15s.","Colonel John W. Ripley served for 35 years on active duty in the United States Marines Corps. He served two tours in Vietnam. During the second (1971-1972) he was Senior Advisor to the 3rd Vietnamese Marine Battalion, which operated along the demilitarized zone.","From January 1968 to August 1971, Joseph E. Rosinski served with the United States Air Force, Tactical Air Command (TAC) 38th and 37th Airlift Squadron Headquarters at Langley, Virginia as a Staff Sergeant, supply and logistics.","Gilman Rud entered the United States Navy's Aviation Officer Candidate program following his 1966 graduation from North Dakota State University. His distinguished 28 year career included 5,600 hours of flight time and 786 carrier landings. He also flew combat missions during the Vietnam War. He served as:\n Commanding Officer of Attack Squadron 192 (Golden Dragons) Commanding Officer and Flight Leader of the Navy Flight Demonstration Squadron (Blue Angels) Captain of the Fleet Replenishment Oiler, USS Wabash (AOR 5) Commander of the the aircraft carrier USS Constellation (CV 64) \nRud retired from active duty in 1995.","Lieutenant Colonel William P. Saunders served in the United States Air Force as an Aircraft Commander (AC-47), Flight Scheduler, 4th Special Operations Squadron at Bien Thuy Air Base/Bien Hoa Air base, Republic of Vietnam. He served with the Air Force through 1988.","Glenn A. Thieme was born in Wisconsin in 1931 and served in the United States Navy from July 1949 to June 1975, achieving the rank of Lieutenant Commander.","Lieutenant Commanders Thomas D. Todd enlisted in the United States Navy in 1953. He served in the Inactive Reserves from 1957 to 1961, was an aviation officer candidate in 1961, a Naval officer from 1961 to 1968, and served in the Active Reserves from 1968 to 1982. He also served as Legal Officer VR-22 in Norfolk, Virginia from 1962 to 1965, as Assistant Air Intelligence Officer on the USS Coral Sea (CVA 43) from 1965 to 1967, and as a political analyst for FICUR NASJAX, Florida.","James R. Treadwell served in the United States Air Force as an aircraft mechanic and engine and crew chief (1971-1973), and as a KC-135 boom operator and flight engineer (1973-1979). During the Vietnam War he flew on missions to refuel fighter aircraft flying over Cambodia.","Blair P. Turner commissioned into the United States Navy on April 10, 1970 as a Surface Warfare Officer. He served two overseas deployments during the Vietnam War (1970-1971), and was assigned to the USS Windham County (LST 1170). Turner left active duty in 1973, remaining in the Reserve through 1975. At the time of this interview he was a Professor of History at the Virginia Military Institute.","Lieutenant Colonel Steven M. Yedinak (Retired) commissioned into the United States Army Infantry in 1963 and subsequently spent 26 years in Special Forces and Airborne Infantry. He served two combat tours in Vietnam (1966-1967 and 1971-1972), and started the Mobile Guerrilla Force. He is the author of \"Hard to Forget: An American with the Mobile Guerrilla Force in Vietnam\" (Random House, 1998). Yedinak retired from the Army in 1989.","Frank Yusi attended United States Navy boot camp in January of 1965 as a seaman recruit, but was then picked up for Officer Candidate School (OCS) and graduated in April. In November 1965 he began service in the South China Sea on a destroyer. From August 1967 to January 1969 he served in Vietnam on river patrol boats (River Division 533 in the Mekong Delta). Following this service Yusi went to OCS as an instructor at Newport, Rhode Island and then returned to destroyers as an engineer. He served for several tours on destroyers, as well as two tours at the Naval War College, one as a student and one on staff. In 1984 he returned as a senior student at the Naval War College and finished his career after being in command and being an Executive Officer on destroyers and frigates, Naval Training Service Center School for Recruits at Great Lakes, Illinois.","General Anthony C. Zinni was an advisor with the South Vietnamese Marines in 1967. Subsequent assignments include the following:\n Deputy Commander in Chief, United States Central Command Commanding General, 1st Marine Expeditionary Force Commander, Combined Task Force for Operation United Shield Chief of Staff and Deputy Commanding General of combined task force Provide Comfort Special Advisor to the Secretary of State Senior Advisor at the Center for Strategic and International Studies \nZinni's decorations include the Defense Distinguished Service Medal, the Defense Superior Service Medal with two oak leaf clusters, the Bronze Star Medal with Combat V and gold star in lieu of a second award, and the Purple Heart.","Steven L. Amato, a 1983 VMI graduate, entered active duty in October 1983. He trained as a B-52 navigator and was deployed during Operation Desert Storm (January 1991). In addition to his many assignments, he served at the Pentagon and worked on President George W. Bush's first inaugural. Amato also served as the Head of VMI's Air Force Reserve Officers' Training Corps (AFROTC) detachment.","William F. Andrews graduated from the United States Air Force Academy in 1980 and began pilot training the same year. He has flown the T-37, EF-111, and the F-16. He was deployed in Operation Desert Storm and was a prisoner of war for eight days. Andrews subsequently served as an F-16 squadron and group commander, staff officer for the Joint Staff in Washington, D.C., and taught at the National Defense University, Washington, D.C.","Jim Carver had a distinguished career as a senior non-commissioned officer in the United States Army Special Forces. He was deployed to Operation Desert Storm while assigned to Operational Detachment Alphas 326, 3rd Special Forces Group (Airborne), serving as an Engineer Sergeant. Carver subsequently held senior special forces training and operations management positions at Fort Bragg, California, and served as an Reserve Officers' Training Corps (ROTC) Military Science Instructor at the University of Richmond, Virginia.","Timothy Heely graduated from the United States Naval Academy in 1975 and comissioned that same year. He trained as a pilot and served with distinction for 30 years, rising to the rank of Read Admiral.","Colonel James G. Kyser, a United States Naval Academy graduate, had a distinguished career in the Marines Corps from 1985 to 2009. His many deployments included Desert Shield and Desert Storm (1990-1991), special operations missions in Europe and Africa, and the Iraq War. Kyser retired in July 2009 after 24 years of service.","Captain Charles H. Litz received his Bachelor of Science from the United States Naval Academy and his Master of Science from the National War College. From June 1976 to July 2002 he served a carrier helicopter pilot flying the SH-3H. Litz participated in Desert Storm as part of Airwing on the USS Theodore Roosevelt (CVN 71).","Commander Tom A. Magno spent 22 years as a United States Navy flight officer, piloting E-2 Hawkeyes and F-14A/F-14B Tomcats. He accrued 2500 flight hours/650+ arrested landings, and saw combat tours in Libya (1986), Bosnia (1993), and Iraq (Operation Desert Shield, 1990). Magno retired in 2003.","Commander Timothy S. McElhannon entered the United States Navy in May 1980 upon graduation from the University of Georgia, received his commission in August 1980, and earned his Naval Aviator wings in July 1981. His operational tours include Helicopter Anti-Submarine Squadron Light Thirty-Four in Norfolk, Virginia and Helicopter Anti-Submarine Squadron Light Forty-Three in San Diego, California. McElhannon deployed to the Persian Gulf twice (1983 and 1989) during the Iran/Iraq War where he participated in the escort of re-flagged tankers during the final stage of the War. He subsequently was selected for naval attache duty.","Following his distinguished career in the United States Army, General J. H. Binford Peay III became VMI's 14th Superintendent in 2003. Detailed biographical information is avaliable upon request.","Captain Brian L. Quisenberry graduated from the Virginia Military Institute in 1981 and commissioned in the United States Navy.","Robert J. Cook was on active duty with the United States Army for over 20 years, first as an enlisted soldier and subsequently as an officer. He is a decorated combat veteran who was deployed to Afghanistan, with a background in military intelligence and aviation. From 2005 to 2006 he served as aide-de-camp to the Commanding General at Guantanamo Bay, Cuba. Cook has served twice in the Army Reserve Officers' Training Corps (ROTC) department at VMI.","Captain Steven Craig is a UH-1N helicopter pilot and a decorated veteran of the wars in Afghanistan and Iraq. He enlisted in the United States Marines Corps in 1989 and subsequently was commissioned and went to flight school. He was deployed in Operation Enduring Freedom in 2004, and in Operation Iraqi Freedom in 2005 to 2006. In 2010 Craig was assigned to the VMI Naval ROTC Department as a Marine Corps Instructor.","Following his graduation from VMI in 1989, Gary A. Bissell commissioned in the United States Army and trained as a helicopter pilot. After leaving active duty, he has continued to serve in the Army National Guard and the Reserves, and was deployed during Operation Iraqi Freedom.","Lieutenant Colonel William Bither first served with the United States Army 2nd Battalion, 23rd Infantry Regiment at Fort Lewis, Washington as a rifle platoon leader. He then joined United States Army Special Forces and has been stationed in Korea, Quantico (Virginia), the Marine Corps Amphibious Warfare School, Germany, Fort Bragg (California), Kuwait, and Iraq.","Captain Thomas A. Brashears was 9 3/4 years active with the 18th Field Artillery Brigade Airborne, 1st Armored Division. He deployed to Kosovo from May to December, 2000 and to Iraq as Battery Commander from April 2003 to July 2004.","Major Robert Churchill served with the United States Air Force from May 19, 1991 to August 15, 2005, and since August 16, 2005 he has served with the United States Air Force Reserves. He attended graduate Space Training and then went into Space Command as an orbit analyst in Space Ops. He then went into pilot training, to Reese Air Force Base, Texas, and then on to F-16 training. At the time of this interview, Churchill was with the 302nd Fighter Squadron.","At the time of this interview Jose L. Crespo was a logistics officer in the United States Air Force. He has been deployed to Kuwait, Iraq, and Afghanistan.","Major Tim Daniel began serving with the United States Air Force in January of 1983. He has been an A-10 pilot, T-37 instructor pilot, and an OA-10 pilot, and has 3500 hours of flight time with 100 hours of combat time in Iraq and Afghanistan.","Major Frank Diorio graduated from the University of Notre Dame in 1996 and immediately commissioned in the United States Marine Corps. He has been deployed to the Kuwait/Iraqi border (1997-2000), Djibouti, Africa (2004), and Al Anbar Province, Iraq (2005).","A combat engineer, Captain Jon A. Drake served in support of Operation Joint Guardian in Kosovo. He later deployed to Iraq in February 2004 as a company commander for Alpha Company, 82nd Engineer Battalion.","Michael Johnson enlisted in the United States Marine Corps in August 1993. At the time of this interview, he was a Military Occupational Specialty 0629 (MOS) Communications Chief (E-7). Johnson has served:\n With 1st Anglico/Camp Pendleton As a drill instructor at Parris Island, South Carolina With the 2nd Force Reconnaissance Company As Assistant Marine Officer Instructor (AMOI) at VMI \nJohnson deployed in support of Operations Iraqi Freedom and Enduring Freedom.","Benjamin Kimsey is a member of the VMI Class of 2009. From 2002 to 2005 he was on active duty in the United States Army in the 116th Brigade, 29th Infantry Division, and was deployed to Guantanamo Bay, Cuba and Afghanistan. Kimsey subsequently became a member of the National Guard, in Delta 1 of the 19th Special Forces Group in Kingwood, West Virginia.","Phillip A. Suydam served in the United States Air Force for 21 years as an Air Force Security Forces Officer. He provided security, police services, force protection planning, and information security program management. His assignments took him to Germany, Guam, and the United Arab Emirates. In 2004 Suydam deployed to Joint Base Balad, Iraq as the Commander of the 332d Expeditionary Security Forces Squadron in support of Operation Iraqi Freedom.","James G. Wicker entered the United States Navy in 1979, serving on deployments to the Persian Gulf as an Executive Officer to a minesweeper during the Iran-Iraq War, and deployed to the Mediterranean, the Pacific, and Indian Oceans. During his career he served on board the USS Goldsborough (DDG 20), the USS Sides (FFG 14), the USS Elusive (AM 225), and the USS Bainbridge (CGN 25).","At the time of this interview, Lance Corporal Patrick Young was serving in the United States Marine Corps Reserves and was a member of the Virginia Military Institute Class of 2009. His unit was B. Company, 4th Combat Engineer Battalion out of Roanoke, Virginia. Young is a veteran of Operation Iraqi Freedom.","Keith R. Anderson served as an active duty Marine Corps officer for eleven years (1980-1992). During his career he flew the H-53 Sea Stallion helicopter, and in addition, spent four years as a Marine One pilot (HMX, presidential helicopter squadron) during the Reagan and Bush administrations. Since leaving military service, Anderson has worked as a jet pilot in corporate aviation.","Thomas Arendes joined the United States Navy following his graduation from high school in 2006. At the time of this interview he was an Electrician's Mate, 3rd Class, in the nuclear field, and was serving on the aircraft carrier USS Theodore Roosevelt (CVN-71).","Kenneth W. Baity served in the United States Navy on the USS Sam Houston (SSBN-609). His enlisted rate was Machinist Mate/Engineering Laboratory Technician Nuclear.","Brandon A. Bissell accepted a commission in the United States Army following his graduation from VMI in 1998. He served with the 101st Aviation Regiment at Fort Campbell, Kentucky, flying Black Hawk helicopters. He also has been a company Executive Officer, platoon leader, S-1 and S-3. Bissell subsequently spent two years in Korea.","Lieutenant Colonel Marti J. Bissell commissioned in the United States Army in 1988. She trained as a helicopter test pilot and has served on active duty in Korea, Germany, and Fort Riley, Kansas.","Brigadier General Charles F. Brower, IV served in the United States Army from 1969 to 2001, serving in:\n United States Army Europe and Africa (USAREUR) RVN Continental United States in the 4th Armored Division, 101st Airborne Division, 24th Infantry Division (Mech), and 23rd Infanty Division Cavalry Troop Commander, RVN, from 1971 to 1972 \nBrower was an Professor, departments of History and Behavior Sciences and Leadership, at the United States Military Academy. He also served as Deputy Superintendent and Dean of the Faculty at VMI from 2001 to 2008.","Lieutenant Kenneth R. Brown enlisted in the Navy in 1994. He received a four-year Reserve Officers' Training Corps (ROTC) scholarship to Norwich University and received his commission in 1999. He has served as a Surface Warfare Officer.","Frank Woodruff Buckles was born in 1901 and grew up on a farm in Missouri. He enlisted age 16 and joined the United States Army Ambulance Corps, arriving in France a few months before the end of World War I. At the beginning of World War II he was working as a civilian in the Philippines when he was captured by the Japanese and held in a prisoner of war camp for more than three years.","Rear Admiral Steven E. Day enlisted in the United States Coast Guard in 1967 and received his commission in 1979. His long career has included numerous posting stateside and overseas.","Colonel Eicher served with the United States Marine Corps for 26 years as an aviator, commissioning in November 1970.","Steven V. Ferguson served with the United States Navy, four years active and two years reserve. He served on the USS Gearing (DD-710).","Victoria P. Friedensen holds an Bachelor of Arts from the University of North Carolina and and Master of Science from Virginia Tech. Her career has included positions at the National Academy of Science and the National Academy of Engineering. At the time of this interview, Friedensen was a civilian employee at the National Aeronautics and Space Administration (NASA), where she was the acting program manager of the Lunar Precursor Robotic Program.","John D. Gober, M.D., served as a United States Navy flight surgeon.","Paul F. Gorman is a retired United States Army General whose active duty spanned an enlistment in the United States Navy toward the end of World War II, graduation from West Point in 1950, three years of infantry combat in Korea and Vietnam, and two decades of assignments in the upper echelons of the Pentagon.","Colonel William R. Grace was commissioned as a 2nd Lieutenant in 1981. Upon completion of the Basic School he reported to Naval Air Station, Pensacola, Florida, for flight training and was designated a Naval Aviator in 1983. He received his initial AH-1J training with Marine Helicopter Training Squadron 303 at Camp Pendleton, California. During his distingished career, Grace has served with numerous Marine Corps Helicopter Squadrons, including Marine Helicopter Squadron One, which supports White House missions worldwide. He led presidential detachments on four continents while serving under presidents George H. W. Bush and Bill Clinton.","Lieutenant Chris Gray graduated from the Naval Academy in 2001. He subsequently reported to Nuclear Power School and then went to Prototype in Charleston, South Carolina. He was first assigned to the USS Tennessee (SSBN-734) in Kings Bay, Georgia. Gray spent three years on board the USS Tennessee and was an instructor with VMI's Naval Reserve Officers' Training Corps (ROTC) program.","Colonel George F. Hafkemeyer served for 30 years in the United States Army as a an officer in the areas of maintenance, material management, and logistics. In addition to his stateside assignments, he served overseas in Germany, Kuwait, and Sweden.","At the time of this interview, Evan T. Hanks, VMI Class of 2007, served with the 192nd Maintenance Squadron, Virginia Air National Guard as an aircraft structural mechanic and corrosion control journeyman.","Alexis Hart commissioned with the United States Navy in May 1993. From August 1993 to April 1994 she was a student at the Navy Supply Corps School in Athens, Georgia. From May 1994 to June 1997, she served as Division Officer on board the USS Essex (LHD 2), and was first woman assigned to an amphibious ship. From July 1997 to June 1999, Hart served as Instructor at the Navy Supply Corps School.","Rear Admiral Maurice B. Hill, Jr. served in the United States Navy Dental Corps on both active duty and in the reserves.","Seargeant Major Alvin N. Hockaday, United States Marine Corps (Retired), was born and raised in Richmond, Virginia. After completing high school in 1960, he enlisted in the Marine Corps where he was trained as a Marksmanship Instructor and Rifle Team Member. In 1965, Hockaday served his first tour of duty in Vietnam until he was wounded in 1966. From 1966 to 1968 he served as an instructor at the Marine Corps Officer Candidate School. He returned to Vietnam in 1968 and was wounded again in 1969. ","Hockaday returned to the United States in 1974 and was assigned as the first enlisted Marine Instructor at the VMI. In 1977 he was assigned to The Marine Corps Ceremonial Units at Marine Barracks in Washington, D.C. Following his retirment from the Marine Corps in 1990, Hockaday became the first Seargeant Major to the Corps of Cadets at VMI, a position he held until 2003.","Donald B. Holt enlisted in the United States Navy in 1971 and after boot camp trained in electronics and nuclear power. He served as a reactor operator on the submarine USS Billfish (SSN 676), and subsequently was an instructor in a nuclear power training unit. Holt received his honorable discharge in 1979 after serving almost nine years.","Captain Vernon C. Honsinger enlisted in the Navy in 1951 and served for 30 years. Among his many assignments were those of Operations Officer and Chief Engineer on the USS Laffey (DD 724) in the Atlantic Ocean, Mediterranean Sea and the Red Sea, and Weapons Officer and Assistant Engineering Officer on the USS Seadragon (SSN 584), Pacific Ocean.","Rodney A. Hottle, VMI Class of 1976, served in the United States Air Force from 1977 to 2003. He was a Missile Officer from 1977 to 1996 and subsequently transferred into Services.","Dr. Reed Johnson graduated from VMI in 1953 with a degree in physics. After completing post-graduate work at the Oak Ridge School of Reactor Technology (ORSORT), he was employed by Electric Boat and was involved in testing and designing radiation shields for the earliest nuclear submarines, including the Nautilus (SSN 571) and the Seawolf. He subsequently worked in many other nuclear projects during the 1950s, including the United States Army Package Power Reactor.","Kristopher G. Kowalczyk was born in 1982 and enlisted in the United States Army at the age of 17. He trained as an ammunition specialist and subsequently went to flight school, becoming an Apache helicopter pilot. Among his assignments was a 12 month deployment to Kosovo, Serbia.","Major Daryl Laninga joined the United States Marine Corps in 1983. He served as an enlisted infantryman (mortar man) for nine and a years, commissioned via the Marine Enlisted Commissioning Education Program in 1992.","Lieutenant Commander (retired) Jerome Leugers commissioned in the United States Navy 1973 and spent his career as a naval aviator, flying the C-1, Saberline, C-9, and A-6. He served on active duty for ten years and subsequently in the reserves, retiring after 20 years.","Commander Mark G. Martin commissioned in the United States Navy in April 1985 and earned his Aviator wings in June 1986.","Commander Robert McMasters served with the United States Navy on the USS Will Rogers (SSBN 659) as division officer from September 1979 to June 1982. From  June 1982 to June 1984 he served as the S1W Prototype leading engineering officer of the watch, Idaho Falls, Idaho.","Robert P. McMullen enlisted in the United States Marines in December 2000 and served for four years. He was assigned to the Legal Services Support Section (LSSS) and the unit was deployed to Kuwait from 2002 to 2003.","Colonel Thomas B. Moncure, VMI Class of 1972, commissioned into the United States Air Force in 1972 through the Reserve Officers' Training Corps (ROTC) program at VMI. He graduated from pilot training in May 1973 and he served as a command pilot with over 3150 flying hours in B-52, T-38, FB-111A, F-111F, and B-1 aircraft. His other assignments included that of Deputy Director of Plans and Programs, Headquarters United States Air Forces in Europe, Ramstein Air Base, Germany, and Commander and Professor of Aerospace Studies at Air Force ROTC Det 880, VMI. Moncure retired from the Air Force in 2002.","James M. Morgan, Jr. (1923-2021) was a member of the VMI Class of 1945. He subsequently received a PhD in civil engineering from Johns Hopkins University. He spend 38 years at VMI as a professor and later head of the Civil Engineering Department. Morgan then served as Dean of the Faculty and retured from VMI in 1984.","John L. Neel joined the United States Army in 1976 and was trained as a Parachute Infantryman. His first assignment was with the 505th Parachute Infantry Regiment, 82d Airborne Division, Fort Bragg North Carolina. He served over 15 years with the 505th in a variety of positons. He has served three tours with North Atlantic Treaty Organization (NATO) in Izmir, Turkey as an Operations Sergeant, and  s the Senior Enlisted Advisor and Sergeant Major for Joint Command Southeast. ","Neel also served for two years on Her Majesty's service as Platoon Sergeant, 8 Platoon, 1st Battalion, British Parachute Regiment. From July 1997 to July 2000 he served as Sergeant Major of the Army Reserve Officers' Training Corps (ROTC) Department at VMI.","Neel's deployments include:\n 1983: Grenada 1992: Joint Task Force 6 along the New Mexico/Mexico border 1995: Operation Harvest Bear in Panama to quell the riots in the Cuban refugee camps September 2000: Kosovo as the Operations Sergeant, J3, Headquarters Kosovo Force (KFOR)-4","Laura E. Niebel graduated from George Washington University and commissioned in the United States Navy in 1999. At the time of this interview she was a helicopter pilot (SH-60B Seahawk) and had been deployed twice to the Arabian Gulf.","Eugene Ostlund enlisted in the United States Navy in 1940, went through boot camp at Great Lakes, and qualified for a Class A school, attending Aviation Metalsmith School in Pensacola, Florida. He was subsequently sent to Naval Air Station, North Island, where he stayed until 1943, and was then transferred to a carrier aircraft service unit. He later qualified for the Navy V-12 program and enrolled in the College of St. Thomas in St. Paul, Minnesota and the University of Michigan.","In 1947 he was commissioned an ensign in the regular Navy. He served:\n On board the USS St. Paul (CA 73) On the staff of the Commander Seventh Fleet operating in Korean waters On board the USS Gearing (DD 710), a destroyer which operated in the Sixth Fleet in the Mediterranean where he was the communication officer and the operations officer Onboard the USS Haas (DE 424) As Commanding Officer of the USS Lansing (DER 328) \nUpon completion of the tour of duty on the USS Lansing, Ostlund was assigned to the Command and Staff College of the Air Force Air University in Maxwell Field in Montgomery, Alabama. He was then assigned to the Defense Communication Agency in Washington, D.C.","Valerie Overstreet graduated from Virginia Tech in 1991. While at Tech, she was a member of the Corps of Cadets on a United States Navy scholarship. After commissioning and initial flight training, she selected carrier aviation and was assigned to the E-2C. Overstreet has also served as an instructor pilot and studied at the Naval War College. At the time of this interview she was the second female Commanding Officer in the history of United States Navy combat aviation.","Stephen D. Patchin grew up in Wisconsin and joined the United States Navy in 1958 at the age of 18. He served until 1979 in the field of aviation maintenance. After his retirement from the Navy, he continued to work in naval aviation mechanics and planning as a civilian contractor.","Captain Robert C. Peniston served 10 sea tours on nine ships. He commanded the USS Savage, USS Tattnall, and USS Albany. He was navigator of the Presidential yacht Williamsburg from 1951 to 1952 and served seven shore tours, officer distribution (two tours), Bureau of Naval Personnel (two tours) and was Director of Naval Education Development Staff of Chief of Naval Education and Training (CNET).","Commander Mark D. Pistochini served with the United States Navy from June 26, 1968 through September 1, 1996, and retired as a Commander (OS). He served as a Communications Intelligence Evaluator (COMEVAL) with the United States Naval Security Group, Detachment Atsugi, Japan from March 1978 through August 1981. He accrued over 2,000 hours in the VA-1 EP-3 aircraft.","Lieutenant Colonel Russell Rivers graduated from the University of Mississippi in 1982 and commissioned in the United States Air Force. He received his Naval Aviator wings in 1984. Rivers has flown several type/model/series aircraft, ranging from turboprop trainers to rotary wing and jet aircraft, accumulating over 3600 hours of flight time as of this interview date.","Lieutenant Colonel Frederick C. Rody entered the United States Marine Corps in 1983 and spent 12 years on active duty and 11 years in the Reserves. He trained as a pilot and flew the F-18.","William B. Rutherford grew up in Cape May, New Jersey and joined the United States Marine Corps in 1953. After three years in the Marines, he transferred to the United States Navy and attended nuclear power school. Rutherford saw duty on several nuclear powered subs, serving as a chief electrician. He retired after 20 years of military service.","Ross Schmoll commissioned into the United States Air Force in 1959 after graduating from Cornell University, rising to the rank of Colonel before retiring in the late 1980s. Assignments included:\n B-47 B-58 crew member F-11 crew member (radar navigator bombardier) stationed at Royal Air Force Upper Hayford (England) and subsequently in Thailand Deputy commander for maintenance, Seymour Johnson Air Force Base, North Carolina (four squadrons of F-4Es) Director of maintenance at the United States Air Forces in Europe (USAFE) Assistant Director of Logistics at USAFE Defense Logistics Agency","Major Anthony Shea served in the United States Air Force from 1985 to 1994 as:\n A security forces specialist An officer with the chief computer support section Wide area network program manager Internet protocol engineer Chief military telephone command and control Assistant Professor of Aerospace Studies for Air Force Reserve Officers' Training Corps (ROTC), Virginia Military Institute","Lieutenant Jared Smith received a Bachelor of Science in electrical engineering and commissioned into the United States Navy through Officer Candidate School (OCS). After completing Navy Nuclear Power School and other courses, he was assigned as a submarine officer on the USS Maryland (SSBN 738). He was subsequently assigned to Virginia Military Institute's Naval Reserve Officers' Training Corps (ROTC) unit (December 2006 to February 2009).","Dennis Stone commissioned into the United States Army in June 1970 and was assigned to Fort Benning, Georgia for the Infantry Basic Officer Course (IOBC), Airborne Ranger. From June 1971 to May 1973 he served with the 1148IMF as 3rd Armored Division Platoon Leader, Executive Officer, and Detachment Commander. From May 1973 to December 1974 he served at the Arctic Test Center at Fort Greely, Alaska, where he tested cold weather equipment and commanded troops involved in testing. Other assignments included the New Jersey Army National Guard, the Virginia National Guard, and the 11th Special Forces Group. Stone retired in June 1973 with the rank of Lieutenant Colonel.","Robert Walston Todd II, United States Navy, has served on the USS George Washington (CVN-73) as a Reactor Operator, Electronics Technician 2nd Class since September 2004. He attended A-School and Power School in Charleston, South Carolina from January 2003 to 2004 and Nuclear Prototype School in Ballston Spa, New York from February 2004 to August 2004.","Colonel James O. Tubbs commissioned into the United States Air Force in 1980 and has served as the following:\n 1983-1986: Standardization and Evaluation Pilot at the 23rd Tactical Air Support Squadron, Shaw Air Force Base, South Carolina 1987-1989: Flight Commander and Instructor Pilot, 496th Tactical Fighter Squadron, Hahn Air Base, Germany 1989-1993: Instructor Pilot and Assistant Operations Officer, 314th Fighter Squadron, Luke Air Force Base, Arizona 1995-1997: Operations Officer and Chief of Strategy Division, 32nd Air Operations Squadron 1997-1999: Squadron Operations Officer and Special Assistant to the Operations Group Commander, 31st Fighter Wing 1999-2001: Air Staff Action Officer and Deputy Chief of Joint Issues Division for Air Force Quadrennial Defense Review 2002-2004: Senior Military Advisor to the Deputy Assistant Secretary of Defense for Resources and Plans, acting as advisor for all Air Force program, budget and acquisition issues Military Assistant to the Under Secretary of Defense for Policy at the Pentagon, Washington D.C.","Major Colin S. Turnnidge II enlisted in the United States Army in May 1980 and trained as a Special Forces combat medic. He served on active duty for three years with the 7th Special Forces Group, deploying to Central America. He subsequently served 10 months in the Special Forces Reserves (11th Group) before leaving the service. He reenlisted in 1991 and served with the 3rd Group, attending Physicians Assistant School, and receiving a direct commission in 1995. Turnnidge served as a physician assistant until his retirement in 2006.","Darrell G. Van Ness began his service as a United States Army private in 1978, completing his basic training and Advanced Individual Training (AIT) in Armor School at Ft. Knox, Kentucky. He went on to Ft. Bliss, Texas to 3rd Armored Cavalry Regiment (ACR) and was assigned to 3rd ACR F Troop. From 1980 to 1981 Van Ness was stationed in Garlstedt, Germany, in the AD4,  and from 1981 to 1984 he served with the 3rd and 7th Cavalry B Troop.","Commander Clifford L. J. Wade grew up in Ohio and graduated from Miami University (Oxford, Ohio). He commissioned into the United States Navy and became a Naval Flight Officer, spending 21 years of his 27 year career outside of the continental United States (Hawaii, Bermuda, Japan, Spain, and England). His last duty station was at the Naval Reserve Officers' Training Corps (NROTC) unit at Virginia Military Institute.","R. Kurt Zeppenfeldserved with the United States Marine Corps from 1977 to 1981 and with the United States Naval Reserve.","This oral history collection spans the World War II era through recent conflicts in Iraq and Afghanistan. One interview (Frank Buckles) covers World War I service. The majority of the interviews were conducted by VMI cadets taking courses in military history. The interview files and recordings are housed in the VMI Archives.","This series consists of transcripts of oral history interviews conducted in 2014 to 2015 with VMI alumni who served during World War II. The interviewer is journalist Lisa Tracy. These interviews contain information about cadet life during the War, as well as wartime service of individuals.","This sub-series consists of oral histories of World War II era VMI alumni conducted by cadets taking History 393, World War II, taught by Lieutenant Colonel Bradley L. Coleman (Fall 2015). The interviews cover cadet experiences from the era as well as military service.","This interview covers Alfred A. Alvarez's service during World War II.","This interview covers Ernest A. Andrews' service during World War II.","This interview covers Joseph L. Argenzio's service in World War II.","This interview covers Charles D. Bachman's service in World War II.","This interview covers Stanley Caulkins' service during World War II.","This interview contains extensive information about \tRobert L. Cheatham, Jr.'s experiences as a prisoner of war.","This interview covers Glen Cleckler's experiences during World War II.","This interview primarily covers William H. Collier's service in World War II.","In this interview, David Cvengros recounts the World War II service of his father George E. Cvengros (1923-1985).","This interview covers Walter M. Duncan, Sr.'s stateside pilot training.","This interview covers Edward L. Feightner's experiences throughout his career, including his service in World War II and as a test pilot and member of the \"Blue Angels.\"","This interview covers R. \"Hap\" Halloran experiences on B-29 missions and his time as a prisoner of war.","This interview covers John P. Irby III's training and includes coverage of his service in World War II with Company C of the 86th Reconnaissance Squadron of the 6th Armored Division, in General George S. Patton's 3rd Army, and the 3rd Armored Division.","This interview covers Malcolm Muir, Sr.'s experiences in World War II.","This interview covers James B. Naughton's experiences during World War II.","This interview covers George Porter's experiences during and after World War II, and includes discussion of the racial prejudice that black soldiers encountered in the United States Army and in society at large.","This interview covers Carl D. Proffitt's experiences in World War II.","This interview covers John M. Remaly's experiences during World War II.","This interview covers William Repke's experiences during World War II.","This interview covers Charles A. Riley's post-World War Two United States Air Force career.","This interview covers Edward A. Ryan's experiences during World War II.","This interview covers Luther J. Schilling's experiences during World War II.","This interview covers the invasion of Normandy, France and Charles Shaeff's time in the United States Navy Reserves.","This interview covers Samuel Tarkenton's experiences during his United States Army service.","This interview covers Meeks B. Vaughan's early years growing up in Timpton County, Tennessee, as well as his experiences during World War II.","This interview covers Tyson Wilson's service in World War II (2nd Marine Division) and briefly his time teaching Combat Intelligence at Quantico, Virginia, and his years teaching with the Economics, History and Army Reserve Officers' Training Corps (ROTC) departments at Virginia Military Institute.","This interview covers William D. Badgett's experiences in Korea.","This interview covers Vernon A. Good's experiences during the Korean War.","This interview covers Raymond A. Johnson's United States Marine Corps career and his experiences during the Korean War.","This interview primarily covers Charles W. McKellar's experiences in the Korean War.","This interview covers Bill R. Penn's experiences in the Korean War as a corpsman and as a prisoner of war.","This interview covers John T. Pepper's years of military service.","A collection addition in 2021 added supplemental material related to Craig D. Caldwell, Paul A. Robblee, Jr., Paul Wagner, Dale W. Saville, Randolph W. Urmston, and Edwin Y. Hines.","This file contains one book titled \"VietNam 1968-1969\" by Edwin Y. Hines.","This interview covers Terry G. Allison's experiences during the Vietnam War.","This interview covers Lawrence E. Boese's three tours of duty in Vietnam (1968-1972) with particular emphasis upon Operation Linebacker. During the \"Linebacker\" period, he served as a F-4D/E aircraft commander, instructor pilot, and mission commander with the 308th Tactical Fighter Squadron out of Homestead Air Force Base, Florida.","This interview covers Michael L. Bozeman's service in Vietnam.","This interview covers George M. Brooke III's career with the United States Marine Corps.","This interview covers Leland H. Burgess' career as a helicopter pilot during the Vietnam War.","This interview covers Lee S. Dewald's military career and experiences in Vietnam and the Hague as well as his time as a cadet at the Citadel.","This interview covers Blaise S. DiMartino's service in the United States Navy.","This interview focuses on Floyd H. Duncan's tour of duty in Vietnam (1966-1967) and on his service in the Army Reserves during the Vietnam era.","This interview covers Ronald A. Erchul's years of active duty (1961-1981).","These interviews cover Alan F. Farrell's Special Forces training and experiences in the Vietnam War.","This interview covers Arbury D. Hooker's experiences in the Vietnam War, Korea, and Grenada.","This interview primarily covers Robert M. Hudson's service in the Vietnam War.","This interview covers James E. Livingston's experiences in Vietnam.","This interview covers Paul B. Maini's service in the Vietnam War.","This interview covers John G. Miller's experiences in the Vietnam War.","This interview covers William Moriarty's experiences during the Vietnam War.","This interview covers Jeffrey H. Mosher's experiences in the Vietnam War.","This interview covers Wesley I. Rahn's experiences throughout his United States Air Force career.","This interview covers William R. Ricks' experiences as a pilot, his experiences in the Vietnam War, and his observations of Air Force participation in Operation Desert Storm.","This interview covers John W. Ripley's experiences during his second tour in Vietnam (1971-1972).","This interview covers Joseph E. Rosinski's time in the service from 1967 to 1971.","This interview covers Glenn A. Thieme's entire career, including his deployment to Vietnam in 1971.","This interview covers Thomas D. Todd's years of military service.","This interview covers James R. Treadwell's military career.","This interview primarily covers Frank Yusi's service in the Vietnam War, but also his time at the Naval War College, Rhode Island.","This interview covers Anthony C. Zinni's experiences as an advisor with the South Vietnamese Marines (1967).","This interview covers Timothy S. McElhannon's career through 2002.","The first interview covers J. H. Binford Peay III's years as a VMI cadet (1958-1962). The second interview contains reflections on his military service and the challenges facing the army.","This interview covers Brian L. Quisenberry's assignments throughout his active duty and reserves career.","This interview covers Thomas A. Brashears' experiences in Iraq.","This interview covers Robert Churchill's career with the United States Air Force and the United States Air Force Reserves.","This interview covers Benjamin Kimsey's active duty service and his experience as a VMI cadet.","This interview covers James G. Wicker's United States Navy career.","This interview primarily covers Patrick M. Young's combat experiences during his deployment to Iraq in 2005.","This interview covers Thomas P. Arendes' service to date and in particular his training as a nuclear operator.","This interview covers Charles F. Brower IV's service as Army Aide to President Ronald Reagan from 1982 to 1984.","This interview covers James Eicher's experience flying the OV-10 and the AV-8 (\"The Harrier\"), and his thoughts on military flight technology.","This interview covers Steven V. Ferguson's United States Navy career.","This interview covers John D. Gober's various training and assignment experiences.","This interview concentrates on United States and Latin American security relations during the Ronald Reagan administration.","This interview covers Chris Gray's military education and career through 2006.","These two interviews cover Evan T. Hanks' experiences working on F-15s and F-16s.","This interview covers Alexis Hart experiences on board the USS Essex (LHD 2).","This interview covers Daryl Laninga's service in the United States Marine Corps through 2005.","This interview covers Mark G. Martin's career through 2006.","This interview covers Robert McMasters' naval career.","Transcript of interview with James M. Morgan, Jr., VMI Class of 1945. The interview covers Morgan's years during World War II at VMI and in the Army Enlisted Reserve Corps (ERC), recollections about graduate school work, and his early teaching career at VMI. The bulk of the discussion covers the years 1941 to 1957.","This interview covers Laura E. Niebel's United States Navy career up to 2007, including details about training and deployments.","This interview covers Eugene Ostlund's United States Navy career through 1965.","This interview covers Robert C. Peniston's time aboard the USS Savage, USS Tattnall, USS New Jersey, USS Albany, and the Presidential yacht Williamsburg.","This interview covers Mark D. Pistochini's experiences in Atsugi, Japan.","This interview covers Frederick C. Rody's 23 years of experience in United States Marine Corps aviation.","This interview covers Anthony Shea's United States Air Force career from 1985 to 2005.","This interview covers Dennis Stone's time in Germany and at the Arctic Test Center, Alaska.","This interview covers Robert W. Todd II's service on the USS George Washington (CVN 73).","This interview covers R. Kurt Zeppenfeld's experiences in Pusan, Korea.","Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.","Manuscripts stacks","Virginia Military Institute Archives","Virginia Military Institute. Adams Center for Military History","Virginia Military Institute. Department of Civil and Environmental Engineering","Tracy, Lisa (Elizabeth Kilbourne)","Saxe, Ira N. (Ira Nelson), 1918-?","Smith, Robert P. (Robert Pemberton), 1919-2017","Richards, Walter L. (Walter Leland), 1919-","Miller, Charles B. (Charles Bruce)","Gottwald, Floyd D., Jr.","Smith, Jeffrey G., Sr.","Doss, James V.","Taylor, Arthur C., Jr. (Arthur Canning)","Matheis, Richard, A., ?-2015","Morgan, James M., Jr. (James Markus), 1923-2021","Spach, Jule C.","Eliason, William A.","Siebert, Harry J. (Harry John)","Layman, Thomas O. (Thomas Orville)","Gantt, Joseph I., Sr. (Joseph Isley)","Suter,  Bruce H.","Abbitt, Charles W.","Anthony, Eiland E.","Ashley, Maurice C., Jr. (Maurice Cavileer), 1925-2015","Boyd, John T.","Crane, George A., Jr.","Dischinger, Hugh C. (Hugh Charles), 1924-?","Esser, Jefferson R. C. (Jefferson Randolph Cary)","Geary, Paul X.","Gialanella, John A.","Massenburg, Edgar A.","Mills, William C.","Naill, John D., Jr., 1924-?","Newton, Russell B.","Patton, John M. (John Mercer), 1921-?","Siegel, Ralph","Smaw, Daniel G., III","Smothers, Robert C.","Williams, John P., 1922-?","Winter, William D.","Alvarez, Alfred A., 1924-","Andrews, Ernest A., 1923-?","Argenzio, Joseph L., 1927-?","Bachman, Charles D.","Barrett, John G. (John Gilchrist), 1921-2013","Bodkin, Hobert","Brooks, Charles","Brown, Fred, 1923-?","Burnette, Guy B. (Guy Berry), 1921-?","Caulkins, Stanley","Cheatham, Robert L., Jr.","Clark, Allen E. (Allen Eugene), 1924-?","Cleckler, Glen","Collier, William H. (William Hurle)","Cousart, Cyril G.","Cowan, Chalmer E., 1919-?","Cvengros, George E., 1923-1985","Cvengros, David","Dazzo, Joseph O.","DeSantis, Nathan, 1921-?","Dexter, Robert F. (Robert Fred), 1925-?","Dixon, Mark R.","Duncan, Walter M., Sr., 1920-?","Dunfee, Howard","Evans, Allen D.","Fair, Robert R., 1925-?","Farmer, William C., 1926-?","Feightner, Edward L.","Funkhouser, William","Furman, Donald E., 1913-?","George, Roy, 1927-?","Haggerty, Frank J.","Halloran, R. \"Hap\"","Halsey, John S. (John Selden)","Harper, R. Marlowe","Holzman, Jerome","Howard, William, 1919-?","Irby, John P., III (John Poindexter), 1922-?","Jenkins, Carl F.","Kershaw, John R., 1925-?","King, Frank E., 1922-?","King, Jerome H., Jr.","Kinter, Edmund B.","Lawton, Leonard G., 1919-?","Luikart , Walter, 1925-?","Lypka, Demetrius, 1918-?","Marsh, Alexander","McKinney, Charles H., 1920-?","Michnewich, Alexander, 1923-?","Moberg, Robert, 1921-?","Muir, Malcolm, Sr., 1914-?","Murray, Wilma","Naughton, James B., 1926-?","Nicely, Guy C., Jr.","Noble, Edwin A., 1922-2013","Perna, Anthony J. (Anthony Joseph)","Porter, George, 1921-?","Proffitt, Carl D.","Quarles, Julian M., Jr., 1917-?","Rathmell, Richard, 1925?-?","Reagan, Emmett F., 1924-?","Remaly, John M.","Repke, William","Riley, Charles A. (Charles Andrew), 1926-?","Rupe, Kenneth D., 1919-?","Ryan, Edward A.","Sams, Robert","Schilling, Luther J., 1926-?","Schintzel, Arthur, 1922-?","Shaeff, Charles B.","Shreffler, Gale O., 1924-?","St. Clair, Alfred, 1918-?","Stewart, Philip O.","Talbot, Jack","Tarkenton, Samuel","Tompkins, George J., Jr. (George Johnson)","Vaughan, Meeks B., 1919-?","Wills, William H., 1919-?","Wilson, Tyson, 1918-?","Badgett, William D., ?-2020","Belt, Ovid","Fox, Wesley L.","Good, Vernon A.","Johnson, Raymond A.","Kovac, Joseph W., 1930?-","Lewane, Leonard L.","McKellar, Charles W.","Penn, Bill R. (Bill Rivers)","Ackroyd-Kelly, Ian H. (Ian Howard), 1944-","Bland, Robert T. , III (Robert Tyler), 1943-","Burton, Michael D. (Michael Davies), 1944-","Walters, John , A. (John Arthur), 1944-","Charrington, Peter R. (Peter Randolph), 1943-","Creekmore, Oliver D. (Oliver David), 1944-","Crittsinger, Clifford A. (Clifford Andrew), 1941-","Edmunds, William W., Jr. (William Wilson), 1944-","Gesker, Joseph M. (Joseph Mitchell), 1944-","Gray, Thomas W. (Thomas Wayne), 1944-","Harrel, Thomas H., Jr. (Thomas Howard), 1944-","Hoskot, Nathaniel R., Jr. (Nathaniel Ramsey), 1943-","Hines, Edwin Y. (Edwin Yarbrough)","Kiernan, David R. (David Richard)","Lloyd, Howard M., Jr. (Howard Marshall), 1944-","McClure, William G., III (William Granville), 1944-","Monteverde, Miguel E. (Miguel Enrique), 1944-","Odom, John R., III (John Robert), 1945-","Pinkus, David R. (David Ralph), 1944-","Reifsnider, Lawrence C. (Lawrence Clark), 1944-","Ritchie, Robin P. (Robin Polk), 1943-","Robblee, Paul A., Jr. (Paul Ashworth), 1944-","Rowe, John L., Jr. (John Louis), 1944-","Sadler, Woodson A., Jr. (Woodson Alexander), 1944-","Caldwell, Jesse W. (Jesse Walters), 1901-?","Saville, Dale W. (Dale William), 1944-","Smith, James R., Jr. (James Russell), 1944-","Szymanski, James G. (James George), 1945-","Turner, John M. (John McLeod)","Urmston, Randolph W., 1944-","Wagner, Paul A. (Paul Allyn), 1944-","Williams, Duane E. (Duane Edward), 1944-","Williams, James R. (James Richard), 1944-","Young, Geoffrey R. (Geoffrey Reynolds), 1944-","Allison, Terry G.","Bissell, Norman M. (Norman Michael), 1938-2019","Boese, Lawrence E.","Bozeman, Michael L.","Brooke, George M., III","Bryant, Bayes L., 1948-?","Burger, Lloyd C.","Burgess, Leland H.","Cayo, Richard F., 1934-","Dabney, William H. (William Howard), 1934-2012","Dailey, Charles L.","Davis, Terry J., 1946-","Dewald, Lee S.","DiMartino, Blaise S.","Duncan, Floyd H.","Erchul, Ronald A. (Ronald Anton), 1938-2011","Farrell, Alan F., 1945-","Flanagan, William J.","Gardner, Robert L.","Grady, William","Turner, Thomas","Hooker, Arbury D. (Arbury Daryl)","Hudson, Robert M.","Jones, William C.","Jumper, John P. (John Phillip), 1945-","Kosh, Ronald W.","Krumwiede, Jerold L.","Livington, James E.","Maini, Paul B.","Marshall, Richard C., Jr. (Richard Coke)","Miller, John G.","Miller, Richard S., 1939-","Moriarty, William","Mosher, Jeffrey H., 1952?-","Ohmer, John","Rahn, Wesley I.","Ray, Ronald, 1942-","Ricks, William R.","Ripley, John W.","Rosinski, Joseph E.","Rud, Gilman","Saunders, William P.","Thieme, Glenn A., 1931-","Todd, Thomas D.","Treadwell, James R., 1952-","Turner, Blair P., 1947-","Yedinak, Steven M.","Yusi, Frank","Zinni, Anthony C. (Anthony Charles), 1943-","Amato, Steven L.","Andrews, William F., 1958-2015","Carver, Jim","Heely, Timothy","Kyser, James G.","Litz, Charles H.","Magno, Thomas A.","McElhannon, Timothy S. (Timothy Sean)","Peay, J. H. Binford, III, 1940-","Quisenberry, Brian L.","Cook, Robert J. (Robert James)","Craig, Steven","Bissell, Gary A.","Bither, William","Brashears, Thomas A.","Churchill, Robert","Crespo, Jose L., 1980-","Daniel, Tim","Diorio, Frank, 1973-","Drake, Jon A.","Johnson, Michael","Kimsey, Benjamin","Suydam, Phillip A.","Wicker, James G.","Young, Patrick M.","Anderson, Keith R.","Arendes, Thomas P.","Baity, Kenneth W., 1959-","Bissell, Brandon A.","Bissell, Marti J.","Brower, Charles F., IV","Brown, Kenneth R. (Kenneth Randolph)","Buckles, Frank W. (Frank Woodruff), 1901-2011","Day, Steven E.","Eicher, James","Ferguson, Steven V.","Friedensen, Victoria P.","Gober, John D.","Gorman, Paul F.","Reagan, Ronald, 1911-2004","Grace, William R., 1959-","Gray, Chris","Hafkemeyer, George F.","Hanks, Evan T.","Hart, Alexis","Hill, Maurice B., Jr.","Gallahan, Maxwell R.","Holt, Donald B.","Honsinger, Vernon C.","Hottle, Rodney A.","Johnson, Reed","Kowalczyk, Kristopher G., 1982-","Laninga, Daryl","Leugers , Jerome","Martin, Mark G.","McMasters, Robert","McMullen, Robert P., 1981-","Moncure, Thomas B., 1950?-","Dittrich, James F.","Neel, John L.","Niebel, Laura E.","Ostlund, Eugene","Overstreet, Valerie","Patchin, Stephen D., 1940-","Peniston, Robert C.","Pistochini, Mark D.","Rivers, Russell","Rody, Frederick C.","Rutherford, William B. (William Bruce)","Schmoll , Ross","Shea, Anthony","Smith, Jared","Stone, Dennis","Todd, Robert W., II (Robert Walston)","Tubbs, James O.","Turnnidge, Colin S., II, 1961-","Van Ness , Darrell G.","Wade, Clifford L. J., 1954-","Zeppenfeld, R. Kurt","English"],"unitid_tesim":["MS.0510","/repositories/3/resources/766"],"normalized_title_ssm":["Military oral history collection"],"collection_title_tesim":["Military oral history collection"],"collection_ssim":["Military oral history collection"],"repository_ssm":["Virginia Military Institute Archives"],"repository_ssim":["Virginia Military Institute Archives"],"creator_ssm":["Virginia Military Institute. Adams Center for Military History"],"creator_ssim":["Virginia Military Institute. Adams Center for Military History"],"creator_corpname_ssim":["Virginia Military Institute. Adams Center for Military History"],"creators_ssim":["Virginia Military Institute. Adams Center for Military History"],"access_terms_ssm":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"access_subjects_ssim":["World War, 1914-1918","World War, 1939-1945","Korean War (1950-1953)","Vietnam War (1961-1975)","Persian Gulf War (1991)","Iraq War, 2003-2011","Afghan War, 2001-2021","Oral histories"],"access_subjects_ssm":["World War, 1914-1918","World War, 1939-1945","Korean War (1950-1953)","Vietnam War (1961-1975)","Persian Gulf War (1991)","Iraq War, 2003-2011","Afghan War, 2001-2021","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["12 cubic feet"],"extent_tesim":["12 cubic feet"],"genreform_ssim":["Oral histories"],"date_range_isim":[2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eA small number of interviews carry donor access restrictions.  Most are available without restriction.\u003c/p\u003e","\u003cp\u003eThese interviews are not available online. Please contact the VMI Archives for information about accessing this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["A small number of interviews carry donor access restrictions.  Most are available without restriction.","These interviews are not available online. Please contact the VMI Archives for information about accessing this material."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"http://digitalcollections.vmi.edu/cdm/landingpage/collection/p15821coll13\"\u003eThe bulk of this collection is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Online Access"],"altformavail_tesim":["The bulk of this collection is available online."],"bioghist_html_tesm":["\u003cp\u003eThe Military Oral History Project was orginally an initiative of VMI's John A. Adams '71 Center for Military History and Strategic Analysis. The Center's first Director, Kip Muir (served 2002-2011) initiated the oral history program, in which VMI cadets interviewed veterans as part of their military history coursework. Subsequent cadet-conducted interviews were overseen by the Center's second Director, Bradley L. Coleman.  \u003c/p\u003e\n","\u003cp\u003eIn addition, a 2015 collaborate effort between Coleman and journalist Lisa Tracy resulted in a number of interviews conducted by Tracy with VMI World War II alumni.\u003c/p\u003e","\u003cp\u003eAlfred A. Alvarez was born in 1924 and grew up in Chelsea, Massachusetts. He enlisted in July 1942, and following stateside training, joined the 1st Infantry Division in England. He took part in the Normandy invasion, hitting \"Easy Red,\" Omaha Beach on D-Day. He subsequently saw action in the Champagne campaigns and at Hurtgen Forest, the Battle of the Bulge, and in Czechoslovakia. \u003c/p\u003e\n","\u003cp\u003eAlvarez re-enlisted in the Reserves in 1945, and during his thirty-two years of duty served combat tours in Korea and Vietnam, and was deployed to Central and South America. He was inducted into the United States Army Officer Candidate School (OCS) Hall of Fame in April 2003. \u003c/p\u003e","\u003cp\u003eErnest A. Andrews was born in 1923 in Tennessee and was drafted into the United States Army in 1943. He served in the 16th Infantry, H Company, First Infantry Division (Big Red One) until the end of the World War II, and was in combat at Normandy, and in the Rhineland, Central Europe, and Ardennes, France.\u003c/p\u003e","\u003cp\u003eJoseph L. Argenzio was born in 1927 New York City, New York. He entered the United States Army in 1944 and, following training, was assigned to the First Infantry Division, 3rd Battalion, 16th Infantry, M Company. On D-Day he was part of the first wave at Omaha Beach, France. Argenzio subsequently saw combat in France, Belgium, and Germany, and participated in the liberation of Falkenau concentration camp in Czechoslovakia.\u003c/p\u003e","\u003cp\u003eCharles D. Bachman enlisted in the United States Navy in 1943 and became a part of the V12 Unit in Champaign, Illinois. A summary of his military services includes:\n\u003cul\u003e\n\u003cli\u003eNovember 1944–1945: Attended Midshipmens School at Columbia University, New York\u003c/li\u003e\n\u003cli\u003eMarch 1943–1945: Attended Destroyer Schools in Norfolk, Virginia\u003c/li\u003e\n\u003cli\u003eJune 1945–August 1945: Attended Tactical Radar School in Hollywood Beach, Florida\u003c/li\u003e\n\u003cli\u003eAugust 1945–October 1945: Attended Fighter Director School in St. Simons, Georgia\u003c/li\u003e\n\u003cli\u003eNovember 1945–August 1946: Served as deck officer, Combat Information Center watch officer, and fighter director on board the USS Warrington (DD-843)\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eJohn Gilchrist Barrett was born in 1921 in Gastonia, North Carolina. In 1942 he joined the United States Naval Reserves and was commissioned following his graduation from Wake Forest University. Barrett served in the Pacific Theater on the LCI(L)-1052 (Landing Craft Infantry Large). He was discharged in 1946 and enrolled in graduate school, receiving a PhD in history from the University of North Carolina at Chapel Hill. Barrett was a Professor of History at VMI from 1953 until his retirement in 1987. He died in 2013 in Lexington, Virginia.\u003c/p\u003e","\u003cp\u003eHobert Bodkin joined the United States Marine Corps in September 1942 and was assigned to the 1st Marine Division in March 1944. He went into combat during the invasion of Peleliu Island, Palau, and in April 1945 took part in the invasion of Okinawa, Japan.\u003c/p\u003e","\u003cp\u003eCharles Brooks, a native of North Carolina, was drafted in May 1943. Following stateside service with an Anti-Aircraft Artillery (AAA) unit, he was shipped to Europe where he was assigned to Company A, 16th Infantry Regiment, 1st Division. He served as a first scout until the end of World War II.\u003c/p\u003e","\u003cp\u003eFred Brown was drafted in 1942 at the age of 19. After receiving training at Fort Jackson, South Carolina, he shipped out to the European theater. Brown took part in the Normandy invasion, the Battle of the Bulge, and the Battle of Hurtgen Forest.\u003c/p\u003e","\u003cp\u003eGuy B. Burnette was born in 1921 in North Carolina and was drafted in 1942. After training, his unit was stationed in Hawaii for island defense, and after the atomic bombs were dropped on Japan, he was sent there for occupation duty.  Following World War II,  Burnett returned to North Carolina where he raised a family and was a farmer and construction worker.\u003c/p\u003e","\u003cp\u003eStanley Caulkins served as a B-17 radio operator in the United States Army Air Force from 1943 to 1946.\u003c/p\u003e","\u003cp\u003eRobert L. Cheatham, Jr. graduated from Clemson University, South Carolina, and was commisioned as a second lieutenant through the Reserve Officers' Training Corps (ROTC) program in August 1942. Following training he was shipped overseas and arrived in North Africa on December 26, 1942. On February 13, 1943 he was assigned to C Company, 26th Infantry, First Division. Cheatham was captured by the Germans at Kasserine Pass, Tunisia on February 20, 1943 and was a prisoner of war until he was liberated on April 29, 1945.\u003c/p\u003e","\u003cp\u003eAllen E. Clark enlisted in the United States Marine Corps in 1942 and served during World War II in the Pacific Theater on Bougainville, Guam, and Iwo Jima. He was a member of B Company, 1st Battalion, 21st Marine Regiment, 3rd Marine Division.\u003c/p\u003e","\u003cp\u003eGlen Cleckler served with the United States Marine Corps during World War II from February 1943 to December 1945. His service included participation in the Battle of Iwo Jima.\u003c/p\u003e","\u003cp\u003eWilliam H. Collier served in World War II in the 106th Cavalry Regiment (mechanized). He participated in several campaigns in Europe, including Normandy, northern France, Rhineland, Ardennes-Alsace, and Central Europe. He also served in the Army of Occupation in Austria. His later career included postings in Korea, Germany, Hawaii, Vietnam, and the Pentagon. He retired in 1971, having obtained the rank of Lieutenant Colonel.\u003c/p\u003e","\u003cp\u003eCyril G. Cousart enlisted in the United States Army in 1942 and became a flight crew member on the B-29 bomber. His unit was stationed at Saipan in the Marianas and he flew on 35 missions over mainland Japan.\u003c/p\u003e","\u003cp\u003eChalmer E. Cowan was born in 1919 in Pennsylvania and was drafted in the United States Army in October 1941. After basic training, he was assigned to Battery A, 27th Field Artillery Battalion. He fought throughout North Africa and Italy during World War II. Cowan was discharged in July 1945.\u003c/p\u003e","\u003cp\u003eGeorge E. Cvengros (1923-1985) served in the 134th Infantry Regiment, Company \"F.\" His unit landed on Omaha Beach on July 5, 1944 and fought throughout France and Germany. He participated in the Battle of the Bulge, Germany, and was in Hannover, Germany when World War II ended.\u003c/p\u003e","\u003cp\u003eJoseph O. Dazzo joined the United States Army in 1940 and was assigned to the 1st Infantry Division as a combat medic. He served in North Africa and Sicily, and took part in the Normandy invasion. His unit subsequently fought through France, Belgium, Germany, and Czechoslovakia. Dazzo was discharged in September 1945.\u003c/p\u003e","\u003cp\u003eNathan DeSantis joined the Merchant Marines in December 1941 and is a graduate of the Merchant Marine Academy, Class of 1944. He served throughout World War II on various vessels that carryied cargo in support of combat operations. DeSantis spent his entire career in the Merchant Marines and retired in 1988.\u003c/p\u003e","\u003cp\u003eRobert Fred Dexter was born in Massachusetts in 1925. He joined the United States Army in January 1944 and served in World War II, Korea, Central and South America, and in Vietnam. Following the end of his Army service in 1971, he began a career with the Bureau of Alcohol, Tobacco and Firearms.\u003c/p\u003e","\u003cp\u003eMark R. Dixon grew up on a farm in York County, South Carolina, and was drafted in the United States Army in July 1945. He served one year with the First Infantry Division during the post-World War II occupation of Germany.\u003c/p\u003e","\u003cp\u003eWalter M. Duncan, Sr. entered the United States Army Air Forces in November 1943 and received flight training on several aircraft before being assigned to the B-24.\u003c/p\u003e","\u003cp\u003eHoward Dunfee was drafted in 1943 into the United States Army and was assigned to the 1st Infantry Division. He landed in Normandy on three days after D-Day and served as a front line infantryman, machine gun bearer, and gunner until he was seriously wounded near Aachen, Germany. After receiving treatment in several hospitals, Dunfee returned to the United States and was discharged in April 1945.\u003c/p\u003e","\u003cp\u003eAllen D. Evans was born and raised in Indiana and is a decorated veteran of World War II. He enlisted in the United States Army in December 1942 and served in Europe with the 76th Field Artillery Battalion. He was a Staff Sergeant in charge of the Fire Direction Center and saw action throughout the European Theater of Operations (ETO), including the battles at Remagen, Germany and Ardennes Forest, France.\u003c/p\u003e","\u003cp\u003eRobert R. Fair was born in Kansas in 1925. After spending a semester at Louisiana State University in the Army Specialized Training Program (ASTP), he entered the regular United States Army in mid-December 1943. He was assigned to the 100th Infantry Division, arriving in Europe (Marseille, France) in October 1944. Fair fought on the front lines as the Division moved through France and Germany until he was wounded in April 1945.\u003c/p\u003e","\u003cp\u003eWilliam C. Farmer was born in 1926 and joined the United States Navy after graduating from high school in 1944. He was stationed aboard an LSM (Landing Ship Medium) serving in the Pacific theater. His vessel operated in the Mariana Islands and supported the invasion of Okinawa, Japan in the Spring of 1945.\u003c/p\u003e","\u003cp\u003eEdward Feightner was designated as a Naval Aviator in 1942, commissioned as an Ensign from that date, and subsequently progressed in rank to that of Rear Admiral 1971. During his distinguished career, he served in World War II as an Engineering Officer for various squadrons that operated in the Pacific theater. He was a test pilot and a member of the \"Blue Angels,\" and has over twenty years of experience in command of squadrons, airwings, ships, training units, and major staffs.\u003c/p\u003e","\u003cp\u003eWilliam Funkhouser, a decorated veteran of World War II, grew up in the Shenandoah Valley near Strasburg, Virginia. He joined the United States Army in February 1943 and served with F Company, 16th Regiment, First Infantry Division (Big Red One). He landed in Normandy on D-Day, June 6, 1944, and subsequently fought in the Battle of the Bulge.\u003c/p\u003e","\u003cp\u003eDonald E. Furman grew up in Pennsylvania and was drafted in 1941. He served as a light tank driver in the European theater where his unit was assigned to reconnaissance duty.\u003c/p\u003e","\u003cp\u003eRoy George was born in 1927 in New Jersey and enlisted in the United States Navy in August 1944. During his time in service, he completed Aviation A and B Schools and was assigned to service seaplanes and other aircraft. George received an honorable discharge in August 1948, leaving the Navy as an Aviation Metalsmith, 2nd Class Petty Officer.\u003c/p\u003e","\u003cp\u003eFrank J. Haggerty enlisted in the United States Army Air Corps on December 8, 1941, one day after the Japanese attacked Pearl Harbor, Hawaii. Following stateside training as an aircraft mechanic, he shipped overseas and was stationed at Polebrook Army Air Force Station (Northamptonshire, United Kingdom) home of the Eighth Air Force. Haggerty's unit (320th Service Squadron attached to the 351st Bomb Group) serviced the B-17 Flying Fortress. At the end of World War II Haggerty remained in the Air Force for a total of 20 years, retiring in 1962.\u003c/p\u003e","\u003cp\u003eR. \"Hap\" Halloran served in the United States Army Air Force during World War II. He was a B-29 navigator with the 73rd Wing, 499th Bomb Group, 878th Squadron, flying missions over Japan from a base in Saipan, northern Marianas. Halloran was shot down over Japan on January 27, 1945 and became a prisoner of war.\u003c/p\u003e","\u003cp\u003eJohn Selden Halsey, VMI Class of 1943, entered the United States Army in May 1943. A decorated combat veteran, he served in Europe with the 116th Mechanized Reconnaissance Squadron and was wounded in action in Germany in February 1945.\u003c/p\u003e","\u003cp\u003eR. Marlowe Harper was attending the University of Alabama when he was drafted in 1942. He was trained in radar and was ground crew member for the B-29 bomber, maintaining the gun laying set. Harper spend the last 8 months of World War II on Guam, where he supported missions bombing oil refineries in Japan. He was attached to the 20th Air Force, 15th Bomb Wing, 21st Squadron.\u003c/p\u003e","\u003cp\u003eJerome \"Bud\" Holzman served in Europe with the United States Army 94th Infantry Division from March 1945 to August 1945. As World War II came to an end, his unit was assigned to patrol, guard, and similar occupation duties in Germany and Czechoslovakia. He spent the final three months of his overseas duty at George S. Patton's 3rd Army Headquarters.\u003c/p\u003e","\u003cp\u003eWilliam Howard enlisted in the United States Navy in 1939 and attended boot camp at the Great Lakes Naval Station, Illinois. He served in the Asiatic Fleet from 1939-1943. After leaving the Navy, he worked in a munitions factory.\u003c/p\u003e","\u003cp\u003eJohn Poindexter Irby III, VMI Class of 1944, was inducted into the United States Army in 1943, graduated from Officer Candidate School in 1944 and was first assigned to the 30th Cavalry Reconnaissance Squadron in Fort Riley, Kansas.\u003c/p\u003e","\u003cp\u003eCarl F. Jenkins grew up on a dairy farm near Gastonia, North Carolina. He was drafted in August 1944 at the age of 18. After completing basic training, he was sent overseas as a replacement in the Big Red One during the Battle of the Bulge. Jenkins was wounded by scrapnel on February 28, 1945 and was awarded the Bronze Star and Purple Heart.\u003c/p\u003e","\u003cp\u003eJohn R. Kershaw, a World War II veteran, served as a B-17 bomber pilot in Europe. Following training he was assigned to the 92nd Bomb Group, 327th Squadron, at Podington, England. Kershaw flew numerous combat missions, bombing targets over Germany.\u003c/p\u003e","\u003cp\u003eFrank E. King was born in 1922 in Wythe County, Virginia. He volunteered for the United States Army in September 1942 and served with Headquarters Company, 2nd Battalion, 16th Infantry Regiment, 1st Infantry Division throughout World War II. King was in North Africa, Sicily, and landed at Omaha Beach on D-Day. He subsequently saw action in other major battles, including Huertgen Forest, Germany, and the Battle of the Bulge. King served overseas for more than 30 months and was awarded several decorations, including the Bronze Star.\u003c/p\u003e","\u003cp\u003eVice Admiral Jerome H. King, Jr. received his commission in the United States Navy in 1941, following his graduation from Yale University. His distinguished career began with service in the Pacific Theater during World War II and continued for over three decades until his retirement from active duty in 1974.\u003c/p\u003e","\u003cp\u003eEdmund B. Kinter joined the United States Merchant Marines in 1943 and served on Liberty ships carrying ammunition and supplies across the Atlantic.\u003c/p\u003e","\u003cp\u003eLeonard G. Lawton was born in 1919 in Orlando, Florida and entered the United States Marine Corps following his graduation from Stetson University in 1941. After completing boot camp and officer training, he served with the 1st Marine Division in the Pacific Theater where he saw extensive action and witnessed firsthand the conditions of jungle fighting. Lawton was awarded:\n\u003cul\u003e\n\u003cli\u003eThe Silver Star for action on Guadalcanal\u003c/li\u003e\n\u003cli\u003eThe Purple Heart for a wound received in November 1942\u003c/li\u003e\n\u003cli\u003eTwo Presidential Unit citations\u003c/li\u003e\n\u003cli\u003eone personal letter of citation from Admiral William Halsey\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eWalter Luikart joined the United States Merchant Marines in 1943. He served on nine ships, including Liberty ships that carried cargo and on troop ships in the English Channel that delivered soldiers and vehicles to the beachhead. Luikart's assignments took him to the North Atlantic, Indian Ocean, and Mediterranean Sea. He left the service in 1947.\u003c/p\u003e","\u003cp\u003eDemetrius \"Pete\" Lypka was born in 1918 in New Jersey and enlisted in the United States Army in 1941. He was assigned to the 1st Infantry Division, 16th Infantry, Company G and served until the end of World War II, seeing action in North Africa, Italy, France, and Germany. Lypka was discharged in July 1945 and returned home to start a career as a carpenter.\u003c/p\u003e","\u003cp\u003eAlexander Marsh enlisted in the United States Army in June 1942. He served as a 57mm anti-tank gun platoon commander with the 106th Infantry and was deployed to Europe. He was captured in the Ardennes, France on December 16, 1944 and spent three months in Stalag IX, Germany.\u003c/p\u003e","\u003cp\u003eCharles H. McKinney was born in 1920 in Selma, Alabama and joined the United States Army during the early days of World War II. After completing Officer Candidate School (OCS) in 1942, he joined the 509th Parachute Battalion in North Africa. He subsequently saw combat in Italy, France, and Belgium. McKinney also fought with the 505th Regiment, 82nd Airborne Division during the Korean War. He retired from active duty in 1962.\u003c/p\u003e","\u003cp\u003eAlexander Michnewich was born in 1923 in Brooklyn, New York. From 1943 to 1946 he served in the United States Army Corps of Engineers, 1905th Aviation Battalion, and was stationed in the China-Burma-India theater.\u003c/p\u003e","\u003cp\u003eRobert Moberg joined the United States Marine Corps in April 1943. After initial assignments, his unit was sent to Camp Tarawa, Hawaii, to join the 5th Marine Division and train for the invasion of Japan. He was en route to Japan when World War II ended, and went into Japan as part of the occupation forces.\u003c/p\u003e","\u003cp\u003eMalcolm Muir, Sr. served with the United States Naval Reserve from 1942 to 1945 as an Armed Guard officer on board the SS Booker T. Washington (troop ship, Liberty ship), the Sinclair H-C (merchant tanker), and the SS Carleton Ellis (merchant tanker, Liberty ship).\u003c/p\u003e","\u003cp\u003eWilma Murray joined the United States Army Nurse Corps in 1941. After stateside training, she shipped overseas to England. She subsequently was deployed to Normandy and landed on Omaha Beach 10 days after D-Day. Murray served in evacuation hospitals attached to the 1st Army, treating the wounded as the troops fought through France and Belgium. At the end of the War, she was in Germany where she cared for tuberculosis patients in the liberated Buchenwald concentration camp.\u003c/p\u003e","\u003cp\u003eJames B. Naughton served for three years in the United States Marine Corps. Much of that time was spent in the hospital due to serious injuries received as a result of combat action during the Battle of Iwo Jima in 1945. Naughton is a successful accountant and worked at Naughton, Cesario and Company, which he began following his military service.\u003c/p\u003e","\u003cp\u003eGuy C. Nicely, Jr. grew up in Lexington, Virginia and is a decorated veteran of World War II. He was drafted in the United States Army in February 1943 and soon joined the First Division, the Big Red One. After serving briefly in Sicily, Italy, his unit was sent to England to train for the D-Day invasion on June 6, 1944. He landed on Omaha Beach and later fought in the Battle of the Bulge. He received both the Bronze Star and the Purple Heart.\u003c/p\u003e","\u003cp\u003eEdwin A. \"Ned\" Noble grew was born in 1922 in Bethel, Vermont and attended Tufts University after graduating from high school. He was drafted in the United States Army in 1944 and was assigned to the 1st Infantry Division, serving in the Ardennes, Rhineland, and Central Europe. He subsequently served as Acting Battalion Sergeant major during occupation duty in Nuremberg, Germany. Noble died on January 3, 2013 in Washington, D.C.\u003c/p\u003e","\u003cp\u003eCononel Anthony J. Perna (Retired) had a distinguished thirty year career in the United States Air Force and was among the youngest officers to reach the rank of Colonel. During World War II he served as a flight instructor for B-17s and B-24s. He was subsequently involved in both the Berlin Airlift (Germany) and in the creation of the United States flight simulation program. Perna also had assignments as the Defense Attaché to Israel during the Six Day War, in the Strategic Air Command (SAC) during the Cold War, and he served on the staff of the Joint Chiefs at the Pentagon.\u003c/p\u003e","\u003cp\u003eGeorge Porter enlisted in the United States Army at the beginning of the World War II and served at the famed Tuskegee Army Air Field, Alabama as a mechanic ground crew chief. He worked primarily on the P-40 and was responsible for training the mechanics who supported the Tuskegee Fighter Squadrons.\u003c/p\u003e","\u003cp\u003eCarl D. Proffitt enlisted in the National Guard of Virginia in 1939 and reported for active duty on February 3, 1941, at Fort George G. Meade, Maryland. He shipped overseas to England in September of 1942. He served with K Company, 116th Infantry, 29th Division, for the D-Day Invasion. Among his numerous decorations are the Distinguished Service Cross, the Silver Star, two Bronze Stars, three Purple Hearts, the Good Conduct Medal, the Pre Pearl Harbor Medal, the Combat Infantry Badge, the French Freedom Medal, and the State of Virginia Distinguished Service Award.\u003c/p\u003e","\u003cp\u003eJulian M. Quarles, Jr. served as an United States Army infantry officer (36th Division) during World War II, taking part in the landing at Salerno, Italy. He and another officer were captured, escaped from the prison train carrying them to Germany, and then made their way back to their outfit after 33 days behind German lines.\u003c/p\u003e","\u003cp\u003eDuring World War II, Richard Rathmell served as a 3rd Assistant Engineer on a merchant marine vessel. His ships made ammunition runs in support of the war effort, including a North Atlantic crossing to supply the Battle of the Bulge.\u003c/p\u003e","\u003cp\u003eEmmett F. Reagan was born in 1924 in Norfolk, Virginia and joined the United States Navy in 1942. After completing flight school, he served as a pilot in the Pacific Theater flying search and destroy missions.\u003c/p\u003e","\u003cp\u003eJohn M. Remaly served in the United States Army Air Force from 1943 to 1945. He was an engineer on a B-24 Liberator bomber, flying in India, Burma, and China with the 10th Army Air Force. He was seriously burned when his plan made a crash landing on July 29, 1944.\u003c/p\u003e","\u003cp\u003eWilliam Repke enlisted in the United States Army in 1938 with the 102nd Cavalry. He went overseas to England in September 1942, then to Algiers, Africa in January of 1943. His unit was transferred to Italy and went into combat in Rome. He made the invasion of South France with the 117th Cavalry Squadron. Repke received a Battlefield Commission in October 1944, transferred to the 36th Infanty Division and then served six months in combat with Company B, 142nd Infantry. He was discharged in September 1945, having received the European Theater of Operations (ETO) Service Ribbon with five battle stars and one arrowhead, the Presidential Unit Citation, Combat Infantry Badge, Silver Star, and Bronze Star.\u003c/p\u003e","\u003cp\u003eCharles A. Riley joined the United States Navy in 1943 at the age of 16. During World War II he served with the Navy's Scouts and Raiders, participating with the United States Marines in several campaigns, including the landing at Iwo Jima, Japan. Following the War he enrolled in college and subsequently joined the United States Army (Airborne) and then transferred to the Air Force, serving as an aviator. He flew missions in both Korea and Vietnam. Riley retired from active duty in 1970.\u003c/p\u003e","\u003cp\u003eKenneth D. Rupe was drafted into the United States Army in May 1942 and was assigned to hospital administration in the 300th General Hospital. The unit shipped overseas in the fall of 1943 and Rupe spent the bulk of the war in Naples, Italy in the 300th Headquarters.\u003c/p\u003e","\u003cp\u003eEdward A. Ryan served with the United States Army, 29th Infantry, from 1943 to 1946.\u003c/p\u003e","\u003cp\u003eRobert Sams enlisted in the United States Coast Guard in 1943. He spent 17 months at sea aboard the USS Cambria (APA 36) and participated in landing troops in the Marshall and Mariana Islands, the Philippines, Saipan, and Okinawa (Japan). Sams was also part of the first United States forces to land at Nagasaki, Japan six weeks after an atomic bomb destroyed the city.\u003c/p\u003e","\u003cp\u003eLuther J. Schilling served with the United States Army, G-3 106th Infantry Division, Army of Occupation in Germany from 1944 to 1946.\u003c/p\u003e","\u003cp\u003eArthur Schintzel is a decorated veteran of World War II and the recipient of two Purple Hearts. He was drafted in 1942 and served in Europe with the United States Army 16th Infantry, First Infantry Division. He took part in the Normandy, France invasion on D-Day and was seriously wounded in action.\u003c/p\u003e","\u003cp\u003eCharles B. Shaeff served in the United States Navy Reserves from June 24, 1943 to March 24, 1946.\u003c/p\u003e","\u003cp\u003eFirst Lieutenant Gale Shreffler joined the United States Army Air Force in 1941. He was a B-29 Navigator based on Tinian Island, Marianas Islands where he served with the 313th Bomb Wing, 504th Bomb Group. Shreffler took part in bombing raids over Japan and crash landed on Iwo Jima in July 1945.\u003c/p\u003e","\u003cp\u003eAlfred St. Clair was born in Bedford County, Virginia in 1918. He was drafted into the United States Army in July 1941 and served until the end of World War II. He was with the Fifth Army in England, North Africa, and Italy, including the Battle of Anzio (Italy). He is the recipient of the Purple Heart.\u003c/p\u003e","\u003cp\u003ePhilip O. Stewart enlisted in the United States Army in 1941. His first assignments were stateside with an anti-aircraft artillery battalion. In 1944 he shipped overseas and joined the First Division at the Roer River (Germany) crossing. Stewart fought with the unit in Germany until he was seriously wounded near the end of World War II.\u003c/p\u003e","\u003cp\u003eJack Talbot grew up in New Jersey and was working as a riveter when he was drafted into the United States Army in 1942. He shipped overseas in March 1943 and was assigned as a radioman at Headquarters Company, 1st Battalion, 26th Infantry. Talbot's unit served in North Africa, Sicily, France, and Germany until the end of World War II.\u003c/p\u003e","\u003cp\u003eSamuel Tarkenton grew up in Norfolk, Virginia, and was drafted into the United States Army in March 1944. He shipped overseas as an infantry replacement in Company D, 26th Infantry, 1st Infantry Division. He fought in the Battle of the Bulge, in Czechloslovakia, and during the early part of the occupation was assigned to the war crimes trials in Nuremberg, Germany. Tarkenton was discharged in March 1946 and returned home to a career at the Norfolk Shipyard.\u003c/p\u003e","\u003cp\u003eGeorge J. Tompkins, Jr. enlisted in the United States Army in September 1942. He went overseas in 1943 and was assigned as a radio operator with the 1st Signal Company, 1st Infantry Division. Following time in North Africa, Sicily, and England, Tompkins participated in the Normandy (France) landing on D-Day and subsequently went into Belgium and Germany where he was in the Battle of Hurtgen Forest. He was discharged in October 1945.\u003c/p\u003e","\u003cp\u003eCaptain Meeks B. Vaughan commissioned into the United States Army Air Force as a 2nd Lieutenant in June 1942 while at the University of Tennessee. From March 1944 to October 1945 he was stationed at Guadalcanal (Solomon Islands), Bougainville (Solomon Islands), Leyte (Philippines), Morotai (Indonesia), and Palawan (Philippines), serving as an Intelligence Officer (S-2) and Captain.\u003c/p\u003e","\u003cp\u003eA decorated veteran of World War II, William H. Wills was born in 1919 in New York City. He joined the United States Army in October 1940 and was assigned to the First Infantry Division, First Engineer Combat Battalion, B Company. Wills served for the entire war, fighting in North Africa, Tunisia, Sicily (Italy), and taking part in the D-Day landing on Omaha Beach (France). He subsequently fought in the Battle of the Bulge and ended the War in Czechoslovakia. After the War he served for 27 years as an officer with the New York City Police Department.\u003c/p\u003e","\u003cp\u003eColonel Tyson Wilson served with the United States Marine Corps (active duty and Reserves) from 1941 to 1977. For his service he received the Bronze Star with Combat V, the Purple Heart, and two Presidential Unit Citations (Guadalcanal and Tarawa).\u003c/p\u003e","\u003cp\u003eWilliam D. Badgett graduated from VMI in 1953 and served in the United States Air Force as a 1st Lieutenant from November 1953 to July 1955. From July 1954 to 1955 he was stationed in Korea. He served with the 608th Aircraft Control and Warning Squadron, first with Detachment #1 (Target Director Post) and then with Detachment #2 on the island of Pyongyang-do (radar surveillance). Badgett joined the VMI faculty in the fall of 1955 and spent his entire teaching career at VMI.\u003c/p\u003e","\u003cp\u003eIn 1957 Ovid Belt enlisted in the United States Army and served two years active duty and two years in the reserves. He deployed overseas to Korea with the 34th Infantry Division and later saw stateside duty with the 14th Infantry Division.\u003c/p\u003e","\u003cp\u003eColonel Wesley L. Fox enlisted in the United States Marines on August 4, 1950, and served two tours with the 1st Marine Division in Korea. He commissioned as a 2nd Lieutenant in 1966, and was first assigned to the 2nd Force Reconnaissance. He subsequently had numerous other assignments during his long and distinguished career. Fox's many decorations include the Medal of Honor and the Purple Heart.\u003c/p\u003e","\u003cp\u003eVernon A. Good served with the United States Marines from September of 1950 through November of 1951. He in the Inchon–Seoul Campaign, Wonsan Hungnam Chosin Campaign, North Korea. Good has received the following awards:\n\u003cul\u003e\n\u003cli\u003eKorean Service Medal with the Silver Star\u003c/li\u003e\n\u003cli\u003eNational Defense Medal\u003c/li\u003e\n\u003cli\u003ePresidential Unit Citation (three times)\u003c/li\u003e\n\u003cli\u003eUnited Nations Service Medal\u003c/li\u003e\n\u003cli\u003eKorea Presidential Unit Citation–Foreign (two times)\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eTechnical Sergeant Raymond A. Johnson served with the United States Marine Corps from 1948 to 1952.\u003c/p\u003e","\u003cp\u003eJoseph W. Kovac enlisted in the United States Navy in 1950 and served during the Korean War aboard the destroyer USS Allen M. Sumner (DD 692). The ship was active in Pusan, Korea, where the mission was to prevent the progress of enemy supply trains. Kovac left the Navy in 1954 and returned to civilian life.\u003c/p\u003e","\u003cp\u003eLeonard L. Lewane commissioned in the United States Army following his graduation from VMI in 1950 and rose to the rank of Colonel before retiring in 1974. During the Korean War (1950-1953) he served with the 72nd Tank Battalion, 2nd Infantry Division and the 64th Tank Battalion, 3rd Infantry Divison. During the Vietnam War (1965-1966) he served with the 1st Squadron, 4th Cavalry \"Quarter Horse\", 1st Division \"Big Red One.\" Lewane's Cold War assignments in Germany included Commander, 1st Brigade, 1st Armored Division (1972-1973) and Chief of Staff, United States Army Berlin (1973-1974).\u003c/p\u003e","\u003cp\u003eCharles W. McKellar served with the United States Army Transport Service (1944-1945), the United States Marine Corps (1945–1949 and 1951–1966), and with the United States Marine Corps Reserve (1949–1951).\u003c/p\u003e","\u003cp\u003eBill Rivers Penn, MD, served in the United States Navy from 1950 to 1955. This included a tour of duty with the United States Marines from November 1952 to May 1953 as a Fleet Marine Force (FMF) corpsman.\u003c/p\u003e","\u003cp\u003eJohn T. Pepper served with the Air National Guard as a mechanic prior to the Korean War. During the War he served as an infantryman.\u003c/p\u003e","\u003cp\u003eFrom 1972 to 1973, Terry G. Allison served in the United States Navy as an Petty Officer Second Class, Aviation Storekeeper in San Diego  (California), Millington (Tennessee), Yorktown (Virginia), and Vietnam.\u003c/p\u003e","\u003cp\u003eBrigadier General Norman Michael Bissell graduated from VMI in 1961 and commissioned in the United States Army, retiring in 1987. He served two tours as a combat helicopter pilot in Vietnam. His other assignments included:\n\u003cul\u003e\n\u003cli\u003eCommander of the 17th Aviation Group\u003c/li\u003e\n\u003cli\u003eCommander of the Joint Republic of Korea Army and the United States Army Combined Aviation Force\u003c/li\u003e\n\u003cli\u003eDirector of the United States Army Flight Training and Deputy Chief and Acting Chief of Staff of the 101st Airborne Division (Air Assault)\u003c/li\u003e\n\u003cli\u003eTwo years in the Joint Chiefs of Staff at the Pentagon as Executive Officer to the Director of Operations (J3).\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eLawrence E. Boese joined the United States Air Force following his graduation from VMI in 1966 and rose to the rank of Lieutenant General before retiring in 1996.\u003c/p\u003e","\u003cp\u003eAfter commissioning in 1967, Michael L. Bozeman spent three years in the United States Army, including a year in Vietnam, where he served with distinction as a platoon leader and commanded a Long Range Reconnaissance Patrol Unit. His awards and decorations include the Silver Star, Bronze Star, Legion of Merit, Air Medal, Meritorious Service Medal, the Combat Infantryman's Badge, and the Ranger Tab. He is also a retired Brigadier General in the United States Army Reserve.\u003c/p\u003e","\u003cp\u003eGeorge M. Brooke, III, was a commissioned officer in the United States Marine Corps from 1967 to 1994, retiring at rank of Colonel. A summary of his military service includes:\n\u003cul\u003e\n\u003cli\u003e1968-1969: First Marine Division, Vietnam, as an artillery forward observer and battery fire direction officer\u003c/li\u003e\n\u003cli\u003e1969-1972: United States Field Artillery School, Fort Sill, Oklahoma, as an Instructor, Gunnery Department\u003c/li\u003e\n\u003cli\u003e1973-1974: Third Marine Division, Okinawa, Japan, as a Rifle Company Commander\u003c/li\u003e\n\u003cli\u003e1974-1975: Marine Detachment, USS Canopus (AS-34), Holy Loch, Scotland, as a Commanding Officer\u003c/li\u003e\n\u003cli\u003e1976-1979: Second Marine Division, Camp Lejeune, North Carolina, as a Battalion Operations Officer, Logistics Officer, and Artillery Battery Commanding Officer\u003c/li\u003e\n\u003cli\u003e1983-1984: Headquarters, United States Marine Corps, Washington, D.C., as a Maritime Prepositioning Ships (MPS) Program Project Officer\u003c/li\u003e\n\u003cli\u003e1985-1986: III Marine Amphibious Force, Okinawa, Japan, as a Force Plans Officer\u003c/li\u003e\n\u003cli\u003e1986-1991: 1st Marine Corps District, Garden City, New York, as a Commanding Officer, Executive Officer, and Operations Officer\u003c/li\u003e\n\u003cli\u003e1991-1994: Joint Staff, Pentagon, in Washington, D.C., as a Division Chief, J-7 Directorate.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eBayes L. Bryant was born in Washington, D.C. in 1948 and enlisted in the United States Army in March 1968. He served until January 1972, completing two combat tours in Vietnam.\u003c/p\u003e","\u003cp\u003eCaptain Lloyd C. Burger graduated from the United States Coast Guard Academy in New London, Connecticut, and served with the Coast Guard from 1960 to 1988.\u003c/p\u003e","\u003cp\u003eColonel Leland H. Burgess commissioned at the University of Alabama as a 2nd lieutenant of artillery in May of 1965. He entered active duty in February of 1966 and underwent Artillery Basic Training at Fort Sill, Oklahoma. Burgess was a helicopter pilot in the Vietnam War from July 1967 to February 1968.\u003c/p\u003e","\u003cp\u003eRichard F. Cayo served with the United States Navy from 1952 to 1973, serving on the USS Rushmore (LSD-47), USS Rankin (AKA-103), USS Cambria (APA-36), USS Okinawa (LPH-3), and USS DuPont (DD-941).\u003c/p\u003e","\u003cp\u003eAn infantry officer, Colonel William H. Dabney served 37 years in the Marine Corps, including two tours in Vietnam. He earned numerous citations, including the Silver Star, two Bronze Stars and two Vietnamese Crosses of Gallantry, and the Navy Cross. While in Vietnam, he commanded India Company, 3rd Battalion, 26th Marines, on Hill 881S during the Battle of Khe Sanh, for which he was awarded the Navy Cross in 2005.\u003c/p\u003e","\u003cp\u003eCharles L. Dailey grew up in Pennsylvania, attending college there and in Indiana. He joined the United States Army in 1957, went through flight school, and was rated to fly both rotary and fixed wing aircraft. Dailey served two tours of duty in Vietnam, piloting the U-1A \"Otter\" and the twin-engine U-8D.\u003c/p\u003e","\u003cp\u003eTerry J. Davis commissioned in the United States Army as a 2nd Lieutenant in April 1968 and entered active duty at Fort Bliss, Texas in September. He was assigned to the 1st Air Cavalry Division, serving in the Vietnam War from September 1969 to June 1970. Davis was a forward observer attached to an infantry company responsible for patrolling the jungles in the region known as the \"corridors\" to Saigon. He also participated in the invasion of Cambodia.\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Lee S. Dewald served on active duty with the United States Army from 1969 to 1992. His military service included time as a Brigade Assistant (Operations), 3rd Brigade, 1st Cavalry Division, Vietnam, during which he planned combat intelligence operations for two air cavalry troops, a ranger company, and was involved in many other intelligence-related assignments. Dewald also was a Professor of Applied Mathematics at VMI, retiring in 2017.\u003c/p\u003e","\u003cp\u003eBlaise S. DiMartino served in the United States Navy from September 1966 to August 1970 as a machinery repairman, 3rd class. He spent one year in Vietnam aboard a river boat repair ship and 24 months aboard the USS Monticello (LSD-35), in the Pacific Region.\u003c/p\u003e","\u003cp\u003eFloyd H. Duncan graduated from VMI in 1964 and was on active duty in the United States Army from 1965 to 1967. He subsequently served in the Army Reserves. From 1978 to 2013 he was a member of the VMI faculty.\u003c/p\u003e","\u003cp\u003eCaptain Ronald A. Erchul spent twenty years in the United States Navy following his graduation from the Naval Academy in 1961. An ocean engineer, he received a Master's degree from the Naval Post-Graduate School and a PhD from the University of Rhode Island.\u003c/p\u003e","\u003cp\u003eAlan F. Farrell was born in 1945 in Hanover, New Hampshire  and joined the United States Army (Special Forces) in 1966, serving in Vietnam from 1968 to 1970. Following his Army service, Farrell received a Bachelor's, Master's, and PhD from Tufts University and began a career in higher education.\u003c/p\u003e","\u003cp\u003eAdmiral William J. Flanagan commissioned in the United States Navy in 1967 and was selected for flag rank in his 20th year of service. He was subsequently among the youngest officers to achieve four star rank. During his 29-year career, he served in all theaters of operations,  including the Vietnam War, Persian Gulf War, and Iraq War. Flanagan served as:\n\u003cul\u003e\n\u003cli\u003eCommander, United States Second Fleet\u003c/li\u003e\n\u003cli\u003eCommander of North Atlantic Treaty Organization's (NATO) Striking Fleet\u003c/li\u003e\n\u003cli\u003eCommander in Chief, United States Atlantic Fleet\u003c/li\u003e\n\u003cli\u003eNATO's Commander-in-Chief, Western Atlantic\u003c/li\u003e\n\u003c/ul\u003e\nAmong his many military decorations are the Navy and Defense Distinguished Service Medals. Flanagan retired from the Navy in 1996.\u003c/p\u003e","\u003cp\u003eRobert L. Gardner served in the Vietnam War as a United States Army avionics technician in the 56th Battalion, 330th Company and attached to the 611th Company. He worked primarily on helicopters.\u003c/p\u003e","\u003cp\u003eWilliam Grady went through United States Army basic training at Fort Jackson, South Carolina and then on to Fort Riley, Kansas, where he was with the 1st Division, 26th Infantry, C Company. He served in Vietnam and left the armed services as a Specialist 4.\u003c/p\u003e\n","\u003cp\u003eThomas Turner went through United States Army basic training at Fort Jackson, South Carolina, and then went to Fort Sam Houston, Texas for medical training. In Vietnam he served as a line medic for approximately eleven months in the field, one month in the rear. Upon his return from Vietnam, he worked in Fort Belvoir, Virginia, in the flight surgeon's office.\u003c/p\u003e","\u003cp\u003eArbury Daryl Hooker was drafted in June of 1969 into the United States Army Special Forces and served with Project Phoenix during the Vietnam War. During his military career he was stationed in Korea (1973-1974), Fort Bragg, California (1974-1976), Fort Greely, Alaska (1979), and Fort Eustis, Virginia (1979-1983). He also served with Task Force 160th Delta Force from 1983 to 1987 and in 1987, the Virginia Army National Guard.\u003c/p\u003e","\u003cp\u003eColonel Robert M. Hudson served as a pilot with the United States Air Force and was a prisoner of war for 93 days in Vietnam. During his career he flew the T-39, B-52F, B-52D, B-52H, FB-111, F-100 and F-16. He served as:\n\u003cul\u003e\n\u003cli\u003eChief, battlestaff, Looking Glass\u003c/li\u003e\n\u003cli\u003eBase Commander, Brooks Air Force Base, Texas\u003c/li\u003e\n\u003cli\u003eBase Commander at a classified location\u003c/li\u003e\n\u003cli\u003eInspector General, Ramstein Air Base, Germany\u003c/li\u003e\n\u003cli\u003eDirector of Strategic Air Command, Strategic Communication Division\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eBrigadier General William C. Jones was appointed to the United States Air Force Academy in 1960 and received his commission as a Second Lieutenant in 1964. Upon completion of F-105 training in 1967, he was assigned to the 333rd Tactical Fighter Squadron, Takhli, Thailand, where he flew 189 combat missions, 123 over North Vietnam. Jones is a command pilot with over 6,000 flying hours in the T-33, T-37, T-38, F-102, F-105, F-106, A-7, C-26, and F-16 aircraft, including over 562 combat hours. He served as Assistant Adjutant General for Air, Headquarters, Virginia Air National Guard, based at Richmond International Airport, in Sandston. He retired in May 2001.\u003c/p\u003e","\u003cp\u003eGeneral John P. Jumper, VMI Class of 1966, retired in 2005 after a distinguished 39 year career. He served as the 17th Chief of Staff of the United States Air Force from 2001 to 2005.\u003c/p\u003e","\u003cp\u003eRonald W. Kosh enlisted in the United States Air Force in October 1962 and trained in air traffic control and combat control. His overseas deployments included assignments in the Philippines, Vietnam, Thailand, and Laos. Missions during the Vietnam War included deployment with Special Forces units and providing forward air control for interdiction of North Vietnamese Army materiel.\u003c/p\u003e","\u003cp\u003eCaptain Jerold L. Krumwiede graduated from the United States Naval Academy in 1954 and served until 1980. Following graduation he was assigned duty as Gunnery Officer on USS Frank Knox (DDR 742). In 1957, he attended United States Naval Postgraduate School, Monterey, earning an Master of Science in physics. His West Coast career focused on nuclear weapons at the Nuclear Weapons Training Command, and engineering assignments on USS Yorktown (CV 10) and Commander Destroyer Squadron 17 Staff. He became the Executive Officer of USS Morton (DD 748) serving tours in Vietnam theater.\u003c/p\u003e\n","\u003cp\u003eOn the East Coast, Krumwiede attended the Naval War College, concurrently earning an Master of Science in international affairs. This duty was followed by two years on the academic staff of the United States Naval Academy. This was followed by two years as Commanding Officer, USS Mullinix (DD 944). He served as Surface Operations Officer on COMCARGROUP FOUR Staff, followed by two years as Fleet Readiness Officer, CINCUSNAVEUR Staff, London, England. Following this duty he served four years on the Deputy \nChief of Naval Operations for Surface Warfare Staff, in command and control and electronic warfare programs.\u003c/p\u003e","\u003cp\u003eMajor General James E. Livingston retired in 1995 after more than 33 continuous years of active duty in the United States Marine Corps. His last assignment was as Commander of the Marine Forces Reserve in New Orleans, Louisiana. He commissioned as a Second Lieutenant in 1962 and promoted to Captain in 1966, serving as the Commanding Officer of the Marine detachment aboard the aircraft carrier USS Wasp (CV 18), before joining the 3rd Marine Division (Reinforced) in the Republic of Vietnam in August 1967.\u003c/p\u003e\n","\u003cp\u003eOn May 2, 1968, while serving as the Commanding Officer, Company E, 2nd Battalion, 4th Marines, Livingston distinguished himself above and beyond the call of duty in action against enemy forces and earned the Congressional Medal of Honor. After his second tour in Vietnam, he served as an instructor at the Army's Infantry School, Director of Division Schools for the 1st Marine Division and, later, as the S-3 for 3rd Battalion, 7th Marines. In March 1975, he returned to Vietnam and served as the Operations Officer for the Vietnam evacuation operations which included Operation \"Frequent Wind,\" the evacuation of Saigon. \u003c/p\u003e","\u003cp\u003eLieutenant Colonel Paul B. Maini (VMI Class of 1966) served 20 years with the United States Army Infantry, Aviation. He servied in Vietnam from 1969 to 1970 and Korea from 1977 to 1979.\u003c/p\u003e","\u003cp\u003eRichard C. Marshall, Jr. (VMI Class of 1965) entered the United States Air Force in December 1966 and trained as an F-4 Phantom pilot. He served three tours of duty in Vietnam where he was a forward air controller and also participated in rescue operations for downed pilots.\u003c/p\u003e","\u003cp\u003eColonel John G. Miller served in the United States Marines Corps from 1957 to 1985. During his career he spent two tours in Vietnam, the first as a rifle company commander and battalion assistant operation officer (1965-1966), and the second time as a Co-van advisor to the Vietnamese Marines (1970-1971).\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Richard S. Miller (Retired) graduated from VMI in 1960 and commissioned in the United States Army as a 2nd Lieutenant, Infantry. His active duty assignments include:\n\u003cul\u003e\n\u003cli\u003e7th Infantry Division, Korea\u003c/li\u003e\n\u003cli\u003e5th Special Forces Group, Vietnam\u003c/li\u003e\n\u003cli\u003eAnalyst in the Offices of the Secretary of Defense and Secretary of the Army\u003c/li\u003e\n\u003cli\u003eAssistant Professor (mathematics) at West Point, New York\u003c/li\u003e\n\u003cli\u003eInstructor at the United States Navy Postgraduate School, California\u003c/li\u003e\n\u003c/ul\u003e\nMiller retired from active duty in 1980.\u003c/p\u003e","\u003cp\u003eWilliam Moriarty commissioned in the United States Marine Corps in 1959. In May 1964 he participated in an On the Job Training (OJT) program and was assigned to the 32nd Vietnamese Ranger Battalion as an advisor. In 1967 he was assigned to the Vietnamese Marine Corps.\u003c/p\u003e","\u003cp\u003eJeffrey H. Mosher served in the United States Army from 1970 through 1973, during which time he achieved the rank of Specialist and was a helicopter crew chief door gunner. At the time of this interview he was a Chief Petty Officer with the United Navy Seabees.\u003c/p\u003e","\u003cp\u003eSergeant Major (Retired) John Ohmer enlisted in the United States Army in 1963. He received aviation training as a crew chief, working with Cobra and Huey helicopters during his three tours of duty in Vietnam. He subsequently worked as a recruiter, retiring from service in 1990.\u003c/p\u003e","\u003cp\u003eWesley I. Rahn joined the United States Air Force in 1961 and retired in 1981. He was stationed at Ft. George G. Meade (at the time, Tipton Army Air Field), Maryland as a weather equipment repairman. From 1966 to 1969 he served in Ramstein, Germany, installing weather equipment throughout Europe. From 1971 to 1972 Rahn was stationed in Vietnam as a tech sergeant. Upon his return to the United States he was stationed at Robins Air Force Base, Georgia in intermediate electronics maintenance. Following this service he became an instructor at the Military Airlift Command Noncommissioned Officer (NCO) Academy, was stationed at Gunter Air Force Base, Alabama, and taught at the Senior Enlisted Academy.\u003c/p\u003e\n","\u003cp\u003eRahn worked with Lockheed Aircraft Company in Jiddah, Saudi Arabia, teaching management and leadership to Saudi officers working in the Air Force. Subsequently, he worked for the Director of Air Training at Riyadh, Saudi Air Force headquarters, also teaching Royal Saudi Air Force officers advanced management courses. In Saudi Arabia, Rahn also worked for Dallah Avco at R Staff Headquarters, McDonald-Douglas, and also taught at a field training center in Dhahran, where he was promoted to be the superintendent of the facility, working for the Royal Saudi Air Force supervising Saudis and McDonald-Douglas employees who were training Saudis on how to maintain aircraft.\u003c/p\u003e","\u003cp\u003eRonald Ray was born in Kentucky in 1942 and graduated from Centre College (Kentucky) and the University of Louisville School of Law. He commissioned as a 2nd Lieutenant in the United States Marine Corps Reserve in 1964 and spent the next five years on active duty. He was deployed to the Dominican Republic, the Caribbean, and served as an advisor in Vietnam from March 1967 to March 1968. Ray served as a Deputy Assistant Secretary of Defense during the Reagan administration, on two presidential commissions, and as a military historian at the United States Marine Corps Historical Center.\u003c/p\u003e","\u003cp\u003eColonel William R. Ricks served with the United States Air Force from 1964 to 1987 as a pilot of F-105s, F-4s, and F-15s.\u003c/p\u003e","\u003cp\u003eColonel John W. Ripley served for 35 years on active duty in the United States Marines Corps. He served two tours in Vietnam. During the second (1971-1972) he was Senior Advisor to the 3rd Vietnamese Marine Battalion, which operated along the demilitarized zone.\u003c/p\u003e","\u003cp\u003eFrom January 1968 to August 1971, Joseph E. Rosinski served with the United States Air Force, Tactical Air Command (TAC) 38th and 37th Airlift Squadron Headquarters at Langley, Virginia as a Staff Sergeant, supply and logistics.\u003c/p\u003e","\u003cp\u003eGilman Rud entered the United States Navy's Aviation Officer Candidate program following his 1966 graduation from North Dakota State University. His distinguished 28 year career included 5,600 hours of flight time and 786 carrier landings. He also flew combat missions during the Vietnam War. He served as:\n\u003cul\u003e\n\u003cli\u003eCommanding Officer of Attack Squadron 192 (Golden Dragons)\u003c/li\u003e\n\u003cli\u003eCommanding Officer and Flight Leader of the Navy Flight Demonstration Squadron (Blue Angels)\u003c/li\u003e\n\u003cli\u003eCaptain of the Fleet Replenishment Oiler, USS Wabash (AOR 5)\u003c/li\u003e\n\u003cli\u003eCommander of the the aircraft carrier USS Constellation (CV 64)\u003c/li\u003e\n\u003c/ul\u003e\nRud retired from active duty in 1995.\u003c/p\u003e","\u003cp\u003eLieutenant Colonel William P. Saunders served in the United States Air Force as an Aircraft Commander (AC-47), Flight Scheduler, 4th Special Operations Squadron at Bien Thuy Air Base/Bien Hoa Air base, Republic of Vietnam. He served with the Air Force through 1988.\u003c/p\u003e","\u003cp\u003eGlenn A. Thieme was born in Wisconsin in 1931 and served in the United States Navy from July 1949 to June 1975, achieving the rank of Lieutenant Commander.\u003c/p\u003e","\u003cp\u003eLieutenant Commanders Thomas D. Todd enlisted in the United States Navy in 1953. He served in the Inactive Reserves from 1957 to 1961, was an aviation officer candidate in 1961, a Naval officer from 1961 to 1968, and served in the Active Reserves from 1968 to 1982. He also served as Legal Officer VR-22 in Norfolk, Virginia from 1962 to 1965, as Assistant Air Intelligence Officer on the USS Coral Sea (CVA 43) from 1965 to 1967, and as a political analyst for FICUR NASJAX, Florida.\u003c/p\u003e","\u003cp\u003eJames R. Treadwell served in the United States Air Force as an aircraft mechanic and engine and crew chief (1971-1973), and as a KC-135 boom operator and flight engineer (1973-1979). During the Vietnam War he flew on missions to refuel fighter aircraft flying over Cambodia.\u003c/p\u003e","\u003cp\u003eBlair P. Turner commissioned into the United States Navy on April 10, 1970 as a Surface Warfare Officer. He served two overseas deployments during the Vietnam War (1970-1971), and was assigned to the USS Windham County (LST 1170). Turner left active duty in 1973, remaining in the Reserve through 1975. At the time of this interview he was a Professor of History at the Virginia Military Institute.\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Steven M. Yedinak (Retired) commissioned into the United States Army Infantry in 1963 and subsequently spent 26 years in Special Forces and Airborne Infantry. He served two combat tours in Vietnam (1966-1967 and 1971-1972), and started the Mobile Guerrilla Force. He is the author of \"Hard to Forget: An American with the Mobile Guerrilla Force in Vietnam\" (Random House, 1998). Yedinak retired from the Army in 1989.\u003c/p\u003e","\u003cp\u003eFrank Yusi attended United States Navy boot camp in January of 1965 as a seaman recruit, but was then picked up for Officer Candidate School (OCS) and graduated in April. In November 1965 he began service in the South China Sea on a destroyer. From August 1967 to January 1969 he served in Vietnam on river patrol boats (River Division 533 in the Mekong Delta). Following this service Yusi went to OCS as an instructor at Newport, Rhode Island and then returned to destroyers as an engineer. He served for several tours on destroyers, as well as two tours at the Naval War College, one as a student and one on staff. In 1984 he returned as a senior student at the Naval War College and finished his career after being in command and being an Executive Officer on destroyers and frigates, Naval Training Service Center School for Recruits at Great Lakes, Illinois.\u003c/p\u003e","\u003cp\u003eGeneral Anthony C. Zinni was an advisor with the South Vietnamese Marines in 1967. Subsequent assignments include the following:\n\u003cul\u003e\n\u003cli\u003eDeputy Commander in Chief, United States Central Command\u003c/li\u003e\n\u003cli\u003eCommanding General, 1st Marine Expeditionary Force\u003c/li\u003e\n\u003cli\u003eCommander, Combined Task Force for Operation United Shield\u003c/li\u003e\n\u003cli\u003eChief of Staff and Deputy Commanding General of combined task force Provide Comfort\u003c/li\u003e\n\u003cli\u003eSpecial Advisor to the Secretary of State\u003c/li\u003e\n\u003cli\u003eSenior Advisor at the Center for Strategic and International Studies\u003c/li\u003e\n\u003c/ul\u003e\nZinni's decorations include the Defense Distinguished Service Medal, the Defense Superior Service Medal with two oak leaf clusters, the Bronze Star Medal with Combat V and gold star in lieu of a second award, and the Purple Heart.\u003c/p\u003e","\u003cp\u003eSteven L. Amato, a 1983 VMI graduate, entered active duty in October 1983. He trained as a B-52 navigator and was deployed during Operation Desert Storm (January 1991). In addition to his many assignments, he served at the Pentagon and worked on President George W. Bush's first inaugural. Amato also served as the Head of VMI's Air Force Reserve Officers' Training Corps (AFROTC) detachment.\u003c/p\u003e","\u003cp\u003eWilliam F. Andrews graduated from the United States Air Force Academy in 1980 and began pilot training the same year. He has flown the T-37, EF-111, and the F-16. He was deployed in Operation Desert Storm and was a prisoner of war for eight days. Andrews subsequently served as an F-16 squadron and group commander, staff officer for the Joint Staff in Washington, D.C., and taught at the National Defense University, Washington, D.C.\u003c/p\u003e","\u003cp\u003eJim Carver had a distinguished career as a senior non-commissioned officer in the United States Army Special Forces. He was deployed to Operation Desert Storm while assigned to Operational Detachment Alphas 326, 3rd Special Forces Group (Airborne), serving as an Engineer Sergeant. Carver subsequently held senior special forces training and operations management positions at Fort Bragg, California, and served as an Reserve Officers' Training Corps (ROTC) Military Science Instructor at the University of Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eTimothy Heely graduated from the United States Naval Academy in 1975 and comissioned that same year. He trained as a pilot and served with distinction for 30 years, rising to the rank of Read Admiral.\u003c/p\u003e","\u003cp\u003eColonel James G. Kyser, a United States Naval Academy graduate, had a distinguished career in the Marines Corps from 1985 to 2009. His many deployments included Desert Shield and Desert Storm (1990-1991), special operations missions in Europe and Africa, and the Iraq War. Kyser retired in July 2009 after 24 years of service.\u003c/p\u003e","\u003cp\u003eCaptain Charles H. Litz received his Bachelor of Science from the United States Naval Academy and his Master of Science from the National War College. From June 1976 to July 2002 he served a carrier helicopter pilot flying the SH-3H. Litz participated in Desert Storm as part of Airwing on the USS Theodore Roosevelt (CVN 71).\u003c/p\u003e","\u003cp\u003eCommander Tom A. Magno spent 22 years as a United States Navy flight officer, piloting E-2 Hawkeyes and F-14A/F-14B Tomcats. He accrued 2500 flight hours/650+ arrested landings, and saw combat tours in Libya (1986), Bosnia (1993), and Iraq (Operation Desert Shield, 1990). Magno retired in 2003.\u003c/p\u003e","\u003cp\u003eCommander Timothy S. McElhannon entered the United States Navy in May 1980 upon graduation from the University of Georgia, received his commission in August 1980, and earned his Naval Aviator wings in July 1981. His operational tours include Helicopter Anti-Submarine Squadron Light Thirty-Four in Norfolk, Virginia and Helicopter Anti-Submarine Squadron Light Forty-Three in San Diego, California. McElhannon deployed to the Persian Gulf twice (1983 and 1989) during the Iran/Iraq War where he participated in the escort of re-flagged tankers during the final stage of the War. He subsequently was selected for naval attache duty.\u003c/p\u003e","\u003cp\u003eFollowing his distinguished career in the United States Army, General J. H. Binford Peay III became VMI's 14th Superintendent in 2003. Detailed biographical information is avaliable upon request.\u003c/p\u003e","\u003cp\u003eCaptain Brian L. Quisenberry graduated from the Virginia Military Institute in 1981 and commissioned in the United States Navy.\u003c/p\u003e","\u003cp\u003eRobert J. Cook was on active duty with the United States Army for over 20 years, first as an enlisted soldier and subsequently as an officer. He is a decorated combat veteran who was deployed to Afghanistan, with a background in military intelligence and aviation. From 2005 to 2006 he served as aide-de-camp to the Commanding General at Guantanamo Bay, Cuba. Cook has served twice in the Army Reserve Officers' Training Corps (ROTC) department at VMI.\u003c/p\u003e","\u003cp\u003eCaptain Steven Craig is a UH-1N helicopter pilot and a decorated veteran of the wars in Afghanistan and Iraq. He enlisted in the United States Marines Corps in 1989 and subsequently was commissioned and went to flight school. He was deployed in Operation Enduring Freedom in 2004, and in Operation Iraqi Freedom in 2005 to 2006. In 2010 Craig was assigned to the VMI Naval ROTC Department as a Marine Corps Instructor.\u003c/p\u003e","\u003cp\u003eFollowing his graduation from VMI in 1989, Gary A. Bissell commissioned in the United States Army and trained as a helicopter pilot. After leaving active duty, he has continued to serve in the Army National Guard and the Reserves, and was deployed during Operation Iraqi Freedom.\u003c/p\u003e","\u003cp\u003eLieutenant Colonel William Bither first served with the United States Army 2nd Battalion, 23rd Infantry Regiment at Fort Lewis, Washington as a rifle platoon leader. He then joined United States Army Special Forces and has been stationed in Korea, Quantico (Virginia), the Marine Corps Amphibious Warfare School, Germany, Fort Bragg (California), Kuwait, and Iraq.\u003c/p\u003e","\u003cp\u003eCaptain Thomas A. Brashears was 9 3/4 years active with the 18th Field Artillery Brigade Airborne, 1st Armored Division. He deployed to Kosovo from May to December, 2000 and to Iraq as Battery Commander from April 2003 to July 2004.\u003c/p\u003e","\u003cp\u003eMajor Robert Churchill served with the United States Air Force from May 19, 1991 to August 15, 2005, and since August 16, 2005 he has served with the United States Air Force Reserves. He attended graduate Space Training and then went into Space Command as an orbit analyst in Space Ops. He then went into pilot training, to Reese Air Force Base, Texas, and then on to F-16 training. At the time of this interview, Churchill was with the 302nd Fighter Squadron.\u003c/p\u003e","\u003cp\u003eAt the time of this interview Jose L. Crespo was a logistics officer in the United States Air Force. He has been deployed to Kuwait, Iraq, and Afghanistan.\u003c/p\u003e","\u003cp\u003eMajor Tim Daniel began serving with the United States Air Force in January of 1983. He has been an A-10 pilot, T-37 instructor pilot, and an OA-10 pilot, and has 3500 hours of flight time with 100 hours of combat time in Iraq and Afghanistan.\u003c/p\u003e","\u003cp\u003eMajor Frank Diorio graduated from the University of Notre Dame in 1996 and immediately commissioned in the United States Marine Corps. He has been deployed to the Kuwait/Iraqi border (1997-2000), Djibouti, Africa (2004), and Al Anbar Province, Iraq (2005).\u003c/p\u003e","\u003cp\u003eA combat engineer, Captain Jon A. Drake served in support of Operation Joint Guardian in Kosovo. He later deployed to Iraq in February 2004 as a company commander for Alpha Company, 82nd Engineer Battalion.\u003c/p\u003e","\u003cp\u003eMichael Johnson enlisted in the United States Marine Corps in August 1993. At the time of this interview, he was a Military Occupational Specialty 0629 (MOS) Communications Chief (E-7). Johnson has served:\n\u003cul\u003e\n\u003cli\u003eWith 1st Anglico/Camp Pendleton\u003c/li\u003e\n\u003cli\u003eAs a drill instructor at Parris Island, South Carolina\u003c/li\u003e\n\u003cli\u003eWith the 2nd Force Reconnaissance Company\u003c/li\u003e\n\u003cli\u003eAs Assistant Marine Officer Instructor (AMOI) at VMI\u003c/li\u003e\n\u003c/ul\u003e\nJohnson deployed in support of Operations Iraqi Freedom and Enduring Freedom.\u003c/p\u003e","\u003cp\u003eBenjamin Kimsey is a member of the VMI Class of 2009. From 2002 to 2005 he was on active duty in the United States Army in the 116th Brigade, 29th Infantry Division, and was deployed to Guantanamo Bay, Cuba and Afghanistan. Kimsey subsequently became a member of the National Guard, in Delta 1 of the 19th Special Forces Group in Kingwood, West Virginia.\u003c/p\u003e","\u003cp\u003ePhillip A. Suydam served in the United States Air Force for 21 years as an Air Force Security Forces Officer. He provided security, police services, force protection planning, and information security program management. His assignments took him to Germany, Guam, and the United Arab Emirates. In 2004 Suydam deployed to Joint Base Balad, Iraq as the Commander of the 332d Expeditionary Security Forces Squadron in support of Operation Iraqi Freedom.\u003c/p\u003e","\u003cp\u003eJames G. Wicker entered the United States Navy in 1979, serving on deployments to the Persian Gulf as an Executive Officer to a minesweeper during the Iran-Iraq War, and deployed to the Mediterranean, the Pacific, and Indian Oceans. During his career he served on board the USS Goldsborough (DDG 20), the USS Sides (FFG 14), the USS Elusive (AM 225), and the USS Bainbridge (CGN 25).\u003c/p\u003e","\u003cp\u003eAt the time of this interview, Lance Corporal Patrick Young was serving in the United States Marine Corps Reserves and was a member of the Virginia Military Institute Class of 2009. His unit was B. Company, 4th Combat Engineer Battalion out of Roanoke, Virginia. Young is a veteran of Operation Iraqi Freedom.\u003c/p\u003e","\u003cp\u003eKeith R. Anderson served as an active duty Marine Corps officer for eleven years (1980-1992). During his career he flew the H-53 Sea Stallion helicopter, and in addition, spent four years as a Marine One pilot (HMX, presidential helicopter squadron) during the Reagan and Bush administrations. Since leaving military service, Anderson has worked as a jet pilot in corporate aviation.\u003c/p\u003e","\u003cp\u003eThomas Arendes joined the United States Navy following his graduation from high school in 2006. At the time of this interview he was an Electrician's Mate, 3rd Class, in the nuclear field, and was serving on the aircraft carrier USS Theodore Roosevelt (CVN-71).\u003c/p\u003e","\u003cp\u003eKenneth W. Baity served in the United States Navy on the USS Sam Houston (SSBN-609). His enlisted rate was Machinist Mate/Engineering Laboratory Technician Nuclear.\u003c/p\u003e","\u003cp\u003eBrandon A. Bissell accepted a commission in the United States Army following his graduation from VMI in 1998. He served with the 101st Aviation Regiment at Fort Campbell, Kentucky, flying Black Hawk helicopters. He also has been a company Executive Officer, platoon leader, S-1 and S-3. Bissell subsequently spent two years in Korea.\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Marti J. Bissell commissioned in the United States Army in 1988. She trained as a helicopter test pilot and has served on active duty in Korea, Germany, and Fort Riley, Kansas.\u003c/p\u003e","\u003cp\u003eBrigadier General Charles F. Brower, IV served in the United States Army from 1969 to 2001, serving in:\n\u003cul\u003e\n\u003cli\u003eUnited States Army Europe and Africa (USAREUR)\u003c/li\u003e\n\u003cli\u003eRVN\u003c/li\u003e\n\u003cli\u003eContinental United States in the 4th Armored Division, 101st Airborne Division, 24th Infantry Division (Mech), and 23rd Infanty Division\u003c/li\u003e\n\u003cli\u003eCavalry Troop Commander, RVN, from 1971 to 1972\u003c/li\u003e\n\u003c/ul\u003e\nBrower was an Professor, departments of History and Behavior Sciences and Leadership, at the United States Military Academy. He also served as Deputy Superintendent and Dean of the Faculty at VMI from 2001 to 2008.\u003c/p\u003e","\u003cp\u003eLieutenant Kenneth R. Brown enlisted in the Navy in 1994. He received a four-year Reserve Officers' Training Corps (ROTC) scholarship to Norwich University and received his commission in 1999. He has served as a Surface Warfare Officer.\u003c/p\u003e","\u003cp\u003eFrank Woodruff Buckles was born in 1901 and grew up on a farm in Missouri. He enlisted age 16 and joined the United States Army Ambulance Corps, arriving in France a few months before the end of World War I. At the beginning of World War II he was working as a civilian in the Philippines when he was captured by the Japanese and held in a prisoner of war camp for more than three years.\u003c/p\u003e","\u003cp\u003eRear Admiral Steven E. Day enlisted in the United States Coast Guard in 1967 and received his commission in 1979. His long career has included numerous posting stateside and overseas.\u003c/p\u003e","\u003cp\u003eColonel Eicher served with the United States Marine Corps for 26 years as an aviator, commissioning in November 1970.\u003c/p\u003e","\u003cp\u003eSteven V. Ferguson served with the United States Navy, four years active and two years reserve. He served on the USS Gearing (DD-710).\u003c/p\u003e","\u003cp\u003eVictoria P. Friedensen holds an Bachelor of Arts from the University of North Carolina and and Master of Science from Virginia Tech. Her career has included positions at the National Academy of Science and the National Academy of Engineering. At the time of this interview, Friedensen was a civilian employee at the National Aeronautics and Space Administration (NASA), where she was the acting program manager of the Lunar Precursor Robotic Program.\u003c/p\u003e","\u003cp\u003eJohn D. Gober, M.D., served as a United States Navy flight surgeon.\u003c/p\u003e","\u003cp\u003ePaul F. Gorman is a retired United States Army General whose active duty spanned an enlistment in the United States Navy toward the end of World War II, graduation from West Point in 1950, three years of infantry combat in Korea and Vietnam, and two decades of assignments in the upper echelons of the Pentagon.\u003c/p\u003e","\u003cp\u003eColonel William R. Grace was commissioned as a 2nd Lieutenant in 1981. Upon completion of the Basic School he reported to Naval Air Station, Pensacola, Florida, for flight training and was designated a Naval Aviator in 1983. He received his initial AH-1J training with Marine Helicopter Training Squadron 303 at Camp Pendleton, California. During his distingished career, Grace has served with numerous Marine Corps Helicopter Squadrons, including Marine Helicopter Squadron One, which supports White House missions worldwide. He led presidential detachments on four continents while serving under presidents George H. W. Bush and Bill Clinton.\u003c/p\u003e","\u003cp\u003eLieutenant Chris Gray graduated from the Naval Academy in 2001. He subsequently reported to Nuclear Power School and then went to Prototype in Charleston, South Carolina. He was first assigned to the USS Tennessee (SSBN-734) in Kings Bay, Georgia. Gray spent three years on board the USS Tennessee and was an instructor with VMI's Naval Reserve Officers' Training Corps (ROTC) program.\u003c/p\u003e","\u003cp\u003eColonel George F. Hafkemeyer served for 30 years in the United States Army as a an officer in the areas of maintenance, material management, and logistics. In addition to his stateside assignments, he served overseas in Germany, Kuwait, and Sweden.\u003c/p\u003e","\u003cp\u003eAt the time of this interview, Evan T. Hanks, VMI Class of 2007, served with the 192nd Maintenance Squadron, Virginia Air National Guard as an aircraft structural mechanic and corrosion control journeyman.\u003c/p\u003e","\u003cp\u003eAlexis Hart commissioned with the United States Navy in May 1993. From August 1993 to April 1994 she was a student at the Navy Supply Corps School in Athens, Georgia. From May 1994 to June 1997, she served as Division Officer on board the USS Essex (LHD 2), and was first woman assigned to an amphibious ship. From July 1997 to June 1999, Hart served as Instructor at the Navy Supply Corps School.\u003c/p\u003e","\u003cp\u003eRear Admiral Maurice B. Hill, Jr. served in the United States Navy Dental Corps on both active duty and in the reserves.\u003c/p\u003e","\u003cp\u003eSeargeant Major Alvin N. Hockaday, United States Marine Corps (Retired), was born and raised in Richmond, Virginia. After completing high school in 1960, he enlisted in the Marine Corps where he was trained as a Marksmanship Instructor and Rifle Team Member. In 1965, Hockaday served his first tour of duty in Vietnam until he was wounded in 1966. From 1966 to 1968 he served as an instructor at the Marine Corps Officer Candidate School. He returned to Vietnam in 1968 and was wounded again in 1969. \u003c/p\u003e\n","\u003cp\u003eHockaday returned to the United States in 1974 and was assigned as the first enlisted Marine Instructor at the VMI. In 1977 he was assigned to The Marine Corps Ceremonial Units at Marine Barracks in Washington, D.C. Following his retirment from the Marine Corps in 1990, Hockaday became the first Seargeant Major to the Corps of Cadets at VMI, a position he held until 2003.\u003c/p\u003e","\u003cp\u003eDonald B. Holt enlisted in the United States Navy in 1971 and after boot camp trained in electronics and nuclear power. He served as a reactor operator on the submarine USS Billfish (SSN 676), and subsequently was an instructor in a nuclear power training unit. Holt received his honorable discharge in 1979 after serving almost nine years.\u003c/p\u003e","\u003cp\u003eCaptain Vernon C. Honsinger enlisted in the Navy in 1951 and served for 30 years. Among his many assignments were those of Operations Officer and Chief Engineer on the USS Laffey (DD 724) in the Atlantic Ocean, Mediterranean Sea and the Red Sea, and Weapons Officer and Assistant Engineering Officer on the USS Seadragon (SSN 584), Pacific Ocean.\u003c/p\u003e","\u003cp\u003eRodney A. Hottle, VMI Class of 1976, served in the United States Air Force from 1977 to 2003. He was a Missile Officer from 1977 to 1996 and subsequently transferred into Services.\u003c/p\u003e","\u003cp\u003eDr. Reed Johnson graduated from VMI in 1953 with a degree in physics. After completing post-graduate work at the Oak Ridge School of Reactor Technology (ORSORT), he was employed by Electric Boat and was involved in testing and designing radiation shields for the earliest nuclear submarines, including the Nautilus (SSN 571) and the Seawolf. He subsequently worked in many other nuclear projects during the 1950s, including the United States Army Package Power Reactor.\u003c/p\u003e","\u003cp\u003eKristopher G. Kowalczyk was born in 1982 and enlisted in the United States Army at the age of 17. He trained as an ammunition specialist and subsequently went to flight school, becoming an Apache helicopter pilot. Among his assignments was a 12 month deployment to Kosovo, Serbia.\u003c/p\u003e","\u003cp\u003eMajor Daryl Laninga joined the United States Marine Corps in 1983. He served as an enlisted infantryman (mortar man) for nine and a years, commissioned via the Marine Enlisted Commissioning Education Program in 1992.\u003c/p\u003e","\u003cp\u003eLieutenant Commander (retired) Jerome Leugers commissioned in the United States Navy 1973 and spent his career as a naval aviator, flying the C-1, Saberline, C-9, and A-6. He served on active duty for ten years and subsequently in the reserves, retiring after 20 years.\u003c/p\u003e","\u003cp\u003eCommander Mark G. Martin commissioned in the United States Navy in April 1985 and earned his Aviator wings in June 1986.\u003c/p\u003e","\u003cp\u003eCommander Robert McMasters served with the United States Navy on the USS Will Rogers (SSBN 659) as division officer from September 1979 to June 1982. From  June 1982 to June 1984 he served as the S1W Prototype leading engineering officer of the watch, Idaho Falls, Idaho.\u003c/p\u003e","\u003cp\u003eRobert P. McMullen enlisted in the United States Marines in December 2000 and served for four years. He was assigned to the Legal Services Support Section (LSSS) and the unit was deployed to Kuwait from 2002 to 2003.\u003c/p\u003e","\u003cp\u003eColonel Thomas B. Moncure, VMI Class of 1972, commissioned into the United States Air Force in 1972 through the Reserve Officers' Training Corps (ROTC) program at VMI. He graduated from pilot training in May 1973 and he served as a command pilot with over 3150 flying hours in B-52, T-38, FB-111A, F-111F, and B-1 aircraft. His other assignments included that of Deputy Director of Plans and Programs, Headquarters United States Air Forces in Europe, Ramstein Air Base, Germany, and Commander and Professor of Aerospace Studies at Air Force ROTC Det 880, VMI. Moncure retired from the Air Force in 2002.\u003c/p\u003e","\u003cp\u003eJames M. Morgan, Jr. (1923-2021) was a member of the VMI Class of 1945. He subsequently received a PhD in civil engineering from Johns Hopkins University. He spend 38 years at VMI as a professor and later head of the Civil Engineering Department. Morgan then served as Dean of the Faculty and retured from VMI in 1984.\u003c/p\u003e","\u003cp\u003eJohn L. Neel joined the United States Army in 1976 and was trained as a Parachute Infantryman. His first assignment was with the 505th Parachute Infantry Regiment, 82d Airborne Division, Fort Bragg North Carolina. He served over 15 years with the 505th in a variety of positons. He has served three tours with North Atlantic Treaty Organization (NATO) in Izmir, Turkey as an Operations Sergeant, and  s the Senior Enlisted Advisor and Sergeant Major for Joint Command Southeast. \u003c/p\u003e\n","\u003cp\u003eNeel also served for two years on Her Majesty's service as Platoon Sergeant, 8 Platoon, 1st Battalion, British Parachute Regiment. From July 1997 to July 2000 he served as Sergeant Major of the Army Reserve Officers' Training Corps (ROTC) Department at VMI.\u003c/p\u003e\n","\u003cp\u003eNeel's deployments include:\n\u003cul\u003e\n\u003cli\u003e1983: Grenada\u003c/li\u003e\n\u003cli\u003e1992: Joint Task Force 6 along the New Mexico/Mexico border\u003c/li\u003e\n\u003cli\u003e1995: Operation Harvest Bear in Panama to quell the riots in the Cuban refugee camps\u003c/li\u003e\n\u003cli\u003eSeptember 2000: Kosovo as the Operations Sergeant, J3, Headquarters Kosovo Force (KFOR)-4\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eLaura E. Niebel graduated from George Washington University and commissioned in the United States Navy in 1999. At the time of this interview she was a helicopter pilot (SH-60B Seahawk) and had been deployed twice to the Arabian Gulf.\u003c/p\u003e","\u003cp\u003eEugene Ostlund enlisted in the United States Navy in 1940, went through boot camp at Great Lakes, and qualified for a Class A school, attending Aviation Metalsmith School in Pensacola, Florida. He was subsequently sent to Naval Air Station, North Island, where he stayed until 1943, and was then transferred to a carrier aircraft service unit. He later qualified for the Navy V-12 program and enrolled in the College of St. Thomas in St. Paul, Minnesota and the University of Michigan.\u003c/p\u003e\n","\u003cp\u003eIn 1947 he was commissioned an ensign in the regular Navy. He served:\n\u003cul\u003e\n\u003cli\u003eOn board the USS St. Paul (CA 73)\u003c/li\u003e\n\u003cli\u003eOn the staff of the Commander Seventh Fleet operating in Korean waters\u003c/li\u003e\n\u003cli\u003eOn board the USS Gearing (DD 710), a destroyer which operated in the Sixth Fleet in the Mediterranean where he was the communication officer and the operations officer\u003c/li\u003e\n\u003cli\u003eOnboard the USS Haas (DE 424)\u003c/li\u003e\n\u003cli\u003eAs Commanding Officer of the USS Lansing (DER 328)\u003c/li\u003e\n\u003c/ul\u003e\nUpon completion of the tour of duty on the USS Lansing, Ostlund was assigned to the Command and Staff College of the Air Force Air University in Maxwell Field in Montgomery, Alabama. He was then assigned to the Defense Communication Agency in Washington, D.C.\u003c/p\u003e","\u003cp\u003eValerie Overstreet graduated from Virginia Tech in 1991. While at Tech, she was a member of the Corps of Cadets on a United States Navy scholarship. After commissioning and initial flight training, she selected carrier aviation and was assigned to the E-2C. Overstreet has also served as an instructor pilot and studied at the Naval War College. At the time of this interview she was the second female Commanding Officer in the history of United States Navy combat aviation.\u003c/p\u003e","\u003cp\u003eStephen D. Patchin grew up in Wisconsin and joined the United States Navy in 1958 at the age of 18. He served until 1979 in the field of aviation maintenance. After his retirement from the Navy, he continued to work in naval aviation mechanics and planning as a civilian contractor.\u003c/p\u003e","\u003cp\u003eCaptain Robert C. Peniston served 10 sea tours on nine ships. He commanded the USS Savage, USS Tattnall, and USS Albany. He was navigator of the Presidential yacht Williamsburg from 1951 to 1952 and served seven shore tours, officer distribution (two tours), Bureau of Naval Personnel (two tours) and was Director of Naval Education Development Staff of Chief of Naval Education and Training (CNET).\u003c/p\u003e","\u003cp\u003eCommander Mark D. Pistochini served with the United States Navy from June 26, 1968 through September 1, 1996, and retired as a Commander (OS). He served as a Communications Intelligence Evaluator (COMEVAL) with the United States Naval Security Group, Detachment Atsugi, Japan from March 1978 through August 1981. He accrued over 2,000 hours in the VA-1 EP-3 aircraft.\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Russell Rivers graduated from the University of Mississippi in 1982 and commissioned in the United States Air Force. He received his Naval Aviator wings in 1984. Rivers has flown several type/model/series aircraft, ranging from turboprop trainers to rotary wing and jet aircraft, accumulating over 3600 hours of flight time as of this interview date.\u003c/p\u003e","\u003cp\u003eLieutenant Colonel Frederick C. Rody entered the United States Marine Corps in 1983 and spent 12 years on active duty and 11 years in the Reserves. He trained as a pilot and flew the F-18.\u003c/p\u003e","\u003cp\u003eWilliam B. Rutherford grew up in Cape May, New Jersey and joined the United States Marine Corps in 1953. After three years in the Marines, he transferred to the United States Navy and attended nuclear power school. Rutherford saw duty on several nuclear powered subs, serving as a chief electrician. He retired after 20 years of military service.\u003c/p\u003e","\u003cp\u003eRoss Schmoll commissioned into the United States Air Force in 1959 after graduating from Cornell University, rising to the rank of Colonel before retiring in the late 1980s. Assignments included:\n\u003cul\u003e\n\u003cli\u003eB-47\u003c/li\u003e\n\u003cli\u003eB-58 crew member\u003c/li\u003e\n\u003cli\u003eF-11 crew member (radar navigator bombardier) stationed at Royal Air Force Upper Hayford (England) and subsequently in Thailand\u003c/li\u003e\n\u003cli\u003eDeputy commander for maintenance, Seymour Johnson Air Force Base, North Carolina (four squadrons of F-4Es)\u003c/li\u003e\n\u003cli\u003eDirector of maintenance at the United States Air Forces in Europe (USAFE)\u003c/li\u003e\n\u003cli\u003eAssistant Director of Logistics at USAFE\u003c/li\u003e\n\u003cli\u003eDefense Logistics Agency\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eMajor Anthony Shea served in the United States Air Force from 1985 to 1994 as:\n\u003cul\u003e\n\u003cli\u003eA security forces specialist\u003c/li\u003e\n\u003cli\u003eAn officer with the chief computer support section\u003c/li\u003e\n\u003cli\u003eWide area network program manager\u003c/li\u003e\n\u003cli\u003eInternet protocol engineer\u003c/li\u003e\n\u003cli\u003eChief military telephone command and control\u003c/li\u003e\n\u003cli\u003eAssistant Professor of Aerospace Studies for Air Force Reserve Officers' Training Corps (ROTC), Virginia Military Institute\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eLieutenant Jared Smith received a Bachelor of Science in electrical engineering and commissioned into the United States Navy through Officer Candidate School (OCS). After completing Navy Nuclear Power School and other courses, he was assigned as a submarine officer on the USS Maryland (SSBN 738). He was subsequently assigned to Virginia Military Institute's Naval Reserve Officers' Training Corps (ROTC) unit (December 2006 to February 2009).\u003c/p\u003e","\u003cp\u003eDennis Stone commissioned into the United States Army in June 1970 and was assigned to Fort Benning, Georgia for the Infantry Basic Officer Course (IOBC), Airborne Ranger. From June 1971 to May 1973 he served with the 1148IMF as 3rd Armored Division Platoon Leader, Executive Officer, and Detachment Commander. From May 1973 to December 1974 he served at the Arctic Test Center at Fort Greely, Alaska, where he tested cold weather equipment and commanded troops involved in testing. Other assignments included the New Jersey Army National Guard, the Virginia National Guard, and the 11th Special Forces Group. Stone retired in June 1973 with the rank of Lieutenant Colonel.\u003c/p\u003e","\u003cp\u003eRobert Walston Todd II, United States Navy, has served on the USS George Washington (CVN-73) as a Reactor Operator, Electronics Technician 2nd Class since September 2004. He attended A-School and Power School in Charleston, South Carolina from January 2003 to 2004 and Nuclear Prototype School in Ballston Spa, New York from February 2004 to August 2004.\u003c/p\u003e","\u003cp\u003eColonel James O. Tubbs commissioned into the United States Air Force in 1980 and has served as the following:\n\u003cul\u003e\n\u003cli\u003e1983-1986: Standardization and Evaluation Pilot at the 23rd Tactical Air Support Squadron, Shaw Air Force Base, South Carolina\u003c/li\u003e\n\u003cli\u003e1987-1989: Flight Commander and Instructor Pilot, 496th Tactical Fighter Squadron, Hahn Air Base, Germany\u003c/li\u003e\n\u003cli\u003e1989-1993: Instructor Pilot and Assistant Operations Officer, 314th Fighter Squadron, Luke Air Force Base, Arizona\u003c/li\u003e\n\u003cli\u003e1995-1997: Operations Officer and Chief of Strategy Division, 32nd Air Operations Squadron\u003c/li\u003e\n\u003cli\u003e1997-1999: Squadron Operations Officer and Special Assistant to the Operations Group Commander, 31st Fighter Wing\u003c/li\u003e\n\u003cli\u003e1999-2001: Air Staff Action Officer and Deputy Chief of Joint Issues Division for Air Force Quadrennial Defense Review\u003c/li\u003e\n\u003cli\u003e2002-2004: Senior Military Advisor to the Deputy Assistant Secretary of Defense for Resources and Plans, acting as advisor for all Air Force program, budget and acquisition issues\u003c/li\u003e\n\u003cli\u003eMilitary Assistant to the Under Secretary of Defense for Policy at the Pentagon, Washington D.C.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e","\u003cp\u003eMajor Colin S. Turnnidge II enlisted in the United States Army in May 1980 and trained as a Special Forces combat medic. He served on active duty for three years with the 7th Special Forces Group, deploying to Central America. He subsequently served 10 months in the Special Forces Reserves (11th Group) before leaving the service. He reenlisted in 1991 and served with the 3rd Group, attending Physicians Assistant School, and receiving a direct commission in 1995. Turnnidge served as a physician assistant until his retirement in 2006.\u003c/p\u003e","\u003cp\u003eDarrell G. Van Ness began his service as a United States Army private in 1978, completing his basic training and Advanced Individual Training (AIT) in Armor School at Ft. Knox, Kentucky. He went on to Ft. Bliss, Texas to 3rd Armored Cavalry Regiment (ACR) and was assigned to 3rd ACR F Troop. From 1980 to 1981 Van Ness was stationed in Garlstedt, Germany, in the AD4,  and from 1981 to 1984 he served with the 3rd and 7th Cavalry B Troop.\u003c/p\u003e","\u003cp\u003eCommander Clifford L. J. Wade grew up in Ohio and graduated from Miami University (Oxford, Ohio). He commissioned into the United States Navy and became a Naval Flight Officer, spending 21 years of his 27 year career outside of the continental United States (Hawaii, Bermuda, Japan, Spain, and England). His last duty station was at the Naval Reserve Officers' Training Corps (NROTC) unit at Virginia Military Institute.\u003c/p\u003e","\u003cp\u003eR. Kurt Zeppenfeldserved with the United States Marine Corps from 1977 to 1981 and with the United States Naval Reserve.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / 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Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["The Military Oral History Project was orginally an initiative of VMI's John A. Adams '71 Center for Military History and Strategic Analysis. The Center's first Director, Kip Muir (served 2002-2011) initiated the oral history program, in which VMI cadets interviewed veterans as part of their military history coursework. Subsequent cadet-conducted interviews were overseen by the Center's second Director, Bradley L. Coleman.  ","In addition, a 2015 collaborate effort between Coleman and journalist Lisa Tracy resulted in a number of interviews conducted by Tracy with VMI World War II alumni.","Alfred A. Alvarez was born in 1924 and grew up in Chelsea, Massachusetts. He enlisted in July 1942, and following stateside training, joined the 1st Infantry Division in England. He took part in the Normandy invasion, hitting \"Easy Red,\" Omaha Beach on D-Day. He subsequently saw action in the Champagne campaigns and at Hurtgen Forest, the Battle of the Bulge, and in Czechoslovakia. ","Alvarez re-enlisted in the Reserves in 1945, and during his thirty-two years of duty served combat tours in Korea and Vietnam, and was deployed to Central and South America. He was inducted into the United States Army Officer Candidate School (OCS) Hall of Fame in April 2003. ","Ernest A. Andrews was born in 1923 in Tennessee and was drafted into the United States Army in 1943. He served in the 16th Infantry, H Company, First Infantry Division (Big Red One) until the end of the World War II, and was in combat at Normandy, and in the Rhineland, Central Europe, and Ardennes, France.","Joseph L. Argenzio was born in 1927 New York City, New York. He entered the United States Army in 1944 and, following training, was assigned to the First Infantry Division, 3rd Battalion, 16th Infantry, M Company. On D-Day he was part of the first wave at Omaha Beach, France. Argenzio subsequently saw combat in France, Belgium, and Germany, and participated in the liberation of Falkenau concentration camp in Czechoslovakia.","Charles D. Bachman enlisted in the United States Navy in 1943 and became a part of the V12 Unit in Champaign, Illinois. A summary of his military services includes:\n November 1944–1945: Attended Midshipmens School at Columbia University, New York March 1943–1945: Attended Destroyer Schools in Norfolk, Virginia June 1945–August 1945: Attended Tactical Radar School in Hollywood Beach, Florida August 1945–October 1945: Attended Fighter Director School in St. Simons, Georgia November 1945–August 1946: Served as deck officer, Combat Information Center watch officer, and fighter director on board the USS Warrington (DD-843)","John Gilchrist Barrett was born in 1921 in Gastonia, North Carolina. In 1942 he joined the United States Naval Reserves and was commissioned following his graduation from Wake Forest University. Barrett served in the Pacific Theater on the LCI(L)-1052 (Landing Craft Infantry Large). He was discharged in 1946 and enrolled in graduate school, receiving a PhD in history from the University of North Carolina at Chapel Hill. Barrett was a Professor of History at VMI from 1953 until his retirement in 1987. He died in 2013 in Lexington, Virginia.","Hobert Bodkin joined the United States Marine Corps in September 1942 and was assigned to the 1st Marine Division in March 1944. He went into combat during the invasion of Peleliu Island, Palau, and in April 1945 took part in the invasion of Okinawa, Japan.","Charles Brooks, a native of North Carolina, was drafted in May 1943. Following stateside service with an Anti-Aircraft Artillery (AAA) unit, he was shipped to Europe where he was assigned to Company A, 16th Infantry Regiment, 1st Division. He served as a first scout until the end of World War II.","Fred Brown was drafted in 1942 at the age of 19. After receiving training at Fort Jackson, South Carolina, he shipped out to the European theater. Brown took part in the Normandy invasion, the Battle of the Bulge, and the Battle of Hurtgen Forest.","Guy B. Burnette was born in 1921 in North Carolina and was drafted in 1942. After training, his unit was stationed in Hawaii for island defense, and after the atomic bombs were dropped on Japan, he was sent there for occupation duty.  Following World War II,  Burnett returned to North Carolina where he raised a family and was a farmer and construction worker.","Stanley Caulkins served as a B-17 radio operator in the United States Army Air Force from 1943 to 1946.","Robert L. Cheatham, Jr. graduated from Clemson University, South Carolina, and was commisioned as a second lieutenant through the Reserve Officers' Training Corps (ROTC) program in August 1942. Following training he was shipped overseas and arrived in North Africa on December 26, 1942. On February 13, 1943 he was assigned to C Company, 26th Infantry, First Division. Cheatham was captured by the Germans at Kasserine Pass, Tunisia on February 20, 1943 and was a prisoner of war until he was liberated on April 29, 1945.","Allen E. Clark enlisted in the United States Marine Corps in 1942 and served during World War II in the Pacific Theater on Bougainville, Guam, and Iwo Jima. He was a member of B Company, 1st Battalion, 21st Marine Regiment, 3rd Marine Division.","Glen Cleckler served with the United States Marine Corps during World War II from February 1943 to December 1945. His service included participation in the Battle of Iwo Jima.","William H. Collier served in World War II in the 106th Cavalry Regiment (mechanized). He participated in several campaigns in Europe, including Normandy, northern France, Rhineland, Ardennes-Alsace, and Central Europe. He also served in the Army of Occupation in Austria. His later career included postings in Korea, Germany, Hawaii, Vietnam, and the Pentagon. He retired in 1971, having obtained the rank of Lieutenant Colonel.","Cyril G. Cousart enlisted in the United States Army in 1942 and became a flight crew member on the B-29 bomber. His unit was stationed at Saipan in the Marianas and he flew on 35 missions over mainland Japan.","Chalmer E. Cowan was born in 1919 in Pennsylvania and was drafted in the United States Army in October 1941. After basic training, he was assigned to Battery A, 27th Field Artillery Battalion. He fought throughout North Africa and Italy during World War II. Cowan was discharged in July 1945.","George E. Cvengros (1923-1985) served in the 134th Infantry Regiment, Company \"F.\" His unit landed on Omaha Beach on July 5, 1944 and fought throughout France and Germany. He participated in the Battle of the Bulge, Germany, and was in Hannover, Germany when World War II ended.","Joseph O. Dazzo joined the United States Army in 1940 and was assigned to the 1st Infantry Division as a combat medic. He served in North Africa and Sicily, and took part in the Normandy invasion. His unit subsequently fought through France, Belgium, Germany, and Czechoslovakia. Dazzo was discharged in September 1945.","Nathan DeSantis joined the Merchant Marines in December 1941 and is a graduate of the Merchant Marine Academy, Class of 1944. He served throughout World War II on various vessels that carryied cargo in support of combat operations. DeSantis spent his entire career in the Merchant Marines and retired in 1988.","Robert Fred Dexter was born in Massachusetts in 1925. He joined the United States Army in January 1944 and served in World War II, Korea, Central and South America, and in Vietnam. Following the end of his Army service in 1971, he began a career with the Bureau of Alcohol, Tobacco and Firearms.","Mark R. Dixon grew up on a farm in York County, South Carolina, and was drafted in the United States Army in July 1945. He served one year with the First Infantry Division during the post-World War II occupation of Germany.","Walter M. Duncan, Sr. entered the United States Army Air Forces in November 1943 and received flight training on several aircraft before being assigned to the B-24.","Howard Dunfee was drafted in 1943 into the United States Army and was assigned to the 1st Infantry Division. He landed in Normandy on three days after D-Day and served as a front line infantryman, machine gun bearer, and gunner until he was seriously wounded near Aachen, Germany. After receiving treatment in several hospitals, Dunfee returned to the United States and was discharged in April 1945.","Allen D. Evans was born and raised in Indiana and is a decorated veteran of World War II. He enlisted in the United States Army in December 1942 and served in Europe with the 76th Field Artillery Battalion. He was a Staff Sergeant in charge of the Fire Direction Center and saw action throughout the European Theater of Operations (ETO), including the battles at Remagen, Germany and Ardennes Forest, France.","Robert R. Fair was born in Kansas in 1925. After spending a semester at Louisiana State University in the Army Specialized Training Program (ASTP), he entered the regular United States Army in mid-December 1943. He was assigned to the 100th Infantry Division, arriving in Europe (Marseille, France) in October 1944. Fair fought on the front lines as the Division moved through France and Germany until he was wounded in April 1945.","William C. Farmer was born in 1926 and joined the United States Navy after graduating from high school in 1944. He was stationed aboard an LSM (Landing Ship Medium) serving in the Pacific theater. His vessel operated in the Mariana Islands and supported the invasion of Okinawa, Japan in the Spring of 1945.","Edward Feightner was designated as a Naval Aviator in 1942, commissioned as an Ensign from that date, and subsequently progressed in rank to that of Rear Admiral 1971. During his distinguished career, he served in World War II as an Engineering Officer for various squadrons that operated in the Pacific theater. He was a test pilot and a member of the \"Blue Angels,\" and has over twenty years of experience in command of squadrons, airwings, ships, training units, and major staffs.","William Funkhouser, a decorated veteran of World War II, grew up in the Shenandoah Valley near Strasburg, Virginia. He joined the United States Army in February 1943 and served with F Company, 16th Regiment, First Infantry Division (Big Red One). He landed in Normandy on D-Day, June 6, 1944, and subsequently fought in the Battle of the Bulge.","Donald E. Furman grew up in Pennsylvania and was drafted in 1941. He served as a light tank driver in the European theater where his unit was assigned to reconnaissance duty.","Roy George was born in 1927 in New Jersey and enlisted in the United States Navy in August 1944. During his time in service, he completed Aviation A and B Schools and was assigned to service seaplanes and other aircraft. George received an honorable discharge in August 1948, leaving the Navy as an Aviation Metalsmith, 2nd Class Petty Officer.","Frank J. Haggerty enlisted in the United States Army Air Corps on December 8, 1941, one day after the Japanese attacked Pearl Harbor, Hawaii. Following stateside training as an aircraft mechanic, he shipped overseas and was stationed at Polebrook Army Air Force Station (Northamptonshire, United Kingdom) home of the Eighth Air Force. Haggerty's unit (320th Service Squadron attached to the 351st Bomb Group) serviced the B-17 Flying Fortress. At the end of World War II Haggerty remained in the Air Force for a total of 20 years, retiring in 1962.","R. \"Hap\" Halloran served in the United States Army Air Force during World War II. He was a B-29 navigator with the 73rd Wing, 499th Bomb Group, 878th Squadron, flying missions over Japan from a base in Saipan, northern Marianas. Halloran was shot down over Japan on January 27, 1945 and became a prisoner of war.","John Selden Halsey, VMI Class of 1943, entered the United States Army in May 1943. A decorated combat veteran, he served in Europe with the 116th Mechanized Reconnaissance Squadron and was wounded in action in Germany in February 1945.","R. Marlowe Harper was attending the University of Alabama when he was drafted in 1942. He was trained in radar and was ground crew member for the B-29 bomber, maintaining the gun laying set. Harper spend the last 8 months of World War II on Guam, where he supported missions bombing oil refineries in Japan. He was attached to the 20th Air Force, 15th Bomb Wing, 21st Squadron.","Jerome \"Bud\" Holzman served in Europe with the United States Army 94th Infantry Division from March 1945 to August 1945. As World War II came to an end, his unit was assigned to patrol, guard, and similar occupation duties in Germany and Czechoslovakia. He spent the final three months of his overseas duty at George S. Patton's 3rd Army Headquarters.","William Howard enlisted in the United States Navy in 1939 and attended boot camp at the Great Lakes Naval Station, Illinois. He served in the Asiatic Fleet from 1939-1943. After leaving the Navy, he worked in a munitions factory.","John Poindexter Irby III, VMI Class of 1944, was inducted into the United States Army in 1943, graduated from Officer Candidate School in 1944 and was first assigned to the 30th Cavalry Reconnaissance Squadron in Fort Riley, Kansas.","Carl F. Jenkins grew up on a dairy farm near Gastonia, North Carolina. He was drafted in August 1944 at the age of 18. After completing basic training, he was sent overseas as a replacement in the Big Red One during the Battle of the Bulge. Jenkins was wounded by scrapnel on February 28, 1945 and was awarded the Bronze Star and Purple Heart.","John R. Kershaw, a World War II veteran, served as a B-17 bomber pilot in Europe. Following training he was assigned to the 92nd Bomb Group, 327th Squadron, at Podington, England. Kershaw flew numerous combat missions, bombing targets over Germany.","Frank E. King was born in 1922 in Wythe County, Virginia. He volunteered for the United States Army in September 1942 and served with Headquarters Company, 2nd Battalion, 16th Infantry Regiment, 1st Infantry Division throughout World War II. King was in North Africa, Sicily, and landed at Omaha Beach on D-Day. He subsequently saw action in other major battles, including Huertgen Forest, Germany, and the Battle of the Bulge. King served overseas for more than 30 months and was awarded several decorations, including the Bronze Star.","Vice Admiral Jerome H. King, Jr. received his commission in the United States Navy in 1941, following his graduation from Yale University. His distinguished career began with service in the Pacific Theater during World War II and continued for over three decades until his retirement from active duty in 1974.","Edmund B. Kinter joined the United States Merchant Marines in 1943 and served on Liberty ships carrying ammunition and supplies across the Atlantic.","Leonard G. Lawton was born in 1919 in Orlando, Florida and entered the United States Marine Corps following his graduation from Stetson University in 1941. After completing boot camp and officer training, he served with the 1st Marine Division in the Pacific Theater where he saw extensive action and witnessed firsthand the conditions of jungle fighting. Lawton was awarded:\n The Silver Star for action on Guadalcanal The Purple Heart for a wound received in November 1942 Two Presidential Unit citations one personal letter of citation from Admiral William Halsey","Walter Luikart joined the United States Merchant Marines in 1943. He served on nine ships, including Liberty ships that carried cargo and on troop ships in the English Channel that delivered soldiers and vehicles to the beachhead. Luikart's assignments took him to the North Atlantic, Indian Ocean, and Mediterranean Sea. He left the service in 1947.","Demetrius \"Pete\" Lypka was born in 1918 in New Jersey and enlisted in the United States Army in 1941. He was assigned to the 1st Infantry Division, 16th Infantry, Company G and served until the end of World War II, seeing action in North Africa, Italy, France, and Germany. Lypka was discharged in July 1945 and returned home to start a career as a carpenter.","Alexander Marsh enlisted in the United States Army in June 1942. He served as a 57mm anti-tank gun platoon commander with the 106th Infantry and was deployed to Europe. He was captured in the Ardennes, France on December 16, 1944 and spent three months in Stalag IX, Germany.","Charles H. McKinney was born in 1920 in Selma, Alabama and joined the United States Army during the early days of World War II. After completing Officer Candidate School (OCS) in 1942, he joined the 509th Parachute Battalion in North Africa. He subsequently saw combat in Italy, France, and Belgium. McKinney also fought with the 505th Regiment, 82nd Airborne Division during the Korean War. He retired from active duty in 1962.","Alexander Michnewich was born in 1923 in Brooklyn, New York. From 1943 to 1946 he served in the United States Army Corps of Engineers, 1905th Aviation Battalion, and was stationed in the China-Burma-India theater.","Robert Moberg joined the United States Marine Corps in April 1943. After initial assignments, his unit was sent to Camp Tarawa, Hawaii, to join the 5th Marine Division and train for the invasion of Japan. He was en route to Japan when World War II ended, and went into Japan as part of the occupation forces.","Malcolm Muir, Sr. served with the United States Naval Reserve from 1942 to 1945 as an Armed Guard officer on board the SS Booker T. Washington (troop ship, Liberty ship), the Sinclair H-C (merchant tanker), and the SS Carleton Ellis (merchant tanker, Liberty ship).","Wilma Murray joined the United States Army Nurse Corps in 1941. After stateside training, she shipped overseas to England. She subsequently was deployed to Normandy and landed on Omaha Beach 10 days after D-Day. Murray served in evacuation hospitals attached to the 1st Army, treating the wounded as the troops fought through France and Belgium. At the end of the War, she was in Germany where she cared for tuberculosis patients in the liberated Buchenwald concentration camp.","James B. Naughton served for three years in the United States Marine Corps. Much of that time was spent in the hospital due to serious injuries received as a result of combat action during the Battle of Iwo Jima in 1945. Naughton is a successful accountant and worked at Naughton, Cesario and Company, which he began following his military service.","Guy C. Nicely, Jr. grew up in Lexington, Virginia and is a decorated veteran of World War II. He was drafted in the United States Army in February 1943 and soon joined the First Division, the Big Red One. After serving briefly in Sicily, Italy, his unit was sent to England to train for the D-Day invasion on June 6, 1944. He landed on Omaha Beach and later fought in the Battle of the Bulge. He received both the Bronze Star and the Purple Heart.","Edwin A. \"Ned\" Noble grew was born in 1922 in Bethel, Vermont and attended Tufts University after graduating from high school. He was drafted in the United States Army in 1944 and was assigned to the 1st Infantry Division, serving in the Ardennes, Rhineland, and Central Europe. He subsequently served as Acting Battalion Sergeant major during occupation duty in Nuremberg, Germany. Noble died on January 3, 2013 in Washington, D.C.","Cononel Anthony J. Perna (Retired) had a distinguished thirty year career in the United States Air Force and was among the youngest officers to reach the rank of Colonel. During World War II he served as a flight instructor for B-17s and B-24s. He was subsequently involved in both the Berlin Airlift (Germany) and in the creation of the United States flight simulation program. Perna also had assignments as the Defense Attaché to Israel during the Six Day War, in the Strategic Air Command (SAC) during the Cold War, and he served on the staff of the Joint Chiefs at the Pentagon.","George Porter enlisted in the United States Army at the beginning of the World War II and served at the famed Tuskegee Army Air Field, Alabama as a mechanic ground crew chief. He worked primarily on the P-40 and was responsible for training the mechanics who supported the Tuskegee Fighter Squadrons.","Carl D. Proffitt enlisted in the National Guard of Virginia in 1939 and reported for active duty on February 3, 1941, at Fort George G. Meade, Maryland. He shipped overseas to England in September of 1942. He served with K Company, 116th Infantry, 29th Division, for the D-Day Invasion. Among his numerous decorations are the Distinguished Service Cross, the Silver Star, two Bronze Stars, three Purple Hearts, the Good Conduct Medal, the Pre Pearl Harbor Medal, the Combat Infantry Badge, the French Freedom Medal, and the State of Virginia Distinguished Service Award.","Julian M. Quarles, Jr. served as an United States Army infantry officer (36th Division) during World War II, taking part in the landing at Salerno, Italy. He and another officer were captured, escaped from the prison train carrying them to Germany, and then made their way back to their outfit after 33 days behind German lines.","During World War II, Richard Rathmell served as a 3rd Assistant Engineer on a merchant marine vessel. His ships made ammunition runs in support of the war effort, including a North Atlantic crossing to supply the Battle of the Bulge.","Emmett F. Reagan was born in 1924 in Norfolk, Virginia and joined the United States Navy in 1942. After completing flight school, he served as a pilot in the Pacific Theater flying search and destroy missions.","John M. Remaly served in the United States Army Air Force from 1943 to 1945. He was an engineer on a B-24 Liberator bomber, flying in India, Burma, and China with the 10th Army Air Force. He was seriously burned when his plan made a crash landing on July 29, 1944.","William Repke enlisted in the United States Army in 1938 with the 102nd Cavalry. He went overseas to England in September 1942, then to Algiers, Africa in January of 1943. His unit was transferred to Italy and went into combat in Rome. He made the invasion of South France with the 117th Cavalry Squadron. Repke received a Battlefield Commission in October 1944, transferred to the 36th Infanty Division and then served six months in combat with Company B, 142nd Infantry. He was discharged in September 1945, having received the European Theater of Operations (ETO) Service Ribbon with five battle stars and one arrowhead, the Presidential Unit Citation, Combat Infantry Badge, Silver Star, and Bronze Star.","Charles A. Riley joined the United States Navy in 1943 at the age of 16. During World War II he served with the Navy's Scouts and Raiders, participating with the United States Marines in several campaigns, including the landing at Iwo Jima, Japan. Following the War he enrolled in college and subsequently joined the United States Army (Airborne) and then transferred to the Air Force, serving as an aviator. He flew missions in both Korea and Vietnam. Riley retired from active duty in 1970.","Kenneth D. Rupe was drafted into the United States Army in May 1942 and was assigned to hospital administration in the 300th General Hospital. The unit shipped overseas in the fall of 1943 and Rupe spent the bulk of the war in Naples, Italy in the 300th Headquarters.","Edward A. Ryan served with the United States Army, 29th Infantry, from 1943 to 1946.","Robert Sams enlisted in the United States Coast Guard in 1943. He spent 17 months at sea aboard the USS Cambria (APA 36) and participated in landing troops in the Marshall and Mariana Islands, the Philippines, Saipan, and Okinawa (Japan). Sams was also part of the first United States forces to land at Nagasaki, Japan six weeks after an atomic bomb destroyed the city.","Luther J. Schilling served with the United States Army, G-3 106th Infantry Division, Army of Occupation in Germany from 1944 to 1946.","Arthur Schintzel is a decorated veteran of World War II and the recipient of two Purple Hearts. He was drafted in 1942 and served in Europe with the United States Army 16th Infantry, First Infantry Division. He took part in the Normandy, France invasion on D-Day and was seriously wounded in action.","Charles B. Shaeff served in the United States Navy Reserves from June 24, 1943 to March 24, 1946.","First Lieutenant Gale Shreffler joined the United States Army Air Force in 1941. He was a B-29 Navigator based on Tinian Island, Marianas Islands where he served with the 313th Bomb Wing, 504th Bomb Group. Shreffler took part in bombing raids over Japan and crash landed on Iwo Jima in July 1945.","Alfred St. Clair was born in Bedford County, Virginia in 1918. He was drafted into the United States Army in July 1941 and served until the end of World War II. He was with the Fifth Army in England, North Africa, and Italy, including the Battle of Anzio (Italy). He is the recipient of the Purple Heart.","Philip O. Stewart enlisted in the United States Army in 1941. His first assignments were stateside with an anti-aircraft artillery battalion. In 1944 he shipped overseas and joined the First Division at the Roer River (Germany) crossing. Stewart fought with the unit in Germany until he was seriously wounded near the end of World War II.","Jack Talbot grew up in New Jersey and was working as a riveter when he was drafted into the United States Army in 1942. He shipped overseas in March 1943 and was assigned as a radioman at Headquarters Company, 1st Battalion, 26th Infantry. Talbot's unit served in North Africa, Sicily, France, and Germany until the end of World War II.","Samuel Tarkenton grew up in Norfolk, Virginia, and was drafted into the United States Army in March 1944. He shipped overseas as an infantry replacement in Company D, 26th Infantry, 1st Infantry Division. He fought in the Battle of the Bulge, in Czechloslovakia, and during the early part of the occupation was assigned to the war crimes trials in Nuremberg, Germany. Tarkenton was discharged in March 1946 and returned home to a career at the Norfolk Shipyard.","George J. Tompkins, Jr. enlisted in the United States Army in September 1942. He went overseas in 1943 and was assigned as a radio operator with the 1st Signal Company, 1st Infantry Division. Following time in North Africa, Sicily, and England, Tompkins participated in the Normandy (France) landing on D-Day and subsequently went into Belgium and Germany where he was in the Battle of Hurtgen Forest. He was discharged in October 1945.","Captain Meeks B. Vaughan commissioned into the United States Army Air Force as a 2nd Lieutenant in June 1942 while at the University of Tennessee. From March 1944 to October 1945 he was stationed at Guadalcanal (Solomon Islands), Bougainville (Solomon Islands), Leyte (Philippines), Morotai (Indonesia), and Palawan (Philippines), serving as an Intelligence Officer (S-2) and Captain.","A decorated veteran of World War II, William H. Wills was born in 1919 in New York City. He joined the United States Army in October 1940 and was assigned to the First Infantry Division, First Engineer Combat Battalion, B Company. Wills served for the entire war, fighting in North Africa, Tunisia, Sicily (Italy), and taking part in the D-Day landing on Omaha Beach (France). He subsequently fought in the Battle of the Bulge and ended the War in Czechoslovakia. After the War he served for 27 years as an officer with the New York City Police Department.","Colonel Tyson Wilson served with the United States Marine Corps (active duty and Reserves) from 1941 to 1977. For his service he received the Bronze Star with Combat V, the Purple Heart, and two Presidential Unit Citations (Guadalcanal and Tarawa).","William D. Badgett graduated from VMI in 1953 and served in the United States Air Force as a 1st Lieutenant from November 1953 to July 1955. From July 1954 to 1955 he was stationed in Korea. He served with the 608th Aircraft Control and Warning Squadron, first with Detachment #1 (Target Director Post) and then with Detachment #2 on the island of Pyongyang-do (radar surveillance). Badgett joined the VMI faculty in the fall of 1955 and spent his entire teaching career at VMI.","In 1957 Ovid Belt enlisted in the United States Army and served two years active duty and two years in the reserves. He deployed overseas to Korea with the 34th Infantry Division and later saw stateside duty with the 14th Infantry Division.","Colonel Wesley L. Fox enlisted in the United States Marines on August 4, 1950, and served two tours with the 1st Marine Division in Korea. He commissioned as a 2nd Lieutenant in 1966, and was first assigned to the 2nd Force Reconnaissance. He subsequently had numerous other assignments during his long and distinguished career. Fox's many decorations include the Medal of Honor and the Purple Heart.","Vernon A. Good served with the United States Marines from September of 1950 through November of 1951. He in the Inchon–Seoul Campaign, Wonsan Hungnam Chosin Campaign, North Korea. Good has received the following awards:\n Korean Service Medal with the Silver Star National Defense Medal Presidential Unit Citation (three times) United Nations Service Medal Korea Presidential Unit Citation–Foreign (two times)","Technical Sergeant Raymond A. Johnson served with the United States Marine Corps from 1948 to 1952.","Joseph W. Kovac enlisted in the United States Navy in 1950 and served during the Korean War aboard the destroyer USS Allen M. Sumner (DD 692). The ship was active in Pusan, Korea, where the mission was to prevent the progress of enemy supply trains. Kovac left the Navy in 1954 and returned to civilian life.","Leonard L. Lewane commissioned in the United States Army following his graduation from VMI in 1950 and rose to the rank of Colonel before retiring in 1974. During the Korean War (1950-1953) he served with the 72nd Tank Battalion, 2nd Infantry Division and the 64th Tank Battalion, 3rd Infantry Divison. During the Vietnam War (1965-1966) he served with the 1st Squadron, 4th Cavalry \"Quarter Horse\", 1st Division \"Big Red One.\" Lewane's Cold War assignments in Germany included Commander, 1st Brigade, 1st Armored Division (1972-1973) and Chief of Staff, United States Army Berlin (1973-1974).","Charles W. McKellar served with the United States Army Transport Service (1944-1945), the United States Marine Corps (1945–1949 and 1951–1966), and with the United States Marine Corps Reserve (1949–1951).","Bill Rivers Penn, MD, served in the United States Navy from 1950 to 1955. This included a tour of duty with the United States Marines from November 1952 to May 1953 as a Fleet Marine Force (FMF) corpsman.","John T. Pepper served with the Air National Guard as a mechanic prior to the Korean War. During the War he served as an infantryman.","From 1972 to 1973, Terry G. Allison served in the United States Navy as an Petty Officer Second Class, Aviation Storekeeper in San Diego  (California), Millington (Tennessee), Yorktown (Virginia), and Vietnam.","Brigadier General Norman Michael Bissell graduated from VMI in 1961 and commissioned in the United States Army, retiring in 1987. He served two tours as a combat helicopter pilot in Vietnam. His other assignments included:\n Commander of the 17th Aviation Group Commander of the Joint Republic of Korea Army and the United States Army Combined Aviation Force Director of the United States Army Flight Training and Deputy Chief and Acting Chief of Staff of the 101st Airborne Division (Air Assault) Two years in the Joint Chiefs of Staff at the Pentagon as Executive Officer to the Director of Operations (J3).","Lawrence E. Boese joined the United States Air Force following his graduation from VMI in 1966 and rose to the rank of Lieutenant General before retiring in 1996.","After commissioning in 1967, Michael L. Bozeman spent three years in the United States Army, including a year in Vietnam, where he served with distinction as a platoon leader and commanded a Long Range Reconnaissance Patrol Unit. His awards and decorations include the Silver Star, Bronze Star, Legion of Merit, Air Medal, Meritorious Service Medal, the Combat Infantryman's Badge, and the Ranger Tab. He is also a retired Brigadier General in the United States Army Reserve.","George M. Brooke, III, was a commissioned officer in the United States Marine Corps from 1967 to 1994, retiring at rank of Colonel. A summary of his military service includes:\n 1968-1969: First Marine Division, Vietnam, as an artillery forward observer and battery fire direction officer 1969-1972: United States Field Artillery School, Fort Sill, Oklahoma, as an Instructor, Gunnery Department 1973-1974: Third Marine Division, Okinawa, Japan, as a Rifle Company Commander 1974-1975: Marine Detachment, USS Canopus (AS-34), Holy Loch, Scotland, as a Commanding Officer 1976-1979: Second Marine Division, Camp Lejeune, North Carolina, as a Battalion Operations Officer, Logistics Officer, and Artillery Battery Commanding Officer 1983-1984: Headquarters, United States Marine Corps, Washington, D.C., as a Maritime Prepositioning Ships (MPS) Program Project Officer 1985-1986: III Marine Amphibious Force, Okinawa, Japan, as a Force Plans Officer 1986-1991: 1st Marine Corps District, Garden City, New York, as a Commanding Officer, Executive Officer, and Operations Officer 1991-1994: Joint Staff, Pentagon, in Washington, D.C., as a Division Chief, J-7 Directorate.","Bayes L. Bryant was born in Washington, D.C. in 1948 and enlisted in the United States Army in March 1968. He served until January 1972, completing two combat tours in Vietnam.","Captain Lloyd C. Burger graduated from the United States Coast Guard Academy in New London, Connecticut, and served with the Coast Guard from 1960 to 1988.","Colonel Leland H. Burgess commissioned at the University of Alabama as a 2nd lieutenant of artillery in May of 1965. He entered active duty in February of 1966 and underwent Artillery Basic Training at Fort Sill, Oklahoma. Burgess was a helicopter pilot in the Vietnam War from July 1967 to February 1968.","Richard F. Cayo served with the United States Navy from 1952 to 1973, serving on the USS Rushmore (LSD-47), USS Rankin (AKA-103), USS Cambria (APA-36), USS Okinawa (LPH-3), and USS DuPont (DD-941).","An infantry officer, Colonel William H. Dabney served 37 years in the Marine Corps, including two tours in Vietnam. He earned numerous citations, including the Silver Star, two Bronze Stars and two Vietnamese Crosses of Gallantry, and the Navy Cross. While in Vietnam, he commanded India Company, 3rd Battalion, 26th Marines, on Hill 881S during the Battle of Khe Sanh, for which he was awarded the Navy Cross in 2005.","Charles L. Dailey grew up in Pennsylvania, attending college there and in Indiana. He joined the United States Army in 1957, went through flight school, and was rated to fly both rotary and fixed wing aircraft. Dailey served two tours of duty in Vietnam, piloting the U-1A \"Otter\" and the twin-engine U-8D.","Terry J. Davis commissioned in the United States Army as a 2nd Lieutenant in April 1968 and entered active duty at Fort Bliss, Texas in September. He was assigned to the 1st Air Cavalry Division, serving in the Vietnam War from September 1969 to June 1970. Davis was a forward observer attached to an infantry company responsible for patrolling the jungles in the region known as the \"corridors\" to Saigon. He also participated in the invasion of Cambodia.","Lieutenant Colonel Lee S. Dewald served on active duty with the United States Army from 1969 to 1992. His military service included time as a Brigade Assistant (Operations), 3rd Brigade, 1st Cavalry Division, Vietnam, during which he planned combat intelligence operations for two air cavalry troops, a ranger company, and was involved in many other intelligence-related assignments. Dewald also was a Professor of Applied Mathematics at VMI, retiring in 2017.","Blaise S. DiMartino served in the United States Navy from September 1966 to August 1970 as a machinery repairman, 3rd class. He spent one year in Vietnam aboard a river boat repair ship and 24 months aboard the USS Monticello (LSD-35), in the Pacific Region.","Floyd H. Duncan graduated from VMI in 1964 and was on active duty in the United States Army from 1965 to 1967. He subsequently served in the Army Reserves. From 1978 to 2013 he was a member of the VMI faculty.","Captain Ronald A. Erchul spent twenty years in the United States Navy following his graduation from the Naval Academy in 1961. An ocean engineer, he received a Master's degree from the Naval Post-Graduate School and a PhD from the University of Rhode Island.","Alan F. Farrell was born in 1945 in Hanover, New Hampshire  and joined the United States Army (Special Forces) in 1966, serving in Vietnam from 1968 to 1970. Following his Army service, Farrell received a Bachelor's, Master's, and PhD from Tufts University and began a career in higher education.","Admiral William J. Flanagan commissioned in the United States Navy in 1967 and was selected for flag rank in his 20th year of service. He was subsequently among the youngest officers to achieve four star rank. During his 29-year career, he served in all theaters of operations,  including the Vietnam War, Persian Gulf War, and Iraq War. Flanagan served as:\n Commander, United States Second Fleet Commander of North Atlantic Treaty Organization's (NATO) Striking Fleet Commander in Chief, United States Atlantic Fleet NATO's Commander-in-Chief, Western Atlantic \nAmong his many military decorations are the Navy and Defense Distinguished Service Medals. Flanagan retired from the Navy in 1996.","Robert L. Gardner served in the Vietnam War as a United States Army avionics technician in the 56th Battalion, 330th Company and attached to the 611th Company. He worked primarily on helicopters.","William Grady went through United States Army basic training at Fort Jackson, South Carolina and then on to Fort Riley, Kansas, where he was with the 1st Division, 26th Infantry, C Company. He served in Vietnam and left the armed services as a Specialist 4.","Thomas Turner went through United States Army basic training at Fort Jackson, South Carolina, and then went to Fort Sam Houston, Texas for medical training. In Vietnam he served as a line medic for approximately eleven months in the field, one month in the rear. Upon his return from Vietnam, he worked in Fort Belvoir, Virginia, in the flight surgeon's office.","Arbury Daryl Hooker was drafted in June of 1969 into the United States Army Special Forces and served with Project Phoenix during the Vietnam War. During his military career he was stationed in Korea (1973-1974), Fort Bragg, California (1974-1976), Fort Greely, Alaska (1979), and Fort Eustis, Virginia (1979-1983). He also served with Task Force 160th Delta Force from 1983 to 1987 and in 1987, the Virginia Army National Guard.","Colonel Robert M. Hudson served as a pilot with the United States Air Force and was a prisoner of war for 93 days in Vietnam. During his career he flew the T-39, B-52F, B-52D, B-52H, FB-111, F-100 and F-16. He served as:\n Chief, battlestaff, Looking Glass Base Commander, Brooks Air Force Base, Texas Base Commander at a classified location Inspector General, Ramstein Air Base, Germany Director of Strategic Air Command, Strategic Communication Division","Brigadier General William C. Jones was appointed to the United States Air Force Academy in 1960 and received his commission as a Second Lieutenant in 1964. Upon completion of F-105 training in 1967, he was assigned to the 333rd Tactical Fighter Squadron, Takhli, Thailand, where he flew 189 combat missions, 123 over North Vietnam. Jones is a command pilot with over 6,000 flying hours in the T-33, T-37, T-38, F-102, F-105, F-106, A-7, C-26, and F-16 aircraft, including over 562 combat hours. He served as Assistant Adjutant General for Air, Headquarters, Virginia Air National Guard, based at Richmond International Airport, in Sandston. He retired in May 2001.","General John P. Jumper, VMI Class of 1966, retired in 2005 after a distinguished 39 year career. He served as the 17th Chief of Staff of the United States Air Force from 2001 to 2005.","Ronald W. Kosh enlisted in the United States Air Force in October 1962 and trained in air traffic control and combat control. His overseas deployments included assignments in the Philippines, Vietnam, Thailand, and Laos. Missions during the Vietnam War included deployment with Special Forces units and providing forward air control for interdiction of North Vietnamese Army materiel.","Captain Jerold L. Krumwiede graduated from the United States Naval Academy in 1954 and served until 1980. Following graduation he was assigned duty as Gunnery Officer on USS Frank Knox (DDR 742). In 1957, he attended United States Naval Postgraduate School, Monterey, earning an Master of Science in physics. His West Coast career focused on nuclear weapons at the Nuclear Weapons Training Command, and engineering assignments on USS Yorktown (CV 10) and Commander Destroyer Squadron 17 Staff. He became the Executive Officer of USS Morton (DD 748) serving tours in Vietnam theater.","On the East Coast, Krumwiede attended the Naval War College, concurrently earning an Master of Science in international affairs. This duty was followed by two years on the academic staff of the United States Naval Academy. This was followed by two years as Commanding Officer, USS Mullinix (DD 944). He served as Surface Operations Officer on COMCARGROUP FOUR Staff, followed by two years as Fleet Readiness Officer, CINCUSNAVEUR Staff, London, England. Following this duty he served four years on the Deputy \nChief of Naval Operations for Surface Warfare Staff, in command and control and electronic warfare programs.","Major General James E. Livingston retired in 1995 after more than 33 continuous years of active duty in the United States Marine Corps. His last assignment was as Commander of the Marine Forces Reserve in New Orleans, Louisiana. He commissioned as a Second Lieutenant in 1962 and promoted to Captain in 1966, serving as the Commanding Officer of the Marine detachment aboard the aircraft carrier USS Wasp (CV 18), before joining the 3rd Marine Division (Reinforced) in the Republic of Vietnam in August 1967.","On May 2, 1968, while serving as the Commanding Officer, Company E, 2nd Battalion, 4th Marines, Livingston distinguished himself above and beyond the call of duty in action against enemy forces and earned the Congressional Medal of Honor. After his second tour in Vietnam, he served as an instructor at the Army's Infantry School, Director of Division Schools for the 1st Marine Division and, later, as the S-3 for 3rd Battalion, 7th Marines. In March 1975, he returned to Vietnam and served as the Operations Officer for the Vietnam evacuation operations which included Operation \"Frequent Wind,\" the evacuation of Saigon. ","Lieutenant Colonel Paul B. Maini (VMI Class of 1966) served 20 years with the United States Army Infantry, Aviation. He servied in Vietnam from 1969 to 1970 and Korea from 1977 to 1979.","Richard C. Marshall, Jr. (VMI Class of 1965) entered the United States Air Force in December 1966 and trained as an F-4 Phantom pilot. He served three tours of duty in Vietnam where he was a forward air controller and also participated in rescue operations for downed pilots.","Colonel John G. Miller served in the United States Marines Corps from 1957 to 1985. During his career he spent two tours in Vietnam, the first as a rifle company commander and battalion assistant operation officer (1965-1966), and the second time as a Co-van advisor to the Vietnamese Marines (1970-1971).","Lieutenant Colonel Richard S. Miller (Retired) graduated from VMI in 1960 and commissioned in the United States Army as a 2nd Lieutenant, Infantry. His active duty assignments include:\n 7th Infantry Division, Korea 5th Special Forces Group, Vietnam Analyst in the Offices of the Secretary of Defense and Secretary of the Army Assistant Professor (mathematics) at West Point, New York Instructor at the United States Navy Postgraduate School, California \nMiller retired from active duty in 1980.","William Moriarty commissioned in the United States Marine Corps in 1959. In May 1964 he participated in an On the Job Training (OJT) program and was assigned to the 32nd Vietnamese Ranger Battalion as an advisor. In 1967 he was assigned to the Vietnamese Marine Corps.","Jeffrey H. Mosher served in the United States Army from 1970 through 1973, during which time he achieved the rank of Specialist and was a helicopter crew chief door gunner. At the time of this interview he was a Chief Petty Officer with the United Navy Seabees.","Sergeant Major (Retired) John Ohmer enlisted in the United States Army in 1963. He received aviation training as a crew chief, working with Cobra and Huey helicopters during his three tours of duty in Vietnam. He subsequently worked as a recruiter, retiring from service in 1990.","Wesley I. Rahn joined the United States Air Force in 1961 and retired in 1981. He was stationed at Ft. George G. Meade (at the time, Tipton Army Air Field), Maryland as a weather equipment repairman. From 1966 to 1969 he served in Ramstein, Germany, installing weather equipment throughout Europe. From 1971 to 1972 Rahn was stationed in Vietnam as a tech sergeant. Upon his return to the United States he was stationed at Robins Air Force Base, Georgia in intermediate electronics maintenance. Following this service he became an instructor at the Military Airlift Command Noncommissioned Officer (NCO) Academy, was stationed at Gunter Air Force Base, Alabama, and taught at the Senior Enlisted Academy.","Rahn worked with Lockheed Aircraft Company in Jiddah, Saudi Arabia, teaching management and leadership to Saudi officers working in the Air Force. Subsequently, he worked for the Director of Air Training at Riyadh, Saudi Air Force headquarters, also teaching Royal Saudi Air Force officers advanced management courses. In Saudi Arabia, Rahn also worked for Dallah Avco at R Staff Headquarters, McDonald-Douglas, and also taught at a field training center in Dhahran, where he was promoted to be the superintendent of the facility, working for the Royal Saudi Air Force supervising Saudis and McDonald-Douglas employees who were training Saudis on how to maintain aircraft.","Ronald Ray was born in Kentucky in 1942 and graduated from Centre College (Kentucky) and the University of Louisville School of Law. He commissioned as a 2nd Lieutenant in the United States Marine Corps Reserve in 1964 and spent the next five years on active duty. He was deployed to the Dominican Republic, the Caribbean, and served as an advisor in Vietnam from March 1967 to March 1968. Ray served as a Deputy Assistant Secretary of Defense during the Reagan administration, on two presidential commissions, and as a military historian at the United States Marine Corps Historical Center.","Colonel William R. Ricks served with the United States Air Force from 1964 to 1987 as a pilot of F-105s, F-4s, and F-15s.","Colonel John W. Ripley served for 35 years on active duty in the United States Marines Corps. He served two tours in Vietnam. During the second (1971-1972) he was Senior Advisor to the 3rd Vietnamese Marine Battalion, which operated along the demilitarized zone.","From January 1968 to August 1971, Joseph E. Rosinski served with the United States Air Force, Tactical Air Command (TAC) 38th and 37th Airlift Squadron Headquarters at Langley, Virginia as a Staff Sergeant, supply and logistics.","Gilman Rud entered the United States Navy's Aviation Officer Candidate program following his 1966 graduation from North Dakota State University. His distinguished 28 year career included 5,600 hours of flight time and 786 carrier landings. He also flew combat missions during the Vietnam War. He served as:\n Commanding Officer of Attack Squadron 192 (Golden Dragons) Commanding Officer and Flight Leader of the Navy Flight Demonstration Squadron (Blue Angels) Captain of the Fleet Replenishment Oiler, USS Wabash (AOR 5) Commander of the the aircraft carrier USS Constellation (CV 64) \nRud retired from active duty in 1995.","Lieutenant Colonel William P. Saunders served in the United States Air Force as an Aircraft Commander (AC-47), Flight Scheduler, 4th Special Operations Squadron at Bien Thuy Air Base/Bien Hoa Air base, Republic of Vietnam. He served with the Air Force through 1988.","Glenn A. Thieme was born in Wisconsin in 1931 and served in the United States Navy from July 1949 to June 1975, achieving the rank of Lieutenant Commander.","Lieutenant Commanders Thomas D. Todd enlisted in the United States Navy in 1953. He served in the Inactive Reserves from 1957 to 1961, was an aviation officer candidate in 1961, a Naval officer from 1961 to 1968, and served in the Active Reserves from 1968 to 1982. He also served as Legal Officer VR-22 in Norfolk, Virginia from 1962 to 1965, as Assistant Air Intelligence Officer on the USS Coral Sea (CVA 43) from 1965 to 1967, and as a political analyst for FICUR NASJAX, Florida.","James R. Treadwell served in the United States Air Force as an aircraft mechanic and engine and crew chief (1971-1973), and as a KC-135 boom operator and flight engineer (1973-1979). During the Vietnam War he flew on missions to refuel fighter aircraft flying over Cambodia.","Blair P. Turner commissioned into the United States Navy on April 10, 1970 as a Surface Warfare Officer. He served two overseas deployments during the Vietnam War (1970-1971), and was assigned to the USS Windham County (LST 1170). Turner left active duty in 1973, remaining in the Reserve through 1975. At the time of this interview he was a Professor of History at the Virginia Military Institute.","Lieutenant Colonel Steven M. Yedinak (Retired) commissioned into the United States Army Infantry in 1963 and subsequently spent 26 years in Special Forces and Airborne Infantry. He served two combat tours in Vietnam (1966-1967 and 1971-1972), and started the Mobile Guerrilla Force. He is the author of \"Hard to Forget: An American with the Mobile Guerrilla Force in Vietnam\" (Random House, 1998). Yedinak retired from the Army in 1989.","Frank Yusi attended United States Navy boot camp in January of 1965 as a seaman recruit, but was then picked up for Officer Candidate School (OCS) and graduated in April. In November 1965 he began service in the South China Sea on a destroyer. From August 1967 to January 1969 he served in Vietnam on river patrol boats (River Division 533 in the Mekong Delta). Following this service Yusi went to OCS as an instructor at Newport, Rhode Island and then returned to destroyers as an engineer. He served for several tours on destroyers, as well as two tours at the Naval War College, one as a student and one on staff. In 1984 he returned as a senior student at the Naval War College and finished his career after being in command and being an Executive Officer on destroyers and frigates, Naval Training Service Center School for Recruits at Great Lakes, Illinois.","General Anthony C. Zinni was an advisor with the South Vietnamese Marines in 1967. Subsequent assignments include the following:\n Deputy Commander in Chief, United States Central Command Commanding General, 1st Marine Expeditionary Force Commander, Combined Task Force for Operation United Shield Chief of Staff and Deputy Commanding General of combined task force Provide Comfort Special Advisor to the Secretary of State Senior Advisor at the Center for Strategic and International Studies \nZinni's decorations include the Defense Distinguished Service Medal, the Defense Superior Service Medal with two oak leaf clusters, the Bronze Star Medal with Combat V and gold star in lieu of a second award, and the Purple Heart.","Steven L. Amato, a 1983 VMI graduate, entered active duty in October 1983. He trained as a B-52 navigator and was deployed during Operation Desert Storm (January 1991). In addition to his many assignments, he served at the Pentagon and worked on President George W. Bush's first inaugural. Amato also served as the Head of VMI's Air Force Reserve Officers' Training Corps (AFROTC) detachment.","William F. Andrews graduated from the United States Air Force Academy in 1980 and began pilot training the same year. He has flown the T-37, EF-111, and the F-16. He was deployed in Operation Desert Storm and was a prisoner of war for eight days. Andrews subsequently served as an F-16 squadron and group commander, staff officer for the Joint Staff in Washington, D.C., and taught at the National Defense University, Washington, D.C.","Jim Carver had a distinguished career as a senior non-commissioned officer in the United States Army Special Forces. He was deployed to Operation Desert Storm while assigned to Operational Detachment Alphas 326, 3rd Special Forces Group (Airborne), serving as an Engineer Sergeant. Carver subsequently held senior special forces training and operations management positions at Fort Bragg, California, and served as an Reserve Officers' Training Corps (ROTC) Military Science Instructor at the University of Richmond, Virginia.","Timothy Heely graduated from the United States Naval Academy in 1975 and comissioned that same year. He trained as a pilot and served with distinction for 30 years, rising to the rank of Read Admiral.","Colonel James G. Kyser, a United States Naval Academy graduate, had a distinguished career in the Marines Corps from 1985 to 2009. His many deployments included Desert Shield and Desert Storm (1990-1991), special operations missions in Europe and Africa, and the Iraq War. Kyser retired in July 2009 after 24 years of service.","Captain Charles H. Litz received his Bachelor of Science from the United States Naval Academy and his Master of Science from the National War College. From June 1976 to July 2002 he served a carrier helicopter pilot flying the SH-3H. Litz participated in Desert Storm as part of Airwing on the USS Theodore Roosevelt (CVN 71).","Commander Tom A. Magno spent 22 years as a United States Navy flight officer, piloting E-2 Hawkeyes and F-14A/F-14B Tomcats. He accrued 2500 flight hours/650+ arrested landings, and saw combat tours in Libya (1986), Bosnia (1993), and Iraq (Operation Desert Shield, 1990). Magno retired in 2003.","Commander Timothy S. McElhannon entered the United States Navy in May 1980 upon graduation from the University of Georgia, received his commission in August 1980, and earned his Naval Aviator wings in July 1981. His operational tours include Helicopter Anti-Submarine Squadron Light Thirty-Four in Norfolk, Virginia and Helicopter Anti-Submarine Squadron Light Forty-Three in San Diego, California. McElhannon deployed to the Persian Gulf twice (1983 and 1989) during the Iran/Iraq War where he participated in the escort of re-flagged tankers during the final stage of the War. He subsequently was selected for naval attache duty.","Following his distinguished career in the United States Army, General J. H. Binford Peay III became VMI's 14th Superintendent in 2003. Detailed biographical information is avaliable upon request.","Captain Brian L. Quisenberry graduated from the Virginia Military Institute in 1981 and commissioned in the United States Navy.","Robert J. Cook was on active duty with the United States Army for over 20 years, first as an enlisted soldier and subsequently as an officer. He is a decorated combat veteran who was deployed to Afghanistan, with a background in military intelligence and aviation. From 2005 to 2006 he served as aide-de-camp to the Commanding General at Guantanamo Bay, Cuba. Cook has served twice in the Army Reserve Officers' Training Corps (ROTC) department at VMI.","Captain Steven Craig is a UH-1N helicopter pilot and a decorated veteran of the wars in Afghanistan and Iraq. He enlisted in the United States Marines Corps in 1989 and subsequently was commissioned and went to flight school. He was deployed in Operation Enduring Freedom in 2004, and in Operation Iraqi Freedom in 2005 to 2006. In 2010 Craig was assigned to the VMI Naval ROTC Department as a Marine Corps Instructor.","Following his graduation from VMI in 1989, Gary A. Bissell commissioned in the United States Army and trained as a helicopter pilot. After leaving active duty, he has continued to serve in the Army National Guard and the Reserves, and was deployed during Operation Iraqi Freedom.","Lieutenant Colonel William Bither first served with the United States Army 2nd Battalion, 23rd Infantry Regiment at Fort Lewis, Washington as a rifle platoon leader. He then joined United States Army Special Forces and has been stationed in Korea, Quantico (Virginia), the Marine Corps Amphibious Warfare School, Germany, Fort Bragg (California), Kuwait, and Iraq.","Captain Thomas A. Brashears was 9 3/4 years active with the 18th Field Artillery Brigade Airborne, 1st Armored Division. He deployed to Kosovo from May to December, 2000 and to Iraq as Battery Commander from April 2003 to July 2004.","Major Robert Churchill served with the United States Air Force from May 19, 1991 to August 15, 2005, and since August 16, 2005 he has served with the United States Air Force Reserves. He attended graduate Space Training and then went into Space Command as an orbit analyst in Space Ops. He then went into pilot training, to Reese Air Force Base, Texas, and then on to F-16 training. At the time of this interview, Churchill was with the 302nd Fighter Squadron.","At the time of this interview Jose L. Crespo was a logistics officer in the United States Air Force. He has been deployed to Kuwait, Iraq, and Afghanistan.","Major Tim Daniel began serving with the United States Air Force in January of 1983. He has been an A-10 pilot, T-37 instructor pilot, and an OA-10 pilot, and has 3500 hours of flight time with 100 hours of combat time in Iraq and Afghanistan.","Major Frank Diorio graduated from the University of Notre Dame in 1996 and immediately commissioned in the United States Marine Corps. He has been deployed to the Kuwait/Iraqi border (1997-2000), Djibouti, Africa (2004), and Al Anbar Province, Iraq (2005).","A combat engineer, Captain Jon A. Drake served in support of Operation Joint Guardian in Kosovo. He later deployed to Iraq in February 2004 as a company commander for Alpha Company, 82nd Engineer Battalion.","Michael Johnson enlisted in the United States Marine Corps in August 1993. At the time of this interview, he was a Military Occupational Specialty 0629 (MOS) Communications Chief (E-7). Johnson has served:\n With 1st Anglico/Camp Pendleton As a drill instructor at Parris Island, South Carolina With the 2nd Force Reconnaissance Company As Assistant Marine Officer Instructor (AMOI) at VMI \nJohnson deployed in support of Operations Iraqi Freedom and Enduring Freedom.","Benjamin Kimsey is a member of the VMI Class of 2009. From 2002 to 2005 he was on active duty in the United States Army in the 116th Brigade, 29th Infantry Division, and was deployed to Guantanamo Bay, Cuba and Afghanistan. Kimsey subsequently became a member of the National Guard, in Delta 1 of the 19th Special Forces Group in Kingwood, West Virginia.","Phillip A. Suydam served in the United States Air Force for 21 years as an Air Force Security Forces Officer. He provided security, police services, force protection planning, and information security program management. His assignments took him to Germany, Guam, and the United Arab Emirates. In 2004 Suydam deployed to Joint Base Balad, Iraq as the Commander of the 332d Expeditionary Security Forces Squadron in support of Operation Iraqi Freedom.","James G. Wicker entered the United States Navy in 1979, serving on deployments to the Persian Gulf as an Executive Officer to a minesweeper during the Iran-Iraq War, and deployed to the Mediterranean, the Pacific, and Indian Oceans. During his career he served on board the USS Goldsborough (DDG 20), the USS Sides (FFG 14), the USS Elusive (AM 225), and the USS Bainbridge (CGN 25).","At the time of this interview, Lance Corporal Patrick Young was serving in the United States Marine Corps Reserves and was a member of the Virginia Military Institute Class of 2009. His unit was B. Company, 4th Combat Engineer Battalion out of Roanoke, Virginia. Young is a veteran of Operation Iraqi Freedom.","Keith R. Anderson served as an active duty Marine Corps officer for eleven years (1980-1992). During his career he flew the H-53 Sea Stallion helicopter, and in addition, spent four years as a Marine One pilot (HMX, presidential helicopter squadron) during the Reagan and Bush administrations. Since leaving military service, Anderson has worked as a jet pilot in corporate aviation.","Thomas Arendes joined the United States Navy following his graduation from high school in 2006. At the time of this interview he was an Electrician's Mate, 3rd Class, in the nuclear field, and was serving on the aircraft carrier USS Theodore Roosevelt (CVN-71).","Kenneth W. Baity served in the United States Navy on the USS Sam Houston (SSBN-609). His enlisted rate was Machinist Mate/Engineering Laboratory Technician Nuclear.","Brandon A. Bissell accepted a commission in the United States Army following his graduation from VMI in 1998. He served with the 101st Aviation Regiment at Fort Campbell, Kentucky, flying Black Hawk helicopters. He also has been a company Executive Officer, platoon leader, S-1 and S-3. Bissell subsequently spent two years in Korea.","Lieutenant Colonel Marti J. Bissell commissioned in the United States Army in 1988. She trained as a helicopter test pilot and has served on active duty in Korea, Germany, and Fort Riley, Kansas.","Brigadier General Charles F. Brower, IV served in the United States Army from 1969 to 2001, serving in:\n United States Army Europe and Africa (USAREUR) RVN Continental United States in the 4th Armored Division, 101st Airborne Division, 24th Infantry Division (Mech), and 23rd Infanty Division Cavalry Troop Commander, RVN, from 1971 to 1972 \nBrower was an Professor, departments of History and Behavior Sciences and Leadership, at the United States Military Academy. He also served as Deputy Superintendent and Dean of the Faculty at VMI from 2001 to 2008.","Lieutenant Kenneth R. Brown enlisted in the Navy in 1994. He received a four-year Reserve Officers' Training Corps (ROTC) scholarship to Norwich University and received his commission in 1999. He has served as a Surface Warfare Officer.","Frank Woodruff Buckles was born in 1901 and grew up on a farm in Missouri. He enlisted age 16 and joined the United States Army Ambulance Corps, arriving in France a few months before the end of World War I. At the beginning of World War II he was working as a civilian in the Philippines when he was captured by the Japanese and held in a prisoner of war camp for more than three years.","Rear Admiral Steven E. Day enlisted in the United States Coast Guard in 1967 and received his commission in 1979. His long career has included numerous posting stateside and overseas.","Colonel Eicher served with the United States Marine Corps for 26 years as an aviator, commissioning in November 1970.","Steven V. Ferguson served with the United States Navy, four years active and two years reserve. He served on the USS Gearing (DD-710).","Victoria P. Friedensen holds an Bachelor of Arts from the University of North Carolina and and Master of Science from Virginia Tech. Her career has included positions at the National Academy of Science and the National Academy of Engineering. At the time of this interview, Friedensen was a civilian employee at the National Aeronautics and Space Administration (NASA), where she was the acting program manager of the Lunar Precursor Robotic Program.","John D. Gober, M.D., served as a United States Navy flight surgeon.","Paul F. Gorman is a retired United States Army General whose active duty spanned an enlistment in the United States Navy toward the end of World War II, graduation from West Point in 1950, three years of infantry combat in Korea and Vietnam, and two decades of assignments in the upper echelons of the Pentagon.","Colonel William R. Grace was commissioned as a 2nd Lieutenant in 1981. Upon completion of the Basic School he reported to Naval Air Station, Pensacola, Florida, for flight training and was designated a Naval Aviator in 1983. He received his initial AH-1J training with Marine Helicopter Training Squadron 303 at Camp Pendleton, California. During his distingished career, Grace has served with numerous Marine Corps Helicopter Squadrons, including Marine Helicopter Squadron One, which supports White House missions worldwide. He led presidential detachments on four continents while serving under presidents George H. W. Bush and Bill Clinton.","Lieutenant Chris Gray graduated from the Naval Academy in 2001. He subsequently reported to Nuclear Power School and then went to Prototype in Charleston, South Carolina. He was first assigned to the USS Tennessee (SSBN-734) in Kings Bay, Georgia. Gray spent three years on board the USS Tennessee and was an instructor with VMI's Naval Reserve Officers' Training Corps (ROTC) program.","Colonel George F. Hafkemeyer served for 30 years in the United States Army as a an officer in the areas of maintenance, material management, and logistics. In addition to his stateside assignments, he served overseas in Germany, Kuwait, and Sweden.","At the time of this interview, Evan T. Hanks, VMI Class of 2007, served with the 192nd Maintenance Squadron, Virginia Air National Guard as an aircraft structural mechanic and corrosion control journeyman.","Alexis Hart commissioned with the United States Navy in May 1993. From August 1993 to April 1994 she was a student at the Navy Supply Corps School in Athens, Georgia. From May 1994 to June 1997, she served as Division Officer on board the USS Essex (LHD 2), and was first woman assigned to an amphibious ship. From July 1997 to June 1999, Hart served as Instructor at the Navy Supply Corps School.","Rear Admiral Maurice B. Hill, Jr. served in the United States Navy Dental Corps on both active duty and in the reserves.","Seargeant Major Alvin N. Hockaday, United States Marine Corps (Retired), was born and raised in Richmond, Virginia. After completing high school in 1960, he enlisted in the Marine Corps where he was trained as a Marksmanship Instructor and Rifle Team Member. In 1965, Hockaday served his first tour of duty in Vietnam until he was wounded in 1966. From 1966 to 1968 he served as an instructor at the Marine Corps Officer Candidate School. He returned to Vietnam in 1968 and was wounded again in 1969. ","Hockaday returned to the United States in 1974 and was assigned as the first enlisted Marine Instructor at the VMI. In 1977 he was assigned to The Marine Corps Ceremonial Units at Marine Barracks in Washington, D.C. Following his retirment from the Marine Corps in 1990, Hockaday became the first Seargeant Major to the Corps of Cadets at VMI, a position he held until 2003.","Donald B. Holt enlisted in the United States Navy in 1971 and after boot camp trained in electronics and nuclear power. He served as a reactor operator on the submarine USS Billfish (SSN 676), and subsequently was an instructor in a nuclear power training unit. Holt received his honorable discharge in 1979 after serving almost nine years.","Captain Vernon C. Honsinger enlisted in the Navy in 1951 and served for 30 years. Among his many assignments were those of Operations Officer and Chief Engineer on the USS Laffey (DD 724) in the Atlantic Ocean, Mediterranean Sea and the Red Sea, and Weapons Officer and Assistant Engineering Officer on the USS Seadragon (SSN 584), Pacific Ocean.","Rodney A. Hottle, VMI Class of 1976, served in the United States Air Force from 1977 to 2003. He was a Missile Officer from 1977 to 1996 and subsequently transferred into Services.","Dr. Reed Johnson graduated from VMI in 1953 with a degree in physics. After completing post-graduate work at the Oak Ridge School of Reactor Technology (ORSORT), he was employed by Electric Boat and was involved in testing and designing radiation shields for the earliest nuclear submarines, including the Nautilus (SSN 571) and the Seawolf. He subsequently worked in many other nuclear projects during the 1950s, including the United States Army Package Power Reactor.","Kristopher G. Kowalczyk was born in 1982 and enlisted in the United States Army at the age of 17. He trained as an ammunition specialist and subsequently went to flight school, becoming an Apache helicopter pilot. Among his assignments was a 12 month deployment to Kosovo, Serbia.","Major Daryl Laninga joined the United States Marine Corps in 1983. He served as an enlisted infantryman (mortar man) for nine and a years, commissioned via the Marine Enlisted Commissioning Education Program in 1992.","Lieutenant Commander (retired) Jerome Leugers commissioned in the United States Navy 1973 and spent his career as a naval aviator, flying the C-1, Saberline, C-9, and A-6. He served on active duty for ten years and subsequently in the reserves, retiring after 20 years.","Commander Mark G. Martin commissioned in the United States Navy in April 1985 and earned his Aviator wings in June 1986.","Commander Robert McMasters served with the United States Navy on the USS Will Rogers (SSBN 659) as division officer from September 1979 to June 1982. From  June 1982 to June 1984 he served as the S1W Prototype leading engineering officer of the watch, Idaho Falls, Idaho.","Robert P. McMullen enlisted in the United States Marines in December 2000 and served for four years. He was assigned to the Legal Services Support Section (LSSS) and the unit was deployed to Kuwait from 2002 to 2003.","Colonel Thomas B. Moncure, VMI Class of 1972, commissioned into the United States Air Force in 1972 through the Reserve Officers' Training Corps (ROTC) program at VMI. He graduated from pilot training in May 1973 and he served as a command pilot with over 3150 flying hours in B-52, T-38, FB-111A, F-111F, and B-1 aircraft. His other assignments included that of Deputy Director of Plans and Programs, Headquarters United States Air Forces in Europe, Ramstein Air Base, Germany, and Commander and Professor of Aerospace Studies at Air Force ROTC Det 880, VMI. Moncure retired from the Air Force in 2002.","James M. Morgan, Jr. (1923-2021) was a member of the VMI Class of 1945. He subsequently received a PhD in civil engineering from Johns Hopkins University. He spend 38 years at VMI as a professor and later head of the Civil Engineering Department. Morgan then served as Dean of the Faculty and retured from VMI in 1984.","John L. Neel joined the United States Army in 1976 and was trained as a Parachute Infantryman. His first assignment was with the 505th Parachute Infantry Regiment, 82d Airborne Division, Fort Bragg North Carolina. He served over 15 years with the 505th in a variety of positons. He has served three tours with North Atlantic Treaty Organization (NATO) in Izmir, Turkey as an Operations Sergeant, and  s the Senior Enlisted Advisor and Sergeant Major for Joint Command Southeast. ","Neel also served for two years on Her Majesty's service as Platoon Sergeant, 8 Platoon, 1st Battalion, British Parachute Regiment. From July 1997 to July 2000 he served as Sergeant Major of the Army Reserve Officers' Training Corps (ROTC) Department at VMI.","Neel's deployments include:\n 1983: Grenada 1992: Joint Task Force 6 along the New Mexico/Mexico border 1995: Operation Harvest Bear in Panama to quell the riots in the Cuban refugee camps September 2000: Kosovo as the Operations Sergeant, J3, Headquarters Kosovo Force (KFOR)-4","Laura E. Niebel graduated from George Washington University and commissioned in the United States Navy in 1999. At the time of this interview she was a helicopter pilot (SH-60B Seahawk) and had been deployed twice to the Arabian Gulf.","Eugene Ostlund enlisted in the United States Navy in 1940, went through boot camp at Great Lakes, and qualified for a Class A school, attending Aviation Metalsmith School in Pensacola, Florida. He was subsequently sent to Naval Air Station, North Island, where he stayed until 1943, and was then transferred to a carrier aircraft service unit. He later qualified for the Navy V-12 program and enrolled in the College of St. Thomas in St. Paul, Minnesota and the University of Michigan.","In 1947 he was commissioned an ensign in the regular Navy. He served:\n On board the USS St. Paul (CA 73) On the staff of the Commander Seventh Fleet operating in Korean waters On board the USS Gearing (DD 710), a destroyer which operated in the Sixth Fleet in the Mediterranean where he was the communication officer and the operations officer Onboard the USS Haas (DE 424) As Commanding Officer of the USS Lansing (DER 328) \nUpon completion of the tour of duty on the USS Lansing, Ostlund was assigned to the Command and Staff College of the Air Force Air University in Maxwell Field in Montgomery, Alabama. He was then assigned to the Defense Communication Agency in Washington, D.C.","Valerie Overstreet graduated from Virginia Tech in 1991. While at Tech, she was a member of the Corps of Cadets on a United States Navy scholarship. After commissioning and initial flight training, she selected carrier aviation and was assigned to the E-2C. Overstreet has also served as an instructor pilot and studied at the Naval War College. At the time of this interview she was the second female Commanding Officer in the history of United States Navy combat aviation.","Stephen D. Patchin grew up in Wisconsin and joined the United States Navy in 1958 at the age of 18. He served until 1979 in the field of aviation maintenance. After his retirement from the Navy, he continued to work in naval aviation mechanics and planning as a civilian contractor.","Captain Robert C. Peniston served 10 sea tours on nine ships. He commanded the USS Savage, USS Tattnall, and USS Albany. He was navigator of the Presidential yacht Williamsburg from 1951 to 1952 and served seven shore tours, officer distribution (two tours), Bureau of Naval Personnel (two tours) and was Director of Naval Education Development Staff of Chief of Naval Education and Training (CNET).","Commander Mark D. Pistochini served with the United States Navy from June 26, 1968 through September 1, 1996, and retired as a Commander (OS). He served as a Communications Intelligence Evaluator (COMEVAL) with the United States Naval Security Group, Detachment Atsugi, Japan from March 1978 through August 1981. He accrued over 2,000 hours in the VA-1 EP-3 aircraft.","Lieutenant Colonel Russell Rivers graduated from the University of Mississippi in 1982 and commissioned in the United States Air Force. He received his Naval Aviator wings in 1984. Rivers has flown several type/model/series aircraft, ranging from turboprop trainers to rotary wing and jet aircraft, accumulating over 3600 hours of flight time as of this interview date.","Lieutenant Colonel Frederick C. Rody entered the United States Marine Corps in 1983 and spent 12 years on active duty and 11 years in the Reserves. He trained as a pilot and flew the F-18.","William B. Rutherford grew up in Cape May, New Jersey and joined the United States Marine Corps in 1953. After three years in the Marines, he transferred to the United States Navy and attended nuclear power school. Rutherford saw duty on several nuclear powered subs, serving as a chief electrician. He retired after 20 years of military service.","Ross Schmoll commissioned into the United States Air Force in 1959 after graduating from Cornell University, rising to the rank of Colonel before retiring in the late 1980s. Assignments included:\n B-47 B-58 crew member F-11 crew member (radar navigator bombardier) stationed at Royal Air Force Upper Hayford (England) and subsequently in Thailand Deputy commander for maintenance, Seymour Johnson Air Force Base, North Carolina (four squadrons of F-4Es) Director of maintenance at the United States Air Forces in Europe (USAFE) Assistant Director of Logistics at USAFE Defense Logistics Agency","Major Anthony Shea served in the United States Air Force from 1985 to 1994 as:\n A security forces specialist An officer with the chief computer support section Wide area network program manager Internet protocol engineer Chief military telephone command and control Assistant Professor of Aerospace Studies for Air Force Reserve Officers' Training Corps (ROTC), Virginia Military Institute","Lieutenant Jared Smith received a Bachelor of Science in electrical engineering and commissioned into the United States Navy through Officer Candidate School (OCS). After completing Navy Nuclear Power School and other courses, he was assigned as a submarine officer on the USS Maryland (SSBN 738). He was subsequently assigned to Virginia Military Institute's Naval Reserve Officers' Training Corps (ROTC) unit (December 2006 to February 2009).","Dennis Stone commissioned into the United States Army in June 1970 and was assigned to Fort Benning, Georgia for the Infantry Basic Officer Course (IOBC), Airborne Ranger. From June 1971 to May 1973 he served with the 1148IMF as 3rd Armored Division Platoon Leader, Executive Officer, and Detachment Commander. From May 1973 to December 1974 he served at the Arctic Test Center at Fort Greely, Alaska, where he tested cold weather equipment and commanded troops involved in testing. Other assignments included the New Jersey Army National Guard, the Virginia National Guard, and the 11th Special Forces Group. Stone retired in June 1973 with the rank of Lieutenant Colonel.","Robert Walston Todd II, United States Navy, has served on the USS George Washington (CVN-73) as a Reactor Operator, Electronics Technician 2nd Class since September 2004. He attended A-School and Power School in Charleston, South Carolina from January 2003 to 2004 and Nuclear Prototype School in Ballston Spa, New York from February 2004 to August 2004.","Colonel James O. Tubbs commissioned into the United States Air Force in 1980 and has served as the following:\n 1983-1986: Standardization and Evaluation Pilot at the 23rd Tactical Air Support Squadron, Shaw Air Force Base, South Carolina 1987-1989: Flight Commander and Instructor Pilot, 496th Tactical Fighter Squadron, Hahn Air Base, Germany 1989-1993: Instructor Pilot and Assistant Operations Officer, 314th Fighter Squadron, Luke Air Force Base, Arizona 1995-1997: Operations Officer and Chief of Strategy Division, 32nd Air Operations Squadron 1997-1999: Squadron Operations Officer and Special Assistant to the Operations Group Commander, 31st Fighter Wing 1999-2001: Air Staff Action Officer and Deputy Chief of Joint Issues Division for Air Force Quadrennial Defense Review 2002-2004: Senior Military Advisor to the Deputy Assistant Secretary of Defense for Resources and Plans, acting as advisor for all Air Force program, budget and acquisition issues Military Assistant to the Under Secretary of Defense for Policy at the Pentagon, Washington D.C.","Major Colin S. Turnnidge II enlisted in the United States Army in May 1980 and trained as a Special Forces combat medic. He served on active duty for three years with the 7th Special Forces Group, deploying to Central America. He subsequently served 10 months in the Special Forces Reserves (11th Group) before leaving the service. He reenlisted in 1991 and served with the 3rd Group, attending Physicians Assistant School, and receiving a direct commission in 1995. Turnnidge served as a physician assistant until his retirement in 2006.","Darrell G. Van Ness began his service as a United States Army private in 1978, completing his basic training and Advanced Individual Training (AIT) in Armor School at Ft. Knox, Kentucky. He went on to Ft. Bliss, Texas to 3rd Armored Cavalry Regiment (ACR) and was assigned to 3rd ACR F Troop. From 1980 to 1981 Van Ness was stationed in Garlstedt, Germany, in the AD4,  and from 1981 to 1984 he served with the 3rd and 7th Cavalry B Troop.","Commander Clifford L. J. Wade grew up in Ohio and graduated from Miami University (Oxford, Ohio). He commissioned into the United States Navy and became a Naval Flight Officer, spending 21 years of his 27 year career outside of the continental United States (Hawaii, Bermuda, Japan, Spain, and England). His last duty station was at the Naval Reserve Officers' Training Corps (NROTC) unit at Virginia Military Institute.","R. Kurt Zeppenfeldserved with the United States Marine Corps from 1977 to 1981 and with the United States Naval Reserve."],"prefercite_html_tesm":["\u003cp\u003e[Name of Interviewee] Interview, Military oral history collection, 2003-2014. MS 0510. VMI Archives, Virginia Military Institute, Lexington, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Name of Interviewee] Interview, Military oral history collection, 2003-2014. MS 0510. VMI Archives, Virginia Military Institute, Lexington, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThis oral history collection spans the World War II era through recent conflicts in Iraq and Afghanistan. One interview (Frank Buckles) covers World War I service. The majority of the interviews were conducted by VMI cadets taking courses in military history. The interview files and recordings are housed in the VMI Archives.\u003c/p\u003e","\u003cp\u003eThis series consists of transcripts of oral history interviews conducted in 2014 to 2015 with VMI alumni who served during World War II. The interviewer is journalist Lisa Tracy. These interviews contain information about cadet life during the War, as well as wartime service of individuals.\u003c/p\u003e","\u003cp\u003eThis sub-series consists of oral histories of World War II era VMI alumni conducted by cadets taking History 393, World War II, taught by Lieutenant Colonel Bradley L. Coleman (Fall 2015). The interviews cover cadet experiences from the era as well as military service.\u003c/p\u003e","\u003cp\u003eThis interview covers Alfred A. Alvarez's service during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers Ernest A. Andrews' service during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers Joseph L. Argenzio's service in World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers Charles D. Bachman's service in World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers Stanley Caulkins' service during World War II.\u003c/p\u003e","\u003cp\u003eThis interview contains extensive information about \tRobert L. Cheatham, Jr.'s experiences as a prisoner of war.\u003c/p\u003e","\u003cp\u003eThis interview covers Glen Cleckler's experiences during World War II.\u003c/p\u003e","\u003cp\u003eThis interview primarily covers William H. Collier's service in World War II.\u003c/p\u003e","\u003cp\u003eIn this interview, David Cvengros recounts the World War II service of his father George E. Cvengros (1923-1985).\u003c/p\u003e","\u003cp\u003eThis interview covers Walter M. Duncan, Sr.'s stateside pilot training.\u003c/p\u003e","\u003cp\u003eThis interview covers Edward L. Feightner's experiences throughout his career, including his service in World War II and as a test pilot and member of the \"Blue Angels.\"\u003c/p\u003e","\u003cp\u003eThis interview covers R. \"Hap\" Halloran experiences on B-29 missions and his time as a prisoner of war.\u003c/p\u003e","\u003cp\u003eThis interview covers John P. Irby III's training and includes coverage of his service in World War II with Company C of the 86th Reconnaissance Squadron of the 6th Armored Division, in General George S. Patton's 3rd Army, and the 3rd Armored Division.\u003c/p\u003e","\u003cp\u003eThis interview covers Malcolm Muir, Sr.'s experiences in World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers James B. Naughton's experiences during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers George Porter's experiences during and after World War II, and includes discussion of the racial prejudice that black soldiers encountered in the United States Army and in society at large.\u003c/p\u003e","\u003cp\u003eThis interview covers Carl D. Proffitt's experiences in World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers John M. Remaly's experiences during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers William Repke's experiences during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers Charles A. Riley's post-World War Two United States Air Force career.\u003c/p\u003e","\u003cp\u003eThis interview covers Edward A. Ryan's experiences during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers Luther J. Schilling's experiences during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers the invasion of Normandy, France and Charles Shaeff's time in the United States Navy Reserves.\u003c/p\u003e","\u003cp\u003eThis interview covers Samuel Tarkenton's experiences during his United States Army service.\u003c/p\u003e","\u003cp\u003eThis interview covers Meeks B. Vaughan's early years growing up in Timpton County, Tennessee, as well as his experiences during World War II.\u003c/p\u003e","\u003cp\u003eThis interview covers Tyson Wilson's service in World War II (2nd Marine Division) and briefly his time teaching Combat Intelligence at Quantico, Virginia, and his years teaching with the Economics, History and Army Reserve Officers' Training Corps (ROTC) departments at Virginia Military Institute.\u003c/p\u003e","\u003cp\u003eThis interview covers William D. Badgett's experiences in Korea.\u003c/p\u003e","\u003cp\u003eThis interview covers Vernon A. Good's experiences during the Korean War.\u003c/p\u003e","\u003cp\u003eThis interview covers Raymond A. Johnson's United States Marine Corps career and his experiences during the Korean War.\u003c/p\u003e","\u003cp\u003eThis interview primarily covers Charles W. McKellar's experiences in the Korean War.\u003c/p\u003e","\u003cp\u003eThis interview covers Bill R. Penn's experiences in the Korean War as a corpsman and as a prisoner of war.\u003c/p\u003e","\u003cp\u003eThis interview covers John T. Pepper's years of military service.\u003c/p\u003e","\u003cp\u003eA collection addition in 2021 added supplemental material related to Craig D. Caldwell, Paul A. Robblee, Jr., Paul Wagner, Dale W. Saville, Randolph W. Urmston, and Edwin Y. Hines.\u003c/p\u003e","\u003cp\u003eThis file contains one book titled \"VietNam 1968-1969\" by Edwin Y. Hines.\u003c/p\u003e","\u003cp\u003eThis interview covers Terry G. Allison's experiences during the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers Lawrence E. Boese's three tours of duty in Vietnam (1968-1972) with particular emphasis upon Operation Linebacker. During the \"Linebacker\" period, he served as a F-4D/E aircraft commander, instructor pilot, and mission commander with the 308th Tactical Fighter Squadron out of Homestead Air Force Base, Florida.\u003c/p\u003e","\u003cp\u003eThis interview covers Michael L. Bozeman's service in Vietnam.\u003c/p\u003e","\u003cp\u003eThis interview covers George M. Brooke III's career with the United States Marine Corps.\u003c/p\u003e","\u003cp\u003eThis interview covers Leland H. Burgess' career as a helicopter pilot during the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers Lee S. Dewald's military career and experiences in Vietnam and the Hague as well as his time as a cadet at the Citadel.\u003c/p\u003e","\u003cp\u003eThis interview covers Blaise S. DiMartino's service in the United States Navy.\u003c/p\u003e","\u003cp\u003eThis interview focuses on Floyd H. Duncan's tour of duty in Vietnam (1966-1967) and on his service in the Army Reserves during the Vietnam era.\u003c/p\u003e","\u003cp\u003eThis interview covers Ronald A. Erchul's years of active duty (1961-1981).\u003c/p\u003e","\u003cp\u003eThese interviews cover Alan F. Farrell's Special Forces training and experiences in the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers Arbury D. Hooker's experiences in the Vietnam War, Korea, and Grenada.\u003c/p\u003e","\u003cp\u003eThis interview primarily covers Robert M. Hudson's service in the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers James E. Livingston's experiences in Vietnam.\u003c/p\u003e","\u003cp\u003eThis interview covers Paul B. Maini's service in the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers John G. Miller's experiences in the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers William Moriarty's experiences during the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers Jeffrey H. Mosher's experiences in the Vietnam War.\u003c/p\u003e","\u003cp\u003eThis interview covers Wesley I. Rahn's experiences throughout his United States Air Force career.\u003c/p\u003e","\u003cp\u003eThis interview covers William R. Ricks' experiences as a pilot, his experiences in the Vietnam War, and his observations of Air Force participation in Operation Desert Storm.\u003c/p\u003e","\u003cp\u003eThis interview covers John W. Ripley's experiences during his second tour in Vietnam (1971-1972).\u003c/p\u003e","\u003cp\u003eThis interview covers Joseph E. Rosinski's time in the service from 1967 to 1971.\u003c/p\u003e","\u003cp\u003eThis interview covers Glenn A. Thieme's entire career, including his deployment to Vietnam in 1971.\u003c/p\u003e","\u003cp\u003eThis interview covers Thomas D. Todd's years of military service.\u003c/p\u003e","\u003cp\u003eThis interview covers James R. Treadwell's military career.\u003c/p\u003e","\u003cp\u003eThis interview primarily covers Frank Yusi's service in the Vietnam War, but also his time at the Naval War College, Rhode Island.\u003c/p\u003e","\u003cp\u003eThis interview covers Anthony C. Zinni's experiences as an advisor with the South Vietnamese Marines (1967).\u003c/p\u003e","\u003cp\u003eThis interview covers Timothy S. McElhannon's career through 2002.\u003c/p\u003e","\u003cp\u003eThe first interview covers J. H. Binford Peay III's years as a VMI cadet (1958-1962). The second interview contains reflections on his military service and the challenges facing the army.\u003c/p\u003e","\u003cp\u003eThis interview covers Brian L. Quisenberry's assignments throughout his active duty and reserves career.\u003c/p\u003e","\u003cp\u003eThis interview covers Thomas A. Brashears' experiences in Iraq.\u003c/p\u003e","\u003cp\u003eThis interview covers Robert Churchill's career with the United States Air Force and the United States Air Force Reserves.\u003c/p\u003e","\u003cp\u003eThis interview covers Benjamin Kimsey's active duty service and his experience as a VMI cadet.\u003c/p\u003e","\u003cp\u003eThis interview covers James G. Wicker's United States Navy career.\u003c/p\u003e","\u003cp\u003eThis interview primarily covers Patrick M. Young's combat experiences during his deployment to Iraq in 2005.\u003c/p\u003e","\u003cp\u003eThis interview covers Thomas P. Arendes' service to date and in particular his training as a nuclear operator.\u003c/p\u003e","\u003cp\u003eThis interview covers Charles F. Brower IV's service as Army Aide to President Ronald Reagan from 1982 to 1984.\u003c/p\u003e","\u003cp\u003eThis interview covers James Eicher's experience flying the OV-10 and the AV-8 (\"The Harrier\"), and his thoughts on military flight technology.\u003c/p\u003e","\u003cp\u003eThis interview covers Steven V. Ferguson's United States Navy career.\u003c/p\u003e","\u003cp\u003eThis interview covers John D. Gober's various training and assignment experiences.\u003c/p\u003e","\u003cp\u003eThis interview concentrates on United States and Latin American security relations during the Ronald Reagan administration.\u003c/p\u003e","\u003cp\u003eThis interview covers Chris Gray's military education and career through 2006.\u003c/p\u003e","\u003cp\u003eThese two interviews cover Evan T. Hanks' experiences working on F-15s and F-16s.\u003c/p\u003e","\u003cp\u003eThis interview covers Alexis Hart experiences on board the USS Essex (LHD 2).\u003c/p\u003e","\u003cp\u003eThis interview covers Daryl Laninga's service in the United States Marine Corps through 2005.\u003c/p\u003e","\u003cp\u003eThis interview covers Mark G. Martin's career through 2006.\u003c/p\u003e","\u003cp\u003eThis interview covers Robert McMasters' naval career.\u003c/p\u003e","\u003cp\u003eTranscript of interview with James M. Morgan, Jr., VMI Class of 1945. The interview covers Morgan's years during World War II at VMI and in the Army Enlisted Reserve Corps (ERC), recollections about graduate school work, and his early teaching career at VMI. The bulk of the discussion covers the years 1941 to 1957.\u003c/p\u003e","\u003cp\u003eThis interview covers Laura E. Niebel's United States Navy career up to 2007, including details about training and deployments.\u003c/p\u003e","\u003cp\u003eThis interview covers Eugene Ostlund's United States Navy career through 1965.\u003c/p\u003e","\u003cp\u003eThis interview covers Robert C. Peniston's time aboard the USS Savage, USS Tattnall, USS New Jersey, USS Albany, and the Presidential yacht Williamsburg.\u003c/p\u003e","\u003cp\u003eThis interview covers Mark D. Pistochini's experiences in Atsugi, Japan.\u003c/p\u003e","\u003cp\u003eThis interview covers Frederick C. Rody's 23 years of experience in United States Marine Corps aviation.\u003c/p\u003e","\u003cp\u003eThis interview covers Anthony Shea's United States Air Force career from 1985 to 2005.\u003c/p\u003e","\u003cp\u003eThis interview covers Dennis Stone's time in Germany and at the Arctic Test Center, Alaska.\u003c/p\u003e","\u003cp\u003eThis interview covers Robert W. Todd II's service on the USS George Washington (CVN 73).\u003c/p\u003e","\u003cp\u003eThis interview covers R. Kurt Zeppenfeld's experiences in Pusan, Korea.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This oral history collection spans the World War II era through recent conflicts in Iraq and Afghanistan. One interview (Frank Buckles) covers World War I service. The majority of the interviews were conducted by VMI cadets taking courses in military history. The interview files and recordings are housed in the VMI Archives.","This series consists of transcripts of oral history interviews conducted in 2014 to 2015 with VMI alumni who served during World War II. The interviewer is journalist Lisa Tracy. These interviews contain information about cadet life during the War, as well as wartime service of individuals.","This sub-series consists of oral histories of World War II era VMI alumni conducted by cadets taking History 393, World War II, taught by Lieutenant Colonel Bradley L. Coleman (Fall 2015). The interviews cover cadet experiences from the era as well as military service.","This interview covers Alfred A. Alvarez's service during World War II.","This interview covers Ernest A. Andrews' service during World War II.","This interview covers Joseph L. Argenzio's service in World War II.","This interview covers Charles D. Bachman's service in World War II.","This interview covers Stanley Caulkins' service during World War II.","This interview contains extensive information about \tRobert L. Cheatham, Jr.'s experiences as a prisoner of war.","This interview covers Glen Cleckler's experiences during World War II.","This interview primarily covers William H. Collier's service in World War II.","In this interview, David Cvengros recounts the World War II service of his father George E. Cvengros (1923-1985).","This interview covers Walter M. Duncan, Sr.'s stateside pilot training.","This interview covers Edward L. Feightner's experiences throughout his career, including his service in World War II and as a test pilot and member of the \"Blue Angels.\"","This interview covers R. \"Hap\" Halloran experiences on B-29 missions and his time as a prisoner of war.","This interview covers John P. Irby III's training and includes coverage of his service in World War II with Company C of the 86th Reconnaissance Squadron of the 6th Armored Division, in General George S. Patton's 3rd Army, and the 3rd Armored Division.","This interview covers Malcolm Muir, Sr.'s experiences in World War II.","This interview covers James B. Naughton's experiences during World War II.","This interview covers George Porter's experiences during and after World War II, and includes discussion of the racial prejudice that black soldiers encountered in the United States Army and in society at large.","This interview covers Carl D. Proffitt's experiences in World War II.","This interview covers John M. Remaly's experiences during World War II.","This interview covers William Repke's experiences during World War II.","This interview covers Charles A. Riley's post-World War Two United States Air Force career.","This interview covers Edward A. Ryan's experiences during World War II.","This interview covers Luther J. Schilling's experiences during World War II.","This interview covers the invasion of Normandy, France and Charles Shaeff's time in the United States Navy Reserves.","This interview covers Samuel Tarkenton's experiences during his United States Army service.","This interview covers Meeks B. Vaughan's early years growing up in Timpton County, Tennessee, as well as his experiences during World War II.","This interview covers Tyson Wilson's service in World War II (2nd Marine Division) and briefly his time teaching Combat Intelligence at Quantico, Virginia, and his years teaching with the Economics, History and Army Reserve Officers' Training Corps (ROTC) departments at Virginia Military Institute.","This interview covers William D. Badgett's experiences in Korea.","This interview covers Vernon A. Good's experiences during the Korean War.","This interview covers Raymond A. Johnson's United States Marine Corps career and his experiences during the Korean War.","This interview primarily covers Charles W. McKellar's experiences in the Korean War.","This interview covers Bill R. Penn's experiences in the Korean War as a corpsman and as a prisoner of war.","This interview covers John T. Pepper's years of military service.","A collection addition in 2021 added supplemental material related to Craig D. Caldwell, Paul A. Robblee, Jr., Paul Wagner, Dale W. Saville, Randolph W. Urmston, and Edwin Y. Hines.","This file contains one book titled \"VietNam 1968-1969\" by Edwin Y. Hines.","This interview covers Terry G. Allison's experiences during the Vietnam War.","This interview covers Lawrence E. Boese's three tours of duty in Vietnam (1968-1972) with particular emphasis upon Operation Linebacker. During the \"Linebacker\" period, he served as a F-4D/E aircraft commander, instructor pilot, and mission commander with the 308th Tactical Fighter Squadron out of Homestead Air Force Base, Florida.","This interview covers Michael L. Bozeman's service in Vietnam.","This interview covers George M. Brooke III's career with the United States Marine Corps.","This interview covers Leland H. Burgess' career as a helicopter pilot during the Vietnam War.","This interview covers Lee S. Dewald's military career and experiences in Vietnam and the Hague as well as his time as a cadet at the Citadel.","This interview covers Blaise S. DiMartino's service in the United States Navy.","This interview focuses on Floyd H. Duncan's tour of duty in Vietnam (1966-1967) and on his service in the Army Reserves during the Vietnam era.","This interview covers Ronald A. Erchul's years of active duty (1961-1981).","These interviews cover Alan F. Farrell's Special Forces training and experiences in the Vietnam War.","This interview covers Arbury D. Hooker's experiences in the Vietnam War, Korea, and Grenada.","This interview primarily covers Robert M. Hudson's service in the Vietnam War.","This interview covers James E. Livingston's experiences in Vietnam.","This interview covers Paul B. Maini's service in the Vietnam War.","This interview covers John G. Miller's experiences in the Vietnam War.","This interview covers William Moriarty's experiences during the Vietnam War.","This interview covers Jeffrey H. Mosher's experiences in the Vietnam War.","This interview covers Wesley I. Rahn's experiences throughout his United States Air Force career.","This interview covers William R. Ricks' experiences as a pilot, his experiences in the Vietnam War, and his observations of Air Force participation in Operation Desert Storm.","This interview covers John W. Ripley's experiences during his second tour in Vietnam (1971-1972).","This interview covers Joseph E. Rosinski's time in the service from 1967 to 1971.","This interview covers Glenn A. Thieme's entire career, including his deployment to Vietnam in 1971.","This interview covers Thomas D. Todd's years of military service.","This interview covers James R. Treadwell's military career.","This interview primarily covers Frank Yusi's service in the Vietnam War, but also his time at the Naval War College, Rhode Island.","This interview covers Anthony C. Zinni's experiences as an advisor with the South Vietnamese Marines (1967).","This interview covers Timothy S. McElhannon's career through 2002.","The first interview covers J. H. Binford Peay III's years as a VMI cadet (1958-1962). The second interview contains reflections on his military service and the challenges facing the army.","This interview covers Brian L. Quisenberry's assignments throughout his active duty and reserves career.","This interview covers Thomas A. Brashears' experiences in Iraq.","This interview covers Robert Churchill's career with the United States Air Force and the United States Air Force Reserves.","This interview covers Benjamin Kimsey's active duty service and his experience as a VMI cadet.","This interview covers James G. Wicker's United States Navy career.","This interview primarily covers Patrick M. Young's combat experiences during his deployment to Iraq in 2005.","This interview covers Thomas P. Arendes' service to date and in particular his training as a nuclear operator.","This interview covers Charles F. Brower IV's service as Army Aide to President Ronald Reagan from 1982 to 1984.","This interview covers James Eicher's experience flying the OV-10 and the AV-8 (\"The Harrier\"), and his thoughts on military flight technology.","This interview covers Steven V. Ferguson's United States Navy career.","This interview covers John D. Gober's various training and assignment experiences.","This interview concentrates on United States and Latin American security relations during the Ronald Reagan administration.","This interview covers Chris Gray's military education and career through 2006.","These two interviews cover Evan T. Hanks' experiences working on F-15s and F-16s.","This interview covers Alexis Hart experiences on board the USS Essex (LHD 2).","This interview covers Daryl Laninga's service in the United States Marine Corps through 2005.","This interview covers Mark G. Martin's career through 2006.","This interview covers Robert McMasters' naval career.","Transcript of interview with James M. Morgan, Jr., VMI Class of 1945. The interview covers Morgan's years during World War II at VMI and in the Army Enlisted Reserve Corps (ERC), recollections about graduate school work, and his early teaching career at VMI. The bulk of the discussion covers the years 1941 to 1957.","This interview covers Laura E. Niebel's United States Navy career up to 2007, including details about training and deployments.","This interview covers Eugene Ostlund's United States Navy career through 1965.","This interview covers Robert C. Peniston's time aboard the USS Savage, USS Tattnall, USS New Jersey, USS Albany, and the Presidential yacht Williamsburg.","This interview covers Mark D. Pistochini's experiences in Atsugi, Japan.","This interview covers Frederick C. Rody's 23 years of experience in United States Marine Corps aviation.","This interview covers Anthony Shea's United States Air Force career from 1985 to 2005.","This interview covers Dennis Stone's time in Germany and at the Arctic Test Center, Alaska.","This interview covers Robert W. Todd II's service on the USS George Washington (CVN 73).","This interview covers R. Kurt Zeppenfeld's experiences in Pusan, Korea."],"userestrict_html_tesm":["\u003cp\u003eManuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Manuscript collections in the VMI Archives are made available for educational and research use. The VMI Archives should be cited as the source. The user assumes all responsibility for identifying and satisfying any copyright holders. Materials from our collections may \nnot be redistributed, published or reproduced without permission from the VMI Archives. Contact the VMI Archives for additional information."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2ce191674c4046606b4ec4ac19b5f7f9\"\u003eManuscripts stacks\u003c/physloc\u003e"],"physloc_tesim":["Manuscripts stacks"],"names_ssim":["Virginia Military Institute Archives","Virginia Military Institute. Adams Center for Military History","Virginia Military Institute. Department of Civil and Environmental Engineering","Tracy, Lisa (Elizabeth Kilbourne)","Saxe, Ira N. (Ira Nelson), 1918-?","Smith, Robert P. (Robert Pemberton), 1919-2017","Richards, Walter L. (Walter Leland), 1919-","Miller, Charles B. (Charles Bruce)","Gottwald, Floyd D., Jr.","Smith, Jeffrey G., Sr.","Doss, James V.","Taylor, Arthur C., Jr. (Arthur Canning)","Matheis, Richard, A., ?-2015","Morgan, James M., Jr. (James Markus), 1923-2021","Spach, Jule C.","Eliason, William A.","Siebert, Harry J. (Harry John)","Layman, Thomas O. (Thomas Orville)","Gantt, Joseph I., Sr. (Joseph Isley)","Suter,  Bruce H.","Abbitt, Charles W.","Anthony, Eiland E.","Ashley, Maurice C., Jr. (Maurice Cavileer), 1925-2015","Boyd, John T.","Crane, George A., Jr.","Dischinger, Hugh C. (Hugh Charles), 1924-?","Esser, Jefferson R. C. (Jefferson Randolph Cary)","Geary, Paul X.","Gialanella, John A.","Massenburg, Edgar A.","Mills, William C.","Naill, John D., Jr., 1924-?","Newton, Russell B.","Patton, John M. (John Mercer), 1921-?","Siegel, Ralph","Smaw, Daniel G., III","Smothers, Robert C.","Williams, John P., 1922-?","Winter, William D.","Alvarez, Alfred A., 1924-","Andrews, Ernest A., 1923-?","Argenzio, Joseph L., 1927-?","Bachman, Charles D.","Barrett, John G. (John Gilchrist), 1921-2013","Bodkin, Hobert","Brooks, Charles","Brown, Fred, 1923-?","Burnette, Guy B. (Guy Berry), 1921-?","Caulkins, Stanley","Cheatham, Robert L., Jr.","Clark, Allen E. (Allen Eugene), 1924-?","Cleckler, Glen","Collier, William H. (William Hurle)","Cousart, Cyril G.","Cowan, Chalmer E., 1919-?","Cvengros, George E., 1923-1985","Cvengros, David","Dazzo, Joseph O.","DeSantis, Nathan, 1921-?","Dexter, Robert F. (Robert Fred), 1925-?","Dixon, Mark R.","Duncan, Walter M., Sr., 1920-?","Dunfee, Howard","Evans, Allen D.","Fair, Robert R., 1925-?","Farmer, William C., 1926-?","Feightner, Edward L.","Funkhouser, William","Furman, Donald E., 1913-?","George, Roy, 1927-?","Haggerty, Frank J.","Halloran, R. \"Hap\"","Halsey, John S. (John Selden)","Harper, R. Marlowe","Holzman, Jerome","Howard, William, 1919-?","Irby, John P., III (John Poindexter), 1922-?","Jenkins, Carl F.","Kershaw, John R., 1925-?","King, Frank E., 1922-?","King, Jerome H., Jr.","Kinter, Edmund B.","Lawton, Leonard G., 1919-?","Luikart , Walter, 1925-?","Lypka, Demetrius, 1918-?","Marsh, Alexander","McKinney, Charles H., 1920-?","Michnewich, Alexander, 1923-?","Moberg, Robert, 1921-?","Muir, Malcolm, Sr., 1914-?","Murray, Wilma","Naughton, James B., 1926-?","Nicely, Guy C., Jr.","Noble, Edwin A., 1922-2013","Perna, Anthony J. (Anthony Joseph)","Porter, George, 1921-?","Proffitt, Carl D.","Quarles, Julian M., Jr., 1917-?","Rathmell, Richard, 1925?-?","Reagan, Emmett F., 1924-?","Remaly, John M.","Repke, William","Riley, Charles A. 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(Duane Edward), 1944-","Williams, James R. (James Richard), 1944-","Young, Geoffrey R. (Geoffrey Reynolds), 1944-","Allison, Terry G.","Bissell, Norman M. (Norman Michael), 1938-2019","Boese, Lawrence E.","Bozeman, Michael L.","Brooke, George M., III","Bryant, Bayes L., 1948-?","Burger, Lloyd C.","Burgess, Leland H.","Cayo, Richard F., 1934-","Dabney, William H. (William Howard), 1934-2012","Dailey, Charles L.","Davis, Terry J., 1946-","Dewald, Lee S.","DiMartino, Blaise S.","Duncan, Floyd H.","Erchul, Ronald A. (Ronald Anton), 1938-2011","Farrell, Alan F., 1945-","Flanagan, William J.","Gardner, Robert L.","Grady, William","Turner, Thomas","Hooker, Arbury D. (Arbury Daryl)","Hudson, Robert M.","Jones, William C.","Jumper, John P. (John Phillip), 1945-","Kosh, Ronald W.","Krumwiede, Jerold L.","Livington, James E.","Maini, Paul B.","Marshall, Richard C., Jr. (Richard Coke)","Miller, John G.","Miller, Richard S., 1939-","Moriarty, William","Mosher, Jeffrey H., 1952?-","Ohmer, John","Rahn, Wesley I.","Ray, Ronald, 1942-","Ricks, William R.","Ripley, John W.","Rosinski, Joseph E.","Rud, Gilman","Saunders, William P.","Thieme, Glenn A., 1931-","Todd, Thomas D.","Treadwell, James R., 1952-","Turner, Blair P., 1947-","Yedinak, Steven M.","Yusi, Frank","Zinni, Anthony C. (Anthony Charles), 1943-","Amato, Steven L.","Andrews, William F., 1958-2015","Carver, Jim","Heely, Timothy","Kyser, James G.","Litz, Charles H.","Magno, Thomas A.","McElhannon, Timothy S. (Timothy Sean)","Peay, J. H. Binford, III, 1940-","Quisenberry, Brian L.","Cook, Robert J. (Robert James)","Craig, Steven","Bissell, Gary A.","Bither, William","Brashears, Thomas A.","Churchill, Robert","Crespo, Jose L., 1980-","Daniel, Tim","Diorio, Frank, 1973-","Drake, Jon A.","Johnson, Michael","Kimsey, Benjamin","Suydam, Phillip A.","Wicker, James G.","Young, Patrick M.","Anderson, Keith R.","Arendes, Thomas P.","Baity, Kenneth W., 1959-","Bissell, Brandon A.","Bissell, Marti J.","Brower, Charles F., IV","Brown, Kenneth R. (Kenneth Randolph)","Buckles, Frank W. (Frank Woodruff), 1901-2011","Day, Steven E.","Eicher, James","Ferguson, Steven V.","Friedensen, Victoria P.","Gober, John D.","Gorman, Paul F.","Reagan, Ronald, 1911-2004","Grace, William R., 1959-","Gray, Chris","Hafkemeyer, George F.","Hanks, Evan T.","Hart, Alexis","Hill, Maurice B., Jr.","Gallahan, Maxwell R.","Holt, Donald B.","Honsinger, Vernon C.","Hottle, Rodney A.","Johnson, Reed","Kowalczyk, Kristopher G., 1982-","Laninga, Daryl","Leugers , Jerome","Martin, Mark G.","McMasters, Robert","McMullen, Robert P., 1981-","Moncure, Thomas B., 1950?-","Dittrich, James F.","Neel, John L.","Niebel, Laura E.","Ostlund, Eugene","Overstreet, Valerie","Patchin, Stephen D., 1940-","Peniston, Robert C.","Pistochini, Mark D.","Rivers, Russell","Rody, Frederick C.","Rutherford, William B. 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(Thomas Orville)","Gantt, Joseph I., Sr. (Joseph Isley)","Suter,  Bruce H.","Abbitt, Charles W.","Anthony, Eiland E.","Ashley, Maurice C., Jr. (Maurice Cavileer), 1925-2015","Boyd, John T.","Crane, George A., Jr.","Dischinger, Hugh C. (Hugh Charles), 1924-?","Esser, Jefferson R. C. (Jefferson Randolph Cary)","Geary, Paul X.","Gialanella, John A.","Massenburg, Edgar A.","Mills, William C.","Naill, John D., Jr., 1924-?","Newton, Russell B.","Patton, John M. (John Mercer), 1921-?","Siegel, Ralph","Smaw, Daniel G., III","Smothers, Robert C.","Williams, John P., 1922-?","Winter, William D.","Alvarez, Alfred A., 1924-","Andrews, Ernest A., 1923-?","Argenzio, Joseph L., 1927-?","Bachman, Charles D.","Barrett, John G. (John Gilchrist), 1921-2013","Bodkin, Hobert","Brooks, Charles","Brown, Fred, 1923-?","Burnette, Guy B. (Guy Berry), 1921-?","Caulkins, Stanley","Cheatham, Robert L., Jr.","Clark, Allen E. (Allen Eugene), 1924-?","Cleckler, Glen","Collier, William H. (William Hurle)","Cousart, Cyril G.","Cowan, Chalmer E., 1919-?","Cvengros, George E., 1923-1985","Cvengros, David","Dazzo, Joseph O.","DeSantis, Nathan, 1921-?","Dexter, Robert F. (Robert Fred), 1925-?","Dixon, Mark R.","Duncan, Walter M., Sr., 1920-?","Dunfee, Howard","Evans, Allen D.","Fair, Robert R., 1925-?","Farmer, William C., 1926-?","Feightner, Edward L.","Funkhouser, William","Furman, Donald E., 1913-?","George, Roy, 1927-?","Haggerty, Frank J.","Halloran, R. \"Hap\"","Halsey, John S. (John Selden)","Harper, R. 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(Charles Andrew), 1926-?","Rupe, Kenneth D., 1919-?","Ryan, Edward A.","Sams, Robert","Schilling, Luther J., 1926-?","Schintzel, Arthur, 1922-?","Shaeff, Charles B.","Shreffler, Gale O., 1924-?","St. Clair, Alfred, 1918-?","Stewart, Philip O.","Talbot, Jack","Tarkenton, Samuel","Tompkins, George J., Jr. (George Johnson)","Vaughan, Meeks B., 1919-?","Wills, William H., 1919-?","Wilson, Tyson, 1918-?","Badgett, William D., ?-2020","Belt, Ovid","Fox, Wesley L.","Good, Vernon A.","Johnson, Raymond A.","Kovac, Joseph W., 1930?-","Lewane, Leonard L.","McKellar, Charles W.","Penn, Bill R. (Bill Rivers)","Ackroyd-Kelly, Ian H. (Ian Howard), 1944-","Bland, Robert T. , III (Robert Tyler), 1943-","Burton, Michael D. (Michael Davies), 1944-","Walters, John , A. (John Arthur), 1944-","Charrington, Peter R. (Peter Randolph), 1943-","Creekmore, Oliver D. (Oliver David), 1944-","Crittsinger, Clifford A. (Clifford Andrew), 1941-","Edmunds, William W., Jr. (William Wilson), 1944-","Gesker, Joseph M. 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(John Phillip), 1945-","Kosh, Ronald W.","Krumwiede, Jerold L.","Livington, James E.","Maini, Paul B.","Marshall, Richard C., Jr. (Richard Coke)","Miller, John G.","Miller, Richard S., 1939-","Moriarty, William","Mosher, Jeffrey H., 1952?-","Ohmer, John","Rahn, Wesley I.","Ray, Ronald, 1942-","Ricks, William R.","Ripley, John W.","Rosinski, Joseph E.","Rud, Gilman","Saunders, William P.","Thieme, Glenn A., 1931-","Todd, Thomas D.","Treadwell, James R., 1952-","Turner, Blair P., 1947-","Yedinak, Steven M.","Yusi, Frank","Zinni, Anthony C. (Anthony Charles), 1943-","Amato, Steven L.","Andrews, William F., 1958-2015","Carver, Jim","Heely, Timothy","Kyser, James G.","Litz, Charles H.","Magno, Thomas A.","McElhannon, Timothy S. (Timothy Sean)","Peay, J. H. Binford, III, 1940-","Quisenberry, Brian L.","Cook, Robert J. 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He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c17_c68#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vaallhs_repositories_2_resources_172_c17_c68","ref_ssm":["vaallhs_repositories_2_resources_172_c17_c68"],"id":"vaallhs_repositories_2_resources_172_c17_c68","ead_ssi":"vaallhs_repositories_2_resources_172","_root_":"vaallhs_repositories_2_resources_172","_nest_parent_":"vaallhs_repositories_2_resources_172_c17","parent_ssi":"vaallhs_repositories_2_resources_172_c17","parent_ssim":["vaallhs_repositories_2_resources_172","vaallhs_repositories_2_resources_172_c17"],"parent_ids_ssim":["vaallhs_repositories_2_resources_172","vaallhs_repositories_2_resources_172_c17"],"parent_unittitles_ssm":["Alexandria Black Family Reunion Digital Collection","Shirley Ann Sanders-Steele family history materials"],"parent_unittitles_tesim":["Alexandria Black Family Reunion Digital Collection","Shirley Ann Sanders-Steele family history materials"],"text":["Alexandria Black Family Reunion Digital Collection","Shirley Ann Sanders-Steele family history materials","Clipping of Obituary for Lee Roy Steele","Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021"],"title_filing_ssi":"Clipping of Obituary for Lee Roy Steele","title_ssm":["Clipping of Obituary for Lee Roy Steele"],"title_tesim":["Clipping of Obituary for Lee Roy Steele"],"unitdate_other_ssim":["2021-09-23"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["Clipping of Obituary for Lee Roy Steele"],"component_level_isim":[2],"repository_ssim":["Alexandria Library"],"collection_ssim":["Alexandria Black Family Reunion Digital Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1301,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"date_range_isim":[2021],"otherfindaid_html_tesm":["\u003cp\u003e\n  \u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_243c42bf-a1a0-4bdd-977e-50715f27d5b6/\"\u003eClick to view digital image\u003c/a\u003e\n\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials"],"otherfindaid_tesim":["Click to view digital image"],"scopecontent_html_tesm":["\u003cp\u003eColor clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021\u003c/p\u003e"],"scopecontent_heading_ssm":["Description"],"scopecontent_tesim":["Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021"],"_nest_path_":"/components#16/components#67","timestamp":"2026-05-21T04:00:29.975Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vaallhs_repositories_2_resources_172","ead_ssi":"vaallhs_repositories_2_resources_172","_root_":"vaallhs_repositories_2_resources_172","_nest_parent_":"vaallhs_repositories_2_resources_172","ead_source_url_ssi":"data/oai/ALEX/repositories_2_resources_172.xml","aspace_url_ssi":"https://alexlibraryva.libraryhost.com/repositories/2/resources/172","title_ssm":["Alexandria Black Family Reunion Digital Collection"],"title_tesim":["Alexandria Black Family Reunion Digital Collection"],"unitdate_ssm":["Digital surrogates created in 2023","1937-2005, and undated"],"unitdate_inclusive_ssm":["1937-2005, and undated"],"unitdate_other_ssim":["Digital surrogates created in 2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["ABFR","/repositories/2/resources/172"],"text":["ABFR","/repositories/2/resources/172","Alexandria Black Family Reunion Digital Collection","African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs","African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)","This collection is open for research.","On April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online.","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Elrich W. Murphy Photograph Collection","Elrich W. Murphy Photograph Collection (MS415)","This collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.","Please note  that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. ","Digital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.","Color photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.","Color photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.","Color photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.","Color photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.","Color photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.","Digital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023","Black and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920","Black and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920","Black and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920","Black and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931","Black and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936","Black and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939","Black and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939","Black and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941","Black and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941","Black and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942","Black and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943","Black and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945","Black and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945","Black and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945","Black and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947","Black and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946","Black and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946","Black and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946","Black and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946","Black and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946","Black and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.","Black and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950","Black and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s","Black and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s","Black and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s","Black and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s","Black and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s","Black and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951","Black and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951","Reverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951","Black and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951","Black and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951","Black and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951","Black and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952","Black and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953","Black and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953","Reverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"","Black and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954","Black and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954","Black and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955","Black and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955","Black and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956","Black and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956","Black and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957","Black and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Reverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.","Black and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958","Black and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959","Black and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961","Black and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963","Page from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015","Black and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s","Black and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s","Black and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s","Black and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s","Black and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961","Black and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s","Black and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s","Black and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s","Black and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s","Black and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015","Black and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s","Black and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964","Black and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964","Digital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)","Black and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s","Color photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s","Black and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Same image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Coleman and Butler families.","Black and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated","Black and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated","Black and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s","Black and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated","Black and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated","Black and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated","A card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)","Color photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated","Color photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated","Color photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Black and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated","Black and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated","Black and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated","Reverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"","Color photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated","Color photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s","Black and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated","Black and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s","Reverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"","Black and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s","Reverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"","Black and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s","Black and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s","Clipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s","Black and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s","Black and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s","Digital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026 Roger from fat-Black Ace - Age 43\"","Same image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer","Clipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah","Black and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated","Color photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s","Color photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s","Black and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated","Black and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958","Black and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s","Color photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s","Color photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated","Black and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated","Color photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s","Black and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s","Black and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s","Reverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"","Black and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated","Reverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s","Color photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s","Black and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s","Color photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s","Color photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s","Color photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Black and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated","Black and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated","Cover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs","Back of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"","Black and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965","Reverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"","Black and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century","Digital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"","[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century","Charcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century","Charcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century","Hand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century","Black and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century","Hand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century","Photographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century","Black and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century","Black and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s","Black and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s","Black and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s","Digital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"63rd birthday June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"","Digital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Bernice Lee.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the Cross family","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026 John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Douglas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Frederick\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Paul, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of David\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations","Excerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023","Informational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021","Digital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.","Black and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957","Reverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957","Color photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985","Reverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895","Color photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s","Reverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated","Blurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated","Reverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.","Color photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959","Black and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated","Color photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.","Reverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964","Black and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s","Reverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.","Black and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s","Reverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s","Color photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990","Reverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990","Color photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984","Reverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984","Color photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984","Reverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984","Color photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984","Reverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984","Color photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987","Reverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987","Color photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983","Reverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983","Color photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.","Reverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003","Color photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated","Color photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated","Color photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995","Reverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995","Color photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997","Reverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997","Color photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005","Reverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005","Color photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984","Reverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984","Color photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006","Reverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006","Color photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated","Reverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated","Color photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated","Reverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated","Color photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000","Reverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000","Color photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999","Reverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999","Color photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005","Reverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"","Color photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated","Color photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005","Reverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005","Color photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000","Reverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000","Color photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008","Color photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008","Color photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated","Reverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated","Black and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated","Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021","Black and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated","Black and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959","Color photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated","Color photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated","Color photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated","Reverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977","Reverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977","Black and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated","Reverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated","Collage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated","Marriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Reverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Black and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946","Reverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946","Black and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952","Collage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated","Collage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated","Reverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated","Collage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated","Albert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated","Page from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated","Digital surrogates of photographs from the Colbert, Johnson, and Terrell Families.","Color photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated","Color photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated","Color photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated","Color photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated","Color photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated","Color photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970","Reverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970","Color photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]","Color photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated","Color photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated","Color photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011","Reverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011","Color photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated","Digital surrogates of photographs from the Zellars family","Digital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated","Digital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts","Black and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated","Reverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated","Black and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School","Reverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated","Black and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated","Black and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated","Black and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated","Black and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated","Black and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated","Black and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated","Black and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated","Black and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated","Black and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898","Reverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"","Color photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated","Black and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated","Black and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated","Black and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated","Reverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated","Black and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated","Reverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated","Black and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937","Manuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated","Reverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated","Black and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated","Black and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated","Black and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904","Reverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"","Black and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated","Newsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901","Reverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated","Typescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated","Black and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated","Color photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978","Reverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.","Black and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated","Reverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated","Black and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026 Jefferson Presidents (W\u0026J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026 Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922","Reverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026 Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922","Black and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated","Reverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated","Manuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated","Black and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated","Reverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated","Reverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.","Typescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated","Program for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026 Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976","Exhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated","An effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026 Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown","Digital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.","Color photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated","Black and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated","Color photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated","Black and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated","Black and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated","Color photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated","Color photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated","Color photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated","Color photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated","Digital surrogates of photographs from the Henry Family","Group photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated","Black and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated","Black and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated","Portrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated","Color photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021","Color photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated","Color photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated","Color photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated","Black and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957","Black and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s","Black and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated","Color photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated","Studio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated","Black and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated","Color photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated","Color photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated","Hand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated","Color photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987","Color photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated","Black and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated","Black and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)","Black and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated","Color photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated","Black and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated","Black and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated","Black and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated","Black and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated","Color photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated","Color photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.","Black and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated","Black and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated","Black and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated","Black and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated","Black and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated","Black and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated","Black and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated","Black and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941","Color photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday","Hand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated","Black and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated","Color photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020","Black and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated","A blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated","Color photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated","Color photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated","Color photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated","Black and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated","Black and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated","Black and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated","Black and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated","Color photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated","Color photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated","Color photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Color photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021","Color photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated","Black and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated","Black and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.","Black and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated","Black and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated","Color photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated","Portrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated","Black and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated","Black and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated","Black and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated","Black and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated","Black and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated","Black and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated","Memorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"","Digital surrogates of materials documenting the Willis family","Photocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968","Digital surrogates of family history materials documenting the Lyles and Dorsey families","Scrapbook documenting the history of the Lyles and Dorsey families. Scrapbook includes photographs, postcards, artwork, and ephemera dating from 1800 through 2015.","The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/","Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)","Bah, Char McCargo","English"],"unitid_tesim":["ABFR","/repositories/2/resources/172"],"normalized_title_ssm":["Alexandria Black Family Reunion Digital Collection"],"collection_title_tesim":["Alexandria Black Family Reunion Digital Collection"],"collection_ssim":["Alexandria Black Family Reunion Digital Collection"],"repository_ssm":["Alexandria Library"],"repository_ssim":["Alexandria Library"],"geogname_ssm":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"geogname_ssim":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"places_ssim":["African American neighborhoods -- Virginia -- Alexandria.","Alexandria (Va.) -- Social life and customs"],"access_terms_ssm":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"access_subjects_ssim":["African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)"],"access_subjects_ssm":["African Americans -- Virginia -- Alexandria.","Parker-Gray Schools (Alexandria, Va.)"],"has_online_content_ssim":["false"],"extent_ssm":["55 Gigabytes"],"extent_tesim":["55 Gigabytes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2023],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eOn April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["On April 29, 2023 Alexandria Library hosted the first Black Family Reunion at the Kate Waller Barrett Branch Library in Old Town Alexandria. The event aimed to bring neighborhoods together and help fill gaps in the documented history of Alexandria's African American community. As part of the event, families were invited to bring documents and images to be scanned by Library staff and added to the collections at the Local History / Special Collections Branch to be preserved as part of the city's historical record and made available to the public online."],"custodhist_html_tesm":["\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 2023\u003c/p\u003e","\u003cp\u003eDigital surrogates created in 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2023\u003c/p\u003e"],"custodhist_heading_ssm":["Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization","Digitization"],"custodhist_tesim":["Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital surrogates created in 2023","Digital 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image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d90ea6d-82d0-44c3-b932-ea2167e1e30b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48d89bfb-bc38-4a22-be63-29349c833b29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_68752d81-705e-43fb-b17b-ea6e9cb6f11e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37557d73-24e9-4d1f-9009-d012b0111d31/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b4931257-5040-43f4-82dc-67ae25bee2b5/\"\u003eClick to view digital materials in this 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image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceee5399-3ab5-4e89-8f1e-453ccad049ce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cc1893d-94fc-41a8-b8b5-2da55ab60c93/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebfaece9-d226-4e00-928a-9b65d70c2a18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1b3fa6a-be65-4376-b75a-03829b8d6ab1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0323c47-2db9-4de8-bd0f-3e3b9542fcaf/\"\u003eClick to view digital 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image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_642eae77-ab43-4ddd-a5bc-fc98616df3ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b0938e5-e403-435f-bffb-f3263c06963c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fdcbe71-f4dc-4e60-97c1-8f3796950c8d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b312a371-6dc8-4baa-8e7a-edcdcc876d81/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69c55019-8aec-40b9-8076-5d7a365fc567/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75e4358d-e01d-4aeb-a6e3-8f6646807454/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d1d2f18-3257-49ae-af5f-d46b6d6bda2c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_022d377e-9da2-49ab-b719-5ccdc77da5ca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_172ae3ac-e209-4de4-a502-ddd3138bca61/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9b780571-b68c-496e-be00-842deeed2e16/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f94be72a-0c87-40e0-945b-87e31ecaf2ae/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b01078a-2a3f-4597-bc80-2cb9d209dfbd/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbdeb4f2-9fde-40a4-8085-e89d24e34f21/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a9fdef7-88d8-4464-8982-62a9af979112/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8772d401-63f1-44f3-b491-62c3e1a9c09b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e535bfc3-f920-46eb-9429-3dff4106b6b5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51f2e05a-b39f-40ad-83e5-3c9fc0509e4c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28a47808-1075-4981-b699-0367768a5359/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc14579-057d-4caa-8b6f-07b9c94a17f5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02ecc697-6acf-4ef3-8f03-26255371aa86/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d108cf8e-2650-42b0-afc7-92631a6c4af1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0bdd7371-e933-4666-8346-a9b80e2dfefc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7d5e53f2-f2e8-40ef-a758-906ce6496c9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a2f9a91-982f-4ed5-8933-c69ee0d888ed/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bd79116f-04e3-4a80-8576-ad14bfaeb833/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92b93a54-3ce2-47f7-8580-4cb31d5d3770/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30bce1ba-2729-4462-beca-342f443e8a6b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54482529-6741-4e91-aa06-acf840d4cb95/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f994a29a-f80b-4ff0-ad65-acebd62e8bb4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e39c7d42-83da-4410-a75e-5866ce74c736/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d481a28-3692-4b36-a1aa-fd0c874e7e0a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_957a9a7e-7bba-49cb-95fd-0e27b68df045/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cf0006e6-e9b4-4f85-969c-3b6f0378056a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c8e5bb0-b787-47ad-9398-df8a88e627a7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f41c775-6838-4e82-a3af-fbae1fc97c2b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_05b9458f-e0a3-438f-b611-e38f6ed8641f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d88b215b-9618-48be-93f3-d3ba6f3b70d3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4e9c7a9-a84c-4662-bed2-9867195e85c9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13d4aeeb-716b-48a6-96cc-f25268735d5d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13fae6e5-15c9-45ce-867a-48321f9061b5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_017385d2-8edd-448a-90a1-d170b2414a64/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf72d6a0-ac3b-4dc0-9b24-a43ab3c73319/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66679b5c-8c60-4fb0-8a6e-6df8af5568f8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c12eeb90-3d37-471a-85db-e1f4a93a9f44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b9e41db-786a-441f-a006-f03e06a3471a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de0ba925-fa1d-46a6-aad7-c7f8abf440e4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bedf236-ed58-40bd-8f52-f7b1bc54527f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9a8def6-dc02-4e86-abf7-381ff634675c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df9da3db-8934-43f1-9493-8a05e8c9bfff/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55884eb4-4a3b-40a6-a5fd-07afe08a311e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c202ba5-6dee-4b17-a6a3-f8761da72340/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41964639-9b68-44b4-bb2d-8d61b530601a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2efa6737-71dc-434d-9323-c4489ea6ff02/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0450d61-4b56-4aab-b096-f0322cc0289d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de41bc35-80b8-48ae-adc4-12d02338c609/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36506903-6351-435d-b534-ee7773665268/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7ab1b0c0-0b8d-47a0-bb77-b992d0856eb3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5ba3f19-a42c-431b-bf66-01143f171197/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf83b6d6-088f-4b37-abf7-913c6c44cb95/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_924b2ada-e423-40c7-bf18-42471cc08d7e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8452a77d-2ab1-448f-81b1-5489a390eb29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6439519-bd4c-4029-8c6f-51056034f5a3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa7aea0c-4535-4d96-8a28-3ce0853b3f8e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_734fcf14-70cc-4247-aa3a-099b2229018d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63c75e33-e035-43ee-b2c8-4030196cf78e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_520a6aab-60d7-4d08-87f6-dfdac2e71a21/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c92c161-954e-4dc5-b079-f54db8194146/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b953935-9c9c-4edf-a973-04ba767a9734/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c9f9f32-bfc9-4b1e-82f0-26436b82da5c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfb524c1-d418-43ef-905b-66dcd762324a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35a3ace4-b58d-445e-bf88-1bfcbbd187cf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f848769a-9b0f-4af9-9bad-699be4b2a07f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cc383dfa-d974-4fb0-8f2d-d85dc5cbecf6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_837b485e-4554-496c-a9f5-25827d723676/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_73364230-d5fe-4ad6-af7b-a9a715441123/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae1053e4-9d35-4588-8511-02f0bd7eca0e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74694117-bcdb-4fca-8704-a1e30c202243/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0654f788-8aa8-48af-9ff2-cae1ff344f77/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f73f6c6b-a64c-4d3a-9370-da62952f2eac/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b85155c-e188-42bb-8486-f4d892d9d24b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f56c7a78-d3b0-4e55-a96d-48bfa5c87863/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae80df47-ca63-4ac5-abe0-b3f962296c64/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3d4e950-2870-42a2-9f85-511fa9c81736/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8ba4be9-4d0f-4a08-b137-ec7446e4da8c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5dd34f65-ee41-41d7-aa97-20a6e4c8b333/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a9a9928a-bfd8-491a-a443-58333666aba2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adfc9247-4f3c-41d2-b3e0-ae6456209e18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cfb0cc7-d333-4884-be9c-98f34c0eec22/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0853c72-e379-4094-b795-08ae6935ffa2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_61cec70c-4b59-4794-a2d4-ee762f437480/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_313fba56-1e1d-43a8-bed0-35d6dd5f21a0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b809f1c-7c0b-4655-b597-5ba807271eac/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5801e6bf-13a0-4407-b1d1-03925f0e6e29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86e1e05c-2370-4160-9670-a4456259476b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c82e191-0f4f-4727-9a5d-542be86f6320/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_628614fc-cc87-47e3-ba10-6a8e7f968849/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_117a9867-b6e4-4d37-a879-11156b3ae310/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b15544dc-616b-4607-9844-1a62df317bce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e1c92f8b-c91d-4237-ab52-c216d7b530d1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf5bd132-7cf6-468c-b6b4-dd8428ea91f2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7eb7bbb-402f-4ce3-9357-90b95a7750f3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16c917eb-563d-4582-9d15-ee3be1b8b728/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e29a392-80a4-4eb0-bc48-92001cbf52ae/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abafddea-27a0-4422-8faa-69007d38a994/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8150dc8-20b0-4ccc-a8a2-db5b893138c0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d39a215e-fe1c-4682-be66-a23e887be54a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_72026f1d-ae6e-461c-bf9f-c792e515b6cc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_016058d1-cf94-4218-abc3-379f6e4c1888/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_679db708-efef-45f2-8538-f2120ea65a94/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2010fadd-1a87-4afc-8b89-86c79551dd44/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b21ddfef-766e-4d91-983e-c2973dbb9bcb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c813ade-7efd-41fa-8d16-bfafc4c79697/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_968e4351-1fb3-42a2-9404-e1ef5d4627c9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7e2cc140-bdbc-4bf3-8839-67e1b9ad254d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bde38a5-7ac0-4463-a945-b77b7edb339d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e11eb55-bfb4-485f-93d5-737fedf05f94/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0bccb7db-5c4c-4c27-bef1-11f585e6936a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7fba85a-0dc4-40ae-a33b-f142ac7a0f53/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a98e113-4b64-4606-90b4-f8044541142a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_158dfbe6-5cd7-4197-b4bc-35a8cb90dd37/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfe4acbd-f0eb-4514-bc13-6812a7a8eb5d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da20f3e5-0348-4c77-b93a-6537d06d457f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b6c368d0-2eed-483f-8f62-302303dd40ba/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da7c4807-8212-4067-91e4-cc21c1bf3ea9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da87fc07-34a1-4575-8a9e-0876c221a2d4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1481cd39-f98e-4993-8104-fc6fa38bfd98/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_71a0c4c8-6705-47d4-9eca-3e63d8428481/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34c2641f-c3cd-4ac5-b43c-8f82f72e7534/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb2139c7-a110-4355-8e24-23384573decf/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7f820a08-ef39-45ca-9c28-082cb3fe0149/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37125564-c0bb-4672-89ac-bbf81d41c8b0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41be7351-cae5-46a0-8d2d-a3b6e98af1d4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8046b8da-f8c3-4dfd-a3f7-3883a74bf4ab/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7727a2d-cde1-4423-b0be-001374e8ac97/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6eeb08b-725f-4300-abb6-fbf9090d5933/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed044225-7c71-4c39-929e-4aed16160282/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d57e7a0-72fe-402b-8dd4-61d836568b3c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_705c3241-4965-47ce-8a6c-915127951d8a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69a73404-7110-4815-9edf-45ff8730863c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a179ac1-afc7-49fb-b6a5-482cfd4cc1ea/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4aa39d6-378d-43c5-9fe0-2182d35fef9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6b7bdeb-9fd9-495a-9950-45b47e197e37/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_657ae609-7893-4135-aa40-e275a6523822/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b1702e2e-188a-488e-bd8f-794f0a971777/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2d735af-7c01-42a6-8d60-8acd8d2c41b2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_676cb1b8-113b-4c21-9cb0-6bc7e93bfe17/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9568fb80-393f-46b8-9ce0-68c735e43db7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0fcb9e25-a7a7-4d29-a01a-c78f03d1cec5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cc379164-8011-47f8-bc07-c33eaf420e48/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adc08177-2bed-4987-9aec-aa930935d42c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fc1531e9-f68c-40d3-ad32-70512b4743b1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21f416f4-e2f0-4eb0-818d-7f8010220d47/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6ac47513-0d6c-42a8-b6fc-190c00865ba3/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e45980-644e-4f1b-a378-9dccca829db5/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc4c61b6-24e1-41c2-baa9-ed7ce580fbb8/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5bba5ce2-c01b-47ba-b027-1a917594b356/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a168b2c-e944-495f-b45f-e2697ead0368/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5881545-7f3b-49b2-9490-e063bb9b105d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_784d006f-53be-443e-bfd3-64d9d6586e6b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf128980-7dd8-4d19-bfa9-491c592e253d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9e56851-0a59-4e5b-95a8-325008140a2a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2bf7b3f-b922-4bad-b588-c4732e9cfb00/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adab8626-9287-40f1-a857-1a384e92bd3b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1686ec69-f59e-4807-8306-ebc174749a8d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a3375b6-5ec0-48ce-b6fe-f79c92fda8e9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d5223ec-1e65-4091-a4cf-267937a5a66c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a6b08cb-a2c5-4bb3-a43a-1723b12e6a66/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f54d886d-2378-47bc-b4fa-bcf3dfd84ff2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98803d93-5238-4d5c-aa40-b7ada69aa2f9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75312e98-4d80-4e90-a2d1-3a7f57f31dc7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c70a15ce-f0ce-4320-b05f-1e2e6d36a7b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21bf4561-5819-45dd-829d-014ed306d1cb/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_006b2806-81bf-4119-bf77-812f9f4de799/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ecf1755-34b8-4727-93cb-61aac75cab13/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80e4d423-786f-4c78-9fde-f9e5120b7f7b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92bf2ebb-f75d-42e9-a30f-1ff5bfa789fc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|67d82db7-02e1-4683-839e-5bea3cb8cb31/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cbc4448-70af-414d-be15-ab4f6a43a40e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5d8e9b5-42d8-49bf-9b70-46a80aedf310/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_44303a4e-b06f-47a0-b540-5c35d4a20edc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1dcf4ba7-27fb-4771-a5c2-710a88d9d3bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c2abb15-129f-482a-8085-82bd80e9bbc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1988d522-70ef-41e4-b8c2-422bcd59087d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff071f57-532c-4852-b484-a540d7ac955f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa81e30e-85af-4578-8454-bde611270668/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a83fb010-63ab-410a-af7d-d93823b1fa21/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b759ca70-c5f9-4da4-85a9-229d9c96d50c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4aa7e310-0987-411b-b257-69157bd54b2a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5069cc4b-c27c-47c0-9b6f-51cfa6e3e1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7187d523-1bd2-49c3-b6ff-2eacb0d41b61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba723cb2-34e7-4835-9c2e-c8b7a67e22a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c20328b9-c7b7-4fed-b18b-04ac9a73a0d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46a839ab-e695-4bb5-b9c5-530de93b9055/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2c8a34c-2d02-4ce6-a784-e13a33924490/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df9a8f8b-61df-4b10-a239-465257820ed6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_053bcabe-9b32-4de7-ba76-998d4db20449/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84479360-25c9-4b37-951a-c72abb39b688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23b3e8b2-77fa-4902-a979-082bc09e7a0b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88c1a04b-c1e0-410c-916b-94a69d358a28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba96b27a-e8c9-4b64-a8de-63b2a726eed7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff4b6dc8-821d-43fe-9ec0-7d5018e80e6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30d346be-f3c2-4e3b-9a2c-5beed892325d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab184dfa-30ee-44d7-97e1-0379406e17ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_77bb24b1-fd04-4782-bd5b-d4165fcd1cdd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75adff01-5031-4416-99f2-ae7d9d5ee939/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80f00f65-8305-4694-8f45-4a8cb5cbd976/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b32b61c3-fcc5-4d29-9b38-de1604438d94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2ee420c-c65f-43ce-89bb-50034511c762/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a05690ae-3431-435a-9bba-0021c0ef1f0c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b465ad24-2623-475b-bc0a-e1b5faaa1380/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d557999c-e55f-4331-b55d-81f11b7051a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b08e36fc-ffcc-43b5-96cd-087b35f9da4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36b3c542-7fe8-42ae-8d3f-c5a7f61179bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c00f23a1-afe6-4368-87d6-9d3272c0410a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d634ecaa-c809-4dd8-87b2-7720b88e65d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a413cc6a-1e8c-4f53-a8c5-cda714b2a32f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e055c81f-5967-4f44-8e66-82e446fc6229/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88784db0-ba08-4da3-9ee3-710b90b13b13/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c41aafc-712f-45ef-8c94-57897dcd379e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40eb0afe-e6e2-4bb3-ba5f-73e77fb7b27d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_59b12147-aeb5-4102-9279-d0ca17c28405/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe8ca88f-c92b-473e-ad00-d698efd6fa98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba17f16d-0890-4274-abdd-415c54bd29ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6010ee1-2bc1-4278-b0dd-df20c65a7e69/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99fc7629-ccda-4a93-8786-f3d456c1777d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9080709a-f3e8-4bda-9ce2-3ab09d647ac9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88343032-ed8c-482e-8360-ab54c51b11f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4321a1a-1c9c-4b6b-bb3d-e37b965d718c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70109b86-b561-4292-9048-ce51bc48f966/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31d5ec90-e448-4d4f-acdb-f4dc15fd96db/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e29e47cb-a03a-4eac-9267-c08a59e0bf30/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0363b418-daf3-4c35-91f5-fd3a9911bf83/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fdabac2b-486a-41ee-9ac3-fa99f52c00d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7f53759-f1ba-4d92-af07-12d71b62b0ae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82a8ffab-c440-4652-ac0d-d39e2f91d034/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b8cffbd7-dc01-402a-bd88-b46d61b46701/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_030b08a0-1ad8-40b7-8930-94d274f178dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b66e309a-0949-45a0-881b-d0c50a99b4df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfd68017-c76e-423e-b525-3ea8b2ad1c31/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f871bf8a-2a42-4607-8cac-d194e02e8435/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4826248b-d397-4640-8919-22203fb46423/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a552a53e-47ae-4ac6-9cea-df9a9abffcb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_38842879-b237-434e-98af-60188555d30c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b8172c9-5967-4be4-952b-ac4d373d6c72/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2339217-a580-4877-8eb1-ca9f669c40b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce50cf09-78bc-431a-a1a1-4cd72274bbc3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f5ec2229-7303-4e12-a763-0faef1561353/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_646348bd-3b26-4d10-b14a-087b069f8945/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3686d517-4594-4b92-9815-43837bd6fcdc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd0ed4b1-bd8d-4a98-b447-2615a0446855/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_422c0550-581d-42b5-9788-63126401b238/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_67f2b7bf-cf73-4194-a0fd-213c7c98f9e7/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42c9a0ce-e41e-4994-993f-11cc1356078c/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8d53ead-77fa-4bfc-ad57-e1758b5d8b18/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_732a09e7-e0ce-4860-995e-b436b1ee97a9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0bff3d7-7afb-43be-8474-3bac98e98309/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1318ba31-0296-44e4-a97b-919647a7ce72/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8141b0da-b80c-4e7f-b597-2122da7e0d77/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c837f4b-4769-415c-96f7-9222d84895ce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8edef862-7e0f-47e9-b26b-ce6b7cd39226/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d85b9585-248d-40b3-afe4-9868d04b66a0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_01124f1a-6098-407b-8b08-b09d010ad16d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab25c634-594b-40e6-a425-679077c95f26/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f231935-e1c0-48fd-80f0-4ff715c687bc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce25efdc-2794-40ca-ab5f-d61e45959bb6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df07ed7f-6c4b-4596-9ee1-a727712dad10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3fd9aff8-8cd1-48fd-bcd4-b9db3907a325/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ee41bc6c-87a5-4efe-b1ad-715fb4d3c82a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42f484f3-dc65-43cb-bfea-54fd7602bf10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fcf9d200-8ace-4d8e-b73e-2c1590d7c78d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7401927b-8c9b-4eb1-9288-104d226abbc4/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2395c522-f2d8-4ab7-bc0a-26aaed71fe38/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ee70ef3-0962-4d99-a9c0-b9e5c7baba29/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e0d10c8-c830-4cdb-ba9b-cff310b78dce/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_45da4993-fc8d-4fdb-8a68-b7c91b67d9c1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abab20f8-c0f5-49d2-86b2-53f59fcddadc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7dbbe576-7e95-43df-8007-3c48dd8cf958/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a20e5aa2-57c6-48a8-9939-9d3769d44cce/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d7a5f69d-78bb-46dc-aae5-cdc7f0f87b13/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c09dce14-6394-4d48-b633-7cec5d058579/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40ec5f94-8741-4e16-bd04-ab716f8b25a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_292692b8-9df2-428a-aa16-51b25efc4147/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b03153c-df5b-43de-8b6a-a86f6d494d4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56bbb2f7-3c34-4605-ae12-efd02d9a5bb4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7573ccfa-9421-4c5d-b9a8-ab5ed7d749de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5accb991-5808-497b-8a48-a0b76235dba7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c256a19f-e8d0-4a50-af04-1f41a6720fe9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0fd351d2-d5df-464b-a307-91279f1d1f28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a9846af1-b82d-4aae-a5d7-bad07a1d17b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52730779-4afe-42c0-b65c-bf748894518a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a32890ef-3ee5-494c-85e3-ad6e767fe6be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_830b2147-6271-4c4e-a3a4-19a3cd277856/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2aaef33d-7479-4b9b-b70a-a17e10d193a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a675e80f-0606-407e-bf59-c3a06c3cda2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d69310ad-35b7-4dbc-8f5f-71590daaa017/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb86d955-4ade-4b9b-ba91-b8c81329d9cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_145221a4-0bcc-401c-83a3-3e8ed9c43712/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4279f74b-d72c-4571-97bd-d4c693c5a8b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0a881b02-34b6-4ec6-b86a-af1dbb8d50f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6202d8b5-ce88-4151-8f9c-5d88cf3c539a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c413811c-7304-4cbf-bce1-6379328652d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b971de3-b2b2-46da-bc21-2e630aa2e138/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1717bfde-cac8-4efd-a68e-d5336a677822/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b21e803-ebf4-4156-9df9-37f814acee94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_294cb9b2-389b-4055-98f2-113b8b9d8687/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d0c9b6bd-c4a9-43b7-b7a2-ab61ed1d0330/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b734537-0d04-4985-8aec-660c5f38153d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a975f81-7da8-412a-9123-0c77a41e0514/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d7e87b9c-bcf1-4c64-976a-20c66a963f72/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9414b129-747d-4979-aa05-2d42eefdee4d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b993edf-dc57-4133-b78d-f8bff7a69d9e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0f4221d-d1f1-4a5b-ac76-e34d51b42fb2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27c7c85c-0e11-413f-a813-93ab631824b2/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c9cae216-ab83-4e31-bc26-e06287ab14b0/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6f1b1261-8cf7-4eee-ae20-7b0ffff162f1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e193c873-0436-48e5-9992-863f7bd90eb6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dcf6ce16-1a60-4840-acf8-60ed9ac9648e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab995430-b4a5-4065-82f0-89a4ff3a4aed/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90a108f6-71e3-4eea-a1dc-8c93ce19e19d/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4e183e8-7c37-4c7d-9d4a-041b16424581/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ab09594-b990-42ae-be04-c31931b9530a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acb68b81-0f33-4741-8c0f-dbbe4078f1b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43bcc337-9207-4941-ba16-a1bd9c7d9aca/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3aad05ec-fc11-4db9-a760-110761056512/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fa3c4a3-3c52-4fec-b0d6-dc5034b366b9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c16a51fc-0be2-4011-b7d1-a13218bce3a6/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_928abf40-7aea-4912-8060-8def48ad0016/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f35552a6-279d-4d37-916b-d0274adbe40f/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_072dd151-35c6-4f13-91e6-0c41019c6ccc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2f94ece-73df-43ad-ab19-c957423e54fc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_625c6fa6-26c0-4cb1-84b0-a7ee4a2cbc23/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe5c8a0b-e795-4823-9a24-521782372c10/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c379bb0-6df0-4062-a15f-b25c29263741/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9686a022-304c-496c-a18d-c384faa8679e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_015461ac-7f8e-47a8-9e1d-719e61f00b80/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5d10d40-5bae-4bc8-b015-4195bc22e501/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_284e5d69-0d8e-4ab6-886c-61bafd23f8d1/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ac8e0caa-2cfc-4b37-8319-06690da9c7bc/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fbcc564e-11fb-4098-be1e-40b77025fd4a/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_477b82b3-2faf-47ad-ac6a-694ae9b3689e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32b7f6c8-a7cf-47b4-a131-4a4647513dbd/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a64d6373-2b2b-4b7f-a402-010d6429db1e/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbe217c3-7f07-4456-ad38-6812c655cfda/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0bc243e-9556-4ba0-9361-dc792fc2dd65/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80e89a1d-6ccf-4551-a6c5-62dc995911d9/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37b70470-aa70-4025-b5d3-1d61f690fa9b/\"\u003eClick to view digital image.\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|00a7ad2b-c7e2-46e7-af82-3cfd96bd51e9/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e2e5ec8-e58b-4816-8b12-e689a4afce6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4b79d6e3-8d34-4d49-900e-08fe3b5f163b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f4ef13d-5cba-43ae-a368-e0ab887c8b62/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5727e2d-f4df-4138-bfb7-e20a71f37a50/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d07ce7eb-c78d-44be-bd62-340e4f3dd8ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a2e5461-66d8-4a2a-b6ac-870fc4383063/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f6dc7b2-e38e-4ae1-b193-4e22e2f01dae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d6d2c57-2769-4c37-b75e-a7fb165238b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7b54fe3-d9b3-4693-86b2-d98ad1653f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_099060b2-4772-4e71-84da-75e453ef98cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4cc22396-157a-4d54-bf28-bf19f466175e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b126a10a-b8fe-4818-bf9f-1e463bedfe86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce5e65dd-b155-43a5-9d60-90a7f7ae43f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_040928c2-1401-4731-a389-cde22495c515/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56080cc0-bbf7-428c-bb71-2dfb8da3a380/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f61fa4ed-f28c-4c57-9ac2-339b5507c503/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41f5d11d-bc41-4889-8499-52296cabd306/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_009bad6d-6d40-44d9-91dc-0e14b394030d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e892ed7-99e5-4937-8424-ee95d4ecf5d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d82371d-e5e7-4cb4-ab9c-1f1a8af078ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7d1caa2f-0f83-43f3-94ee-cf1c7e03e944/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c150442-70b1-4d6d-a787-2ebc2b02a99c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eac7e3c0-7cea-40b9-b812-fb9cf74e61cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62eefb47-d782-4e62-b803-09a3554a2e4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ee173676-0523-4975-827d-aea69d77b9aa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_13866ffc-6c61-469a-aa79-903d5c3a0b26/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_457b2c15-2902-495d-815f-4c6c1b3f8dbb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bc23e61f-6d1b-4203-a191-2180e027d2ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d30ba834-f1d3-4b92-8a47-2e9abd774d14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c498278-c4c5-489e-ac1e-e9395a129898/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02a1809a-ded1-4e9d-aac6-aad343f5631a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d835bba0-ef40-4e78-aba0-7a65ed2e871e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2bc7579-13ec-42d3-9823-a579fab5a2fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_259df91e-8ea4-477f-bfe4-4735e38401da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0efa2281-6cdd-4057-a9a3-fc08104aa3a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bf8f00f-d2e6-4dd9-ad6f-7d99c347f846/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8228293-50e0-430c-a880-897372fcfce8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d3cc147-9dd5-4ba8-9104-95496e64d23a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c30878f-4051-4380-8a71-710fb3c5d372/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df0cf7bd-ddfa-4c7d-9316-80379dbe835d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2f5bc17c-5424-4124-bc5c-280c422f4abd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e335fdf-0b03-49da-9a56-c7e60d9d1ce7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_968105d7-710d-474b-b91d-f570c0ceb701/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33b5d21d-9c49-4295-af73-8ca13260c67e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31e4c9ff-8f70-421f-9599-8c1607cdc77b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ad87ef1-d864-481a-a291-efd17efa381f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0741f343-4f6a-4e62-9d64-6cccb8fda91e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07a07b59-9b63-4fe4-ae2f-5eba7eae36df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_191c8ae5-3abb-4234-9f0a-cdcfefa7a5b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba4f147c-4145-4515-b6ee-d492cd2b5fcf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca1e1d04-1948-48a7-8792-4da5042e4676/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16e5cdba-658a-4a0c-9659-827e6e77943f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c294b6b6-8d7f-476e-bb8e-5d30cbac8b84/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58b00098-5b73-4edb-8000-a03e98df8572/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4fb941b3-b923-4baf-b55f-3028250da4d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1103de8c-a394-463c-baf2-5fecebba9a40/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef778b98-a7be-4b2c-a0ed-7a69a607c9a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23a527e6-df3f-490d-929c-c5cfc09cdfe8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36049a8f-2158-498b-b13b-6b58a21febca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3707b344-ed7b-488d-9c68-59aabcae6664/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_773c9027-a602-4e7d-af04-5effaca91af9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3bb6d09-0ae3-458b-a571-1e7d2664b6ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5798ec93-9363-4dce-9e41-6f161a0339d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5a9c3127-ca57-460d-841f-fa9b0a8df882/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2a28b43-e451-4519-a726-a66e5342e0a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_243b92b4-a71c-4f51-afcf-0bfc84647035/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ae63e93-b77e-4386-848e-a39da9e6083e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c97e35d1-2707-4b83-a07e-cb225458e2e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74944b75-003c-48ec-becc-5ad5e8115e33/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfc140cb-fd1b-4735-a9a1-2a67729c5de9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2b779bb-201e-4244-9123-68fa154f3869/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abadc236-d410-4f5f-b107-59aa9278581d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86cb2f63-99ee-4043-acaa-d338cdea9094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ec5e354d-3a3e-4313-aec6-7de28746652c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d10a40c-afa7-4d45-a775-6c92bdd566d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f058c246-0853-4b3f-bbd1-425279ffb783/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7d75aa7-e14a-4945-b581-27c034fcc01b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6d170c9-6f85-4612-a5f9-fe569ea0c82b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0704e0-cf8e-43c2-b7c5-b1d1e112afcd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e101ce6b-b22e-4da7-860b-53d5d080d8ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fee69ea5-9bd9-4088-932e-09f76b7bc64a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_627d8959-735c-453a-b5d2-026038a871b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da6b40c7-7628-44b8-b55f-6fe24a7042cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f57a01c-6e88-4a15-b9fd-e1e5573f81b7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff44f360-2ef6-4a22-aee6-b457bced2b93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f159467-6b01-4724-898e-51d1082f7f27/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bd613f1-5a48-402c-a8da-9e649c10feb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7979ed00-d894-48a1-a930-40a649a35463/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_08891c73-fb6d-4342-ae77-a39641bba92c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8734808c-234d-40ba-a21a-828b906048f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbc86540-56a4-4c2f-8a9f-e6c13ec33b50/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5965be0b-21bd-446d-8e85-8d89ae6cbe19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f6d3c48a-ec6f-480d-88eb-d45c7a24b157/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27ff28db-3fa8-42e1-b3b4-93f80869dca1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0f11076-4a82-4164-97e6-72abfb4dceb5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f13c7954-4f29-4d3f-98db-1a25da5f27be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9947e0da-c57d-4dfc-ae49-ec4096079f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9f0a0d0-0ecd-46cb-aa48-c8dde56596a9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d90d63e1-2cb7-431d-9592-0fe94334591a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a7a1b4b-5259-4bc1-81f0-caeb4f3401a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bbdc703-274b-4ea0-b671-75729aa66146/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|bf4145bf-707c-4605-9efa-1a31e9318e33/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9384fb0c-c4be-4e79-9ba1-4f7420a789da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2df55971-5bfe-4874-bd79-73c185d08759/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10fae886-8834-42a9-9144-172e8ffd9f02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9e8d344b-d9f9-42bb-ae92-647c4f53271e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8bcdcf7-ddac-4b98-ac7e-5017f555beef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92df835e-ae7f-4fe0-ba4d-dd83a3fdc6f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c6abe91-421a-4a7a-949e-bdf2e36900bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe2e845e-1ddd-4f4d-8ef8-446157b2864b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d336fbd-50e0-493a-b40a-d8c8f206cf38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37acdc12-4a4c-437d-9d81-0a9358a453c0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc59f01b-4b2b-42ae-8fd6-69b9c60ca849/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de8090c0-05fc-4597-9ae3-5e5201e9c1ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3eb2cf9e-6fef-4b9c-8235-421631be316c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ec02e7f-2e7d-43d9-925f-85f634fc7de9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb99409a-0672-45f9-aa68-34986843cadf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5769941e-6b09-4192-bb4d-9e75113d6f1a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf872b03-edb1-4df6-966b-607bb86afb09/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|56877592-f84c-4e47-b25b-f642591badba/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_677229a7-bd4b-40da-9894-ee84102dd3f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea30305-89bd-4372-a53b-855930350748/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da11f60c-b4ea-4862-b00e-f25fd6f922b2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a32b834d-9bc8-4dba-824a-b77ad71dbfe8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e28774-baa0-4df1-af72-01182552f929/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a81c76cc-5832-4265-8b50-5ae50dd9b750/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fc358f5-4968-4bb7-96fc-f9cfc99f9f14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5ab8c8d-399b-4f43-a7c5-91696476bd00/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a1a72a0-0766-4a48-92ec-f0fc176e1ebc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99ccadb9-dc1b-4623-831a-6239e0f8d6d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_184c8807-8336-452d-b170-c5ee9af511a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70083a63-1e53-4a6f-9924-1daee370540d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_812a87ac-e5c0-40bd-94a8-26703f6cb6e5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd136f38-af17-4f3d-99e6-0a74f4ed9ec0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f21d023-8902-453e-96dc-8d5650b61293/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a54d2790-c7ae-4c22-9f82-958f144821dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f59bc8cb-6c0c-488d-85ac-27d744113fd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f51371b4-1996-4e31-bdcd-cffae63c78ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aca57c51-a409-4d1c-a942-5f71140787ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_210b4b5a-dfe9-4576-9a06-dafd58ee172f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75879129-abf5-4334-b1d7-48a1b9ad152b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20321576-095d-43f4-83c8-bded2ea79c30/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c328372e-4c77-4248-ad28-b1b6cba970f8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_78996d05-755a-4b3b-a1e9-b44eb5ea88f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ccabb71-84aa-42fc-8f17-9c9003b99766/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f5e7de6-2ce8-47b9-85a8-33ba0703d928/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3872745f-82ac-42f2-abc6-8e252210f2d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db91e735-a4ab-44fa-b10c-fbd249525420/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3b1dbfc-fb2f-4ff6-8423-01e698413aad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32a64070-c0fa-4180-8470-7d95d4607e64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55ab5984-b994-4e13-86c5-731530029dd0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f42c1260-a6f6-4de1-81f4-3199bfded21b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_285e8487-6e26-4a70-a474-a4b99b9c2626/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4f8af36-e296-4f81-9b75-fe3b64589b53/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a830c85-e490-457b-b48a-339b8bc31c66/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75eb3e38-718d-494f-8fe2-ef780493e728/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad2fa55b-c24e-40fe-acd4-86bf2d396099/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_715f53c1-ca7e-485a-96a7-4571b76faca3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b75814a-b3ea-4888-b1b9-83cb0e001da1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_23d8beba-a284-40f4-ba50-af5d515fe841/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41bc07b1-dd85-4de7-95b3-87cd882839b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f3f1e47b-c660-4f33-a6a0-6057905c0642/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a65ee00-38cc-4696-8624-3e05dee03bce/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f05eede2-ce76-43cd-99a5-bdc3dd30620b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_329d1c81-f0b8-44c7-ae63-7cbbc7a04010/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a55c9423-cb30-4b2a-a8ca-10b634c7e094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_302452e8-ae7f-4843-bbdd-39f825ab321c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8597f22d-1317-43a5-931b-e5dcb1c3c509/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a709394c-a022-4cf7-8cc7-27fb663b871f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f744a99-50dd-4915-821f-ba11f0b4772c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4afbe7a9-0935-40db-b021-d881a6ea1a00/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70620f7f-8029-4bd0-ae23-f4a60bcb319e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42c065de-0b73-49b8-8623-990b8c604518/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f51663f7-952b-4d0c-aada-188a5489755a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19812d00-1475-4133-9080-075b3fea2190/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_735bda97-e1c1-40e0-9a73-de295f0f9a1b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2bf780f2-c2ea-41a0-9984-18f9cc077144/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29063d19-d2e7-4551-94ee-2af9c574c688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eeb2c552-3485-4d4c-b51d-2cec0f9e2fa8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1720c00-e8e1-406a-a751-ab8f75293f35/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad6efa65-4b84-42ac-8320-dd48d50002c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0136386-9f8d-4153-a243-13770aba5a2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9962a73-37d3-40dd-8b5c-60a6feefd354/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20a680a8-d817-463a-a331-4ed6b844d19d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c54565f8-9dac-4766-8d93-ff6314ad64c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7cd6e8f5-0418-43f1-b6cd-5dc12964a143/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_307a79a0-45ed-45ec-bafb-f44c5d715fd3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d1317f5-1a8c-414d-b138-fa7cd0adc37e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55034444-0b2b-4135-a7b0-fdf401fef290/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f79532f-a0ec-4493-94cb-d204708fee5b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43a234ed-c3dc-4acd-9e2b-8297d2f78d41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28c22b69-ac89-45e3-a996-24ed938b2292/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39be2d57-705c-4351-b46d-85a1d40083a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_232441f7-d094-4768-aa7f-3f37c68e2c63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af37b5cf-8c0f-42fd-9cff-6558242e868d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcba2bbf-4803-4341-8e1d-227ae4746f73/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64f391dd-841f-46fb-b583-304cae4cd38d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e25bef9-3f41-4341-8377-0d073162ef75/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c928a355-4b79-4647-9bb8-398b0bba3143/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_17ddc8c4-ccb7-423b-9c7d-cd0673b55b42/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c5767ae2-7541-41a9-94b6-ef3c907d375b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_29288814-fcfd-4235-81fb-d09efbbc8333/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_922890db-b903-41d7-b137-bfbc8ca78ea5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b37cc24-7444-4880-a05d-b4548c4cda98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d989f88-8ae1-466c-83e9-6b6ce3e6863a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_abe4b18c-37de-4f2f-abdd-cc09d03a064c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e029d60-32a1-4a73-8e10-fd87eb4fd43f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40404eb1-a947-4a1e-a970-64be70e2fe8a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8afb0eb0-d8c3-4518-afb9-3fa33decffbc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_211b16ed-9c16-4956-8600-71d4f80d01e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_245cc15c-34b2-4504-867d-6acae403de9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_596c93b9-2862-4d5d-bddf-3fb41c8a7a78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7360c786-9675-4fc6-8eb9-0c9262bd4c83/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28a6792a-00a7-46f9-b8cd-275653a856a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3053b52-10d0-45d9-8ae3-ab0c73e9ab56/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99889266-1da6-41fa-9edb-fb79e70d39e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b0e6b75-4617-41c7-a6bf-b69852dc2f9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33e2cdac-16ed-4bfc-a99c-0e61de277963/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_05d47637-e69c-469e-838e-1460bf66756c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a756e6a-94ad-4f23-bbd8-b7d46036ec19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d010a9a-1c5a-4fb8-96ba-61926efd10a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b8cb58f3-a25c-4e0f-80a0-f4bacf951137/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81719572-a18c-4d84-a321-f171e19c152d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e3f8d15-989f-4606-88f0-1321cbc4061b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d7a2a82-5ab0-4743-a210-4feb21b634c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34ae275e-b0c3-46d6-948c-b126a9266889/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba01cb04-7d05-4f54-9eec-9c850064d7d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_818265ab-61d4-4a19-88e8-d77b24e37d2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eca127da-75f4-4615-9264-a6985f8bd5b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2065051c-8345-4fcd-b22a-2d2714149832/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ae719ca-4717-47d2-aee3-511226a60c74/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c0bd8a73-6f40-4d01-abea-a57718e53961/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4c373d3-67a3-42b3-b6d5-185d472e3197/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db76b258-ac9b-48af-89c5-72a73cb08e86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cade6e7e-2d76-4d95-a7b0-570c4a1fa7ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ab208ff7-aec6-4d7e-8981-f0675eca0a6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_55706745-be66-40f4-98af-de4ad903c4ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a2f1100-b3eb-40a5-a979-fe85b7897865/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99202f56-02cf-4301-901c-2208e6d8037c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe91169a-c984-49ac-a10e-320586a16f74/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3f8c2d04-d401-4169-95c0-6ebbf7007e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_27edf33d-3e3c-4112-83df-be1d34590049/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6045f26-33f9-4f61-be1f-bbe59ef5eec4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eafa0aae-0e25-46b7-aa73-0d56f4498218/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_786c66b4-6f7c-44e2-b2dd-e078be90357d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e7f9a0a0-e9d9-40a1-81ec-977cb6cd6ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8cfd716a-2711-4b91-92dc-d07bc29d7f09/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48c0a6f1-d3c9-4b92-bfb8-6a948b8599ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12989edf-5b28-41dc-99e9-49f349f23173/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2106d09e-d223-4bce-a9a3-085522201622/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ab5dadd-25d8-4e2d-be6a-255dc3cadcf1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_59f1029d-b156-4066-85c4-46032e243ee2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a33e9cb3-cd00-4e0d-b930-bea188ef0ad6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2850bebf-66fa-4c94-8cdf-24c4c1fa66ad/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db3ba9ed-4875-4eda-a73e-e18271161cf4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c7ca074-2f8d-4670-94bb-b3893bc9edcb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_440a7bd7-fd0a-42fa-a98e-a86a57338699/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_18f4d8af-ef6a-4dcd-a0b1-29ce8442b901/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7fe49239-5d15-470c-b462-1a747f20f640/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb06f795-ee8a-4910-889f-4148d8a50c92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4599fe4d-fad5-42f4-b8df-935315813b07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58a073c6-e63c-4ac1-a897-7ad0c3185eed/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6a74ace-d71d-41fa-9102-ab21cf161bf7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cd2b56b-dc4b-45dd-8209-217ce3307935/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e8b1d94-8f7d-4ec7-973b-5a2ccaa8c086/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7eb10b9-a80a-4ef1-89c0-c7fe12ead6c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f66b0e7d-d968-4b77-8b82-0e2907d97780/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_673451d9-67f2-4141-9dbb-153e98110855/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52a793ab-35cc-4ebb-9164-e657e0e49f23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_321caeeb-4acc-4b6b-a3f5-2415f1d28e98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ffb6ff78-4220-4df1-b697-26743f89ff4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42aa6e02-6c3d-48ba-bef1-bb113070ffba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c537f15-3f5b-4db7-bd80-e8d6a9e03a14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41dd8557-8d0a-480a-9b6d-0706b30c372f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24d440c4-3bd7-41a3-8814-0471d23e1782/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b2366cd4-308a-49e4-93ca-f8ddeecc550c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c47ec32d-5806-4e9e-a000-10df31da323b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9d0d832-2775-4122-8e66-de3d9d35ac2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0e5d47-3b2a-4074-b292-5bd7a147c84f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5da24ec8-bc95-454f-bd35-5a5a7d9a3fc8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_addcaa82-ddf2-4f50-9921-442935a62c36/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a38873c-72ab-4d8d-b794-bb3e54db111b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_48e1f43b-acc6-47c6-9052-04f687312803/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82099ff5-e309-4bf2-8013-28048f3c38c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7423a355-613f-4fb7-912d-adbc8f776fbc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86881bab-5199-40a8-b77c-f2ff8b51c403/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2336e11c-a175-4854-ae58-68bd2fe79cf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d2490fe-24d5-4ba4-a8c1-ba82f5960b23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6222e195-16b8-4144-b6f4-385b526f17c7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a85f394-5fd8-4480-bca1-b414df5f87a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46362f44-e972-4c4a-95db-ba88f8c9cd3a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19647d49-3ab9-4d3d-a4ec-c92fa4898efa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9cdfaa1-8455-47e8-8d88-1f0e3b4f68f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93ae60fb-c5de-42c6-8332-49820ee5a6ff/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3dc62b1d-c158-4257-a562-49b416d9c811/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_accfbf4e-c8f1-488a-aa97-bda63c4d5e4d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c8d36151-0650-413c-b9f8-0a11fa01fe9d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_359e170a-906f-4523-9317-ecfca0c83a77/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a90e765-089c-4b9d-8d65-58a91fca960d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c7e76ff7-8999-40e9-8aad-3a1373061238/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1a0806e-83d9-4c2a-94cb-e3f3f8fc264b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f49ad18-602f-45da-875a-739976df421b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1ff864d-7c91-4c8d-93dc-b964aebb8e51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_009ed36d-606f-402c-bdde-fb88b343dece/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ca77f0b-f716-4633-bdea-5f7bbed9a3e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f6d97614-7bb5-4450-ae30-c0c75b4d1d41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_993b8f7e-ad30-4e54-b1b4-d8136e104e38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3ea67bf-d116-45a3-8a54-1cd40b593557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_586a7947-acd8-45c6-b034-124f0dc98177/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c88fb81b-0fcd-4a74-8b4b-97d933175993/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aada6363-5ec1-45da-b2fc-c4c28384ab6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_65e4ac2b-db4b-4214-bde6-8465fa8224f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_493302a8-9af4-4113-8c5d-a9ce99258873/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_57f52f59-5d62-45b2-8e9d-79e76c7ec116/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e514bb75-6fc5-444c-bc38-f0818e51b386/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ec4cc43-4345-4c1f-b335-05f67ce720c6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84062981-ffaf-4bfa-bde4-acd3c27722a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a55ec37d-121e-451f-8a62-f5334194c88b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3945086-6884-4fc2-aa75-494718091d5f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0eb7ba83-478e-4583-87f9-09ad6e4e53cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_247bf74d-e3d7-4933-8d2f-aac95d0a52d9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64f8314d-0dcd-40b4-bafa-7b72aee123fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed32b4a2-b61c-4113-ae9f-69a0e98b8967/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_732d7ffc-2dab-4cff-a09a-71a0725fe66f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8d739b7-3b4b-44d7-a36b-549016fad636/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_33acd59a-e4f6-4cdc-af9d-58578bac39ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ae687c8-a462-488b-b8ac-ae19d7fea781/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a048cdf-286b-4378-bf17-320abb29a6e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a76db1a4-6061-4a12-b62f-88c49b3724b4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_76794d1c-9e58-473c-a636-27a98b315e9d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9fc41d57-a86c-4ba1-9f88-687b80c5fcb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6aa93b04-b714-4d8e-87ea-541e0726ffa5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3757b443-6540-447c-a293-19a8115b6a3e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_418fce7e-438f-4801-aade-bb45a1168074/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f86cc671-d8f0-4f57-8a61-fc3128ca47b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a5f419b-e592-4628-9d45-7202669cbd85/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a277a23-39ca-42e6-9ac1-2f9c8932679b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e64409c5-894a-4b18-bab9-5e71319fed6c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4df5f3cc-3abe-4dde-b633-c3c90b86ca7b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f97e4d5-a6a1-43a2-96fe-94e43a646450/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_373c377e-1715-4ec7-89c9-523a6c336a9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99cc4243-da2f-48c2-9531-07a9af9862ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb46e902-ad81-4c31-88ae-5e7c7607ff46/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_819b8e60-d4db-49d2-9988-ca98178032b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1325da84-5f82-48cc-9a74-beae8cd86cc9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b39d2cc-bd8b-4160-b524-f697378e84f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ded5cfd0-7d0c-45bd-b6fd-46b700d97a11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_238447e9-3d9d-49c7-bef1-eaf205520f64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d730d774-c3af-4d31-9ce1-57d4d1b77524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74920d0f-c472-48fb-bed8-71fbb54db5d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de16d306-8eeb-4fc9-9715-162e5cbf0ace/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6161f48b-ded5-47c3-8d57-c794861d1e7e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54d32abc-abd1-4377-86e1-4500c065c1ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c6a5536-3bc6-449d-98be-0ba5564751db/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32305076-9c4a-4468-bfe4-cf9d7c02f089/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5e49b01e-3a33-4b4f-b3a2-230d68728c51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_666d04d6-fcbf-4035-b6ca-32e2dd88c629/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_925b1f98-b051-4397-9678-2c5e3ee1382d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5f19628-e8f6-4d51-85d0-2a843cc9dc92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d1ed757-f151-4140-8832-ef95a41a71bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d438cb21-d828-4800-aa6d-db4b252e8007/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_774c1885-887b-457b-912e-0e5ded18c9c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d7265eac-1538-40c6-bd40-b3beb775c86b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c564ccb0-cbf5-426d-baa8-fed87e60b1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9cd9cdc-f365-429a-a24a-f786047cc263/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f294b71f-61bf-4191-8521-28406dd47f11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3cbb0a3d-b7b8-4cc0-b0d0-64acbb1eedd8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_772871cc-6b4a-4c47-a273-897286af6985/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_25a8498c-8a74-43a2-b6f0-120a9f8b5ada/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db503770-5327-41a8-a796-f0f31acf8812/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f0ac851-6329-4201-9a47-9504394539f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35dd2f54-be25-430a-b5a3-3ade124edc57/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a63ac3c1-1a2c-42e6-a3e0-6e90dbeef0d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f37d547-907f-469c-8d89-a534b4b73bfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4099510-e107-4218-a905-d0769fa28268/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0942e31c-41f5-4062-9667-f42d385f2ccc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9f71df1-decf-4f1b-84ed-a37c23c36b2f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a92672c-4464-4ffc-bbec-fbb8a846e4a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9039d552-d2da-4c25-9819-0b8c2fc175e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b77cf3c-6e71-4998-9eb6-a03a97909990/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f7e3632-7db1-40c3-9af5-4cfa53a4d49a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5b7c0d3-a104-43f0-95bb-99ec1ebcebde/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_502395d7-6eea-4dd5-b238-0067de91a120/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62e56ad6-983a-4f87-9a59-1ed5ffa120c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bb289dad-3e5d-4af7-a546-2d22ee39a11f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a72653dc-6bba-4cfe-892f-f0b0df39c5a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd59e2b6-bdd1-41bd-9cf1-cebefadcfcc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a837a4b8-9832-4185-a0a4-e3d54367467f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5be301ea-2d50-409d-bcc9-33937d1afbc4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b74b9be-7844-4132-a673-0e407593b8df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_851a7864-7b18-44e7-9ee2-7481781aa059/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fde7e143-c18c-4240-b3f0-ec764055dae0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37f95b4f-3896-43e8-8e47-c0dab2720999/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da986076-2c1e-4be8-b265-788ef0280055/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_deb5f4e0-9a9a-4cce-9366-f49529603672/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de376b85-aced-44d6-9ba1-643c42aa24ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_faa7a407-266c-4342-9586-fbd6ec0abf98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a1b728b4-e5d9-4c1b-a55e-8ae50f150676/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_259b73d3-aa8c-4229-bbbd-de6393259527/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a093a7ec-a10f-4bce-b49e-c55d78f8ebf0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ec6b87a-230e-4718-a825-069ccf3ff536/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7822d757-16f0-48dc-b976-e075a2300721/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6fd27b03-4845-484d-b37c-aabe8b8e1c2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_477bc10c-8b20-4c52-b451-e5eb482ee234/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43f4de54-369c-434d-bda5-3a22b7e65053/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df4c11e-50c1-4549-bdae-2122a7858742/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bcc22b4-08f3-4df9-9958-5dedec3dac61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c234ac7d-6028-45c7-836f-434edb54347e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9549cbe6-f7cd-4fe0-bdef-32cab41c433e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a6f25a2-bc2a-47c3-b757-f543c432b171/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f77c1e61-db2a-4039-bc81-e2d45b052483/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef340354-60c3-4ddf-acda-1a608b0a642d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88a63e67-b6d2-406f-9844-a0f30fd8aaa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64993380-3c0c-4492-93d7-cbb979960803/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6e180f8-3132-4086-b11d-181c41f7711a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8a3bd71-9619-4bb6-b11c-71bfce285d95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dacd49cb-b5cc-4a84-8f21-2ae36ca70b37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32e3bb51-0840-425b-becb-c51c29a68494/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3486544e-8452-46f9-a7d0-392afa4159d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_60c30a50-1cc8-40ae-8a2f-32f9312d0584/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e4193ca9-0079-4a48-8894-432a172198af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e43e0d11-bdcb-47dd-a3a6-ecbc6c7967ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f90424ce-b50a-468c-b535-d58d8f1b35f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af4e4e41-77bf-40ae-8a4c-55e76a6e5bd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4710b30d-69e8-4b87-93e6-378fca22bc95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_efab4829-873d-46a1-8866-284b8a70d449/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df89af4a-4aa4-4005-a8b1-5b08420e9902/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_123606cb-4a00-432a-9842-717c6f192026/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f4322ad-8db5-4da3-bf7f-19a34fe39774/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50695527-2923-45d5-98f4-10822e10e26a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3aa4f451-9c95-47f0-b8b0-39d2283a37e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f3b494c5-3475-4734-a874-a87d856f7909/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e982552-28b9-4f45-bc13-7a6ba49387dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2af11a4-f3a8-4223-af79-8591ff9975ec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9cea09c-2cac-42c4-8ede-7ae4320961f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df886de-9760-47c2-9e74-0132d09747a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1ec5d840-da82-4b95-9d77-2eb872186378/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be0ead44-b141-4d97-ae82-d479e71c6b79/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_19f57b37-6093-4935-85f2-cb21728176b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ba7a285-aad9-41b1-a2b6-a6a9c7062dda/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0b7e9e2-5b13-4b96-a40f-70fb4cb71ded/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1b94892a-aae0-4878-a7fd-0567aa9e72eb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d9b66da-d26a-4889-b3ab-87fb40904b2a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86b4645c-b0d2-465b-b87a-2c19ee0c3aa0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2f06cca2-ef63-420e-ac91-dde71d6f1f64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00897515-47f8-45ab-bf52-e27dfbf1ab51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4a853e7-e939-400a-924a-6a6a8ccb4911/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_692183cf-ba36-43f9-a832-95af9a87a224/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fcdc4570-bcdc-4516-b009-0db4d7ae8d56/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_948b344d-94c4-4f72-921d-559d86f95f2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ff54490-61bf-44c2-88f4-b1f2e429a12e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ba49adda-d3e7-4cc0-a18b-6780abee8f85/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51aee933-a551-4cf2-adce-e3cbce3e9d87/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c063883a-457d-478c-8c1f-c66943420da4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e07c8c72-f029-4250-acc3-51c0e14156b0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c557d4e6-7c06-439b-944f-cd1ad7959e63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d06155d-e8fb-419a-9b50-b258ab096de2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69a83f8e-3f63-410c-9441-bb49ef918deb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_efe8ac10-14ad-4f96-b3e2-babea4d44508/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5510fdf-c3d8-4d8f-bcee-702be19b1faf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_77dbb40b-fec0-4256-8507-1db30bc55fd8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_541b0606-7624-4a64-82fc-ed85a486c415/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a13e0be-94d3-4e53-92eb-a16c9eda3e4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_83fd27e4-880e-486a-a1c7-1ad0de6987a0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceacc648-a814-40f7-b5ac-ead6c09690b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_96728513-18bb-4fe7-9300-544b725641e7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fe86bb5-1f42-41ce-9c7d-068f8e370779/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b6e2ad09-8b7c-4fc3-b4da-7cc6da34bf86/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c2700e8-27f5-4d26-8f24-5e9faf6e09f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d437a4c-f999-4f6d-acfe-c70dc2551871/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12234849-086b-47dc-9218-76f167e26187/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a410e05c-fed5-44ba-8d42-c79e9b8dcb37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bdfff31-286e-4aae-963f-4f12484553a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b76c233d-63c3-4a2f-88b6-eef798eff64e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42f2f186-4860-417e-a0a0-fb25bf5d98ab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_14a406e6-bcdf-434f-8621-18bac9df24f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef99dc9a-041e-40c5-b9bb-2a0705856bc1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0ab6844-8604-49f3-ad65-2412edfa3435/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_87af2fa7-b949-43dc-9ef9-909c8524bfab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d3413d1-523e-4801-957d-7f8596e791d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_22d8b3e8-9d04-4ed1-8254-0b2e6d0329a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4737573-a8a0-4e4f-9c92-97799d68c30b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_71b23bbb-faf1-4095-a8b3-e8c80188e8be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6a1c1045-1c81-4f1a-926a-81a9c536c637/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a51889d-9db7-479b-a533-7598d23e3051/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a5aa25d5-d0b4-4626-8c3b-797281c56026/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40b2ec5e-fa91-442b-b1d6-abc049d34d14/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92cc1ec6-a2c2-481a-925b-e5eefbeec571/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcd027aa-7ba3-43e1-bba4-38ee1015a912/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f34c9f4-1856-44bd-a50d-9182f0cffdbd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_28bab220-13d5-421b-9c75-7349e910d0ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd4f502a-ba4d-4003-b08a-90326ece2e43/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c11c859-bd84-4d80-82a4-2e8f0d145c3d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8cc28dbe-3d06-4276-b5f1-37e4a7875744/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acf117a7-7df2-4e6c-87b8-d07aca9bc758/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_61e38178-a598-4c0f-a06c-e10ec91defc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bb44e6d0-a496-46da-8d44-de097444eedb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0a8fd0f-7c3b-41d5-97f4-ab276b277da9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d19d23ed-6b48-4c5f-9a3a-9cd1e4b04f9f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97b24caa-595d-41a6-b49c-b8c3090a60fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2ca705b2-6d1a-44cc-8b45-08efa076e12b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea6ac03-65e4-451a-a8c0-c20c8bf2feb7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3517d490-804c-4827-a0c4-27b31890a046/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a53e51d1-0091-4ee2-bb20-340af9a4b512/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef759aac-6cf0-40e3-81f6-7cf121e41a60/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dde7133d-9834-4f93-8862-b71bc779cd55/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ea035b31-b23b-4fad-9282-b26442a991a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_495411f1-9d3c-424e-83c1-f4039f993733/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1b1e3b8-88e6-48d9-9c01-e4814d5bea49/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00d8d561-8530-483c-b6b3-0ac002b692ea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4a5db494-fcb6-4c4b-8d52-c10c502642df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42300515-376b-44ad-8b87-385c390eeafe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|3abe814b-e2a5-4c56-abc8-7a0c6a7bcee7/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2868bdc-2aa6-48a6-95c8-b58ee2c1584f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_04bedbcd-5baa-4183-b18b-91982ccfa922/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3c3abb6-4be4-4d4f-964e-ed259eb246ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5054253-5d22-414d-92cd-9569d1821c61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_028c6ff7-e013-4b18-a0b9-55f551ea0b4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40b014d2-4f12-4bcb-8e80-8c03b52d1681/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63a42555-2eab-449f-af57-889a5ece1415/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_51ced747-59e9-4689-9333-3906b4f859f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fe49d290-e46f-4be4-ac3d-ccf00fb9157b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3b5d1d29-c717-48ac-9f5f-5c099304929f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd611bad-91c8-48ed-b587-1f8ef49daf2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a291930-e68a-4404-82cf-7c188e330c5f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f03b5e7e-433f-41f9-b336-86b11b25d1af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_736eba2a-3e06-4798-ab18-cfd9d844a4a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|7880910c-5f7e-4acf-b36c-e95ec6ee36f8/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0eae9a8-1582-4b39-8803-0b8d99fa86b7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c9ce1e93-5daa-42ba-90e9-8595a68423e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99daf427-6384-4ec0-af21-1e83969e402f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30785340-097d-418b-b149-3fe500561af3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f857ee4-735d-417e-874d-4dbbe373b989/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8997ce2e-5830-45d6-8dc7-a8c7ebe0d68c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3520cc92-3b28-4311-87f2-7fe8b8435643/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4aa7fa14-97fa-4717-a68e-f894f4a0bc64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a958d6a2-c5b2-41ce-9d57-920eec63c173/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34a84801-2955-4615-b083-15bfd0a52d59/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3bc4a2f6-61fb-4088-a758-76c0cae457e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3988fad8-2ecf-4f66-8f09-9c3026a694f1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_109f4cd1-ceb4-4d9b-9262-6f3ee67ab111/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff89b4ed-d713-4007-bfbf-631d916342e1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_016ada7b-c00a-4ef2-aa58-747fa32f5b9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbfe0173-8489-436f-be38-9515b8834f6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bdd265cc-0941-4c16-b555-002756260425/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_42b41ba9-f7df-49b4-9aff-a7692b66bef4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a46c5871-5dfe-474c-bbdd-98241b1616bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7b31ad3-e792-4427-945c-6ed9f10a7006/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_312ab340-1bd6-49c6-93c7-620243b958c4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b0823b6-ea66-4ddd-8644-8c3b8f53df95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_370f7abb-eee3-4ac7-8c92-f52ad12de9e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b5eaf4b-dfff-4928-8597-916cb5cef7e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b48a04b0-ae52-4dbc-a65a-9b6fa4326e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b59b0be-46e7-4ae4-afbc-8a402cf5ecec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_748faadc-e4c3-4cea-bb40-edc39dcd38e7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07e3e9ef-12ce-486b-b157-33c4d148adae/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb1f4d19-fbb8-4661-87f0-e51af9b4c281/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_67ee6d3d-10bf-4ead-bc78-35a5836f56ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bbff8013-786d-4253-a3a1-20c7887b9187/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_25c6aac0-3426-4e65-8cb6-ab1476e358a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f0118fb-08da-4bf1-81de-b1c7de586696/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fa8be071-52ac-4530-a7b0-faae203f5263/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70eb6b7c-0a5f-4e85-80b2-39c0d054a688/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12d3abed-51bc-4b52-80ea-7826d03bf32d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ceb94ad7-61c1-4e4c-83df-ffa8feb22be6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32ae3ec7-478a-4cc4-a07e-0e15f7f41bd3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74a01730-1091-4fd0-a971-a418747f48e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d892fb2-69d8-4da1-b29c-195bf668ca10/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66d2a084-039e-4531-a07e-8464a3056095/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e64d3330-e949-461d-b9f7-606340716e6c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6aa94957-c490-42d2-870e-c75c980e5f51/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b1a26adb-f717-43de-8c6a-6b9e98fce2f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7c0f2dc4-cb73-4dcd-a787-93a2d42ba5e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10a439a5-9e26-49ee-b6c7-71e6ab34edfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8b0cadb-cec2-4673-aa27-5f5ad06530ed/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f06db97-7adb-4763-a6b2-6a7489ce62e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cfc37d18-2500-4b3e-b6bd-e9b108c788a2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30ff8574-ffbd-40b0-ab7d-88ae49f40c0b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a8520084-58ab-4476-a602-c86701799c90/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e3f808d-87e7-4734-8975-8fa990231109/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e1ae992-1dba-46b6-a72d-440531666770/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1147fd1b-52d2-44a8-a2de-fbf960c9ffa8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5fceb8d5-98e7-4183-861b-3dc603fd544f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b079fb9f-910d-4dce-b09c-358c7367a7a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0b0f815f-a95b-4712-9edd-382bf24a005c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1eea6682-1d9a-4554-9530-2029fb2ed491/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_368a5692-19dc-428a-83b3-416b74c20022/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e7e3920-d1d6-4b44-b98e-96daabb59557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_40e8ad50-3502-429b-a879-3809cc39a18b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a27bb7c3-931b-4976-b030-473e48a48f9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_98d28551-44e4-455b-81d4-8d0d5f30f506/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d410bd35-7eaf-4c6c-8265-cb1cc6200605/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a015b27-723f-4920-a980-6bc2e8f59813/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e21f10b8-fc7e-44b7-9d49-6ab4f7f4100e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_21f44d14-7428-4677-9061-0cfe293444ff/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db1e6f91-3659-4e47-a768-1f6daf72ce7c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a54c3e2d-6a73-4a0d-9ce8-525a0d26a0f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8b570c1-3949-4981-8195-4922febb0f1f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70781258-f623-4dd1-a9da-173c3b54f8af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_244ac74b-98a6-4b44-8dcb-7efac10da18b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1234df21-7ad3-4abe-80de-26d1276af689/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2cf99656-e92a-4d83-9971-dec0550571fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b281db69-c537-4daf-921f-ed25929cf327/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ba55f4e-b595-4d58-ac5f-39081af999c2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8bb27d5e-72a9-4fab-93a3-019703071151/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d20f1b81-8290-4a3b-9a83-4f562a02bc5a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e914c303-f47e-477b-a262-300955fc7ff1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da951b29-4e38-437b-a919-dab684a97448/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cb8f0474-25f5-44f6-95ce-c3b05d7c147b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_75139483-ba88-4d62-b0ec-af3329c3dc88/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f987499c-cc47-41e8-b192-ee6b07a76394/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dde1ee01-6c55-40dd-9717-967a1293440c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f095184-2401-41e8-a32a-4df7a2a6aad9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46faa966-a075-4f92-88ae-7633358410af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e72c227-ff6e-427f-b3de-b350ae3eada6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0a16f32-2bd3-406a-9eae-8685b19fca07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_46ae126e-7bd2-4ab9-8f77-c128852ff7c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_449a50b1-a9fe-4752-ae36-5f933103ae95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e0e19f0-65e9-4f8b-946e-996dc7690eea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f802012-befa-4441-ab75-d8138015c09c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_de28d183-057b-41a6-9044-4ee6aa1323df/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70e07505-87f7-4a5e-ac09-5d83e0685faf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4bf78bc1-8a4d-4a42-8cf2-50a7d50be618/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5b2bf974-e524-4b43-a99e-1766df0f9b8d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_11e4711a-4aa0-4048-b1d0-02af3f6b5d7f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_38597d98-a824-4c92-a65d-a4abb7ccd4cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84047c63-11df-4636-90ca-9127b333877f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_437e9e1b-16d9-41f7-b1c4-daf1a81edd8a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_972c45a4-489e-4381-bd41-d29ce953895d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a7fb366e-52ba-40d7-8e1a-6283c5336b6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6171a66c-d3af-4ef3-a8d8-a52a2e23be8f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c00ff769-4324-4529-9545-0ff068eaf9b9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f46a68c-17cf-4fde-a551-48fafed8c59d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92d32b47-dd03-4c97-bab5-4ec4de33bc41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e793348-328c-4b92-bed1-0c31bc3ff9d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50320bc1-6adc-4749-878c-fc2ef8915cc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_66eddd26-c9ea-44e5-8edb-778b2cec327b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f86e695c-e8f9-4a30-bd80-a1ad7cbdffd2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_60fa6943-5f32-4bc6-a7f5-7eb2505af865/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1733a3cd-90ea-4ae0-86ae-75efca7be51e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9b0e997b-fa5f-439f-b163-909fa6285a57/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c670720-a09f-4ae4-bcde-ab7cbfe8aa9f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_742f9e48-3147-4b29-aa68-323c509d01fe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb10735c-5b4f-4b4f-8428-c298958b6bc6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_384659e1-ee0d-4699-a446-6b51d50c6f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_afe762d1-33c4-4984-9d3c-ed0f5994702d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f04ce2cc-d02f-4bc0-ac1c-ddfedb957bfb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2512e787-63bf-4b5d-ab3e-394754cc95ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_481f6d86-764d-4b1d-b020-2b6c2f1932b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_287ea439-6530-4238-85d4-abc88aa4a922/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_132bec75-c55f-4427-9c1c-c9e0149739de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9202835-82b8-44fd-8cf0-a9a960f7e017/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_91d1b842-f57e-4dcd-bd94-077b538e47e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8a75a571-843c-4cd8-9dc7-ed9c54a73df6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_502c4409-0124-49bd-8b51-537ae9727121/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3e718a0b-5ed4-4813-bfa5-e9c7622c56f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1f0f8137-4a6a-47d8-8527-d50de5aba92f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c102d4d4-aa88-475b-87c3-48887bdac119/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4121cc58-0473-4ab6-99b1-5b451ebbc7d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c52d8e8a-e55b-42d6-b5e7-edaa386a6520/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c9cf542-42f5-4143-a1a2-39e4c7f9ba94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4993997e-40da-4b0d-adc2-a0fd3152f081/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_039d51c0-115a-4dbf-b8ef-c6186810c980/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c566b7db-2e06-40f0-913f-505f08b99f19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_658a8625-50e3-4b98-b1d6-e187a708bcfa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_91c78638-8799-4b11-9b16-52e4db1658ef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f312abc-114e-4853-938c-d202220c6b3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c4c50c7-a425-495f-b3a0-862efaaccbe5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c3d1a770-5ac8-466b-a48f-e4a9936b2fbf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f208e436-b6b0-40f9-adcb-61b02bb3257a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6bb4ea6f-0125-4443-abd6-f66e74080d91/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_776b173d-a603-47c3-bdcb-457449b1bf17/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5eb0c4ee-0c21-4d48-a000-de72fb36138d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0832fffb-03a8-414c-bdec-4b00036051b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|541472a6-05ae-403e-becd-a47af7aaae7f/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3de2c515-a068-4d77-a5c8-0121ac8f6e01/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c22d609d-6e3d-4626-913b-207dc6909891/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2afd7232-d5fd-4eb8-b8bc-6aa47b087b6d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eddad4aa-13e8-45d3-b9c5-61d9b852cf95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_722a1738-f80a-4864-a2c5-5357dd800838/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0baa240f-2711-4d74-b334-ce4579fac869/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c7e6ace-0a67-4278-9367-c53fd5a3d4b8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_958a6415-f54f-4c6f-bed0-41aae681c372/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f7d68c9-24b9-4ffe-842f-652880c7faf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37d13176-479e-428f-9cc1-d9e41719c3d1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b1a7210-3a8a-4a6e-81b0-b6e98b671d07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d56cb692-dd8b-4186-8eac-1fc6d2b2d48b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1655d617-cf44-4acf-99aa-1a80110e6794/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|96e88688-6df2-4ca2-b002-d6e4bf5a4aae/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_221fda24-65c0-4760-9887-f7715c3201dd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebc2361e-d498-4c16-863f-7c9aa5b59999/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_be4e3702-72be-41d7-adea-d42ca2726b04/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d38c7344-4f19-4b76-9bdf-e77eeee4e12b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86d846a4-de90-4f0d-9e72-a17201f7ed6f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6885c3e3-93b2-45ff-b0de-aed54ab9010a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5215a7dc-646f-4527-bf56-c8fbe57407e1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8ee2dcb6-e62d-4344-8bd8-8835ae5c4316/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_363b32e6-280b-4c8a-89ad-f12f9e899b62/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_50e20975-b72d-4ca9-bc1c-ba9dceb00b12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_06b018ca-d6b0-490a-ae08-f8dcfe16aa03/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|d0ae978d-b0e5-4e25-b14f-eea2ba24ebcf/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2459c013-35c0-471b-871c-459032c35016/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dcb0cc25-38c3-48b2-bf9d-0f337364e8c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4591a5b-fd53-46bc-8f67-dfb6c8649bcc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9527d447-a63a-49ba-8551-95515a3468cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9fb58f35-eb49-4df8-a081-ffa6cf2be47f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e3bde7c-edc9-4ac6-ac7f-be4b633591c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3d1846cf-2bad-462e-acdd-56fed2950e5e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c804b04-f56d-40ab-a9f1-5a09211b2aac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8880749-4399-488d-a78c-3f46ff1ed2e3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ce53e5f-2b9a-4d32-8d4c-599ad5e55057/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_85708b36-cca4-4b1e-a469-f203b8166d4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82d46701-2c9d-49e5-af29-92524e42c1bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_475b644a-a7a0-4147-8f31-8c6d8afda7c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90cf6af1-1ca9-4d4a-beb0-9589089bc1ee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0337650-7816-4025-9008-025b2d65768c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ff77096-3a39-4a36-a6cf-237ae81c8b3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_99c22f23-8ba5-4e85-b88e-aa556a418f11/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_daddb8a4-414a-4ab6-b808-adfd43f9a4e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39310c68-72c0-4694-9dab-17a4282f948b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d6adf28a-89ef-41d1-bec4-cf4128a2d0c5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a2d5e49a-bbd4-46f7-8929-3cf0c04850a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5d38be5-31ea-44b8-aa56-4636d4264f47/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aabaf6d8-cfaa-4b5e-a0a9-7d8059c18524/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6093c5e6-9fb5-48a0-bd05-104fbe96dd7b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8695964f-9578-4b32-a519-f06399756db2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4b1b98b-d62d-4184-8c09-6e12f49ce71d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e75e8f67-23b4-4b49-9c27-14c182e26699/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce7c2c18-063a-4c8f-b53a-802253b8a1b1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dd5ed13c-4832-4682-86c0-765ea5ff1a29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ece109be-5816-4d52-a7d2-bd324a4b88eb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b06622fc-5482-4305-93b7-c0a6d212b6fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_36ecc6f5-9c48-41ff-bc1f-cf2119860f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca33d5b2-8bc1-4d9e-b74c-766bb4c2d903/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ccffc7f7-d28a-4cf4-930f-5588311f7f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e6b35bf-8346-4981-9788-45a05d13876c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dee878dd-30d8-4749-923c-c4befc041210/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a75fd120-c692-495f-bb20-8a34647414ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_136dde89-2898-461f-8eab-ef2ebd2f2ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dfd2b8ae-6b29-42e8-8e0e-3dcae5bfb721/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c1a9e1b-45de-4165-9c3d-b10e01b191fa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_26ff2896-ee4e-49cb-ab65-c4b6d84c2b61/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_649ab194-5933-48d1-b114-3511b0686544/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69ecce69-66e9-41f2-aef0-4d4b73270072/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_012d0331-c9c5-441c-9ac6-054c0107ee9b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8b69384-c1e2-402a-b427-bdc2a908d219/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4f01aac4-15de-4d03-b28b-9a48d12e2084/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e577b03c-5deb-4fd1-b8b1-d1018ebe6d7f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93bed84c-9864-4b95-8927-011d46428443/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_56999fb9-accd-40cd-825e-9cc0f6247200/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b42974e-fae8-450b-96b8-25d720846de3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f021d44c-1e98-4460-81e1-7b32c033f2e6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a17225c0-a398-4caa-8053-e015a518f71c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e8a568c2-10be-40fe-99e7-873f6bf4401a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32358b4d-dd30-4846-a58b-4aa8d31094d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4ac01e0-d8ff-4fc2-8735-ba0dd1ec58c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6bd1197-e14f-401d-b6ea-ab47a1274f8e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a323228c-4b9f-4f50-863c-0fa5ff60b55b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b35cabae-50ce-4265-8f8b-781e1079e82d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16fd456a-6575-42f0-bd19-abf3ebfe8b12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_022659c6-3de4-49a2-baed-2db5310bc559/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0ed34c11-7381-4bc4-86ad-ad52e36ac1bd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c885131-4f8b-4aae-b41e-80611d32feea/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ecc20cd6-6218-4f1c-b324-228fc771dd32/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_01568907-fccc-4689-a9ee-b09853c053fb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4b98ec75-625c-4ea5-9cf2-955a9ad037f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed44cd8d-644b-4ea2-b051-7595008eedf8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9d4c15b-dd3d-42c3-9bc2-55b5a314d35e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a3429504-9ad7-4895-952f-a9c8512be16f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_92e54045-6b59-435e-8e0b-4a01690f9588/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_80f1858c-366d-4655-953f-5f4e8a4e81bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4a792e2-5b9d-4b83-9ec7-f47e442a76a5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5fa26df-5b0f-4bd0-a932-b5c023904ca8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e4c0c85-2e72-4454-8615-1d0c889e2876/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f45bc018-801f-4e2c-a0ab-ca313dd8566c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|a1c8f214-8d39-4871-873a-d201080ebf56/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cd2a0695-8686-4d82-b72a-f2e2d37f6b06/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9a86dab6-512b-4ffa-8fdf-9466997d9b9e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5db14f98-af81-441e-b87f-013c34fb0db4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6283b9a-811e-48ce-88f4-411e65bdf0cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ebaddf1f-8846-4d68-9dd3-56cf043be3f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_561d5f18-11e9-46e9-b54e-7f106fa1d1c6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1c56e951-0198-4d8c-af06-567df2f890d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ed52aa8-05fa-476b-94a9-760bbfef83e9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_675d861c-6113-4b6d-ad55-fe86bca1de1d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1bc9e210-23fc-478f-bae7-d8a574dbf1f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_286a9ad3-6e32-45c5-8d48-28a1f7d4495a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4135b8d3-045c-4ce5-92e2-69c2d4b612a7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dd0d685-74f7-47b2-82ef-d073ab2175bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b9d220a8-d4c2-4eab-9573-200e9caa0e1c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e34ddfa7-c8d5-4b85-a393-9a42ef56195f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c97886f-6ee3-4958-a05f-260eaea41b94/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3a12bace-c02e-4ac6-b8f5-ff318a41b0d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_046b43c3-48d1-466f-b407-464a8d07179b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69f4a8c0-a280-4ac2-b426-f3d8bf634cc1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_90b805f0-1419-479c-b2f4-1be182197bcf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43182144-d5d7-43da-8f82-72848b08c18e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9c128cf7-8ac0-4758-ba6c-65266cca6d2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b3405f8-4f0b-4666-97cf-d9584d4bbff2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6af5acb3-f20d-4989-b02d-b39ade26ef78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0df34a22-573f-4561-a648-cedc9800214b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3457a9ef-30e7-4ab9-9ba5-3406231f814b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34bef5b9-4e16-4fc6-8789-4f5fa646f25d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e3922e45-6870-4dbb-9211-9070f0966796/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d5554b93-bea2-4568-a2a5-ad3f130ac288/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8fdb9c52-7d5c-4a1e-9aa8-2eba38997927/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c6cd7726-5d01-45ff-859b-83c1874ed0ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_18d72a04-eb6f-45fc-aa7b-e4a3c0bf722f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4e30988e-95f8-41de-92a8-3fd046edccfb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39b65029-7780-42e4-881b-37bdee0aa69a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_41e220a9-feb1-4b33-b611-213bfc27b52d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d52e5c2d-bfaa-44bb-b0b5-49cf743cd57e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_905a7f46-7277-4f65-a787-b766f24fcea2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed8104fc-b710-4da2-aa0b-14f6723d9fa2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cd5204a4-b143-48da-a810-b6ced518b211/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7b674ff3-8aa1-4d9b-bb4c-f153dbb8c4e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cff9a31-5f59-4df3-a3e1-79f54fc9cd9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_32898901-bb59-439e-8abb-59730824091d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c11957de-ba17-45a1-9775-eeec1f318041/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_88be8909-6bc3-4461-b9ed-3656f489e453/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_acb5b8d0-04c6-47b8-8fef-7fdb04e6af4c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b5cf679c-9dda-415d-a882-a5a45fe485e4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_129a9144-a58c-4248-86dd-c2d2bee6c24a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_331896c5-8d39-447b-896c-4865ba99c5ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef0fb8ce-ac19-4c82-b26d-de2c8ef1fa3c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20c9b92d-6fee-44d4-919f-226104bf712a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_909a40fb-83e8-4682-8aa3-dbc192c55a2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_527c5535-2602-4dbf-a81f-60453f421738/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd2080c9-e580-4a39-8d2e-cb2631288c12/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3db9474e-2745-4bed-bfc9-930ed6c1bf2d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1fc3c01e-dd57-4e4c-bd74-a7c8cd4c433d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5d34095f-6db0-4605-9b07-386eee8d43d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12012eab-8de4-4197-ad5d-b8471b4431b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c42a8f07-1ef1-4735-8683-2da64bad0d06/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_70e9ec42-3001-43f6-9f34-5553f706b8b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ddb4e4df-7b89-40d2-8eda-e1b5d8b62a2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3746cb08-fce4-4d81-8c31-60299d9db246/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_566b96de-6921-4f2c-8f9a-97a44cf00766/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e9b8cf2f-96aa-42ae-8669-a955fc56e43f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97fab0b9-ff06-4a66-a561-de83a1d38ae7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b461629f-b91e-4db5-830d-4e4cfde45f93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c332f4a4-81f4-45b6-a83f-fddc696e9a4a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ec364c6f-074d-430e-afd1-8bce08bdaba1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ca3bf8d4-40d5-475f-b0fe-975ad769353a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d4e13c7-0765-491f-8cf5-501afe7a4ac8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_81defbd6-28a7-4a9c-ad52-f4b536287ab7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ea6d8a1a-c31c-4fa6-aea6-af947a97ae02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_26fa6481-a07b-4d2f-9c4d-3041333d997c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a67d608e-1c8a-44a4-b4cb-c8d401e7566d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2e35d07a-ad1c-42b7-aae5-8abcbabe1733/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_baab8d71-0c47-475c-98a9-f92e01155349/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_06f03092-729d-4300-a3d4-3fe4048da84c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54daf598-acda-411e-8410-1f54115c757e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e30b13d9-9e00-437e-826b-98e626288158/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0109757f-e279-4a46-9094-aba84f2df60c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|b6d0eadb-5856-42c5-8125-26516b943d05/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5430da49-ce78-4a74-9536-3cf97367e796/\"\u003eClick to view digital document\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1015808b-d572-4518-8321-2b239ac47a1c/\"\u003eClick to view digital video\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|72c2e038-21be-43e6-aaa9-3b263826f6fe/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2d6d8cc1-b2b5-430b-9512-83f80d1f1d2e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b3e1dd5e-0007-4c29-8a27-6b4f57b0beef/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a599c2a5-f379-4347-8e2d-a3cc1a662bf9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eb9439d3-6cef-41e7-95f4-e0a57a1d6323/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cde8aecd-5413-4571-a11b-cc3a46d48edc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f29414a-932b-497c-bcb9-f89d029f04c8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_490006d0-7543-4a2b-afaa-682d448472cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8c002688-1fe2-4591-bb13-83e7aae8c01c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_574f7c62-2ec2-4160-92cb-7f271ac3366d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df41ba1c-345c-415c-98b7-d3cdefd7f262/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bcf36502-6a6c-4f4d-ac08-90368ab7547b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f31eeb78-b574-44c9-8798-5a6b32b84546/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1a7eceab-0be4-4da5-aca9-1d5291ab0bc0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cab8cc1c-957f-4931-ad56-b9003b3f0a1e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb18add8-4f14-4426-a4a1-5ddf18f6119c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7599834e-9b99-45b8-85dc-4f6bb0ec5154/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9f6833eb-1e89-46bd-bff7-efb3d0b59f1a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a39d4040-c84e-4184-b43b-5ab1420f0c82/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_09b833ce-a313-4273-9359-579c2fb83fee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1e01beb8-1a9d-4952-a9fb-36d192f0d397/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ab3aad2-c5ba-46af-9a0b-d4d947b444ca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6476ed41-789e-4c8f-9f69-43685eeba2e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_52387b76-9892-415e-b11f-4da45b711dbb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d73894ca-1ad0-4ed0-b4a2-eba516337ebe/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_69f08249-1ae3-4b06-878c-5ba47d9ad1cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a590e406-76f8-4944-8911-0235c0cff752/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_39f5fc60-22df-42ed-9087-a48f51ad421c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_03f7e4b3-f3b5-4690-a72f-7c71a921d765/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d276f155-5284-4100-9794-96f6fd90e580/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9372f78b-10b6-43da-bd54-f1656a72a1c0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62f6349f-1af2-4b64-bf2e-dbe1b4a05334/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_63639cee-d33c-4acc-a524-aa7ec144e02a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce9ad566-88f2-4419-a7a5-2eb1f4975a5d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd1cd448-4fea-4377-8a39-339a3081fb2b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9611abcc-e7d2-4308-b8d2-ccbd65767875/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a520e608-9b55-4d13-9189-b3eccc746c23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bef60139-7c80-4ab4-a85a-cdb6e98e97c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5ac8fe41-7b18-4711-b27f-693bc4506232/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_aea7e1ba-6980-4332-bf3b-246226b853fa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0d0d6f56-c2f1-4145-ab53-dd1f7e82cf63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_04eb9acc-2206-4a64-a92e-0bd99f95d561/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_db13063b-a3a5-4bb3-8cfb-5d8b1f42727e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfd4ae96-9000-47d6-af17-7fda2c3d684b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_afad2950-bbcc-4ec5-a844-f4b1c69c7747/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_599a9730-f3e7-476d-b2e8-e51b8f3b722b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43afb453-9e72-4281-81dc-da10ae47657f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9d5bf67e-e503-49c9-bcde-80b8c9e1940f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cf4dee49-4891-4bc2-8e7f-bab352116aa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f6a7bcc-4a56-4557-9b4f-701cf6512870/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_558cf2d5-3374-4615-833f-986c8c90ab89/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bfd0c6c1-ed55-47ab-b894-2e18986e316e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b0803c2d-276b-428e-b31f-c35e45c0bcd4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9bb34443-423b-449d-a1b2-bcce8c390817/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2842c0e3-7c8e-4aa3-bfde-4016bc86b3d6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a565a40b-21e8-41c9-bcf5-d0ad6b9c9f4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e79e882c-51f8-4ad6-9e34-dc6e81c51980/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ef8471c-7fc1-4ca3-bd80-85f9faed063f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2a590329-2970-48d6-b89e-b7b06ccb5323/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_49cd6646-0f1b-426e-81a2-28e880e18b5c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bc2e2330-fc18-46f5-9efa-d64ed2a9e515/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5a1ef76b-aa5c-4895-9d64-5f55c8de0598/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c1c5d66a-3ee5-413d-9a63-1eae14c26280/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_586da159-1f4c-4879-8b52-440e0600dfdc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dc86b5b-1a9b-453e-b7a9-2116fbb8c062/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7715e4d-20ac-494a-b3f7-d93494d7bdc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58be875c-b507-4124-b37c-f36fe790a4bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_da454903-c00d-4b6c-846d-86a5a3899e93/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_243c42bf-a1a0-4bdd-977e-50715f27d5b6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_43da3070-ed14-42ca-813b-b397a6e07f1d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed5b7f8f-ce69-41ab-8360-2f60faccdfa4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b92f6697-8607-4ffc-b6c6-7fc83fb644b3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad16d07c-f310-4052-9530-c485ff7b6491/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1aa2351-db3c-4288-acc0-8fb6d7897881/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_554ef9fc-a61b-4725-95c9-f733e6be8007/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5891eb3b-ad46-4f03-b4ce-fe377596dd41/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f0c289d-9210-4c2e-8940-9b2fa048a4d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9662f1cb-e8cd-4384-9c55-8adab74e0474/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ef013be7-3fc9-4d61-86d9-1de7f4a43743/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02d532e0-923e-49c7-9a63-dd66d912624d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_35bfa51c-d473-40e4-a025-8f2b076d473c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ad81a00b-fabd-41e5-9d9b-f556706115da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0773d6ae-16d2-4436-9b2c-38485deca57f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7a5a349b-a04f-4fc8-a54a-8487a3e9af4b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e625998e-6d26-4e8e-a1f6-5a0fc0a0a1cb/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9cee5146-e25b-4e08-a831-95f286d87a19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dbce6cfc-8706-43ef-8fa6-96dccea947d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c36223e3-5389-44c2-93e0-d351992337f4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_205fbe63-dbee-4f2e-9ab8-07b77ba7b19f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8faa8fab-a958-43a2-83db-793036dd55da/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d9e17fb7-278c-4cc7-ba78-c29281ab09a3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fc6b2939-3ca0-4ad8-96b9-daf58ff92f82/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e33f9080-99c7-43e1-a8cd-83222958d21b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e9b2cae-2e06-4de0-8ec8-206efcaecb46/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_45a50c07-defd-4f69-afcb-c6786f228fa3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dff81a36-dba5-4423-8604-9c77457007c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|833e033d-6818-4f14-8313-ae5661042f9c/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4cffd52-56d8-4b92-a812-f42aa3e8deb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_09d56932-6c6d-45b4-88de-319afa02fe07/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_54b3ac91-319b-4fd0-b18c-08f9d05142e2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_20dbbf2b-d25b-4663-8009-bf5b56225e48/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8bcd6533-d669-4ce9-9267-926d61e582d5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bd4538ea-9af6-448e-94da-13aabdec580f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_986d1f52-5b79-451b-b7f1-a155fa64d93b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97698ded-1513-4549-856d-7209ef361f70/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b90d86ac-6ed8-4ca2-8d8f-815d11cc705e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12e7d62b-58a4-4b35-bcbd-d108f1a22b6b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_93bae71c-d32b-4e63-9984-e29042126105/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4bc409a8-e9c8-4253-b225-842392f67a23/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_904f05f0-3ee5-4812-93ca-21f914a5f9c1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|ce3fec1c-5921-444a-aff0-f3e6c43454f4/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e11dc98-3cda-422e-a10e-4aaa6cd27557/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|29ccc1d4-afb6-4be5-a7b9-00f612dd8d52/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2257275b-76b2-41a7-80cb-9baf782591d8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4efcf267-d767-4383-8e55-fcbe23752d4f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c732e855-8ea1-4b11-a403-1c202765c3be/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3471ee7f-d813-425e-9b75-21950c2a4739/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_823661c1-5af5-4548-9a7d-386b92999de3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a6b07f70-aab7-47a4-8186-1c260af07a5e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a0262079-6557-4ea9-acec-7cb18b3e2d38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2c701df5-8ac9-4ca9-ba2b-92ad2428921e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4017c963-a17c-4d63-9eb0-d9604b4cf01a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5f3caab-2d94-49f2-ad7e-7e77680d141a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fd5e027f-928b-4604-be97-061e72d42ded/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_373c514e-8951-4037-b8db-15727f27e161/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_58ed5a79-090e-4f04-a878-21c3d96c73fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4d0a8acb-22e8-4136-918e-6d4fbcf3a9ac/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_12e4bef2-f1cc-4892-aaab-bd6664ebe8d9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dfbf1392-32ba-40a5-ae1d-0f3e7c0da1fd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_86034e3d-94bc-4d0c-bc9b-13c6feb26a02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bed546b6-7c5e-4b44-ab5d-0f65c51f4c19/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6782417c-2470-4e38-9408-73487bce1e9a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_398a8a34-0f5e-4f79-95d0-0302a17d6308/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_84b8ba0e-b2cc-4b24-a3db-c768433a0c4e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d4a39974-66b8-4fd0-9d5b-08c2c8b3e93e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b7cc9ed-f284-4ceb-bf6d-3a0a8b79bf72/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b4667831-b84e-417a-a226-c5dcd3470cca/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4c3dd031-5030-4fd7-a84c-1f54aa2886af/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1cfd515f-58c3-4950-9b89-15578011ab92/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3ccadc53-c3b9-460d-9f33-c9248fd6f087/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c5343308-7c6f-41f9-8009-a1410f1998cd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_30be7a09-38f4-4154-a078-3a44e2575582/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a396c5c7-924f-4215-a28f-f0923eb8da33/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f86e20d-305b-4f98-b0ab-31af251a7f29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e2115380-fa43-49c4-a75f-dbf39fefc9d0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_618e616d-aaee-4aef-a7ae-d2fa0c32d26e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0863e59b-7306-487f-a9c2-4be5527866f7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_97443f59-12f6-4a10-a40d-b32d051a04d7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_af72830f-84ff-4e74-884c-1358e68d72f6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d2db8ba7-d5df-47dd-a7c1-ffd7f18d6a38/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8b772566-1e34-485c-b191-abdde953fbb3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b624c184-bbee-4aa9-8ddf-0edac0919aab/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1687af85-badb-4748-ba6b-731475bced3a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5259c52-cdbc-47df-bcb7-4190ebd4afa0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4fafc88b-8314-4fdd-bbd8-66fcf8ba5df6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e79fd787-a57e-4cb6-9403-239437bbf138/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_62390ad0-19f1-4dd4-a7f6-0cd6345be8cc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3401002d-a2a8-4ac1-b44e-7107968991d3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f7360f89-1e41-4620-a107-83b0f89f36e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d94d16fd-8d76-440c-8d82-c203cbccda39/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ed928ba0-e2c0-4729-b665-470f57478e95/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_17ed09fd-8bcf-4736-9e70-1dd44fe8aefa/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_02a4da0c-1f5a-4f69-8733-118c28be7635/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ce07aa5d-7640-4e04-8f0d-ea27ede3ca47/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c97a26be-fb21-4b10-b822-a53ad40df612/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6eb366d2-5ce5-48aa-9b4f-b76f877174f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|446987de-7556-434d-b010-cad1837a20fb/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ae076f93-6dee-4273-ad6c-8015727c054d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0008f75-b777-4baf-8e41-662877b8a78e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_31456a18-59ce-4ae6-8dd0-5d515bb0039f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f4b00dd4-0388-4102-9a20-44ef8b0d7e4c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_535b603b-b677-4df2-aa19-ecb27e17e0e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_24a065ce-1e7f-4110-988d-f8e4b6170ad7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_34be584e-53f1-43dd-aabd-58ce0ccf41d4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bf309901-53f4-47b0-9f43-dbc6d3109145/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f30a3a48-a412-4bf5-819d-ff91723ee1a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|2a9ac469-1167-4acd-8665-afb9183e17e6/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_bda5e082-5d2a-4031-8a3b-538d4613b7bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_79584638-bedb-47ec-8813-7a312847dfdf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a4eadaa0-e169-49d7-9bdf-ae2bec13394e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4ad3a2d0-5bd9-4719-928f-0a14109e6451/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d8a9446d-dcfb-4019-815f-c7c20c34adec/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_adc87190-58da-4aca-89dd-51c73bbaba43/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dc5c6b54-f8da-4bd1-b328-72acbafa81a8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5f7b85d8-1f56-43ad-bd40-5691c9c05ba6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_eada55d6-cb3d-4a38-9d2a-ab5096b91e60/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_757e4d32-ab66-4154-b928-408d89990711/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e6bfa384-e669-429e-af9e-e06d8008809f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d280b11f-b4df-4f1c-a596-47f9b8255756/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6480e230-ba30-4b01-8fe1-eec366f17fee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0ac1da4-f42b-4ec5-8f0b-bbea2f3d26a6/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_cac910ff-f539-4b44-aa79-909b190981ba/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f1c6a768-87ec-4225-ad58-f69325e6c374/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_78c5911b-4d21-4a5f-aaf0-0ff6229d5d37/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_236ddd55-b37e-42fc-a0a6-fd49f751f1f2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b438d3ad-1a8d-49c3-9aed-fcf5f99f2543/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_73f9378c-37d5-4ccf-a563-445e4dc80331/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_5c7524b0-b0bd-4ad2-8c23-c3d57190f654/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_76c2405a-6699-4bc2-8e50-5b07f612daa1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1d896bd5-bec4-470e-9b27-6a193278d35e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7db029a2-7dad-4cb5-8ccf-3d68f4a9f64d/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f22f023a-898b-49e0-a087-f91897f4ebc2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_9ffeb9fa-8b4f-445c-b1d7-c8d6423b8cb9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_22c251ec-46a3-4b03-88db-6399b1b9a564/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f0e8ff92-129a-4fc8-a42b-889c746c1434/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c37f9c9f-9671-4f63-b4ad-c87544cfebee/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2dbe5d7a-622f-4405-9340-5457779f8f78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6b60d662-83c3-437d-8d28-cab2cb23dd63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_fb0fcbcb-12dd-4bb1-aa29-7dfc29ef4031/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_167aac3a-4752-4103-a4d7-d468dd2c9048/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f5a16562-903c-45c8-927f-e90d2543a495/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d1eb9edf-f8b9-4095-99aa-d97e5adad8f3/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7bbcc874-9980-4a35-85dc-88290db26e9c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8e5433b2-eb8a-4edf-900b-a6a3c225f586/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b7b0d1c8-bc22-4f0f-bdfd-d9bb5862cf44/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9bf38d3-8943-4db0-96b8-b4be69590abc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0c96c4a5-cf2e-4475-9ae4-dc4a323362d2/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dee07f1b-5bed-4c92-9be0-4dd9a9edce28/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c16f894e-87fc-47ce-acee-bd5c49d9fb63/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e5849ecd-3fe2-4ce0-a85d-aa0f50a9b147/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_298f6040-3ebf-4893-92b9-0b8d117e3731/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_00f70c5c-c6f0-441a-b991-68b48359cf1e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8d6ca7cd-bcea-4873-85ba-53bdcb0247a4/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0edaa6c3-2bd2-4ad9-acdc-09d4a2bcb25e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d17fcfc8-1a66-44dc-8e42-3ae770e02674/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff79b270-8e4d-4475-a135-27fae3f3c020/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_2b46bed9-a49e-44a5-bfeb-1b499e3fcbc8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_37277f8e-03e4-4a2d-9247-cc6ae7f473f0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_82502183-30e3-4af6-a0c1-ab83d414ec78/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_dac69c5c-c72f-4b66-9aaf-37df422b4b96/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_387809da-dab8-414d-9d0c-9e47793e375e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_a727b556-8b58-48ac-8538-1d43db3fa7a1/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_64fa213b-42d8-480c-8eb4-310ba8ce19de/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_511f48f8-0588-4e80-96b8-273b362cfecd/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e234d685-a834-4f4a-871c-9bd599f74588/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_442cf69d-95b4-427b-8060-95f55b80bdfc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e11a7331-3704-4c3b-a3a0-e91aac9dd006/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4f1725d-9366-4be4-97ad-3dbf4ed179e8/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_f9f08320-2311-4729-bc33-d563869d2f98/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3133c32c-6d81-4fc3-b5e8-508ab0c3b0bf/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_44cee9eb-9cc3-411d-8a23-e61e839986bc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_4cfd8e93-8bea-4c88-b648-3f15a00b2f02/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_df8b1d9c-6215-4712-9079-30c747a39365/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_16a69592-ff2d-4cc0-a6d5-446e6398e487/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_07c0afcc-80bf-4e5c-83bf-353e0e42d15e/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_1483ecc5-4c3b-41d4-aa5e-0a096dd629fc/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_7e2ad50b-6e7b-4caa-a25f-96a5c1318fc7/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_ff8f525e-e89c-4cac-8c30-6dd8b61f8146/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8407b923-a1ec-4c1e-989d-5797bcc64750/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_83e40840-124a-46ba-b39e-375dd68b79b5/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_10c147b6-007f-4d60-9518-c11effc3c601/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_96e7e950-8a12-469c-99f6-2ec0b91e8e7a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0e7bab5b-fcf2-4fed-af68-a17db5f57983/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_8f847148-3476-4011-81d0-a88dd5f2a094/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_0f436d5d-c565-4e85-94ae-cabc05e01d68/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_b798e748-4d80-445e-a9f3-ac022136671b/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_157b3355-f51c-42b2-a098-e6f18a016e76/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_3c9e2983-ca28-4428-bcd5-5145875c8d29/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d802874f-b254-457a-8cae-ab182687d26c/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e0f561df-53b5-471c-aa36-44531c739e64/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_6d599162-6bcc-458b-aaf1-360fb17438c9/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_d27e7408-84b2-4d3a-ba79-ef0430eab857/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_c4af13fc-f8d1-413c-9007-5ac383f7c8e0/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|daf2032d-3c05-487f-a331-6732e409c1cb/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_e10c7651-8de3-4550-9618-1f1416fc626a/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/archive/sdb%3Acollection|f6e9d6c2-319d-4df7-b561-e49de6e2376b/\"\u003eClick to view digital materials in this collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibrary.access.preservica.com/uncategorized/IO_74693221-22a0-480f-bfaa-1e282f8ac47f/\"\u003eClick to view digital image\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital Materials","Digital 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digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital 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digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital image","Click to view digital materials in this collection","Click to view digital image","Click to view digital materials in this collection","Click to view digital image"],"prefercite_html_tesm":["\u003cp\u003e[Item description], Alexandria Black Family Reunion Digital Collection, Alexandria Library, Local History / Special Collections, Alexandria, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Item description], Alexandria Black Family Reunion Digital Collection, Alexandria Library, Local History / Special Collections, Alexandria, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/175\"\u003eElrich W. Murphy Photograph Collection\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://alexlibraryva.libraryhost.com/repositories/2/resources/175\"\u003eElrich W. Murphy Photograph Collection (MS415)\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials"],"relatedmaterial_tesim":["Elrich W. Murphy Photograph Collection","Elrich W. Murphy Photograph Collection (MS415)"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003ePlease note\u003c/b\u003e that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. \u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023\u003c/p\u003e","\u003cp\u003eBlack and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943\u003c/p\u003e","\u003cp\u003eBlack and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eReverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953\u003c/p\u003e","\u003cp\u003eReverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960\u003c/p\u003e","\u003cp\u003eBlack and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003ePage from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eColor photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964\u003c/p\u003e","\u003cp\u003eBlack and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eColor photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eSame image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Coleman and Butler families.\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated\u003c/p\u003e","\u003cp\u003eA card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)\u003c/p\u003e","\u003cp\u003eColor photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eReverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eReverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eClipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026amp; Roger from fat-Black Ace - Age 43\"\u003c/p\u003e","\u003cp\u003eSame image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer\u003c/p\u003e","\u003cp\u003eClipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah\u003c/p\u003e","\u003cp\u003eBlack and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s\u003c/p\u003e","\u003cp\u003eColor photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eBlack and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"\u003c/p\u003e","\u003cp\u003eBlack and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s\u003c/p\u003e","\u003cp\u003eColor photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s\u003c/p\u003e","\u003cp\u003eColor photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s\u003c/p\u003e","\u003cp\u003eColor photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s\u003c/p\u003e","\u003cp\u003eColor photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated\u003c/p\u003e","\u003cp\u003eCover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.\u003c/p\u003e","\u003cp\u003eInterior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events\u003c/p\u003e","\u003cp\u003eInterior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs\u003c/p\u003e","\u003cp\u003eBack of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"\u003c/p\u003e","\u003cp\u003e[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eCharcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century\u003c/p\u003e","\u003cp\u003eHand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003ePastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eHand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century\u003c/p\u003e","\u003cp\u003ePhotographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s\u003c/p\u003e","\u003cp\u003eBlack and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s\u003c/p\u003e","\u003cp\u003eDigital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"63rd birthday June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note reads, \"June 5, 1997.\" \u003cbr\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the family of Bernice Lee.\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs and ephemera from the Cross family\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026amp; John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eReverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eHandwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"\u003c/p\u003e\n","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Ellan\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Douglas\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Bernard\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Bernard\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Frederick\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Paul, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Lawrence, Jr.\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Yolanda\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of Lawrence \u0026gt; Family of Chrystal\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Paul \u0026gt; Family of David\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Douglas R and Elizabeth Carter \u0026gt; Family of Alfred\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of Irene and Bessie Carter \u0026gt; Family of Lucy\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eOriginal file organization: \"Children of William H. and Hester Carter\"\u003c/p\u003e\n","\u003cp\u003eWant to help us describe this image? Use the Digital Materials link below to view this image on the \u003ca href=\"https://bit.ly/ABFR-digital-collection\"\u003eDigital Special Collections portal\u003c/a\u003e and share information about it using our Community Description form at: \u003ca href=\"https://bit.ly/ABFR-community-description\"\u003ehttps://bit.ly/ABFR-community-description\u003c/a\u003e\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations\u003c/p\u003e","\u003cp\u003eExcerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023\u003c/p\u003e","\u003cp\u003eInformational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957\u003c/p\u003e","\u003cp\u003eColor photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985\u003c/p\u003e","\u003cp\u003eReverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895\u003c/p\u003e","\u003cp\u003eColor photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eReverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.\u003c/p\u003e","\u003cp\u003eColor photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eReverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eBlack and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.\u003c/p\u003e","\u003cp\u003eReverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s\u003c/p\u003e","\u003cp\u003eReverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s\u003c/p\u003e","\u003cp\u003eColor photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990\u003c/p\u003e","\u003cp\u003eReverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990\u003c/p\u003e","\u003cp\u003eColor photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984\u003c/p\u003e","\u003cp\u003eColor photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987\u003c/p\u003e","\u003cp\u003eReverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987\u003c/p\u003e","\u003cp\u003eColor photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983\u003c/p\u003e","\u003cp\u003eReverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983\u003c/p\u003e","\u003cp\u003eColor photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.\u003c/p\u003e","\u003cp\u003eReverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003\u003c/p\u003e","\u003cp\u003eColor photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995\u003c/p\u003e","\u003cp\u003eReverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995\u003c/p\u003e","\u003cp\u003eColor photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997\u003c/p\u003e","\u003cp\u003eReverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997\u003c/p\u003e","\u003cp\u003eColor photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005\u003c/p\u003e","\u003cp\u003eColor photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984\u003c/p\u003e","\u003cp\u003eReverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984\u003c/p\u003e","\u003cp\u003eColor photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006\u003c/p\u003e","\u003cp\u003eReverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006\u003c/p\u003e","\u003cp\u003eColor photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000\u003c/p\u003e","\u003cp\u003eReverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999\u003c/p\u003e","\u003cp\u003eColor photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"\u003c/p\u003e","\u003cp\u003eColor photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eReverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000\u003c/p\u003e","\u003cp\u003eColor photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eColor photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eReverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008\u003c/p\u003e","\u003cp\u003eColor photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated\u003c/p\u003e","\u003cp\u003eColor clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eColor photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959\u003c/p\u003e","\u003cp\u003eColor photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eReverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977\u003c/p\u003e","\u003cp\u003eBlack and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eCollage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated\u003c/p\u003e","\u003cp\u003eMarriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920\u003c/p\u003e","\u003cp\u003eReverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920\u003c/p\u003e","\u003cp\u003eBlack and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946\u003c/p\u003e","\u003cp\u003eReverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946\u003c/p\u003e","\u003cp\u003eBlack and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952\u003c/p\u003e","\u003cp\u003eCollage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated\u003c/p\u003e","\u003cp\u003eCollage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated\u003c/p\u003e","\u003cp\u003eReverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated\u003c/p\u003e","\u003cp\u003eCollage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated\u003c/p\u003e","\u003cp\u003eAlbert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated\u003c/p\u003e","\u003cp\u003ePage from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated\u003c/p\u003e","\u003cp\u003eClipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Colbert, Johnson, and Terrell Families.\u003c/p\u003e","\u003cp\u003eColor photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970\u003c/p\u003e","\u003cp\u003eReverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970\u003c/p\u003e","\u003cp\u003eColor photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]\u003c/p\u003e","\u003cp\u003eColor photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011\u003c/p\u003e","\u003cp\u003eReverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011\u003c/p\u003e","\u003cp\u003eColor photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Zellars family\u003c/p\u003e","\u003cp\u003eDigital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School\u003c/p\u003e","\u003cp\u003eReverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898\u003c/p\u003e","\u003cp\u003eReverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"\u003c/p\u003e","\u003cp\u003eColor photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937\u003c/p\u003e","\u003cp\u003eManuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated\u003c/p\u003e","\u003cp\u003eReverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904\u003c/p\u003e","\u003cp\u003eReverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated\u003c/p\u003e","\u003cp\u003eNewsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901\u003c/p\u003e","\u003cp\u003eReverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated\u003c/p\u003e","\u003cp\u003eTypescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978\u003c/p\u003e","\u003cp\u003eReverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026amp; Jefferson Presidents (W\u0026amp;J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026amp; Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026amp;J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922\u003c/p\u003e","\u003cp\u003eReverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026amp; Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eManuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated\u003c/p\u003e","\u003cp\u003eReverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.\u003c/p\u003e","\u003cp\u003eTypescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated\u003c/p\u003e","\u003cp\u003eProgram for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026amp; Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976\u003c/p\u003e","\u003cp\u003eExhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated\u003c/p\u003e","\u003cp\u003eAn effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026amp; Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.\u003c/p\u003e","\u003cp\u003eColor photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated\u003c/p\u003e","\u003cp\u003eDigital surrogates of photographs from the Henry Family\u003c/p\u003e","\u003cp\u003eGroup photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003ePortrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021\u003c/p\u003e","\u003cp\u003eColor photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated\u003c/p\u003e","\u003cp\u003eStudio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated\u003c/p\u003e","\u003cp\u003eHand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987\u003c/p\u003e","\u003cp\u003eColor photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941\u003c/p\u003e","\u003cp\u003eColor photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday\u003c/p\u003e","\u003cp\u003eHand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated\u003c/p\u003e","\u003cp\u003eA blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957\u003c/p\u003e","\u003cp\u003eColor photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021\u003c/p\u003e","\u003cp\u003eColor photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.\u003c/p\u003e","\u003cp\u003eBlack and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated\u003c/p\u003e","\u003cp\u003eColor photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated\u003c/p\u003e","\u003cp\u003ePortrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated\u003c/p\u003e","\u003cp\u003eBlack and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated\u003c/p\u003e","\u003cp\u003eMemorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"\u003c/p\u003e","\u003cp\u003eDigital surrogates of materials documenting the Willis family\u003c/p\u003e","\u003cp\u003ePhotocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968\u003c/p\u003e","\u003cp\u003eDigital surrogates of family history materials documenting the Lyles and Dorsey families\u003c/p\u003e","\u003cp\u003eScrapbook documenting the history of the Lyles and Dorsey families. 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Description","Description","Content Description","Description"],"scopecontent_tesim":["This collection contains digital donations collected from members of the Alexandria African American community during the 2023 Alexandria Black Family Reunion event. This is a completely digital collection consisting of digital surrogates of the materials; the original items have been retained by their owners. Included are photographs, documents, and ephemera.","Please note  that processed donations will be added to this collection on an ongoing basis. Check this collection guide for regular updates. ","Digital surrogates of photographs from the family of William D. \"Bill\" Euille, former Mayor of the City of Alexandria (2003-2016). Euille served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023.","Color photograph, portrait of Robert Drinkard and Tammi Drinkard. Both are dressed in formal wear and are standing in front of a colorful backdrop. Photograph appears to have been captured at a formal event or gala. Photograph is undated.","Color photograph of seven people posed in the midst of a ribbon cutting ceremony. From left to right: (unidentified), Ludwig Gaines, Bill Euille, Dal Repper, Rob Krupika, Jim Moran, Paul Smedburg. Photograph is undated.","Color photograph taken during the annual Alexandria Scottish Christmas Walk Parade depicting several people on a snowy street in Alexandria, Virginia. Featured in the foreground of the photo, from left to right: Bill Euille and Rob Krupika. Over the image is text that reads, \"The Three Musketeers.\" Photograph is undated.","Color photograph, portrait of Bill Euille, dressed in a suit and standing in front of a curtained window with his hands folded in front of him. Photograph is undated.","Color photograph, portrait of Bill Euille. This appears to be a candid photo taken of Euille, dressed in a casual outfit, standing in front of a blank, white wall. Photograph is undated.","Digital surrogates of photographs of the African American community in Alexandria, Virginia that were collected by Char McCargo Bah. Bah is a celebrated genealogist, author, and native Alexandrian who has been researching and writing about the Alexandria African American community since 1981. Bah served as Honorary Co-Chair of the first Alexandria Black Family Reunion in 2023","Black and white photograph, early class portrait from the Parker-Gray School in Alexandria, Virginia. Children are posed standing in three rows with a fourth row seated in front with a man posed standing to the right side, their teacher Rozier D. Lyles. The group is posed in front of what appears to be the entrance to the school; a brick wall and wooden door are visible in the background of the image. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Henry T. White and the first faculty at the Parker-Gray School in Alexandria, Virginia when it opened in 1920. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Eleven men and women are posed in two rows; the back row is standing behind the seated front row. Front row, from left to right: Reverend A.W. Adkins; Henry T. White, teacher and first principal; Laura M. Dorsey; Rozier D. Lyles; and James E. Howard. Back row, from left to right: Mamie E. Anderson; Margaret T. Young; Florence Murray; Harriet E. Thornton; Susie P. Madden; and Sarah D. Gray. Photograph is undated, c.1920","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Eight men and women are posed in two rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three or four uneven rows, standing on the steps in front of the main entrance to the school. Elam is last man on the right. The man in the center of the front row is Rozier D. Lyles, a teacher at the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1920","Black and white photograph, class portrait of the Parker-Gray School fifth grade class taught by Mamie E. Anderson in 1920. Three rows of children are posed on the steps in front of the entrance to the Parker-Gray School. Anderson is on the end of the front row, on the right side of the image. Photograph is undated, c.1920","Black and white photograph, two images together in one photo print with one image on top of the other. The top image is the same as that of the Parker-Gray School fifth grade class portrait photograph photo print (ABFR-23-002-006). The bottom image is the same as that of the Photograph of Parker-Gray School first building photo print (ABFR-23-002-005). Both images are undated, c.1920","Black and white photograph, portrait of Principal Henry T. White with students of the Parker-Gray School. White was the first principal of the Parker-Gray School and served from 1920 through 1928. Twenty-eight children are posed standing in two rows on the steps in front of the entrance to the school. White is posed standing in front of the students. Photograph is undated, c.1920s","Black and white photograph, portrait of Principal Wesley D. Elam with the faculty of the Parker-Gray School in Alexandria, Virginia. Elam was the second principal of Parker-Gray and served from 1927 through 1938. Sixteen men and women are posed in three rows, standing on the steps in front of the main entrance to the school. Elam is the first man on the left in the back row. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students with their teacher Ms. Day. Forty-two students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students. Thirty-five students are posed in four rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is undated, c.1930s","Black and white photograph of the Parker-Gray School's first building at 901 Wythe Street in Alexandria, Virginia. Photograph is undated, c.1930s","Black and white photograph, class portrait of Parker-Gray School students in 1931. Thirty students of varying ages are posed standing in three rows in front of a brick wall which appears to be an exterior wall of the school. Photograph is dated 1931","Black and white photograph, group portrait of the 1936 graduates of Parker-Gray School. They are posed standing in two rows with some of the school faculty. Photograph is dated 1936","Black and white photograph, class portrait of Parker-Gray School students in 1939. Fifteen students are posed standing in two or three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Eighteen students are posed standing in three rows on the front steps of the school. Photograph is dated 1939","Black and white photograph, class portrait of Parker-Gray School students in 1939. Approximately thirty-five students of varying ages are posed standing in four rows on the front steps of the school. Photograph is dated 1939","Black and white photograph of Parker-Gray School students in 1939. Eleven teenaged students are posed standing casually, with arms around each other's shoulders, etc., on the front steps of the school. Photograph is dated 1939","Black and white photograph of four Parker-Gray School cheerleaders in 1941. Four young women in cheerleading uniforms are posed together in a field, all in a row with their bodies turned towards the right of the image and faces toward the camera. They are kneeling in the grass with one arm in the air and bent at the elbow. In front of them on the grass are two megaphones and pom-poms. Photograph is dated 1941","Black and white photograph, class portrait of Parker-Gray School students in 1941. Approximately forty children are posed standing in four rows on the front steps of the school. Photograph is dated 1941","Black and white photograph, portrait of the 1942 graduating class of Parker-Gray School. Approximately thirty teenaged students dressed in graduation caps and gowns are posed standing in three rows on the pulpit of the Alfred Street Baptist Church in Alexandria, Virginia. A handwritten signature in the bottom, right corner of the image reads \"Murphy.\" Photograph is dated 1942","Black and white photograph, portrait of the 1943 graduating class of Parker-Gray School. Twenty-four teenaged students dressed in graduation caps and gowns are posed in two rows on the stage of what appears to be a school auditorium. A handwritten note across the photo print reads, \"Parker Gray High School Class of 1943.\" Photograph is dated 1943","Black and white photograph of group of students and others posed in a row on the Parker-Gray football field at the 1945 homecoming game. Two students are dressed in football uniforms and standing next to young women holding bouquets, presumably the homecoming court. Photograph dated 1945","Black and white photograph of the 1945 Parker-Gray homecoming queen being crowned by Oliver Ellis, captain of the football team. A young man wearing a football uniform, identified as \"Captain of Douglas,\" and a young woman, identified as \"Miss Douglas,\" look on as Captain of the Parker-Gray football team Oliver Ellis crowns the new Miss Parker-Gray. The two young women and two young men in the photograph are identified this way by handwritten notes on the bottom edge of the photo print. Photograph is dated 1945","Black and white photograph, portrait of the 1945 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1945","Black and white photograph, group portrait of the P Club student organization at Parker-Gray High School. Twenty students are posed in two rows in what appears to be a classroom or the school library. Several of the students are wearing letterman sweaters with a big \"P\" patch on the front. Photograph is dated 1947","Black and white photograph, group portrait of faculty and staff of Parker-Gray. The fifteen men and women are posed in two rows in what appears to be a school cafeteria or auditorium. Several of them are holding a rolled up document. Photograph is dated 1946","Black and white photograph, portrait of the 1946 graduating class of Parker-Gray School. Thirty-seven teenaged students dressed in graduation caps and gowns are posed in three rows on the stage of what appears to be a school auditorium. Photograph is dated 1946","Black and white photograph of seven young women seated at desks in a Parker-Gray classroom while their teacher, Mrs. Chase, looks on. The students each have their own large, black typewriter on their desk and appear to be working on an assignment. A large, wall-mounted chalkboard is visible in the background of the image. Photograph is dated 1946","Black and white photograph of four young women from the Parker-Gray girls basketball team. They are posed together in the school gym with two students standing in the back row, while the other two kneel in front of them and pose with a basketball. All four are dressed in basketball team uniforms and one also wears a sweater over the uniform which reads, \"PARKER GRAY.\" Photograph is dated 1946","Black and white photograph, group portrait of the Parker-Gray High School girls basketball team. Fourteen young women wearing the basketball team uniforms are posed in  two rows in front of a curtain backdrop, with a basketball placed on the ground in front of them. Also in the photograph is a woman wearing a skirt suit, presumably the team coach; as well as another young woman not dressed in the basketball uniform. Photograph is dated 1946","Black and white photograph of the homemaking class at Parker-Gray High School. Four young women are standing at a workstation table, engaged in a cooking or baking project. Two students appear to be stirring something in saucepans, one student appears to be kneading or rolling dough, and another is sprinkling something onto a dish. Another student is seated at a desk working on a written assignment. And the teacher, Ruby Fields Smith, looks on from the front of the classroom.","Black and white photograph, portrait of the 1950 graduating class of Parker-Gray School. Forty-one teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1950","Black and white photograph of the Parker-Gray School's second building. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is undated, c.1950s","Black and white photograph of eight men posed standing in a row in front of a curtain. This photograph was taken at the dedication event for the new Parker-Gray High School and the group includes Principal William H. Pitts, Sr. and Reverend Adkins. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain; one man appears to be handing a small item to Parker-Gray Principal William H. Pitts, Sr. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of five men posed standing in a row in front of a curtain, including Parker-Gray Principal William H. Pitts, Sr on the far left. This photograph was taken at the dedication event for the new Parker-Gray High School. In 1950 a new high school was built to accommodate the growing student population at Parker-Gray. The new building at 1207 Madison Street, Alexandria, Virginia took with it the name Parker-Gray High School and the previously occupied building on Wythe Street was renamed the Charles Houston Elementary School. Photograph is dated 1950","Black and white photograph of the crowning of a Parker-Gray High School student. A young woman, identified as [Annt] Lightfoot, wearing a white, lace dress and white gloves is standing next to a young man in a suit while he places a crown on her head. They are both standing in front of a dark-colored curtain, presumably on a stage. She is presumably being crowned as a pageant winner, homecoming queen, or prom queen. Photo is undated, c.1950s","Black and white photograph of three Parker-Gray High School students on a platform or stage, seated in front of a decorative backdrop and arch with a dark-colored curtain visible in the background. From left to right: a young women wearing a polka dot dress and cat-eye glasses with a white, floral corsage pinned to her dress; a young woman, identified as [Annt] Lightfoot, wearing a white dress, white gloves, and crown and holding a bouquet; a young woman wearing a white dress with a white, floral corsage pinned to her dress. Lightfoot is seated on a platform that is raised slightly higher than the other two young women. They are presumably the winner and runners-up of a pageant, homecoming queen, or prom queen contest. Photo is undated, c.1950s","Black and white photograph, studio portrait of a Parker-Gray High School homecoming queen. A young woman is posed, seated in front of a light-colored backdrop. She is wearing a white dress, silver necklace, silver earrings, and silver tiara while holding a large bouquet. Photograph is undated, c.1950s","Black and white photograph of a group of Parker-Gray High School students standing in a football field with the Parker-Gray marching band. Three young women are standing in a row together; the young woman in the middle is holding a bouquet and the other two are both wearing white, floral corsages pinned to their lapels. Behind the young women are several members of the Parker-Gray High School marching band who appear to be in the midst or in a moment right before a performance. Photograph is undated, c.1950s","Black and white photograph, portrait of the 1951 graduating class of Parker-Gray School. Sixty-three teenaged students dressed in graduation caps and gowns are posed seated in five rows on the bleachers in the school gym. Also in the photo are Principal William H. Pitts Sr., seated in the back row, and an unidentified woman seated on the right side of the image. Photograph is dated 1951","Black and white photograph of a group of Parker-Gray High School students and faculty posed standing in a row. The students are all dressed in graduation caps and gowns. From left to right: Principal William H. Pitts, Sr.; Herman T. Newman, salutatorian; Shirly A. Stokes; Naomie E. Lewis; Lloyd Harris; Kirk R. Carter; William H. Pitts, Jr., valedictorian; the Reverend F. D. Williams, and Theodore R. Sinclair, assistant superintendent of Alexandria schools. Photograph is dated 1951","Reverse of Parker-Gray graduation group photograph photo print (ABFR-23-002-038). A handwritten note identifies the people in the photo as well as noting that this picture was used in the newspaper. Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314,\" and \"Columbus George, Jr., Photographer, 518 North Columbus Street, Overlook 3963, Alexandria, Virginia\"","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Several students and faculty in graduation gowns and stoles are seated in rows behind him on the stage. Photograph is dated 1951","Black and white photograph of the valedictorian and son of the principal, William H. Pitts, Jr., giving a speech during Parker-Gray High School graduation. A young man dressed in a graduation cap and gown and glasses stands at a lectern on a stage. Seated behind him on the stage are several students and faculty in graduation gowns, including Principal William H. Pitts, Reverend F. D. Williams, and Assistant Superintendent Theodore R. Sinclair. The school band is seated in front of the stage. Photograph is dated 1951","Black and white photograph of a moment during the Parker-Gray High School graduation ceremonies. Standing on the stage, Principal William H. Pitts, Sr. shakes the hand of his son and the valedictorian, William H. Pitts, Jr. Pitts, Jr. is wearing a graduation cap and gown and holding what appears to be his diploma. Pitts, senior is dressed in a white blazer and black bowtie. Photograph is dated 1951","Black and white photograph of Principal William H. Pitts, Sr. making remarks during the Parker-Gray High School graduation. A man wearing a white blazer, black suit pants, black double pocket square, and black bowtie stands at a lectern and appears to be in the middle of speaking. Seated behind him on the stage are several students and faculty wearing graduation gowns and stoles. Photograph is dated 1951","Black and white photograph, group portrait of Parker-Gray High School students who are likely all members of a school sports team or club. Approximately forty young men are  posed standing in two rows with a third row seated in front. Photograph is dated 1951","Black and white photograph, portrait of the 1952 graduating class of Parker-Gray School. Thirty-six teenaged students dressed in graduation caps and gowns are posed standing in six rows on the bleachers in the school gym. Photograph is dated 1952","Black and white photograph, portrait of the 1953 graduating class of Parker-Gray School. Twenty-six teenaged students dressed in graduation caps and gowns are posed in three rows in front of the stage of what appears to be a school auditorium. Photograph is dated 1953","Black and white photograph, group portrait of the members of the National Honor Society from the Parker-Gray High School graduating class of 1953. Three students, dressed in graduation caps and gowns, are posed standing together in front of the stage of what appears to be a school auditorium. From left to right: Hazel Jones, Fred Mathers, Jr., and Delores Hooks. Photograph is dated 1953","Reverse of Parker-Gray High School National Honor Society members group photograph (ABFR-23-002-052). Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" \"Parker Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314.\" A handwritten note reads, \"Members of the First National Honor Society at Parker-Gray H.S. 1953 Chapter 4950 Fred Mathers Jr. [rank] 1; Delores Hooks [rank] 2; Hazel Jones [rank] 3\"","Black and white photograph, portrait of the 1954 graduating class of Parker-Gray School. Approximately fifty teenaged students dressed in graduation caps and gowns are posed in several rows standing on the steps in front of the entrance to the school. Photograph is dated 1954","Black and white photograph, group portrait of young women of the Parker-Gray School graduating class of 1954. Approximately thirty young women are posed in three rows standing around a sign that reads, \"Congratulations Parker Gray Graduates!\" In the middle of the group, directly behind the sign, is an older man in a suit. Photograph is dated 1954","Black and white photograph, group portrait of what appears to be the winner and runners-up of Parker-Gray homecoming queen. Four young women are posed standing in a row; two of them are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph, group portrait of what appears to be the Parker-Gray homecoming court. Three young men and four young women are posed in a row, standing on a football field. One of the young men is identified as Roland Norton. Two of the young men are dressed in football uniforms (number 80 and number 35). Two of the young women are wearing floral corsages pinned to their lapels and the other two young women are holding bouquets. Photograph is dated 1955","Black and white photograph of the spectators at the 1955 Parker-Gray High School homecoming football game. The bleachers of a football field are filled with Parker-Gray students, faculty, and other community members watching the homecoming football game. Several people stand on the sidelines in front of the bleachers. Photograph is dated 1955","Black and white photograph, group portrait of the Parker-Gray High School class of 1957 taken in their junior year. Approximately sixty students are posed in five rows, standing on the steps in front of the entrance to the school. Photograph is dated 1955","Black and white photograph, portrait of the 1956 graduating class of Parker-Gray School. Fifty-eight teenaged students dressed in graduation caps and gowns are posed in five rows on the bleachers in the school gym. Also in the photo is Principal William H. Pitts Sr. Photograph is dated 1956","Black and white photograph, portrait of May Queen Joyce A. Drayton. A young woman, Joyce A. Drayton, wearing a light-colored satin dress is posed standing in the grass in front of the exterior of the school building. The front entrance of the school is visible in the background of the image. Photograph is dated 1956","Black and white photograph, portrait of the 1957 graduating class of Parker-Gray School. Forty-eight teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming court, including Homecoming Queen Phyllis Tate. Three young women and three young men are posed standing in a row in front of what appears to be a \"throne\" for the homecoming queen. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young man in dark-colored pants and a light-colored jacket posed in the act of placing a crown atop the head of the young woman in the center of the group; a young woman (being crowned), Phyllis Tate, wearing a light-colored skirt set and holding a large bouquet; a young man wearing dark-colored pants and a wool jacket; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph of the 1957 Parker-Gray High School homecoming queen and runners-up. Three young women are posed standing in a row, with the young woman in the center on a raised platform. From left to right: a young woman dressed in a plaid skirt set, white gloves, white hat, small round handbag, and corsage pinned to her lapel; a young woman, Phyllis Tate, wearing a light-colored skirt set, white gloves, glittery crown, and holding a large bouquet; a young woman wearing a dark-colored skirt set, white gloves, white hat, small handbag, and corsage pinned to her lapel. Photograph is dated 1957","Black and white photograph, portrait of Phyllis Tate, the 1957 Parker-Gray High School homecoming queen. A young woman, Phyllis Tate, is posed seated in a chair atop a platform with a backdrop of crepe paper streamers. The backdrop and platform appear to have been decorated by students to serve as a \"throne\" for the homecoming queen. Tate is dressed in a light-colored skirt set, white gloves, sparkling crown, and is holding a large bouquet. Photograph is dated 1957","Black and white photograph that appears to depict the crowning of the 1957 Miss Parker-Gray. A young woman, LaJeune Hundley, is posed standing in what appears to be the school gymnasium while a man appears to place a tiara atop her head. Hundley is wearing a dress, short fur coat, white gloves, and small handbag. Posed standing next to her in the photograph is another young woman, dressed in a light-colored coat over a dress, white gloves, and white fascinator hat. The man crowning Hundley, is turned away from the camera, but might be Principal William H. Pitts, Sr. He is dressed in a long black coat, dark-colored pants,  a fedora hat  and is holding a piece of paper and a microphone. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Reverse of Photograph of Miss Parker-Gray photo print (ABFR-23-002-066). Handwritten note reads, \"Miss Parker-Gray 1957-58 La Jeune Hundley, Attendants - Teyanna Williams, Jesurena Smith.\" Stamped typescript notes read, \"Alexandria City Public Schools Record Center,\" and \"Parker-Gray Middle School, 1207 Madison Street, Alexandria, Virginia 22314\"","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. From left to right: a young woman wearing a light-colored coat over a dress, white gloves, white fascinator hat, and small handbag; a young woman, La Jeune Hundley, wearing a dress, short dark-colored fur coat, white gloves, tiara, and small handbag; a young woman wearing a long, light-colored fur coat over a dress and white gloves. Visible in the background of the image are several people standing on the gym bleachers. Photograph is dated 1957","Black and white photograph of Miss Parker-Gray La Jeune Hundley and her two attendants, Teyanna Williams and Jesurena Smith. Three elegantly dressed young women are posed standing in a row in front of what appears to be the bleachers in the school gymnasium. Hundley is stood in the center of the trio and is turned around to shake the hand of a young woman standing behind her wearing a long, dark-colored coat with a corsage pinned to the lapel.","Black and white photograph, portrait of the 1958 graduating class of Parker-Gray School. Twenty-three teenaged students dressed in graduation caps and gowns are posed in three rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1958","Black and white photograph, group portrait of seven young women posed in front of a small platform and backdrop that have been decorated with crepe paper and streamers. It appears to be the \"throne\" for the homecoming queen depicted in other photographs from this series. Photograph is dated 1958","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Four young women are posed standing in a row, the two in the center are one step up on a small podium. All four young women are holding bouquets. Photograph is dated 1959","Black and white photograph, group portrait of the 1959 Parker-Gray High School homecoming court. Three young women and three young men are posed in a row standing on a football field. Two of the young men are wearing football uniforms (number 54 and number 72); all three young women are holding bouquets. Photograph is dated 1959","Black and white photograph, portrait of the 1960 graduating class of Parker-Gray School. Thirty-five teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. in the middle of the back row. Photograph is dated 1960","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1961. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr. and school advisors Mary T. Adams and Jacqueline Green. Item is dated 1961","Black and white photograph, portrait of the 1961 Ms. Parker-Gray, Doris Surratte, being crowned. A young woman, Doris Surratte, dressed in a white dress with sheer white shoulder wrap is posed standing next to a young man wearing a suit who is posed in the moment of placing a crown atop her head. Photograph is dated 1961","Black and white photographs, composite class portrait of the Parker-Gray High School class of 1962. Headshot studio portraits of students dressed in graduation caps and gowns are arranged in rows with each student's name listed underneath their photo. Also included are studio portrait photographs of Principal William H. Pitts, Sr.; Elizabeth Qualls, Sponsor; Robert H. Adkins, Sponsor; Richard Clayton, Sponsor. Item is dated 1962","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. A car is parked in a small parking pad next to what appears to be the side or back of the school building. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Four people are seated in the car, who appear to be three students and their instructor in the front passenger seat. Photograph is dated 1963","Black and white photograph, candid photo from the Parker-Gray School Drivers Ed class. Five people are seated in a parked car. Affixed to the passenger side door of the car is a sign that reads, \"Driver Education Car, Courtesy Aero Chevrolet\" with the AAA logo above it. Photograph is dated 1963","Page from the program of the Parker-Gray High School Class of 1965 50th Reunion, held June 12th and 13th, 2015. An illustrated image of a scroll frames a list of the names of the members of the class of 1965, listed in two columns. Item is dated 2015","Black and white photograph, portrait of the 1965 graduating class of Parker-Gray School. Forty-seven teenaged students dressed in graduation caps and gowns are posed in four rows on the bleachers in the school gym. Also pictured is Principal William H. Pitts, Sr. Photograph is dated 1965","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School band dressed in their uniforms. They are posed seated in curved rows and appear to be in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School majorettes. Dressed in their uniforms and holding batons, seven young women are posed standing on the bleachers in the school gymnasium. They are standing in a row, each on a different step, ascending up the risers. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored plaid suit, white shirt, dark-colored tie, and wire-rimmed glasses. Patterson is posed seated at his desk as if in the midst of working. Papers and books are strewn across his desk, while he flips through an open book with one hand and a pencil poised to write something in the other hand. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Assistant Principal Edward L. Patterson. He is dressed in a dark-colored suit, white shirt, checkered tie, and wire-rimmed glasses. He is posed standing behind his desk while he does something with a large metal box atop the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of the cafeteria staff at Parker-Gray High School. Seven women, all dressed in white uniform dresses, are posed standing in a row in what appears to be the school cafeteria. Photograph is undated, c.1960s","Black and white photograph of Ferris Holland, math and science teacher at Parker-Gray High School, and two unidentified students. Holland is standing behind the workstation at the front of his classroom, in the midst of demonstrating a chemistry experiment. To the left of Holland is a young man dressed in a checkered blazer; and to the left of Holland is a young woman wearing a white blouse. Visible behind them in the image is a blank chalkboard. Photograph is undated, c.1960s","Black and white photograph of several members of what appear to be faculty and staff of Parker-Gray High School. Ferris Holland, math and science teacher at Parker-Gray, is posed seated at a desk while pointing to something in a book. Seven other men and women are posed standing around him and looking at the book on his desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Hollis Williams, a member of the Parker-Gray High School faculty. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and two unidentified students. Smith is posed standing behind a table where two young women are seated; all three have papers in their hands and appear to be in the midst of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated behind her desk with a young woman seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session. Photograph is undated, c.1960s","Black and white photograph, portrait of Mabel L. Smith,  Parker-Gray High School guidance counselor, and an unidentified student. Smith is posed seated at a desk with a young man seated in a chair at the side of the desk. They are posed as if in the midst of a counseling session; both looking down at a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed standing in front of a filing cabinet in the school administration offices with her hands resting on an open drawer. Photograph is very similar to ABFR-23-002-094 but Adams facial expression is slightly different. Photograph is undated, c.1960s","Black and white photograph, portrait of Mary T. Adams, Parker-Gray High School guidance counselor. She is posed seated at her desk as if in the middle of a phone conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School nurse. A woman dressed in a white nurse's uniform dress and cap is posed seated at a desk with a pen poised as if writing on a set of papers on the desk. Photograph is very similar to ABFR-23-002-097 but her facial expression is slightly different and the photo was taken at a slightly different angle. Photograph is undated, c.1960s","Black and white photograph, portrait of the physical and driving education faculty at Parker-Gray High School. Three men and a woman are posed standing in a row in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk. Photograph is undated, c.1960s","Black and white photograph, studio portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is dressed in a dark-colored suit, white shirt, tie, and white pocket square and is posed seated in front of a blank backdrop. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. He is posed standing on the steps in front of the entrance to the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk with a pen poised above a set of papers on the desk, as if in the midst of doing paperwork. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School Principal William H. Pitts, Sr. Pitts is posed seated at his desk while reaching to the intercom on his desk, as if in the midst of making an announcement. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two are seated at their desks and one is standing at the counter writing on a sheet of paper. Photograph is similar to ABFR-23-002-105. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Four women are posed in the front office of the school. They are all posed as if in the midst of working at different tasks: writing on a paper at the counter, looking through a filing cabinet, talking on the phone, typing on a typewriter. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are standing on either side of the counter and posed as if in the middle of a conversation. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Three women are posed in the front office of the school. Two women are seated at their desks and one woman is standing behind the counter; all are posed as if in the midst of working. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School secretaries. Two women are posed together behind a desk in the school administration offices. From left to right, a woman, Louise Evans, is posed standing and pointing to a piece of paper held in her other hand; a woman is seated at the desk and looking at the paper that Evans' is holding. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School vocational and fine arts faculty. A woman is seated at a piano with six other men and women posed standing around the piano. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School faculty. Twenty-eight men and women are posed in three rows in front of a light-colored curtain serving as a backdrop. They appear to be on the stage in a school auditorium. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Six men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Seven men and women are seated around a table in what appears to be the school library. On the table are a few books and a typewriter. Photo is very similar to ABFR-23-002-114, but the people are posed in slightly different positions. Photograph is undated, c.1960s","Black and white photograph of some members of the Parker-Gray High School faculty. Ten men and women are posed around a desk at the front of a school classroom with a blank chalkboard behind them. Photograph is undated, c.1960s","Black and white photograph of the homemaking class at Parker-Gray High School. Eight young women are posed around a classroom kitchen at work on different cooking and baking tasks while their teacher looks on. Photograph is undated, c.1960s","Black and white photograph, group portrait of the Parker-Gray High School baseball team. Ten young men wearing baseball uniforms are posed together on a baseball field behind the school. Photograph is undated, c.1960s","Black and white photograph, portrait of Lawrence Veney. He is wearing his Parker-Gray High School baseball team uniform and is posed as if in the midst of throwing a pitch. Photograph is dated 1963","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School basketball team in the midst of a game. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School pep squad or cheerleading team. Seven young women in pep squad uniforms are in the midst of performing a cheer in the school gymnasium, presumably during a game or pep rally. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph, portrait of the Parker-Gray High School pep squad or cheerleading team. Eight young women dressed in pep squad uniforms are posed standing in a row in front of the bleachers in the school gymnasium, posed as if in the midst of performing a cheer. Photograph is undated, c.1960s","Black and white photograph, portrait of Parker-Gray High School pep squad or cheerleading team. Thirty young women are posed in two rows in front of the bleachers in the school gymnasium. Photograph is undated, c.1960s","Black and white photograph of four members of the Parker-Gray High School football team. Four young men dressed in football uniforms are posed standing on a football field. Three of the young men are crouched in a defensive position and the fourth young man is standing behind them as if poised to throw the football. Photograph is dated 1961","Black and white photograph, portrait of Raymond Williams, captain of the Parker-Gray High School football team. A young man, Raymond Williams, wearing a football uniform number 80, is posed crouched in a defensive position on a football field. Photograph is dated 1961","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a wide shot of players on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of the Parker-Gray High School football team in the midst of playing a game. The photo is a shot of players and two referees on the field. Unfortunately the image is slightly blurred. Photograph is undated, c.1960s","Black and white photograph, candid photo of several young women playing a game of volleyball in the Parker-Gray High School gymnasium. Based on their matching outfits, this is likely a candid photograph from a Physical Education class. Photograph is undated, c.1960s","Black and white photograph, group portrait of what is likely the Parker-Gray High School Girls' Athletic Association. Nineteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are all dressed in matching outfits: white blouses paired with dark-colored skirts. Photograph is undated, c.1960s","Black and white photograph, group portrait of members of the Parker-Gray High School pep club. Fourteen young women are posed standing in two rows on the bleachers in the school gymnasium. They are standing angled sideways with their outer arm reaching out toward the middle of the gym. All of the young women are wearing vests with sashes that read, \"Go Team Go.\" Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, candid photo of two young men in the midst of a wrestling match. A referee dressed in all white is also visible on the side of the mat. Visible in the background of the image are the officials or scorekeepers seated at a table, an announcer seated on a stool with a microphone, and several other members of the Parker-Gray High School wrestling team wearing their uniform sweat suits. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, team portrait of the Parker-Gray High School wrestling team. Twelve young men and their two coaches are posed in two rows atop a wrestling mat in the school gymnasium. They are all dressed in matching light-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably basketball based on their outfits. Twelve young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching shiny jackets with PG on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed standing on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a Parker-Gray High School team for an unidentified sport, presumably track and field based on their outfits. Nine young men are posed seated on the bleachers in the school gymnasium. They are dressed in matching dark-colored sweat suits that say Parker-Gray on the front. Photograph is undated, c.1960s","Black and white photograph, group portrait of a junior class at Parker-Gray High School. Approximately sixty students are posed in three rows on the grass in front of the school building. Photograph is undated, c.1960s","Black and white photograph of five Parker-Gray High School students in a car. A young man is posed in the driver's seat, in the passenger seat is a young woman wearing a headscarf, and in the backseat are three other young women. Photograph is undated, c.1960s","Black and white photograph of three Parker-Gray High School students. Three young women are posed standing in a row on a field. Two of the young women are wearing floral corsages pinned to their lapels and the young woman in the center of the group is holding a bouquet. Presumably they are a homecoming court, but the context of the image is not identified anywhere. Photograph is undated, c.1960s","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a brown polo shirt and khaki pants is seated next to a woman dressed in white pants and a blouse with a blue paisley pattern. They are both seated in front of tables and blue and white painted cement brick walls - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a red collared dress, Norma J. Turner, is seated in front of a blue cement brick wall - the type of cement brick that is frequently found in American public school buildings. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women, including Norma J. Turner in the foreground of the image, are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are three other people who appear to be about to take their seats at another table, as well as, a bartender behind a bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at a dinner table in what appears to be a restaurant or banquet hall. Visible in the background of the image are other people seated at another table, as well as, a man ordering a drink from the bar. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in black pants, a white shirt, patterned tie, black suspenders, and glasses with a rose-colored tint. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. Several men and women are seated at dinner tables in what appears to be a restaurant or banquet hall. In the foreground of the image is a man dressed in a grey suit, white shirt, and checkered tie; and a woman dressed in a pink, orange, and yellow dress with a sheer yellow jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a black dress with a floral print and a black blazer jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a purple dress and matching purple jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. She is wearing a pink dress and matching pink jacket. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman wearing a white, lace blouse is seated in what appears to be a red booth. Photograph is dated 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman is standing up from a dinner table with a red booth seat and looks as if about to give a speech. She is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A man dressed in a grey suit, blue shirt, and blue tie is posed seated at a table. Photograph is dated 22 August 2010","Color photograph taken during the 2010 Parker-Gray School reunion. A woman and man are standing up from a dinner table with a red booth seat and are posed in the midst of presenting a certificate. The woman is dressed in a sky blue jacket and matching sky blue pants, white blouse, and sky blue hat. The man is dressed in a tan suit, light-gray shirt, and patterned tie. Photograph is dated 22 August 2010","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a pink sweater is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a grey jacket and floral patterned blouse is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman dressed in a green blouse with a patterned scarf tied around her neck is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man and a woman are seated in front of a window that looks out onto the street. The woman is wearing a white and grey striped jacket and blouse; the man is wearing a checkered suit jacket, white shirt, and striped tie. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a checkered suit jacket, white shirt, and striped tie is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a white shirt and white baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pink and white blouse, black suit jacket, and backwards black baseball cap is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a tan shirt is standing in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A laughing man wearing a patterned shirt is seated in front of a window that looks out onto the street. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse and white pants is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a black shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a yellow shirt, black patterned cardigan, and black headwrap is seated in front of blank whiteboard mounted on a white cement brick wall. A cane is leaning against the wall behind her. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white blouse over a black t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a blue and white patterned blouse and white baseball cap with a logo on it that reads, \"Parker-Gray 1920-1965\" is posed standing in what appears to be a classroom. Several other people are visible behind her in the background of the image. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a grey t-shirt is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a red blouse is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a black and white patterned blouse is seated in front of a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a white t-shirt, blue sweater, and holding a notebook is seated in front of blank whiteboard mounted on a white cement brick wall. Photograph is dated 18 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a pale green blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A man wearing a striped brown suit jacket and pink shirt is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple blouse and white lace shrug is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Unfortunately the image file appears to be corrupted and the bottom half of the image is missing. Photograph is dated 19 August 2012","Color photograph taken during a 2012 Parker-Gray School reunion. A woman wearing a purple, black, and white patterned blouse is seated at a dinner table in what appears to be a restaurant or banquet hall. Several other guests seated at other tables are visible in the background of the image. Photograph is dated 19 August 2012","Color photograph taken during a 2015 Parker-Gray School reunion event of Linwood Moses Smith and Sharon Jones Frazier. From left to right: a woman dressed in a purple turtleneck and purple cardigan; a man, Linwood Moses Smith, dressed in khaki pants, a grey zipped jacket under a denim jacket, a grey hat; a woman, Sharon Jones Frazier, dressed in a blue collared top under a tan trench coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event of McArthur and Nellie Quander. A man, identified as McArthur, dressed in denim pants, a checkered shirt, black windbreaker with the Free Masons logo on the front, and a brown hat walks with a woman using a mobility aid, Nellie Quander, dressed in a black top, black pants, and bright, red coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of three women and a man standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Included in the group are Sharon Jones Frazier and Audrey P. Davis, Director of the Alexandria Black History Museum. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A portrait photograph of Audrey P. Davis, Director of the Alexandria Black History Museum, posed standing in the street in front of the former Parker-Gray High School building. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A candid photograph of five men standing in the street, presumably outside the former Parker-Gray High School building, in the midst of conversation. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. Seven men and women are posed next to the historic landmark sign noting the adjacent building as the former building of Parker-Gray High School. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man and woman are seated in the middle of the audience during the celebration event. The man is wearing a blue and white striped shirt and tan suit jacket; the woman is wearing a brown quilted coat. Photograph is dated 2015","Color photograph taken during a 2015 Parker-Gray School reunion event. A man dressed in a grey suit, off-white shirt, patterned tie, and white baseball cap is walking down the street while utilizing a mobility aid. Photograph is dated 2015","Black and white photograph, class portrait of a group of Charles Houston Elementary School students. Approximately fifty children, along with two teachers, are posed standing in four rows on the steps in front of the entrance to the school. Photograph is undated, c.1950s","Black and white photograph, class portrait of the Room 6, Second Grade class at Charles Houston Elementary School in 1964. Twenty-eight children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 2 Room 6 1964.\" Photograph is dated 1964","Black and white photograph, class portrait of the Room 16, Fourth Grade class at Charles Houston Elementary School in 1964. Twenty-seven children are posed in three rows with their teacher in what appears to be the school library. Two children in the center of the front row are holding a sign that reads, \"Charles Houston Alexandria, VA Grade 4 Room 16 1964.\" Photograph is dated 1964","Digital surrogates of photographs from the family of Linwood Moses Smith. Related to the Jesurena Smith family photographs (ABFR-23-006)","Black and white photograph, portrait of a young girl standing posed outside in the grass. She is wearing a white top, white pants, and black sandals with white socks. It appears that the girl is in the yard next to a house; behind her are a brick wall and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a group of four young children. The children (a young girl, a young boy, and two toddlers) are outside in the grass, in what appears to be the yard next to a house. One of the toddlers is sitting in the grass while the two older children are each holding a hand of the second toddler while they attempt to stand on their own. It appears that the children are attempting to pose for the photograph, but have been captured in motion. Behind the children is a brick wall with two visible windows and the shadow of a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of a young woman and two very young children. The woman, dressed in black capri pants and a striped tank top, is posed standing outside in the grass in what appears to be the yard next to a house. She is holding a baby in her right arm while with her left holds the hand of a toddler standing next to her. The baby and toddler are both dressed in all white outfits. Behind the group is a brick wall with three visible windows and a large bush or shrubbery. Photograph is undated, c.1950s","Black and white photograph of three young children standing outside in the grass, in front of a short shrub. From left to right, a young boy dressed in a white short sleeved shirt, dark-colored shorts, and black sandals with white socks; a young girl wearing a tank top and shorts with matching printed pattern and tennis shoes; a young girl wearing a white top, white pants, and black sandals with white socks. The three children appear to be attempting to pose for the photograph but were captured either distracted or in motion. Photograph is undated, c.1950s","Color photograph of a woman seated on a couch which appears to be in the living room of a home. The woman is wearing a dark-colored coat and dark-colored dress. She is seated on a blue couch in front of a window with blue, patterned curtains. Unfortunately, the photograph is blurry and some details are hard to see. Photograph is undated, c.1960s","Black and white photograph of a group of five people posed standing in front of a striped tent. Unfortunately, the photograph was damaged and a large portion is missing from the right side of the image. From left to right, a woman wearing a light colored dress with a small, dotted pattern; a man wearing black pants, a white short-sleeved button-down shirt, and a light-colored hat; a woman wearing a striped dress; a young girl wearing a white dress and holding a doll; a man wearing a white shirt, but otherwise obscured by the missing piece. On the bottom edge of the photograph is a handwritten note that reads, \"Feeling might f--\" with the remainder of the note missing. Photograph is undated, c.1950s","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Maria, Jootsie, Wootchie, Jesurena [Smith], and Linwood [Moses Smith] (ABFR-23-004-025). Handwritten note which identifies the people in the photograph reads, \"Maria, Jootsie 13, Wootchie 10, Jesurena 8, Linwood 4\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Arnold J. Thammond as a baby (ABFR-23-004-029). Handwritten note which identifies the baby in the photograph reads, \"Arnold J. Thammond, age 4 months\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man (John?) (ABFR-23-004-040). Handwritten note reads, \"Dear Jesus, please have mercy on John.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of a family outdoors (ABFR-23-004-050). Handwritten note reads, \"Gen et al 5-29-83\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Same image as ABFR-23-006-022. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing (ABFR-23-004-054). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two young children in costume (ABFR-23-004-058). Typescript date stamp reads, \"MAY 93 9\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Linwood Smith and unidentified woman (ABFR-23-004-064). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Coleman and Butler families.","Black and white photograph, portrait of a young woman, Lucy, standing posed in a doorway. She is dressed in a light-colored dress worn over a white shirt, a white collar, and a wide brimmed hat. The photo print is mounted in grey board and gold letters spelling \"LUCY\" are affixed to the board underneath the photograph. There is also printed typescript which reads, \"G.G. Donaldson, Washington, DC.\" Photograph is undated","Black and white photograph, candid photo of an oncoming parade headed down a residential street. Men are lined up on either side of the street, and five men are parading down the street toward the photographer. The man out front is wearing white gloves and carrying what appears to be a book. Photograph is undated","Black and white photograph of a group of people posed seated around a table with a microphone mounted on the ceiling and suspended over the middle of the table. They appear to be in a recording booth for radio or audio announcements. The man seated at the table in the middle of the group is dressed in United States military uniform and on the table in front of him are a stack of papers. Photograph is undated, c.1940s","Black and white photograph, portrait of a man and woman dressed for their wedding day. The bride is wearing a white wedding gown, veil, and pendant necklace and holding a bouquet. The groom is dressed in a dark-colored suit, white shirt, and dark-colored bowtie. A handwritten note in the bottom, right corner of the photo print reads, \"Murphy.\" Photograph is undated","Black and white photograph, portrait of a young woman who appears to be seated in front of a window. It is not clear whether she is actually seated in front of a window, or if this is a studio backdrop. She is dressed in a light-colored top with large buttons and a collar with a pleated trim. Photo print appears to have suffered some damage and wear. Photograph is undated","Black and white photograph, studio portrait of a young man. He is dressed in a dark-colored suit, striped tie, striped socks, dark-colored leather shoes, and a dark-colored fedora hat. He is posed seated on a bench with one knee tucked up onto the bench beside him. The background behind him is a painting of a bridge over a pond with ducks and swans swimming in it. Photograph is undated","A card with a printed calligraphy text which reads, \"Oliver Coleman, State Champion, Side Horse, 1967-68.\" It is unclear if this is related to the Studio portrait of a young man (ABFR-23-005-006)","Color photograph, candid portrait of a man and a woman. The woman is wearing a light-colored dress with an embroidered collar and cat-eye glasses. The man is dressed in a dark-colored suit, white shirt, striped tie, and glasses. They appear to be in someone's home and visible in the background of the image are the bottom of a staircase and an ornately carved wooden table with a book, cups, and an ashtray on top. Photograph is undated","Color photograph, studio portrait of a family posed in front of a navy blue backdrop. From left to right: a woman wearing a black dress; an older woman dressed in a red dress, pearl necklace, and glasses; an older man dressed in a black suit, white shirt, black tie, and glasses; a young woman wearing a white dress with a off-the-shoulder neckline and a pearl necklace; and a boy dressed in a black suit, white shirt, and purple satin bowtie. Photograph is undated","Color photograph of three men posed standing with their arms around each other. From left to right: a man dressed in khaki pants and a plaid shirt; a man dressed in khaki pants, bright blue shirt, and a black tie; a man dressed in khaki pants and a dark-colored shirt. Photograph is undated, c.2000s","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; an older woman wearing a white dress and white floral corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a young woman wearing a white dress and white floral corsage; a young man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Black and white photograph, portrait of bride and groom surrounded by several friends and/or family. Centered at the front of the photo: the bride is wearing a white dress, white gloves, a white fascinator, and holding a bouquet in one hand and the hand of the groom with the other; the groom is dressed in a dark-colored suit, white shirt, dark-colored tie, and white boutonniere. Next to and behind the couple, from left to right: a man dressed in a dark suit, white shirt, and patterned tie; a young man whose outfit is obscured; a young woman whose outfit is obscured; a young man wearing a dark-colored suit, white shirt, and dark-colored tie; a woman whose outfit is obscured; a young woman wearing a dark-colored dress with buttons and a bow in her hair; an older woman in a light colored dress and corsage pinned to her lapel. Photograph is undated","Black and white photograph of a man and two women sitting at a desk in an office. A man is seated to the left of the desk and is dressed in a dark-colored suit, white shirt, and patterned tie. One of the women is seated behind the desk with her hands folded on top of the desk; she is dressed in a dark-colored top and jacket. The other woman is seated to the right of the desk and is dressed in a dark-colored skirt suit and white blouse. On the desk are a black telephone, two baskets with papers in them, a bound report or portfolio, and a pen holder. There is a filing cabinet visible in the background of the image. Photograph is undated","Black and white photograph, studio portrait of a woman posed in front of a blank, light-colored backdrop. She is dressed in a dark-colored dress or jacket over a white blouse. The image only depicts from her shoulders up. Photograph is undated","Reverse of Portrait photograph of a woman (ABFR-23-005-014). Handwritten notes read, \"6489\" and \"[illegible].\" A stamped typescript note reads, \"For your convenience the negative of this photograph will be kept on file. When reordering be sure you mentio the letters and numbers that follow 2-[blank], Murphy PO Trait Studio, Alexandria, Virginia.\"","Color photograph, portrait of a bride posed standing in a church sanctuary with three family members. From left to right: an older man dressed in a dark-colored suit, white shirt, burgondy tie, glasses, and white boutonniere; an older woman wearing a pastel blue dress, matching shoes, pearl necklace and bracelet, and white corsage pinned to her lapel; the bride dressed in a white wedding gown, pearl necklace and headband, and holding a bouquet of blue and white flowers; a man dressed in a dark-colored suit, white shirt, navy blue tie, and white boutonniere. Photograph is undated","Color photograph, portrait of a woman standing posed in front of a sage green curtain with a floral pattern. She is dressed in a tan dress, white glvoes, pearl necklace and earrings, white fascinator hat, and white floral corsage pinned to her collar and is holding a white handbag. Photograph is undated, c.1950s","Black and white photograph, portrait of a man seated in front of what appears to be a canvas tent. He is dressed in a light-colored shirt that is likely part of a military uniform, though no identifying insignia is visible in the image. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right: a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dresed in a sparkly, dark-colored dress and white floral wrist-corsage; an older woman wearing a white dress with a white floral wrist-corsage; an older man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman in a black skirt set with a white blouse and a white floral wrist-corsage; and a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere. Photograph is undated","Color photograph, group photo taken in a church sanctuary with the pulpit visible in the background of the image. From left to right; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman wearing a white dress with a white floral wrist-corsage; a man dressed in a black suit, white shirt, black bowtie, and white floral boutonniere; a woman dressed in a blue dress with a black and gold stoll draped over her shoulders, and a man in a dark-colored suit, white shirt, and grey tie. Photograph is undated","Black and white photograph, portrait of what appears to be a bride and groom standing posed in front of a decorative white backdrop and two potted plants. The woman is dressed in a white wedding gown, white gloves, and is holding a small bouquet. The man is dressed in a black tuxedo with a white shirt and white bowtie. Photograph is undated, c.1960s","Reverse of Wedding portrait photograph (ABFR-23-005-021). Handwritten note reads, \"1-4\"","Black and white photograph of a group of children of varying ages stood posed in what appears to be a church or banquet hall. From left to right; a young girl wearing a light-colored, striped dress; a young girl wearing a white dress; a young girl wearing a light-colored dress with a white celebretory sash across her shoulder; a young girl wearing a white dress; a young boy dressed in a dark-colored suit, white shirt, and striped bowtie; a young girl wearing a white dress; a young girl wearing a white dress with dark-colored polka dots; a young girl wearing a white dress. Photograph is undated, c.1950s","Reverse of Photograph of group of children (ABFR-23-005-023). Stamped typescript reads, \"Photo by Jackson, 528 N. Payne Street, Alexandria, Va. KI 9-8019\"","Black and white photograph of three women seated in chairs with three men standing behind them. Back row, from left to right: man wearing a light-colored suit, white shirt, and patterned tie; man wearing a dark-colored suit, white shirt, dark-colored tie, and white pocket square; man in a light-colored suit, white shirt, and patterned tie. Front row, from left to right: woman wearing a white dress; woman wearing a white dress, white arm wraps, and a floral corsage pinned to her collar; woman wearing a light-colored dress. They appear to be in a church recreation or banquet hall. Visible in the background of the image are a man eating seated at a long table with a white table cloth, a raised platform stage with chairs on it, a curtain behind the stage with what seems to be a large cross mounted as a backdrop. photograph is undated, c.1950s","Black and white photograph of a dozen men posed standing staggered in a line in front of what appears to be a concessions stand. All of the men are wearing suits and several also have white floral boutonnieres pinned to their lapels. Visible in the background of the image are a couple of women. Photograph is undated, c.1940s","Clipping from a newspaper featuring a black and white photograph of a group of people posed in an office with a caption underneath. Pictured in the photo are a young woman, a young man, and a man seated at a desk and posed looking at brochures. The man seated on the right is also holding the telephone as if in the middle of a call. Standing behind the seated trio and looking over their shoulders are two men and two women. All are dressed in business casual outfits c.1960s. According to the caption, the image depicts two college students, Marilyn Klug and Jim Rogers, who are starting positions with the Alexandria Office of the Virginia Employment Commission under a summer employment project of the Northern Virginia Board of Realtors' \"Make America Better\" Program. Also pictured in the image are G. Lewis Layne, Joanna M. Tanner, Ralph A. Wells, Oliver Coleman, and Eileen K. Levington. Clipping is undated, c.1960s","Black and white photograph of twenty-one men, women, and children posed standing in a church sanctuary in front of the pulpit. Visible in the background of the image are the choir loft, a staircase, and a banner hung behind the pulpit that reads, \"Home-coming, United We Stand, Divided We Fall.\" Photograph is undated, c.1950s","Black and white photograph of twenty-four men and women, posed in three rows. The men are all wearing dark-colored suits, white shirts, and dark-colored ties, with badges or medals pinned to their lapels. The women are all wearing matching white collared dresses, white gloves, and the same badges or medals pinned to their lapels. They appear to be in a church recreation hall and there is a wooden cross visible in the background of the image. Photograph is undated, c.1950s","Digital surrogates of photographs from the family of Jesurena Smith. The Newman family lived at 510 and 512 Pendleton Street in Alexandria, Virginia from 1928 until the 1970s. John Henry Newman moved from Burke, Virginia to Alexandria in the 1920s. Newman had two wives: Nannie Pounds Newman and Elizabeth Pounds Newman. Related to the Linwood Moses Smith family photographs (ABFR-23-004)","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Candid photograph of a wedding (ABFR-23-006-012). Stamped typescript reads, \"Henry's Camera Exchange, 722 King St., Alexandria, Virginia\" and \"Kodachrome Print, Made By Kodak, July 67R\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph from Angie's 50th birthday (ABFR-23-006-014). Handwritten note reads, \"Angie's Big 50, 3-28-09\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman in front of mobile home (ABFR-23-006-020). Handwritten note reads, \"To Shirl \u0026 Roger from fat-Black Ace - Age 43\"","Same image as ABFR-23-004-053. Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a framed portrait drawing propped up on a couch (ABFR-23-006-026). Typescript date stamp reads, \"JUL 92\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman holding a framed portrait drawing of a woman (ABFR-23-006-029). Typescript date stamp reads, \"JUN/02\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Sharon Jones Frazier and her paternal grandmother, Carrie Jones Stevens. Carrie Jones Stevens originally lived in Palmyra, Virginia with her first husband, Albert Jones. Together they had three children - Shedrick (father of Sharon Jones Frazier), Ellen, and Annie. After Albert's death, she re-married Moses Stevens and the family moved to Alexandria, Virginia and lived at 1325 Cameron Street; this home remains in the family as of 2023. Ellen married Lawrence Butler and moved to Philadelphia, Pennsylvania. Annie and Shedrick both attended Parker-Gray School. Annie worked at the Carver Theater and Shedrick had a career as a plasterer","Clipping of an article and two black and white photographs from The Other Alexandria, \"Betty Garrett Scott: 'Memories of My Grandfather' by Char McCargo Bah","Black and white photograph, candid photo of a man walking on a cement patio in front of a brick wall and white door. He is dressed in a light-colored suit, white shirt, and glasses. Photograph is undated","Color photograph, portrait of a young woman, Sharon Jones Frazier, standing posed in a backyard. She is dressed in a light-colored blouse and skirt set. A brick building and a white stone fence are visible in the background of the image. Photograph is undated, c.1960s","Color photograph, portrait of a woman standing posed in a backyard. She is wearing a white collared dress with a pink and green floral pattern. A brick building, white stone fence, and green lawn furniture are visible in the background of the image. Photograph is undated, c.1960s","Black and white photograph, studio portrait of a man seated in front of a light-colored backdrop. He is dressed in a suit and tie. Photograph is undated","Black and white photograph of a young girl sitting on the grass in what appears to be a backyard or park. She is dressed in a light-colored Native American costume dress and band around her forehead with a single dark-colored feather sticking up in the back. Her hair is worn in pigtails. Lawn furniture is visible in the side of the image. The photo print has suffered some wear and damage and there is a vertical crease down the middle of the print which obscures some of the image. Photograph is dated \"February -8\" with a typescript stamp on the top edge of the print, the decade is obscured by the damage to the print but is mostly likely 1958","Black and white photograph of a young girl, Sharon Jones Frazier, posed standing in front of a brick wall. She is wearing a light-colored dress with a Peter Pan collar and a light-colored bow in her hair. A handwritten note on the photo print over the image identifies the little girl as \"Sharon.\" Photograph is undated","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white and light-colored collared shirt. A handwritten note on the photo print reads, \"To Mom, Love Sharon, 1972\"","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, seated in front of a blank backdrop. She is dressed in a white nurse's uniform: white collared top and small white hat. Photograph is undated, c.1970s","Color photograh, studio portrait of two women and a small dog. Sharon Jones Frazier is dressed in a red collared dress and is standing posed with her hand on the shoulder of an older woman. The other woman is dressed in a black and white houndstooth dress, pearl necklace, and wire-rimmed glasses. She is holding an buff-colored Cocker Spaniel with a red collar. Photograph is undated, c.1990s","Color photograph of a young woman, Sharon Jones Frazier, and a man posed standing together in front of a dark, red wall and a potted plant. She is dressed in a white dress, white jacket, and red brooch pinned to her dress; she is carrying a black handbag. The man is dressed in a dark-colored suit, white shirt, patterned tie, glasses, silver cross necklace, and red brooch pinned to his lapel. Photograph is undated","Black and white photograph, portrait of a young girl posed standing in front of a dark-colored couch with white curtains behind it. She is dressed in a light-colored coat with a double-layered rounded flat collar, white gloves, white beret hat, and white cross-body handbag. Photograph is undated","Color photograph, studio portrait of a woman posed seated in front of a cream-colored backdrop. She is dressed in a cream-colored top and gold jewelry. Photograph is undated, c.1970s","Black and white photograph, studio portrait of a man posed seated in front of a light-colored backdrop with his hands folded in front of him. He is dressed in a houndstooth suit, white shirt, black tie, and badge-shaped lapel pin. Photograph is undated, c.1950s","Black and white photogrpah, studio portrait of a young woman posed sitting in front of a blank backdrop. She is dressed in a light-colored blouse. Photograph is undated, c.1940s","Reverse of Portrait photograph of a woman (ABFR-23-007-015). Stamped typescript reads, \"Stephen's Photographers, 1202 You St., N.W., Washington, D.C.\" Handwritten note reads, \"10336 R GT\"","Black and white photogrpah, portrait of a baby seated propped up against pillows on what appears to be a couch or armchair upholstered in a floral print. The baby is dressed in a white dress and white socks. Photograph is undated","Reverse of Portrait photograph of a baby (ABFR-23-007-017). Stamped typescript reads, \"Pease Photograph Washington, DC Ludlow 2517 Credit Please Photographers\"","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a dark-colored backdrop. She is dressed in a white blouse with a light blue satin notched collar and light blue satin trim on the breast pockets. Photograph is undated, c.1970s","Color photograph, studio portrait of a woman posed seated in front of a blue backdrop. She is dressed in a red blouse with floral applique, a gold necklace, and glasses. Photograph is undated, c.1980s","Color photograph, studio portrait of a woman, Sharon Jones Frazier, posed seated in front of a blue backdrop with a hand tucked loosely under her chin. She is dressed in a bright, red collared blouse, gold jewelry, and wire-rimmed glasses. Photograph is undated, c.2000s","Black and white photograph, studio portrait of a young woman posed seated in front of a light-colored backdrop. She is dressed in a patterned blouse with a bowtie collar and a pearl necklace. Photograph is undated, c.1940s","Black and white photograph, studio portrait of a young woman, Sharon Jones Frazier, posed seated in front of a light -colored backdrop. She is dressed in denim pants, a plaid shirt, and sweater vest. Photo print has suffered some wear and damage and there are sepia toned streaks across the image. Photograph is undated, c.1970s","Color photograph of four women seated in a corner booth at a restaurant. From left to right: a woman dressed in a blue striped skirt, blue blouse, and blue cardigan; a woman wearing a purple blouse; a woman, Sharon Jones Frazier, dressed in a blue and green patterned blouse; a woman dressed in a black top. Photograph is undated, c.2000s","Color photograph of two young girls posed standing together in a home. From left to right: a young girl wearing a yellow dress with a patterned skirt and yellow satin bow in her hair; a young girl wearing a blue and white patterned dress and holding a doll. Windows with red and white curtains and an interior doorframe to another room are visible in the background of the image. Photograph is undated, c.1950s","Color photograph of two young women, posed as if dancing and with their arms around each other's shoulders. The image is somewhat blurred. From left to right: young woman dressed in a white blouse tucked into a red pencil skirt; young woman dressed in a red and blue checkered dress and white cardigan. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Color photograph, group portrait of six teenagers posed standing in a row in front of a school trophy case. There are three young women and three young men, presumably their escorts to a school dance or prom. The young men are all dressed in suits and the young women are all wearing light-colored dresses and gloves with floral corsages pinned to their dresses. One young woman is also holding a bouquet. Photograph is undated, c.1960s","Black and white photograph of two girls standing in a backyard. One girl is posed with her arms crossed in front of her, frowning at the camera, while the other leans with her arm on the first girls' shoulder. Both are wearing light-colored dresses. Trees, an empty clothesline and part of a house are visible in the background of the image. Photograph is undated","Black and white photograph of two children posed standing in a backyard in the midst of Sharon Jones Frazier's birthday party. From left to right: a young girl, Sharon Jones Frazier, dressed in a light-colored dress with a floral pattern, Berta-style collar, and bow in the front; a young boy dressed in a dark-colored suit, white shirt, and black bowtie. Another young girl wearing a dress and a young boy seated in a chair are visible in the background of the image. Photograph is undated","Cover of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010) at Nix and Nix Funeral Home in Philadelphia, Pennsylvania.","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page lists the program of events","Interior page of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features the eulogy and family photographs","Back of the program for the Homecoming Celebration held in April 2010 for Juanita Lee Grant (1925-2010). This page features a quote from an unknown author dedicated to \"Our MomMom\"","Black and white photograph, group portrait of the Class of 1965 at Parker-Gray High School in Alexandria, Virginia. The students are posed on risers in 7 rows and are all dressed in their graduation caps and gowns. Photograph is dated 1965","Reverse of Group photograph of Parker-Gray H.S. Class of 1965 (ABFR-23-007-035). Handwritten note reads, \"Parker-Gray H.S. Class of 1965\"","Black and white photograph, studio portrait that was hand-colored using pastels. A portrait of an unidentified woman dressed in a white blouse or dress with a high collar that is fastened with a gold broach. Artwork is undated, c.19th century","Digital surrogates of photographs from the family of Charles Sias. Also included are photographs of Parker-Gray High School activities, students, social groups, and athletic teams","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men standing on football field (ABFR-23-008-001). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men on a football field (ABFR-23-008-003). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of men at a picnic (ABFR-23-008-006). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women at a formal dinner (ABFR-23-008-008). Typescript date stamp reads, \"Jul 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and a man at a gathering (ABFR-23-008-010). Typescript date stamp reads, \"Jul 90 1\"","[Help us describe this image using our Community Description form at: https://bit.ly/ABFR-community-description]","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at a beach (ABFR-23-008-014). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man standing on a football field (ABFR-23-008-016). Typescript date stamp reads, \"July, 1980\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man at a family gathering (ABFR-23-008-018). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo of an outdoor gathering (ABFR-23-008-020). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a woman and man sitting on lounge chairs (ABFR-23-008-022). Typescript date stamp reads, \"09/30/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of women sitting on a dock (ABFR-23-008-024). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people sitting on a dock  (ABFR-23-008-026). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in a kitchen (ABFR-23-008-028).  Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-030). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-032). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph outdoors (ABFR-23-008-034). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman standing by a swimming pool (ABFR-23-008-036). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men (ABFR-23-008-038). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman in yard (ABFR-23-008-040). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mabel Price and unidentified man at formal event (ABFR-23-008-042). Typescript date stamp reads, \"07/06/05.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman and man at Parker-Gray High School class of 1965 reunion (ABFR-23-008-044). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and woman (ABFR-23-008-046). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-048). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photo at formal event (ABFR-23-008-050). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of people at a restaurant (ABFR-23-008-052). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Cherylene Rollerson and Beverly Wilhoit (ABFR-23-008-054). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Corliss and unidentified woman (ABFR-23-008-056). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of cake at Parker-Gray High School class of 1965 reunion (ABFR-23-008-058). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women in kitchen (ABFR-23-008-060). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of man and women at gathering (ABFR-23-008-062). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in kitchen (ABFR-23-008-064). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photo of man in a park (ABFR-23-008-066). Typescript date stamp reads, \"JUL 90 1\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Walter at an event at the Alexandria Black History Museum (ABFR-23-008-068). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three men at outdoor gathering (ABFR-23-008-070). Typescript date stamp reads, \"12/02/06\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman at Parker-Gray High School class of 1965 reunion (ABFR-23-008-072). Typescript date stamp reads, \"07/06/05\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of historic photographs and artwork from the family of D. Jason Wood. Included are 19th century charcoal portrait drawings and hand-colored photographs, 19th century photographic prints, and photographic prints from the early 20th century","Charcoal portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a bow at the neck; the image depicts the woman only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, white collared shirt, and black tie; the image depicts the man only from the shoulders up. The drawing has suffered some deterioration over time and portions of the image are damaged and missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a \"salt-and-pepper\" mustache and is dressed in a dark colored suit, white collared shirt, and dark tie; the image only depicts the man from the shoulders up. The drawing has a tear in the upper, left corner that does not obstruct the portrait image. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He has a mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie; the image only depicts the man from the chest up. The drawing has suffered some environmental damage over time and the bottom, left portion of the drawing is missing, as well as some pieces from the top corners. There is also evidence of water damage and some portions of the image are missing pigment. Portrait is undated, c. 19th century","Charcoal portrait drawing of an unidentified man. He is posed standing, holding what appears to be a rifle with a bayonet. He has a beard and is dressed in pants with suspenders, a long-sleeve shirt with a collar and buttons, a round hat or helmet, and what appears to be a handkerchief or piece of cloth tucked into his waistband. The drawing has suffered some environmental damage over time and is missing pieces from three corners, but the image is not obstructed. Portrait is undated, c. 19th century","Charcoal and ink portrait drawing of an unidentified woman. She is dressed in a high-collared black dress or blouse with a ring closure at the neck and a row of small buttons; the image depicts the woman only from the shoulders up. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing in front of an abstract, colored background. She is wearing a late 19th century style dress - a black dress with a high collar, corset, and long-sleeve fitted jacket and skirt with multiple draped layers and possibly a bustle. The dress is embellished with ruffles or lace at the edge of the sleeves and top layer of the skirt. Her hair is pulled back into a low bun. Signature in the bottom, right corner reads, \"N.B. Katze.\" Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified woman. She is posed standing next to a stone column wrapped in flowering vines and a flowering plant in a stone planter atop a stone pedestal with a decorative relief work of cherubs. She is wearing a bright blue, long-sleeve dress with high collar and black belt at the waist. The style and silhouette of the dress appears to be c. 1900. Signature in the bottom, right corner reads, \"Harris - Ewing.\" Portrait is undated, c. early 20th century","Hand-colored photographic print, portrait of an unidentified woman. She is posed seated, though the chair or stool is not visible. The woman is wearing a black and white pinstripe dress with long-sleeves, high collar, and large white jabot at the neck. Portrait is undated, c. 19th century","Pastel portrait drawing of an unidentified man. He has a mustache and long sideburns and is dressed in a black suit, black buttoned vest, white shirt, white tie, and boutonnière on his lapel. The image only depicts the man from the chest up. Portrait is undated, c. 19th century","Black and white pastel portrait drawing of an unidentified man. He has a white mustache and is dressed in a black suit, black buttoned vest, white shirt, and black tie. The image only depicts the man from the waist up. Portrait is undated, c. 19th century","Hand-colored photographic print, portrait of an unidentified man. The coloring appears to be watercolors and ink. He is posed standing outside in front of a fence and shrubbery. The man has a mustache and is wearing a light gray suit, white shirt, white tie. He is also holding a white and gray boater hat. Portrait is undated, c. late 19th century or early 20th century","Photographic print, portrait of an unidentified man. The man is posed seated. He is wearing a suit, dark colored vest, and white shirt. The man's hair and eyes have been outlined in ink; there are also ink dots throughout the image to accentuate areas of shadow. Portrait is undated, c. 19th century","Black and white photographic print, portrait of an unidentified man. The photograph depicts the man from the waist up; he appears to be posed sitting in front of a studio backdrop. The man is wearing a dark colored suit, white shirt, and dark colored tie. On the matting around the image is a stamp of a lion holding a sword and text that reads, \"Sol. Young, New York.\" Photograph is undated, c. 19th century","Black and white photographic print, portrait of Douglas wearing what appears to be a U.S. Army Air Corps summer uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a uniform shirt with epaulets, a tie tucked into the shirt, and a pilot helmet and goggles. The prop and wings insignia is pinned to his left lapel and there appears to be another insignia pinned to the right lapel, but it is not visible in the photo. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To the Family, From: Douglas.\" Photograph is undated, c. 1930s - 1940s","Black and white photographic print, portrait of Doug wearing what appears to be a U.S. Army Air Corps uniform from the World War 2 era. The photograph depicts the man from the chest up; he is wearing a white shirt, black tie, formal uniform jacket, and peaked service cap with prop and wings insignia. Insignia are pinned to his jacket lapels; a U.S. pin on both top lapels and a prop and wings pin on both bottom lapels. On the matting around the photo is text that reads, \"Polk's Studio, Tuskegee Inst., Ala.\" Handwritten text on the bottom right corner of the photograph reads, \"To my devoted sister - Doug.\" Photograph is undated, c.1940s","Black and white photographic print, group portrait of a group of musicians. Eleven men are posed in two rows, the back row is standing and the front row are seated in folding chairs. Several instruments are arranged on the floor in front of the men; there are a variety of string instruments in the arrangement including a cello, violin, banjo, and several mandolins. The men are all dressed in dark colored suits, white shirts, and neckties (some are bow ties, some are long ties). Photograph is undated, c. 1900s","Digital surrogates of seven photograph albums from the family of Maurice Terrell. Albums include photographs, documents, and ephemera.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"63rd birthday June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note reads, \"June 5, 1997.\"  Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-135). Handwritten note reads, \"June 24th (97) (Wed.)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of two women (ABFR-23-010-137). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a man and woman (ABFR-23-010-144). Handwritten note reads, \"June 24th (97) (Wed)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Carl on a sidewalk in downtown Boston (ABFR-23-010-299). Handwritten note reads, \"Downtown Boston, Sunday, 9 May 76. To my sweet baby, Love always, Carl\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs from the Carter and Robinson families. Both families have been in Alexandria since the late 1860s.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and documents from the family of Dorothy Taylor. Included are photographs, a scrapbook, marriage and death certificates, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Realtor listing of 1004 Cameron Street (ABFR-23-013-034).","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Certificate in lieu of lost or destroyed discharge certificate of Walter Thomas (ABFR-23-013-036). Hand written note reads, \"Walter Thomas grave 549 Arlington Cemetery\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy E. Knapper Taylor (ABFR-23-013-045). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of unidentified child and Dorothy Knapper in front of a building (ABFR-23-013-047). Handwritten note reads, \"Dorothy Knapper (Taylor) in white\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Beulah Priester and Dorothy Taylor in front of house (ABFR-23-013-049). Handwritten note reads, \"Beulah Priester and Dorothy Taylor Elks convention in Chicago\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mat. And Dot. sitting outside (ABFR-23-013-052). Handwritten note reads, \"Mat. and Dot\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-054). Handwritten note reads, \"Dorothy Knapper (Taylor) age unknown\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Dorothy Knapper Taylor (ABFR-23-013-056). Handwritten note reads, \"Dorothy E. Knapper (Taylor)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper, Ella Lomax, and Desiree Porter (ABFR-23-013-059). Handwritten note reads, \"Virginia Knapper, Ella Lomax, Desiree Porter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Nannie in Elks uniform (ABFR-23-013-061). Handwritten note reads, \"Nannie- Elks uniform\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper and Desiree Irvin (ABFR-23-013-063). Handwritten note reads, \"Virginia Knapper Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Desiree Irvin and Virginia Knapper (ABFR-23-013-065). Handwritten note reads, \"Desiree Irvin and Virginia Knapper\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Virginia Knapper \"Nannie\" and unidentified man (ABFR-23-013-067). Handwritten note reads, \"Virginia Knapper (Nannie) and friends\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of woman (ABFR-23-013-069). Handwritten note reads, \"Dec. 26, 1952 Nannie?\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ruby Lomax and James Young (ABFR-23-013-071). Handwritten note reads, \"Ruby Lomax and James Young\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lena Jackson and Virginia \"Nannie\" Knapper (ABFR-23-013-073). Handwritten note reads, \"Lena Jackson and Virginia Knapper (Nannie)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Dorothy \"Momma Dot\" Taylor and Desiree Irvin (ABFR-23-013-077). Handwritten note reading, \"Dorothy Taylor\" is crossed out. Additional handwritten note reads, \"Momma Dot, Desiree Irvin\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Mattie Tyree, Edna Jones, Virginia Knapper, Eudell Bartee, and unidentified people (ABFR-23-013-078). Handwritten note reads, \"Mattie Tyree Edna Jones Virginia Knapper Eudell Barte.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of James Knapper (ABFR-23-013-081). Handwritten note reads, \"Uncle Jim (James Knapper)\" \"Momma Dat's uncle (Pennsylvania Station\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-013-084). Handwritten note reads, \"Mother Dear's house\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of three women (ABFR-23-013-087). Handwritten note reads \"I don't know, I don't know, Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Helen Brown and Emma Thomas (ABFR-23-013-089). Handwritten note reads, \"Helen Brown and Mother Dear (Emma Thomas)\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Emma Thomas, four unidentified people, unidentified baby (ABFR-23-013-091). Handwritten note reads, \"Mother Dear\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Ella Lomax (ABFR-23-013-093). Handwritten note reads, \"Ella Lomax\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Adeline Hughes and husband (ABFR-23-013-095). Handwritten note reads, \"Adeline Hughes and husband\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of two women and a man (ABFR-23-013-100). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Family group portrait (ABFR-23-013-102). Typescript date stamp reads, \"04/30/22\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of Earl Lloyd and unidentified men standing in a gym (ABFR-23-013-142). Handwritten note reads, \"Earl Lloyd, Missing (Rozier Ware)- Hoodley Windy's dad\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group photograph of the Alexandria Rams football team (ABFR-23-013-145). Handwritten note reads, \"Rams football team, Donald Taylor top row third from left #\"","Digital surrogates of materials documenting the history of the Hamilton and Carrie Gray Family. The Gray Family has been apart of the Black community in Alexandria and Gum Springs since the 19th century. Included are family reunion books, photographs, ephemera, a pastel portrait drawing, and other documentation of family history.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the family of Bernice Lee.","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of photographs and ephemera from the Cross family","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Wendy Lucas (ABFR-23-020-002). Handwritten note identifies the girl in the image as \"Wendy Lucas\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-018). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a backyard family gathering (ABFR-23-020-020). Date stamp reads, \"SEP 1984\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Group portrait taken at a formal event (ABFR-23-020-028). Handwritten note reads, \"Top of Poem \"Our Family's Love\", Bea Taylor\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of a house (ABFR-23-020-030). Handwritten note reads, \"Front of Home.\" Date stamp reads, \"JULY 2002\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia Cross Jones and Eleanor Cross Winbush (ABFR-23-020-033). Handwritten notes read, \"To Bea \u0026 John, this was taken Dec 3rd 1988\" and \"Lydia Cross Jones, Eleanor Cross Winbush.\" Typescript stamp reads, \"Photography by Herbert D. Spears, 7012 Lamp Post Lane, Alexandria, VA 22306, 703-768-6395\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Goff, Haywood, and Bernice (ABFR-23-020-059). Handwritten note reads, \"Goff, Haywood, Bernice.\" Typescript stamp reads, \"When this photograph is used please credit Michael L. Smith\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Photograph of Lydia (ABFR-23-020-064). Handwritten note identifies the girl in the photo as \"Lydia.\" Typescript stamp reads, \"Pease Photograph, 3728 Hayes St NE, Washington, DC, Lincoln 7 5319\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Reverse of Portrait of Daisy P. Cross (ABFR-23-020-071). Handwritten note identifies the woman in the photo as \"Daisy P. Cross\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the history of the Carter Family. Included are photographs, drawings, and paintings","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Handwritten note in the bottom corner of the photograph reads, \"To Paul, Love Ann\"","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Ellan\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Douglas","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Bernard\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Frederick\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Paul, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Lawrence, Jr.\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Yolanda\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of Lawrence \u003e Family of Chrystal\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Paul \u003e Family of David\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Douglas R and Elizabeth Carter \u003e Family of Alfred\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of Irene and Bessie Carter \u003e Family of Lucy\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Original file organization: \"Children of William H. and Hester Carter\"","Want to help us describe this image? Use the Digital Materials link below to view this image on the  Digital Special Collections portal  and share information about it using our Community Description form at:  https://bit.ly/ABFR-community-description","Digital surrogates of materials documenting the Alexandria-Mount Vernon Chapter of Jack and Jill of America, Inc and their annual Founders Day celebrations","Excerpt of three pages from a newsletter, program, or informational pamphlet about Founders Day 2023 of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Excerpted pages include a photograph and roster of the founding members of the chapter; letter to members from Elena Neely, Chapter President in 2023, a history of the chapter, and a 2023 group portrait of the members. Document is dated 2023","Informational and promotional video made for the 55th Anniversary and Founders Day of the Alexandria-Mount Vernon Chapter of Jack and Jill of America. Video gives a brief history of the chapter and information about the organization and its mission, activities, and member statistics. This information is conveyed primarily through audio narration. The narration is accompanied by a slideshow of photographs. There is also background music playing throughout the video. Video is dated 2021","Digital surrogates of photographs, documents, and newsclippings from the family of Shirley Ann Sanders-Steele.","Black and white photograph of Joe Ann Sanders-Smith standing in front of a wrought iron gate in front of the Governor's mansion in Richmond, VA. She is wearing summer clothing. She holds sunglasses in one hand, her other hand on her hip. Joe Ann is smiling for the camera. Photograph is dated November 1957","Reverse of photograph of Joe Ann (ABFR-23-024-001). Handwritten note reads \"My sister in law Joe Ann, Gov's mansion Richm.\" An additional handwritten note beneath this text is obscured by a black marking and is illegible. Photograph is dated November 1957","Color photograph of three women in formalwear seated at a dinner table laid with matching dishware, drinkware, and utensils. At each place setting on the table stands a fruit-based dessert in a cocktail style serving glass. Photograph is dated 1985","Reverse of photograph of three women seated at formal dinner (AFBR-23-024-003). Typescript stamp dates photo to October 1895","Color photograph of Aunt Lil and her niece, Shirley Ann Sanders, in proper attire. They are posed in front of a painted backdrop depicting a lake scene, smiling at the camera. Aunt Lil is standing and has her arm draped over the shoulders of Shirley Ann, who is seated. Photograph is undated, c. 1980s","Reverse of photograph of Aunt Lil and her Shirley Ann Sanders (ABFR-23-024-005). Handwritten note reads \"Aunt Lil + me.\" Photograph is undated","Blurry color photograph of Shirley Ann Sanders, smiling in a long coat standing in the snow-covered yard of a brick building. In front of her sits a dog on a leash, which the woman holds. Photograph is undated","Reverse of photograph of Shirley Ann Sanders on snowy lawn with dog (ABFR-23-024-008). Handwritten note reads \"1713 Price St, Alex Va, 1965-2001, My dog.\" Photograph is undated","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. Photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday party (ABFR-23-024-009). Handwritten note identifies the birthday celebrants as Tyrone and Angela. Photograph is dated January 1959.","Color photograph of a rectangular cake on a table with two chairs in the background. The left half of the cake, decorated with blue frosting, a cactus, and cowboy figurines, reads \"Happy Birthday Tyrone.\" The right half, pink with a ballerina in white silhouette, reads \"Happy Birthday Angela.\" The photograph is dated January 1959","Reverse of photograph of Tyrone and Angela's birthday cake (ABFR-23-024-011). Handwritten note reads \"Birthday Party, Tyrone (3) Yr + Angela (2) Ys, Jan 1959, At my mothers, 812 N Alfred St.\" Photograph is dated January 1959","Black and white photograph of young Kirk in a white graduation cap and gown, facing the camera. The pews are filled with similarly dressed children, facing the nave. Photograph is undated","Color photograph of young Kirk in white graduation cap and gown on a city sidewalk. Parked cars are visible on the street behind, and power lines stretch across the cloudless sky.","Reverse of photograph of Kirk on the sidewalk on the day of his kindergarten graduation (ABFR-23-024-014). Handwritten text reads \"Kirk Graduation from kindergarten, June-1964 Ebenezer Baptist Church.\" Photograph is dated June 1964","Black and white photograph of Helena with six children of various age in front of her, seated in two rows of three. Nearest to her, from left to right, are Angela, baby Diane, and Tyrone, and in the front row, from left to right, are Ricky, April, and Buttons. Behind the gathered family stand furniture pieces which hold books, small sculptures, and a lamp. Photograph is undated, c. 1960s","Reverse of photograph of Helena in her home with her grandchildren (ABFR-23-024-016). Handwritten text identifies each subject by name and identifies Helena's home address.","Black and white photograph of Helena Lindsey, seated to the right of the frame. To her left are her grandson Buttons as well as Michale Lee and Aaron, a pair of cousins. The subjects are dressed in casual clothes and regarding the camera. Photograph is undated, c. 1970s","Reverse of photograph of Helena at Aunt Lil's house with three boys (ABFR-23-024-018). Handwritten text lists the subjects' names and identifies Aunt Lil's home address. Photograph is undated, c. 1970s","Color photograph featuring Odessa Steele (left), wearing dark silky outfit and dangling earrings, with a city councilwoman (right) who wears a red blazer. The two women are depicted from the shoulders up in front of a dark indoor background. Photograph is dated Depember 1990","Reverse of photograph of Odessa Steele with city council member at the Departmental Club (AFBR-23-024-020). Handwritten text reads \"Lady on city council + my sister at the Departmental Club, Bro + Sis Odessa Steele's 50th Wedding Annversary.\" Typescript stamp dates photo to December 1990","Color photograph of three women seated side-by-side at an indoor banquet table. The table is set with a white tablecloth and spread with various foods on decorative white plates. The woman on the left, Bessie Sanders-Gambrell, wears a floral hat and a corsage. The woman in the middle, Shirley Ann Sanders, is the youngest and wears a red dress with long sleeves. The woman on the right, Virginia Zellars Martin, wears a headwrap and has her arm draped over Shirley Ann's shoulders. Another figure's arm is visible in the left of the frame. Photograph is dated May 1984","Reverse of photograph  of Bessie Sanders-Gambrell, Shirley Ann Sanders, and Virginia Zellars Martin at a Mother's Day banquet (ABFR-23-024-022). Handwritten text identifies the three women in the photo and the nature of the gathering they attend. Typescript stamp dates photograph to July 1984, but event depicted in photograph occured in May 1984","Color photograph of Bessie Sanders-Gambrell in a brimmed hat with flowers, a corsage pinned to her black blazer. Her daughter-in-law, Shirley Ann Sanders, stands behind her between a microphone stand and a large, curtained window. On either side of them sits a woman facing out of frame, her features obscured. Photograph is dated May 1984","Reverse of photograph of Bessie Sanders-Gambrell and Shirley Ann Sanders at Mother's Day banquet with two other women (ABFR-23-024-024). Handwritten text reads \"Mothers Day Banquet May 84, My mother-in-law Bessie was given special honors for the letter I wrote in about her, She gave me the dress I wore.\" Typescript stamp dates development of photograph to July 1984","Color photograph of Shirley Ann Sanders wearing a black, calf-length skirt, lacy white shirt, red corsage, and white hat. She stands with hands folded behind her back, smiling at the camera. Behind her are white houses in a suburban neighborhood. The grass is yellowing, and a bush adjacent to Shirley Ann is bare of leaves. Photograph is dated March 1984","Reverse of photograph of Shirley Ann Sanders standing outside of a house (ABFR-23-024-026). Typescript stamp dates development of photograph to March 1984","Color photograph of 16 men posing in three rows, the frontmost of which is seated. They wear black suits, white gloves, and sober expressions. Each holds blue and white Masonic paraphernalia, and some wear livery collars. The man in the center of the front row holds a gavel. Photograph is dated September 1987","Reverse of photograph of men in Masonic regalia (ABFR-23-024-028). Typescript stamp dates photograph to September 1987","Color photograph of Shirley Ann Sanders (left) and Lalon Sanders, Jr. (right) in formalwear, seen from the torso up. In the dimly lit background, other figures sit at tables. Photograph is dated November 1983","Reverse of photograph of Shirley Ann Sanders seated beside Lalon Sanders, Jr. (ABFR-23-024-030). Handwritten note identifies subject by name. Typescript stamp dates photograph to November 1983","Color photograph of five people seated at a table on a boat, smiling at the camera. The table is set with white coffee mugs, small lamps, and cut-glass goblets. Behind them, a window overlooks a sunlit view of a river lined with trees. At least one other diner seated at a table can be seen. Photograph is dated to 5 November 2003.","Reverse of photograph of seated diners in a riverboat (ABFR-23-024-032). Typescript stamp dates photograph to5  November 2003","Color photograph of a Lee Roy Steele wearing a white suit, white brimmed cap, and identification badge. He has a gray moustache and glasses, and he stands to the left of a red sign on a wooden post that reads \"RESERVED PARKING, HPIP STEELE.\" Photograph is undated","Color photograph of four women standing side by side in a living room, arms behind one another's backs. The woman on the left wears loose green garments. The woman second to the left wears a t-shirt bearing the album cover for Yanni: Live at the Acropolis. The woman second to the right wears a striped yellow dress. The rightmost woman wears a light gray matching set. Behind them, a wedding photo is mounted on the wall, and the entrance to an adjoining room is in view. Photograph is undated","Color photograph of a sheet cake covered in white frosting and piped floral frosting motifs. Text on the cake reads \"Happy 80th Birthday Bessie, we Love You.\" Photograph is dated 2 June 1995","Reverse of photograph of Bessie's birthday cake (ABFR-23-024-036). Handwritten note establishes the date of Bessie's party. Photograph is dated 2 June 1995","Color photograph depicting three men in formalwear standing in a church for a wedding. The men are, from left to right, Ernest Thomas (best man), Willian Thomas \"Buttons\" Holt, Jr. (son of the bride), and Vernon Carl Cooper (groom). Behind them are floral arrangements and a stained glass window. Photograph is dated 11 January, 1997","Reverse of photograph of best man, son of bride, and groom in church for wedding ceremony (ABFR-23-024-038). Handwritten note identifies photo subjects and date of capture. Photograph is dated 11 January, 1997","Color photograph of Joe Ann Sanders-Smith with her arm around the waist of Crystal, her daughter. Both wear light colors and beaded necklaces, and they smile at the camera. In the background a crowd of casually dressed people stand with their backs to the camera. Against the far wall, balloons float. Photograph is dated 4 June 2005","Reverse of photograph of Joe Ann Sanders-Smith and Crystal at a gathering (ABFR-23-024-040). Handwritten note identifies the two women. Photograph is dated 4 June 2005","Color photograph depicting two men, a young child, an elderly woman, and an adult woman in a sitting room. The men, child, and elderly woman are seated, while the other woman stands and leans inward to pose with them. Behind them is a door with decorative panelling and a framed image of Jesus. Photograph is dated December 1984","Reverse of photograph of intergenerational group in house (ABFR-23-024-042). Non-character pen marking appears on center of page. Typescript stamp dates photograph to December 1984","Color photograph of Steele seated in an armchair in a house, enjoying candy. In his breast pocket he has white paper and a ballpoint pen, and a TV remote sits on the chair's arm beside him. Behind him hangs a globe and a white curtain. An door in the background opens on a kitchen. Photograph is dated 2 August 2006","Reverse of photograph of Steele in armchair with a cane (ABFR-23-024-044). Handwritten note supplies the date and reads \"Bro Steele sitting in his rocking chair enjoying candy.\" Photograph is dated 2 August 2006","Color photograph of Angela Sanders, seen from behind with arms outstretched in the motion of conductor. Before her, near a lectern, stands an arc of seven singers. On the right of the frame, a child peers out from one of many white pews. Photograph is undated","Reverse of photograph of Angela Sanders leading the choir at Emmanuel Temple (ABFR-23-024-046). Handwritten note reads \"Angela Sanders at Emmanuel Temple SDA, Leading the choir.\" Photograph is undated","Color photograph set in Emmanuel Temple Seventh-day Adventist Church depicting a row of young singers in white shirts and black lowerwear. In the foreground, Angela Sanders is seated in the pews, pointing at the choir. A sign overhead reads \"TOGETHER for A FINISHED WORK.\" Photograph is undated","Reverse of photograph of Angela Sanders and choir on Emmanuel Temple's Youth Day (ABFR-23-024-048). Handwritten note reads Youth Day at Emmanuel Temple, Angela leading choir, Left to right Candance Stephens, Ericka Jones, Alexcia Thomas, Zanita Watson, ? Wilhoit, Quaina Williams, Susie Bostick-Usher.\" Photograph is undated","Color photograph of a woman dressed in a blue plastic poncho with a white graphic of a boat and the text \"MAID OF THE [illegible, presumably MIST] SINCE 1846.\" She smiles and waves at the camera while a group of other spectators in similar attire stand in the background. Photograph is dated July 2000","Reverse of photograph of woman in blue plastic poncho at Niagara Falls (ABFR-23-024-050). Handwritten note reads \"Nigara Falls July 2000, Gen Conf\" [This is likely a reference to the 57th Adventist General Conference held in Toronto, Canada]. Typescript stamp dates photo to July 2000","Color photograph of Lee Roy Steele dressed in a suit and tie at an Alexandria City Police Department event, a sheet of paper and a plastic cup in his hands. He stands in front of a dark blue backdrop, at the top of which is a partially obscured banner that reads \"[text obscured]A POLICE DEPARTMENT.\" On the floor, to Steele's left, is a sign decorated by an insignia bearing the seal of the City of Alexandria and the text \"Citizens' Police Academy Association.\" Photograph is dated November 1999","Reverse of photograph of Lee Roy Steele at the Citizens' Police Academy (ABFR-23-024-052). Handwritten text reads \"The love of my life, Mr Lee Roy Steele, Alex Police Citizens Academy.\" Typescript stamp dates photograph to November 1999","Color photograph of a large group of birthday celebrants ranging in age from children to seniors. They are arranged in five rows, smiling for the camera. Behind them is one façade of a brick house and a tree wrapped with streamers. A lawn, parked cars, and another brick house are visible in the background. Photograph is dated 2 June 2005","Reverse of photograph of birthday gathering in Teri's yard (ABFR-23-024-054). Handwritten note reads \"Grandma Bessie's 80th Birthday June 2, 1995 at Teris house (yard)\"","Color photograph of two men in a living room in the process of tending to a medical device. The older of the two men, seated in a red chair, looks down at the tube hanging from his bony, exposed chest. In the left of frame, the younger of the men, looking over his shoulder at the camera, holds an indeterminate object as if to apply it to the chest. Photograph is undated","Color photograph of Joe Ann Sanders-Smith and her daughter, Crystal, locked in an embrace in a grassy suburban yard during Grandma Bessie's 80th birthday party. Behind them is another party attendee tending to a barbecue and two others. Photograph is dated 2 June 2005","Reverse of photograph of Joe Ann Sanders-Smith embracing Crystal at Bessie's 80th birthday party (ABFR-23-024-057). Handwritten note identifies the event depicted, date, and names of photo subjects. Photograph is dated 2 June 2005","Color photograph of Lee Roy Steele seated at a small table in a paved yard adjoining a brick house. The table is lain with a tablecloth, a pitcher of orange juice, a bottle of pancake syrup, and various plates with leftover food scraps. Photograph is dated July 2000","Reverse of photograph of Lee Roy Steele seated after an outdoor meal (ABFR-23-024-059). Typescript stamp dates photograph to July 2000","Color photograph of Lee Roy Steele and Shirley Ann Sanders-Steele seated at Kirk's house during Linda's 55th birthday party. His arm is over her shoulder, and behind them is a pair of fully extended white window blinds. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele at Linda's 55th birthday party (ABFR-23-024-061). Handwritten note reads \"Linda's 55th, At Kirk's house her birthday party June 2008, Lee Roy Steele, Shirley Ann Sanders-Steele.\" Photograph is dated June 2008","Color photograph of  Lee Roy Steele and Shirley Ann Sanders-Steele lying on a beige reclining couch with their legs extended. Behind them is a half-wall topped with various jars and knick-knacks, and other partygoers surround a kitchen table. Photograph is dated June 2008","Reverse of photograph of Lee Roy Steele and Shirley Ann Sanders-Steele on reclining couch at Linda's 55th birthday party (ABFR-23-024-063). Handwritten note identifies the date, event depicted, and identities of photo subjects. Photograph is dated June 2008","Color photograph of two young cousins, William Thomas Holt and Tyrone Sanders, wearing matching white graduation regalia and black bowties. They stand on a sidewalk in front of bushes and the wall of a building. Photograph is undated","Reverse of photograph of William Thomas Holt, Jr. and Tyrone Sanders at kindergarten graduation (ABFR-23-024-065). Handwritten note reads (My nephew — William Thomas Holt, Jr, my son Tyrone Sanders Graduating from Mrs Ethel Nelsn Kindergarten\" [Note: Ethel Nelson worked as a teacher in Alexandria, Virginia]. Photograph is undated","Black and white clipping with text detailing a written exchange between Lillian Lamb, a cashier at Giant grocery, and Esther Peterson, a prominent consumer advocate, about Giant Lemon Spray Wax. The clipping contains a section of a photo of a grocery store aisle and a complete photo of Lillian Lamb, seen from the waist up. Clipping is undated","Color clipping of an obituary for Lee Roy Steele. Printed text identifies his dates of birth and death and reads \"Gone but not forgotten. He sleeps in Jesus. Your loving wife, Shirley Ann Sanders Steele, Your son, Robert Lee Steele.\" Clipping is dated 23 September 2021","Black and white photograph depicting a group of people standing by a table on which five polaroid photos are strewn. Photograph is undated","Black and white photograph depicting two women in dresses standing on either side of a small artifical Christmas tree. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She clutches a book to her chest. Behind her is a brick wall. Photograph is dated June 1977","Color photograph of a group of children holding balloons of various colors in a living room. In the left of frame, an adult woman seated near a coffee table looks on. [Note: This photo is a duplicate of ABFR-23-024-009.] Photograph is dated January 1959","Color photograph of a woman in a fur-lined coat seated on a lawn chair in a yard thickly covered by snow. She holds a long, pole-shaped implement, likely a showshovel, in one hand. Photograph is undated","Color photograph of three women wearing pink, long-sleeved semiformal dresses In an unadorned room. In front of them and to the right is a wooden tabletop, and behind them to the left is a gray door. Photograph is undated","Color photograph of Pat Steele and Robert Steele wearing leis and shirts with floral, tropical prints. Wooden railing stands at waist height on either side of the couple. Behind them is the ocean and a dark blue sky. Photograph is undated","Reverse of photograph of Pat and Robert Steele on a boardwalk (ABFR-23-024-075). Handwritten note identifies names of photo subjects. Photograph is undated","Black and white photograph of Sarah Strother in a white graduation cap and gown. She is seated in the front row of a configuration of stadium seats. To the right sit Strother's husband and two other unidentified people. The seats are otherwise unoccupied. Photograph is dated June 1977","Reverse of photograph of Sarah Strother, her husband, and other students at T. C. Williams Adult Education graduation (ABFR-23-024-077). Handwritten note identifies Strother and her husband, event depicted, and date. The note indicates that at least one of the unidentified figures is also a student. [Note: T. C. Williams High School has been renamed to Alexandria City High School.] Photograph is dated June 1977","Black and white photograph of James Wheeler from the torso up. He wears a white collared shirt, necktie, and captain-style hat. Photograph is undated","Reverse of photograph of James Wheeler (ABFR-23-024-079). Handwritten note reads \"Uncle James Wheeler, My Mothers brother, He.\" Photograph is undated","Collage of color photographs showing two individuals at three different formal events. The topmost image shows the pair, a woman and a man, seated at a dinner table set with a tablecloth, glass goblets full of water and other beverages, multiple plates, and a basket of bread rolls. Other seated diners are visible in the background. The two lower photographs depict the couple side-by-side at two different church altars. In the leftmost of these two church photos, the woman wears a calf-length white dress, while in the rightmost photo, she wears a floor-length white gown with lace designs and a white tulle veil. Handwritten captions read \"[Illegible, possibly Ruth] + Mr Bodz, I love you two\" and \"There are the photos I had put in the alumni book [arrows indicate the two church photographs].\" Photographs are undated","Marriage certificate featuring handwritten text in a fill-in-the-blank template to indicate the marriage of Joseph Wheeler and Miss Annie Virginia Lee, both of Alexandria, Virginia. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Reverse of marriage certificate for Joseph Wheeler and Annie Virginia Lee (ABFR-23-024-082). The certificate features handwritten text in a fill-in-the-blank template to indicate the location and date of the couple's marriage. Printed images of red roses and other foliage decorate the page. Certificate is dated 26 February 1920","Black and white print of a military discharge document indicating the honorable discharge of Private James E. Wheeler from the Army of the United States. Document is dated 9 April 1946","Reverse of  military discharge document for James E. Wheeler (ABFR-23-024-084). Typrescript text describes personal data, military history, pay data for James E. Wheeler. Document is dated 9 April 1946","Black and white photograph of young Shirley Ann Gilliam in a puffy gown and large tiara, seated with feet crossed and hands on her lap. Handwritten note reads \"May Oueen [Queen] Charles Houston 1952, Shirley Ann Gilliam\" [Likely in reference to Charles Houston Elementary School]. Photograph is dated 1952","Collage of three black and white photographs and scans of the front and back of a retirement identification card. The photo in the upper left corner shows a woman in a white dress seated on an armchair in a living room. Typescript caption dates this photograph to May 1960. The photo in the lower left corner shows Aunt Lil and a younger sister, May, standing in the yard of a house. Typescript caption identifies the subjects of the photograph by name. Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military attire against a solid background from the torso up. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Photograph is undated but was likely taken before 1946. The front and back of a retirement identification card issued by the United States Treasury Department to George E. Lee occupies the lower right corner. The card displays Lee's photo portrait, signature, retirement date, and length of government service. Card was issued 31 October 1962. Collage is undated","Collage of three black and white photographs, the same three photographs seen in ABFR-23-024-087 and in similar placements on the collage backdrop. The photo in the upper left corner shows a woman sitting on a chair in a living room. Typescript caption dates this photograph to May 1960, and a handwritten note identifies the woman as \"my mom.\" The photo in the lower left corner shows two young women standing in a yard. Typescript caption identifies the subjects of the photograph as Aunt Lil and May, a little sister. Handwritten note reads \"May died.\" Photograph is undated. The photo in the upper right corner shows James E. Wheeler in military dress. Typescript caption identifies him as \"James E. Wheeler, big brother.\" Handwritten note identifies Wheeler as \"my mom's brother.\" Photograph is undated but was likely taken before 1946. Collage is undated","Reverse of collage of family photos with handwritten clarifications (ABFR-23-024-088). Handwritten note reads \"Annie Lee Wheeler Descants.\" Collage is undated","Collage of two black and white photographs with handwritten captions. The photograph on the left shows the head and shoulders of a woman wearing a white collar and hoop earrings. Her lips are slightly parted in a subtle smile, and her hand is raised as if to wave. Handwritten caption identifies her as Shirley Ann Gilliam. The photograph on the right shows the head and shoulders of a man in a gray suit jacket with close-cropped hair. Handwritten caption identifies him as Lalon Sanders, Jr. Photographs and collage are undated","Albert Gallaton Award granted to George E. Lee by the United States Treasury Department. The page is a yellowed manilla color, and in the center of the page, the Treasury Department's seal appears in a darker yellow. The words \"United States Treasury Department\" appear at the head of the page in a blackletter typeface. Beneath this heading is an engraving of Albert Gallatin's head and shoulders and, in a cursive typeface, an explanation that the award recognizes Lee's years-long term of service for the Treasury. The bottom of the page bears the signature of Douglas Dillon, then Secretary of the Treasury Department. Award is dated 6 September 1962","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 7,\" and the title reads \"PREPARING FOR COMPANY'S COMING.\" The upper section of the page is occupied by three black and white images of Giant staffers from Fairfax, Virginia cleaning the store. The lower part of the page contains rhyming verse written by Giant staffers for their corporate executives by Giant employees. Clipping is undated","Page from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 8,\" and the title reads \"Company's coming.\" The page contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-092. Periodical extract is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 17.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Clipping is undated","Clipping from We News, an internal magazine and newsletter once issued by Giant grocery. The page is numbered \"Page 18.\" The page contains a continuation of the \"Company's coming\" article introduced on page 7 of the magazine (ABFR-23-024-091). It contains black and white images of visits by Giant executives to Giant grocery locations during which they meet staffers. Reverse of ABFR-23-024-094. Clipping is undated","Digital surrogates of photographs from the Colbert, Johnson, and Terrell Families.","Color photograph of four people standing side-by-side in semiformal dress. On the far left of the group is a man wearing a plain white shirt with a tattoo on his forearm. Second to the left is a woman wearing a polka dot dress and a yellow floral parure. Her arm is around the shoulders of Frances Terrel, second to the right, who wears a pink and black ensemble with a bolero jacket and a corsage. The rightmost figure is a man in a brown tuxedo jacket. They stand before a red sequined drapery over a white wall. Photograph is undated","Color photograph of five individuals of varying age in semiformal clothing. They are posed in two rows in front of a mottled brownand gray backdrop such as those used by portrait photographers. In the front row, Terrell sits on the left, dressed in pastel colors and a pearl necklace. The man seated to her right has a whitening beard. Behind them stand two women, who, like Terrell, wear light colored dresses and necklaces, as well as a man in a navy blue tuxedo. All five smile at the camera. Photograph is undated","Color photograph of Calvin D. Terrell and Frances Terrell (left and second to the left, respectively) with four other adults, one of whom holds a toddler in a lacy blue dress. They are standing in a row in a living room. Behind them, on the left edge of the frame, stands an evergreen tree wrapped in tinsel and hung with ornaments. Photograph is undated","Color photograph of 19 people in semiformal dress at an indoor event [likely the same event depicted in photograph of Frances Terrell at an event with three other attendees, ABFR-23-005-001]. Their ages range from child to senior. The room has white walls and floors, and in the lower left corner, a table draped with a white tablecloth can be seen. Behind the people is a sequined red decorative drape. Frances and Calvin D. Terrell stand in the center of the posed assembly. Some among the group have blue paint on their hands or faces, including Calvin D. Terrell. Frances Terrell has blue paint on her sleeve. Photograph is undated","Color photograph of Delaney C. Colbert and Mary Agnes Johnson, parents of Frances Terrell, sitting in chairs on a balustrade-enclosed porch in a suburban neighborhood. Johnson's hand rests on top of Colbert's. Colbert has a brimmed hat on his lap. Behind them, plants are dense with foliage, and a flower bush is in full bloom. Photograph is undated","Color photograph of Frances Terrell as a young woman, posing confidently for the camera. She wears a white turtleneck, round glasses, and abrown pendant in the shape of an upraised, clenched fist. Her hair is styled in an afro, and her hands are planted on her hips. She is inside of a room painted all in white. Behind her is a refrigerator, a cabinet, and an umbrella hanging on a doorknob. Photograph is dated 1970","Reverse of photograph of young Frances Terrell with refrigerator, arms akimbo (ABFR-23-005-006). A printed label featuring a small image of the Nativity in silhouette displays Frances Terrell's name and address. Handwritten note dates photograph to 1970","Color photograph of Louis Eric Clements, son of Frances Terrell, pictured from the shoulders up. He wears a dark blue button-up shirt and smiles for the camera. He stands against a blank white wall, and the camera flash casts a shadow behind him and illuminates the pupils of his eyes. Photograph is undated but was likely taken during the 2000s and no later than 2012 [Clements passed away in 2012]","Color photograph of seven people posed in a line outside a white building, facing the camera, in casual dress. In the center of the line is the eldest photo subject, seated on a bench. To the left are three men, standing, and to the right are three women, also standing. The ground is paved with cement, and decorative elements on the wall behind them feature stylized shellfish. Said decorative elements resemble light fixtures used to decorate the exterior of Red Lobster restaurants. Photograph is undated","Color photograph of Frances Terrell and her husband, Calvin D. Terrell, posing in front of a plain blue backdrop. Calvin D. Terrell, left, wears glasses and a brown gingham suit. Frances Terrell, right, wears a red button-up shirt and simple gold jewelry. They are both smiling, their gazes facing the left of the frame. Photograph is undated","Color photograph of Calvin D. Terrell (left) and Frances Terrell (right) with Louis Eric Clements, seated between them. Clements was the son of Frances Terrell and the stepson of Calvin D. Terrell. They are dressed casually and posing in front of a blank white background. Clements wears a gold cross pendant. Photograph is dated May 2011","Reverse of photo portrait of Calvin D. Terrell, Louis Eric Clements, and Frances Terrell (ABFR-23-025-011). A small label with a floral motif displays Frances Terrell's name and address. Handwritten note dates photograph to May 2011","Color photograph of Delaney C. Colbert (left, seated) and Mary Agnes Johnson (right, standing) in semiformal dress, posed in front of a plain white background. Handwritten note reads \"LOVE DAD + MOTHER\" [Colbert and Johnson are the parents of Frances Terrell]. Photograph is undated","Digital surrogates of photographs from the Zellars family","Digital photo collage depicting members of the Zellars family. Collage includes three portraits, each of a different member of the Zellars Family depicted in military uniform. The largest image, which occupies the left side of the collage, is a black and white portrait photograph of Clearence Zellars, c.1940s. He is wearing an M1 helmet covered in netting. Located in the upper right portion of the collage is a color portrait photograph of Dr. Tincie Zellars Lynch wearing a U.S. Army uniform and posed sitting in front of an American flag and burgundy flag with a wheel insignia and \"396\" in gold lettering, c.1990s. Located in the bottom right portion of the collage is a color portrait photograph of a young man in U.S. Marines uniform who is identified as the brother of Tincie Zellars Lynch, c.1960s-1970s. Typescript text at the bottom of the collage reads, \"My Daddy WWII, me Desert Storm Era my brother Vietnam Boots on the Ground Veteran Family of Veteran Zellars\" and  another typescript caption at the top of the image reads \"7 YEARS AGO.\" Collage is undated","Digital surrogates of family history materials documenting the Gregory and West families. Included are photographs, documents, newsclippings, and artifacts","Black and white photograph, portrait of James Francis Gregory, a Presbyterian minister and educator. He is pictured from the shoulders up. He wears a suit jacket with wide lapels, a white collar, and a thick moustache. The backdrop is a solid color, unadorned. The photograph is framed by an oval-shaped window in a sheet of brown matboard. Photograph is undated","Reverse of Portrait of James Francis Gregory (ABFR-23-034-001). Handwritten note reads, \"James Francis Gregory (1876-1944).\" Photograph is undated","Black and white photograph of a group of eight young men in graduation regalia, holding their mortarboard caps. One of the young men has been identified as James Francis Gregory (second from the right). They sit in front of a richly decorated backdrop featuring engravings and drapery. Photograph is undated but likely dates to the 1890s or early 1900s, when Gregory was a student at Amherst College and then Yale Divinity School","Reverse of photograph of Photograph of James Francis Gregory and students in graduation attire (ABFR-23-034-003). Handwritten note reads, \"James Francis Gregory.\" Photograph is undated","Black and white photograph of twelve people standing outside on a sunny day. Four of the twelve are small children, some of them in a state of semi-undress. The adults stand shoulder-to-shoulder with one another, many of them holding the hands of the children. Behind them, bushes and trees can be seen. Photograph is undated","Black and white photograph of a woman wearing a mortarboard graduation cap, black graduation robe, and white lace collar. She holds a book open in her left hand, and with eyes downcast, she appears to be contemplating its contents. Her hair is dark and styled in tight, chin-length waves. Photograph is undated","Black and white photograph depicting a woman with short, tightly waved hair, huggie earrings, and a light-colored, collared gingham shirt. The backdrop is a light, solid color. Photograph is undated","Black and white photograph of two figures standing outdoors on grassy earth in front of a weeping willow. The woman (left) wears a light colored, midcalf dress and a brimmed hat. The man (right), wears a light, unbuttoned suit and saddle shoes. Both smile for the camera. Photograph is undated","Black and white photograph of a group of people standing outdoors in front of leafy bushes and the exterior wall of a building. In the center of the group, a woman in commencement regalia holds a mortarboard graduation cap in her right hand, and in her left she holds a scroll of paper and a bouquet of flowers. Posed standing around her is a group of men and women, most of whom are wearing long coats and hats. Photograph is undated","Black and white photograph of a woman wearing a white dress, her hands folded behind her back, leaning against a fence in an outdoor recreation area. Behind her and the fence is a grassy expanse and a squat, white building with wooden panel features and an open door. Photograph is undated","Black and white photograph of a smiling girl in a white dress and black stockings. Her hair is in a braid draped over her shoulder, tied with a large black bow. She stands on grass, and behind her are visible tall trees and white houses. Photograph is undated","Black and white photograph of a young woman wearing a white dress with an open graduation gown draped over her shoulders. She holds a scroll of paper and a bouquet of flowers. To her left is an older woman in a long, light colored coat and a hat, who is seen in profile as she looks to the left side of the frame. The pair stands outdoors before a wall densely covered in ivy. Photograph is undated","Black and white group photograph of the Amherst College baseball team in 1898. Thirteen men are posed seated, arranged in three rows. Most of them are wearing Amherst College uniforms. Some of the men hold baseball equipment, such as mitts and a bat. In the center of the group sits James Francis Gregory, legs crossed and slightly reclining, with a baseball cap balanced on his knee. Behind them is Johnson Chapel. Photograph is dated 1898","Reverse of Photograph of James Francis Gregory with Amherst College baseball team (ABFR-23-034-013). Handwritten note reads, \"James Francis Gregory, Captain of Amherst baseball team, 1898.\"","Color photograph of two women (left, right) and one man (center) standing on a lawn near a house of brick and white siding with a large, stepped brick porch. The women wear long overcoats, and the man wears a suit and tie with a brimmed hat. He has a long coat draped over his right arm, a rolled up newspaper in his pocket, and a pipe in his mouth. A numbered sign on the outside of the brick house indicates that its address is 4116 on an unidentified street. Photograph is undated","Black and white photograph of a smiling baby (left) and a young boy in overalls (right) holding one another's hand on a couch in front of a curtained window. Handwritten note in blue ink reads \"Murphy's Photo,\" which most likely refers to local photographer Elrich Murphy. Photograph is undated","Black and white photograph, group portrait of the Gregory family. Pictured seated in the front row (L to R): James Francis Gregory, Fannie Hagan Gregory, and James Monroe Gregory. Pictured standing in the back row (L to R): Margaret Briggs, Eugene Monroe, and Thomas Montgomery. All are dressed in formal attire and are posed not smiling. Behind them is a painted studio backdrop which includes an image of a fluted column. Photograph is undated","Black and white photograph, group portrait of six men arranged in two rows of three. James Francis Gregory is in the back row, far right. He and three other men in the group wear matching suit jackets with pockets and a YMCA insignia on the jacket sleeve. The group is posed in front of a studio backdrop. Photograph is undated","Reverse of Group portrait of James Francis Gregory and unidentified men (ABFR-23-034-018). Handwritten note reads \"James Francis Gregory, Freddie's Grandfather, His children's Great Grandfather, His grandchildren's Great Great Grandfather, World War I Lecturer throughout U.S., YMCA.\" Photograph is undated","Black and white photograph of 15 men and boys, the football team at the Manual Training and Industrial School for Youth, in sweaters and sports paraphernalia decorated with a capital letter \"I.\" They are arranged in three rows, each seated on steps leading to the entrance of a brick building surrounded by a white balustrade. Gregory, the coach, sits in the upper left. The young man in the center of the group is holding a football with a white design printed on its surface, possible letters or numerals. Photograph is undated","Reverse of photograph of James Francis Gregory with Bordentown School football team in spiritwear (ABFR-23-034-020). Handwritten note reads \"Football Team at Ironsides on front steps of Administration Bldg. Top left, Coach James Francis Gregory (Bordentown, N.J.).\" Photograph is undated","Black and white photograph, group portrait of Washington Historic Touring Club on visit to Franciscan Monastery. A large group of people, most of whom appear to be teenagers, are posed standing outside of the Franciscan Monastery of the Holy Land in America. The men and boys who have hats hold the hats in their hands. The Monastery, a light colored building inset with arch windows, occupies much of the background, and a statue of Saint Christopher carrying a young boy [presumably the Christ child] towers over the crowd. Handwritten note in the lower left corner reads \"WASH HISTORIC TOURING CLUB, CARDOZA SCHOOL WASH. D.C., OUTING TO FRANCISCAN MONASTERY MAY 2, 1937, GEO. H. WALLACE Pres. J. FRANCIS GREGORY Inst.\" Handwritten note in the lower right reads \"J. HENRY WRIGHT, WASH. D.C.\" Photograph is dated 2 May 1937","Manuscript document written in graphite pencil on lined paper tracing lines of parentage and descent in the Gregory family, beginning in the 19th century with Henry L. Gregory and Maria A. Gladman. The document lists James Francis Gregory, his siblings, and their marriages and offspring. Manuscript is undated","Reverse of manuscript detailing Gregory Family genealogical records (ABFR-23-034-025). Handwritten text continues the genealogical description from recto of page, starting in the late 19th century and continuing to the present at time of the document's creation. Manuscript is undated","Black and white photograph extracted from The Ironsides Echo, a New Jersey periodical. The photograph depicts a building consisting of several joined units from a sidelong angle. To the left, a wooden fence extends from the building's edge, and a sidewalk leads to a door with a small, stepped porch. The building has shuttered windows, wooden siding, and chimneys. Typescript caption reads \"Property rented and occupied when Principal Gregory took charge in 1897.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School for Youth premises (ABFR-23-034-027). Handwritten note identifies the photograph's source and subject. Photograph is undated","Black and white photograph of a brickwork school building with a fenced-in porch and semicircular portico balcony. The surrounding trees are bare of leaves. Typescript caption reads \"ADMINISTRATION BUILDING. Manual Training and Industrial School for Colored Youth, Bordentown, N. J.\" Photograph is undated","Reverse of photograph of Manual Training and Industrial School administration building (ABFR-23-034-029). Handwritten note reads \"Source: postcard.\" Photograph is undated","Black and white photograph of four members of James Francis Gregory's family of varying ages. On the left, seated, is Margaret Mohamit Hagan, J. F. Gregory's grandmother, with baby Amherst Gregory, child of J. F. Gregory, on her lap. On the right, seated, is Fannie Hagan Gregory, mother of J. F. Gregory. She wears a long cross pendant, which she holds with both hands in her lap. James Francis Gregory stands behind them in a suit with a bow tie. Photograph is dated approximately 1904","Reverse of photo portrait of four generations of James Francis Gregory's family (ABFR-23-034-029). Handwritten note reads, \"Seated on left, Margaret Mohamit Hagan holding Baby Amherst Gregory (1903-1904), Seated - right, Fannie Hagan Gregory (1886-1928), Standing, James Francis Gregory (1876-1944), about 1904.\"","Black and white photograph, portrait of James Francis Gregory in an Amherst College baseball uniform. He is posed standing with his hands on his hips, in front of a painted, floral studio backdrop. Gregory stands in the center of the frame, his entire body visible, dressed in a sweater with a capital letter \"A\" emblazoned on the chest and padded pants tucked into knee-high socks. He also holds a baseball mitt in one hand. The photo print is mounted on black board. Photograph is undated","Newsclipping of an article from The Philadelphia Press about James Francis Gregory. The headline and subhead of the clipped article reads, \"Negro Carries Off Prize For Oratory: James F. Gregory, of Bordentown, N.J., Secures First Honors for Elocution at the Yale Divinity School.\" The clipping includes a black and white portrait photograph of James Francis Gregory, pictured from the shoulders up. The article reports on Gregory winning Yale Divinity School's Downes prize for the reading of scriptures and hymns, and goes on to enumerate his achievements at Amherst College and Yale Divinity School as an athlete and an orator. Clipping is undated, but was likely printed in June 1901","Reverse of Newsclipping, The Philadelphia Press article about James Francis Gregory (ABFR-23-034-032). Typescript text near the top of the clipping identifies the month of publication as June. Articles touch on controversial railway bills, congressional sessions, and coal prices. Clipping is undated","Typescript document of the beginning of an obituary for James Francis Gregory, beginning with his birth in 1876 and summarizing his academic and professional accomplishments. Document is undated","Black and white photograph, group portrait of a wedding party with the bride. Four people are posed standing in a row in front of an indoor arrangement of plants including tall ferns and flowers. From left to right: a man in a black tuxedo with a white shirt and black bowtie; a woman in a white wedding gown and veil, holding a bouquet of flowers; a woman in a dark velvet dress, holding a bouqut of flowers; and a man in a black tuxedo with a white shirt and black bowtie. Photograph is undated","Color photograph, group portrait of (L to R) NASA mission specialists Ronald \"Ron\" E. McNair, Guion \"Guy\" S. Bluford, and pilot Frederick D. Gregory. Frederick D. Gregory is the grandson of James Francis Gregory. The three men, wearing orange NASA astronaut flight suits, are posed standing in a row. Behind them is a gray studio backdrop, an American flag, and the flag of the United States National Aeronautics and Space Administration (NASA). In front of them is a model of a space shuttle on a black table. The photograph was taken at Johnson Space Center in Houston, Texas. Typescript caption at the bottom of the photograph reads, \"Three of the Eighth Group of NASA Astronauts.\" Photograph is undated, c.1978","Reverse of Group portrait of NASA astronauts with model space shuttle (ABFR-23-034-036). Typescript text reads, \"Three of the 35 New Astronauts. Three of NASA's newest group of astronauts selected in January 1978 pose with mockup of the Space Shuttle at the Johnson Space Center. The group includes, from left to right, mission specialists Ronald \"Ron\" E. McNair and Guion \"Guy\" S. Bluford, and pilot Frederick \"Fred\" D. Gregory.","Black and white photograph of Charles Fremont West wearing a jacket and calf-length boots in a field of tall grass. Beside him sit two dogs on leashes, which West holds in one hand. In the other hand, he holds a dead bird with splayed plumage. The dogs face the left of the frame, where two additional dead birds hang by their legs from a short, sparse tree. Photograph is undated","Reverse of photograph of Charles Fremont West in field with his bird quarry and two dogs (ABFR-23-034-038). Typescript stamp reads, \"PHOTOGRAPHY BY TURNER STUDIO, ALEXANDRIA, VA.\" Photograph is undated","Black and white photograph of football players during the 1922 Rose Bowl at Tournament Park stadium in Pasadena, California. The game was played between the Washington \u0026 Jefferson Presidents (W\u0026J) and the California Golden Bears college football teams. Charles Fremont West played as quarterback for Washington \u0026 Jefferson and was the first African American quarterback to play in the Rose Bowl. On the right side of the image, Hal Erickson (W\u0026J) is pictured running with the ball. Next to him are several players in the midst of a tackle, the impact of which has churned up a spray of earth. Rows of spectators in stadium seating are visible in the background. A handwritten note in the upper right corner reads, \"ERICKSON.\" Another handwritten note along the bottom of the image reads, \"1922 ROSE BOWL GAME, CHARLIE 'PRUNER' WEST, QUARTERBACK.\" Photograph is dated 2 January 1922","Reverse of Photograph of the 1922 Rose Bowll (ABFR-23-034-040). Handwritten note reads, \"1922 Rose Bowl, Washington \u0026 Jefferson College vs U. of Cal., Charles \"Pruner\" West - Quarterback.\" Photograph is dated 2 January 1922","Black and white photograph of a group of people at what seems to be a dinner or other social event. A man wearing a suit and tie and a woman wearing a dark-colored skirted suit are standing together behind a microphone stand. In front of them are four people sitting at a table with a white table cloth, upon which sit several glasses and other dishware. Seated at the table, from left to right: a woman wearing a dark-colored dress and pearl necklace, holding a cigarette; a man wearing a suit and tie, holding a cigarette; a woman wearing a dress, holding a cigarette; and a man in a suit and tie. The two women appear to be in conversation together. The man that is second from the left is looking up over his shoulder at the two people standing behind him. And the man on the far right is leaning to the side and talking to someone whose head is only partially visible in the frame. On the left side of the image the side of a woman's head is partially visible in the frame. Photograph is undated","Reverse of Group photograph at social event (ABFR-23-034-042). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of Charles Fremont West (far right) and four unidentified men in a field, posed standing in a row. They are all dressed in similar outfits consisting of slacks, sport coats, and hats. Some of their jackets have patches on the sleeve. All five men are holding rifles; three of them have the rifle tucked into their elbow and two men are holding the rifles vertically with buttstocks resting on the ground. Behind them stretches a field of trimmed grass and distant trees. In front of the men is a small, grassless patch littered with bullet casings. A handwritten note in the upper right corner of the image reads, \"Charles Fremont West.\" Photograph is undated","Manuscript document featuring handwritten genealogical record of Henry L. Gregory and his descendants. The document nearly duplicates the content of ABFR-23-034-025, \"Manuscript detailing Gregory Family genealogical records,\" but the formatting of the text is occasionally different and bears annotations and strikethroughs, although the handwriting appears consistent between the two documents. Along the left-hand margin, a note reads \"MIRIAM [illegible].\" Document is undated","Black and white photograph of Charles Fremont West (right) and an unidentified young man (left) standing in a field. They are both posed holding a rifle vertically with the stocks to the ground as well as a trophy. The figure on top of the trophies is a rifleman poised to shoot. Photograph is undated","Reverse of photograph of Charles Fremont West and young rifleman in field with trophies (ABFR-23-034-046). Typescript stamp reads, \"McConnell Photography, Randolph 8345, Taylor 8222, 3221 Warden St. NW Wash.10 D.C.\" Photograph is undated","Black and white photograph of five people at a picnic table outside. A man and two women are seated on the attached bench. One man stands to the side, leaning casually against the table's edge. Another man is posed standing with his foot on the table, elbow resting on his bent knee. Behind them, sunlight peeks through the gaps in a dense wall of foliage. Photograph is undated","Reverse of Photograph of group at a picnic table (ABFR-23-034-048). It is a mostly blank page, with a typescript header and footer with the information typically included when a webpage is printed: page title, page number, date [accessed], and URL. It seems that the photograph was printed on the back of scrap paper, unrelated to the image.","Typescript document, a family tree diagram illustrating the genealogy of Charles Fremont West. At the top of the page is the title, \"Hourglass Chart for Charles Fremont West.\" Charles Fremont West is at the center of the chart and it includes generations back to his great-grandparents, as well as through to his great-grandchildren. Document is undated","Program for the Fiftieth (50th) anniversary reunion for the Dunbar High School Class of 1926, held June 26-27, 1976 at St. Paul's Episcopal (Rock Creek) Church \u0026 Walter Reed Officers Club in Washington, DC. The program booklet is eleven pages and includes an event schedule, statistics about the class of 1926, a list of reunion attendees, a history of the school covering 1870-1926, and an article about African American schools in Washington, D.C. The cover is red with the title and a fleur-de-lis symbol printed in metallic gold. Document is dated 1976","Exhibition poster detailing the life and achievements of Dr. Charles Fremont \"Pruner\" West, created by Dana D. Brooks, Ronald Althouse, and Damien Clement, West Virginia University. The poster includes text and photographs with biographical information about West with details about his career as a student athlete, his academic career, professional career as a doctor, as well as honors and awards he received. The poster also discusses the racism and harrassment that West faced as a Black athlete in the Jim Crow era. On the left side of the poster, in the space between two columns of text, is a large black and white cutout image of West in an athletic uniform. Smaller images from West's academic and professional life are scattered throughout the informational content. Exhibition poster is undated","An effigy of Charles Fremont \"Pruner\" West made out of a model ambulance and black figurine. The ambulance is cast from metal and coated with chipped white paint, and painted on its side are a red cross and the text \"AMBULANCE\". The figurine is a small Nippon baby doll with no arms. It is painted black with red lips and a few red stripes across its body. It was inserted into the model ambulance, laying in the ambulance with its head poking out of the back. The figurine is visually reminiscent of lawn jockeys and other similar racist depictions of black men that reference blackface and minstrelsy. This effigy was originally displayed in the window of a merchant (a dry cleaner) in Morgantown, West Virginia in November 1921. It was placed there with the intention of intimidating West upon his arrival in town with the Washington \u0026 Jefferson College football team to play a game against West Virginia University. This display was one of many forms of racist intimidation that West encountered in Morgantown","Digital surrogates of photographs from the Thompson Family; including Clayton Randolph Thompson, Valerie Jackson Thompson, and their descendants.","Color photograph of a woman seated outdoors on a sunny day. Draped over her is a piece of white, patterned fabric, and in her right hand, she holds a bottle containing a dark brown liquid, Behind her is an expanse of green grass, dangling leaves, and a chain-link fence. Photograph is undated","Black and white portrait photograph of Clayton Randolph Thompson, wearing a suit and tie. He is visible from the shoulders up, and behind him is a featureless background. Photograph is undated","Color photograph of an unidentified woman. She is posed sitting in a church pew, with head bowed and eyes closed as though in prayer. Behind her, church pews and an unadorned wall are visible. Photograph is undated","Black and white halftone photograph from a newsclipping of Alice Thompson Lewis. She is pictured from the shoulders up, wearing glasses and jewelry with large, pearl-like beads. She smiles widely, and behind her is a solid background. Partially visible typescript caption reads \"…[L]EWIS, ALICE T., ...[i]t is so hard [to]...\" Photograph is undated","Black and white photograph of a woman, possibly Valerie Thompson, seated with her hands folded in her lap. She wears a pale colored dress and looks placidly at the camera. Around her is a garden dense with plant life, and behind her is a wooden structure and a fence of wooden palings. Photograph is undated","Color photograph of a man of the Thompson Family visible from the shoulders up, dressed in a black collared shirt. He has a beard and short-cropped black hair, and regards the camera with a solemn expression. Behind him is a smooth, white wall, surrounded by bushes and trees. Photograph is undated","Color photograph of Clifford Martin Thompson standing beside an unidentified woman in front of a wall covered in wallpaper and set with a wooden doorframe. Thompson wears a black tuxedo and a bowtie. He is posed leaning in towards the woman standing next to him. She wears a muted blue garment and dangling earrings, her gaze fixed on something out of frame. Text and icons on the white margin above the photograph indicate that the image is derived from a screenshot of a Facebook post taken on a cell phone. Photograph is undated","Color photograph, portrait of Valerie Myers Jackson Thompson pictured from the shoulders up. She is dressed in white and wears pearl earrings. Her hair is just long enough to brush the tops of her shoulders. The photograph has a reddish tint. Photograph is undated","Color photograph of Clayton \"Bunny\" Thompson, Sr. posed seated at what appears to be a kitchen table. He wears a plaid shirt, and he leans on his elbows, his arms folded over his chest. In front of him, partially visible in the frame, are a red and white beverage can, several pieces of fruit, and a blue gift wrapping bow. Photograph is undated","Digital surrogates of photographs from the Henry Family","Group photograph of four women and one child in a house, posed on a carpeted staircase. Four sit on the steps and in the left of the frame, one woman stands with her hand on the staircase railing. L to R: unidentified woman, Marie Elizabeth Spinner, Toniette Henry Duncan, Rita Murphy Harris, and an unidentified young girl seated on Duncan's lap. Behind them, the stairway leads to an upper level where an open door shows another room. Photograph is undated","Black and white photograph of Albert Henry (left) and his wife, Alice (right) standing behind a table lain with two white, single-tier cakes and a bowl. Albert is dressed in a suit and necktie and smiles as he cuts into one cake with a knife. Alice, wearing a floral dress, rests her hand on Albert's as he slices. The arm of a third person in a striped shirt is partially visible on the left edge of the photograph. Photograph is undated","Black and white photograph of Albert Henry standing beside an unlit fireplace in front of a damask curtain. His elbow rests on the mantle above the fireplace, and his profile casts a shadow on the wall. Henry is dressed in a casual suit and tie and smiles at the camera. Photograph is undated","Portrait painting of Annie Henry from the torso up, done in muted sepia tones. She wears a dark garment with a white frilled collar. The painting is in a brown, oval frame with floral details. Annie Henry was the wife of William Henry and the mother of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of Joyce Rebecca Whitmore Henry leaning against a pillar prop in front of an abstract backdrop. She wears small hoop earrings and a dress with long sleeves and a white collar. Typescript text at the bottom edge of the image reads \"DETAILS.\" Photograph is undated","Color photograph of Marie Elizabeth Spinner, former wife of Elrich Murphy, mother of Rita Murphy Harris, and aunt to Toniette Henry Duncan. She is posed sitting on a striped, cream-colored sofa, holding a set of gold balloons shaped to read, \"97.\" Beside her on the couch is a red gift bag with decorative text that reads \"[Ha]ppy [Birth]day!\" Photograph is undated, but Marie Elizabeth Spinner's 97th birthday took place 7 January 2021","Color photograph Marie Elizabeth Spinner and  her sister Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair up. The photograph has an unfocused, desaturated quality. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, posed with her daughter, Rita, seated on her lap. Behind them hang sheer white and damask curtains. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner from the shoulders up. She wears a light colored garment and a long pearl necklace. Behind her is a striped background. Photograph is undated","Black and white photograph of Marie Elizabeth Spinner, pictured from the shoulders up. She wears a light colored blouse and sits on a couch in front of a white wall. Photograph is undated","Color photograph of Burnett Ralph Henry, son of Wilmer Benjamin Henry and Willie Mae Carter, seated on a patterned couch with a newspaper in his hands. On the coffee table in front of him are a vase of red silk flowers and a miniature artificial Christmas tree decorated with tinsel and ornaments. Next to Henry is a side table holding another vase of red flowers and several portrait photographs. Photograph is undated","Color photograph of a man, identified as Clarence, pictured from the shoulders up. He has gray hair and wears a white collared shirt with gray and blue patterning. Behind him is a piece of brown furniture. The image is blurry. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, seated on a chair upholstered with a textured red fabric. She wears a white, striped button-up chemise top. Behind her is a wooden shelf with a bird sculpture and a framed photograph. Photograph is undated","Color photograph of Willie Mae Carter Henry, wife of Wilmer Benjamin Henry and mother to Marie Elizabeth Spinner, posed seated with her hands folded in her lap. She is wearing light blue suit and shite shirt. Two metal tins and a TV remote are visible on a table behind her. Photograph is undated","Black and white photograph of William \"Sonny\" Duke (left) with two other people leaning against the side of a white car. Duke wears a newsboy cap, and one of his arms is in a sling, while the other is draped over the shoulders of a young woman standing beside him. The woman is wearing dark pants, a white top, and a scarf. On the other side of the woman is a man wearing a plaid shirt and dark pants, posed with his hands in his pockets. Photograph is dated March 1957","Black and white photograph of Sylvia Dolores Henry, daughter of Corrine Idella Henry, as a young girl. Her hair is braided and she is wearing a white collared dress. She is posed sitting on the corner of a wooden table. Behind her is a window with blinds drawn. Photograph is undated, c. late 1950s","Black and white photograph of Corrine Idella Henry and her older brother, John Wilmer Henry standing outside. Corrine wears a plaid skirt and a white blouse.  She is posed with her hands on her hips, leaning into her brother. He is wearing dark-colored trousers with wide cuffs and a button-up shirt. His hands are tucked in his pockets. Photograph is undated","Color photograph of Rosell Marshall Henry, wife of Burnett Ralph Henry. She wears glasses and a button-up shirt with a patchwork style pattern. She sits on a wooden chair, and a white cup is visible in front of her. Behind her is a white wall and a white louvered door adorned with postcards and a calendar. Photograph is undated","Studio portrait of Marie Elizabeth Spinner, mother to Rita Murphy Harris and aunt to Toniette Henry Duncan. She is pictured from the shoulders up in front of a blue studio backdrop. She wears glasses, hoop earrings, and a white turtleneck beneath a brown outer jacket. Photograph is undated","Black and White photograph of Marie Elizabeth Spinner in a dress and patterned ascot, perched on a wooden table. Her legs are crossed, and she rests her chin in her hand as she looks directly into the camera. Photograph is undated","Color photograph of Marie Elizabeth Spinner in a light colored, floor-length dress with short, puffy sleeves. A thin string of pearls hangs around her neck, and she holds a small purse in one hand. Her hair is pulled back in an updo. She is posed standing in front of a light blue curtain. Photograph is undated","Color photograph of three women seated on a bed. From left to right: Marie Elizabeth Spinner, Willie Mae Carter Henry (mother of Marie Elizabeth), and Rita Murphy Harris (daughter of Marie Elizabeth and Elrich Murphy). Willie Mae is seated upright in a bed, her legs beneath a pink blanket, while her daughter and granddaughter sit on either side of her, their legs uncovered. All three are smiling. Behind them, a table lamp and a doll dressed in blue sit atop a headboard. Photograph is undated","Hand-colored photograph of Corrine Idella Henry sitting cross-legged on a wooden chair in front of a fabric backdrop. She wears a long coat with lapels, a red collared shirt, black pantyhose, and a pearl necklace. Handwritten text in the lower righthand corner reads \"MUR[PHY],\" most likely indicating that this photograph was taken by Elrich Murphy, Henry's brother-in-law. Photograph is undated","Color photograph of Sylvia Dolores Henry, daughter of Corrine Idella Lewis, smiling in front of a backdrop styled after the American flag and decorated with an image of a parchment scroll on which the Preamble to the United States Constitution is written. Sylvia wears a red sweater over a white collared shirt, and her hands are folded in front of her. Typescript caption on the bottom of the photograph reads, \"Our American Constitution, 1787-1987.\" Photograph is undated but was likely taken in 1987","Color photograph of Blair Spinner, son of Marie Elizabeth Spinner and Albert Spinner. His smile is topped by a dark moustache, and his hair is styled in a short afro. He wears a teal shirt. Photograph is undated","Black and white photograph of a baby identified as \"Bunky,\" posed sitting on a small cushion on a wooden porch. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. The baby wears booties and a white bonnet, and he smiles, his gaze directed upwards and his arm raised and made indistinct by motion blur. The house behind him is made of white bricks or cement blocks. Photograph is undated","Black and white photograph of a child identified as \"Bunky\" wearing a cowboy costume with cheetah patterning and a brimmed hat, with a toy pistol in his raised hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He stands on a patterned rug in front of an Christmas tree decorated with tinsel and ornaments. Opened packages are strewn across the floor around his feet. Photograph is undated but was likely taken at Christmas (25 December)","Black and white photograph of a child identified as \"Bunky\" standing on a porch with a small bundle of flowers in his hand. Bunky is likely Leonard R. \"Bunky\" Terrell of Alexandria. He smiles with mouth open, and  is dressed in a cap and a dark coat with white buttons. Behind him are a white, exterior wall and a window. Photograph is undated","Color photograph of five people in a dining room with floral wallpaper. Left to right: unidentified woman, unidentified man (mostly obscured), Albert Henry, Wilmer Benjamin Henry, unidentified man. Wilmer Benjamin Henry (at the center of the photograph) is wearing suspenders and a striped necktie. Behind him is a windowpane that overlooks a yard over which a clothesline has been strung up. On the table in front of the group is a red and yellow flower arrangement. Photograph is undated","Black and white photograph of Corrine Idella Henry, pictured from the shoulders up. She is wearing a collared shirt or jacket. The image is blurry. Photograph is undated","Black and white photograph of Corrine Idella Henry on a porch, leaning back against a wooden support pillar. She wears high waisted pants and sandals, and her arms extend upwards, bending behind the pillar where she rests her head. The corner of a house with white siding is visible in the left of the frame, and the background is full of greenery and clear sky. Photograph is undated","Black and white photograph of Corrine Idella Henry standing in a lawn. Behind her are a wooden fence, trees, and a paved pathway. She is dressed in a matching set with a cropped top and a long skirt. She poses with one hand on her hip and the other on behind her head. This photograph was taken in the yard of the Henry family home on Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Photograph is undated","Black and white photograph of Elizabeth Henry, younger sister of Wilmer Benjamin and Albert Henry, wearing a dark button-up jacket and a calf-length skirt. Her hand is placed on her hip, and she stands in front of a wall with light colored siding. Photograph is undated","Color photograph of Elizabeth Henry Douglas, pictured from the shoulders up. Her hands are clasped under her chin, and a broad smile lights up her face. Her white hair is bushed back from her face, and she wears a purple sweater. Photograph is undated","Color photograph of Elizabeth Henry Douglas receiving the Ben Brenman Award for Archaeology. Douglas, dressed in a white blazer and pink shirt, is pictured while being presented with the award from Mayor William D. Euille, wearing a pinstripe suit and striped, purple tie. Douglas and Mayor Euille are posed holding the award, standing in front of (L to R) Janice Magnesun of the Alexandria Archaeological Commission, Charlie LeeDecker representing the Louis Berger Group, Inc., and Joe Reeder. The photograph was taken Alexandria City Council chambers during the meeting held on 27 October 2009.","Black and white photograph of six people ranging in age from children to teenagers, posed standing together on the sidewalk. The four eldest of the six stand in a row, linking arms or with arms around one another's shoulders. Two younger children stand in front of them. The subjects of the photo have been identified in no particular order as Gail, Butch, Rusty, Sylvia Dolores Henry, Keith, and Toniette Henry Duncan. Photograph is undated","Black and white photograph of Rita Murphy Harris as a young girl sitting on the lap of a man identified as \"Granddaddy,\" likely Wilmer Benjamin Henry, her maternal grandfather. Behind them hang curtains of white lace and dark damask fabric. Photograph is undated","Black and white photograph of a woman and a man seated on a sofa with a floral pattern. The woman, identified as Grandma wears a patterned blouse and has one arm linked in the crook of the man's elbow. The man, identified as Granddaddy, wears a suit and tie. The wall behind them is white and unadorned. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry. Photograph is undated","Black and white photograph of a man and woman standing arm in arm in a grassy yard at 116 Johnson Lane in the Seminary Hill neighborhood of Alexandria, Virginia. Behind them is a wooden fence, beyond which is dense foliage. The pair are likely Willie Mae Carter Henry and Wilmer Benjamin Henry, who lived at that address. Photograph is undated","Black and white photograph of five members of the Henry Family gathered in a sitting room in semiformal clothing to celebrate the birthday of Wilmer Benjamin Henry. Three of the five are standing, one man sits cross-legged in an armchair, and a woman perches on one arm of the same chair with her face buried in her palm. In the foreground stands a tabletop with a cake on it. Photograph is undated","Black and white photograph of Joseph Brackette and Marie Elizabeth Spinner, siblings born to Willie Mae Carter Henry and Wilmer Benjamin Henry. Brackette wears a suit and a fedora, and his arm is wrapped around his sister's waist. Spinner wears a plaid blazer. Behind them is a stand of trees with leafless branches. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, standing outdoors. He wears a striped overcoat, glasses, a flat cap, and gloves. Photograph is undated","Black and white photograph of John Henry, brother of Wilmer Benjamin Henry, with Joyce, his second wife. Joyce wears a long jacket and a brimmed hat, and she holds a handbag. John wears a suit and tie, and his hat is in his hand. They stand outdoors surrounded by trimmed bushes, and an evergreen tree stands in the background. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry, sister in law of Wilmer Benjamin Henry, seated at a dining table set for a meal. Joyce, dressed in white is seated next to an unidentified man dressed in a suit and tie. A third person is partially visible in the foreground of the photograph. Behind the seated diners is a glass-front cabinet filled with glassware. Photograph is undated","Black and white photograph of Joyce Henry and John Henry standing side by side against the exterior wall of a house paneled with horizontal siding and inset with a shuttered window. John Henry has one arm wrapped around Joyce's waist, his hand resting on her hip. Photograph is undated","Black and white photograph of Joyce Henry and an unidentified man standing on a stretch of grass in front of a stand of trees and an upright wooden beam. The man wears suspenders over a white, collared shirt. Joyce wears a dark dress with a ruffle over the breast and holds a leather purse. Photograph is dated 21 May 1940","Black and white photograph of Joyce Henry and an unidentified man standing outdoors in front of a leafless thicket of trees. In the right of the frame, the front bumper of a black car is visible, including headlights, a tire, and a license plate. The ground seems to be covered by a light snow. The man has one arm wrapped around Joyce's waist, and both of his hands grasp her arms at the elbow. The pair smiles serenely at the camera. Photograph is dated 1941","Color photograph of Lawrence Duncan (left) and Toniette Henry Duncan (right) seated next to each other in a restaurant booth. The edge of a white tabletop is visible at the bottom of the photograph and behind them is a shelf filled with bottles of wine. Photograph is dated 9 February 2021, Toniette Henry Duncan's 67th birthday","Hand-colored photograph of sisters, Marie Elizabeth Spinner and Corrine Idella Henry, pictured from the shoulders up. They are positioned back to back with heads turned toward the camera, and both wear their dark hair pulled back and done up behind their heads. This image is a duplicate of Photograph of Marie Elizabeth Spinner and Corrine Idella Henry (ABFR-23-037-007). Photograph is undated","Black and white photograph of Marie Elizabeth Spinner in a formal gown with ruching on the sleeves, a sweetheart neckline, and a floral accent on the hem of the peplum. Her hair is styled in an updo with an accessory studded with pearls. Her shadow falls behind her on a blank backdrop. Photograph is undated","Color photograph of Marie Elizabeth Spinner's 96th birthday celebration. She is pictured seated in a living room with six women and a young girl, including her daughter Rita Murphy Harris and niece Toniette Henry Duncan. The room is decorated with various striped and floral motifs in golden yellow. Behind the gathering is a dining room table on which sit purses, a floral arrangement, and two weighted party balloons shaped like the numerals 9 and 6. Spinner is seated in an armchair near the lower edge if the image. Toniette Henry Duncan, center, leans against the chair's arm. Rita Murphy Harris, seated on a couch, is the rightmost figure in the group. Photograph is undated, but Marie Elizabeth Spinner's 96th birthday was 7 January 2020","Black and white photograph of Marie Elizabeth Spinner leaning against a wooden support beam on a porch. Her arms are folded behind her back, and she sports a wide smile. She wears a pale brimmed hat and a black dress with a design of swirling white trim on the bust and pocket. Photograph is undated","A blank page, most likely the back of a photograph, with stamped text at the bottom that reads \"Murphy's Pho'\" This appears to be part of the photographer's stamp of Elrich Murphy, a prominent Black photographer in Alexandria and father of Rita Murphy Harris and first husband of Marie Elizabeth Spinner. Item is undated","Color photograph of a woman sitting cross-legged with a baby in her hands. The baby, identified as Rashaun, is dressed in overalls and a white long-sleeve shirt. The woman wears denim jeans and a sweater vest, and her hair is styled in an afro. Behind them is a brick house and an unclouded sky. Photograph is undated","Color photograph of five men, trustees of Oakland Baptist Church in Alexandria, Virginia, dressed in brown suit jackets and ties, standing in a row. The man in the center of the row is Reverend Luther H. Mills. Behind them are several utility poles and a round placard bearing a Texaco logo. Photograph is undated","Color photograph of cousins Rita Murphy Harris (left) and Toniette Henry Duncan (right) depicted from the shoulders up. Henry leans into Harris and rests the side of her forehead on her cousin's cheek. Harris has her arm draped over Henry's shoulder. Behind them, colorful abstract paintings and a mounted television hang on gray walls. Photograph is undated","Black and white photograph of thirteen children of varying ages grouped in a yard hemmed by a wooden fence. The event depicted is a birthday party. Rita Murphy Harris stands in the center of the huddle, wearing a white dress with lace flutter sleeves. The leftmost child, a girl in a plaid dress, is identified as Nancy Henry. Between Nancy and Rita is a boy identified as Henry Poindexter, partially obscured by the party guest in front of him. Burnett Ralph Henry stands in the back of the group, dressed in a striped shirt. Beyond the fence, the roofs of neighborhood buildings peer over the tops of bushes. Photograph is undated","Black and white photograph of Rita Murphy Harris as a child, standing outdoors wearing a dress-length coat of leopard print fabric, a black hood, and a cross-body purse. She squints as she digs her fingers into the opening of the jacket in front of her. The trees behind her are bare of leaves. Photograph is undated","Black and white photograph of Burnett Ralph Henry (right), son of Wilmer Benjamin Henry with Rita Murphy Harris (left), granddaughter of Wilmer Benjamin Henry. Rita, an infant, wears a baby bonnet, and Burnett wears overalls, a striped shirt, and a jacket. His arm is around Rita's shoulder, and his legs dangle over the edge of a wooden porch. Photograph is undated","Black and white photograph of fourteen children standing in a line on a strip of sparsely grassed dirt between a wooden fence and a brick sidewalk. All appear to be of elementary age or in their early teenage years save for a much younger, smaller girl in the center of the line. Members of the group are variously dressed in dresses, skirts, button-up shirts, and trousers. Some of the children are identified as Rita Murphy Harris, Sylvia Dolores Henry, Toniette Henry Duncan, Slim Henry, Gail, and Peaches. Photograph is undated","Color photograph of two men identified as Slim Henry and Blair. Blair (right) wears tinted glasses and has his arm slung over the shoulders of Slim Henry (left), who wears a brown leather jacket. Blair Spinner is the son of Marie Elizabeth Spinner and her second husband, Albert Spinner, Jr. They smile broadly, standing side by side. Behind them a sculpture made of many intersecting thin, metal rods hangs on the pale purple walls. Photograph is undated","Color photograph of a man identified as Slim Henry in a red shirt and black jacket, a black brimmed hat on his head. He is indoors in front of a wall panel consisting of brown bricks. The wall appears to be draped with a streamer, and the number \"5\" is visible in the bottom left corner of the photo. Photograph is undated","Color photograph of two men wearing brown suits standing in front of a car parked near a Texaco service station on the corner of King Street and West Braddock Road in Alexandria, Virginia, near Blessed Sacrament Roman Catholic Church and Oakland Baptist Church. The two men have been identified as trustees of Oakland Baptist Church in Alexandria. The man on the left is posed with his jacket unbuttoned and his hands in his pockets. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan's pictured from the shoulders up. She wears a garment with beadwork at the collar and a woven necklace. Behind her, some seating is visible, and farther beyond, light reflects off the surface of a body of water. Photograph is undated","Color photograph, portrait of Toniette Henry Duncan. The framing of the photograph suggests that the image was captured as a selfie. Duncan wears red, and her dark hair is worn in braids or twists that are interwoven with silver-white highlights. She is seated indoors, and in the background, a celebratory card, black and white photograph, and bowl of candy are visible. Photograph is dated to Mother's Day 2021 which was 9 May 2021","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated outdoors, wearing a pale dress and holding a basket decorated with flowers. Her short legs dangle from her chair. Photograph is undated, but Toniette Henry Duncan turned two years old in February 1956","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed outside, squatting low to the ground. She wears a coat over a pale skirt, a stiff bonnet, and Mary Jane shoes. Visible behind her are the skirt and legs of another figure, standing behind her. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Black and white photograph of Toniette Henry Duncan as a young girl. She is posed seated on the edge of a porch with her legs dangling over the side. In one hand, she holds a football, and the other hand is raised to the back of her head. Photograph is undated, but Toniette Henry Duncan turned three years old in February 1957","Color photograph of Toniette Henry Duncan (left) and Kevin Brown (right) at the Virginia Theological Seminary Descendents Gala. Both wear nametags around their necks and are sitting next to a large wooden table. On the table between them are two cans of ginger ale and a black handbag. Behind them, at other side of the table, a person in a dark blue suit writes something on a piece of paper with a pen. Their face is not visible in the image. Photograph is dated 30 July 2021","Color photograph, portrait of Toniette Henry Duncan. She is pictured from the shoulders up and posed in front of a solid gray background. The neckline of her top is studded with pearls and her hair is worn in braids or twists. Photograph is undated","Black and white photograph of siblings Joseph Brackette (center) and Marie Elizabeth Spinner (right), posed standing with a third unidentified woman (left), standing near a roofed porch. Marie Elizabeth Spinner wears a plaid blazer while Joseph Brackette wears a fedora and a pinned necktie. The unidentified woman wears a dark fur overcoat. The three are huddled close, and Jospeh Brackette has his arms over his companions' shoulders. A well is visible in the background behind them. Photograph is undated","Black and white photograph of Joseph Brackette with his gloved hand tight around the shoulder of an unidentified woman in a dark fur coat. Behind them is a roofed porch with structural support beams. The sky is cloudy and a wooden fence is visible behind them.","Black and white photograph of John Henry, son of Wilmer Benjamin Henry, standing in a yard with his hands clasped behind his back. He wears a suit jacket and necktie. Behind him is a small structure of stone and wood (possibly the well from other photographs in this folder), a wooden fence, and several trees without foliage. Photograph is undated","Black and white photograph of three women standing with arms linked on a brick sidewalk near a row of townhomes and a wooden fence. In the background, people can be seen on their stoops, seemingly in conversation together. The shadow of the photographer stretches across the brickwork in front of the three women. Photograph is undated","Color photograph of cousins Toniette Henry Duncan (left) and Rita Murphy Harris (right) standing side by side at a room in the Virginia Theological Seminary during one of the Seminary's annual Descendents Galas. Duncan wears a black blouse with beadwork on the sleeves and black trousers. Rita wears a structured black and white jacket with a paisley pattern and black trousers. They are posted standing together in front of a framed artwork hanging on a cream and white striped wall. Photograph is undated","Portrait painting of William Henry pictured from the torso up, done in muted sepia tones. He wears a black suit and necktie and  sports a thick moustache. The painting's background is an abstract blending of colors. William Henry was the husband of Annie Henry and the father of six children: Wilmer, Albert, John, Mary, Elouise, and Elizabeth. Painting is undated","Black and white photograph of William Benjamin Henry standing outdoors in front of a wall made of paneled siding. He is dressed in a suit and necktie with a pocket square. Photograph is undated","Black and white photograph of William Benjamin Henry holding a knife, poised to slice a white, frosted cake. He wears a suit and a striped tie. Three similarly dressed men are partially visible standing next to him. The contour of what appears to be a person wearing a white dress abuts the left edge of the frame. Behind the people is an indoor domestic space with a glass-paneled door. Photograph is undated","Black and white group photograph of several people in semiformal attire, posed standing indoors in front of a window with blinds drawn. William Henry, dressed in a suit, figures prominently in the right of the frame. Also present in the image are his daughters, Eloise and Elizabeth, as well as his son, Wilmer. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in a chair in front of a blank backdrop and pictured from the waist up. She wears a white embroidered blouse and a beaded necklace, and her hair is pulled back behind her head. She holds her chin high and regards the camera with neither a smile nor a frown. Photograph is undated","Black and white photograph, portrait of Willie Mae Henry, wife of Wilmer Henry. She is posed seated in front of a patterned curtain, with her hands folded in her lap. She is dressed in a patterned blouse. Photograph is undated","Black and white group photograph of ten people of varying ages, posed standing together in a grassy yard in front of a tall bush and a brick house. The men and boys wear button-up shirts, and the women and girls wear dresses. The group includes Wilmer Benjamin Henry, Willie Mae Henry, and members of their family. In front of the group, a Tyrolean hat with an oversized feather plume lies on the ground. Photograph is undated","Black and white photograph of Wilmer Benjamin Henry standing in a doorway at the Virginia Theological Seminary, with a hand resting on the door handle and holding it open. He smiles exuberantly from under a brimmed hat. Through glass panes set in the door, a brick wall is visible, and a handrail intersects the bottom portion of the photograph. Handwritten note on the top edge of the photograph reads, \"296 # 58-1 3 5/8 [arrow]\" Photograph is undated","Black and white photograph of Wilmer Benjamin Henry playing an acoustic guitar. His fingers are occupied with the frets and strings, and he wears a thumb pick. He is dressed in a jacket and brimmed hat. Behind him is a wall adorned with a patterned fabric drape and a calendar. Photograph is undated","Black and white photograph, portrait of Wilmer Benjamin Henry. He is posed seated in front of a blank fabric backdrop and pictured from the waist up. His hands are resting in his lap, and he wears a suit and tie. Behind him, in the bottom of the photo, what appears to be wrinkles or a fabric texture are visible in the backdrop. Photograph is undated","Memorial page for Wilmer Benjamin Henry, appears to be from a funeral program or similar document. Featured on the page is a black and white portrait photograph of Wilmer Benjamin Henry: the same photograph as \"Portrait photograph of Wilmer Benjamin Henry\" (ABFR-23-037-085). Typescript text under the photograph reads, \"Wilmer B. Henry, Sunrise: February 22, 1898, Sunset: December 26, 1981, My Grand Father's Legacy, Believe in GOD, Work Hard, Take Care of Your Family, Live a Righteous Life.\"","Digital surrogates of materials documenting the Willis family","Photocopy of a newsclipping from a local newspaper featuring a photograph of Sheila Willis. Photograph depicts two women standing on either side of a library circulation desk. The library staff member appears to be assisting the patron to check out books. Which woman is Sheila Willis has not been identified. Most of the article accompanying the photograph is cut off in the clipping, but seems to be an article about Alexandria Library. Clipping is dated 25 April 1968","Digital surrogates of family history materials documenting the Lyles and Dorsey families","Scrapbook documenting the history of the Lyles and Dorsey families. Scrapbook includes photographs, postcards, artwork, and ephemera dating from 1800 through 2015."],"userestrict_html_tesm":["\u003cp\u003eThe materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. \u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"http://rightsstatements.org/vocab/InC/1.0/\"\u003e http://rightsstatements.org/vocab/InC/1.0/\u003c/a\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The materials in this collection are protected by copyright and/or other intellectual property rights. Permission must be obtained from the rights-holder(s) for uses beyond those permitted under the \"Fair Use\" doctrine of the U.S. Copyright Act (17 U.S.C § 107). Contact Local History / Special Collections staff for more information. "," http://rightsstatements.org/vocab/InC/1.0/"],"names_ssim":["Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)","Bah, Char McCargo"],"corpname_ssim":["Local History and Special Collections Branch, Alexandria Library","Dunbar High School (Washington, D.C.)"],"persname_ssim":["Bah, Char McCargo"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1499,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:00:29.975Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vaallhs_repositories_2_resources_172_c17_c68"}},{"id":"viur_repositories_4_resources_27_c01_c15","type":"File","attributes":{"title":"Clippings","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_27_c01_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_27_c01_c15","ref_ssm":["viur_repositories_4_resources_27_c01_c15"],"id":"viur_repositories_4_resources_27_c01_c15","ead_ssi":"viur_repositories_4_resources_27","_root_":"viur_repositories_4_resources_27","_nest_parent_":"viur_repositories_4_resources_27_c01","parent_ssi":"viur_repositories_4_resources_27_c01","parent_ssim":["viur_repositories_4_resources_27","viur_repositories_4_resources_27_c01"],"parent_ids_ssim":["viur_repositories_4_resources_27","viur_repositories_4_resources_27_c01"],"parent_unittitles_ssm":["Dr. and Mrs. Wyatt Tee Walker collection","Biographical: Theresa Ann Walker"],"parent_unittitles_tesim":["Dr. and Mrs. Wyatt Tee Walker collection","Biographical: Theresa Ann Walker"],"text":["Dr. and Mrs. Wyatt Tee Walker collection","Biographical: Theresa Ann Walker","Clippings","box 1 MS-24","folder 15"],"title_filing_ssi":"Clippings","title_ssm":["Clippings"],"title_tesim":["Clippings"],"unitdate_inclusive_ssm":["2013-2022"],"normalized_date_ssm":["2013/2022"],"normalized_title_ssm":["Clippings"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Dr. and Mrs. Wyatt Tee Walker collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":16,"parent_access_restrict_tesm":["The majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964."],"date_range_isim":[2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"containers_ssim":["box 1 MS-24","folder 15"],"_nest_path_":"/components#0/components#14","timestamp":"2026-06-10T20:09:33.047Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_27","ead_ssi":"viur_repositories_4_resources_27","_root_":"viur_repositories_4_resources_27","_nest_parent_":"viur_repositories_4_resources_27","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_27.xml","title_ssm":["Dr. and Mrs. Wyatt Tee Walker collection"],"title_tesim":["Dr. and Mrs. Wyatt Tee Walker collection"],"unitdate_ssm":["1953-2016"],"unitdate_inclusive_ssm":["1953-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-24","/repositories/4/resources/27"],"text":["MS-24","/repositories/4/resources/27","Dr. and Mrs. Wyatt Tee Walker collection","Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)","Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets","The majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964.","Material is arranged into multiple series, with three series currently open for research.","Series 1:  Biographical: Theresa Ann Walker Series 2: Biographical: Wyatt Tee Walker Subseries 2.2: Correspondence Subseries 2.3: Civil Rights and Religious Work Series 3: Gillfield Baptist Church Subseries 3.1: Sermons Subseries 3.2: Programs and ephemera Subseries 3.3: Administrative records Series 4: Southern Christian Leadership Conference Subseries 4.1: Administrative Subseries 4.2: Correspondence Subseries 4.3: Publications Subseries 4.4: Programs and campaigns Subseries 4.5: Legal work Subseries 4.6: Related organizations Subseries 4.7: Dr. Martin Luther King, Jr.","The series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.","Material is organized into seven subseries:","Subseries 4.1: Administrative,  Subseries 4.2: Correspondence, Subseries 4.3: Publications,   Subseries 4.4: Programs,  Subseries 4.5: Legal work,  Subseries 4.6: Related organizations, Subseries 4.7: Dr. Martin Luther King, Jr.","The Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.","After graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.","In 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.","After leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.","During his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. ","In his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.","Walker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018.","Processed by Taylor McNeilly and Andrea Kohashi.","Although portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.","Subseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights.","Materials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.","Series 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.","This series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.","Subseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.","This folder contains a 1963 version of the musical  Jerico-Jim-Crow-Jerico .","Subseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.","Series 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.","Subseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.","Topics include Thanksgiving, etc.","Series 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.","Subseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.","Series 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.","Subseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.","Subseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.","Subseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.","Subseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.","Subseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.","Subseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.","Subseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC.","Dr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026 Mrs. Wyatt Tee Walker Collection.\"","This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.","University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987","English"],"unitid_tesim":["MS-24","/repositories/4/resources/27"],"normalized_title_ssm":["Dr. and Mrs. Wyatt Tee Walker collection"],"collection_title_tesim":["Dr. and Mrs. Wyatt Tee Walker collection"],"collection_ssim":["Dr. and Mrs. Wyatt Tee Walker collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"geogname_ssim":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"creator_ssm":["Walker, Wyatt Tee","Walker, Theresa Ann","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creator_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creator_persname_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968"],"creator_corpname_ssim":["Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"creators_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights"],"places_ssim":["Petersburg (Va.)","Richmond (Va.)","Jackson (Miss.)","New York (N.Y.)","Birmingham (Ala.)"],"acqinfo_ssim":["Material was donated to the university by Dr. Walker, his wife, and their family."],"access_subjects_ssim":["Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"access_subjects_ssm":["Civil rights","Civil rights movements","Civil rights demonstrations","Civil rights workers","State action (Civil rights)","African American civil rights workers","Women civil rights workers","African American women civil rights workers","Civil rights -- America","Civil rights -- Religious aspects","Black people -- Civil rights","Civil rights -- Africa","African American churches","Nonbook Materials","Finance","Project management","Church management","Campaign management","Management","Scholarships","Voter registration","Freedom Rides, 1961","Boycotts","Segregation","Racism","Race relations","Social justice","Christianity and justice","Actions and defenses","Libel and slander","Discrimination in employment","Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"has_online_content_ssim":["false"],"extent_ssm":["50 Linear Feet"],"extent_tesim":["50 Linear Feet"],"physfacet_tesim":["This is an approximate estimate while we wait for the final deposit and complete processing."],"genreform_ssim":["Manuscripts","Photographs","Audio-visual materials","Clippings","Personal correspondence","Invoices","Periodicals","Pamphlets"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The majority of this collection is closed pending processing. Portions of four series are currently open to research, encompassing manuscript material dated through 1964."],"arrangement_html_tesm":["\u003cp\u003eMaterial is arranged into multiple series, with three series currently open for research.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003e\u003cemph\u003eSeries 1:\u003c/emph\u003e Biographical: Theresa Ann Walker\u003c/item\u003e\n      \u003citem\u003eSeries 2: Biographical: Wyatt Tee Walker\u003c/item\u003e\n      \u003citem\u003eSubseries 2.2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSubseries 2.3: Civil Rights and Religious Work\u003c/item\u003e\n      \u003citem\u003eSeries 3: Gillfield Baptist Church\u003c/item\u003e\n      \u003citem\u003eSubseries 3.1: Sermons\u003c/item\u003e\n      \u003citem\u003eSubseries 3.2: Programs and ephemera\u003c/item\u003e\n      \u003citem\u003eSubseries 3.3: Administrative records\u003c/item\u003e\n      \u003citem\u003eSeries 4: Southern Christian Leadership Conference\u003c/item\u003e\n      \u003citem\u003eSubseries 4.1: Administrative\u003c/item\u003e\n      \u003citem\u003eSubseries 4.2: Correspondence\u003c/item\u003e\n      \u003citem\u003eSubseries 4.3: Publications\u003c/item\u003e\n      \u003citem\u003eSubseries 4.4: Programs and campaigns\u003c/item\u003e\n      \u003citem\u003eSubseries 4.5: Legal work\u003c/item\u003e\n      \u003citem\u003eSubseries 4.6: Related organizations\u003c/item\u003e\n      \u003citem\u003eSubseries 4.7: Dr. Martin Luther King, Jr.\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.\u003c/p\u003e","\u003cp\u003eMaterial is organized into seven subseries:\u003c/p\u003e\n","\u003clist numeration=\"upperalpha\" type=\"ordered\"\u003e\u003citem\u003eSubseries 4.1: Administrative, \u003c/item\u003e\u003citem\u003eSubseries 4.2: Correspondence,\u003c/item\u003e\u003citem\u003eSubseries 4.3: Publications, \u003c/item\u003e\u003citem\u003e Subseries 4.4: Programs, \u003c/item\u003e\u003citem\u003eSubseries 4.5: Legal work, \u003c/item\u003e\u003citem\u003eSubseries 4.6: Related organizations,\u003c/item\u003e\u003citem\u003eSubseries 4.7: Dr. Martin Luther King, Jr.\u003c/item\u003e\u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["Material is arranged into multiple series, with three series currently open for research.","Series 1:  Biographical: Theresa Ann Walker Series 2: Biographical: Wyatt Tee Walker Subseries 2.2: Correspondence Subseries 2.3: Civil Rights and Religious Work Series 3: Gillfield Baptist Church Subseries 3.1: Sermons Subseries 3.2: Programs and ephemera Subseries 3.3: Administrative records Series 4: Southern Christian Leadership Conference Subseries 4.1: Administrative Subseries 4.2: Correspondence Subseries 4.3: Publications Subseries 4.4: Programs and campaigns Subseries 4.5: Legal work Subseries 4.6: Related organizations Subseries 4.7: Dr. Martin Luther King, Jr.","The series currently includes three subseries: Subseries 2.1, Childhood and Education, 2.2 Correspondence, and Subseries 2.3, Civil Rights and Religious work.","Material is organized into seven subseries:","Subseries 4.1: Administrative,  Subseries 4.2: Correspondence, Subseries 4.3: Publications,   Subseries 4.4: Programs,  Subseries 4.5: Legal work,  Subseries 4.6: Related organizations, Subseries 4.7: Dr. Martin Luther King, Jr."],"bioghist_html_tesm":["\u003cp\u003eThe Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.\u003c/p\u003e\n","\u003cp\u003eAfter graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.\u003c/p\u003e\n","\u003cp\u003eIn 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.\u003c/p\u003e\n","\u003cp\u003eAfter leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.\u003c/p\u003e\n","\u003cp\u003eDuring his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. \u003c/p\u003e\n","\u003cp\u003eIn his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.\u003c/p\u003e\n","\u003cp\u003eWalker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Reverend Dr. Wyatt Tee Walker was born August 16, 1928 in Brockton, Massachusetts. Raised primarily in Merchantville, New Jersey, Walker attended Virginia Union University in Richmond, Virginia, earning bachelor's degrees in chemistry and physics before attending VUU's seminary school for his Masters of Divinity. During his time at VUU, he married his wife, Theresa Ann Walker née Edwards, who would remain an active partner at his side throughout his life. While in seminary, Walker was the head of the university's Inter-Seminary Movement, where he first met Dr. Martin Luther King, Jr. Walker and King would remain friends until King's assassination in 1968.","After graduating from seminary, Walker was called in 1953 to serve as the pastor of the historic Gillfield Baptist Church in Petersburg, Virginia, serving until 1960. During this time he founded the Petersburg Improvement Association, served as president for the local National Association for the Advancement of Colored People (NAACP) chapter, and co-founded and served as state director for the Congress of Racial Equality (CORE). He also actively worked to integrate the city of Petersburg, successfully desegregating the Petersburg Public Library, lunch counters, and bus stops in the city.","In 1960, Walker was recruited to serve as the first full-time executive director and chief strategist of the Southern Christian Leadership Conference (SCLC), Dr. King's civil rights organization. He served in this role until 1964, overseeing the organization of several notable events in the Civil Rights Movement, including Project \"C\", SCLC's involvement in the Birmingham campaign, and the 1964 March on Washington for Jobs and Freedom. In 1961, Walker and his wife were arrested as Freedom Riders in Jackson, Mississippi. Mrs. Walker also survived a hotel bombing with their children and multiple other arrests for her role in the Civil Rights Movement.","After leaving SCLC in 1964, Walker worked with the Negro Heritage Library, an organization focused on getting Black literature into the public education system. In 1968 Dr. Walker was called to serve as senior pastor at Canaan Baptist Church of Christ in Harlem, New York, where he served for 37 years. He was installed as pastor in late March by Dr. Martin Luther King, Jr., who gave his final sermon in New York City at the installation service before his assassination a few weeks later. Walker then organized King's funeral in New York City at the express request of Coretta Scott King, an event he would later call \"the crowning achievement of my organizational career.\" He would prove to be a productive pastor for Canaan, at one point receiving a million dollars annually in tithes, expanding the church building, and leading multiple church trips to the Holy Land and other international destinations including Japan.","During his time at Canaan, Walker continued his civil rights work, expanding his scope to international civil rights, serving on the board of Al Sharpton's National Action Network and a number of other organizations. A vocal supporter of anti-apartheid, Walker visited South Africa several times, serving as an election monitor in Souther Africa's first open election and becoming close friends with Nelson Mandela, who would visit Canaan Baptist Church as one of his first stops on his first presidential visit to the United States. Walker also worked with Governor Nelson Rockefeller as a special assistant on urban affairs. When national banks pulled out of Harlem, Walker opened Freedom National Bank to serve the Black community. He also developed a number of public housing projects, at one time acting as the largest single public housing developer in New York. Frustrated with the failures of the public education system, Walker worked to help pass the New York State charter school law and co-found the first charter school in the state, the Sisulu-Walker Charter School of Harlem. ","In his down time, Walker enjoyed sailing, belonging to a local yacht club in Yonkers, New York, and photography. After receiving a doctorate in ethnomusicology from Colgate-Rochester Divinity School, he went on to teach seminary classes at Virginia Union University and United Theological Seminary in Dayton, Ohio.","Walker retired from Canaan Baptist Church of Christ in 2004 after a series of strokes, moving to Chester, Virginia. In 2015 he and Mrs. Walker donated the Dr. and Mrs. Wyatt Tee Walker Collection to the University of Richmond, recording an oral history with the university in 2016. He remained in Virginia with his wife until his death at the age of 89 on January 23, 2018."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-24, the Dr. and Mrs. Wyatt Tee Walker Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-24, the Dr. and Mrs. Wyatt Tee Walker Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eProcessed by Taylor McNeilly and Andrea Kohashi.\u003c/p\u003e","\u003cp\u003eAlthough portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.\u003c/p\u003e","\u003cp\u003eSubseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Processed by Taylor McNeilly and Andrea Kohashi.","Although portions of it are publicly available, this series is still in progress, and it is likely that Subseries 2.3 will expand rapidly with the addition of Walker's extensive writings.","Subseries 2.3 is likely to expand in the future with the addition of Walker's extensive writings on Civil Rights."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.\u003c/p\u003e","\u003cp\u003eSeries 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.\u003c/p\u003e","\u003cp\u003eThis series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.\u003c/p\u003e","\u003cp\u003eSubseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.\u003c/p\u003e","\u003cp\u003eThis folder contains a 1963 version of the musical \u003ctitle\u003eJerico-Jim-Crow-Jerico\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.\u003c/p\u003e","\u003cp\u003eSeries 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.\u003c/p\u003e","\u003cp\u003eTopics include Thanksgiving, etc.\u003c/p\u003e","\u003cp\u003eSeries 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.\u003c/p\u003e","\u003cp\u003eSeries 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.\u003c/p\u003e","\u003cp\u003eSubseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.\u003c/p\u003e","\u003cp\u003eSubseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.\u003c/p\u003e","\u003cp\u003eSubseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.\u003c/p\u003e","\u003cp\u003eSubseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.\u003c/p\u003e","\u003cp\u003eSubseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.\u003c/p\u003e","\u003cp\u003eSubseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.\u003c/p\u003e","\u003cp\u003eSubseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Materials in this collection include personal papers and administrative files of Dr. Walker, audio recordings of church services he led primarily at Canaan Baptist Church of Christ, photographs and slides taken by Dr. Walker and his family, honors and awards given to Dr. and Mrs. Walker, Dr. Walker's personal library, Dr. Walker's published books, and other memorabilia and ephemera. Also included is an oral history performed with Dr. Walker and his wife.","Series 1, Biographical: Theresa Ann Walker, currently includes notes on arrests, and arrest records.","This series contains material related to Dr. Walker's personal and professional activities outside of Gillfield, Canaan, and the SCLC.","Subseries 2.2: Correspondence, includes personal correspondence from or to Dr. and Mrs. Walker.","This folder contains a 1963 version of the musical  Jerico-Jim-Crow-Jerico .","Subseries 2.3, Civil Rights and Religious work, includes material pertaining to Walker's religious and civil rights activities not connected to Gillfield Baptist Church, Canaan Baptist Church of Christ, or the SCLC. It includes material concerning his efforts to integrate the Petersburg, VA library, and service programs from other churches like the Mount Level Baptist Church.","Series 3, Gillfield Baptist Church, includes material pertaining to Dr. Walker's work as pastor there like sermons, service programs, and meeting minutes.","Subseries 3.1, Sermons, contains notes and sermons from Walker's tenure at Gillfield Baptist Church. The material is organized as we received it, some topically and some chronologically. Often the service program is included with the sermon script or outline.","Topics include Thanksgiving, etc.","Series 3.2, Programs and ephemera, consists of programs and other items from Gillfield Baptist Church. These materials are organized chronologically.","Subseries 3.3, Administrative, has financial and correspondence records from Walker's time at Gillfield, including from his installation as pastor in 1953.","Series 4, Southern Christian Leadership Conference contains all material from Dr. Walker's time as executive director of SCLC, including programs, notes, administrative and legal documents, campaign materials and correspondence.","Subseries 4.1, Administrative, includes administrative records from Walker's time at SCLC, comprised of meeting minutes, reports, internal memos, and other financial documentation.","Subseries 4.2: Correspondence, includes general correspondence from SCLC, as well as specific correspondence dealing with the Birmingham campaign. Materials are organized chronolgocially.","Subseries 4.3: Publications includes official material published by SCLC, such as advertisements, press releases, pamhplets, and more.","Subseries 4.4: Programs and campaigns includes notes and promotional material related to specific programs or campaigns run by SCLC during Walker's time with the organization.","Subseries 4.5: Legal work includes records of legal action taken by SCLC. The materials are organized chronologically.","Subseries 4.6: Related organizations includes materials from other (mainly legal and civil rights) organizations that Walker and SCLC worked with.","Subseries 4.7: Dr. Martin Luther King, Jr. includes speeches, notes, writings, correspondence, and other printed material directly relating to Dr. King in his work with Walker at SCLC."],"separatedmaterial_html_tesm":["\u003cp\u003eDr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026amp; Mrs. Wyatt Tee Walker Collection.\"\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Dr. Walker's personal library has been separated from the collection and is housed within the Galvin Rare Book Room. These items can be found in our online catalog by searching \"Dr. \u0026 Mrs. Wyatt Tee Walker Collection.\""],"userestrict_heading_ssm":["Conditions Governing Use"],"abstract_html_tesm":["\u003cabstract id=\"aspace_99a2c806065b9d964d30006dd304b175\"\u003eThis collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker."],"names_coll_ssim":["Southern Christian Leadership Conference","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","King, Martin Luther, Jr., 1929-1968","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"names_ssim":["University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964","Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"corpname_ssim":["University of Richmond ","Southern Christian Leadership Conference","Student Nonviolent Coordinating Committee (U.S.)","National Lawyers Guild. Committee to Assist Southern Lawyers","Congress of Racial Equality","National Association for the Advancement of Colored People","Southern Conference Educational Fund","Highlander Research and Education Center (Knoxville, Tenn.)","Alpha Phi Alpha Fraternity","Alabama Christian Movement for Human Rights","National Catholic Conference for Interracial Justice","United States Commission on Civil Rights","Leadership Conference on Civil Rights","United States. Civil Rights Act of 1964"],"persname_ssim":["Walker, Wyatt Tee","Walker, Theresa Ann","Hughes, Langston, 1902-1967","King, Martin Luther, Jr., 1929-1968","Lewis, John, 1940-2020","Abernathy, Ralph, 1926-1990","Shuttlesworth, Fred L., 1922-2011","Jackson, Mahalia, 1911-1972","Barnett, Ross R. (Ross Robert), 1898-1987"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":190,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-10T20:09:33.047Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_27_c01_c15"}},{"id":"viw_repositories_2_resources_9040_c11_c03_c01","type":"File","attributes":{"title":"Clippings about Rene Henry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c11_c03_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9040_c11_c03_c01","ref_ssm":["viw_repositories_2_resources_9040_c11_c03_c01"],"id":"viw_repositories_2_resources_9040_c11_c03_c01","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040_c11_c03","parent_ssi":"viw_repositories_2_resources_9040_c11_c03","parent_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c11","viw_repositories_2_resources_9040_c11_c03"],"parent_ids_ssim":["viw_repositories_2_resources_9040","viw_repositories_2_resources_9040_c11","viw_repositories_2_resources_9040_c11_c03"],"parent_unittitles_ssm":["Rene A. Henry papers","Series 11: Additions IX","Printed materials"],"parent_unittitles_tesim":["Rene A. Henry papers","Series 11: Additions IX","Printed materials"],"text":["Rene A. Henry papers","Series 11: Additions IX","Printed materials","Clippings about Rene Henry","box 10","Folder 27"],"title_filing_ssi":"Clippings about Rene Henry ","title_ssm":["Clippings about Rene Henry"],"title_tesim":["Clippings about Rene Henry"],"unitdate_inclusive_ssm":["1998-2023"],"normalized_date_ssm":["1998/2023"],"normalized_title_ssm":["Clippings about Rene Henry"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Rene A. Henry papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":94,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"containers_ssim":["box 10","Folder 27"],"_nest_path_":"/components#10/components#2/components#0","timestamp":"2026-05-21T10:40:36.391Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9040","ead_ssi":"viw_repositories_2_resources_9040","_root_":"viw_repositories_2_resources_9040","_nest_parent_":"viw_repositories_2_resources_9040","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9040.xml","title_filing_ssi":"Rene A. Henry papers","title_ssm":["Rene A. Henry papers"],"title_tesim":["Rene A. Henry papers"],"unitdate_ssm":["1953-2015"],"unitdate_inclusive_ssm":["1953-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.082","/repositories/2/resources/9040"],"text":["UA 5.082","/repositories/2/resources/9040","Rene A. Henry papers","Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Future accruals are expected.","The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition.","University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.","Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Henry, Rene A., 1933-","English"],"unitid_tesim":["UA 5.082","/repositories/2/resources/9040"],"normalized_title_ssm":["Rene A. Henry papers"],"collection_title_tesim":["Rene A. Henry papers"],"collection_ssim":["Rene A. Henry papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Henry, Rene A., 1933-"],"creator_ssim":["Henry, Rene A., 1933-"],"creator_persname_ssim":["Henry, Rene A., 1933-"],"creators_ssim":["Henry, Rene A., 1933-"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2008.92 received from Rene Henry week of 8/2/2008, 8/6/2008, 8/13/2008, 8/20/2008, and 9/18/2008; Acc. 2008.123 received from Rene Henry on 11/4/2008; Acc. 2008.133 received from Rene Henry on 12/2/08; Acc. 2009.258 received from Rene Henry on 6/18/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member. Addition added in October, 2022."],"access_subjects_ssim":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"access_subjects_ssm":["Athletics","Athletics--United States","Buildings and Grounds--Old Dominion Hall","College of William and Mary--Students","Fraternities--Social","Political Campaigns—United States","Real estate management","United States--Presidents","Motion picture authorship","Comic books, strips, etc","Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"has_online_content_ssim":["false"],"extent_ssm":["8.04 Linear Feet"],"extent_tesim":["8.04 Linear Feet"],"genreform_ssim":["Correspondence","Photographs","Programs","Scrapbooks","Comic strips"],"date_range_isim":[1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eFuture accruals are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Future accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is organized into the following series and sub-series: Series 1: Biographical Materials, 1949-2008; Series 2: Career, 1960-2008 including Sub-series 2.1: Sports Marketing, 1960-1995; Sub-series 2.2: Public Relations, 1970, 1989; Sub-series 2.3: Building and Housing, 1960-1999; and Sub-series 2.4: Miscellaneous Career, 1989-2008. Series 3 and series 4 is currently reserved for new accessions not yet arranged and described.\nPoster, artifacts and audiovisual materials are not yet reflected in the Finding Aid."],"bioghist_html_tesm":["\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e\n","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e\n","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e\n","\u003cp\u003e Henry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001."," Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders."],"prefercite_html_tesm":["\u003cp\u003eRene Henry Papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Rene Henry Papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010.\u003c/p\u003e","\u003cp\u003e Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.\u003c/p\u003e","\u003cp\u003eAdded in October, 2022 by Veronica Parker. A single folder addition.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:","Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Kate Hill, SCRC Staff, in October 2008.  Acc. 2009.258 accessioned and minimally described by Amy C. Schindler, University Archivist in November and December 2008, June and December 2009.  Acc. 2009.575, Acc. 2009.592 accessioned and minimally described by Steven Bookman, University Archives Specialist, in December 2009. Acc. 2010.193 accessioned and minimally described 3/26/2010."," Acc. 2010.207 accessioned and minimally described by Amy C. Schindler, University Archivist, 4/5/2010. Acc. 2010.212 accessioned and minimally described by Steven Bookman, University Archives Specialist, 4/2010."," Acc. 2010.315 accessioned and minimally described by Steven Bookman, University Archives Specialist, 5/2010.","Added in October, 2022 by Veronica Parker. A single folder addition."],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13).\u003c/p\u003e\n","\u003cp\u003e Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html.\u003c/p\u003e\n","\u003cp\u003e Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://findingaids.lib.wvu.edu/cgi/f/findaid/findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\" title=\"findaid-idx?c=wvcguide;cc=wvcguide;q1=rene%20henry;rgn=main;view=text;didno=3720\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well: \u003cextref actuate=\"onrequest\" audience=\"external\" linktype=\"simple\" show=\"embed\" href=\"http://bushlibrary.tamu.edu/research/research.php\" title=\"research.php\"\u003e\u003c/extref\u003e .\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["University Archives Faculty-Alumni File Collection (UA 10); Senior Seminar Collection (UA 55); University Archives Artifact Collection (UA 13)."," Rene Henry's official website contains a listing of the various publications, films, and videos he has authored or contributed to: http://www.renehenry.com/PublicationsAndVideos.html."," Rene Henry has also donated material to the West Virginia and Regional History Center and a finding aid is available at   ."," Rene Henry was involved in the launch of the George Bush Presidential Library  and material may be availalbe there as well:   ."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.","1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026 Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.","1. RAH at Ford-Carter debate at W\u0026M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026M seal to British Consul General at meeting of W\u0026M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026M '54), Nate Carb (W\u0026M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.","This series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.","This sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.","This sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.","This sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.","This sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"","Series 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.","Acc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.","This accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026 Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026 Mary; and other material.","This accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.","A set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.","This accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026 Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.","This accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.","Case history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.","Contains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.","Contains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026 Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.","Contains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.","Contains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026 Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.","Contains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.","Contains scripts for \"The Iron Indians,\" about the 1953 William \u0026 Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026 Mary.","Contains black and white photographs of Rene Henry presenting William \u0026 Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.","This accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026 Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026 Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.","22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.","This addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.","Addition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","A single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.","DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.","The papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.","Correspondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School."],"separatedmaterial_html_tesm":["\u003cp\u003ePins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection.\u003c/p\u003e\n","\u003cp\u003e Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04).\u003c/p\u003e\n","\u003cp\u003e Items added to the University Archives Artifact Collection (UA 13) include:\u003c/p\u003e\n","\u003cp\u003e Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Pins that were once part of Acc. 2010.414 have been pulled from this collection and added to the University Archives Artifact Collection."," Artifacts were separated from 2011.734 upon arrival and cataloged in the University Archives Artifact Collection (UA 13) in January 2012. Artifacts include GAISF Congress and General Assembly Tote Bag (2011.734.01), Nemzetközi Sport Film Fesztival Mat (2011.734.02), National Sports Festival Zippered Case (2011.734.03), and U.S. Olympic Committee Portfolio Case with handles (2011.734.04)."," Items added to the University Archives Artifact Collection (UA 13) include:"," Beijing 2008 Olympic Baseball Cap (UA 2010.193.01), Athens '96 Olympics T-shirt (UA 2010.193.02), Barcelona '92 Olympics T-shirt (UA 2010.193.03), Theta Delta Chi Baseball Cap (UA 2010.193.04), Olympic Teddy Bear (UA 2010.193.05), Budapest Gymnastics World Championships Towel (UA 2010.193.06), Dark Blue Olympic Necktie (UA 2010.193.07), Burgundy Olympic Necktie (UA 2010.193.08), Blue Olympic USA  Necktie With Capitol Building (UA 2010.193.09), United States Soccer Federation Necktie (UA 2010.193.10), Blue Olympic USA Necktie (UA 2010.193.11)."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Henry, Rene A., 1933-"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Henry, Rene A., 1933-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":108,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T10:40:36.391Z","scopecontent_html_tesm":["\u003cp\u003eThe collection includes the personal and professional papers of Rene A. Henry including a number of photographs, correspondence, scrapbooks, press releases, and publications that pertain to his life and career in sports marketing, public relations, housing, construction, television, entertainment, association management, and government service. The collection also holds materials from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis series contains documents from the personal and professional life of Rene Henry. Included are a number of certificates ranging from high school Quill and Scroll awards to public relations honors, correspondence, photographs, and Henry's Curriculum Vitae. Highlights of the series are a number of letters from President George H. W. Bush and photographs of individuals such as NFL Hall of Fame Member Roosevelt \"Rosey Grier,\" actress Mamie Van Doren, and President Gerald Ford. Lists of the correspondence and photographs were provided by the donor.\u003c/p\u003e","\u003cp\u003e1. Personal note of December 19, 1995 from George H. W.Bush 2. Personal note of February 15, 1999 from George H. W. Bush 3. Letter of November 4, 1970 from Bob Finch (then Counselor to President Nixon) regarding my efforts to get the U.S. Department of Health, Education and Welfare to rescind its order against W\u0026amp;M, following up on request of Dr. Paschall. 4. Letter of September 1, 1995 from Charlton Heston 5. Letter of March 2, 1992 from Colin L. Powell (then Chairman of the Joint Chiefs of Staff) regarding The Brownsville Raid, by John Weaver (W\u0026amp;M '32). 6. September 20, 1968 letter from Vice President Hubert H. Humphrey 7. September 12, 1968 letter from Joseph A. Califano, Jr., special assistant to President Nixon 8. September 26, 1968 letter from Senator Jacob K. Javits 9. January 14, 1970 letter from President Richard Nixon. 10. October 10, 1968 letter from Bob Finch when he was lieutenant governor of California 11. July 23, 1969 letter from Senator George Murphy. 12. September 12, 1968 letter from Senator John G. Tower 13. April 16, 2001 letter from Harold Burson, founder and chairman, Burson-Marsteller, the largest public relations firm in the world 14. September 18, 1968 letter from George Romney when he was governor of Michigan 15. September 28, 1969 letter from John Connally when he was governor of Texas 16. April 18, 1968 letter from Robert C. Weaver, Secretary of Housing \u0026amp; Urban Development 17. September 23, 1968 letter from Sen. Edmund S. Muskie 18. September 18, 1968 letter from Sen. Walter F. Mondale 19. January 8, 1970 letter from Charles W. Colson, special assistant to President Nixon 20. December 12, 1991 letter from Tom Bradley, mayor of Los Angeles 21. September 13, 1968 letter from Harold LeVander, governor of Minnesota 22. September 13, 1968 letter from Lester Maddox, governor of Georgia 23. April 22, 1969 letter from Lester Maddox, governor of Georgia 24. September 12, 1968 letter from Kenneth M. Curtis, governor of Maine 25. February 27, 1970 letter from Bob Finch when he was secretary of Health, Education and Welfare 26. September 16, 1968 letter from Robert Docking, governor of Kansas 27. April 22, 1969 letter from Kenneth M. Curtis, governor of Maine 28. December 3, 1968 letter from John H. Chafee, governor of Rhode Island 29. January 22, 1969 letter from Sen. Edward W. Brooke 30. September 18, 1968 letter from Harold E. Hughes, governor of Iowa 31. September 16, 1968 letter from Dan Moore, governor of North Carolina 32. September 12, 1968 letter from Congressman Richard T. Hanna 33. April 25, 1969 letter from Congressman Charles E. Bennett 34. September 19, 1968 letter from Tom M. McCall, governor of Oregon 35. September 19, 1968 letter from Sen. George Murphy 36. October 15, 1968 letter from Charles L. Terry, Jr. governor of Delaware 37. Copy of January 14, 1970 letter from Steve Allen 38. Copy of October 23, 1974 letter from President Gerald R. Ford 39. Copy of June 30, 1992 letter from President George H. W. Bush 40. Copy of October 22, 1988 letter from Vice President George H. W. Bush 41. October 20, 1955 letter from Hays E. Helmick, West Virginia State Forester 42. May 24, 1956 letter from Dean Ray O. Duncan of WVU 43. May 21, 1956 letter from Jake Wade, sports information director at the University of North Carolina 44. May 18, 1956 letter form John T. Cox, director of sports publicity at the U.S. Naval Academy, and former director of public relations for W\u0026amp;M 45. May 21, 1956 letter from Wallace Wade, commissioner of the Southern Conference and former Hall of Fame football coach for Duke 46. May 21, 1956 letter from Ernie Saunders, sports director of WMUR-TV in Manchester, N.H. and Boston.\u003c/p\u003e","\u003cp\u003e1. RAH at Ford-Carter debate at W\u0026amp;M 2. RAH presents gift of California wine to Dr. Paschall, circa 1970 3. RAH presents W\u0026amp;M seal to British Consul General at meeting of W\u0026amp;M Alumni, LA, circa 1968 4. RAH with Robert C. Weaver, first secretary of HUD, autographed 5. RAH at Republican National Convention, Philadelphia, 2000 6. RAH receiving one of several PRo awards from Publicity Club of Los Angeles 7. RAH with Pres. Gerald Ford and Olympic skier Cindy Nelson at Vail, Colorado, 1983 8. RAH with NFL Hall of Fame lineman Roosevelt Grier, circa 1971 9. RAH and George Haycox (W\u0026amp;M '54) with Mamie van Doren in 1953 10. Three Silver Anvils won by RAH from Public Relations Society of America 11. RAH receiving a Silver Anvil from PRSA 12. RAH with Los Angeles Mayor Tom Bradley and John Ferraro, City Council President, receiving proclamation from LA for winning PRSA Silver Anvil for project for the city, circa 1977 13. RAH receiving PRisms award from LA chapter of PRSA, circa 1977 14. RAH with client Harold Steuve of Alta-Dena Dairy with PRo award from Publicity Club of LA for work done for the dairy, circa 1977 15. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 16. RAH at podium of U.S. Olympic Training Center, Colorado Springs, for presentation of Southland Olympia Award to Col. F. Don Miller, circa 1985 17. RAH and Rafer Johnson (right), Olympic gold medalist and lighter of the 1984 Olympic flame, present Southland Olympia Award to Col. F. Don Miller, executive director of the U.S. Olympic Committee. 18. RAH speaking before presenting Southland Olympia Award to Olympic skier Steve Maher in Yakima, Washington 19. RAH speaking at one of his presentations of the Southland Olympia Award 20. RAH during filming of a series of syndicated television series on tennis tips with tennis pro Vic Braden, circa 1976 21. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 22. RAH at Almaden Vineyards with photographer Tom Vano, circa 1968 23. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 24. RAH hosting tasting of California wines at home in Santa Monica, circa 1968 25. RAH with Sen. Tom Kuchel (R-Calif.), Senate minority whip, circa 1968, autographed 26. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 27. RAH and Edgar Bergen (Charlie McCarthy), June 1970, Bel Air Country Club 28. RAH (at podium, behind cameras) holding press conference when Indiana Pacers (NBA) announced signing of first woman player for NBA, Anne Myers of UCLA, circa 1978, Los Angeles 29. RAH welcome at The Forum, Los Angeles 30. RAH circa 1965 31. RAH as Pfc on active duty in U.S. Army, circa 1958 32. RAH with group at sports conference in Monte Carlo, circa 1977 33. RAH and Ira Shepard, circa 1995 34. RAH hosts press conference in Mexico City for The Fernandez Commission, with Fernando Oaxaca, Ben Fernandez and Felix Sanchez, circa 1976 35. RAH as one of five first place award winners in San Francisco Publicity Club, circa 1958 36. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 37. RAH with Art and Mrs. Linkletter and Hot Rod Hundley at wine tasting at home of Vincent Price, circa 1967 38. RAH doing television interview for program discussing toys for client Playskool 39. RAH making Southland Olympia Award presentation to Olympia judo player Bob Berland in Chicago 40. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 41. RAH moderates panel of housing producers for meeting of security analysts in Houston, circa 1970 42. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 43. RAH speaking before presenting Southland Olympia Award to Olympian diver Kelly McCormick at Ohio State, circa 1983 44. RAH with his two partners at ICPR Public Relations, Los Angeles 45. RAH Mercedes with Texas A\u0026amp;M affinity license plate, 46. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, November 10, 1983. 47. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 48. RAH in San Diego making Southland Olympia Award presentation to Olympic cyclist Mark Gorski 49. RAH speaking before presenting Southland Olympia Award in Los Angeles to Olympic gold medalist Tracy Ruiz 50. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 51. RAH speaking at annual San Jose All Sports Banquet in 1985 and making presentation of Southland Olympia Award 52. RAH at annual San Jose All Sports Banquet in 1985 and holding Southland Olympia Award with Olympians Terry Schroeder, Ed Burke, Pablo Morales and Bob Berland 53. RAH presenting Southland Olympia Award to Olympic gold medalist in shooting Ed Etzel during halftime of basketball game of West Virginia University 54. RAH with Hon. Cari Dominguez, former Assistant Secretary of Labor and former chair of the EEOC, autographed 55. RAH circa 1965 56. RAH during filming of basketball film with Jerry West 57. Pfc RAH on active duty, circa 1958 58. Copy of photo of RAH presenting Southland Olympia Award to W\u0026amp;M's Jeri Daniels (1982) 59. RAH making Southland Olympia Award presentation at U.S. Olympic Pentathlon Training Center, Ft. Sam Houston, San Antonio, Texas, February 15, 1985 60. RAH, George Haycox (W\u0026amp;M '54), Nate Carb (W\u0026amp;M '54) and unidentified sports writer with Mamie van Doren 61. RAH speaking for Southland Olympia Award presentation, circa 1985 62. RAH at desk in Blow Gym when he was W\u0026amp;M sports information director, 1953 63. RAH with Peter Marshall (Hollywood Squares) 64. RAH receiving proclamation from LA Mayor Tom Bradley and LA County Board of Supervisors Chair Kenneth Hahn, June 29, 1984 65. RAH accepts California State Assembly Resolution from Assemblyman Richard Alatorre, circa 1976.\u003c/p\u003e","\u003cp\u003eThis series contains materials relating to Rene Henry's professional career: Scrapbooks, publications, magazines, photographs, press releases, and manuals relating to his work in public relations and government agencies. Several manuals cover the promotion of sports, building and housing, and funding for higher education. Also features a scrapbook from Henry's work on the 1988 presidential campaign for George. H. W. Bush and Dan Quayle, as well as several proposals for television documentaries on various subjects.\u003c/p\u003e","\u003cp\u003eThis sub-series includes manuals, pamphlets, scrapbooks, news releases, and photographs relating to Henry's work in sports marketing. Although there is little material concerning his work with the U.S. Olympic Committee, documents pertaining to sports such as basketball, cycling, hockey, soccer, and tennis are available.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from general public relations projects Henry has been involved with. Included are a scrapbook of various news releases from the 1970s, as well as his scrapbook from the 1988 presidential campaign of George H. W. Bush and Dan Quayle.\u003c/p\u003e","\u003cp\u003eThis sub-series contains documents, manuals, and publications relating to Henry's work in building and housing projects. Materials include promotional items on architecture, building technologies, and real estate, as well as documents relating to his work with the National Institute of Building Sciences and the Environmental Protection Agency.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials from the latter part of Henry's professional career. Documents include commentaries and reviews on the works he has authored, a manual for increasing funding for higher education in Texas, remarks and speeches, publications from the U.S. Department of Labor, various proposals for television documentaries, and his screenplay for the film \"West Virginia Kid.\"\u003c/p\u003e","\u003cp\u003eSeries 3 consists of new accessions not yet arranged and described. This material will later be integrated with series 1 and 2 and/or new series may be created as needed. Material received after October 2008 is not described in a detail manner.\u003c/p\u003e","\u003cp\u003eAcc. 2008.123 includes material from Henry's tenure at West Virginia University as Sports Information Director (1954-1956), his active duty service in the U.S. Army (1956-1958) and assignment to the U.S. Military Academy at West Point, his professional career in San Francisco (1959-1967) and his early years in Los Angeles.\u003c/p\u003e","\u003cp\u003eThis accession includes material from the Council of Housing Producers of which Henry was executive director; promotional and fundraising publications; photographs and programs from the New York Baseball Writers' and New York Basketball Writers' Dinners; material related to The Common Glory; Henry's acceptance telegram and first report card from the William \u0026amp; Mary; material related to the reactivation of Sigma Nu fraternity at the College of William \u0026amp; Mary; and other material.\u003c/p\u003e","\u003cp\u003eThis accession includes news articles about and relating to Henry and correspondence from various individuals many recommending Henry for positions in government as well as other professional matters.\u003c/p\u003e","\u003cp\u003eA set of 15 slides of a mobile home from a design by Frank Lloyd Wright and manufactured by National Homes Corporation in 1972. Henry was part of the team that launched the introduction of a single-wide and double-wide mobile home. Also includes is a copy of published material describing the mobile homes as well as floor plans and suggested retail prices for each.\u003c/p\u003e","\u003cp\u003eThis accession contains news clippings, photographs, and other material related to both school and professional life of Rene Henry, class of 1954 at William \u0026amp; Mary. Included in this accession are articles written by Henry while on the newspaper at Granby High School in Norfolk, Virginia from 1948 to 1951; photographs, including Henry with his Sigma Nu fraternity in 1953, Old Dominion dormitory circa 1952, and miscellaneous photographs of Henry traveling internationally; photographs and clippings from Roosevelt Junior High School in Charleston, West Virginia from 1946 to 1948; and complete sets of \"Builder Marketing Commentary\"; from July 1981 through February 1987 and \"Manufactured Housing Overview\"; from September 1982 through November 1984, which were all written by Henry.\u003c/p\u003e","\u003cp\u003eThis accession includes material related to the modern Olympic games collected by Rene Henry including pamphlets, ephemera, clothing and other textiles, pins, patches, and other material.\u003c/p\u003e","\u003cp\u003eCase history of the groundbreaking ceremony for the George H. W. Bush Library and Museum at Texas A\u0026amp;M University in College Station, Texas. It was awarded the 1995 Silver Spur by the Texas Public Relations Association for the best campaign of the year. Henry created and directed the effort.\u003c/p\u003e","\u003cp\u003eContains correspondence to Rene Henry from various notable individuals such as West Virginia Governor Joe Manchin, signed photographs (Rafer Johnson, Hot Rod Hundley, Don Drysdale, and members of the 1955 West Virginia University football team), as well as genealogical information on Henry's family.\u003c/p\u003e","\u003cp\u003eContains clippings from newspaper articles and various publications either about Rene Henry or written by him; photographs of Henry during his years at William \u0026amp; Mary as well as with notable people including Vincent Price, Harriet Nelson, Karl Malden, and Andy Williams; and a compact disc containing clips from the 2008 Olympic Games in Beijing including the Olympic City, People's Lake, Modern Architecture, and Places of Great Interest. The compact disc was produced by the Beijing Organizing Committee for the Games of the XXIX Olympiad.\u003c/p\u003e","\u003cp\u003eContains correspondence, articles, programs, and photographs collected by Rene Henry. Included in this accession are correspondence with Lou Holtz and Don Keough, Chairman of Allen and Co.; fraternity and presidential candidate pins; articles written by Mr. Henry for publications; a certificate of appreciation from the 1984 Olympic Committee; photographs of Mr. Henry at alumni meetings and with athletes Don Drysdale and Sven Tumba; and material related to the inauguration of Charles Hitch as president of the University of California, Los Angeles in 1968.\u003c/p\u003e","\u003cp\u003eContains correspondence and clippings collected by Rene Henry concerning his book, \"Iron Indians,\" about the 1953 William \u0026amp; Mary football team. Also included are Henry's membership cards in the Academy of Televison Arts and Science and the Academy of Motion Picture Arts and Sciences.\u003c/p\u003e","\u003cp\u003eContains the April May 1997 issue of the \"Olympic Review,\" featuring the five finalists for the 2004 Olympic Games, as well as posters related to the Olympics. The posters include seven 27 1/2\" x 19 1/2\" posters produced by the Southland Corporation for the 7-11 chain featuring past Olympians and their achievements. The athletes include Jim Thorpe in 1912, Babe Didrikson in 1932, Bob Mathias in 1948, Andrea Mead Lawrence in 1952, Shun Fujimoto in 1976, Harrison Dillard in 1948, Abebe Bikila in 1960, Lillian Copeland and Wilhelmina von Bremen in 1932, and Dorand Pietri and Johnny Hayes in 1908; four 27 1/2\" x 22\" posters featuring official British Amateur Athletic Board Coaching Charts for sprinting, long jump, high jump, and relay races; one 28 3/4\" x 19\" poster featuring the 1982 calendar by SunTour, a bicycle company from Japan; one 22\" x 28\" poster for the 1983 National Sports Festival held in Colorado Springs, Colorado featuring a gold, silver, and bronze medal from the games; and one 21 1/2\" x 32\" poster adversting the 1984 U.S. Olympic Stamp Collection featuring stamps for each sport in the Olympic Games.\u003c/p\u003e","\u003cp\u003eContains scripts for \"The Iron Indians,\" about the 1953 William \u0026amp; Mary Football Team, and \"West Virginia Kid,\" the story about the life of Hot Rod Hundley, assorted clippings, and correspondence to Mr. Henry, including a couple from Taylor Reveley, President of William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eContains black and white photographs of Rene Henry presenting William \u0026amp; Mary President Davis Y. Paschall with three wine bottles, and Rene Henry and others testifying before the House Committee for HUD and Independent Agencies that had oversight over NIBS.\u003c/p\u003e","\u003cp\u003eThis accession consists of two digital photographs, three writings by Rene Henry, and a group of paper and digital materials related to Henry's efforts to turn his 2010 book \"The Iron Indians,\" about the 1953 William \u0026amp; Mary football team, into a motion picture. One photograph is a scanned image of Colin Powell and Rene Henry at Henry's 2012 Alumni Medallion ceremony; the other photograph is Rene Henry and Marshall Ries at the Sigma Nu Fraternity National Convention, Mackinanc Island, Michigan, 1953. Henry was recording secretary and Ries treasurer of the Epsilon Iota chapter of Sigma Nu at William \u0026amp; Mary. Materials related to \"The Iron Indians\" project include correspondence, Documentation of Registration with the Writers Guild, a screenplay, and press releases. A copy of the book \"The Iron Indians\" was not retained since there are already copies in the library's general collection as well as in Special Collections.\u003c/p\u003e","\u003cp\u003e22 photos, 3 scans, 3 receipts, 2 newspaper clippings, an article, a booklet, and Colonel Re-Echo Class of 1954.\u003c/p\u003e","\u003cp\u003eThis addition contains a  2011 Alumni Medallion Ceremony DVD, program, acceptance remarks, correspondence, business cards and articles featuring Rene Henry.\u003c/p\u003e","\u003cp\u003eAddition includes correspondence with AP Stylebook, Bicycle safety club membership card, US Environmental Protection Agency reports, and printed material documenting the life of Rene A. Henry. Red flag with entitled \"West Coast Y.C. singlehanded\" also included.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003. Addition also includes DVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eA single signed copy of a 1975 Berry's world cartoon. The cartoon is signed by author Jim Berry. Berry's World was a syndicated daily editorial cartoon that ran from February 18, 1963, through March 1, 2003.\u003c/p\u003e","\u003cp\u003eDVD, photographs, clippings, and notes documenting the life of Rene A. Henry. Photographs include those of Sigma Mu fraternity, as well as DVD documenting the annual Caribbean Broadcasting Union in Saint Maarten. Papers document english teaching in Mexico.\u003c/p\u003e","\u003cp\u003eThe papers include email and written correspondence; with names including Gordon Gee, Brian D. Mann, and Jay Gaidmore.\u003c/p\u003e","\u003cp\u003eCorrespondence, a program for The Silver Anvil Awards Evening 2006, a flash-drive labeled \"photos,\" and a 1951 diploma from Granby High School.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9040_c11_c03_c01"}},{"id":"viw_repositories_2_resources_10087_c02_c03","type":"File","attributes":{"title":"Club membership and program calendars","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_10087_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_10087_c02_c03","ref_ssm":["viw_repositories_2_resources_10087_c02_c03"],"id":"viw_repositories_2_resources_10087_c02_c03","ead_ssi":"viw_repositories_2_resources_10087","_root_":"viw_repositories_2_resources_10087","_nest_parent_":"viw_repositories_2_resources_10087_c02","parent_ssi":"viw_repositories_2_resources_10087_c02","parent_ssim":["viw_repositories_2_resources_10087","viw_repositories_2_resources_10087_c02"],"parent_ids_ssim":["viw_repositories_2_resources_10087","viw_repositories_2_resources_10087_c02"],"parent_unittitles_ssm":["Norge Community Club records","Program Calendars and Directories"],"parent_unittitles_tesim":["Norge Community Club records","Program Calendars and Directories"],"text":["Norge Community Club records","Program Calendars and Directories","Club membership and program calendars","box 6","Folder 11"],"title_filing_ssi":"Club membership and program calendars","title_ssm":["Club membership and program calendars"],"title_tesim":["Club membership and program calendars"],"unitdate_inclusive_ssm":["2010 - 2025"],"normalized_date_ssm":["2010/2025"],"normalized_title_ssm":["Club membership and program calendars"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Norge Community Club records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":35,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"containers_ssim":["box 6","Folder 11"],"_nest_path_":"/components#1/components#2","timestamp":"2026-06-02T07:04:12.381Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_10087","ead_ssi":"viw_repositories_2_resources_10087","_root_":"viw_repositories_2_resources_10087","_nest_parent_":"viw_repositories_2_resources_10087","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_10087.xml","title_filing_ssi":"Norge Community Club records","title_ssm":["Norge Community Club records"],"title_tesim":["Norge Community Club records"],"unitdate_ssm":["1907 - 2025"],"unitdate_inclusive_ssm":["1907 - 2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00433","/repositories/2/resources/10087"],"text":["MS 00433","/repositories/2/resources/10087","Norge Community Club records","Norge (Va.)--History","Norge (Va.)","Clubs","Clubs--United States--Minutes","Clubs--Virginia--Williamsburg","Scrapbooks","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The Norge Community Club, previously called \"Viking Hall\", and recently in 2026 retitled to the \"Norge Community Hall Association,\" was founded in 1907 by a group of men who wanted to build a centrally-located place to host meetings, dances and parties in Norge. By 1920, the building had slowly fallen into disrepair and was purchased by the Norge Home Demonstration Club for $950 and refurbished. It eventually gained an indoor basketball court, the interior stage was used for plays and recitals, church meetings, and other such events.","In 1923, the hall was moved 25 feet back from Route 60 to accommodate road widening projects, which led to the digging of a basement, a furnace installation, and later in the 1950s, a relocation of the kitchen from the front of the structure to the side.","The hall continues to be in use by the community to this day. The managing organization was renamed \"Norge Community Hall Association\" as it became a charitable non-profit with a board of directors to formally oversee operations.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Materials related to the organization and running of the Norge Community Club, such as: scrapbooks, correspondence, photographs, publication clippings, meeting minutes, newsletters, agendas, membership information, invoices, and account books.","Dark blue binder.","Light blue binder.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00433","/repositories/2/resources/10087"],"normalized_title_ssm":["Norge Community Club records"],"collection_title_tesim":["Norge Community Club records"],"collection_ssim":["Norge Community Club records"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Norge (Va.)--History","Norge (Va.)"],"geogname_ssim":["Norge (Va.)--History","Norge (Va.)"],"places_ssim":["Norge (Va.)--History","Norge (Va.)"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"access_subjects_ssim":["Clubs","Clubs--United States--Minutes","Clubs--Virginia--Williamsburg","Scrapbooks"],"access_subjects_ssm":["Clubs","Clubs--United States--Minutes","Clubs--Virginia--Williamsburg","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet Three records cartons, two extra large hollinger boxes, and one oversize flat box."],"extent_tesim":["5 Linear Feet Three records cartons, two extra large hollinger boxes, and one oversize flat box."],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThe Norge Community Club, previously called \"Viking Hall\", and recently in 2026 retitled to the \"Norge Community Hall Association,\" was founded in 1907 by a group of men who wanted to build a centrally-located place to host meetings, dances and parties in Norge. By 1920, the building had slowly fallen into disrepair and was purchased by the Norge Home Demonstration Club for $950 and refurbished. It eventually gained an indoor basketball court, the interior stage was used for plays and recitals, church meetings, and other such events.\u003c/p\u003e\n","\u003cp\u003eIn 1923, the hall was moved 25 feet back from Route 60 to accommodate road widening projects, which led to the digging of a basement, a furnace installation, and later in the 1950s, a relocation of the kitchen from the front of the structure to the side.\u003c/p\u003e\n","\u003cp\u003eThe hall continues to be in use by the community to this day. The managing organization was renamed \"Norge Community Hall Association\" as it became a charitable non-profit with a board of directors to formally oversee operations.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Norge Community Club, previously called \"Viking Hall\", and recently in 2026 retitled to the \"Norge Community Hall Association,\" was founded in 1907 by a group of men who wanted to build a centrally-located place to host meetings, dances and parties in Norge. By 1920, the building had slowly fallen into disrepair and was purchased by the Norge Home Demonstration Club for $950 and refurbished. 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We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eNorge Community Club records, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Norge Community Club records, Special Collections Research Center, William \u0026 Mary Libraries."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the organization and running of the Norge Community Club, such as: scrapbooks, correspondence, photographs, publication clippings, meeting minutes, newsletters, agendas, membership information, invoices, and account 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restrictions.","Arranged by acquisition date.","\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. 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Topics and publishing locations vary - see inventory for more details.","Publisher: Gato Negro Ediciones, Mexico.","Publisher: Oficyna Peryferie, Poland.","Publisher: Gfeller + Hellsgård.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Water With Water and VCU Arts Qatar.","Publisher: nos:books, Taiwan.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, 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Editor: Alfonso Santiago.","Publisher: Discos Cuchillo, Mexico.","Publisher: La Silueta, Colombia.","Published in Mexico.","Publisher: Fibra Casa Editora, Argentina.","Publisher: Casa Fibra, Argentina.","Publisher: Fibra Casa Editora, Argentina.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, U.S.A.","Publisher: Grafiskie stāsti, Latvia.","Content Warning: Graphic sexual content.","Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Huella, galería de arte \u0026 taller, Bolivia.","Publisher: Paradise Systems, China.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher:  Alacraña and Libros de Mano, Mexico.","Publisher: Asian_Food_Design, Japan.","Publisher: Gato Negro, Mexico.","Publisher: Gato Negro, Mexico.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains international, non-U.S. art publications, such as zines, art zines, comics, and other micro-press or self-published publications, created from 2009-2023.","R 73, C 3, S 2","George Mason University. Libraries. Special Collections Research Center","English \n,        Spanish; Castilian \n,        Chinese \n,        Latvian \n.    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These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.\u003c/p\u003e\n","\u003cp\u003eZines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. Zines are \"DIY\" by nature, and are usually only available in limited quanities.\u003c/p\u003e\n","\u003cp\u003eZines - short for \"fanzines\" - became popular with underground science fiction fan circles\nin the 1930s and 1940s, and grew expoentially in underground and counterculture circles in the 1960s and 1970s. The invention of the copy machine in the 1970s expanded growth even more. Zines and zinesters have continued to thrive into the 21st century.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["\"Art publishing\" is an umbrella term used for publications such as zines, art zines, comics, as well as small/micro-press publications, self-published works, and art publishing projects. These publications are often difficult to categorize, but usually are produced in limited quantities with a focus on artistic expression and personal narratives.","Zines are small, handmade publications, usually self-published with limited runs. The subjects covered by zines run the gamut of humanity's interests, as anyone can be a \"zinester.\" Zines often include art, poetry, and the personal interests and experiences of the zinester, or author. 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Finding aid completed by Amanda Menjivar in October 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Amanda Menjivar from July - September 2024. Finding aid completed by Amanda Menjivar in October 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the \u003cextptr show=\"new\" title=\"Mid-atlantic zines and minicomics collection\" href=\"https://aspace.gmu.edu/resources/c0316\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"Tijuana Bibles collection.\" href=\"https://aspace.gmu.edu/resources/c0387\"\u003e\u003c/extptr\u003e It also holds an extensive \u003cextptr show=\"new\" title=\"Artists' Book collection.\" href=\"https://scrc.gmu.edu/rare\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"D.C. Public Library\" href=\"https://digdc.dclibrary.org/islandora/object/dcplislandora%3A38043\"\u003e\u003c/extptr\u003e and the \u003cextptr show=\"new\" title=\"University of Maryland\" href=\"https://archives.lib.umd.edu/subjects/1785\"\u003e\u003c/extptr\u003e hold zines collections. A list of Virginia institutions with zines collections can be found \u003cextptr show=\"new\" title=\"here.\" href=\"https://lva-virginia.libguides.com/c.php?g=1332410\u0026amp;p=9812980\"\u003e\u003c/extptr\u003e\u003c/p\u003e\n","\u003cp\u003eThe \u003cextptr show=\"new\" title=\"Library of Congress\" href=\"https://www.loc.gov/exhibitions/comic-art/about-this-exhibition/comic-books-and-beyond-1940s-to-2000s/minicomics/\"\u003e\u003c/extptr\u003e, the \u003cextptr show=\"new\" title=\"University of Michigan\" href=\"https://guides.lib.umich.edu/comics/minicomics\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"San Diego State University\" href=\"https://archives.sdsu.edu/repositories/2/resources/116\"\u003e\u003c/extptr\u003e hold minicomics collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the   and the   It also holds an extensive ","The   and the   hold zines collections. A list of Virginia institutions with zines collections can be found ","The  , the  , and   hold minicomics collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.\u003c/p\u003e\n","\u003cp\u003eMaterials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro Ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Oficyna Peryferie, Poland.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Water With Water and VCU Arts Qatar.\u003c/p\u003e","\u003cp\u003ePublisher: nos:books, Taiwan.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Gfeller + Hellsgård.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Biedrība Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: La Silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: komikss magazine kuš!, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Roma Publications, Netherlands.\u003c/p\u003e","\u003cp\u003ePublisher:\u003c/p\u003e","\u003cp\u003ePublisher: kolectivo_jajaja, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Sex Zine, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Polvoh Press, Oaxaca, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher:  Alacraña and Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Uroboros Editorial press, Mexico\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: la silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: alacraña and lapis, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Latvian Centre for Contemporary Art, Latvia\u003c/p\u003e","\u003cp\u003ePublisher: Ediciones Hungría, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: piedra ediciones, Mexico. Editor: Alfonso Santiago.\u003c/p\u003e","\u003cp\u003ePublisher: Discos Cuchillo, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: La Silueta, Colombia.\u003c/p\u003e","\u003cp\u003ePublished in Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Fibra Casa Editora, Argentina.\u003c/p\u003e","\u003cp\u003ePublisher: Casa Fibra, Argentina.\u003c/p\u003e","\u003cp\u003ePublisher: Fibra Casa Editora, Argentina.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e","\u003cp\u003ePublisher: Paradise Systems, U.S.A.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003eContent Warning: Graphic sexual content.\u003c/p\u003e","\u003cp\u003eGrafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Huella, galería de arte \u0026amp; taller, Bolivia.\u003c/p\u003e","\u003cp\u003ePublisher: Huella, galería de arte \u0026amp; taller, 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Latvia.\u003c/p\u003e","\u003cp\u003ePublisher: Grafiskie stāsti, Latvia.\u003c/p\u003e","\u003cp\u003ePublisher:  Alacraña and Libros de Mano, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Asian_Food_Design, Japan.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e","\u003cp\u003ePublisher: Gato Negro, Mexico.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains international art publications, such as zines, art zines, comics, and other micro-press or self-published publications. This collection was curated by Stephanie Grimm, Art and Art History Librarian at George Mason University Libraries, to provide a concentrated example of art publishing through a non-American lens.","Materials were created between 2009-2023. Topics and publishing locations vary - see inventory for more details.","Publisher: Gato Negro Ediciones, Mexico.","Publisher: Oficyna Peryferie, Poland.","Publisher: Gfeller + Hellsgård.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Water With Water and VCU Arts Qatar.","Publisher: nos:books, Taiwan.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Gfeller + Hellsgård.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Biedrība Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: Grafiskie stāsti, Latvia.","Publisher: La Silueta, Colombia.","Publisher: Libros de Mano, Mexico.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Paradise Systems, U.S.A.","Publisher: Libros de Mano, Mexico.","Publisher: komikss magazine kuš!, Latvia.","Publisher: Paradise Systems, U.S.A.","Content Warning: Graphic sexual content.","Publisher: Paradise Systems, 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